#weird cues always make me smile

[tricksforclicks]

Cues most likely to make people go WTF?

Go get off of the roof (retired)

Don't Kinkshame

[celesteleoves]

hcs of bakugou / todoroki being a hardcore simp for reader maybe?

“I WANNA BE YOURS.”

KATSUKI BAKUGOU/SHOTO TODOROKI x fem!reader.

summary: what the request said!

warnings: swearing (bakugou…), mentions of todoroki’s childhood (very brief), that’s it i believe!

a/n: i love this request. i hope i wrote this to your liking!

—

BAKUGOU KATSUKI —

he is a very subtle simp. you probably wouldn’t even think he liked you if you guys weren’t already dating. the way he shows his love for you is… questionable.

he does the simple things like following you around like a lost puppy (even though he swears he does NOT) .

he’ll definitely demand you never leave his side so he can always be there to protect you.

���you’re so weak, you need me to be there to protect you at all times.”

you’ll just nod, enjoying your boyfriends presence. (he’s actually geeking over you aswell and the fact you grace him with your presence).

he takes you everywhere with him and doesn’t care about what anyone says. oh, aizawa paired him up with kirishima? you’re coming with. you can’t stay a second away from him before he’s rushing around like a headless chicken looking for you.

your biggest fan by far, anything you do he’s practically on the floor worshipping you. then the next second he’ll be calling your outfit disgusting in the sweetest way possible.

he’ll also deny the fact he’s a simp for you. one time, kirishima caught the poor boy gazing at you, dare i say LOVINGLY, across the room as you did a mundane task.

kirishima has never grinned wider than he did when he noticed this. your boyfriend noticed the quiet chuckles leaving his friend and turned towards him.

“what the fuck are you laughing at?”

“you stalking y/n!”

“I WAS NOT STARING AT HER.” sure… liar. you literally just outed yourself…

bakugou loved you, even though he shows it in his weird, weird ways.

SHOTO TODOROKI —

the sweetest, sweetest boyfriend ever. literally the ideal boyfriend anyone could have SIMPLY because of how doting he is towards his partner.

he’s absolutely enamoured with you. he isn’t shameful about it either! (referencing one of my other head-canons) .

this boy will downright show his love for you.

we all know shoto has a hard time with social cues, he blames it on his childhood and the lack of social times he had – always being isolated.

that’s also the reason why he doesn’t understand why he can’t stare you down like a hawk and not expect people to be slightly worried… why is he staring at you like he wants to eat you?

cuteness aggression is a thing. you both get it when you’re with each other.

you can’t believe you managed to secure this boy. he never opened up to just anyone, yet for you he made an exception. you flew that all the time.

meanwhile your boyfriend is still in denial you two are dating. every time you bring up your realtionship he’s blushing like a maniac and shying away from you.

your classmates notice the little things. such as you placing your phone face up only for it to be face down a couple seconds later because todoroki fixed it for you knowing you don’t want people staring at every notification on your phone (this is so me guys i’m sorry).

he is very attentive, he’s such a simp. he’ll pick up on the little things. sometimes, you feel like he knows you better than you know yourself.

there was definitely one time you had been making yourself a snack in the kitchen, forgetting to get one of your favourite piece of food for the snack .

once your snack was made, you frowned at the missing piece of your food you wanted.

starting to get upset, you looked around for something to make up for this.

“here.” a soft voice spoke causing you to relax at the sound of todorokis gentle tone.

“i can’t find my-”

“y/n. here.”

you looked at your boyfriends hand, noticing he was holding multiple variations of the missing food item you craved.

your lips trembled at his thoughtfulness and you pulled your boyfriend in for a hug as he returned it with a soft smile on his face.

he’s too sweet for you and such a simp!

—

a/n: guys, bare with me if there is spelling errors. this was not proof-read! i hope this was good enough, it was kind of short.

SEND REQUESTS! 🤍🤍

[luveline]

hi hii jade! Was wondering if you could do something sweet and fluffy w poly!marauders where reader wakes up in a very cozy and giggly mood 🤭 just some warm domestic love hehe

thank you for requesting! fem, 1k

Someone is kissing his waist. Sirius squirms in his dozing, not expecting it as those kisses travel up his naked chest. Your laugh is breathy and soft as you kiss his shoulder, your weight strewn across his side and arm, your hand finding his cheek. 

Your fingers feel inhuman in the best way, like an angel. They spread across his face and neck as you hold him in place and kiss the skin where his neck meets his shoulder. “I love you…” you whisper, the ‘you’ turning long and slow like honey slipping down his front. “I wish you didn’t sleep so much.” 

You kiss him again, and with that you’re out of bed. Out of the room before Sirius has time to gather his wits, but he does gather them, because he needs more of whatever that was. 

What sort of sweetheart kisses somebody with such gentleness thinking they won’t remember? To press affection into him with want of nothing in return. He doesn’t even bother getting dressed, just scrubs at his sleep-swollen face and fishes the crusties from his eyes as he descends the stairs, numb-legged. 

James is grabbing you by the hips, helping you up onto the counter. His curls bounce at the back of his neck. “What’s gotten into you?” he asks. 

“Love, for sure.” 

“I can see that. Eggs? Omelette?” 

“Jamie, you can make anything. Actually, let me make you something–”

James pushes you further onto the top. “That’s okay, I’m cooking. I want to cook.” 

Sirius isn’t insecure, exactly. He feels he’s quite handsome when he attempts to be, and he knows you like him whether he’s trying or not, but he doesn’t know if you want to be interrupted, either of you, and it’s his private agony to wonder what to do. Then you spot him over James’ shoulder and your eyes practically sparkle. 

“Siri…” you sing-song, melodic as he crosses the kitchen linoleum to be with you and James. “Did I wake you? I’m sorry.” 

Sirius touches James’ elbow with love but swoops in on you. “Did you wake me?” he asks, kissing your cheek, his arms working behind you to hold you as his lips travel downward. He isn’t half as sweet as you were, too busy trying to squeeze your torso against his and mould you into a perfect fit against him and under his arm to really think about what he’s doing. 

“She did it to me, too.” 

Sirius pulls your face into his neck and turns to James with a grin. “And Remus?” 

“He was already awake. But she kissed him and did that thing where her eyes somehow look bigger and shiny and he had to go for a walk.” 

“He didn’t have to go for a walk,” you mumble from Sirius’ neck. “He always walks on Saturday mornings. He’s just getting some herbs from the greenhouse.” 

The back door opens on cue. Remus reappears with an aura about him much like yours, dropping the cut herbs on the cutting board, and stopping just shy of everyone to smile. “Did she do it to you, as well?” he asks. 

James squeezes Remus’ face in his hand, a quick thank you for the herbs that has the latter turning pink. 

“She waylaid me with kisses like a common whore.” 

“Sirius,” James says scornfully. 

“Me being the whore,” Sirius says. You laugh into his neck, seemingly with no inclination to leave the circle of his arms. “Will I ever see your face again?” he asks. 

“It’s cozy here. I wish we’d stayed in bed.” 

“We can go back.” 

“After breakfast,” James says, popping an egg on the edge of the frying pan, breaking the shell one handed as he gives the sizzling oil a shake. 

Remus not so subtly crosses the last of the space to slot himself between your right thigh and the counter. Sirius has the urge to cup his cheek as James had done —Remus has an extremely holdable face— but is distracted by your nose nuzzling the line of his throat. 

“I love you,” you say. 

Doesn’t matter who you’re talking to. All three boys melt. 

“I’d like to do some really weird things to you,” Sirius says. 

“Me too,” James agrees. “But we do need breakfast first.” 

“No one is doing anything weird to me, it’s the weekend.” You beam as Remus laughs, seemingly your intention. 

Sirius backs away to a polite but still close proximity. He isn’t selfish; being in a ‘strange’ relationship like this one is a lot of reading cues, and a lot of just plain old climbing into people's laps when you want them, because nobody can truly read minds. Yet Sirius can see that you’re in the sort of mood where everything you touch turns to gold and all the boys want a piece of you, and who is he to get in the way of that? 

Well, he’s your boyfriend. He takes a kiss before he delegates himself to being herb-chopper, stealing glances of you from the corner of his eye. 

You tease a strand of Remus’ hair behind his ear. 

“Weird stuff is for weekdays only,” you’re murmuring. “What I want today is the real romantic stuff.” 

“Then you can have it,” Remus murmurs back. 

Sirius will happily be doing very romantic things to both of you after his omelette. James, too, if he’s so inclined. 

[harrysfolklore]

growing family - verstappen!yn

pairing: verstappen!yn x boyfriend!charles, best fiend!oscar x verstappen!yn

verstappen!yn smau | masterlist | my patreon

You hummed along to the music coming from the speakers of your boyfriend's Monaco home as you stirred some pasta sauce for dinner.

Despite being to Monaco countless of times before, there was something different about being there with Charles for his home race week.

You enjoyed being alone in his apartment while he ran some errands or spent some time training, you felt at home and the company of Leo, the puppy you adopted together made everything better.

However, your time to yourself cooking dinner for you and your boyfriend was interrupted by your phone ringing.

oscar pastry 🥐 FaceTime Video

Frowning because you weren't quite expecting a call from your best friend, you answered.

"Hello mum," he said once his face popped up on screen.

"Mum?" you asked confused, "What are you even talking about?"

"Have you not seen twitter? I'm your kid now, Charles adopted me," he shrugged, "Where's my brother Leo?"

"Oscar are you drunk or something," you laughed at your best friend, "I haven't been on twitter since like, last year."

"Well log in, dumbass," he rolled his eyes and you flipped him off, "Hey! That's not the way to treat your son."

"Gosh stop saying that, we've been best friends since we were 15 it's weird," you shook your head as you opened the twitter app, luckily you weren't logged out because you certainly didn't remember your password.

And the first thing you saw pop up in your timeline was the banter between your boyfriend and your best friend.

"You guys are so annoying," you threw your head back in laughter as you read the tweets, "And you're both serious about it too."

"Of course, I'm a Leclerc-Verstappen now," he laughed along, "Shit, does that make Max my uncle?"

"It does," your eyes widened, "Are you sure you want that?"

"Well I wanted you guys to adopt me so you give me back the attention your boyfriend stole from me, I never consider Max would become my uncle," he teased, making you laugh.

"Come on pastry, we've talked about this," you gave him a serious look, "You'll always be my best friend and me being with Charles now would never change that."

"I know, I'm just messing around," a small smile played on his face, "You guys seem so happy and I love that for you."

As if on cue, you heard the front door open and your boyfriend's voice calling for you, Leo instantly barking and running to the door when he noticed his presence.

"Mon ange, I'm back," he said as he entered the kitchen, Leo cradled on his arm, "Missed you."

He pulled you closer y the waist and kissed the side of your head, making you smile and lean into him.

"Yikes, I didn't need to see that," Oscar's voice was heard from the phone screen, making you laugh.

"Oh hey son," Charles said to him, "How's my new favorite adopted child doing?"

"Hey dad, just calling to check in on my amazing parents and my little brother," he said, glancing at Leo who was now comfortably settled in Charles' arms.

"This is so weird, stop it," you cringed, making both of them laugh and Charles pull you to him again as you covered your face.

"We're a big happy family, mon amour. Ollie, Leo and now Oscar, the Leclerc-Verstappen family."

You smiled at him, pecking his lips a couple of times.

"Okay that's my cue, I don't want to see you guys making out," Oscar said shaking his head, "Good night, mum and dad, see you this weekend."

"Say bye to your brother too," Charles said, moving Leo closer to the camera.

"Bye Leo!"

As Oscar hung up, you couldn't help but laugh at the entire interaction, "So he's our son now?"

"Yes, and he seems to be enjoying it a lot," Charles chuckled, setting Leo down on the floor, "Who would've thought we'd have an adopted son before getting married or having our own kids?"

"Don't get any ideas, Leclerc," you playfully swatted his chest, "We're not adopting every one of my friends who jokes about it."

"Why not? We could build a whole team," Charles teased, wrapping his arms around you from behind and resting his chin on your shoulder and kissing it chastely, "We'd be the coolest family ever."

"It's your secret plan to make everyone on the grid your family? Dating Max's sister and now adopting Oscar, you're something else, Leclerc."

Charles laughed loudly at your words, throwing his head back and making you laugh along.

"Well, what can I say," he shrugged, "I'm charming and people love me."

"That you are," you smiled, kissing him gently.

That you are," you smiled, kissing him gently.

"Now, let me help with dinner," Charles offered, moving to the stove and checking the sauce. "It smells amazing, just like you."

"Smooth talker," you teased, handing him a spoon to stir. "Just make sure it doesn’t burn."

[ghostfacd]

I’M A JEALOUS, JEALOUS, JEALOUS, BOY. | TOM BLYTH

PAIRING. tom blyth x fem!actress!reader

SUMMARY. after gaining massive popularity, you star another show where you have to kiss your co star, which tom isn’t exactly happy about

AUTHOR NOTE. Two posts in one day? Who am I??anyway! This was self indulging because I love Steven Conklin and nobody writes for him 😔 As always, reblogs and comments make me more motivated to continue this series :)

installment of this au | the reader plays fictional character “ella fisher” in tsitp!

Tom wasn’t a jealous guy, at least, he didn’t think so. He was very secure in your relationship, always making sure he didn’t let his emotions get the best of him.

Like when you told him you had gotten the role of Conrad and Jeremiah Fisher’s sister in The Summer I Turned Pretty, and how you were Steven Conklin’s love interest, he congratulated you with a big hug.

He knew who was playing Steven—Sean Kaufman. There was no doubt that Steven was a very charming guy.

“You’re here!” You say giddily, engulfing your boyfriend in a hug when he approached you. “Daisy was just patching up the last of my concealer. Did you get any food?”

Daisy was your makeup artist—and one of the sweetest girls you’ve ever met in your life. She knew the cast pretty well, so when you first got here, she helped break the ice between you and them.

“You know I did,” Tom says, placing the paper bag down on your table. He opened it up, retrieving an iced matcha latte and a poke bowl. You squealed in delight, excited to eat after filming for so long.

“So how was your day?” You say, cheekily grinning at him as you ate your bowl.

“Tiring? I did a photo shoot, it was fun. Then I went home and took a nap, and then I drove to buy you food.”

“Well thank you babe,” you say. “Today was such an exhausting day, so much retakes cause of all the sand. But God do I love this show to death. It’s so much all at once but in a good way, you know?”

“Well I’m just excited to see my girl on the big screen,” Tom smiles, leaning in to give you a kiss on your forehead.

“YN! Time to film again!” The voice of your director calls out, making you shove your bowl into Tom’s hands and rushing over to the cameramen.

Tom carefully places your bowl down, walking over quietly behind the cameras to watch your scene up close.

He watches as you talk to Lola, who plays Belly, about your plans after high school, and how you wanted to apply for Princeton just like Steven. She rolls her eyes, saying how she doesn’t get how you and Steven get along so well.

Later in the scene, you and Sean sit close together in front of a campfire. Tom remembers vividly of you telling him there was a scene between your character and Steven where the two of you would get extremely close. Tom feels his breath hitch when he sees Sean make you laugh. He knows that it’s just acting—that your character and Sean’s character are love interests in the show, and that it means nothing in real life.

But he just feels so weird. His stomach is in knots, and it feels like his mouth is dry.

“You know,” Sean begins, leaning in close to your face. “I know Belly doesn’t want me liking any of her friends, and your brothers would totally kill me if they knew; but you’re making it so hard.”

“Really Steven?” You fake giggle, leaning closer to his touch. “Well they don’t have to know.”

Sean laughs at your comment, his head falling against your shoulder, something that Tom had always done with you.

And then he sees the director cue the cameramen to zoom in, and then there it is. — You and Sean kiss, and Tom feels his feet move away from the scene without even realizing.

