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oh-my-moomin · 3 years ago

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NGE: You Deserve Love

This is an analysis based solely on the og NGE anime series and not the movie or rebirth series so I won’t be mentioning those.

NGE is a psychological horror/apocalypse story dressed up as a mecha. This farce is only totally dropped in the last 2, even 3 episodes. This can make the ending jarring and seem in cohesive, but ultimately my understanding is that none of the ‘plot’ really matters. Seele doesn’t matter, where the angels come from doesn’t really matter, and the final battle doesn’t matter. This is a story exploring loss, the need for connection, loneliness, and humanity. We see this through not only the interactions of the human characters but also through the angels.

THE HUMANS

The Children

A defining trait of all the characters is that they are lonely. The isolation from human connection is brought on both by the high stress apocalypse they all live in, as well as the personal demons they face. The characters all attempt to create bonds with other people, but are held back by their insecurities, fear of vulnerability, and past traumas.

Let’s start with Shinji, as the main character. Having lost his mother at a young age, and being abandoned by this father, he was never able to feel secure. Therefore he takes on a people pleaser attitude, constantly apologizing. His want for validation (particularly from adults in his life) causes him to continue to take action that he doesn't want to, including piloting the EVA. His self hate and insecurity makes it hard for him to make and trust his own choices. So he relies on others to guide him. When this fails, when he doesn't get the love and validation he craves he tries to quite entirely. But this often leads to the people he cares about being hurt. He's trapped between a rock and hard place.

Asuka was also abandoned, however rather than craving support like Shinji, she chooses to live for herself. She craves independence. She needs to know that she is no longer a child that can be hurt and vulnerable. This is largely shown through both her overt sexuality, and her piloting the EVA. She must be in control of the EVA, she must have power, she must be able to prove herself as the best, the strongest. Because inside she still feels like that hurt desperate child, and that is what she hates most about herself. Unlike Shinji, Asuka is brash and rude, and she expects others to give her the same. She barks and expects you to bark back, but can’t always handle it.

Both of these characters are constantly looking for connection, with both their peers and adults. While Asuka often pushes herself on to people, out of a need to be seen. Shinji cannot take active moves to make meaningful connections, and will shy away from people trying to connect. Asuka hates herself and needs to prove that others love her. Shinji hates himself and cannot imagine that people love him.

The Adults

One of the running themes in the show is motherhood. Typically it is the mother that is expected to love and care for the child, to raise them, show unconditional love, give unwavering support. None of the characters have had this, Shinji and Asuka search for validation that they lost in adults in different ways. Unfortunately for them, none of the adults present are suitable to be parents.

The show makes a point to show that the adult characters are all more complex than the children. They have lived longer and therefore had more time to make mistakes, to get stuck in toxic ideals, to ‘be problematic’. They are not concretely good or bad people (mostly), but rather the result of people who grew up in a post apocalyptic world, trying desperately to stop the salvage it, while also trying to make their own connections. Like the child characters, their past traumas make it harder for them to be more open, vulnerable, and weak, to form that human connection.

I am going to focus on Misato and Ritsuko, since they act as foils when it comes to human connection.

Misato being left as a lone survivor to a terrible accident has left her scared both physically and mentally. Before this she had issues with her parents, as her father seemed to abandon his family in favour of work, leaving her mother devastated. Misato doesn't want to become like her mother, abandoned by a loved one, and she also doesn't want to be her father, a slave to work. To counter this she looks for easy connections, but she never wants to get too close.

When her relationship with Kaji was beginning to feel too real, she began to find flaws. His resemblance to her father was terrifying, so she broke it off. Similarly, when in scenes with Shinji, talking about his insecurities or his want to give up, she is hidden by shadow. She cannot be seen as weak, she cannot offer comfort, she cannot be a mother figure to Shinji. Other ways her searching for easy connection is her drinking beer, or eating take out. She searches for the most basic ways to fulfill her needs, so that she can focus on her main goal of defeating the angels.

Ritsuko is also desperate to find human connection without vulnerability. By fully closing off the whole world she can have no weakness, something which she resents in Misato. She views herself as above the need for connection in that way, and would rather follow in her mothers foot footsteps as a scientist and a woman.

She loved and admired her mother, and hated her. She wants to follow in her footsteps but also would hate to fail in the same ways. She saw how her mother failed to actually mother her, and chose to completely reject that part of herself. Instead she cares for cats, and uses those as a surrogate to having a child. She continues her mothers work as a scientist, constantly striving to improve. And when it comes to the ‘woman’ that her mother was, she knew a stubborn woman who focused solely on one man. So Ritsuko also focused on him, to the point of giving up her cat to her grandmother. Both women tried to create an easy connection with him, both felt that they were his equal, and that they found the one connection that mattered. When it was proven to them that they were a second (third) woman this caused them both to break down. For Ritsuko this meant that even though she closed off the whole world, except for one man, she was still too vulnerable. And her only response was to completely shut down. Because she had no one else.

All of the characters are constantly searching for this connection, trying to show affection without getting hurt. Trying to make sense of the end of the world while also making sense of interpersonal relationships. Their own inner demons getting in the way of honest connection.

Rei

As a clone Rei is a particular case. She is aware that she is not a ‘person’, she isnt meant for human connection. Her isolation is so ingrained into her, planned before she is even ‘born’ so she feels no need to care for anyone except Ikari. She latches onto him, would do anything for him, and has no value in her life because she is aware that she is not real.

However, she still has a human source, Shinjis mother. A human person, who also needed human connection. Rei, when given the chance, does care for people. Shinji is the first person to see her as a peer, and to treat her with kindness. With this start of forming connections, she begins to feel more human, to develop a further need to connect. Even if it's hard to fully separate from the man who created her.

THE ANGELS

The angels act as a foil to the human need for connection. While all of the human characters are lonely and searching for connection with each other, the angels are also lonely and trying to learn what that even means.

There is no scene where the angels are working together, they are solitary, all having the same goal of reaching Adam, but incapable of planning together to achieve it. They instead try to create connection to humans, trying to bond and understand them, without knowing that their methods are harmful.

I believe this can be first seen with the 12th angel. When Shinji is absorbed into the EVA, it is safe to say that the angel was able to understand the merging of human and EVA. This connection allowed Shinji to control the EVA to break free of the angel's shadow. The following month where Shinji is trapped within his EVA, is our first insight into what the human instrumentality project will be like, as well as the goals of the angels.

Since angels cannot connect to each other, the 15th angel attempts to create connection by forcing itself into Asukas mind. It wants to understand her, her emotions, her thoughts, her connections, her love. For her this is a painful experience, akin to rape. She feels dirtied after it. But the attack is a beam of light, with holy music playing, what should be a calming experience. I believe it is fair to say that the angel cannot understand that it is putting her through pain, as it cannot understand any human experiences. Angels are incapable of understanding their own feelings/experiences/wants, and try to use humans as a study from which they can learn.

The following angel confronts Rei about her loneliness. Instead of breaking into her mind through light, it directly entered her body. While talking with her, it questioned what loneliness was, trying to understand its own pain and isolation through understanding hers. Its solution is to merge with Rei, as it believes this would solve both problems.

However, when she refuses, the angel then tries to find another source of connection. Rei cares about Shinji, as both a clone of his mother, and a friend as her own person. The angel can see that this connection is something that she finds precious and tries to take it for itself, as it cannot understand why Shinji wouldn’t feel the same. It cannot understand how complex human connections are, that it cannot simply take Reis form. However, it has learned what pain is, and how to communicate its own pain. As seen when Shinji attacks it. Whether this pain is physical or emotional doesn't matter, because it is the first pain that the angel could express.

The angels discovering what loneliness is acts as a way for the human pilots to begin to explore their own isolation in more depth. For better or worse.

THE FINAL MESSENGER

Our introduction to the final angel is him singing. He takes a human form, can fully communicate to other humans, and doesn’t immediately attack them. This is such a contrast to all other angels that it isn't immediately clear that he even is an angel. Kaworu's first words are (as per the netflix english subtitles)

“Arent songs great? Songs enrich the heart. They're the crowning achievement of Lilin culture”

He loves humans, human culture, human lives, and the human world. He is the first angel who is able to show this. His ability to understand humans allows him to form human connections, and he does so with Shinji.

Kaworu loved Shinji. He would seek out Shinji, take time to bond and communicate with him, and help Shinji open up. He wanted to be close with Shinji, and knew how to be gentle in ways that no other human or angel could. He was patient, because he had time. And Shinji was able to open up to him more than with any other character. Shinji was able to take the initiative to ask to stay with him, to try and form that connection.

All the human characters are struggling with their own demons, with an apocalyptic world. The whole earth is at war and Shinji is in the front lines, surrounded by adults who may want to help him but ultimately can't. Saving everyone is a higher priority to saving one kid, especially when that kid is your strongest soldier. Throughout the series Shinji is given conditional love. It is only when he pilots the EVA, defeats the angels and saves the day that people give him validation. Then comes this boy, who is gentle and kind, who listens. And it's easy, its comfort, its understanding and unconditional love, and its exactly what Shinji has needed for the whole series.

But as a messenger he could never stay, he's temporary and by the end of the episode he understands this. He still is driven to ‘Adam’, he has a mission, but instead he is confronted with Lilith. Kaworu understands that humans and angels cannot live together in harmony, only one can survive. Both Adam and Litlith were made in god's image, but only Adam could stay in the garden of Eden. Death and Life hold equal value to Kaworu, so he doesn't mind the sacrifice, he would rather die to protect humans, to protect Shinji. He can also understand that this is difficult, this is murder, this is killing a friend. So he says “thank you” and he waits.

In other episodes when in a battle, Shinji is constantly being yelled at, told what to do, under constant pressure. But here there is just the same patient understanding that Kaworu has always shown him. No rush for him to take action, just time to process and grieve. Because Kaworu knows Shinji will make the hard choice and he waits, and he smiles, and he continues to love Shinji.

The final angel came down as a messenger and said

“You are important.

I want to talk to you, to know you.

You are in pain, you are fragile and should be protected.

You are worthy of my affection.

I like you. I love you. I was born just so that I could meet you.

Our kind cannot survive together, one of us must die. And you deserve to live.

I will take this burden of death because you deserve a future.

I am glad I could meet you, thank you.

I know this is hard, and I know you need time. I will wait.

Thank you.”

That was the last message to humanity.

And because Shinji is human he says back

“We are the same. I love you too. If only one of us could have lived it should have been you. You are better than me. You should have survived.”

#nge #neon genesis evangelion #shinji ikari #nge analysis #asuka langley sohryu #misato katsuragi #rei ayanami #ritsuko akagi #gendo ikari #kaworu nagisa

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hangovercurse · 4 years ago

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I’d Drop it All for You

Pictures of you and Pete are spread all over the internet, causing a whirlwind of hate to enter your social media.

Request: “Pete content please! anything !!! smut fluff whatever”

Pete x Reader

Warnings: Cursing, depictions of depression and anxiety

A/N: *Insert normal spiel about respecting A.G. and only using her for plot purposes. No harm intended.* Also I wrote most of this after a meeting with my therapist so... enjoy :) (He’s so cute in this gif I wanna kiss his face)

Word Count: 1820

You weren’t one of those people who loved being the center of attention. You knew that being in the spotlight also meant constantly living under a microscope, and you decided a long time ago that that was not for you.

But you were lucky enough to work as an assistant art director at just 24. You were hoping that The King of Staten Island, your newest project, would help get your name out into the professional world. But that wasn’t the only thing to come out of the film.

It happened unexpectedly, you showed up on set the first day, ready to do whatever the art director required of you. You couldn’t help but be slightly distracted by the lead actor and writer, Pete Davidson. He was so kind and funny, and he wasn’t uptight like everyone else.

After a few hours of filming, he came up to you, introducing himself. He said he “wanted to get to know everyone working on the project,” but you didn’t see him introducing himself to anyone else. You two started talking during breaks. Then he started sitting with you at lunch. Then he was asking for your number.

In a matter of weeks he was asking you out to dinner, taking you to a cozy restaurant that you absolutely adored. He walked you home, his hand grazing yours until you intertwined your fingers.

It was all very romantic, so when Pete asked if he could take you on another, you obviously said yes. Flash forward two weeks and he finally got the courage to ask you to be his girlfriend, even though you were both exclusively seeing each other already.

After filming ended 2 months later, you were still working on the film in post, which meant you had an excuse to stay in Staten Island with Pete. After about 2 weeks in post, you spent more nights in his bed than your hotel’s.

Nearly 6 months later and you were happier than ever. You were splitting your time between your small apartment in the Bronx and Pete’s basement apartment. Pete introduced you to most of his friends, and you introduced him to yours.

But other than your small circles of friends, you kept your relationship fairly quiet. Pete doesn’t have social media and yours is strictly professional, so there are no pictures of you two together. You weren’t hiding each other, you loved each other, you just had no reason to tell tabloids. And you were perfectly happy with that.

