I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt
“Woah. You look like shit."
Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.
The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.
"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."
And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.
The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.
If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.
"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.
"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.
"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.
The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.
He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."
There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.
"Daniel? Quit your games, badger, Gotham is dangerous for children."
Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"
"Daniel? Is that you?"
His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.
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I think a lot about Leo standing up for his brothers in the things that really matter to them.
Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.
Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.
And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.
All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.
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honestly I absolutely love the Avvar in Jaws of Hakkon. How they worship the gods, how they view the world around them, how accepting they are and just how interesting they are too. I absolutely despise how the Inquisitor and Companions make commentary as if they're stupid or wrong in their beliefs, or that they're "just crazy people who worship spirits".
The dialogue you don't choose or even the ones you do are on the line of condescending, and it's frankly insulting, especially that all options on the dialogue wheel fall on that line.
the Avvar are so fucking cool, I hate we only get a DLC with them. (I also miss the Chasind - I wish they weren't forgotten or left in the dirt by BioWare :( )
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Hi, just saying, DMs exist for a reason, and if you're going to shit on fics/writers on tumblr dot com where they could VERY easily see it, maybe just don't? Have a shred of empathy and just imagine what it might feel like if you came across someone talking about you and something you were proud of one day. And no, obviously I'm not talking about fics that are racist. I'm talking about ones that just aren't to your taste. Nobody's saying you have to like them. Nobody's saying you have to read them. Just don't be a fucking dick about them in public.
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Now I’m interested in your dad’s take. If it’s not invasive, please share?
\(´∀`)/
HI HELLO!!!!!! I’d happy to share, I love talking about these things!!!!! It might get a bit rant-y but I promise I’m just trying to cover all bases :]
Some context: my dad grew up with cats, specifically the 1983 broadway album, which means that while he’s never seen the 1998 movie, he has seen the show live 2-3 times, (my family is pretty musical-my grandma saw the og show with Betty Buckley, and I’ve never been more jealous of anybody in my entire life).
So: we were talking about stuff and nonsense and I explained the newsies vs cats poll. Obviously he knew a bit about both shows, as I’d recently been in newsies and made him watch the Broadway version.
He of course immediately started talking about how many criticisms you could do of each show. It quickly devolved into him bitching about Skimbleshanks and Santa Fe, because he hates both of them in equal measure, (although Santa Fe may take the cake. He despises the entire plot line).
I brought up the criticism that many musical fans seem to have about cats: “it’s not about anything” or “it doesn’t have a theme/plot.”
“That’s just blatantly not true, munkustrap, (I called him gray cat guy in the conversion), explains the plot in the third song. You know, jellicles go to the jellicle layer, blah blah blah.”
“Well, sure,” said he, “but what’s the show really about then?”
“Uhhhhh,” I said, it being like 11 o clock at night, “it’s mostly about second chances and forgiveness, right?”
To which he said, no. Cats is about pride. More specifically, ego death.
All of the cats are prideful. The Rum Tum Tugger, obviously, but also the Gumbie cat, the old theater cat was the best there’s ever been, as featherfore-whatever his name was. You know, even the stupid train cat. They’re all walking around talking about how great they are, or were, except Grizabella.
She just says “hey, I’m here, I’m done, I’m down and out, and I’ve got nothing and no one. I’m just here. Times were great, but without the memory, I have nothing”
And that’s why they’re like YES. You get to go the heavyside layer. You get it. You deserve your second life.
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people who dislike saiki kusuo i need to pick and prod at ur brain. whats going on in there?
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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
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rdj the (whitewashed) electric boogaloo
This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.
I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.
This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.
I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.
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"No trifling with me! I never jest! There is grim purpose in all I do; and I warn you that you do not thwart me. Take care, for the sake of others if not for your own." Then seeing poor Lucy scared, as she might well be, he went on more gently: "Oh, little miss, my dear, do not fear me. I only do for your good; but there is much virtue to you in those so common flowers."