“And… cut!” The director says, clapping. “Good job Sean and Y/N! You really captured the tension between Steven and Ella. That’s a wrap!”

You hug Sean afterwards, the two of you laughing about how stupid the kiss must’ve looked but you knew the viewers would eat it up once the episodes aired.

“Where’s that boyfriend of yours?” Gavin asks, suddenly showing up behind you and Sean.

“Gavin!” You say, putting your hand to your chest. “Way to scare a girl to death!”

Gavin laughs, poking at your sides teasingly. “Just kidding, I know where he is. Stormed off where Lola and Christopher are standing.”

“Storm off?” You say, confused.

“Seems like lover boy wasn’t too keen on you kissing our Sean over here.”

You quickly make your way towards where Lola and Christopher were standing, and just like Gavin had said, Tom was standing behind them. He didn’t look too happy.

“What’s wrong?” You ask, pulling the boy away for some privacy.

“It’s nothing.”

“Oh c’mon,” you scoff. “It can’t be nothing. Gavin said you stormed off earlier.”

Tom sighs, clearly wanting to drop the topic. But one look into your genuine concerned eyes makes him crack.

“I was jealous.” He admits, biting his lip back in embarrassment. “I’m sorry.”

You bite back a smile, arms linking with his. “Awe babe, it’s okay. Just acting. Just like how you kissed Rachel in the Ballad of Songbirds and Snakes. It doesn’t mean anything.”

“Yeah,” Tom sighs, bringing your body close to his. “You’re right, I shouldn’t have felt that way.”

“It’s okay,” you reassure him, smiling brightly. “Feeling jealous is bound to happen with our job, as long as we communicate about it, everything will be fine.” You hug his side, snuggling your face into his coat. “Plus, you know Sean has a girlfriend, right?”

“What?” Tom seems baffled, but he quickly covers it up. “No, yeah, I knew that.”

“Uh huh,” you tease, “don’t worry Tom, I love you the most.”

He leans down, making eye contact with you. “Well I sure hope so, because I love you the most as well.”

And everything was perfect until Gavin lets out a fake barf, telling the two of you to “get a room”.

“Oh get out of here Gav!” You say, shooing him away.

“Yeah Gavin, let the couple have their moment!”

That makes everyone laugh, and you swore you never felt happier than you did right now.

[pucksandpower]

Your Love Is My Drug

Oscar Piastri x Norris!Reader

Summary: Lando’s teammate is behaving strangely, so of course the logical assumption is that Oscar must be on drugs (the truth ends up being so much worse … for Lando)

The McLaren garage buzzes with activity as mechanics scurry about, preparing for the upcoming race weekend. Lando leans against the wall, his brow furrowed in concentration as he observes his teammate from across the room.

Something’s off about Oscar today. Actually, if Lando’s being honest with himself, something’s been off about Oscar for weeks now. The usually composed Aussie seems ... different.

Fidgety.

Distracted.

As if on cue, Oscar lets out another of those odd little giggles he’s been prone to lately. Lando’s eyes narrow.

“Oi, Piastri!” He calls out, striding over to where Oscar is hunched over his phone. “What’s so funny, mate?”

Oscar’s head snaps up, his cheeks flushed a deep pink. “Oh, uh, nothing,” he stammers, hastily shoving his phone into his pocket. “Just ... just a meme.”

Lando raises an eyebrow. “A meme? Since when are you so into memes?”

“I’ve always liked memes,” Oscar protests weakly.

“Right,” Lando drawls, unconvinced. He watches as Oscar shifts uncomfortably, tugging at the waistband of his jeans.

A sudden, horrifying thought strikes Lando. No ... it couldn’t be. Could it?

“Hey, Oscar,” he says slowly, trying to keep his tone casual. “You feeling alright? You’ve seemed a bit ... off lately.”

Oscar’s eyes widen slightly. “Off? What do you mean?”

Lando shrugs, aiming for nonchalance. “I dunno, just ... different. Distracted. You keep laughing at nothing and your face is all red.”

“Oh, that’s ... that’s nothing,” Oscar says, waving a hand dismissively. “Just, uh, excited about the race, I guess.”

Lando’s not buying it. “Excited, huh? Is that why you keep fidgeting with your pants, too?”

Oscar freezes, his hand stilling where it had been absently adjusting his waistband. “I ... what?”

“Your jeans,” Lando repeats, gesturing towards Oscar’s lower half. “You keep messing with them. What’s that about?”

“Nothing!” Oscar yelps, a bit too quickly. “They’re just ... new. Still breaking them in.”

Lando’s eyes narrow further. He remembers something, vaguely, from one of the few health lessons he’d managed to stay awake for back in school. Something about drug users and fidgeting ...

No. Surely not. Not Oscar.

But the more Lando thinks about it, the more it starts to make a twisted kind of sense. The secrecy, the mood swings, the constant flush on Oscar’s cheeks ...

“Oscar,” Lando says, his voice low and serious. “I need you to be honest with me. Are you ... are you on something?”

Oscar’s jaw drops. “What? No! Of course not!”

“Because if you are,” Lando presses on, ignoring Oscar’s protests, “I need to know. As your teammate. As your friend. This isn’t just about you, mate. It’s about the whole team.”

“Lando, I swear, I’m not on anything,” Oscar insists, his voice taking on a pleading edge. “I don’t know where you’re getting this idea from, but-”

“Then explain the giggling!” Lando demands, throwing his hands up in exasperation. “And the blushing! And the fidgeting! Something’s clearly going on with you, and if you’re not gonna be straight with me-”

“I can’t!” Oscar bursts out, then immediately claps a hand over his mouth, looking stricken.

Lando’s eyes widen. “Can’t what?”

Oscar shakes his head, looking miserable. “I can’t ... I can’t tell you. I’m sorry, Lando. I know I’ve been acting weird, but I promise it’s nothing bad. I’m not on drugs or anything like that. I just ... I can’t explain right now.”

Lando stares at his teammate, torn between frustration and concern. “Oscar, come on. We’re supposed to be friends. Whatever it is, you can tell me.”

Oscar’s phone chimes, and he jumps, fumbling to pull it out of his pocket. His eyes widen as he reads whatever message has just come through, and a small, dopey smile spreads across his face.

“Sorry,” he says distractedly, already typing out a response. “I’ve gotta go. We’ll talk later, yeah?”

Before Lando can protest, Oscar is hurrying out of the garage, leaving Lando staring after him in bewilderment.

“What the hell was that about?” Lando mutters to himself.

He’s still pondering Oscar’s strange behavior when his own phone buzzes. It’s a message from you.

Hey! Surprise — I’m at the track! Want to grab dinner?

Lando grins, momentarily distracted from his worries about Oscar. Absolutely, he types back. Meet you at the hotel in a few hours?

Later that evening, Lando’s sitting in the hotel restaurant, drumming his fingers impatiently on the table as he waits for you to arrive. His mind keeps drifting back to Oscar’s odd behavior, and he’s half-tempted to text you and ask if you’ve noticed anything strange about his teammate lately.

Before he can act on the impulse, you breeze into the restaurant, a bright smile on your face. “Lando!” You exclaim, rushing over to give him a hug.

“Hey, trouble,” Lando says fondly, returning the embrace. “What brings you to the race? I thought you were busy with work.”

You shrug, sliding into the seat across from him. “Oh, you know, just missed my second favorite brother. Thought I’d surprise you.”

Lando narrows his eyes playfully. “I finally won a race and I’m still not your favorite?”

“You can’t win everything,” you say with a grin. “Wouldn’t want your head getting any bigger than it already is.”

As you settle in and start perusing the menu, Lando can’t help but notice that you seem ... different. There’s a certain glow about you, a sparkle in your eye that he hasn’t seen before.

“You look happy,” he observes. “Something good happen at work?”

You bite your lip, looking suddenly nervous. “Oh, um, not really. Just ... life in general, I guess.”

Lando’s about to press further when his phone buzzes. He glances down to see a message from Oscar.

Hey, mate. Sorry about earlier. Can we talk?

Lando frowns, torn between his curiosity about Oscar’s situation and his desire to spend time with you.

“Everything okay?” You ask, noticing his expression.

Lando sighs. “I don’t know. It’s Oscar. He’s been acting really weird lately, and I’m worried about him.”

Your eyes widen almost imperceptibly. “Weird how?”

“Just ... off,” Lando says, running a hand through his hair in frustration. “He’s all giggly and distracted, his face is constantly red, and he keeps fidgeting with his clothes. I’m worried he might be ... you know ...”

You lean forward, your brow furrowed in concern. “Might be what?”

Lando lowers his voice, glancing around to make sure no one’s listening. “On drugs,” he whispers.

To his surprise, you burst out laughing. “Oscar? On drugs? Are you serious?”

“It’s not funny!” Lando hisses, feeling defensive. “I’m really worried about him. He won’t tell me what’s going on, but something clearly is.”

You sober quickly, reaching across the table to pat his hand. “I’m sorry, you’re right. It’s not funny. But Lando, I really don’t think Oscar’s on drugs. Maybe there’s another explanation?”

“Like what?” Lando demands.

You open your mouth to respond, but before you can say anything, Lando’s phone buzzes again. Another message from Oscar.

I’m in the lobby. Can we talk now? It’s important.

Lando looks up at you apologetically. “It’s Oscar again. He says he needs to talk. Do you mind if I ...”

You wave a hand, looking strangely nervous. “No, no, go ahead. I’ll wait here.”

Lando nods gratefully and heads for the lobby, his mind racing. What could be so important that Oscar needs to talk right now?

He spots his teammate pacing near the elevators, looking agitated. “Oscar?” He calls out.

Oscar’s head snaps up, and Lando is struck again by the flush on his cheeks. “Lando! Thanks for coming. I ... I need to tell you something.”

Lando crosses his arms, trying to look stern despite his worry. “Yeah, I’d say you do. What’s going on with you, mate? And don’t try to tell me it’s nothing, because-”

“I’m dating your sister!” Oscar blurts out.

Lando blinks, certain he must have misheard. “I’m sorry, what?”

Oscar takes a deep breath, steeling himself. “I’m dating your sister,” he repeats, more slowly this time. “Y/N. We’ve been seeing each other for a few months now.”

Lando’s mind goes blank. He opens his mouth, closes it, opens it again. No sound comes out.

“I know it’s a shock,” Oscar continues, words tumbling out in a rush. “And I’m sorry we didn’t tell you sooner. We wanted to make sure it was serious before we said anything. But I really care about her, Lando. And I hope ... I hope you can be okay with this.”

Lando’s brain is still struggling to process this information. “But ... but the giggling,” he manages to stammer out. “And the blushing. And the fidgeting.”

Oscar’s blush deepens. “Ah, yeah. That’s ... that’s because of Y/N. She’s been sending me these ... messages. And pictures. Really cute ones!” He adds hastily, seeing Lando’s eyes widen in horror. “Nothing inappropriate! Just ... you know. Flirty.”

Lando holds up a hand, feeling slightly nauseous. “Please, I really don’t need details.”

“Right, sorry,” Oscar says sheepishly. “Anyway, that’s why I’ve been acting weird. I was trying to keep it a secret, but I guess I’m not very good at hiding how I feel.”

Lando’s head is spinning. His teammate and his little sister. Dating. It’s too much to process.

“Lando?” Oscar’s voice sounds concerned. “Are you okay? You look a bit pale.”

Lando opens his mouth to respond, but the world suddenly tilts sideways. The last thing he hears before everything goes black is Oscar’s panicked voice calling his name.

When Lando comes to, he’s lying on a couch in the hotel lobby, with you and Oscar hovering anxiously over him.

“Oh thank god,” you breathe as his eyes flutter open. “Lando, are you okay?”

Lando groans, pushing himself into a sitting position. “What happened?”

“You fainted,” Oscar supplies helpfully. “Right after I told you about ... you know.”

The memory comes flooding back, and Lando groans again, this time for an entirely different reason. “So it wasn’t a dream, then? You two are really ...”

You nod, looking nervous but determined. “We are. I’m sorry we didn’t tell you sooner. We wanted to make sure it was, you know, real first.”

Lando looks between the two of you, taking in Oscar’s anxious expression and the way your hand is clasped tightly in his. Despite his shock, he can’t deny the genuine affection he sees there.

“Well,” he says finally, his voice rough. “I suppose this is better than you being on drugs.”

Oscar lets out a startled laugh. “You really thought I was on drugs?”

Lando shrugs defensively. “What was I supposed to think? You were acting so weird!”

“That’s just because he’s head over heels for me,” you say teasingly, bumping Oscar’s shoulder with your own.

Oscar grins dopily, and Lando has to resist the urge to roll his eyes. “Clearly,” he mutters.

There’s a moment of awkward silence before you speak up again. “So ... are you okay with this? Us being together?”

Lando looks at you, his beloved little sister, then at Oscar, his teammate and friend. He sees the happiness radiating from both of you, the way you lean into each other unconsciously.

He sighs dramatically. “I suppose I’ll have to be,” he says, unable to keep a small smile from tugging at his lips. “But I swear, Piastri, if you hurt her-”

“I won’t,” Oscar interrupts, his voice firm and sincere. “I promise, Lando. I’ll take good care of her.”

Lando nods, satisfied for now. “Good. And for the love of all that is holy, please keep the flirting to a minimum around me. I really don’t need to see that.”

You and Oscar laugh, the tension finally breaking. As Lando watches the two of you together, he can’t help but think that maybe, just maybe, this might not be such a bad thing after all.

But he’s definitely going to need some time to get used to it. And possibly some therapy.

[jaebeomsbitch]

My First Kiss (E.M.)

PT: II coming soon

Summary: Eddie finds out you’ve never kissed anyone before and offers to teach you.

Warnings: Minors DNI!!! Kissing, some light touching, cursing.

A/N: this was supposed to be a short one haha. Not edited!

“It was traumatic! She left saliva all over my face, maybe she was part dog” Eddie dramatizes, hands swinging wildly, the tv playing low in the background. You can’t help but laugh along as if you understand. All you can really do is imagine.

You cant help the look of disgust on your face before smiling.

“Oh yeah your battle scars run deep” you giggle pushing his thigh with your foot.

“I feel like it’s worse for girls, isn’t it?” He asks.

You quickly look down, cheeks blooming red like a spring flower in the morning.

“I- u-uh uhm— I” you stutter.

Eddie’s eyes furrow, it’s incredibly uncharacteristic for you to be this flustered especially after knowing you so long.

“I- I wouldn’t know” you mumble, shaking your hair out and curtaining yourself away from your best friend.

“You want me to teach you?” He asks, his tone a lot raspier than you remember two seconds ago.

“W-what? N-no that’d be weird” you stammer as your gaze snaps up towards Eddie.

“C’mon it’s just a kiss, it doesn’t have to mean anything or change anything” he says, brushing a piece of hair behind your ear. Something so normal for the two of you that now feels weirdly charged. You stare at him like a fish out of water, mouth open, eyes wide as you contemplate.

“You can trust me, sweetheart” he says softly. Your eyelashes flutter, you hate that your stomach flips when he cups your cheek.

“I know, I know— jus’” you swallow hard looking up at him.

“We don’t have to do anything you don’t want. I’ll always take care of you” he says softly.

“It’s not gonna change anything? You’ll still be you and I’ll still be me?” You ask, heart thumping hard against your ribcage.

“Yeah, just me and you. Always” he murmurs.

“Okay,” you whisper after a beat.

His fingers weave through your hair, his touch gentle, as he cradles the back of your head. You twist your bodies, the angle awkward but not as awkward as you feel.

"Okay," He echoes, his tone soft. His gaze holds yours, his attention intense, as he commits himself to making this experience good for you. With a tender smile, he tilts his head, his lips inches from yours, as he prepares to take your first kiss. Your breath hitches, hands fisting his shirt.