Which made it so much worse when various news sites had pictures of you two holding hands. Had they been anyone else you would’ve thought they were cute, walking along the South Beach oceanside at night.

Pete had been in the SNL studio all day when the pictures were released, while you were in his apartment, trying your best to focus on the photoset in front of you. The production team wanted the film to scream “teen romance,” which basically entails subtle pink undertones and a higher saturation. But you couldn’t quite get the coloring right, probably because you weren’t actually focusing on the colors.

You sighed, looking at the time and realizing that Pete won’t be back until sometime after 2am, which was a whole 5 hours away. You let out a huff, pushing away from the desk and making your way to Pete’s closet and searching for one of his hoodies. They always smelled like him (and weed), so it was a comfort to you.

You crashed onto the bed, finding the phone that you had tossed there a few hours earlier. Turning it on you were surprised by the number of notifications you were getting. You knew the photos had surfaced but you weren’t expecting this.

Your Instagram was blowing up with new follows, likes, and comments. It was kind of exciting at first until you started reading some of the comments.

I mean, we knew he would downgrade from Ari, but this is like… really far down.

This girl really thinks she’s special just bc Pete’s dating her. Hun he could do so much better

Who is she?!? Literally no one.

Someone needs to show her how to dress

That hairstyle is not it honey

Pete Davidson is dating YOU??? He could do sooo much better

Ari was prettier sorry not sorry

The entire comment section on your last post, a picture of you on the set of your latest film, was pretty much the same. There were some nice comments, but a lot of mean ones.

And you couldn’t help it, you couldn’t stop looking at them. It felt so cliché, but it was like all of your deepest insecurities about being with Pete were thrown out on the table.

You knew that Pete had a fairly large following, and that a lot of people had really strong feelings about him. You had expected that if and when your relationship went public you would have a lot of people watching you, scrutinizing you. But you didn’t care because Pete was worth it.

Now you weren’t so sure. It wasn’t that you couldn’t handle people talking bad about you, because you definitely could, even if it hurt. You just weren’t expecting the amount of people comparing you to Ariana or saying that Pete could do so much better.

And it only bothered you so much because you felt it too. Your inner demons loved to remind you that Pete had dated Ariana fucking Grande and now he’s dating you. Anyone could see an obvious downgrade.

You turned your phone off and threw it on the opposite side of the bed, trying to think positive thoughts. “I am in control of my own thoughts and emotions. I am catching my negative thoughts and fixing them.” You murmured your therapist’s mantra to yourself, but it was too late. The thoughts had already taken hold of your mind.

Your eyes started to water as you could feel the heavy feeling in your chest set in. You pulled the hood over your head, pulling the straps to hide as much of your face as possible, and pulling your knees to your chest. You laid like that for a while, tears falling as doubts ran through your head. Once you had effectively exhausted your thoughts, you went numb. Your tears had stopped, but you couldn’t move. This wasn’t an unfamiliar feeling, but it sure wasn’t pleasurable.

There was a sort of buzzing throughout your body, almost like the feeling when your foot falls asleep, but everywhere. It seemed to block out your sound, as you didn’t hear the basement door open. You only knew that Pete was home when he sat beside you on the bed, pulling the hood off your face.

“There’s my beautiful girl.” He smiled at you. You tried your best to fake one back, but you honestly couldn’t find the energy. Pete pulled you so you were sitting up, back pressed against his front. His arms wrapped around your middle as he pressed a kiss to your temple. “What’s goin on?” He murmured against your skin.

“Did you see them?” You asked, your voice quiet and hoarse.

Pete let out a sigh, “Yeah, I saw them.” He paused, his hold on you getting tighter, like he was making sure you couldn’t leave. “I’m sorry baby. I know you didn’t want it to be a whole big thing.”

You turned your head to face him, “It’s not that. I really don’t mind that people know. We weren’t trying to hide anything.”

He smiled, “Yeah, I know I just- it was nice having this to ourselves.”

He wanted to hide you. He’s embarrassed of you.

Your inner dialogue never seemed to shut up.

You turned away from Pete, trying to hide the tears forming in your eyes. “Yeah.” You whispered.

“What’s wrong, you’re still upset.” He rocked you in his arms, kissing the top of your head. You shrugged in response, not trusting yourself to talk. “You can talk to me, y’know.”

You nodded, leaning further into Pete’s chest. “People found my Instagram.” You murmured, looking down and tracing the arrow tattoo on his hand.

“Whaddya mean? I thought it was public?” He furrowed his eyebrows.

You sighed, wishing you hadn’t said anything. “Yeah, it is. But after all the articles people started following me and shit.”

“I would ask how that’s a problem but I deleted my Instagram so I can’t really talk.” You could tell he was trying to make you feel better, but you couldn’t seem to get out of your haze.

You shook your head, deciding to drop the matter. “It’s not, I’m just being overdramatic.” You sighed, putting on a fake smile and facing him fully. “Wanna watch a movie?” You asked, trying to change the topic.

He gave you the I-know-you’re-bullshitting-me look, which made you look down. “Something’s bothering you, Y/N. And you’re trying to pretend it doesn’t because you think your feelings aren’t valid, but they are.” He tilted his head, trying to meet your eyes that were still trained on the bedsheets below you.

“Where’d you learn that one?” You chuckled half-heartedly.

“Rehab part 2” he smiled, hand coming to your jaw to tilt your head up. “C’mon, talk to me. I wanna help.”

You huffed, moving towards the opposite side of the bed where your phone laid. You opened it, finding your Instagram, and showing him the comments. His eyebrows furrowed as he scrolled through the comments. When he decided he’d had enough he put your phone down, grabbing your waist and lifting you onto his lap so you were essentially straddling him.

He leaned his forehead against your own, your noses touching. “That’s all bullshit, you know that, right?”

You looked down, biting your lip. “Y/N you’re the most amazing, most beautiful woman I’ve ever met, okay? I’m in love with you, not anyone else.” Pete’s eyes were searching yours, trying to figure out what was going on in your head.

“I know.” You sighed, “It’s just hard to be with you and not compare myself to her. And then all these people started to do it too, and they kept saying that you could do so much better and you can. So, I dunno I guess I just kind of spiraled.”

Pete captured your lips in a long, passionate kiss. “Y/N. There is literally no better than you. I can’t do better because you are the best woman I have ever loved. “

You pulled Pete in for another kiss. “Thank you, Pete. I love you.”

“I love you too. If this happens again, I want you to call me. I don’t care what I’m doing, I’d drop it all for you.” You smiled, sitting in the arms of the guy you loved. The thoughts didn’t just magically go away, but for a brief moment in time, you were happy.

#pete davidson #pete davidson imagine #pete davidson x reader #pete davidson angst #pete davidson fluff

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superhero--imagines · 4 years ago

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Part 2 Here! / Part 3 Here! / Part 4 Here! / Part 5 Here! / Part 6 Here!

A/N: not superhero themed. I just read midnight sun and had this idea and I don’t feel like making another blog so.... hope you like twilight lol

There will be a part two, and just a reminder, I’m still looking for beta readers so DM if you’re interested!

* It probably starts with you reading midnight sun, you remember reading the books/watching the movies when you were younger.

* Man, you really forgot how bad this book was. The writing itself is good, but the plot...

* It’s like everything revolves around Bella, everything is created for her.

* You almost feel bad for the other characters

* Well, whatever, you’ll finish the rest of the book tomorrow and never think about that awful franchise again.

* When you wake up you feel an ache in your head. But you didn’t drink last night, maybe you’re dehydrated

* You shift, noting the smooth silk of the covers. Now you’re alarmed.

* You don’t have silk sheets

* You see a mirror in the corner of the room, and rush over

* The face that looks back at you is different then yours

* It’s the same in some ways, but different all the same

* The curve of your nose is slightly off, your lips are thinner, eyes a little closer together.

* The memories begin to flood in, in this world you were on a graduation trip with your parents, you got an all inclusive package. Three days of sightseeing in Volterra.

* You got sick on the last day, when you were signed for a tour of the castle, your parents went without you

* That was the last you saw of them

* You dumbly followed, asking question where you shouldn’t. And ended up at the volturi’s door

* Aro had grasped your hand to see how much you knew, only too see nothing. Likewise Jane’s powers did not work as well

* They were astounded by this, it appears this was several years before Bella was introduced to the story

* And so, you became a prisoner of the tower

* Your soul must have been in this body for quite some time, but you’ve only remembered now, that’s the only explanation for why their powers didn’t work on you. Your consciousness is not of this world.

* There’s a short knock on your door

* “Are you decent?”

* You call back and Alec pops his head in.

* “Ready to go to the library?”

* He looks so kind. The boyish grin that stretched across his face as you shook your head.

* It was in direct contrast to the sadistic personality you had become accustomed to in the books

* “I need a few more minutes”

* You half expect him to lash out at you for being slow. By he only nods, closing the door and waiting outside for you to finish.

* He was you friend. You realized

* He IS your friend

* You think back as you turn on the faucet. He didn’t like you at first, being assigned to guard a human was insulting

* But he started to warm up to you once he heard you play the piano

* This body was quite used to the ivory keys. And so you charmed him as best you could, half for your survival, because the happier you kept him the less likely he was to kill you.

* And half because- you were so lonely, the Loneliness echoed in this body like an ache. Suddenly an orphan, in a continent where you knew no one. All you had was this boy.

* How long have you been here? You kept a talley at one point, but abandoned it after the thirtieth day. What was the point? You would either die or become one of them

* A shiver erupts through at the thought, in your past life you were a vegetarian, you didn’t relish in the idea of killing something alive and moving.

* You pull on a sweatshirt, ripping of the chanel tag. They bought you the nicest things money could buy, the most lavish food you could have.

* They did the same thing with the tourists they lured, keeping them happy and well fed, the same way the cows that became wagyu beef might be cared for. That way when it came time to slaughter, the meal was that much more delicious.

* You suspected this was similar, that should you be an unnecessary addition, you would make a meal suitable for their palette

* Alec basically talks your ear off the entire way to the Volturi library, mostly about literature

* “What are your thoughts on Anna Kerenina?”

* “That the patriarchy needs to be burned to the ground.”

* “That is.... valid”

* He even talks when you’re at the library, much to the annoyance of a few of the other patrons

* “Which book are you looking for now?”

* You stop mid motion on the ladder and turn to look at him. His ruby eyes glowing, he looks bloated. Like he’s fed too much.

* “Alec, why are we friends?”

* You really should keep your mouth shut. Alec was the only real ally you had, you shouldn’t say anything that might put him off

* And yet, it unnerved you, because the Alec in front of you was a very different character then the one you had come to see.

* He looks at you like you hung the moon,

* “Because you’re the most interesting human in the world”

* You burst out laughing, earning several glares.

* “I-I’m sorry Alec, but I’m not, I’m just the most interesting human you KNOW, there’s way more people who are more interesting than me.”

* You expect to see him offended, and he does, but there’s a twinkle in his eyes

* “I’m not so sure about that”

* The days creep by, reading books, eating snacks, it’s nice

* You learn, that Alec hasn’t talked to a human in a very long time. Outside of the screams he heard after devouring one.

* He hasn’t been outside the castle walls in many years, possibly a century.

* “What’s the best part of the human world?” He asked you once

* It’s the 90’s, so smartphones haven’t been invented yet.

* “One tree hill and friends”

* “Well you have a friend right here”

* “No friends the show”

* “The what?”

* And that’s how you got Alec hooked onto cable television

* Who knew the cure to vampire- sadism was a healthy dose of Jennifer Aniston fumbling about on screen

* “Is this what life is like?”

* You shrug, it was what college had been like for you in your past life.

* “It’s kinda what schools like, but i never got to be on my own”

* This body was only 18 after all.

* Alec doesn’t say anything, but his expression falters

* Alec’s only now starting to understand the life you will be denied once Aro decides when to turn you

* Jane joins later

* One day when you and Alec are lazing around the library when she appears, she says nothing, just sits down next to Alec and reads a book

* You’re sure they hear the uneven thumping of your heart as you turn back to your book. Her power doesn’t work on you, you remind yourself

* Not that she even needs it, she could snap you apart like a Kit Kat bar

* And if it came down to it, you’re sure Alec would let her, he might like you but his loyalty’s always remained with his sister

* “So... you watch human television together?” Her bright red eyes flickered from Alec to you.

* You nodded, never sure what exactly it was that would set Jane off

* You had seen enough in the books to know her moods were compatible at best.

* “I would...like to join” she awkwardly looking away, and you were sure if she could, she would be blushing.

* Honestly it’s kind of cute.

* “Sure, the more the merrier”

* And that’s how you basically adopted the sadist twins

* It’s a little harder to get Jane to open up, but once you make a comment about how Phoebe was the best character in friends, she starts to open up

* “Humans are cruel, even when they’re kind it’s only because they want something from you.”