On the one hand, it's pretty bold of Van Helsing to start shouting about never jesting when he literally has been being light and playful with her pretty much since the moment you met Lucy. But, I get it. He's been doing that in large part to relieve her anxiety and cheer her up/make her comfortable with him. And in fact only a few lines later he tries to go back to being more lighthearted with his little comments about making all these garlands himself. But he also wants to strike a balance between being cheerful with her, and making sure to impress how deadly serious it is that she use these flowers exactly as directed. Any hint of Lucy being dismissive of them is setting him off, especially given how close she's come to death twice already, and how exhausted and stressed he currently is. Still. Rude, man.
This line gives us a nice little glimpse at Van Helsing's stress (freaking out and yelling), his gentleness (the kinder tone soon adopted), his determination (grim purpose), his authoritarian tendencies (the rest of the quote about how she must be obedient and silent)... And, for all I make fun of how badly he reads people all the time, he's actually got Lucy down in that line admonishing her to be careful for others' sakes if not her own.
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I dislike takes that Danse would be just as conservative in modernized aus when it's clearly shown his staunch views of things come from his time in the Brotherhood and his deep-rooted desire to belong to something with a greater purpose.
Not to mention lines that show much more open-mindedness that get overlooked for his harsher sentiments when you first meet him. Like the oppurtunity to be a part of something is why Danse fell so far into Brotherhood dogma and it doesn't negate the offense things he does but I feel like it's just lazy to be like "hmmm he'd def be racist" just so it aligns to his BoS beliefs.
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Correct me if I'm wrong but
Friendly reminder that Katsuki Bakugou is now the only one of Izuku's friends who calls him by his given name "Izuku"...Everyone else still calls him Midoriya or Deku :')
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HELP ok do i text him or not
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someone asked under my post basically what's the difference between genderbend and trans aus since i asked my transmasc riza art to not be tagged as genderbend so i'm rambling about that
someone added this comment when reblogging my transmasc riza where i ask people to not tag it as genderbend since it had been happening to my trans hc posts and i was a lil annoyed. i don't think genderbend is inherently bad obviously because i have my own genderbend au, but there's a clear distinction between genderbend and trans hcs that seem to be obvious but it's also hard to put into words so i felt like talking about it
to me, genderbend is playing with the character's Assigned Gender By The Author and seeing how their traits would translate into the opposite one, since we live in a Society and how we're taught how to think and act is influenced by that, so the way we perceive the character changes and it's fun to play with it... the focus is usually on that regardless of whether the writer/artist makes them cis or trans
As for trans AUs(that make the character a different gender from canon, not necessarily the "opposite" either), or at least my own, it's about taking canon character traits that can be read as signs of being trans and playing with it, with the focus being on the transition process. in my transmasc riza AU the canon timeline is untouched, everything happens exactly as we know it, and only post canon riza starts questioning their gender and then realizes he's male aligned... basically i think all it takes for canon riza to be a guy is to be introduced to the possibility of transitioning lol so it isn't genderbend if it's the same riza as always
so basically, the main difference to me is what you choose to focus on with your AU. genderbends can be trans AUs but trans AUs aren't genderbends most of times. genderbends usually play with gender roles while trans aus are made to play with traits that are already there that could be read as signs, and the transition process...! a lot of people don't like genderbend because of the transphobic connotations the genre is built on, which is very valid, so it's why i and other people don't like it when our trans headcanons built on identification are labeled genderbend. in the end it's about respecting the OP's wishes
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Hiya!!! I'm new and I really like your fics:)
Maybe a Hank, Deimos, and Sanford (separate) with a S/O who is a bit insecure about their weight or curves?