His mouth hovers above yours, his warm breath dancing across your skin, as he senses your nervousness. He pauses, his lips barely grazing yours, as he allows you to anchor yourself. His fingers tighten in your hair, his grip reassuring, as he remains motionless, waiting for your cue.

Your breath shakes as you your lips approach his, eyes clamming shut, gasping when your lips press against his. You end up tugging at his shirt, Eddie grunts as his arm slips pressing his body into yours.

“Easy, sweetheart” he says pulling away from your mouth when he realizes you’re shaking.

“You’re safe with me,” he runs his fingers through your hair, trying to calm your frazzled nerves.

“I’m okay- I’m okay. Just wasn’t expecting this” you say.

“Shit” he looks down, moving off of you.

“Sorry” he straightens out his shirt. You don’t miss the light dusting of pink on the tips of his ears.

You smile softly when you realize despite his usual suave manner he’s also nervous.

“S’kay” you hum, letting yourself fall back onto the couch. You can feel his gaze burning through you. As the silence rings loud in Eddie’s trailer the awkwardness starts to grow. This sense of dread starts pressing into your chest, it’s almost suffocating. You sit up abruptly, startling Eddie in the process.

“Jesus Christ!” He says clutching his chest.

“Sorry” you laugh, feeling the tension lighten instantly.

“Why were you sitting up like you’re fucking…Pazuzu?” He asks, struggling to cross his legs on the small couch. You shift back to give him more room.

“Nothing, just wanted to try again”you try to say nonchalantly, totally not like your heart beat is in your throat and you want to vomit with anxiety.

“Oh, yeah?” He says, that smile back on his lips. The one you’ve accustomed to seeing whenever he proves you wrong or beats you at skeeball.

You roll your eyes, “yeah but only if you don’t crush me in the process again.”

“I’m a growing boy!” He protests, moving to sit against the couch cushions again.

“You’re twenty five,” you deadpan.

“And yet you still want you kiss me” he grins, grabbing your elbow and pulling you towards him gently.

“Technically you asked to kiss me so I think you want to kiss me more” you tease, crawling over to him.

“Maybe I do” he smiles grabbing your hip and bringing your leg over his until you’re straddling him.

“Yeah right” you chuckle, brushing his hair back. You feel the way his hands slide down your hips to wrap around the backs of your thighs, your heart beat racing so fast you think you might have a heart attack.

“I’m serious,” he says, looking up at you with those big brown eyes.

“No you’re not” you laugh, not believing your player of a best friend for a second.

“Yes, I am” he says. Your eyebrows furrow as you look down at him.

“No you’re not” you shake your head. His hand comes up to cradle the back of your head forcing you to look at him. Your lips brush ever so slightly causing you to lose your breath.

“Yes I do” he whispers

“Eds…” your voice shakes, your hands finding his shoulders for some stability as everything you know starts to fall apart.

“I wanna kiss you sweets… please” he sounds so pathetic in the best of ways. You can’t help but squeeze his shoulders.

“I- I-“ you struggle with your desires and your logic.

“Just feel baby” he whispers, hand squeezing your thigh softly.

You swallow hard before pressing your lips to his, hands tangled in his knotted hair. You’re incredibly clumsy but Eddie doesn’t mind, not when he can feel his lips tingle with sparks.

Your fingers dig harder into his shoulders as you start to find your rhythm. Just when you start to get comfortable he squeezes your ass pressing your chest into his, not wanting to leave any space between you two. You moan as your hips press into his. You can feel the thick bulge through the stupidly short shorts he wears.

“Eddie” you pant as he starts pressing kisses down your neck.

“Mhm” he hums against your skin, sucking on it and leaving purple bruises.

“Fuck— m-maybe we’re going too fast?” You struggle to keep your thoughts together. He pulls back “You ‘kay?” He asks, his hand holding your jaw.

You nod, noticing how disheveled he looks. His hair mussed and tangled, lips puffy and dark pink, the collar of his shirt slightly stretched.

“M’okay” you lick your lips self consciously.

“What’s going through that beautiful head of yours?” He asks, his thumb rubbing your cheek back and forth.

“That we’re about to fuck everything up” you whisper.

“We’re not gonna fuck it up” Eddie responds immediately.

“I like you, I’ve liked you, I’ll continue to follow you around like a little lost puppy dog even if you don’t wanna kiss me again but we’re not gonna fuck us up” he says holding your face making sure you understand him clearly. Your mind reels as Eddie drops the thin vein, the one thing that kept the reality of what’s going on between you to unspoken.

“Eds…” you whisper.

“N-no it’s fine” he says, lowering his hands from your face as the embarrassment of being rejected sets in. Eddie is used you rejection but he actually likes you, it’s not some one night stand with a stranger.

“No, no hold on. I’m not saying no” you rush.

“I like you but— but you’re you and I’m… me” you say squeezing his shoulders

“What the fuck does that even mean?” He asks, his tone a little harsher than he means to be.

You flinch at this new side of your best friend.

“Nothing, it doesn’t mean nothing” you sigh, he won’t get.

“Tell me” he says grabbing your chin and forcing you to look at him. You swallow hard as you’re met with those big brown pleading eyes of his.

“You’re hot and I’m—“ you trail off.

“You’re what?” He pushes you again.

“A hideous monster that no one would ever look at” you murmur. You don’t have time to react before his lips are on yours, they’re not soft and patient like before. It’s angry and you find it hard to keep up but it feels like Eddie is swallowing you whole.

“Shut the fuck up, if I ever hear you talk ‘bout yourself that way again I’ll make sure you forget about all those stupid little thoughts, yeah?” He says, eyes wide. He looks pissed, more angry than you’ve seen him when he’s just off of work and customer was being an asshole.

“I- uhm okay” you stammer

“S’what I thought. Good girl” he breathes out a sigh, pressing a kiss to the corner of your mouth. You hate that your mind does blank as soon as the praise slips out of his pink lips, your body still as he falls back on the couch. His hands haven’t left the backs of your thighs, no. Instead he’s started tracing patterns onto the sensitive skin.

Every piece of your best friend is tantalizing whether he realizes it or not. It’s so easy to fall for his charm, especially when it includes those big brown eyes of his. You’d fallen for Eddie far too long ago, before the leather jackets and metal music. Back when scraped knees and soft kisses to your marred skin were innocent.

[alwaysthefool]

But She’s Not You (x Zayne)

Technically part 2 to Opposite (linked) but you can read it stand alone too.

Warnings: insecurity

Tags: Angst to comfort, f! Reader (pro trans blog), MC Reader

Synopsis: After you saw him with someone else and misunderstood, Zayne lets you know you’re the only one for him.

Sulking at the waiting room couldn’t get past Yvonne’s sharp eyes. It had been a week since you’d come to the hospital. You didn’t pick up Zayne’s calls after you ‘ended things’, and him, being the gentleman that he was, did not push it. He was probably busy again, and now he had someone else to keep him company. Unfortunately for you, you had a weird and constant chest pain that was getting hard to ignore. You begged the receptionist to get you any other cardiologist than Zayne, which meant you had to wait, because Zayne would never make you wait when it came to your heart.

“What’s wrong?” She took a seat beside you at the metal chairs. “Trouble with the doc?”

You sighed, your head down, grateful she was here. “I saw him with another girl. Laughing, with another girl.”

“Dr. Zayne laughs?” Grayson slumped down on the other side of you. That just made you feel worse. Right, he was usually stoic, but who wouldn’t laugh when someone like her was making a joke?

Yvonne pinched Grayson, as if begging him to read the room.

“Well, he’s doing terribly.” Grayson spoke immediately. “I don’t think he took a break this entire week. Jo almost has to force him to take a break at times.”

Tears filled your eyes immediately and you hated that it wasn’t because you were concerned about him, but rather that he had another girl who’d remind him to take breaks, to eat sweets, to smile every now and then. It was selfish to think like that, but you couldn’t help but wish it was you.

“Dr. Grayson.” Yvonne warned, gesturing to you. “Don’t you have a surgery to get to?”

Grayson took the cue noticing your silent crying, pretending he was paged for something important, running away.

“There’s really nothing going on between them.” Yvonne tried to help you, patting your back. “There’s been new discoveries on Protocore syndrome treatments, and Jo is from the institute that made the discovery.”

You tried to stop the tears. Right, it couldn’t be helped. “It’s just… hard to be with someone like him.” You wiped your face with your sleeve. “Someone who’s always going to be wanted by people who are more than me. I’ll make one mistake, and he can find another girl who’s better than me in every way, and will never make any. I don’t want to spend my life thinking I have to compete.”

“Ms. [Name].” Zayne’s voice spoke from above you, sending your already struggling heart into a frenzy. “Please see me in my room immediately.”

You looked up to see him walk away, into his office, the nurse beside him, apologising to you. “I tried to hide it from him, but he was furious when I didn’t tell him you were here.” She whispered. You told her it was okay, silently following him. He held the door to his office open for you, closing it behind him once the two of you were in.

“You might be mad at me, but did you really have to try and change doctors?”

“I didn’t want to waste your time.”

“Nonsense.” He looked back at you with furious eyes. His hair was a mess, he’d definitely not had enough sleep, and you could see a bit of stubble on his jaw. No matter what happened, Zayne would put effort into his appearance, but you’d never seen him like that before.

You wanted to say something, ask him if he was alright, but you could only take your place on the couch in his office.

“How long have you been experiencing this?” He asked sternly, still standing, looking at your chart.

“A week.”

He shot you an exasperated look. “A week? And you’re only coming here now?”

I didn’t want to face you. You wanted to confess, but you settled with “I thought it’d go away by itself.”

Zayne tried to calm himself down, placing the chart on the table, sitting down on his desk with his head in his hands. You didn’t have control over yourself as your legs walked over to him. Even if he liked someone else, you couldn’t let him go. You couldn’t help but reach for him, your hand lightly resting on his back.

“Zayne?”

“Can I hold you?” His voice was broken, pleading. You let out a soft ‘yes’, and he immediately pulled you into his lip, hugging you tightly.

Was Zayne… crying?

“You’re here.” He whispered, resting his face against your neck, nuzzling into it, tightening his protective hold. Even if you couldn’t hear it well, you felt his wet eyes. He still smelled of coffee and mint. “Please don’t leave me again. I thought I messed up for good. Please give me another chance.”

“I overreacted.” You put your hands in his hair, and he kissed your neck. “I’m so sorry.”

“No.” He pulled away, holding you firmly on his lap with his large hands on your waist. “I didn’t understand how it must’ve looked to you. I’m away all the time, I don’t make time for you, but if it’s not you…” He looked intensely into your eyes. “It’s no one.”

Your heart felt less heavy, the pain easing into relief. You took a deep breath, but it still hurt your chest a little.

“And I’m sorry for what I said.“ He continued.

You teared up again. “Yeah, you should be. You have no idea how I felt.”

“I’ll win you back, if you’re not yet convinced.” He kissed you on your cheek, taking a handkerchief out of his bag to wipe away your tears. “Tell me, what do you want? I’ll give you anything.”

“What I came for. A diagnosis for my heart.” You smiled.

Zayne turned red, clearing his throat, helping you off his lap but not letting go of your hand. “Of course. I need you to come with me to get some tests done.” He used his free hand to look at his notes on the chart.

“And after that, you’re coming home with me so I can make it all up to you.”

—x—

[majorblinks]

DOWNRIGHT ICONIC (aespa karina)

(smut, male reader, screenwriter you, stranger karina, public sex, rough sex [choking/slapping/biting/spanking/hair-pulling etc], oral, anal, facefucking, titfucking, facial, bondage, degradation, name-calling, other weird stuff, 26k words, it's been 1 million years..., BUT WE'RE SO BACK BABY <3)

Hey, turns out the critics really are onto something:

You’re going to win an Oscar for this.

You aren’t surprised when the nominations are announced. It’s all anyone’s been talking about. You’re this up-and-coming screenwriter, this newly-minted visionary, and - cue the applause - you’ve just made the movie of the year. Clips go viral everywhere; the reviews are calling it extraordinary. They all want to know how you - a relative nobody - managed to pull it off. What’s your secret? What’s your inspiration? Where’d you get this billion-dollar box office idea? 

And here’s one version of the truth:

“Well,” you’re quoted saying in every single interview: “honestly, it’s about a girl.”

Everyone eats this up, of course. It’s so fucking romantic.

You’ll tell an abridged version of this story for the rest of your life. A blip in time in early January - a certified slow-motion movie moment. You’ll say things like she was the most beautiful girl you’ve ever seen. You’ll say things like, I know it sounds lame, but that’s how it went. She took my breath away. She fascinated me. I saw her and I don’t think my life has ever been the same. 

You’ll never once say her name. 

“It’s weird, actually,” you’ll say in an interview after the news of the nominations drops. “Making this movie about her. She’ll last forever there, you know? She’ll always exist in this film, in this one moment in time. She’s in all of it, basically - every scene, every line. It’s all her.”

“You make it sound like she’s dead,” the interviewer will say, all open-mouthed melodrama.

You’ll laugh. “Oh, God, no,” you’ll say. “She’s alive and well.” As if it hasn’t been years since you last saw her face, watching you from down the corridor, looking lost and torn apart and very, very small. “She’s okay. I mean - I think - yeah, she’s okay.”

As if you’d know. 

Because here’s another version of the truth:

You’re going to win an Oscar for this. You’re going to stand up on that stage and thank your family and your friends. You’re going to stare at all those faces until they swim together into one golden, glittering blur, and then all you’ll see is her - her dark eyes, her glossy hair, her wrist in your grip, her throat between your fingers - her in your sheets, her smiling in your doorway, her shivering in your shower, her sobbing into her hands, her bleeding in your bed, her walking away. Her, her, her. Immortalized forever in this perfect thing you made, winning awards off the reconstruction of a memory. Art imitating life; reality warped into something magnificent, and beautiful, and better. 

And the only thing you’ll feel like doing is throwing up. 

Sure, you’ll bask for decades in the thrill of it: the fame, the fortune, the glory; the adoration, the worship, the attention; the eternal, endless love. You’ll be able to look back on your life when you’re decrepit on your deathbed and know that you - brilliant you, utterly superior you - were divinely blessed with earth-shattering success, and no one will ever be able to take that away from you. You made your mark. You meant something. You were the best, for fuck’s sake, and you have the accolades to prove it - you really, really were. 

So here’s the full truth - the final bottom line:

You’re going to win an Oscar for this. You’ll live the kind of life people beg God for. You’ll get everything you ever wanted. 

It won’t be worth it at all. 

-

First, though, there’s this. 

-

Disturbingly enough, you’re in the romance section of a bookstore when everything starts. 

This is really not your genre - that’s the funniest part. Historically, you’re bored to death by the cartoonish pastel covers; you don’t get your kicks from seeing the same delightfully quirky heroines fall for brooding bad boys, or whatever the fuck goes on in those books. You have your standards. You prefer your art a little gritty, a little fucked up, a little more interesting - the kind of thing that can leave you shellshocked in a movie theater, overcome with the sort of full-body, lightning-struck epiphany only truly good work can manage. It’s not a judgment call - you’re not trying to be pretentious. It’s just that you prefer something with some fucking bite.

The second funniest part is this: 

You’re pressed against the shelves, surrounded by the cutest, chastest love stories ever told-

“Are you serious?” 

-and Karina’s on her knees, about to take your cock down her throat. 

Maybe this is what your contemporaries call cinematic irony.

That’s gotta be the only phrase for it, really. The scene itself dripping with classless, crude, erotic filth - the way she ducks her chin to spit on her hand, the slow pump of her fist around you, the rough hum in her mouth at how achingly hard you are - nasty and irredeemable, too fast and too loud. The gross lack of subtlety in her sex appeal: all pale thighs and porn-star tits, the wet pink flash of tongue. Seductive in a way that screams at you. It’d be so easy to write this off as some deliberately controversial opening scene, gory shock value, horror-film suspense - starring you and the slut you’re about to ravage and ruin and potentially leave for dead. 