* “Is that what you think about me? That I’m only nice to you because I want something?” she meets your eyes for a few minutes before turning away

* “I’m not sure”

* You understand very gradually why they’re so twisted

* They’d been treated terribly during their human life, in every kind act lingered a dark shadow, in even minor misunderstanding the image of a monster

* Their centuries in the Volturi didn’t help. Under Aro’s ruthless tutelage, and Caius’s sadistic tendencies, They had no one they could trust but each other.

* They were only surviving just as you were

* “Sometimes I wonder how much of my loyalty is real, and how much of it is Chelsea.” She whispers one day, so quietly you barley hear it

* You rest your hand on hers, it’s the only comfort you could think to offer

* When Jane grasps your hand in hers, she breaks every bone in your hand

* She doesn’t understand the pained screams or your mangled hand fit a second, and then she realizes what she did

* Alarmed she carries you halfway around the castle screeching for someone to help

* You pass out from the pain, when you come to you’re in your bed, a very cold hand holding your own

* “How are you feeling?” You don’t recognize this vampire, but you don’t really know anyone outside of Alec and Jane.

* You feel light headed, a warm feeling washing over you, you must be on some strong drugs

* “My body’s still grieving, but my mind is sharp.”

* It’s incoherent at best, but there’s truth to it, your body is still grieving for your parents and the life you’ve lost, but your otherworldly mind is ten steps ahead, cross referencing every action.

* The man offers a short chuckle

* “You really did a number on your hand. I’ve done what I can but...”

* You look down to your hand, half surprised by the bright yellow cast encasing it

* You had figured you would wake up to be a vampire, it just made sense, these were unfamiliar human aches to them after all and vampirism was a simple and effective cure

* They must want something from you, if they’re keeping you human

* You suspect it’s something along the lines of how they waited until Jane and Alec were burning at the stake to save them, so their power would be that much more potent

* Maybe they’re doing the opposite with you, trying to make you as happy as possible to see what effect it has on your ability

* It’s too bad you don’t have one

* “Thank you for your hard work.” You mumble, being human for a little bit longer is well worth the pain.

* “How did you break your hand?”

* “I held Janes’ hand”

* Your doctor let’s out a short laugh

* “That sounds about right”

* You smile, it does sound right, of course you would break your hand that way

* The conversation flows naturally after that, you talk about all sorts of things

* “You think vampires have souls?” He quirks an eyebrow

* “I’m of the opinion that a soul is something you create through hardship and struggle, being able to live longer means that you have more opportunities to have the experiences that result in a soul”

* “That’s an intriguing notion, I wish I had brought my son with me.”

* You’re about to ask about his son, when you’re interrupted by the door swimming open

* “I heard you were awake, are you alright?” Alec rushes in, his eyes frantic

* “Yeah these drugs are top notch” you press the button that releases the pain killers and let out a giggle

* “Is that alright? Humans are awfully sensitive.” Jane pipes up from behind Alec, you hadn’t noticed her in your haze.

* Your doctor chuckles

* “I’m aware,” he’s smiling but it’s strained

* “What’s wrong?” You ask, he was so calm until a second ago, he doesn’t answer you

* “I’ll give you three a moment.”

* You only register he’s gone when you hear the door close

* The twins rush over to you, Jane is kneeled by your side, while Alec hovers over you

* “I-I’m sorry I hurt you, I forgot-I didn’t remember.” You we’re sure Jane would be crying if she could

* “It’s okay, I know you didn’t mean it.” You raise your cast encased hand and give her a gentle pat on the head. “From now on, physical signs of affection will just be one sided.” You joke, which makes Jane grin

* “I’ll practice with some animals before I try touching you again”

* The three of you chat for a bit, they’re both surprised by your cast and ask several questions about its “primary function”

* “I didn’t know there was a doctor here” you murmur, feeling drowsy

* “Carlisle’s not with the Volturi, he’s from another coven in the new world.”

* Your drowsiness flies away in a second

* “That was Carlisle?”

* Jane looks somewhat confused but nods.

* A flutter of hope erupts in your chest, it’s so strong even your grief stricken body feels it

* You might have a chance. It’s slim, Carlisle has a family he loves and needs to protect. But still, they were strangers once too. No different than you.

* It’s a way out of here

* The next few days follow in a drugged haze, Alec and Jane visit every so often, and Carlisle engages you in occasional conversation while checking progress on your hand

* “Why are your eyes gold?” You know, but well, you need him to believe the lie

* “It’s a bit of a long story” he says with a wary smile.

* “I’m not going anywhere”

* He sighs, a genuine smile encompassing his face as he recounts the tale.

* Even though you’ve already heard it all before, it still makes you cry

* Even in the haze, you know something’s.... off

* There’s something about the way Alec won’t meet your eyes when he talks to you, and the uneasy weight that lingers in the air whenever someone else is in the room

* On the third day, it’s Aro who visits you, Alec and Carlisle in tow behind him.

* “Oh my, all that internal bleeding, how awful”

* Even you can feel the insincerity, but it’s the first you heard about internal bleeding

* So that explains it, the drugs and the aches all along your body, it wasn’t just your hand, you were dying

* “Don’t worry, we’ll save you” Aro’s smile is cruel “won’t we Alec?”

* Alec looks afraid, almost pained, but he nods

* Ah, so this was punishment for Alec too. Until that moment, when Jane broke your hand, Aro must have been ignorant to how close the three of you had gotten.

* You close your eyes, you knew this would happen eventually. There were only two ending to this story, and it seemed one had finally been picked

* You feel a pinch on your neck, right above your collar bone, no worse than a flue shot.

* You wait for the pain, the vivid screams you remember from the books and movies, but it never comes.

* Instead it’s just a warm numbness that spreads across your neck and left shoulder.

* “It doesn’t hurt” you murmur, you feel a cold hand rest against your forehead, Alex’s hand.

* It’s so gentle, he must have practiced on some animals first, you think.

* “No the pain comes later.”

* And so you drift into inky black unconsciousness, the last sleep of your human life in this world.

* You dream that you’re sitting at the bottom of a tree, a fig tree, like the one Sylvia Plath wrote about

* Each fig a different path, half of them have already fallen off, dark, as they rot at your feet

* “How do you do it?”

* You look to your side and find the person who’s face you see in the mirror, they’re hugging their knees to their chest, dark circles under their eyes

* “How do I do what?” You ask, they bite their lip

* “How can you be so strong when you’ve just lost everything?”

* You see their eyes brim with tears, and you look away, to the tree that looks over you both

* “I don’t know” It’s the truth, you have an unfair advantage in this world, because you know all the secrets each person carries, while yours remain shrouded in darkness. And yet... it’s not why you persevere

* “All I do know, is that I want to give them hell”

* Your counterpart grins at that, and to your surprise, you feel a smile stretch out across your face

* Yeah, it’s not about power, you just want raise some hell in this backwards misogynistic world.

* “I guess that’s the one you’re picking then huh?” Your counterpart points to a fig, it’s on the tallest branch of the tree, so far out of reach it almost seems unobtainable

* But you only nod

* “Yeah, I think that’s the way I’m going to go”

* They look at you and smile.

* “If you ever get the chance, I hope you punch that jerk Aro right in the face”

* You laugh.

* When you finally awake, you’re still laughing. A smile etched onto your face.

* Everyone’s there, all looking at you with concerned glances.

* Yeah, you’re going to have a lot of fun in this world.

#twilight #twilight saga #twilight imagine #twilight headcanon #Volturi headcanon #Alec imagine #edward cullen imagine #carlisle cullen #superhero--imagines

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girlbossminerva · 2 years ago

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TW: Cursing, Slandering Blue Pegasus

Blue Pegasus. What's your reason for even existing? Like I don't mind. Well yes I do, sorry for advance but your Guild contains f*ckboys, who can't get women for shit, and women who are just plot devices and it wasn't good enough for you.

Jenny's machina soul, would be cool if her curves weren't the main attraction, hasn't she ever heard of being, "Pretty and Powerful." Pre-Minerva could give her a tip or two. I feel bad for her like imagine being put in a fight that you planned and then get your ass beat, damn💀 (Jenny's emoji)

Ichiya, stay dead. I wouldn't mind if you were just some comedic character who was plainly stronger than most, I wouldn't have mind but like shut the hell up about Erza being your, "sweetie." Kill me. Erza wants nothing to do with you, ong, you should have stayed in that rift you b—

The trio, hate you bitches. You have no real meaning, Ren is a blackfisher, Hibiki is irrelevant, and Eve is useless, wishing he can be Gray.

I just needed to blow steam, this guild has no real meaning only to feed Mashima's fanservice but even without it there still would be fanservice, huh.

Do all the guilds have meaning or all they to have the Fairy Tail effect, y'know goofy people but it makes no sense considering the characters personality as a whole.

I think I'm done for now, Sabertooth or Lamia Scale might be next... hope this didn't disturb you.

Kind of adorable that you thought I would find any of this valid criticism disturbing. Honestly, I wouldn't even consider it slander cause you're right.

Like ok, you wanna have a guild that's basically just a host club? alright i don't honestly care, this series has made worse decisions, but at least give them something that will make me like them?? Actually from the trimen I think Hibiki is the one that has a bit more going for him? At least from how we saw him helping lucy and the gang in the nirvana arc, I felt he had slightly more personality to stand out from the rest but that still isn't enough to be a full-on character.

Eve is just a twink and Ren has no personality or relevance outside of his relationship with Sherry, which no one cares about and has no importance on any plot so yeah useless, and his "tan"....was a terrible design choice but considering Mashima's obvious racism it isn't surprising.

Jenny is a character I rarely think about because unfortunately she's just one of many female characters that fit into very particular stereotypes which are the only thing mashima knows how to do in fairy tail. I DIDN'T EVEN REMEMBER HER MAGIC AND HAD TO GOOGLE IT. It sounds cool and could've been such a great battle with Mira but noooo we gotta have a fanservice fight that no one asked for.

And Ichiya.....oh how I hate and become disgusted by Ichiya. He's like the "perverted old man" anime character except that I think he harrases Erza in less explicitly sexual ways yet he manages to disturb me even more and I feel people tend to forget that this motherfucker is thirty or close to turning thirty since his first appearance and Erza is only FUCKING 19 AND IT IS IMPLIED THAT HE HAS BEEN HARASSING HER FOR A WHILE NOW???? Society never had a need for him to exist and I wish he had died in the Alvarez war.

Also you didn't mention it but every time I look at master Bob I feel his design and how he's portrayed counts as a hate crime, of course flamboyant and gnc characters aren't necessarily always mocking of queer people but in this case I'm certain mashima just added him to be like "haha 'ugly' man in a dress speaking with an effeminate voice, so funny" and it sucks cause aside from that Bob isn't a terrible person and is actually as rounded in terms of personality as an incidental side character can be.

Please return to my inbox with more guild/character criticism, I particularly want to hear the sabertooth one because although I do love them they don't that much of a chance to shine neither the guildmembers not their collectivity itself and it's a real detriment.

#straight outta the mailbox #also for future reference there's no need to trigger warn swearing on my blog everyone knows i love dropping f bombs #unless it's something you're most comfortable with ofc #blue pegasus #fairy tail salt #fairy tail meta #monet visits

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theregoesmylurkerstatus · 3 years ago

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So... I have a lot of thoughts on the finale. I've deliberately kept my mouth shut, more or less, on the campaign overall because I'm a firm believer that you can't pass judgement -- at least not complete judgement -- on stories until they're over and done with.

Well, it's done! Kind of crazy. I've been watching Critical Role with almost insane consistency, viewing almost every single episode live, with maybe five-ish exceptions, since episode 19, and I've been blogging it for, what, two and a half years?

It's a weird feeling. It's been such a constant thing for me that I'm always gonna have love for it and remember with a lot of fondness.

...Which is in spite of the fact that I can now comfortably say I'm pretty eh on the ending. I know not being positive about something most of us have loved a lot for a very long time can sting a bit, but I personally think it also stings when people relentlessly crow over how good they think it is or want it to be, to the point where you feel you can't voice your absolutely valid upsets or dissatisfactions. So, here goes, if anyone's interested! I'd be curious to see other opinions, too!

I actually drafted a post talking about my overall frustrations with the campaign a whole two weeks ago, and then scrapped most of it when 140 blew me out of the water. I was really touched, and really happy. I hadn't expected it, but it shockingly felt right, you know?

Unfortunately 141 robbed me of most of that satisfaction and brought me right back to neutral.

The blanket statement you have to make, of course, is that you can’t criticise this as a DnD game, and you can’t be mad at the cast for playing it in a way they think is best for them. They’re the players, Matt’s the DM, and in the end it makes no sense for them to try to make themselves act how they think the audience wants them to, and I’m sure most of the audience wouldn’t like the result anyway.

