#what a sad beginning

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[khairosclerosis]

🛶 and i'm asking, 'why, lord?'

if this is how i die, lord;

why be left with no family

and no friends?

[showyoumyfavoriteobsession]

Dale Cooper in 2x13 / 2x14

[demaparbat-hp]

He noticed the spears resting not too far away from the women. Zuko squinted his eyes and recoiled at the sight of blood painting the blades, in clear contrast to the whimsical whites and blues of the South. These women were hunters.

The Southern Water Tribe brings shades of white to Zuko's soul in For The Spirits Chapter IX: A Rider Alone.

Sharpened mothers and fatherless children resting on the back of tattered tents. A Ghost-Mother, a shapeless howl, and the blue eyes from his dream—everything comes together in the land of the Midnight Sun.

[uncanny-tranny]

I recall saying this before, but it bears repeating:

There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[lucabyte]

sorry loop if this looks gay to the viewers

[drrav3nb]

THE CROW (1994) dir. Alex Proyas

People once believed that when someone dies, a crow carries their soul to the land of the dead. But sometimes, something so bad happens that a terrible sadness is carried with it and the soul can't rest. Then sometimes, just sometimes, the crow can bring that soul back to put the wrong things right.

[xxplastic-cubexx]

If you were to like redesign Magneto's classic outfit in a way that both suits the character and your own tastes, how would you redesign it?

uhhhh errrmmmmm i dont know i really couldnt improve upon perfection but i have still tried for you my friend !!!

[tangents-within-tangents]

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

[sysig]

Ah, childhood memories (Patreon)

[sad-girl-hours23]

I Know The Last Page So Well, I Can't Read The First

For the @tevanadvent2024 Day One: Beginnings

Pairing: Buck/Tommy

Rating: G

I’m so sick of endings.

Lately, Tommy’s life has been nothing but endings. 

First, his relationship with Evan. (Tommy’s not the forever guy, he knows that story all too well).

Then, his favorite show on Netflix was cancelled. Again. Why he bothers to get invested anymore is beyond him. 

He nearly cried in the middle of a Baskin-Robbins when he found out his favorite flavor of ice cream had been put in the deep freeze. The girl behind the counter looked far too concerned for his well-being.

It was a sad state of affairs.

He heard from Lucy that Eddie’s moving to Texas. It stings, even if he’d all but left their friendship in limbo these past few months.

And then…his dad. Tommy’s never experienced a loss so fraught with complications and contradictions.

It’s his last day of bereavement leave and he’s eating alone at his favorite restaurant, alongside what feels like half of Los Angeles. He’s tucked away in a booth far larger than is appropriate for his sad reservation of one, but with the specters of his past, he’s not alone.

He’s picking at mushrooms on his pizza when somebody slides into the booth.

He wonders briefly if this marks the ending of his sanity. 

As if the sheer power of his wanting has conjured an apparition of the man he loves.

Evan doesn’t stop sliding until their sides are pressed together. He’s here; real, and warm, beside him.

“Evan, what are you —”

Evan ducks his head. “I heard about your dad. I’m sorry.”

Tommy nods. “Thank you. I assume Lucy told you.”

“Yeah, but I wish you had.”

“I didn’t think, I mean, I don’t get to —”

Evan places his hand over Tommy’s. “But you do, Tommy. I would have been there for you. You still don’t get it do you?”

Tommy tries to suppress the embers of hope burning within him, they’ll only end in smoke and ash. “Get what?”

“I —” Evan’s phone chimes with a text and he looks towards the main room. “Look…can we talk later?”

Tommy hesitates. He should make a clean break, he knows. He won’t have the strength to walk away a second time. He forces a smile. “Of course. I’m sure you have someone to get back to. You shouldn’t waste your time with me and my misery.” 

“Well you know what they say about misery.”

Before Tommy can reply, Eddie’s sliding into the booth on his other side, followed by Howie, Hen, and Bobby. 

“What —”

Tears well up in his eyes as Hen takes his hand in hers. He can’t find it in him to be ashamed when he sobs as Eddie puts his arm around his shoulders and squeezes, says, “we got you, man.” 

Howie grins. “Bet no one was expecting dinner and a show.”

“Chim,” the rest of them groan. Tommy just laughs. He’s missed this, missed them. He’s missed the person he is with them.

They all express their condolences and catch him up on their lives when he asks, as if no time has passed at all. 

He finds out Evan’s been baking, and knows they have so much to unpack when they’re finally alone.