“Baby - are you sure?” 

It’d be so easy, if Karina didn’t look like an angel incarnate.

“I mean, you-” You’re stammering. You’ve got both hands in her hair, fingers sliding through the glossy black in petting, soothing motions - your clumsy attempt at reassurance. “You don’t have to, if you don’t - we’re in public - I’m not expecting you to - I don’t need it-” 

Karina’s fine, sculpted eyebrows twitch upwards. Her lips are a twist of scarlet, distinct and amused. She doesn’t quite smirk, doesn’t give a voice to the sarcasm, but the sentiment is the same - yeah, right. 

And then she lowers her mouth to lick. 

“Jesus fucking Christ-” 

Scratch that, then. This is the funniest part. The most inhumanly beautiful girl you’ve ever seen, debasing herself in public like some sort of desperate common whore - come on, bring in the laugh track. 

Not that anyone’s laughing now. 

You’re no poet - they’re a few sections over, Plath and Yeats and Dickinson - but Karina’s the kind of thing that makes you understand the motivation completely: only capable of being captured in metaphor, without context, painstakingly interpreted hundreds of years from now by people who will never get this right. All carved-out cheekbones, fluttering lashes; tight fuckable body clad in a little low-cut dress, feet tucked neatly behind her like she’s simulating worship. Dirty and religiously devoted in how she stretches her full glossed lips around your cock and lets your grip tangle in her hair and- 

“Karina,” you get out, but her only response is to blink sweetly up at you and suck. 

Well, who gives a shit about the poets, anyway? You doubt any of them ever got to fuck a mouth like this. 

There’s an unfamiliar caution to the rut of your hips, a wincing fascination every time she gags - and she gags loud, choking and heaving, saliva dripping slick around you and down her chin - that seems to both entertain and confuse Karina. A skeptical crease in her forehead, saying everything she can’t: you don’t wanna fuck me up? Ruin me? Cloudy spit falling in strands to her tits, seeping into the crimson fabric of her dress; she’s wearing a worn black sweatshirt that’s slipping off one shoulder, exposing the clean line of her collarbone. The hollow of her cheeks, the obscene painful sound of your cock clogging her throat - it’s subtext, explicit suggestion. A preternatural understanding. I know what this is. I know what you want from me. 

Which - she couldn’t possibly. 

“Baby.” You sound so wretched that it’s humiliating. Karina’s sharply lined eyes seem to flash with humor, smug and lazily self-satisfied. “You’re gonna make me fucking cum.” 

The thick, sloppy, choked noise she makes is the closest she’s gonna get to a laugh. 

Oh, sure, whatever, it’s not like you’re not thinking about it: digging your fingertips into her scalp and really fucking her face, relishing in the way those eyes would go wide and glassy with unshed tears; refusing to let her have control, to let her lick and lap and breathe. You’re scripting it in your head already. You’d strip her bare and make her sob. You’d wreck her throat and cum all over her face and force her to walk out like that: coated in the sticky, filthy evidence of everything you’ve made her - look at this, you’d say, look at what I have. Look at what I did - all this, all me. 

“God.” Your thumb braces against Karina’s temple, like the gentle stroke of a brush, like you’re painting her right into existence. “You’re just-” A harsh gag; a fall of dirty, drooling spit. “You’re really enjoying this, huh? Getting on your knees in public for a fucking stranger?” 

That’s why the fantasy of fucking her into brutal submission is actually so understandable. You don’t know her. You don’t owe her shit. You could destroy her and it’s not like she could do anything to fight back - not when she’s already below you, looking up. When she asked for this. 

Except-

“Karina.” You can’t stop saying her name. “You’re - fucking perfect.” 

And it’s true.

So you cum. 

Karina swallows it all with the same amount of sultry grace she seems to do everything - how she laughs and walks and talks and takes your cock like a fucking professional - languishing in the practiced bob of her throat, the preening flicker of her eyelids, her face shiny and pale. It tugs the same feeling out of you as a flawless shot in a film, a well-timed bit of dialogue: watching an expert at work, pulling out all their stops. One hand through her hair. Her nails the same rich color as her mouth and her dress. Nasty, slutty, impressive attention to detail - Christ, get this girl in front of a camera, get the moon to be her limelight - you’re breathless, you’re enthralled, you’re so fucking far gone. 

Then: the sticky retreating glide of her pouty mouth, lipstick smeared badly down her chin, stark and arresting as blood. 

“In my experience,” Karina says, finally, “being perfect’s never gotten me anywhere good.” 

She pulls the sleeve of her sweatshirt up and wipes her face with her wrist. 

“You’re unbelievable,” you say, dizzy.

“Thank you,” Karina says, sweet like she means it, and sits back on her heels. 

You can’t help yourself; you’re petting back her hair again, cupping her face softly in your hand, caught on the dark glint of her irises. Angel was an understatement. She looks more than that - looks like something holy and all-powerful, something omniscient and blindingly beautiful, something who knows exactly what you need and knows exactly how to follow through. Something worthy of mythology. Something like a god.

And any sort of rough, ruthless, fucked-up fantasy - it’s never going to happen. 

You just can’t ruin a girl like her. 

“So?” Karina’s voice is a smoky bombshell lilt, like she’s just stepped out of some film noir from the 1950s. Hands folded primly in her lap, fingers interlocked like a lady. She could be a pop culture icon, an eternal sex symbol - a Marilyn, a Bond girl, a timeless universal beauty. “What now?” 

You think your brain actually short-circuits. “Sorry?” 

Head tilted, lids dropped low. Smirk still sharp and scarlet. “Are you gonna take me home?” 

You open your mouth to respond, but then a customer walks by the aisle. 

You’re a panicked flurry of motion - zipping up your pants, turning away, frantically patting down your clothes - but Karina just stays kneeling on the floor, little chin on an incline, utterly incriminating. It doesn’t matter. The customer passes you by. The world returns to the way it should be: just the two of you.

“Karina,” you say, flabbergasted by her composure. 

Karina’s lips quirk. “What?” 

You shake your head and offer your hand to help her up, but Karina laughs instead - actually laughs. It’s peculiar, beautiful: raspy like a chronic chainsmoker, as though there’s something foreign she’s trying to dislodge. The raw, gravelly aftermath of a skinned knee, a grisly scrape over skin. 

“Wow,” she says, and stands all on her own, tugs the sleeves of her sweatshirt over her fingers. “That’s a yes to taking me home, then?” 

“What are you doing?” You’re laughing too - you can’t help it - reaching for Karina’s tiny waist to pull her in. “What are you - what do you want?” 

When Karina smiles, it seems to set her eyes aflame. Bright and dancing, lashes like a shroud of smoke. “What do you mean?” 

“You just met me.” It sounds feeble, somehow: a thin, useless excuse. Nothing against the way her body slots between your hands, a smooth effortless fit; nothing compared to how she kisses you between sentences, so quick and easy it already feels like a habit. “You don’t - you don’t know me.” 

Karina’s mouth puckers, coy. “No?” 

“No,” you shoot back, grinning, but it doesn’t sound convincing at all. “Come on, baby, seriously. What do you want?” 

There’s gotta be some motive, you’re thinking. There’s gotta be a reason. Karina is so still, so soft and pliant under your hands, all the carved porcelain perfection of a marble sculpture but with none of the cold stiffness. Spine curving under your fingertips, jaw tilting into your touch. 

A complete stranger, maybe - but every part of her body is begging to be known. 

“Don’t you get it?” Karina says. “I want whatever you want.” 

It’s so simple and earnest it takes your breath away. 

“I - Jesus.” You’re biting on the inside of your cheek, drinking her in. “What if I told you I don’t know what I want?”

Another rasp of a laugh, sound like the serrated edge of a blade. “I’d say fine, okay.” Karina’s voice is low, conspiratorial. “But I’d think you’re lying.” 

And here’s the thing you know for sure:

The very second you saw Karina you swear you saw the next hundred pages of a manuscript unfurling in front of you, lines and themes and gorgeous dark-eyed heroines, tragically beautiful endings and stunning cinematography - infinite narratives in the glossy sweep of her hair, in the seductive stretch of her legs, in the way she looked at you in a crowded room and smiled a lovely, secret smile and told you she’d follow you anywhere. She’s worth making art about. She’s worth devoting lifetimes to. The most honest thing you could say to her right now is baby, I’m writing a movie about this one day, and I think you’re really gonna like it.

Karina couldn’t possibly know any of this, but it still feels like she does - impractical knowledge in how she loops one arm around your neck and kisses you again, no hesitation. Like she actually knows you. 

“I want to fuck you,” you murmur against her mouth, because it’s the next most honest thing. “Is that enough for you?”

You’re a screenwriter. You know your horror movies. A small part of you recognizes that this is precisely how they start: fanged vampires, wicked succubi, femme fatales out for blood. Karina’s so gorgeous she can’t be human - teeth so sharp there’s no way her intentions are pure.

“Sure,” Karina says, smirk glimmering like starlight. “Then I want that, too.” 

It’s a murder plot waiting to happen. 

You take her home anyway. 

-

(Oh, and about your Oscar-winning script-

In theory, this is how it begins.

It’s classic. There’s a stranger and there’s a beautiful girl and they’re both sitting at a bar, talking for the very first time. The girl has a rose tucked behind her ear; it matches the crimson color of her lipstick perfectly. The stranger had asked her what the deal with it was, but she’d said something vague and nonsensical about it being a gift, so now they’re talking about normal, average things. Jobs, names, flirtatious pickup lines. It’s obvious because it’s meant to be, like a set-up to some predictable porn - everyone watching knows they’re going to fuck. 

She keeps getting closer to him. At one point he thinks she’s going in for a kiss.

Instead, all she does is pluck the rose from behind her ear, and hand it to him. 

It’s okay, she says. No thorns. 

He stares at the rich furled petals and the whittled-down stem. 

Thanks, he says, amused, charmed. He thinks there’s something odd about her. He likes it, though; if she were as beautiful as she is - which is very beautiful, exquisitely fucking beautiful - and she behaved like most people do, he’d find her terribly boring. 

He takes it from her. Turns over the rose in his hands absentmindedly as she keeps talking. She’s got all this hair: wild and glossy black, pouring over her thin shoulders, her ribs, her tiny waist. After a moment he feels the sharp prick of a thorn against his fingertip and releases the rose in surprise. 

You said there weren’t thorns, he tells her, laughing. Ow. 

Whoops, she says. Then: Did it get me too? 

She turns her head, pulls her hair out of the way. There’s a scarlet bead of blood trickling down the side of her perfect pale neck. He can’t quite tell where the point of entry was, where the thorn had dug in and broken skin. It’s bleeding a bit too heavily. Covering its tracks. 

She swivels, slightly. She sees the look on his face. Is it bad? she asks.

No, he says, though he can’t really tell. But - couldn’t you feel it, though? The thorn? 

The girl presses her hand to the side of her throat. It comes back bloodstained, a neat smear of red along the lifeline of her palm. 

No, she echoes, though this can’t possibly be true. Hey, you wanna get out of here or something? 

Alright, he says, smiling. They both stand. They leave the rose where it is. Let’s go. 

He cups her cheek instead of her neck when he kisses her for the first time, so he doesn’t have her blood on his hands.

It starts simple like that.) 

-

Karina’s so out of place in your apartment that it’s almost laughable - or it would be, if you were capable of thinking about anything but her mouth and her hands and her tits crushed up against your chest as you pin her to the doorframe. She keeps making these little sounds into your mouth: low and throaty, almost agonized. You swallow all her moans off her lips - oh, baby, you’re okay - and you only kiss her harder. She doesn’t belong, among your carpet worn-down from pacing and your laptop still open and idling and the mess of incoherent colorful post-it notes pasted to your fridge. She doesn’t fit here. Here kissing your mouth, here in your arms, here on fucking earth with the rest of you heathens-

“You wanna fuck me so bad,” murmurs Karina, chin on an incline, staring up at you, “then do it already.” 

She doesn’t squirm or fidget; she doesn’t get needy or start begging. She stays pinned down by your body, lips parted, and stands completely still. 

It’s like she’s telling you to make your move. Waiting for something inevitable. 

“What happened to patience?” you say, anyway. 

Karina’s mouth curls. She palms your cock through your pants. “What the fuck is that?”

You try to laugh, breathless and turned on, but all she does is kiss you again.

You’re a creative - you’re ready to attribute meaning to every movement - but there’s nothing so profound about it when you get Karina on your bed, all that thick black hair fanned out on your sheets, her hands grasping to get your shirt off - off, she murmurs, off. Even that comes out measured. She never shakes. She’s so sure. You kiss her everywhere you can reach, her face and her neck and her collarbone and her tits, drunk on the soft, humming sounds she makes when you do. You’re so fucking gorgeous, you can’t stop saying, and Karina keeps laughing that same raspy laugh, like it’s the most hilarious thing she’s ever heard. 

“You told me you already know that, right?” You’ve got her face cupped in one of your hands and your other one at the neckline of her scarlet dress. “So what’s so funny?” 

“Everything.” Her teeth glint the way fangs would, a deliberate trick of the light. She’d be villainous if she weren’t so content to be trapped underneath you. “All of it.” She presses her palm to the side of your neck. “You’re too nice.” 

“Fuck.” Your thumb accidentally digs too hard into her cheek. She doesn’t wince, but you feel it - the stomach-turning thrill, the possibility of leaving a bruise. Your hand drops low - lower, down her throat and her tits and her flat midriff - and slips between her thighs, up her dress. It feels safer, somehow. “How do you manage to make the word nice sound like an insult?” 

“It’s not,” she says, simply, and spreads her legs. 

And it must not be - because Karina’s so wet. 

She makes another low velvety sound when you first touch her, seems to melt into the stretch of your finger in her cunt - just one finger, and her back arches faintly, prettily, hips lifting to take more. “Jesus,” you mutter, but Karina’s not looking at you: her eyes are shut tight, lashes fluttering black, tits heaving in her dress with each draw of breath. You’ve fucked girls who’ve seemed unsure of themselves - embarrassed by their own wantonness, how wet they are, how bad they want it - but all Karina does is wrap her hand around your wrist and tug, once: a clear soundless plea for more.

For a second you’re actually, positively certain that you’ve lost it. 

It’s abject fantasy. It can’t be real. You in your apartment with the dream girl - the personal Aphrodite - the muse; God, if anyone was ever made to be a fucking muse, it’s her - underneath you with her ridiculous tits and her tight little pussy, face like a Hollywood dream. Ludicrous. Impossible. Bucking as she tries to fuck herself deeper on your fingers, all the way to the knuckle - slowing down only to say you wanna fuck my cunt open with your big fat cock or what? 

“I,” you try to say, strangled - her mouth’s so fucking filthy. “I was - I mean - we could take it slow-”

“How romantic,” says Karina - and this, too, sounds like a heinous insult coming from her - but she drags your wrist to her lips and sucks her own slick off your hand anyway. 

You choke on your next breath. “Karina-” 

She looks up at you, unflinching, tits half out of her dress and cunt dripping down her thighs. Lipstick worn-down, kissed-off. All over your mouth, or your throat, or your shirt. Mouth chapped from the cold and stained marvelously pink. There’s something in the way her smile forms slight and crooked every time you say her name, as if there’s some private joke you’re not in on. 

“You’re such a gentleman,” Karina purrs, all syrupy-sweet condescension. Then: “You really don’t have to be.” 

She licks the pad of your finger. She’s so completely shameless. You feel monstrous on top of her, in this sick, superior way, like she’s just too small to be so sopping wet and slutty and fuckable - too beautiful to be anything but treated just right. 

“If you want me to fuck you like a whore, baby,” you tell her, half-joking, “then just say that.” 

It’s a mistake the moment it leaves your mouth - a line crossed. Because all Karina does is cock her head, your wrist gripped delicately in her hand, her legs parted underneath you, and stares. Almost droll, bemused. Like you’re so goddamn predictable.  