That said, there is an audience. And that’s where I see this clash coming in. As a DnD game, as long as the players and DM have all enjoyed it and been satisfied, it’s a successful game! But for us, it’s not a DnD game. For us, we’re watching a story be written in real time through the medium of an RPG. And while as a DnD game you can’t fault it, as a piece of media, I completely get why the way things have gone has sat weirdly for a lot of people.

It's not satisfying to see so many character hooks dealt with so quickly or left as an offscreen "and then you do it." If they don't want to keep playing to dive into it, absolutely, but for us who have been watching this as a story with all these character elements get so built up, it's a huge anti-climax.

Which is a lot of what this campaign has been, really.

Oh, Nott’s cursed! But through a really cool character moment that problem is completely taken care of with no consequences we see. Yay, I want her to be Veth and that was an iconic move from Jester! Still, it kind of feels like this was built up to be a big problem and at the first success it was let go... Caleb's got a really intense frightening past he tries to hide, I wonder how the Mighty Nein will respond? Oh, they found out, but it's not a difficult revelation for anyone. Looks like it's easy for them to move past it and forgive. Yeah, that's healthiest for the characters, but huh, kinda undercuts it as a storyline or point of interest. Oooh, Avantika’s back! Ah, they’ve killed her and grabbed the eye again. I mean I don’t want them to die or for Uk’otoa to be free, but I’m starting to feel like that’s not much of a threat anyway. The Traveler’s been kidnapped! Nah he hasn’t, he tried to save Jester so he was let go with no further issue, and also he wasn’t actually in any danger anyway. Oh... Cool. So... Why should I care or be worried?

And these are just the biggest ones I remember being kind of let down by. I wanted to see them STRUGGLE for the successes to have meaning. To my view, threats of failure -- real failure -- really decreased the more the campaign went on, with a few exceptions.

Because don't get me wrong, we've definitely had struggles, and those have made for some of the best moments! Molly’s death, Yasha’s kidnapping, Yeza’s imprisonment. When failures that were threatened are allowed to occur, it’s far more gratifying when it’s followed by success, because you understand that that success was actually necessary. It shows us that what they do really means something.

Honestly, that's why the final battle really shut me up, because nothing makes you quite feel stakes and failure like having two PCs die, and having a resurrection ritual fail -- AND knowing that failure would be delivered on, had it not been for a seemingly miraculous roll of the dice to turn it around. One of the greatest failure's -- Molly's death -- made the success of his resurrection put a lot of my other issues to rest immediately, because to be honest? Molly's resurrection was the biggest success of the campaign, exactly because it was originally the biggest failure.

But this episode, we got to see the other side of making threats and successes feel disappointing -- when you get the impression that success was robbed from you. Again, their characters, their choices, but to have them roll an intervention to get Molly's soul, to convince Molly to come back with his own possessions they've so loved, after so long and so many struggles... only to apparently not get Molly at all?

Changed, of course. Memories, maybe he'd never get them back, though that seems inconsistent to how the initial resurrection was played and Matt's hints. It even makes sense that not having his memories and being a bit different, he might forge a new identity, but insisting Molly was a different person entirely after such a supposed hard won success to get Molly back, especially after what his death meant to the audience and potentially healing that old wound? It robs the narrative of a LOT of catharsis, at least for me and I know many others.

Trent, too, I'm very up and down on. He was so built up -- and what fun that build up had -- and I very much disagreed with the idea that the best story would be dealing with him offscreen.

It's true that you don’t need to explicitly address, confront, or explore every big aspect of character's story hooks and background ties for PCs to move past them and grow healthily. But that does not make it a satisfying viewing experience. People quietly healing in real life is healthy. People quietly healing in an explosive fantasy setting is frustrating for the audience.

What on earth is the point of a story if you don’t get to SEE THE ESTABLISHED CONFLICTS go anywhere? A lot of the characters got distant, quiet resolutions, if that, to everything we wanted to see.

Except, we did get to see Trent. It was a really fun, inventive battle, from opening to conclusion, but much like Travelercon, much like Nott's/Veth's problem with the hag, these were things that the audience in general wanted to see be really dug into and explored, and every single one of them got, in my opinion, quickly tidied up instead. Trent got beaten in the first and only proper battle they had with him, which, after all his build up, is pretty disappointing for a villain many of us wanted to see be a big deal. It really just felt like they were trying to tidy up to get on with the epilogue, which is not what a lot of us were looking for with Trent especially.

And that's how most of their endings felt to me. It didn't feel like any of them had reached a comfortable conclusion. Literally all of them, bar Veth and Caduceus, continued on their character journey threads, without each other and very quickly. Meeting Yasha's tribe and Vandran, Caleb finally openly debating changing time for his parents, Trent and Zeenoth's trials and the changing of the guard at the Assembly... All were things it would have been so fun to have all the PCs react to and explore together, and instead they were fleeting encounters in the latter half of a seven hour finale.

Is all this, from Molly not really coming back to Trent being a finale side plot to the Nein continuing on their individual journeys, potentially realistic to how these fantastical things might go down in real life? Sure! But that's not necessarily a good thing.

Stories THRIVE on conflict and resolution. That’s what makes them FUN! Conflict isn’t nearly so fun in real life and resolutions are often frustrating question marks, so no, past a certain point I don’t WANT stories to be realistic. I want stories to be SATISFYING.

And campaign 2 has fallen far short of the mark.

I haven’t spoken... Basically a word of this for most of the campaign, because as I said I’m a firm believer that you can’t necessarily judge something until it’s over, and because I ALSO firmly believe that being negative WHILE trying to enjoy something is counterproductive. I have had no interest in spoiling or naysaying the fun of the campaign for anyone, least of all myself.

But it's done now, and all I can say is... I really have had fun. I love the characters. I love their relationships. I’m pretty okay with where they’ve ended up. I’m not mad, really, and I’m still going to think of this campaign with a lot of affection. But it hasn’t been a satisfying story, even though for a week following episode 140 I thought, despite all the brushed over story threads, it might be.

So... to try and reclaim some of that satisfaction for myself, I might ignore some aspects of the finale proper. Namely Kingsley specifically. Taliesin's choice -- but to me, it's pretty clear that who we saw at the end of 140 was Molly, and the tags on my posts will reflect that, just as my 141 tags will be for both Kingsley and Molly, for clarity's sake. I personally want to believe Molly did come back, however others might want to interpret it. The victory in 140 that meant so much to me is hollow otherwise, and it just kind of hurts that we would lose Molly after everything. I was okay with him being dead -- I'm not so okay with his resurrection being stolen.

Kingsley will always be canon, but Molly is what I choose to acknowledge. I get if you don't like that take, and that's okay! I didn't care for canon's in the end. That's the good thing about storytelling, is that no one can stop you from making your own versions.

For the people who are hopefully hyped for campaign 3, heck yeah have fun! I’m on the fence. My investment, which... I think I can objectively say was pretty substantive as this blog will attest, doesn't feel rewarded, so I’m not convinced I can faithfully keep up for over three years all over again with a strong possibility that I will once again be left disappointed. It's been a huge chunk of my life, and... yeah!

I’ll take a break, probably, view (and liveblog, if people want!) campaign 1 when I’ve had a mental stretch and vacation, and then... I might start campaign 3. I definitely won’t be able to put the same time in it I did campaign 2 (my first love no matter what), knowing that it’s likely to not be so vindicated, in the end.

I swear I’m actually writing this in fairly good humour, but I totally get its always disappointing when the people you come to for fandom enjoyment just aren't sharing your fun. Honestly I’m half tempted to write all those frigging AUs I have sitting around! But I wanted to say my piece, and try and logically outline why this ending has been lacklustre for so many people, ultimately myself included.

Episode 140 felt right because it felt like a natural conclusion -- these disparate people coming together and finally being whole, finally soothing the hurt that MADE them so long ago. Episode 141 spat on that sentiment -- they all scattered to the winds, not as happy people to live out their dreams, but as confused people chasing up loose threads towards an unknown future, with the friend they thought returned still lost to them, ultimately.

It doesn't feel like the ending we should have gotten for the Mighty Nine, who were finally, finally all together. Until they weren't. So to me? I choose to acknowledge that they were, even if I have to force it to happen post-epilogue in my head.

#critical role #cr spoilers #c2e141 #c2e140 #ramblings #long post #first time i've used that tag but i figure people should be able to block this if they want to!#molly #kingsley #trent ikithon #the mighty nein

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callistochan87 · 2 years ago

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I’m working on design sheets. I don’t really need to do them because Lord knows I’ve done enough of them, but they’re fun, and a bit soothing to work on. I was going to wait until I had a bit more, but. impatience gets the better of me once again. I might take a break to work on other pictures.

(I didn't really need to do the first section of either - I just wanted to show that the previous designs were still valid.)

Anyway, I've decided to change some things up. Christine was always started as a teeeeeeeensy bit of a self-insert to go on adventures with. Keeping her perpetually 17/18 was getting difficult for me, especially given the plot of the book is her/her friends being abducted - the idea that their parents would just stay on Earth didn't seem right. Anyway. There were a lot of ideas and a lot of drafts, which I will likely summarize in another post, but for now, they've all been aged up. I like this idea. This is me going 'screw it I'll do what makes me happy' If that means 1910s dress and whatever i feel like, then so be it.

Christine's backstory is the same: she saw an alien at least once during her childhood, an event that has impacted her entire life since then, filling her with an interest in the stars but also a sort of longing, a restlessness, that's dogged her throughout her life. She loved her husband, her work is good, but at the same time she can't help but feeling like she's just going through the motions of life. Sure, it's comforting enough--if not stressful, tasking care of her ailing mother and a husband who works 3-week rotations at the mines--but...there's something missing.

Then she sees the alien again. Her mother has passed away only weeks before, her husband is gone away back on another 3-week shift, she's emotionally out of sorts and numb, but this fills her with a weird hope, more so than she's ever thought in her life.

When she sees him walking somewhere, she decided to put on her coat and follow him.

(I was going to have her have the necklace, but there was no real reason for it. I like the idea that she doesn't have a souvenir to remember the trip by, just her own memories and her and her mother's shared insistence that it was real. A secret between them. Even Eric, who she trusted enough to tell, doesn't really believe it was anything more than a fantasy, or a vivid dream, or her incorrectly remembering a normal event. He finally tells her this when he feels she's latching onto the story too hard after her mother's death. She does not appreciate it.)

I will dig up the link later, but the Erebus dress was based off of one from the 1910s? I really liked it. I decided to make it purple. That was always 'her' colour ever since she was Sailor Selene, so I decided to lean hard into it.)

Eric is also much the same, although some of the details may have shifted between drafts, but as it stands, his family is his father Alexander, a pilot (what airline? No idea, uhh, Air Tindi?? i have no ideaaaaa); his mother Anne, a nurse; his twin sister Shelby, who was really close with Christine in high school and into university; and his younger brother Garrett. (Garrett is a slightly newer addition, story-wise.)

Eric has always had some interest in nature, at least in more recent drafts, so he's a professional geologist, working out at the mines. (I don't know anyone who personally works for the northern mines so I'm not entirely sure of the stability of the job - I know some mines shut down production occasionally, so he might have worked at several different ones.)

Mine work is anywhere between 2 weeks on (they fly you out to the mine and you stay there), 2 weeks off (back home). During Covid some of the mines were straight month-on, month-off deals. I think it varies by mine, but a common number I hear is about 3 weeks on, 3 weeks off, so that's what I'm going with. I have not specified which nothern Canadian mine he works at, and that's quite deliberate. He stays in the north, maybe Alberta. At any rate he's often not home, which...well, he doesn't like it, but you gotta do what you gotta do.

He's helpful. I almost want to say helpful to a fault, helpful to the point where it's actually a problem-not for him, but, maybe for his wife. I read a story about a guy who had a near-death experience, and afterward he just wanted to help everyone. It sounds great when you put it like that, but his wife was less than thrilled when it felt like he didn't prioritize her over random strangers, or was so unconcerned with material things that he wouldn't do things liker 'get rid of the broken down couch' because what did it matter? or something, it was worded better than that, it's been ages since I read that book/

anyway that's the level of help I was thinking of, where his wife would like some prioritizing over random coworkers. I'm not sure how to show that or if I want to go that far. I was also debating whether or not he should have a NDE as a child, both as a parallel to Christine's alien experience and as an explanation for why most things seem pretty chill (everything does in the face of dying).

If he did, it would probably be when he was about 11-12, and would've been something like nearly drowning when out camping with his family during the summer - scary, but also pretty mundane.

He's very concerned after his mother-in-law dies. Chris isn't taking it well, he can't seem to get her to cheer up, and he also feels a bit useless for not being there (for a legitimate reason - bills goota get paid) when he knows damn well she needed the help (and both she and her father really hated the idea of sending her mother down south to a nursing home, away from her family, so. That didn't happen).