Hey there! Thank you, that's very kind of you! Here you go :-)
Hank, Sanford and Deimos with an Insecure!S/O
Hank: He’s probably one of the worst people to go to when you’re insecure about something, anything at all. If you have a problem with your weight, then just lose some, it’s not that hard. It would take some convincing on your behalf for him to even understand a little bit that it’s not that simple, that it takes time and dedication and is just a pain in general. It’s not that he doesn’t care, but he doesn’t really know how to show that he does. He doesn’t have a way with words, he’s not very cuddly either. But if he sees just how much your weight and your curves bother you, he’ll try a bit harder to cheer you up. Although his words may seem harsh, he means well when it comes to you. Besides, he can just pick you up still, he’s always benefitted from a naturally good physique, so I doubt he won’t be able to. Will sometimes pick you up to show you that it’s not that bad. He loves you, he just doesn’t know how to show it properly. While he won’t ever comment on your appearance, aside from you being cute, he’ll try to help you otherwise. If you ever mention to him how you feel unworthy of being loved, he’ll tell you that it really isn’t a big deal to him. Hank wouldn’t be with you if he didn’t love you beyond that. Might get annoyed if you’re too insecure too often, but he won’t let it out on you. At one point, he’ll likely tell you to shut up and tell you the reasons why he thinks you are beautiful. Again, he’s not very eloquent, but he tries. Anyone who dares to make a mean comment about you will wind up dead very quickly.
Sanford: He has a healthy layer of chub himself, but he’s not insecure about it in the slightest. However, if you show any signs of insecurity about anything, he’s probably the best person to go to. Sanford is a very understanding guy and would try his darndest to make you feel better. You’re gorgeous, you should know as much, but it’s okay if you’re not aware of that fact just yet, you’ll get there eventually. He’s not too eloquent either, but he’ll tell you just how beautiful you are. Your softness is something to be cherished in rough and harsh Nevada. Definitely not above picking you up, laying you down on the nearest soft surface and just holding you for the time being. His hand will be above your stomach so he can squeeze it every once in a while. It just feels nice to him. You’re warm, you’re soft, you’re safe and for once he doesn’t have to worry about getting killed by some no one. Will also use your tummy as the perfect pillow if he ever feels like it, all the while complimenting you on how cute you are and how comfortable he is in the moment. Doesn’t take too kindly to someone else being mean to you. In fact, he doesn’t take too kindly to you being mean to yourself either. If it’s someone else who is making you insecure, then they’ll either wind up dead or with a few broken bones. If you’re being a downer then he’ll cuddle you and nuzzle into you all the while listing all the things he loves about you. It’s his goal to either get you to smile again by the time he’s done, or maybe even hear you giggle a bit. You’re the most wonderful grunt in Nevada, he wants you to be doing well, mentally and physically.
Deimos: If you ever mention around him that you feel as though you’re not pretty enough due to being curvy, then he’ll tell you that that’s fucking bullshit. Not only do you have a lovely personality, you’re also smoking hot to him. That’s one of the reasons why Deimos ended up with you in the first place, you’re everything he was looking for. Since you’re always there for him whenever he needs it, he’ll do the same for you. Like Sanford, he’ll compliment you on your appearance. You’re sexy as fuck, you should be aware of that. You’re royalty, you should carry yourself as such and watch everyone around you go green with envy. Although he hugs you fairly often as it is, he’ll do so more often from now on, just so he can squeeze you in his arms and feel how soft you are. You’ve got the perfect body and Deimos couldn’t have asked for anyone better. Besides, food is scarce in Nevada, you being chubby just means that you’re eating well, another reason why all those other grunts should be jealous of you and worship you instead. Again, if someone ends up being rude towards you, then he’ll break their skull or shoot them. Deimos has his ways of making someone’s life a living hell and he’s not afraid to use them when it comes to you. He’ll hug you, he’ll cuddle you, he’ll compliment you in a vulgar way as well, but you really need to realise your worth. Although it’s hard for him to abstain from touching you, on some days he won’t give you a kiss until you’ve said something nice about your appearance, that’s just how it be then. However, once you’re being nicer to yourself, he’ll go back to his usual self and smother you in love.
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✧ The Ardal stars ✧
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