“Didn’t you hear me?” That perfect face sears right through you. You’d nearly fucked that face. Not quite. Not yet. “I want whatever you want.” 

She’s even tinier than you originally thought she was. You only realize this now, tracing her stomach under your fingertips, feeling the sharp relief of each rib straining beneath her skin. You don’t know it until you touch her, but you can span the width of her thigh under one hand. It sends a strange shiver through you: mapping every jut of bone, every startling edge. She’s tiny. Breakable, practically. Men meaner than you have probably thrown her around, fucked her up against walls, used her like a toy. 

“So,” says Karina. “What do you want?” 

Your fist clenches tight in her grasp, right in front of her face, knuckles going horrifically white.

Like you - like you’re going to-

An accident. A primal sort of gesture, like you’re less than human, turned under her touch into some feral hot-blooded animal who can’t control itself: carnivorous, predatory. You stare at your own hand and then the sharp scythelike curve of her mouth and feel revolted embarrassment crawl straight up your spine. 

It’s abhorrent. 

It also doesn’t even seem to matter.

Karina doesn’t go wide-eyed and nervous; she doesn’t look at your wound fist like she’s scared of what it could do to her. She clicks her tongue, once. Like this, too, is something she already saw coming.

“I thought so,” she says, anyway. Maybe this is it, what does it for her; looking the devil full in the face and begging to be burned. “Then do it.” 

“I can’t do that to you,” you mutter, but you tug her dress up, and you fuck her anyway. 

-

She’s a stranger. This is the point of fucking strangers. To do things to them that you’d never do to anyone else - to take out your worst impulses and tell your best lies and know that none of it matters, in the end. Because they’re nobody, and because you’ll never see them again. 

But you just can’t. 

She’s too indulgent and stunning and soft, with her low moans and the addicting drenched heat of her cunt, hand gentle and careful on the nape of your neck so she can keep pulling you into a kiss. She’s made up of curves, delicate edges - those hips and those tits you can’t keep your hands off of and her lips in a dreamy smile - and you find yourself stroking her hair back from her face so you can drink it all in: the blush in her cheeks, the almost serene way she lets her eyes slip shut and her mouth drop open, slack and enticingly wet. So good, baby, you keep telling her, because she is, her entire body warm and wanting and so easily fucked open, little pussy swallowing your cock right up. She doesn’t fidget or plead. She’s so sweet, such a perfect fit, humming into your mouth as your cock eases her open; so wet you can hear it, the sloppy squelch of her cunt when you bottom out. Your voice comes out coaxing. You like that? That feel good? Taking my cock so nicely, huh?

“Mmm,” Karina breathes, in an exhilarating moan, right into your mouth, against your tongue. “Mm, mm-”

She never quite manages full sentences. Never finds it in herself to make any more obscene demands. Just gets all small and soaking underneath you, licks messily at your bottom lip, and lets you do all the talking - lets you draw a careful hand through her hair and drop your other one between her thighs, clenches tight around your cock when you rub at her clit, keens low in her throat and listens. To the good girl, to the I got you, baby, to the that’s it, there you go, this is what you wanted - I know, honey, I know, you just needed to get this cunt fucked right, you just needed to cum real bad. I know what this is. I know what you need. 

“Fuck.” She’s flushed pink to her chest, delightfully ineloquent. “Yes-” 

Well - good thing you’re decent with your words, when it counts. Let Karina blush and drool and slick up your cock with every stroke. That’ll work just fine with you.

It’s the kind of juxtaposition you’d really lean into - the kind of thing you’d write just to get so self-indulgent with, a personalized note to the director, a wink and a nudge to every audience member. Look at that. Look at her eyes like something straight out of poetry. Look at her body like a pornographic fantasy. Look at how she gets so tamed and docile and compliant when she gets her tiny pussy stuffed full, creaming all over that cock, huge tits bouncing - look, that’s art, isn’t it? What else would you call it? What else could it be?

“You gonna cum, baby?” She’s so fragile underneath you. Color staining her cheeks apple-red; lips swollen and begging to be kissed. Fictive little fairy tale. “You gonna cum for me?”

“Yeah.” It’s breathy and barely-there. Her chin trembles, jerks in a weak nod. “I’m - I - fuck-” 

See: you just can’t rough her up. It’d be blasphemous. Sacrilege. Taking one single look at the stained-glass windows of a church and tearing it all to the ground.

Still, you’re mesmerized by how utterly vulnerable she looks: the glossy shine to her irises; the way she inhales all slow and shaky, body slipping from some sort of precipice. Not just like she’s near-tears, but like she’s stunned - struck dumb from a violent blow, mouth wide open in the aftermath. And it’s just sex - and, fuck, you’ve said it, you see things the way every obsessive artist does; sex is never just sex. Every one thing means something more. A metaphor. An allegory. You get nasty and debauched and dirty because you know exactly what you can spin it into. Put the entire scene in a silent film and everyone can swoon about the things you might be saying to her, this impossibly captivating stranger in your bed with her graceful name, her dizzying moans, her shuddering frame in her orgasm. Don’t you get it? you could be telling her, hand brushing gently over her sweat-damp hairline. Don’t you feel that? You’re a stranger to me, baby, but you don’t have to be. There’s a reason we met. There’s a meant-to-be here, somewhere. I’m not a believer, sweetheart, but you could make one out of me - I swear you could, I promise-

But that’s the reason why these things are best left to the imagination, anyway. 

A million scripted sweet nothings - and none of them manage to make it out of your mouth. 

“Karina.” Your hips jerk hard. You sound half-possessed. “So pretty, cumming all over my cock like that. Such a perfect little cunt, baby - so fucking good-”

Her eyes suddenly shut tight; her body arcs into your touch, lips parted in a silent gasp. And for a second it seems like such a snapshot of innocence, like she’s brand-new to getting fucked quick and rough and dirty - though you know this can’t possibly be the truth, not with the way she flirts and whines and drips for more like she’s made for it - but she’s trembling under your fingertips, and you can dream. She’s your beautiful stranger, your pristine muse; you can pretend she’s whatever the fuck you want. 

“God,” Karina murmurs, so soft and weak it makes your head spin. 

Before you know what you’re doing - before you can even think twice about it - you’re pulling out, and cumming all over her stomach. 

You can’t help it. You shouldn’t have had that thought about innocence. Jesus. This is what you mean, about you and your own painful humanity; you’ve got all the same vile desires. When you see a pure thing - all that porcelain skin, all that thick glossy black hair, all those gleaming white teeth in her open mouth - your very first instinct is to fuck it up bad.

You’d do worse, if you were worse - you’d make a real fucking disaster out of her. 

“Baby,” you say, breathlessly. “Are you…”

And Karina, then, does something truly evil: 

Sighs luxuriously, stretches her arms above her head, eases those gorgeous eyes open, and smiles. 

As if she’s reveling in it. The scent of sex - the defiled tautness of her tummy - the way you’re not sure where her little red dress or her shoes or her panties are, how her cunt’s dripping wet onto your sheets, her hair a glorious mess. Grinning in the face of utter filth. 

“You,” you exhale, running your palm down her side. “You’re so…” 

Karina’s mouth pulls up at a corner, like she’s daring you to finish the sentence, but you never do. 

You can’t stop staring at the stretch of cum-covered skin before you. Coating her belly, pooling into her navel. You realize with a start that there’s a new bruise blooming on her chest, a vicious sort of bite mark. You can’t remember when you did that. You’d been kissing her - of course you kissed her - her mouth and her neck and her tits, but you’d been so gentle, sucking light and soothing her skin with your tongue after-

“You didn’t want to cum inside me?” Karina asks, hoarsely. 

You blink so hard your vision blurs. “What?” 

“Right.” Her eyeshadow’s smudged dark underneath her eyes, making her look deliciously used up. “You did want to cum inside me.” 

“Karina,” you warn - or, at least, you mean to make it sound like a warning - but her name comes out too faint. It’s horrific. Your hand traces her hipbone so reverently. You’re no match for her. 

Karina arches a brow in unhurried challenge, ghosts her hand across her tummy. Takes two fingers and drags them through the cum you spilled, pulls back with it clinging thickly to her skin. Drifts down, down, down. 

“Karina,” you try to say again, even more pathetic than last time. “Jesus-” 

But you saying her name holds no weight here; she’s made that more than obvious. Nothing to stop her as she smears her cum-slick fingers across her glistening pussy, gaze locked amusedly on your face, tracking your reaction. She’s still so fucking wet - she rubs your cum in circles across her clit - tossing her head back a little, chest heaving and falling, fingertips just barely dipping inside her cunt-

“I can’t.” Karina lifts her hand to pop her fingers in her mouth, sucks them clean. Pointedly flashes her too-sharp nails at you like she’s unsheathing claws. “If you want it, you’re gonna have to do it yourself.”

“You,” you say, though your hand’s already pressing hard into her ribs, “are fucking cruel, baby.” 

“And you,” replies Karina, head tilting, “just want to see my cunt all filled up and leaking your cum.” 

Oh, she hasn’t been wrong about you all night. She certainly won’t start now. 

“What?” A sly, languid smirk tugs at her lips. “Afraid you’re gonna knock me up or something?” 

Your breath halts right in your lungs.

You’d been right about her too, it seems. Succubus. Vampire. She must be; she’s bloodthirsty. Tits gleaming with sweat, the scarlet stain of that bite mark you can’t remember leaving, cunt all dripping wet and desperately empty - body like a fatal fucking blow. 

Karina’s eyes glint. I want what you want, she’d said. 

With the way she spreads her legs, she’s gotta be ready to prove it.

So you never stood a chance. You give in and scoop up cum with one finger and sink it deep inside her aching cunt, feeling as she clenches down, as she takes it so well; like a good girl, you tell her, letting me do whatever I want with this needy little cunt; that’s my good girl. Karina lifts her hips - goes so still and so obedient - and lets you repeat it over and over again, fucking into her with your fingers until the plane of her stomach is bare and sticky and her cunt’s dribbling your cum onto your sheets. It’s completely nasty. It’s hot. It’s Karina craning her neck back and shutting her eyes as you bury three fingers inside of her and fill her with your cum, every part of her in utter surrender, entirely at your mercy, breathing out hard through her nose until your thumb rubs at her clit and she’s cumming again, all over your hand. She gets this look on her face, afterwards - exhausted, every line of her face gentle and lax - staring up at you like you’re the only person still left on this planet. Adoring, almost. As if you’re something out of another world. 

It’s an expression too sweet for a scene like this - and it’s exactly what men like you make art about. 

“There,” you say, soft and mesmerized, wiping your hand across her chest. “Satisfied?” 

Karina laughs her strange, gravelly, gorgeous laugh. 

“No,” she says, shamelessly. “But that’s not your fault.” 

Your fingers curl around the curve of her jaw. “No?”

She barely looks like she belongs in your bed - she must be something divine, lit from within, god-blessedly gorgeous. She’s a fucking fever dream: stunning eyes and the bob of her throat and her tits and her curves and all that hair. Stay, you think of telling her. Let me see what I can make of you. I don’t know you yet but I could, baby, I really could. 

“Nope.” Karina smiles, and somewhere, soliloquies are writing themselves. “I always want more.”

“Okay,” you say, mouth hovering over hers. “Then stay.” 

-

So she stays.

-

(An update on your script:

The stranger and the girl are back at his place. They’re sitting on his couch. Nobody has cleaned off her neck. He’s been too busy pawing at her: at her face, between her legs, at her tits in her tight dress. I need you, he’s been murmuring to her, and it feels like he really means it: like he’ll die if he doesn’t get her desperate and whining underneath him, his cock stretching her tight little cunt wide open. He doesn’t feel too bad about it. She’s a dirty slut. She’s said as much. She’s got her own needs, too. 

What happened to your window? she asks, suddenly.

He pulls back from her chest, his spit clinging shiny to her skin. 

She isn’t looking at him. He has the sudden, unnerving feeling that she hasn’t been looking at him the whole time. Not like she’s had her eyes closed in blinding, overwhelming pleasure - but like she’s deliberately been trying to look at anything else. 

But his hand falls between her thighs, and he realizes she’s already wet. 

A bird flew into it, probably, he says. That happens, sometimes. 

They’re talking about the stain on the once-clean glass of his window. The backdrop of the night sky behind means it’s barely visible, but the suggestion of it is enough. Implicit gore. Tiny little black feathers, caked in blood from the impact, dark and dried. It’ll be scrubbed off soon enough, he knows. It’ll be all gone eventually. 

Oh, she says. She doesn’t apologize for potentially killing the mood. She hasn’t, anyway, not really. She’s still wet and small underneath him, begging for it. Poor thing. 

Yeah, he says. 

She turns back to him. Her hair’s everywhere, all over the arm of his couch, wayward strands beneath his fingers. She’s clearly expecting something - to be kissed, to be fucked hard, to be called baby and angel and good girl. It doesn’t really matter either way. Those are the only things he can give her. 

He stares at the blood on her neck. 

Let me clean that off for you, actually, he says, and goes to the kitchen to get a washcloth.)

-

Much, much later:

“I admire you,” Karina says, all tucked up in your bed, underneath your sheets, half-buried into your side. Moonlight bleeds into the room. Her eyes gleam like galaxies. “For showing some self-control.” 

“What?” 

Karina’s hair pours over your pillowcase. She takes your hand and brings it close to her face, working your fingers into a tight fist. 

“Fucking bitch,” you mutter, and then regret it immediately. It lands too harshly, too strange and serious. “Sorry. I didn’t - that came out weird. I don’t think you’re a bitch.” 

Karina’s lips brush your knuckles. “Not the meanest thing I’ve been called.” Her voice twists with humor. She shouldn’t be so comfortable curled up with a man she doesn’t know in the middle of the night. You think of kissing her hard, of scraping her neck with your teeth, of warning her about self-preservation - sweetheart, you could tell her, this is how people end up dead. “Not the meanest thing I’ll be called, either.” 

You shift. Your fist, unconsciously, goes tense in her hand. “What’s your deal?” 

Her mouth tilts. “What’s yours?” 

You huff out a laugh. “You’re unbearable,” you say softly, which feels much kinder than calling her a bitch. “What are you - what do you mean?” 

I’m not hard to figure out, you want to tell her. I’ll let you in if you ask me to. But you - you, you imagine saying, cupping Karina’s face in your hands and saying her name like you’re praying to her, drafting scenes in your head with each whispered syllable - you. Look at you. I’d fill a thousand pages trying to find a way to understand you. 

“If you want to hurt me,” Karina says, “then hurt me.” 

Your throat dries up. Your fist falls open. “What?” 

“I wouldn’t blame you.” Her voice is matter-of-fact. You see her tongue dart over her bottom lip, the slick glimmer of spit. “If that’s what you wanted.” 

You stare at her, hard. 

It’s not difficult to make out her silhouette in the dark; she’s illuminated so distinctly by the moon, like it’s her own on-set spotlight, professionally arranged - she’s got the cosmos calling her shots. You think about how careful you’d been with her: doing what she wanted and making her cum and kissing her like you have history and maybe fucking her like you love her, just a little.

You think about that bruise you left on her chest, her skin between your teeth, the feeling of biting down. 

“It’s not,” you say, and the lie tastes acrid in your mouth. “It’s - it’s not, Karina.” 

“You fucked my face in public within like an hour of meeting me. And fucked me and came on my stomach. And fingered your cum inside of me.” It’s far past midnight. She sounds more alert than she should. “You’re gonna start being polite now?”

It sends an odd knot to your gut, the way she puts it. Equating all of that to hurting her. Laughing in the face of your clenched fist - not because she thinks you won’t do it, but because she knows how bad you want it. 

Hurt me. She says it like it’s so easy. Fuck me. Let me stay the night. Hurt me; you’ve earned it. 