He tries to approach his own mother but...Anne. Anne's a nurse. She's a little caregiver burnt out herself. Eric's a grown adult. She can;t be doing everything. He'll have to man up and deal with his feelings. This is zero percent helpful for everyone involved.

His father is a little more balanced, as he usually is, but even in this situation there isn't much Eric can do but just try to help when he is home. This doesn't help Eric feeling useless, and concerned. Chris latches onto thr story really hard after her mother dies, including hoarding her mother's notebooks, talking about it almost incessantly. On some level he understands it;'s soothing; on another level he just wants to hug her and make thing sbetter, and he can't, and he's frustrated.

He maybe phrases his words more harshly than he intends to. And choosing to tell them to Christine when she's literally driving him to the airport so he can leave for another three weeks is probably not good timing. But you can't take things back when they're said.

He's angry and upset, mostly at himself, because she doesn't reaxct well and he's literally just thrown that bomb in her face and left. He texts when she lands just to let her know he arrived safely. Usually she says something more than just "ok". He usually calls every night when he's away, but she makes clear that he really hurt her feelings. Their calls become less frequent. He tries to give her distance.

Halfway through week three, she just stops picking up the phone. Straight to voicemail. He texts Konnie, the only other one of their friends still in town. Chris is still mad. She's pretty mad, too - he knew damn well what that story meant to her, regardless of what Eric thought, and he still chose to say it. Eric and Konnie have never been super close, so this isn't surprising, but it doesn't help.

Still, despite everything, mad or not, she's never failed to meet him at the airport. Even if she's delayed, she texts to say why. When he arrives at the airport and she's not there, not picking up the phone, he thinks it weird. Loath to pay for a taxi, he asks Konnie to pick him up instead, mostly because she lives close to the airport and there's no guarantee his parents or Garrett would be free.

That's weird, she says, doesn't Chris usually pick you up?

She does, but she's not answering her phone for Eric. She's not answering for Konnie either, and that's weird.

Her car's not in the driveway when they get home. The place looks like it hasn't been touched for a couple days. Her coffee cup is still sitting in the sink.

Okay, nobody panic. They drive by her father's place. She'ds been staying with him for a bit. Her car's not there, either. They elect not to tell her father, who would probably not handle it well if they were asking where Christine was, not so soon after losing his wife.

They find her car parked along the side of the road before a hiking trail. Chris doesn't like hiking. Konnie has tried taking her on a few of the easier trails and it often involved half-crawling up the rock, unsteady balance, not liking it. This wouldn't be a place she would go, especially not in the dead of winter when the ice would be bad. There are no obvious tracks, but it's the likeliest lead they have. It leads them out [I'm not sure where - initially thinking a lake but could be a variety of places]. Something happened there, judging by the debris, but there's no sign of Christine...except for [some item that's clearly hers - could be her car keys, something of her mother's, or if I wanted to go for the real gut punch her wedding, ring, but I don't think that'd be likely if she's wearing gloves, as she would be].

So. Christine was there, but now she's not, and something happened there. They pick up some of the strange debris. Eric is panicking in a way thatv he has never done so before, and goes to the one place that he would go to when he's stressed: his parents.

Thank God his father answers the door; if Anne had answered it'd be a different story entirely. He manages to get the details out. He's obviously concerned. He knows people, he can get a helicopter over the area to see if they can see anything - possibly she fell (we don't want to think about that).

It's going - not fine, but somewhat sensibly, until they show him the debris. It's about the only clue they have. ...It means something to him. They're not sure what, since it just looks like funny black rocks, but his expression says it all. He asks them to confirm what they saw.

...Alexander thinks he might know where Chris is, might. It's a gamble, since there are a lot of places within there she could be, but any lead is better than no lead. Eric wants to go right the fuck NOW. hang on. It's not that easy. You have to be very, very sure you want to do this, because once you leave Earth, you can't come back.

...

Anyway, Chris handles Erebus very well! Eric...does not.

(considering I'm trying to move away from things that have obvious Earth analogues - ie the use of mythological names, I feel like I should move away from 'Erebus' as a planet name - no matter if it fits VERY WELL - but it's been that for so long that ehhh, I don't know what I'd replace it with.)

#celestial souls #my stories #my art #designs

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universallywriting · 5 years ago

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Angry Steven Essay 1 - Ignoring Your Kids and the Consequences

A lot of people have been wondering why Steven is so angry, and where their sweet baby boy has gone, and I think people are struggling because they don’t understand how little they respected Steven before.

Because I don’t think that Steven has undergone a huge character shift. Admittedly, he’s angry more frequently now, but I don’t think his anger is bigger or more intense or any worse than it’s been at other points in the series. Steven’s feelings haven’t gotten bigger…

But Steven has.

I counted up all the times Steven gets angry in the series, being fairly charitable and not counting more minor moments of annoyance of frustration. I’ve got about 21 moments out of 160 episodes for the original series. Granted, that’s only once every seven episodes, but it’s not insignificant. The idea that Steven never gets angry is factually wrong.

We see his temper the first time in Steven the Swordfighter, and it’s not a very wholesome look at the boy. He’s frustrated because Pearl is gone and Holo-Pearl isn’t a good replacement. And, already, I bet you’re starting to tune out a little. Because Steven’s being a stupid little kid, isn’t he? Pearl’s coming back. He’s just throwing a tantrum.

Tantrum is the word we give to anger and sadness we don’t respect. It’s a word we use to belittle and ignore children, even when their feelings are justified.

We see something similar in Rose’s Room. He screams at the gems because they ruin the ending of his video game. And, sure that’s a bummer Steven, but it’s just a game. There’s a big space opera out there, so why are you so worried about this? And yeah, you got mad that Greg lied to you in House Guest, but he just wanted to spend time with you. It’s a cute father/son moment, really. Steven is angry, sure, but it’s just kind of pitiful, isn’t it? Poor silly kid. He’s wrapped up in his little concerns when the world is so big and scary.

But you were on his side in Warp Tour. Because he’s right this time, so it’s not a tantrum. And you’re mad at the gems because they’re treating it as a tantrum. But here’s the thing - the gems should never treat him this way. Because so far? Every single one of Steven’s fears and struggles are valid and worthy of respect. Steven isn’t pitching a fit because they brought him a scarlet firetruck and he wanted a cherry firetruck. He’s hurt. That deserves respect and attention and apologies.

In Steven the Swordfighter, he’s struggling because one of his guardians is really hurt. Not only that, but she’s hurt in a way that she can’t talk to him, can’t let him know it’s going to be okay, and in her place is the thing that hurt her. You’ll also note that Amethyst and Garnet are conspicuously absent during all of this, because apparently the boy doesn’t need comfort and care after watching Bird Mom get wasted and spending days hovering over her unhatched egg. Steven is going through all this grief and fear alone.

In Rose’s Room, Steven is denied his chance to spend time with the gems after they promised. They don’t respect or value Steven’s time. Why would they? He’s a child. And clearly he proves his time is worthless by putting so much value in his silly video game he interrupted. What’s the ending of your stupid golf game matter when the plot it rolling along, Steven? Big, important adult things are here. Drop what you’re doing. Ignore your interests. What the gems are doing is more valuable than what you’re doing every single time.

This is a general trend. Warp Tour is the perfect encapsulation of the problem, because it’s finally important enough that Steven fights to be heard. The first thing to remember about this episode is that we, the audience, are placed on Steven’s side because we’ve seen what Steven has seen. We know he’s right. The gems, however, believe what Steven is saying to be impossible. From their perspective, Steven is saying that a masked man broke down their door last night. Be honest - if you knew a kid making that claim and the door was fine, are you going to take it seriously?

The problem in Warp Tour is not that the gems don’t believe him. It’s reasonable not to. The problem is the way they react to it. Amethyst groans and complains about how long it’s taking to make Steven feel better, making him feel like a burden. Pearl aggressively confronts him with evidence, treating him like they’re in a debate and he needs to be proven wrong. That makes him feel stupid, belittled and ignored. Garnet says that it’s important to make Steven feel secure, but even that is condescending and quietly insists that Steven is being irrational.

Even at the end, Garnet is the only one who even slightly makes amends, saying she should have listened to him while also not apologizing. Pearl and Amethyst don’t make amends at all. But do you know who does say sorry four times? Steven. Steven has been taught and continues to be taught that his feelings are secondary. The things in his life that are important aren’t really important compared to the serious grown up issues.

The lack of apologies are consistent. In Keystone Motel, Ruby and Sapphire realize Steven is upset and make up with each other, but don’t make up with Steven. Don’t apologize to Steven. In Maximum Capacity, Amethyst never apologizes to Steven for shapeshifting into his dead mom. (Which, always and forever - What the hell, Ame?)

The gems brushed off these feelings and due to that, I think a lot of the audience did too. But the gems do occasionally ask Steven what’s wrong, and he shuts them down.

So why does he do that? Why doesn’t he work it out? Because they spent his entire life ignoring his problems, disregarding his fears, not knowing what’s important to him. I’ve seen a lot of talk about Gemcation and how the stuff with Connie was Steven repressing his trauma over space and… no. It’s not. It’s really, really not. It’s yet another example of how the gems (and the fandom) ignore the things that matter to Steven in favor of what they think he should care about, and it comes down to this one extremely painful moment.

Garnet: Steven, I know what’s troubling you.

Steven: You do? (huge relieved smile) Gosh. I really messed up, didn’t I?

He’s so, so excited for someone to understand him. He’s so thrilled for someone to understand what’s wrong, and value his problems and his life. And what happens? Garnet talks about Pink Diamond. He’s crushed again.The most important thing to Steven is his relationships with other people, his friends. Literally his entire problem solving method is to go make more friends. He’s not worried about getting hurt or how scary Homeworld is, he’s scared that his family is going to stop loving him because of the mistakes he made.

But the gems don’t take the time to understand what Steven truly values. They don’t take the time to respect his interests. They don’t take the time to know him. And we’re still seeing that. They don’t understand what movies he likes. They don’t understand how his taste in food has changed. They don’t realize he’s been a vegetarian for a month. That’s not a little change. And, what’s more, that’s a value. That’s something extremely important, a sacrifice you decide to make because you think it’s a big deal.

And the gems don’t know.

So why would he talk to them? If someone was so uninterested in my life they couldn’t figure out I’d been a vegetarian for a month, I wouldn’t be opening up about my deepest problems. And when have they ever guessed a problem right? When have they ever taken an interest in things that matter to him? When have they ever told him that his human half is just as valuable, that he deserves to do whatever he wants, that he doesn’t have to be the son of Pink Diamond and can actually just be Steven?

But why bother when you can just cheer him up with s’mores and camping and Dogcopter, right? Steven doesn’t get angry! Our precious baby boy pouts. He throws some tantrums. The only time his anger matters is in Warp Tour, because he’s right about these big adult things. Steven is a child and he is small and cute and funny and his voice cracks when he shouts. It’s funny, isn’t it? He’s just a little kid. Little boys get angry and they scream and they holler about stupid things, and who cares, right?

Until one day they’re not so little anymore.

And now it doesn’t seem so funny, does it? Now it’s kind of scary. Now, the little kid that you rolled your eyes at and ignored the emotions of is big. He’s got a deep voice. He’s got broad shoulders. When he screams at you, it’s not something to roll your eyes over. It’s kind of terrifying now, isn’t it? Because there’s real power in that bigger body, and even the lizard part of your brain at the base of your spinal chord knows that. There’s a real, destructive power when he screams, and you have to listen.

The gems still think he’s a kid, and the audience is starting to realize he’s not. And the audience is already scared of what a kid as angry as Steven, with no coping mechanisms, is going to look like as a grown man.

It’s really easy to ignore a little boy with a weak grasp of his strength. It’s a lot harder to ignore a man whose screams shake your house down.

Value your kid’s feelings. They’re going to be grown some day. And what’s more? They’re people. Their feelings mattered all along. Steven’s feelings mattered all along.

The only thing that’s changed is that you can’t call it cute anymore.

#steven universe #steven universe future #su #suf #su steven #steven su #angry steven essay #meta #essay

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teacupfulofstarshine · 4 years ago

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LOVELY, DARK, AND DEEP CHAPTER 10

PLEASE HEED THE CONTENT WARNINGS!!! this chapter features Evil Scientist Lady and her Fucked Up WorldView a LOT, and there are also some Major Plot Events that involve Violence. i will put a summary in the end notes if you decide at any point that this particular chapter is too much - that's super valid! i will also mention here that no main characters are going to die in this story and no one dies in this chapter either.

huge huge thanks to @flamingfawkes for beta’ing!

CW: extreme disregard for human life, mentioned human and animal cruelty, toxic workplace environment, violence (both imagined and actual, mildly graphic), gun mention, minor blood, death threats, extremely unethical character, unethical science, stalking

chapter 1 // chapter 2 // chapter 3 // chapter 4 // chapter 5 // chapter 6 // chapter 7 // chapter 8 // chapter 9 // read it on ao3!