Evan lays his head on Tommy’s shoulder. It shouldn’t be this easy, he thinks. 

He half expects Bobby or Hen to yell at him, to make him face the mess he’s made of his and Evan’s lives. He almost wants them to. But when he dares to look, they’re both smiling. It cracks his heart right down the middle.

He’s starting to think he doesn’t know this story half as well as he thought.

And Tommy, he’s so tired of endings, and so skeptical of beginnings, and so very terrified of the feelings starting to form in his chest. Everything ends. But if this is the middle of his story, if the bulk of his life’s pages get to be like this, it will have been worthwhile.

Also on AO3

[gunstellations]

confessions

[fumifooms]

Firefly Wedding is so…

It’s so

It’s them. It’s "It’s just a firefly, they’re meant to die soon. Why should I care about the sick, or the poor?"

It’s "I was purposely trying to scare you and push you away to see how far you were willing to go with your act, how desperate you were to play with my feelings as if I was a fool, but it didn’t work."

It’s "I know you’re just using me but now I care. Please keep using me. I need you to need me."

It’s choosing to give her her freedom anyways. Because your love is no longer all about you, no longer selfish. Because this love isn’t just a shallow balm to soothe your complexes anymore.

It’s being betrayed, finally facing the lies and no longer pretending you both don’t know that this is a farce, but desperately wanting to keep it going anyways. It’s "I should hate you now. Why don’t I? Hey, tell me we’ll go through with the plan, tell me you’ll marry me after all. Otherwise, why am I still here? Why don’t I want to leave? You act like you don’t need me but I still need you."

Like that’s so revolutionary for a yandere story. The self-delusion is strong, denial that things have changed despite it being impossible to truly believe, BUT HE STAYS. It’s no longer selfish 😭😭

"I don’t care about you anymore, I won’t help you. Get yourself killed for all I care." <- Jumps to her rescue 3 milliseconds later when she almost falls down a ladder/roof. It happens twice. The ‘lying and trying to emotionally distance yourself from something to protect yourself and not get hurt’ defense mechanism is blatant and it’s failing really bad.

It’s "My sense of duty and goals to have accomplished something useful in my short life are making me do this, but I do want you to stay with me." The yandere stuff here gets turned on its head because what he says is empty where it matters and meaningful where it matters. It’s knowing that if Satoko asks him not to kill anyone he won’t, but knowing that he won’t give up on her no matter what, even if she’s unattainable, even if she’s sickly, even if she pushes him away like just before. It’s so thinly veiled for "I’m determined to see my goal through, but that’s not what I want. If you just so happen to take me away and I don’t try to run away hard enough then we can elope and be free. I want to have an excuse to leave with you. Please give up on marrying me. Please don’t. I want that, but I can’t."

It’s "If I didn’t burn brightly in my short firefly life, then what was the point?"

Except that burning brightly doesn’t have to mean making big achievements, or being useful to your family.

It can be living happily, living for the ones you love, fighting for them. It can be worth to risk it for things that actually matter to you.

It’s giving your heart to someone, figuratively and literally. To lend it to them even if it might get used or battered, for as long as it beats to use your body to protect them, even if you have to sacrifice yourself. A love that burns bright into a bonfire before they both turn to ashes. Unwise but wholehearted.

It’s despite even that, needing grandiose gestures to be able to trust that this is real. It’s needing external cues that prove it to feel safe in their love existing, other people to confirm that he’s not crazy, that this is happening and this is how they both feel. Their love has been fake, both being a warped love and being a lie, only being out of necessity or because the other was the only one willing to offer it to them, offering comfort, safety, support and care. And showing that they care is the most loving of all. It’s despite everything falling back into old habits that "Oh if she was miserably worried for me then that means she’s not indifferent to me! That’s good!" And then once again being taken aback by her, by her earnestness and by her will. Because oh, no, this goes deeper than that. She cares. It’s love.

It’s opening your heart up to love, and both being punished and rewarded for it.

But most of all it’s

And it being the most loving thing he’d ever heard

Firefly Wedding is so…

And yet it’s also

The complicated and hurtful nature of love and the joy and light it brings are two sides of the same coin, because that’s what inevitably happens when you care about something. But caring about a firefly isn’t a waste even however short lived it is, or how hard the loss will inevitably hit you. Isn’t their light just such a wonder to witness?

[sincerelyrf]

me: *seeing people yell about how they did Glintshore & Percy's death in the show*

also me: ..................anyway