“I’m not polite.” The truth doesn’t taste much better. “I just have, you know, common fucking decency.” 

“Hm,” Karina says, a nonchalant little noise, and nothing else.

You brush her hair off her neck and your fingertips graze the hollow of her throat. You feel her swallow under your touch. You open your mouth, though you’re not sure what you’re about to say - Karina, like a chant, like she’s consumed you in a matter of moments, Karina - but she shuts her eyes delicately, and curls close to you, and just like that the moment is over. 

I have common decency, you’d said. I won’t hurt you. I promise. I can control myself.

So maybe you weren’t right about everything. You’re not the devil. That’d be a delusion of grandeur - the idea that you’d ever have that kind of power over a girl like her. 

Not for long, she’d replied, in the knowing tilt of her smile. Not if I can help it.

-

In the morning, it’s a picture of crime-scene proportions. It takes a little work to piece it all together.

Karina’s not in bed when you wake up, but there are traces of her everywhere - telltale, incriminating bits of evidence. Strands of her hair on the pillow. Blood-red lipstick stains on the fabric. Her crimson dress crumpled on your bedroom floor, sporting a tiny tear in the hem that you don’t remember leaving; you can still smell her perfume all over your sheets, like a calling card. If this was a TV drama - a clichéd police procedural - she’d probably be dead in your living room right now, blank-eyed and beyond saving, rigor mortis deforming her perfect body into something grotesque. 

This is also probably not a thought you should ever relay to Karina, but you do anyway.

“Sorry to disappoint,” she replies. She’s perched on your kitchen counter, dressed in one of your t-shirts, bare legs swinging. “I’m very much alive.”

“I was being dramatic,” you try to say, gesturing with your hands to set the scene - the lighting, the fake blood and the special effects, the potential pallor of her face. “I’m - I’m a screenwriter. It’s in my nature. I didn’t mean I wanted to find your fucking corpse out here-”

“It’s okay if you did.”

You choke. “What?”

“I’m right with you, babe.” Karina leans forward conspiratorially. There’s a sharpness to the dark glint in her eyes that kind of makes you think she really does understand: that she has the same tendency to jump to the worst possible conclusions. A kindred, morbid spirit. “I get it. I’m pretty devastated that I’m still breathing, too.”

She says this all in a scratchy, sultry voice, hoarse as though she’s been sleeping for years instead of hours. Lashes fluttering like she’s just told you something very adorable and sweet.

“God,” you say, desperately charmed, and laugh until you feel light-headed. “You’re sick.”

Karina’s mouth curls. “Right.”

“I’m serious.” It’s surreal: her wearing your clothes and sitting on your counter like this is an everyday occurrence, indulging every fucked-up thing you say to her. Maybe you’re still caught somewhere in a dream, just waiting to wake up. “You’re, like - not normal.” 

“Hey.” A light, careless shrug; her palm rests over the back of her neck. “No arguments here.”

You rub a hand over your eyes, smiling like an idiot, and take a breath. 

It’s late January, and cool sunlight drips into the room, over your furniture and your floors and the angel right in the middle of your kitchen. It should wash her out, blur her at the edges; it doesn’t even come close. Turns her to a freeze frame instead, carefully color-graded, every hue just a bit too intense: skin ghost-pale, lips pouty and pink, hair jet-black and tangled to her waist. Your shirt hangs off of her slender frame like it aims to swallow her up. You thought you’d been stunned by Karina before, lulled by the late night, the electric rush of touching her - you’d assumed you could blame it on the alcohol, the slutty dress and the sultry makeup and the long-held habit of artistic romanticization-

But it’s nothing compared to seeing her now. 

Karina crosses one leg over the other, and waits as though expecting a rating: to be starred out of five like a film. 

Face scrubbed clean. Bone structure a study of faultless symmetry, delicate in a way that feels both inhuman and invulnerable. She’s so classically breathtaking - a miraculous second coming of a tragic, iconic movie star, a phenomenon back from the grave; jaw and nose and mouth all clean lines, aesthetically precise art - but God, those eyes. Enormous without the thick liner, suggestive only of impossible innocence. Like some darling baby animal, some long-lashed lamb to the slaughter - something pristine and completely untouched. 

The morning after, the direct light, the exposed behind-the-scenes - she’s still beyond beautiful. 

And somehow she’s still here with you. 

“That’s insane, by the way,” you say, unable to stop yourself. “That you stayed.” 

There’s a loud cracking sound. 

You squint, disoriented. “What-” 

Karina blinks at you, wide-eyed; her jaw shifts. The sound echoes again, startling and sudden. “What?” 

“Are-” You step closer. “Are you chewing on fucking glass or something?” 

“Or something,” Karina replies, smile’s tiny and closed-off. She gestures to the cup next to her. “It’s just ice.” 

She’s so calm watching you approach her. You’re waiting for the other shoe to drop, for the freakout, for the breakdown - or, at the very least, the scrambling excuses before the walk of shame. Here’s the truth: she doesn’t know you. Here’s an even worse truth: judging by her hickey that looks like you might’ve tried to rip her throat out earlier, she’d have every right to take one look at you and run. 

Karina doesn’t do any of it. Just raises her cup to her lips and tips it back, the arc of her neck so inviting. 

“That’s so fucking bad for your enamel.” You’re laughing again. You’re in front of her now, settled between her legs. “You’re gonna break a tooth.” 

Karina sets her glass down. Wipes the corner of her mouth with her wrist, eyes locked amusedly on yours - heavy-lidded enough to seem lazy, but pupils blown enough to be a siren call, a deliberate suggestion.

“Oh, no,” she says, all smoky sarcasm. “Who’d ever want me then?” 

She parts her thighs the second you touch them; her body’s so obedient under your fingertips, like a doll’s, something to be dressed up and posed and played with. Daring you to do everything you’re already thinking about doing. 

“You’re ridiculous,” you murmur, and give in completely.

So:

Look, you know exactly how the movies would frame this. Pandering to the wide-eyed teenagers and hopeless romantics; adding the swell of strings every time your eyes or hands or lips meet, each motion accompanied with unsubtle cues - there’s the meet-cute, there’s the moment, there’s the love-at-first-sight. It’s ridiculous to drag any of that into your real life, of course. It’d be like believing in God. Giving up logic to put your faith in something silly and mythic and implausible - to follow true love like a religion, expecting it to save your soul; to pray to the one like a healing property, a benevolent higher power. 

You can’t believe in that. You can’t. 

But-

Karina pulls back the barest amount, eyelids fluttering open like a new day dawning, and smiles when she sees the look on your face. So sweet and gorgeous; so struck and adoring. So comfortable wrapped up in your arms.

“Hi,” she murmurs. 

And - as though it’s some bone-deep instinct, saturating your bloodstream - you just have to kiss her again. 

Don’t you feel that? you think of telling her again, your hand slipping to cup her cheek - the sentiment always seems to come back around. You swear you can see scenes flashing behind your eyelids, the beginnings of a creative epiphany; it must be seeping through your fingers, staining her skin with ink, every possible action depicted neatly between brackets. A laugh, a look, a touch. A version of Karina projected across the silver screen to a wild, wanting audience. Don’t you see what you could do for me? What you’re capable of becoming? 

You can’t believe in any of this, but it’s gotta be something close. 

The feeling doesn’t end when the kiss does: only intensifies, made tangible somehow. Sculpted into the spit-slick curve of her lips, the flinty gleam in her eye. Like she feels it too. Like she knows. 

“And it’s not insane that I stayed,” Karina says, belatedly. “You asked me to.” 

For a moment you just stare at her, seconds from her mouth and speechless. 

It’s the truth without difficulty. It’s a confession with no strings attached. It’s the fucking dangerous way she says it - as if whatever you want extends to a lot more than sex. 

“And you don’t-” Your throat closes over a swallow; you find your eyes darting between hers, searching for anything but honesty. “You don’t think that’s insane? Doing whatever a stranger tells you to?”

Karina only laughs her strange laugh, gritty the way good music is, demanding to be heard.

“Nope,” she says, like this is all so simple. “That’s just what I do.”

It’s unbearably filthy in its implication - and it’s exactly what you need. 

The room seems to fill with potential, fantasies pouring in from the ceiling, enough to bloat any manuscript to its breaking point. You let out a breathless laugh, loud and unabashed. You think of pushing for even more, pressing your nails in and digging deeper - why me, why this, why now - but Karina leans in close before you can and slots her mouth to yours, and you’re no fool: there’s no line of questioning worth giving that up. 

Seems like you’ll have to come up with this character motivation all on your own. 

-

“Look at us,” she murmurs against your lips - meaning this very minute, the chemistry, how every glittering star must’ve conspired to get you here. “Kinda feels like this was meant to be, huh?” 

She’s clearly kidding, because it’s too soon and too fucking crazy, but-

Well, the way you kiss her then is absolutely your version of a yes. 

-

Here’s something people should probably know about artists like you:

You’re rather enamored with the idea of a magnum opus. 

It’s a natural thing to reach for, to visualize - the concept of your one great masterpiece. Something you can pour years and years into, water into roaring reckless oceans; time transforming the things you make into something worth remembering forever. Everyone you know - your sculptors, your songwriters - has their own version of this, somewhere. When I finally create this one perfect thing I’ll be - go on, fill in the blank. Fulfilled. Gratified. Happy. When I finally do this, I’ll feel whole. 

It’s strangely fantastical. A lifelong dream a kid would have - a childlike, storybook aspiration. 

Yours - as far as you’ve figured out - looks a little like this:

“It’s not as romantic as it should be,” you admit, now. “I’m not really into that as a theme. True love, I mean. Or optimism. Or hope. I want something more…” Something rougher, you mean. Something with pain. Something with blood and bruises. “Nuanced, you know? Complicated, messy.” 

“I get it,” replies Karina. She has her hands twisted in her lap, watching you very closely. You’re obsessed with the way she looks at you - like she’s drinking every word in with those smoldering dark eyes, greedy for more. For you. “All the best art is about pain, huh?” 

You snap your fingers, pleased to be understood. “Exactly.” 

Karina smiles, small and knowing, and gestures you on. 

In your vision, your magnum opus is always about a girl. Like you said, it’s the way it goes with all the best films ever made: not about love, but the futility of it lasting. Think of all the famed examples - think of the filmmakers and their obsessions, sneaking the great loves of their lives between each line: there’s something she said, there’s a dress she wore, there’s a conversation they had in the middle of the night, tangled up in sheets and whispering against skin. Your future muse will be just like that. A reincarnation of the infamous women who haunt all the greatest artists - an amalgamation of their bodies contorted into narratives and replicated in loving, graphic detail. Someone with skin like marble, a statue you could take a sledgehammer to. Someone who looks unfathomably pretty when she cries. 

Someone like-

“Uh-huh,” says Karina. She must’ve just gotten out of the shower before you found her, because her hair’s damp enough to have left wet patches on your t-shirt. She licks her bottom lip, once. “Sure.” 

Someone to be what you’ve always wanted: a flawless girl to fall from the sky into your lap. To fulfill your promise to yourself: when I meet her, I’ll know. I’ll be able to make this movie. When I meet her, everything will slip exactly into place. 

Karina cracks another ice cube between her teeth.

“So,” she says, low with insinuation. “When you told me last night that you found me inspiring…”

She doesn’t need to finish the question. She knows exactly what you want.

“You’re…” You shake your head. “You’re the most beautiful girl I’ve ever seen. I saw you and I just - I felt like I knew. I knew. I wanted you.” You shrug helplessly, smiling. “Do you think I’m nuts?” 

She should, probably. You’re a total stranger, a practical lunatic, an artist talking of your visions like you’re possessed. You don’t know her - that’s the reality of the situation. You don’t know her. 

But then there’s everything else.

The unbelievable sex, the staying the night; the way she lets you touch her, blinking slow and subservient, like you already have a claim to her body. You think muse and you think in abstract concepts, glittering stars, guiding lights; you think of skin cut up and sewn together, of creators and their finest monsters, of the implicit poetry in the undoing. You think muse and you think of the way Karina smiles at you now, full lips and frail bones, a painter’s portrait reference. Unmoving, unafraid. Too otherworldly for your day-to-day but just right when she’s in your arms, like a trial-run demonstration: this is what we’re capable of. You could make it happen. You could make me fit.

You swear you’ve been dreaming of someone like her your whole fucking life. 

You think muse, and now you can only think of her. 

It’s a sign. It must be. And this, the next one:

“No,” Karina says, easily. “I think you’re just like everyone else.” But she raises an eyebrow, so you know it’s a joke. “I think you’re all the same.” 

You laugh, delighted; Karina’s smile widens, shows her teeth. “Shut up.” 

Karina acquiesces immediately - claps a hand over her mouth like it’ll keep any other words from escaping. It’s so adorable that you can’t keep yourself from pouncing, suddenly all over her like an animal: wrenching her thin wrist down, fingers threading through her hair, tugging her lips to yours as if you’ve been starved and she’s something to devour. She’s so cold, ice still melting on her tongue; even her body feels glacial, more porcelain than real. It drives you wild - the stunning impossibility of her. The desire to see it all reworked, unwound, shattered. 

“So,” you breathe over her mouth. “I can write about you?” 

“Babe.” Karina’s dark eyes sparkle, frozen-over streets in the mid-winter sun. “You can do anything you want with me.” 

That’s the whole point of having a muse, after all. Everything they are becomes yours. 

-

“But,” you can’t help saying right after: “you don’t have to be, like - concerned. About what I said. About art and pain. I mean…” You falter. You’re standing in between her spread legs now, thumbing the sharp curve of her jaw. “It’s fiction. I’m not that kind of guy in real life - I’m not going to hurt you.” 

Karina just stares at you, sentiment clear and unspoken. 

“Not like - not seriously.” You roll your eyes, laughing it off. “Not like that.” 

“Not like that,” Karina echoes. The hickey on her neck seems to flush redder every time you look at it - a photograph in a darkroom, developing. “But in other ways.”

Your mouth opens, but whatever defense you might’ve had gets traitorously stuck in your throat.

Karina laughs hoarsely, lets you trace her bottom lip with a finger. She seems to get the picture - that you’d love to see it bitten and bloody, but only ever in the name of art. There’s a kind of sick, sadistic beauty in destruction, battles waged and lost. She leans into your touch like she’s seen all the war films and knows precisely why they’re so well-loved. 

“For the record,” she tells you, arms looped loosely around your neck: “I look very pretty when I cry.” 

“Jesus Christ.” You’re smiling. She couldn’t be more perfect if you’d dreamt her up yourself. “Then I guess I’ll have to make it happen.” 

-

It’s like fate, probably. 

-

(Up next in your script:

The girl is standing in the stranger’s bathroom. She’s turning a little glass perfume bottle over in her hands when he stops in the doorway. He’s perfectly content to watch her; she’s the kind of beautiful that deserves to be observed, like some exotic wild animal caged between four walls in an elaborate exhibit, mildly unaware of all the attention. Her hair is messy; her head is tilted down. Unseeing. 

Oh, he says. That was my-

Except he doesn’t even get the rest of the sentence out before the girl whirls around, and the bottle slips from her hand and shatters on the floor. 

Jesus. The stranger jolts back. Jumpy. He’s not too concerned about the broken bottle; it’s not his, anyway. Why the fuck did you do that? 

Sorry, the girl says. She’s leaning rather casually against the counter, observing the glass covering the ground, the sickly-sweet smell of the perfume sticking to the tile. Honeysuckle and the sharp note of alcohol, rendered unrecognizable. You scared me. 

He looks down. A crystalline stretch of tiny little shards - if she tried to move she’d slice her foot open. 

No worries, he says. Hold on. 

He ducks into the kitchen to get a broom and when he comes back he stops in his tracks. There’s something slightly off about the picture in front of him. She’s small against the background counter, frozen, barely blinking. Everything about her looks suddenly frail, fair skin ghostly underneath shitty bathroom lighting, cheekbones gaunt and sunken-in, hair pouring ink-black in endless waves. A vengeful spirit. An incorporeal haunting. 