“This is the same result we’ve gotten the last twenty times -”

“I don’t care, Steven, run it again!”

Steven sighs, punching at the keyboard to run the statistical analysis sequence again. “This is ridiculous! I’ve run this sequence so many times it feels like my eyes are going to bleed. Why can’t we just turn in the results we have and -”

“Because she’ll behead us,” James snaps, “and then she’ll destroy our reputations and our families and they’ll get no severance. I have three young children at home, Steven, I need this money.” Steven softens a little, fingers running smoothly over the keys as he combs the data again. Next to him, James has a computer screen full of frame-by-frame stills of what little data they recovered from the probe before it was destroyed; Penny across the room is surrounded by ancient texts a mile high and at least three laptops.

“Why is she so interested in this, anyway?”

“It’s beyond me. Since when do we question the whims of what we’re told to do?”

Steven squints at the screen, pushing his chair back and rubbing at his eyes. “If I have to stare at these numbers for one more second, my brain is going to explode. I feel like my eyeballs are going to melt out of my skull. I wanna scream.”

James pulls up another image, staring at the blurry image of the merman before him. Steven pushes away from his own screen and squints at James’s. The merman in the photo looks young, not much older than his kid brother, but they don’t know anything about the lifespan of these creatures. He looks confused, squinting at the camera. As James flicks through the stills, the merman transitions from confused to angry to enraged, and then he attacks.

“He’s not happy about the camera.”

“Would you be happy about someone spying on you and your family?” James says, switching to the next still.

“I wouldn’t be happy if I thought someone was doing anything we do in this lab to me or my family.” James elbows Steven, but luckily no one else seems to have heard.

“This lab isn’t the most ethical place I’ve ever worked, but it pays the bills,” James mutters. “And we’re not even in the experimentation lab. We just do data analysis. We’re removed from the situation.”

Are we? Steven wonders. He sees James reach out and touch the framed picture of his daughters, and keeps his mouth shut. He turns back to his computer, watching the little spinning color wheel of his mouse as the program calculates the same numbers again and again. The results come up identical to the previous ones, and Steven clicks “Run Program” again wordlessly.

They work in silence for a while, the three of them, broken only by James’s muttering and the occasional thud of one of Penny’s books and the clicks of keyboards and mice. If they weren’t so reliant on technology, Steven thinks, there would be an enormous corkboard spanning three of the four walls, covered in pushpins and handwriting and red string connecting images. He debates actually building one, if only to increase the levity in the room, but decides against it.

He’s seen people punished or fired or who-knows-what-else for far less, after all.

Instead, after his program tells him for the twenty-third time that his results are the same (and didn’t someone say insanity is doing the same thing over and over and expecting different results?), Steven scrubs at his eyes with the heels of his palms and opens the data entry window. Maybe the problem with the results has to do with the entry of the data; did he input something wrong? It’s possible . . .

Here he goes again, he supposes. He stands up, stretches, and leans back to crack some vertebrae. “I’m gonna grab a coffee, take a short screen break, and go back to the beginning. Maybe there’s something in the input that I missed. You want anything?”

James groans, thunking his head against the desk. “I want something with enough caffeine to kill three elephants, please.” Steven nods, looking over at Penny. She shakes her head, and he heads for the shitty coffee machine a few doors down.

Several floors below, a young woman pulls her lab goggles up to rest on top of her head with her perfectly-pinned protocol-compliant bun. “The latest round of tests is completely done, ma’am. I think you’ll find the efficacy . . . striking.”

She takes the clipboard, glossy perfectly-painted nails pinching the sheets of thin paper and flicking between them. “I’m afraid I don’t do so well with the scientific side of things - Kathleen, was it? Explain this to me, would you?”

“Certainly, ma’am. As you know, the kill time for the most effective neurotoxin currently available, tetrodotoxin, varies from thirty minutes to four hours. Average time for symptoms to manifest is seventeen minutes, and from there the symptoms progress through tingling of the lips and tongue, headache, vomiting, muscle weakness, ataxia, et cetera. Death occurs as a result of respiratory or heart failure, and the poison is nearly undetectable if you do not specifically test for it.”

“The untraceability is a plus, but that is far too wide a range of times, and too slow a time even at its fastest.”

“Of course, ma’am, but as far as naturally-occurring marine poisons go - actually, as far as naturally-occurring poisons go, full stop - it is the most effective. Until now, that is.”

“Oh? What are your findings?”

“Which trials would you like to start with, ma’am?”

“The human trials, Kathleen. The only ones that matter. I hardly intend to go around killing mice and hoping that no one traces their deaths to a novel neurotoxin.” She laughs airily, and Kathleen nods along.

“Certainly, ma’am. The most recent data points indicate an average efficacy time of thirteen minutes for our compound neurotoxin, with a full range between nine and seventeen minutes passing before subject death. Subjects began to show symptoms around five minutes, give or take twenty-five seconds.”

“And those symptoms were?”

Kathleen flips through the document. “Seizures, vital organ failure, blindness, painful muscle spasms, suffocation from the inside out.”

She hums, tapping a manicured finger against the report. “Well, Kathleen, that is certainly impressive, especially for a preliminary human subject trial. These results . . . I must say, they are not nearly as disappointing as I anticipated when I came down here.”

“Ma’am?”

“How long have you worked for this company, Kathleen?”

“Almost five years, ma’am, but I’ve always been an assistant. This is my first time as lead researcher and biochemist on a project, ever since you . . . laid off the previous lead researcher.”

“Kathleen, let me be frank. These results are not what I hoped for. The efficacy time and symptom onset times are both far too long for my liking, and the range of efficacy time is too broad. By all accounts, I should consider this a failure.” Kathleen swallows, but remains poised. “However, you’ve managed to shave off a considerable amount of time from the tetrodotoxin readings. The range of symptom onset time is an acceptable breadth, and your results are far beyond anything your predecessor ever accomplished for me. This is truly impressive, all things considered.”

“Thank you, ma’am. How should I proceed?”

“I want the efficacy doubled - tripled - I want it upped by anywhere between four and five hundred percent. I want the pain increased, too. Feel free to increase your requests for test subjects, but get me the results I want. You said the original tetrodotoxin was untraceable?”

“That’s correct, ma’am.”

“Can you keep that feature intact?”

“As of right now, it is intact, ma’am. I will endeavor to keep it so in future experiments.”

“That’s what I like to hear. Welcome to your new position as head of this research division. Don’t let me down.” She holds out a slender hand, and Kathleen takes it, trying not to seem too eager.

“I won’t, ma’am.”

“How soon can you start this experiment up again?”

“The cleaners should be finished by tomorrow morning, ma’am, and I can tweak chemical formulas until then.”

“Excellent.” Her watch beeps, and she lifts it, pursing her bright lips as she examines the message she’s just received. “If you’ll excuse me, I have another matter to attend to. Someone will drop off your master access key for Lab Three within the hour.”

She steps into the elevator and lifts her watch up to her face, swiping through the messages from her secretary. One finger reaches out to press the button for the digital analysis labs floor, and the other taps away at her watch.

When she steps off the elevator, her secretary is waiting. “Ma’am.”

“What do they have for me?”

“Unclear. They said it was something they wanted to report directly to you and you alone, but it seems to be something big.”

“Hopefully it’s a big step in the right direction, or they’ll be taking a big step out of a job.” She relishes in the way the employees she passes all unfailingly flinch and then snap to perfect attention when they hear the sharp echo of her heels against the floor. She lifts her head and walks faster, striking the tiles with her heels like a gavel, sharp and precise against a judge’s desk.

The computer labs are disorganized when she enters, but there is a string of promising-looking numbers on the main display monitor. There is a woman surrounded by books and a man pulling up photos on his computer, and there is a third man standing in front of her like a toy soldier. She focuses on that one.

“I hear you have news for me? Make it swift, and make it good.”

He swallows, hard, and her eyes idly trace the line of his throat. If he disappoints her, perhaps she will drive her heel through it, to make an example of him. That would be far too messy; perhaps his dominant hand will do.

“I have narrowed down the location of the missing net, ma’am. I believe it to have washed up somewhere around these general GPS coordinates.” He fiddles with a remote in his hand, and the image on the screen changes. It shows an aerial satellite view of a secluded strip of beach, framed by rocky cliffs with larger rocks studded out into the open water. “It should have washed up somewhere in this one-point-three-seven-mile strip of beach. The whole area is property of one Doctor Thomas Sanders.”

She snarls. “That man. He won’t let us on that beach willingly until hell freezes over.”

The other man, the one scanning through photo stills and video footage, jumps up, knocking his chair backwards. “I found something!”

She turns towards him, and his excitement freezes and sputters into something much more controlled and terrified. “Show me.” He clicks something and pulls up video footage from one of their surveillance drones, zooming in on a particular patch of ocean along the stretch of Sanders’ beach. Her eyes widen when she sees what he’d noticed - a hump of red-and-white tail arcing above the waves before a pattern of ripples streaks off towards the cliff. He pauses the footage, rewinds it, uses a laser pointer to show an opening concealed in the cliff face.

“There’s some kind of grotto in there, hidden by the cliff. It’s on Sanders’ property, he has to know it’s there. And it looks like the merman from the destroyed drone knows it’s there too. Which means -”

“That must be where he’s keeping them.” Something burns in her chest, brilliant and terrifying and all-encapsulating, like wildfire. “We’ve found them, at long last.”

“What would you have me do?” her secretary asks. “I can arrange for a recovery squad at your earliest possible convenience, ma’am.”

“Assemble the squad, but do not have them move out. They will wait for my orders. When they go, you are to go with them.” Her secretary nods, once, sharp and sure. “Dispatch a crew to Lab One and clear it out. I want it prepped for containment, vivisection, chemical tests - the works. Get at least three tanks set up and one strap-down human table.”

“A human table, ma’am?”

“Yes. We have to deal with Sanders once and for all to ensure that he does not ruin any future experiments.”

“Will we be taking him as well?”

She hums thoughtfully. “No. Pull up the file we have on his known associate?”

A few swift clicks and flicks and a photo appears on the large screen: a young man with brown-and-purple hair, sleeves rolled up, carefully lowering a perfectly viable specimen into the ocean and letting it go, like some kind of fool. “His doctoral student, ma’am. The longest one he’s ever kept - this one has been with him a few years.”

“Excellent. When you raid the lab, take him.”

“Should we kill Sanders?”

“No. Rough him up a little, but leave him alive. Taking his protégé and leaving him alone, helpless to rescue him, will be the highest form of torture for such an insufferable person. The agony will eat him alive until his dying day.”

Her secretary nods, taking the notes down dutifully. The other employees look vaguely horrified, but she pays them no mind. No sacrifice is too great to be made in the name of progress, and anyone who thinks otherwise is a weakling who will never get anywhere in life.

She refuses to be one of those weaklings.

*~*~*~*~*

Logan wakes up confused.

He’s warm, warmer than he thinks he’s ever been in his whole life. When he stirs, he moves farther than he meant to - he must not be underwater. That’s enough to send a jolt of concern through his sleep-addled brain. Why isn’t he underwater? Why was he sleeping if he was above the surface? There’s no way his dad is here, and Roman hates surfacing, where are they? Where is he? But he’s so comfortable . . .

Someone shifts beside him, an arm draping across his waist, and Logan forces his eyes open. He shifts his lower half, confused when two things move instead of one, and there are layers upon layers of thin, flat, soft things wrapping around him. What is happening?

Slowly, slowly, his mind clears, and he remembers the events of last night. He grew legs - he was a human, once, before he was mer - he couldn’t sleep underwater with Dad and Roman - Virgil was teaching him to walk - Virgil put “clothes” on him - Virgil was embarrassed that he didn’t have those “clothes” on him - Virgil took him out of the lab to sleep - Virgil agreed to cuddle him since his pod couldn’t -

Logan feels the strange burning in his face again as he shifts. He can’t see well in this new human form, but when things are close enough to his face they’re relatively clear. And Virgil, still sleeping, is close enough that Logan can smell him - he smells like salt water mixed with something sharp and something sweet and something else that Logan can’t quite identify but finds addicting nonetheless. Sunlight streams in and pools around Virgil’s face, illuminating the tangled mess of hair spread around him and flopping into his face, the small puddle of water leaking out from his open mouth onto the soft thing he’s resting his head on, the way his chest moves slowly with every breath. His arm is wrapped around Logan, pulling him close. Logan thinks he might explode if he focuses on this any more, so he rolls from his side to his back as carefully as he can, not wanting to wake Virgil. Virgil tightens his arm around Logan and mutters something indecipherable in his sleep, but he doesn’t wake.

Rather than focusing on his very confusing feelings for the very pretty man next to him, Logan focuses on what he can see of the room around him. He makes a list in his mind of things that he plans to ask Virgil about later today, including:

1: There are many draws attached to the small, smooth cliffs surrounding them. How do they stay there?

2: There are lots of “clothes” scattered all around the floor, and there were several on the bed, too. Is that normal for humans?

3: Last night, Virgil did something that made the room light up with trapped sunlight! How did he do that?

4: How did Virgil get ice to stay in those big frozen sheets in such a warm place to let the sunlight in?

5: How did Virgil make ice into that weird shape that he filled with water and drank last night?

6: How did Virgil get the water to come into this place?

7: Do all humans have a specific area set aside for sleeping? Logan and his pod usually just sleep wherever they can, but Virgil seems to have this soft slab set aside with all of these soft things to be comfortable and sleep in every night. Is this a Human Thing or strictly a Virgil Thing?

Logan looks out through the sheet of ice that protects Virgil’s area from the outside and gasps. He can’t see well, but there’s a glittering expanse of blue that shifts and moves and oh, is that the ocean?

He’s spent his whole life (well, his whole remembered life, anyways) in the ocean, and he’s seen some truly wondrous things. He travels around the world with his pod, he knows the ocean is big, but seeing it spread out like this is . . . awe-inspiring. Logan has never seen the ocean like this, and now that he has he doesn’t think he can ever not see it like this again. It’s like a perfect sheet of sea-glass, rippling and unbroken but dynamic in a way that he never really gets a sense of when he’s beneath it.

He knows that there are waves, of course. There are smaller swells out on the open ocean, and larger ones when the Second Goddess dips her fingers down from the Upper Ocean and swirls the storms to a thundering burst. There are waves along the shoreline, ones that he frolics in with Roman and batter him against the shoreline. There are waves created when he or his pod members surface. But watching the movement of the ocean from up here is . . .

Even with his imperfect vision, he is completely at a loss for words as he stares at the ocean.

Eventually, Virgil stirs next to him, and Logan turns away from the ocean to stare at him. Virgil is close to him, arms wrapped tightly around him, face pressed against him. Logan’s eyesight is not great, but Virgil is close enough that he can pick out little details of his face. There are brown face scales scattered all over him, but they seem to cluster on his nose and his cheeks. Logan has wanted to touch them for a substantial amount of time, and he can’t stop himself from gently settling the tips of his fingers over Virgil’s cheek.

His face doesn’t feel like Logan was expecting. The scales don’t give texture to his face the way that Logan’s do; the skin is smooth and flat. There are little bumps all over, but the brown scales aren’t raised off the skin like Logan expected. He lets his fingers trail along Virgil’s face. His bone structure seems to be exceedingly similar to Logan’s, at least in regards to his head. Logan’s finger rests gently on the curve of bone under Virgil’s eye, and Virgil exhales warm breath onto his palm.

Logan wonders what it would be like to have this for longer than just his recovery period. He wonders what it would be like to wake up next to Virgil all the time, to get to run his hands over Virgil’s face and arms and chest and examine the differences between their anatomy. He wonders what it would be like to learn to walk without falling over, and he feels a sharp, unexpected twinge in his chest as he realizes that getting better at walking means no more closeness to Virgil.

His chest feels strange, like there’s a school of small fish swarming around and tickling his insides and making him feel all foamy, like the froth churned up by a windswept sea. He feels like he does when he’s underwater - free, weightless, mobile, limited by nothing except his own imagination. He feels unstoppable.

Virgil makes a sudden, sharp inhale, blinking his eyes open slowly. Logan thinks that, perhaps, he might not appreciate being studied unknowingly - he hadn’t appreciated Virgil doing it, before he understood what was happening, when all he knew was the loss of his pod aching like a scraped-out seashell. As Virgil wakes up, Logan shifts, turning his gaze to the rest of the room.

Virgil makes a sleepy grumbling noise, opening one eye. Logan chances another quick glance at him, and when his eye slides open Logan is struck by its beauty. He doesn’t get much of a chance to admire it, however, before Virgil is jolting backwards like Logan’s struck him with lightning. Logan is confused, reaching out and gently touching his shoulder. “Virgil?”

“Wassat?! Wait . . . L’gan?”

“It is me,” Logan says softly. “Are - are you upset with me?”

Virgil yawns, jaw dropping to his chest, revealing a flash of teeth and a soft pink tongue. (Logan wants to lick it. Why does Logan want to lick it? Why is Logan thinking about Virgil’s tongue licking his tongue - why is Logan thinking about Virgil - what in the Seven Oceans is happening to him.) “Wh - no, no, ‘m okay, I just - woke up, forgot I had you with me, got confused about another person in my bed.” Before Logan can start to feel bad, Virgil adds, “S’okay if it’s you, though,” and the foamy, floaty feeling is back.

“Did you sleep well?”

Virgil laughs, low and rumbling, and Logan can feel it in his fingers where he touches Virgil’s skin. “I never sleep well.” He sits up, and the fabric of his pajamas shifts to let Logan see stretches of soft, supple skin that he usually doesn’t. Logan wants to touch it. He very determinedly keeps his hand on Virgil’s shoulder. “Gotta admit, though, last night was . . . better than usual.”

This appears to be the point where Virgil first notices their position - pressed together, arm slung over Logan, basically cuddling the way that Logan normally would with his pod. (No tangle with his pod has ever felt this . . . electric, this charged, this important to Logan before.) His face flares a brilliant red, and he shifts like he wants to move away but -

“I’m sorry,” Virgil says. “Am I making you uncomfortable?”

“No!” Logan blurts out. Virgil blinks at him a little, and maybe he was a little overly enthusiastic, but - “I sleep in a tangle with Dad and Roman all the time. I have extreme difficulty sleeping without contact with someone else. It . . . helped me greatly.”

“Oh,” Virgil says, face turning redder still, smiling shyly. “That - makes me feel better. Thanks, Lo.”

Logan smiles, and Virgil smiles too, reaching up to gently move a piece of hair away from his face. Logan thinks that, as far as deaths go, his chest exploding (which seems to be getting more and more likely every fifteen seconds he spends in Virgil’s presence, only accelerated by all this skin-on-skin contact they’re having right now) seems to be the most pleasurable.

Virgil opens his mouth to say something, but whatever it was is interrupted by a Ping! noise from across the room. “What is that?” Logan asks. Virgil, sadly, untangles himself from Logan and the blankets, sliding out of bed and heading over to one of the other structures in the room (what did he call it last night? Dex?) and picking up a flat glowing rectangle.

“Is everything alright?”

“What? Yeah, yeah, I - Thomas sent me a text, it’s a little weird.”

“What is a text?”

“It’s a kind of human messaging system, it allows us to communicate when we’re far away from each other.”

“Like a pod call?” “Kind of? I’ll explain more later, I promise, I just - I gotta go down to the lab real quick.”

“I’ll come with -”

“No!” Virgil snaps. Logan flinches, and Virgil softens, crossing the room and gently touching his shoulder. “Hey, no, Logan, I’m sorry. I didn’t mean to snap at you. I just - this message, there’s something off. I think something might be wrong, and I don’t want to put you in any unnecessary danger. Just - wait here, okay? Wait in my room, where it’s safe. It’s probably nothing, he’s probably fine, but on the off chance that he’s not, I want you to stay hidden safely up here.”

Logan isn’t sure why this makes his face heat up slightly, but it does. “Okay. I accept your apology, and I . . . trust you.”

Virgil smiles, soft and heartwarming, and Logan is beginning to give more credence to his “chest explosion is fine, actually” theory. “Wait for me here, okay? I’ll be right back. I promise.”

He leaves, shutting the door firmly behind him, and the foamy feeling in Logan’s chest dissipates a little. He can’t quite put his finger on it, but there’s something . . . off. If Logan didn’t know better, he’d think that he was sensing a predator approaching.

But that can’t be right, he isn’t underwater. His danger senses are likely just overreacting to his disappointment at Virgil’s absence.

. . . Right?

*~*~*~*~*

Thomas is beginning to regret letting Roman and Patton (specifically, Roman) out of the large tank before finishing his first coffee of the morning.

“I want some!” Roman complains.

“Do you even know what it is?” Thomas says. Roman pouts sulkily at him.

“. . . No,” he mutters, rolling his eyes. Thomas gives him the deadpan, no-nonsense, I-am-your-direct-superior-take-the-damn-samples-Virgil stare that he has perfected over the past few years. Roman wilts a little more, and Thomas feels slightly bad.

“It’s called coffee,” he says. “It’s a hot drink that lots of people have in the morning. Some people drink it plain, and some people add things to it to change the way it tastes. It helps me wake up more and get focused to start my day, and sometimes I drink it late at night to help keep me awake.”

Roman looks less like a kicked puppy and more like Logan, eyes wide and curious. “I want some!”

Thomas, taking a sip of his own two-seconds-of-cream-five-cubes-of-sugar coffee, nearly spits it out. He looks at Roman, eyes the very sharp, very detachable, very toxic spines covering his body, and says, “No.”

Roman’s demeanor changes entirely, switching from “curious toddler” to “toddler about to throw a temper tantrum” in a heartbeat. “Why not?!”

“Because when people drink coffee without being used to it, sometimes it makes them a little crazy.”

“I’m not crazy!”

“Do I need to recount to you how many times you’ve threatened me and my assistant since we met you?” Thomas says, raising an eyebrow. “I’m not giving you coffee until I know I can trust you not to stab me with your poisonous spines that cover your entire body and can be fired at people.”

Roman pouts more, dropping under the water and letting out a gratingly harmonious string of mer that Thomas is pretty sure translates to Roman bitching about the coffee situation to his dad. Based on the pattern of Patton’s response, he’s pretty sure Patton is laughing at Roman.

More sulky chalkboard-violin music, and then Roman resurfaces grumpily. “Dad agrees with you and says no consuming strange human foods.”

“Did he laugh at you?”

Roman squints suspiciously at him. “You can’t speak our language.”

“Yeah, but I know what it sounds like when a dad laughs at his kid.” Roman, continuing to pout, sinks back into the tank, presumably to sulk some more. Thomas takes another very long sip of coffee that is definitely too hot for his mouth and turns back to his desk.

Virgil should definitely be awake and in the lab at this point. The samples he’s supposed to be analyzing are sitting in their little tubes, each neatly labelled with locations and dates and times and what, specifically, Virgil is supposed to be looking for. Thomas considers going upstairs and waking up Virgil, who’s almost never been late for work in this way, but he decides against it. Virgil is upstairs with Logan, and Thomas knows that there’s something building between them. He’s not sure how advisable that something is, but he trusts Virgil to make his own decisions.

Besides, he could probably use some practice. His water sample analysis skills are pretty rusty, he’s had Virgil doing them for years. “Virgil, you owe me big time for what I’m doing for you.” He carefully shifts the samples over to his own desk, slides his earbuds in, picks up a pipette, and gets to work analyzing the bacterial and algal concentrations for any abnormalities.

Thomas accomplishes about forty-five minutes’ worth of work before Roman interrupts him by flicking water at him and soaking the back of his neck. “Hey!”

“I tried your name, but your little ear bug things were keeping you from hearing me,” Roman says smugly. Thomas, not for the first time, considers retreating to the closet and throwing beakers until he feels better.

“Can I help you?”

“Dad wants to go hunting and bring back breakfast, but we can’t leave without you.”

“Are you not going hunting?”

“I’m going to stay here and observe you,” Roman says.

Thomas blinks. “Do I . . . need observing?”

“How do I know you won’t sell us out to your little human friends the second you get a chance? If I’m here, I can stop you. Plus, what if you do something to Logan while we’re not here to protect him? No, no, I’m staying right where I am and you can’t make me leave.” His spines ripple; Thomas steps closer to a whiteboard in case he needs to duck.

“I’m not going to do that, and I don’t want you to stab me.”

“Still! I’m staying here! Also, Dad’s bigger than me, and he’s a better hunter cause he’s faster and he’s been hunting longer.

“Does he need something to help him carry all those fish?” Thomas asks. Roman opens his mouth like he’s going to say something snarky, pauses, and stops.

“I . . . usually we just eat what we catch when we catch it. We make a pile of prey and take turns guarding it while the other two hunt. Then we make a sacrifice to the Seven Mother Goddesses and eat what’s left.”

After some debate, Thomas is able to fashion a sling of sorts from some waterproof tarps and leftover anchor rope to tie around Patton’s body. “You can put the fish in this pouch and carry them back here. Will you be able to navigate your way back to the grotto?”

“He will,” Roman says. “Dad knows more about the ocean than any human possibly could.” Another discordant song from the tank, chastising, and Roman huffs. “Dad wants me to reassure you that he’ll be fine.”

Patton settles into the mobile tank easily, and Thomas gets him down to the grotto leading towards the sea. “When you come back, let out one of your pod calls and Virgil or I will come and collect you and your catch. Take as much time as you need, okay?”