Did you…? he starts to say, thrown. 

She blinks, finally. Did I what? 

He pauses, reassesses. She’s gorgeous. She’s art. She’s vibrantly alive. 

Never mind, he says. 

It seems kind of like she’d moved, but he can’t tell. He forgets about it. She’s still beautiful and she seems okay and so he steps forward and clears the worst of the glass out of the way. 

It’s silly, she says, watching him. I used to know someone who wore that perfume. 

It was my ex-girlfriend’s, he says. She left it here a while back. I think it’s a common brand or whatever. Hey, let me help you. 

He’s very chivalrous about it, sweeping her off her feet, cradling her bridal-style across the possible remnants of glass. She laughs all the while, playing into it - a princess out of a fairy tale, being carried to safety by some gallant knight. But then he sets her down and cups her ass and says, You gonna pay me back for the property damage or what? and she laughs harder, because there’s nothing funnier than that: sweet moments turned filthy, a startling hairpin turn in intention. 

Or - conversely - a revelation of the absolute truth. Because what else could he ever want from her?

So she says, Yeah, sure, take everything, and leans in to kiss him.

It’s a normal kiss, mostly. It’s just that it begins pointedly erotic but seems to turn strange after a second, like he might be gripping her hair too hard, like she might be corpse-limp in his arms, like at any moment he could unhinge his jaw and sprout fangs and swallow her whole, cannibalistic, viperous. There’s too much spit and sound. There’s too much teeth and selfishness. It stretches on too long and lingers where it shouldn’t and overstays its welcome terribly - the score seems to fall off-beat, the lighting seems to shift dark and discolored-

But then the kiss breaks, and it’s over. 

When he pulls off of her she looks like the perfect picture of flushed contentment. Eyes half-lidded and lashes fluttering, her pouty lips swollen and rosy. Smiling like she wants more, like she wants it so, so bad. 

It didn’t get you? he asks finally, looking at her neck, thinking of thorns and pinprick pain and the rivulet of crimson that’d decorated her throat. The glass? 

No, she says. Don’t you wanna fuck me now? 

Oh, God, he says, grinning, and every other thought melts away into nothing. He likes how she doesn’t play coy. He likes how she’s smaller and has to tilt her chin up to look at him. He wants to fuck her, so he does. 

It’s excellent sex. The blood on the tile doesn’t really matter.)

-

Before you really start writing, there’s just one singular problem: you don’t know anything about her. 

“That’s not true,” Karina replies, right away. 

You open your mouth, then close it, because - okay, she’s not completely wrong. 

For about an hour now you just haven’t been able to stop talking to her. About anything, everything: your start into screenwriting, your favorite novels, your greatest inspirations, your neverending passion for eerie, erotic art. You can’t seem to shut up. And it would be bad - would be making you feel self-conscious right now, if it were anyone else - but it’s just not. Because it’s, well-

It’s you, you told her, thoughtfully, watching as the sun climbed higher into the sky, golden light grazing each scalpel-sharp edge of Karina’s body. You’re easy to talk to. Has anyone ever told you that?

Karina blinked at you. Tucked a strand of silky hair behind her ear and looked away, considering it. 

She has this way about her: this serene openness to her big eyes, her body language. Leaning back on her hands, humming and nodding and saying I get it, I feel that way too, I understand with such sweet sincerity that you can’t help but believe her. Like a Catholic confessional, a pristinely blank page - something you could pour hours and hours of words into that would never, ever complain. 

Yeah, Karina said, finally. She pulled one leg up to her chest; you could see the lacy black of her panties. I get that all the time. 

Just one of those people, huh? Her character was taking shape already. A vault for everyone else’s thoughts and ideas, cradling them between her fingers like something infinitely precious. A listener. Such a lovely trait; a perfect protagonist characteristic. An observer. 

Yeah. Her cheek rested gently against a knobby knee. Exactly. 

It’s something of an art study. You’ve been filing away these details about Karina since the moment you met her, unraveling her bit by bit.

She always seems to think deeply before she speaks, a sort of charming self-scripting, like she wants to make sure she gets every sentence just right. She makes silence seem like the most natural thing in the world. She doesn’t laugh nervously or blush or get embarrassed, ever. She’d mentioned offhand during one of your tangents about your most beloved movies that she tends to like films about gorgeous, dangerous, scarily self-possessed girls: Thirteen and Black Swan and Girl, Interrupted. She seems both intensely present and consistently lost in thought, there one moment and gone the next, her long-lashed gaze falling in and out of focus like a camera lens. A contradiction, you think to yourself. An enigma, even. Profoundly complicated. Not just a girl but something more. 

Art in and of itself, displayed deliberately on your kitchen counter, waiting to be understood. 

“No, you’re right.” Your fingers have strayed to your open laptop; you’re seconds from typing Karina’s name like a title, something you’ve created all on your own. “I know…”

You’re trying to think of something nonchalant to say and failing. I know you - the first instinct, somehow. I know you’re something brilliant and remarkable and new. I know I’ve never felt this way before about anyone. I know there’s something here, I know what I feel, I know what I want - you, you, you. 

Karina stares at the ice melting in her glass. 

Then she says, mouth tripping up at a corner: “You know I’m a world-class fuck.” 

“Jesus.” You laugh out loud, surprised. “Okay, yeah. That.” A pause. “And, obviously-” 

“Obviously,” Karina echoes, like she knows where this is going. 

“I know that you’re, like - outrageously fucking beautiful.” 

Karina hums once, letting the compliment wash over her, and turns to look out the window. 

You bite down on your lip - bite back all the other too-soon things you could say about her, threatening to claw their way out of your mouth - and go in on your script instead. 

It’s shockingly easy to write with her in the room. The details seem to stitch themselves together on-page, the restorative aftermath of an autopsy: sealing the slit chest cavity back up, prepping a corpse for an open casket, making something disconnected whole and beautiful again. You’d pulled these specifics from her like pulsing, throbbing organs - her tits, her tone, her tiny waist - and now all you’re doing is repurposing them. You know her body now. You turn stretches of pale, bruised-pink skin into prose, the curl of her little fingers around her thigh into dialogue. You imagine taking that perfect frame and picking it apart again, bit by bit; not just undressing her but peeling back layers of flesh, familiarizing yourself with the stark scarlet of her bloodstream. Until there’s nothing to hide and you can finally say it - I know you - and it’ll feel earned, and real, and honest. 

All very melodramatic, of course. It’s just the process: the natural consequence of being a writer. 

Your eyes trace the jutting protrusion of muscle in Karina’s throat, and you think about fucking her again. 

“Also,” you say, as though your earlier conversation isn’t long over. “I want to know-”

Karina makes a huffy, half-impatient noise.

You grin, gaze flicking back to her face. “What?” 

“You want to know more?” Her brows furrow in exaggerated confusion; her smile is absurdly self-deprecating. As if there’s anything she could possibly be insecure about. “You already got the two most interesting things about me, babe.” 

“Stop.” Your mouth twitches. “No way.” 

Karina’s smile stills in place, expectant. “No?”

“Come on.” Your hand slips from the keyboard to trace her knee. “I’m sure there’s all kinds of interesting things about you I haven’t learned yet.” 

The laugh she lets out is quiet and nearly secretive, legs parting to let you touch her. You’re already half in some faraway daydream, wondering if you can bottle the color of her eyes and turn it loose on the page.

“Okay,” Karina says, easily. She nudges your laptop away, scoots closer to you, her sharp chin pointed down at you. “Come and learn them, then.” 

“God.” As if that’s what you’re doing. Memorizing her body as some private education; taking her apart in a classroom dissection. “Can I - I’m trying to write, Karina. I’m being productive. I…” You’re shaking your head as though you’re not already giving in, fingers slipping up her thighs - she’s smirking at you like she knows it. “You’re fucking insatiable, you know that?”

“Then satiate me.” Karina’s head tilts, lids heavy. “Fuck me. Use me.” She leans down like she’s telling you a filthy, sordid secret. “Cum in me like I know you want to.” 

There’s something surreal about how certain she is: never tripping over her words or waffling over intentions, the most practiced actress you’ve ever seen. Every move - her tongue wetting her bottom lip, her hand sliding gracefully through her hair, her mouth forming a sweet little pout - all clean, choreographed precision. 

I know you, she says - like it’s earned, real, honest. Inexplicable, but there anyway. I know you want to. 

“Karina.” Her name comes out embarrassingly strangled. You’re pulling her thighs further apart, toying with the edge of her underwear. “You’re such a fucking - you’re so needy.” 

Her smirk sharpens even as you tug her panties roughly to the side. “I’m what?” 

“Needy.” 

“No.” She’s so wet - she’s probably seconds from dissolving into a whimpering breathless thing, begging to be underneath you, begging for more. That damn smirk is probably seconds from shattering completely. “What were you going to call me?” 

“Nothing.” You drag a finger down the slick drenched heat of her cunt.

“A slut.” Her voice is a purr, gravelly and sensual. “You think I’m just this fucking slut who needs your cock all the time, huh?” 

But it’s the kind of question that you already both know the answer to. Karina takes your finger-fucking so well, hips raised and rutting, hair cutting across her cheekbones - seems to give herself over to desire so fucking easily, with her whole body, back arching and neck craned and hot little cunt a sloppy mess. Never puts up a fight, never demures or acts shy; never says wait or don’t or stop. Only spreads her legs, and drips down your hand, and waits to be fucked good and hard.

And - hey, there’s one dirty word for a girl like that. 

“Well.” You raise your eyebrows at her: a challenge. “Are you?”

It’s dangerous. This is all dangerous. Stumbling down a treacherous path, asking a stranger something like this. Are you what I think you are? Do I know you? Do I really? 

Karina makes a low, luxurious noise at the stretch of your fingers in her cunt, buried to the knuckle. 

“Sure,” she says - and the gleam in her eye tells you she knows exactly what she’s getting herself into. “I’m whatever you want me to be.” 

-

So, it’s possible this is really the most interesting thing about her: she’s the kind of girl who never says no. 

-

That scene goes down how all scenes should:

“Fuck, fuck, fuck-” 

Karina’s choking out curses like she can’t recall any other words, head lolling back to expose the pretty bob of her throat. You thrust deep right then and she lets out a sound like an aching gasp, like you’ve doubled down with a fist to her gut, like you’re knocking the the air right out of her; you might as well be - oh, she moans, like she could be in shock or awe or pain - with the way you’ve got one of her thighs pulled up so you can fuck deep into her tight dripping cunt. It’s not nice, not really. Her back keeps hitting your counter. You keep staring at her neck and her hair and her face: the faint flush of her cheeks, the flawless construction of her bones underneath - there’s so much unmarked skin - God, she’s so clean, it’s like she’s never been fucking touched-

“You gonna cum for me?” you murmur, voice coming out thick and half-animalistic. 

She has one hand curled around the back of your neck. She’s got those ridiculous clawed nails on her but she never presses down. Her pussy can’t stop clenching around your cock but she takes it so well, lets you make room inside her little cunt, shuts her eyes and trips over her own breath as you force her spine hard against your counter over and over again. 

“Karina.” 

“Yeah,” she exhales, raspy and strained, as your cock stretches her out. “Fuck, yeah-” 

“Cum for me, honey. Cum all over my cock - oh, there you go, good girl-” 

It’s hypnotic. The tiny bitten-off sounds spilling from her ice-cold mouth - that small pristine face and all that hair tangled to her waist, just available to be knotted and tugged and fucked all the way up - Karina clings to you when she cums, and you feel so much bigger than her when she does, like you’ve got her sloppy and open around your cock and you could do anything to her, that’s what she told you, and even if she hadn’t, it’s not like she could stop you - she’s gorgeous but she doesn’t have it in her - she’s just too fucking delicate-

It happens too fast to process. 

One minute you’re buried inside her pussy and the next Karina’s on her knees, on the ground, and you’re jerking your cock until you’re cumming all over her. 

It’s obscene. It’s fucking inevitable. Thick ropes of creamy cum coating her forehead, her cheekbone, her nose and mouth and getting all in that hair-

Her hair. You don’t realize how hard you’re gripping her hair with one hand - balled in a brutal fist at the back of her head - until you disentangle your fingers from it and Karina sinks to the floor like she’s just been cut loose from marionette strings, breathing fast and hard. She doesn’t even say anything: doesn’t comment on the fact that you’d just shoved her straight to the ground or complain when the head of your cock smears cum across her jaw. Doesn’t even flinch when your cock slaps heavy across her cheek, at the indecent sound of the impact. 

You’re staring at her, open-mouthed. At her gorgeous, breathtaking, defiled face. 

Karina’s not looking at you. Instead, she’s preening in the most lewd, pornographic way possible: swiping her thumb through the cum streaking across her forehead, popping it into her mouth to suck. Halfway through she seems to remember you’re still in the room - seems to recall the value of a performance - and she redirects her gaze up at you, lids heavy, and smirks. 

“Did I…” you start, without knowing how the sentence will end. “Did I - was I-”

Karina lifts a cum-covered eyebrow. Her mouth’s an arresting pink, puckering around her thumb like it puckered around the cubes of ice, how her lips formed a ring around your cock back in the bookstore yesterday. She lets it slip free, shiny with spit. 

“No,” she says. “You’re good.” 

You can’t stop looking at the cum caught in her hairline. She’d been so fucking clean. 

You glance down and realize there are strands of black hair broken off in your clenched fist. 

Karina’s looking at her hair in your hand too, now, but with a sort of amused detachment. She stands shakily, using the counter for support. There’s cum all over her. Her knees are red from how hard she’d been pushed down.

“You’re so cute,” she tells you, grazing the side of your neck with her fingertips. “There’s no shame in being rough with me, babe.” 

“Right.” There’s an unnamed pressure coiling in your chest. “But - but you-” 

“Hey.” The word comes out in a rasp, and then Karina laughs, pushing the low hoarse lilt of her voice to its limits. She steps closer, angles her little cum-stained chin up at you. “Are you really gonna tell me you don’t like seeing me covered in your cum?” She’s tonguing the corner of her mouth. “Turning me into a-” her smirk pulls wicked; your next breath hitches so badly- “messy fucking whore for your cock?” 

“God,” you get out, because she’s winding an arm around your neck, and her pretty face is still sticky with your cum. “I-” 

“It’s what you wanted.” Karina blinks, in a show of such doe-eyed naïveté that saliva begins pooling hot in your mouth - like you’re feral, like you’re rabid. “Isn’t it?” 

You’re looking down again. Her knees are going to bruise. Black and blue, as if someone’s bullied her in the schoolyard, pulled her pigtails and knocked her to the asphalt. An echo of something teachers could’ve told her years ago: oh, look, he’s mean to you because he’s got a crush. It’s okay, really - he only hurts you because he likes you.  

“You like me like this,” Karina murmurs, dangerously low. “All sloppy and slutty for you.” Her gaze is trained on your mouth. “Marking me up.” Her hair slips from your hand. “Owning me.” 

Her name clogs your throat, cloying and candy-sweet. “Karina-”

Karina’s head tilts. “Yes or no?” 

She’s too close to you. She’s so filthily beautiful she seems somewhat alien, some kind of foreign invention. Her jaw is smeared with your cum and her flawless teeth shine like jewels and she’s like every creative vision you’ve ever had cut in clips and playing back in a movie theater, made to be scrutinized. 

“Yes,” you tell her, winded. “You’re fucking - you’re unreal, you know that?”

You’re smiling like it’s flattery, like it’s an exaggeration. Like she’s not living, breathing, visionary art. 

She smiles back, like she knows just how much you really mean it.

“So I’ve been told,” Karina says, and taps your neck, lightly. “Go make breakfast.” She shakes her hair out; some of it gets stuck to the cum on her cheekbone. “I’m taking another shower.” 