Patton reaches up and gently pats Thomas’s arm with one large, damp hand, and Thomas takes that to mean an agreement. “Alright, off you go.” There’s a whoosh and a rush of water as it flows from the tank into the grotto in a clean arc, carrying Patton with it. Thomas waits for a moment, letting Patton disappear into the open ocean, before returning to the laboratory.

Roman, for the most part, ignores Thomas. He asks the occasional question, which Thomas tries to answer in a way that he’ll understand, and leans over the edge of his touch tank, eyes guarded. Every time Thomas sneaks a glance, when he thinks Roman isn’t looking, his expression is wide-eyed and wondrous, like Logan’s usually are, but the moment he realizes Thomas is watching him his entire face closes up like a clamshell.

Thomas wonders what it’ll take to get Roman to trust him, trust Virgil, trust any human. Granted, he doesn’t know Roman’s history with humans, but he and Patton are both fairly scarred, and Thomas might not know the whole story but he’d bet a not-insignificant amount of his monthly income that the giant starburst scar taking up the majority of Patton’s chest isn’t the result of a clash with a marine creature.

He works quietly, fielding the occasional question, keeping one ear on the grotto tunnel for Patton’s return. He’s not sure how long he expected Patton to be gone, but he hears movement in the grotto tunnel far sooner than he’d expected.

“Thomas, what’s -”

“Shhhh,” Thomas says. He stands up, pushing away from his desk, but before he can say anything else, there’s a flood of movement coming from the tunnel. Bodies pour into the lab, swift and strong and carrying weapons that they immediately train on Thomas and Roman.

“What is this?” Roman snaps, bristling. He sounds betrayed, like he thinks Thomas is behind this. Thomas picks up a heavy glass beaker, fully prepared to shatter it upside someone’s skull if necessary, but something heavy and hard strikes the back of his skull and he feels his knees crumple. Roman cries out, and Thomas struggles to push himself up. A hand fists itself in his hair and yanks him upright, sharply. Thomas exhales sharply through his teeth, but before he can start struggling, something cool and round rests against the back of his neck, shutting him up and shutting his brain down.

Roman is puffed up like a hedgehog, apparently fully prepared to defend Thomas despite his strong and inherent mistrust. Before he can begin to attack, Thomas hears the click-click-click of shoes on the hard stone floor. Whoever’s holding his head yanks him back again, and he is forced to watch as a woman walks into his laboratory.

(It sounds like the beginning of a bad joke - a sick, horrible, twisted joke.)

She has black heels, black tights, a black pencil skirt, a black blazer, and a blood-red blouse. Her hair is scraped back into a tight bun, pulled so taut it must hurt, and is held in place with a pitch black stick. She carries a - clipboard? tablet? Unclear - held against her chest, and there’s a sleek silver weapon in her right hand.

“The one from the video?” she asks.

“Affirmative, ma’am,” says the person holding Thomas’s head. The woman nods, lifting her weapon, and fires at Roman. Thomas tries to scream a warning, earning himself another painful yank from his captor, but the projectile lodges itself in Roman’s shoulder anyway.

It isn’t a bullet, but something that looks like a small syringe. Roman swats it out of his shoulder, swaying a little, but it doesn’t stop him from swiping at the - mercenary, they must be - who tries to grab him with his elbow spines. The woman frowns, lifts the weapon - some kind of tranquilizer gun? - and fires again.

Roman screams, inhuman and animal, and tears the newest dart from his arm, throwing himself out of his tank and clinging to the nearest mercenary. His teeth tear into the man’s shoulder, spines piercing through his camouflage clothing and flooding him with neurotoxin. The man collapses against the concrete, alive but unconscious, and Roman snarls at the next man as though daring him to approach. He sways, weakened but awake, and bares his teeth.

“Of course,” the woman says, tapping something on her tablet. “His naturally produced neurotoxin must be providing him with some level of natural resistance. Unexpected, but not a limitation.”

It takes three more tranquilizer darts before Roman finally slumps down into his tank, unconscious. The mercenaries look hesitant to approach him, but the woman reaches for her tablet and they scramble to action at once.

“No - no, stop, let him go, he’s not an animal for you to cart off to your lab -” Thomas starts. The man holding him knees him sharply in the back and he cries out, coughing.

They wrap Roman in thick leather bands, roughly shoving his spines flat and binding them against his skin so that he can’t attack them again. The woman nods, once, short and sharp, and they drag Roman away, letting his head bang mercilessly on the ground. Thomas catches a glimpse of a logo - emblazoned on the back of the jackets, on the back of the woman’s tablet, on the side of her tranquilizer gun - and commits it to memory. He’s going to need it, if he gets out of here alive.

“- your phone,” the woman says, and oh, when did she get in front of him.

“My what?”

His mouth runs dry as she places the tranquilizer gun under his chin, barrel pressing against his throat, and tips his chin up. “I said, give me your phone.”

Thomas blinks. “My - the desk. It’s on the desk.”

She sets her tablet down, picks up his phone, and shoves it in his face. “Open it.”

“I - wh -”

“Unlock your phone, Dr. Sanders. Must I repeat myself a third time?” She rolls her eyes. “Doctorates are wasted on people like you.”

Thomas numbly punches in his passcode, and she swipes through to his messages app, frowning before turning the screen towards his face to reveal a message thread with Virgil. “Is this your assistant?”

Thomas glares at her, he’s not going to give her what she wants, he’s not going to just give her Virgil but then the - gun, it must be a gun, what else would they be holding against his neck like this - pushes into him harder, and it’s probably bruising, and he can’t get himself killed here because then he definitely won’t be able to take care of Virgil and -

“Yes,” Thomas says, hating himself for giving in so easily. “What do you -”

She turns away from him, nails clicking against his phone screen as she sends a text message - to Virgil, presumably, and that makes his heart sink like a stone - before dropping it on the floor and stepping on it to shatter it. “I have a message for you.”

“A - what?”

“Did they really hit you that hard, or were you this stupid before we came here?” she says coldly, picking up the tablet again and tapping at the screen. Thomas groans as the man yanks him to his feet, shoving him onto his chair and pulling a roll of duct tape out of one of his multiple pants pockets. He tapes Thomas’s wrists and ankles to the chair, keeping his weapon trained on Thomas’s temple at all times, before pressing it roughly against his head and gripping his hair again.

The woman sets the tablet on his lab table, and the screen flickers to life, and then there’s a woman in front of a dark black backdrop, smiling at him like a cat who’s caught a canary. “Thomas Sanders. How long I’ve waited for this day.”

Thomas recognizes her. He knows he recognizes her. She used to be his classmate, before . . .

His head hurts, so badly that he can barely keep his eyes open, and the memory slips away. “You . . . why are you doing this?”

“Why? Because I am a real scientist, unlike you. You refuse to do what is necessary, what must be done for the progression of the species. The sacrifice of some worthless animals is necessary for humanity to reach its zenith. You would really hinder the entire human race for the preservation of lower life forms?”

“Wh - I -”

“You think that ‘preserving the ecosystem’ and ‘keeping animals alive’ makes you a good scientist, but it makes you weak. You are weak, Thomas Sanders, and if the world was left in the hands of people like you, the human race as we know it would die out in a few centuries. Fortunately, there are people like me, who understand what must be done.”

“Caring about other people and things - it doesn’t - it doesn’t make you weak,” Thomas says, chest heaving, and the woman just laughs.

“One of many logical fallacies to which you subscribe, Thomas. They really gave you a doctorate? Of course caring makes you weak. All emotions make you weak. They corrupt your data and make your experiments worthless. You must be ruthless. You must be willing to do whatever it takes to pursue your goals and achieve the height of success. But no.” She rolls her eyes, face hardening, twirling a pen in her fingers. “You insist on ethics and principles and letting emotions cloud your judgement, and that makes you a failure as a scientist. It makes you weak. Your attachments will be your downfall.”

Thomas’s eyes slide shut, head pounding, and the man behind him yanks at his hair so sharply that he knows some has been ripped out. He forces his eyes open in time to see a smile slide across the woman’s face like a knife, teeth gleaming white as sun-bleached bone.

“You won’t - get away with this,” Thomas manages. He grinds his teeth together and curls his hands into fists, digging his nails into his palms to keep himself awake. “If you leave me alive -” Thomas, stop talking, why are you reminding her that she has the option to fucking kill you “- I will not rest until I find you. I’ll - you can’t -”

“You’ll what, Thomas? If you call the police, you’ll expose those creatures you’re so intent on protecting to the world. Are you really willing to take that chance?” Before Thomas can even begin formulating a response, she steamrolls him. “It doesn’t matter. Even if you were, I’m going to take some . . . insurance, shall we say.”

“Why not just kill me?” Thomas spits. Excellent idea, Doc, poke the murderous lady with a stick like a god damn hornet’s nest, the tiny Virgil in his brain hisses. Her smile, somehow, only widens, and that’s . . . that can’t be good, can it? Smiles are supposed to be good! They’re supposed to make you happy, but all Thomas feels is creeping dread and pain, so much pain, and -

Yeah. He’s . . . pretty sure he has a concussion.

“Because if I kill you, you get to take the easy way out. Your suffering will end. But unlike you, I don’t put limits on my science. I know how to cause you the maximum amount of pain.”

Thomas eyes the toxin gun, but the on-screen woman just laughs. “Not yet, Thomas. We need something from you, first.”

“You already took Roman,” Thomas says. “What more can you possibly take from me?”

“You named it? You’re even weaker than I thought.”

“He told me his name, he’s not an it, he’s not a thing for you to play with and - and I -”

There’s a strange sinking feeling in Thomas’s chest as the woman onscreen laughs. “I knew you were emotional, Thomas, but I can’t believe this! It looks like I’ll have more hanging over your head than you thought.”

“You -”

“Say, Tommy-boy, have you heard from your precious little assistant recently?”

Thomas’s entire body flushes ice-cold and then white-hot, immediately struggling against his duct tape bindings despite the man tearing at his hair and shoving the gun into his neck and snapping at him to shut up, shut up, shut the fuck up before I do something we’re both gonna regret -

“Don’t you touch him!” Thomas snaps. “If you hurt him, I swear to God -”

“You’re not in a position to be making demands, and if you don’t calm down, I’ll paint your boring little lab bright red.” Thomas freezes, holding his entire body tensed like electricity is running through his blood.

There are footsteps on the stairs. “Doc? I got your text, what’s -”

“Virgil, run!” Thomas chokes. Virgil comes around the corner, holding his phone, staring at the screen in confusion. He looks up, eyes widening in horror as he takes in the scene.

“You know what to do,” the woman onscreen says. The other woman lifts her tranquilizer gun, and Thomas is sure that he’s screaming, his mouth is open and sound is coming out but his blood is rushing through his ears and his heart is pounding like waves against a boat in rough sea and he can’t - he can’t -

Virgil turns to run, but the tranquilizer dart hits in him the back of the neck and he collapses like a sack of bricks. The woman lowers her gun and jerks her head at the two remaining conscious, unoccupied mercenaries, who step forward and grab Virgil.

“Let him go!” Thomas screams, and his throat feels raw and his chest feels raw and his wrists are rubbed raw and his soul feels hollow and raw, like he’s been scraped out with a jagged piece of metal and only an empty shell remains. Virgil’s head lolls against his chest as they drag him down the grotto tunnel, and Thomas struggles and screams and stares after them until Virgil is out of sight.

His face is damp, and his eyes are burning, and he isn’t sure if it’s blood from his head wound or tears or some strange, morbid mixture of both.

“The greatest torture of which I can conceive,” the woman onscreen says, and it takes him a moment to realize that oh, she’s talking to me, “is to leave you alive, knowing that your precious little protégé is with me, and that there is nothing you can do about it.” She leans forward, and any trace of a smile is gone. “If you try to come after me, I will kill him. If you call the authorities, I will kill him. I already found you, Thomas. Don’t think I’m not watching. If I catch so much as a whiff of you planning something, his blood will be on your hands. Do you understand me?”

Thomas, numb and shocked, can’t even respond. “Knock him out and bring the specimens back to me,” the woman onscreen says.

“Yes, ma’am.”

He doesn’t even feel the tranquilizer dart hit his neck, but he welcomes the sweeping darkness.

(Summary: Evil Scientist Lady has been spying on Thomas and she finds the entrance to the grotto where our mer friends have been hiding. She sends her assistant and several armed thugs to invade the lab, they drug Roman with tranquilizers and kidnap him. Thomas gets knocked around a lot and is mocked for being an ethical scientist and caring about people by Evil Scientist Lady and she gloats at him through Evil Facetime before kidnapping Virgil in the same way they did Roman, knocking Thomas unconscious, and leaving him tied to his lab chair. During this whole scene, Patton is out in the open ocean hunting and Logan is safely hidden in Virgil's room.)

#starshinewrites #lovely dark and deep #romantic analogical #sanders sides #platonic TLAMP

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