“Right.” You bite into your bottom lip, hand skimming down her side. “Go get clean.” 

“Clean?” She steps back and flashes a disbelieving grin, gestures pointedly at herself - her creamy thighs, her porn star tits in your t-shirt, her body like sex itself. Dirty by design. “Never happening.”

Some cynical part of you keeps waiting for a slip-up, some mistake in a masterfully crafted script - no one can be that gorgeous and still be here with you. But Karina moves and your eyes are hopelessly drawn to the disheveled curtain of her hair spiraling down her back, the sharp distinct lines of her calves, the flex of muscle in her thighs. Her hands, balled into little fists. She’s alluring as if manufactured that way: engineered to be perfectly bruisable, ruinable. It defies logic. It’s movie magic.

“Well.” You snort with laughter, swat at Karina’s ass as she turns to go. “At least you can try.”

You don’t even think she can help it - that’s the thing. It’s just what she was made for. 

-

“What would you have done if I said no, though?” you ask after a moment, as she wavers in the doorway. “Like - what if I told you I didn’t like you like this?” 

Karina shrugs.

“I would’ve been something else,” she says, and closes the bathroom door behind her. 

-

(Next:

The stranger and the girl fuck and afterwards he promises her breakfast and then he realizes his cabinets are bare, his fridge painfully unstocked. Sorry, he says, as she pokes around his kitchen. I don’t know how that happened. I usually have something to eat here, I swear. 

I don’t mind, she says. Her fingertips sweep his shelves. She seems fascinated by the emptiness, admiring the vacancy. Oh, wait, look. 

She finds a half-eaten jar of honey that she ends up scooping up crudely with her fingers, dripping sticky amber down her hand. He’d tell her that’s disgusting but she makes it - as she seems to make everything - into a pointed seduction, her tongue pink and wetly visible, her skin gleaming as she licks it off. It’s funny. He’d never thought it possible to turn eating into some sort of sexual performance but she manages it anyway: meets his eyes, sucks loud and lewd, smacks her lips and wipes her mouth with her thumb, ill-mannered and stunning. 

I can’t imagine that’s very filling, he says, delighted by her commitment. 

Yeah, well, she says. It’s a good thing I hate feeling full. 

But it seems like a moment of hilarious irony when ten minutes later he’s got her bent over his kitchen counter, tits pressed punishingly to the flat surface, honey stuck to her neck and collarbone as she’s fucked hard again and again, stuffed with his cock, his fingers everywhere, like her own body barely even belongs to her - all mine, he keeps saying, and means it; you’re all mine. All filled up. Overfed. Bursting. 

Sex is a manner of consuming, it seems. He might as well be eating her alive.)

-

“Do you do this a lot?”

Eventually, it turns into one of those lazy Saturdays. An afternoon of sitcom plot points. 

It’s just so easy to fill the time, the space, the page - you tell Karina some inane story from your college years and she reacts in all the right places like your own built-in studio audience; she says something off-handed and enticingly vague and suddenly you have a new thread of dialogue to explore. You’re both sprawled out over your couch, Karina’s got her thighs tucked over your legs, wearing another one of your t-shirts, a fresh hickey bruising over her throat. There’s something delightfully domestic about it - like you’ve been doing it for a lot longer than you have, or like you could do it eternally if given the chance, holding all the silken comfort of an old routine. When you’d mentioned it - I kind of feel like I could do this forever - she’d laughed her scratchy laugh and said forever’s nowhere near as long as you think it is, babe. A perfectly cinematic line. You stared at her, leaned over, and added it immediately to your draft. 

“This whole…” You’re trying to elaborate now, staring at the blinking cursor on your laptop screen. Your knuckles skim her bare, bony knees. “You know.” 

“Eloquent.” 

“Shut up.” 

“I thought you were a writer.” 

“Karina.” You’re charmed by the drawl of her voice, the raspy roll of sarcasm. “I’m just wondering.”

Karina shifts in your lap. You’ve got one hand sneaking up the hem of her shirt - your shirt - skating up her tummy, her ribs. You’re probably about five minutes from snapping your laptop shut and pulling her on top of you and saying something crass about her tits and passing it off as a character study. 

“What do you mean?” She’s as close to clean as she can be. You made sure of it - licked the hollow of her collarbone earlier after she got out of the shower, tasted nothing but soap and skin. “Do I have a lot of sex with strangers? Or do I stay the night a lot after I have sex with strangers?”

“Both.” You think of taking her hair down, sifting your hand through it, wrapping the strands around your fingers. “All of the above.” 

Karina shoots you a look, fluttered lashes, suggestive understanding. You hear it without her having to say it. You want me to tell you that you’re special. 

“I’ve kind of been going through a phase,” she says instead, nonchalantly. 

Your eyebrows fly up. “A phase?” 

“I’ve been, you know.” She gives an airy sigh. “Trying to find myself in the big city. Running wild. Terrified of monogamy but being very brave and quirky about it. Sordid past with love and romance and general human connection. Doing the whole manic pixie dream girl thing.” Her eyes flick to your open laptop, abruptly too wide and innocent. “That sound about right?” 

“Fuck off.” It’s a complete non-answer. You run a hand past her stomach, laughing. “You’re fucking with me.”

“What?” Karina inches closer. “Isn’t that what you wanted? Your textbook rom-com love interest?”

You make a rather disparaging sound in the back of your throat. “Ugh.” 

“Oh, my bad.” Her mouth curls, contradictory. There’s nothing apologetic about her. “I forgot. You don’t believe in art about love. You wanna see broken people and broken people only.” 

“See?” You’re obsessed with her tone; all flirtation, some distorted version of come-hither charm. Talking of suffering like it’s a seduction tactic. “You get it.” 

Karina rakes a hand through her hair; her fingers fall to the back of her neck and linger there. She pulls herself out of your lap and turns, hooks one bare long leg over you until she’s straddling you. Your hands find her hips. You’re disarmed by her strange weightlessness, like she’s seconds from either shattering or taking flight.  

Then she asks, “Is that what you’re doing with me?”

It’s gotta be a very roundabout request to fuck her stupid, because she follows it up torturously: ducks her chin, parts her lips, rocks her hips down until you groan. You watch her throat, the way muscle works over bone, picturing unspeakable things: taking her by that pretty neck and pinning her to the wall, ripping your shirt right off of her with your fingertips leaving bruises - bending her over to fuck her fast and cruel until her cunt’s raw and aching and leaking your cum - until she’s begging pathetically, saying please, God, please - and you’re triumphant, victorious. Telling her you asked for this, didn’t you? You said anything. You said anything I want. 

“Depends,” you reply, when you can breathe again. “Are you a broken person?” 

Karina stops, moments from your mouth. 

“Depends,” she echoes. “Is that what you want from me?”

It actually takes a beat for the question to sink in. Then two, then-

“No,” you say, loudly. “Obviously not, Karina, Jesus. Why would I…”

You falter. 

Karina only looks back at you, patient, tolerant. Like if right now you said that’s exactly it: I want you broken, I want you ruined, I want you decaying and dead and buried, she’d smile and say do your worst. Flashing those white, white teeth, perfect like pearls, ready to be knocked right out and strung together. 

You blink the bloody vision away. “Why would I ever want that?”

Karina studies you for a second longer, expression indecipherable. 

“Okay,” she agrees, breezily. “Then I’m not broken. I’m just going through a phase, like I said. I don’t like being tied down.” Her shirt rides tantalizingly high up her thighs; her hand slips down to palm your cock. There’s a twist to her lips, a dirty sort of smirk. “You understand that, right?”

You stare at her.

“Right?” Karina prods, again, low and sultry. 

“Right,” you say, unable to fight your sudden smile. 

The pout of her mouth’s an inevitability; her little body in your lap’s a seductive form of foreshadowing. You dig your fingers into her protruding ribs, playful, and you don’t quite get the squeal of laughter you were expecting - all Karina does is curl closer, expecting more, expecting harder. She knows what you’re capable of. You’re both just biding your time until you cross the same line you’ve been crossing and you fall back into bed again.

“A phase,” you add, considering. It intrigues you, anyway - the casualness, the connotation. “So - I’m not special, then. That’s the moral of this story.” 

Karina’s fingers sift gently through your hair. “You wanna be special?”

“I mean, yeah.” Your palm falls to her neck, presses down. She doesn’t seem to mind. “Doesn’t everyone?” 

Her eyebrows rise in vague, unconvinced amusement. It makes sense: she’s the most special of all, a cosmic glitch, an angelic fluke. Someone like Karina wouldn’t understand the aching, clawing, consuming desire to be extraordinary. She’s already there. 

Your hand on her throat looks even bigger now, tendons straining from underneath skin.

“I think we all want to feel important,” you mumble, thumb grazing gently across her jaw. “Don’t you?” 

You’re pretty sure the wry, glittering smile that sits at Karina’s mouth is an answer in itself. 

-

Alright, forget your television metaphors - you’re not sure there’s any sitcom out there that goes quite like this.

“By the way,” you say, grinning against her hair as you pull her to the bedroom. “Did you say you don’t like being tied down?” 

Karina turns in your arms and doesn’t even flinch when you force her too hard against the doorframe and its edge smacks into her shoulder blade, digging in hard. You should apologize but you don’t; the possibility of her in pain seems laughable, a distant fantasy. This is how it goes, fucking a girl who looks like a god - your brain is convinced she’s wholly immune to hurt. The universe wouldn’t actually let someone so pretty bleed. 

“Oh, sorry,” she says, voice raspy with insinuation. “Let me rephrase.” 

“Karina,” you say, not really like a warning - more like you’ve got something to prove. This is real. You’re really here. You’re really this perfect, gorgeous, greedy thing. You’re really made for me. 

Karina only lets her lips tilt in a smirk, devilish and knowing.

“I meant that I don’t like commitment,” she says. “I love being tied down.”

She’s still smiling when you shove her through the doorway, across the threshold - across that same old fucking line.

-

Not that it makes a difference now, but one of the reasons you and your most recent ex-girlfriend broke up was because of what you’d both referred to as sexual incompatibility. Actually, there were about fourteen other things, too - she was a trainwreck and a textbook attention whore; you spent all your time writing and she took offense to the fact that you found your scripts more interesting than her - but the crux of the sex problem between the two of you was that she thought you wanted too much power over her. She seemed to assume that was the point of potentially tying her up and shit like that: to exert power. To put you and only you in control. To make her into this helpless little toy - and I hate that, she’d said, working herself into a fit, I hate feeling helpless. 

You hadn’t pushed her. You’d also tried to justify it in a number of ways. It isn’t about that. It’s not about control. I’m not trying to make you feel bad. But it hadn’t made a difference and she hadn’t believed you and you’d come to the reluctant, inevitable conclusion that that particular dream would never actually get fulfilled. 

Until-

“Look at you, baby.” 

Until now, when you’ve got Karina stripped bare and tied to your bed, thighs parted as you kneel over her, pretty little cunt glistening wet and tits heaving with every breath as she waits, and waits, and waits. 

Eyes half-lidded. Utterly fuckable. A curated collection of every salacious desire you’ve ever had. 

“You’ve been looking at me forever,” murmurs Karina, her tone still humorous, like the reason her voice is run so ragged is because she’s holding back a fit of giggles. “You gonna fuck me anytime soon?” 

To Karina’s credit, the idea of tying her up didn’t seem to bother her one bit. She’d let you knot her wrists to your bedframe and only grinned sharply when you asked her if it was too much. She didn’t seem to care about feeling helpless or feeling bad. Actually - judging from the wetness that collects on your fingers as you rub two of them over her cunt - it all seemed to turn her on either way. 

“You’re so fucking mouthy.” You lift your hand only to ghost it over her stomach, leaving a lewd shiny streak across her skin. “It’s like you want to be punished.” 

“Well, you put in all this work.” Karina yanks at the ropes tethering her wrists to the bedframe until they bite so severely into her skin that it turns white. “I’d hate to see it go to waste.” 

“Not a waste.” 

“No?” She’s got that seductive little smirk on, legs spread shamelessly, head back and throat bared. 

“Nope.” Your eyes rove down her body. “It’s a great view, actually.”

You’re shocked by the sound Karina makes, then: harsh and derisive, scratchy and painful, like she’s choking badly around some injury in her throat. You’re half-expecting her to turn her face and spit blood onto your sheets - all murder-scene evidence, horrifically vibrant gore. Coughing up her own vocal chords. 

It’s so awful it actually takes you a minute to realize that she’s laughing. 

“Karina?” you say, perturbed.

“Oh, please.” Karina hacks out one more horrid laugh. “Cut the shit.” 

You draw your hand back uncertainly. “What are you-”

“Come on, man.” There’s a glint to Karina’s gaze as she looks up at you: bored, mocking, infuriating. Irises flashing like the darkest corners of haunted houses, set-ups for a summoning; lashes like cobwebs, self-spun and delicate. “Fuck me or leave me alone.”

For a second you just stare at her, unmoving, something caustic and furious threading up your spine. 

And then-

Look, none of this next part is on you. You can’t blame yourself. It’s her - her tiny hands in tight clenched fists, tummy so flat it seems caved-in, hollowed-out; her own glimmer of slick smeared on her belly, physical proof of how desperately slutty she really is. The bruise on her chest; the one on her throat. Her goddamn eyes. Her lazy, lilting drawl, the exact matter-of-fact casualness she’d had last night when she’d told you to hurt her - fuck me or leave me alone. 

It’s so obvious what she’s trying to do - provoke a reaction out of you. It’s gotta be the only reason she’s talking to you like that. Like, what else are we here for? Like, what else could I possibly want from you? 

So - no, God, it’s not your fault. 

But-

It’s over before you can even think about it. Before you’ve even rationalized doing it, before you recognize the sound ricocheting through the room as the perfect violent land of a blow, the hot whiplash of skin on skin, your palm connecting with its target. Before you blink, and recalibrate, and you take in the rapid reddening of her cheek, and her angled jaw, and her hair falling starkly past her chin - it’s too late. It’s already done. 

Because you’ve just slapped Karina clean across the face - hard. 

“Oh.” You’re babbling as if on autopilot, all your nerves on shutdown. “Oh. Oh, God. Karina-” 

Karina licks the corner of her lip, like she can taste the impact. 

“Jesus Christ,” you’re saying, panicking; you can’t shut up. You don’t know what to do with your hands; you find yourself kneeling carefully in front of her, cupping her face, stroking her temples with your thumbs like it’ll soothe the sting. You can’t believe you hit her. All the things you could do to a girl like that, and you - “I’m sorry. I didn’t - fuck, baby. I’m sorry.”

Karina blinks up at you, expression placid and blank, porcelain-doll cool. 

“For what?” she asks. 

You freeze, her face still between your palms. “For-”

But the serene tilt of her mouth makes the words die in your throat. 

“Seriously.” Karina’s voice is softer now, a kind twist of mirth. “Isn’t that what you wanted to do with me this whole time?” 

Her features seem to fall out of alignment, occurring to you in cut, edited fragments - the baby-animal eyes, the bone-white glint of teeth, the pretty blooming flush of her cheek, blood rising underneath skin but never breaking through. No evidence of a limit breached; she doesn’t wince or wail or cry. She wears the hit so well. She’s smiling. A you-don’t-need-to-be-sorry smile, a you’re-forgiven smile: I’m strong, I’m good, I can take it. Whatever you need. Whatever you have to give. 

You blink and Karina reassembles, stitched up at the seams, beautiful and uninjured and intact.

“You want this,” you exhale, a wondrous revelation.

“Of course.” Karina’s shoulders rise as much as they can with her arms so tightly tied back. “You do, don’t you?” 

The panic recedes, and something else - something electric and brutal, visceral, intoxicating - takes its place instead. 

It’s the way she says it: rhetorical, all-knowing. As if she’s seen exactly what’s in your mind - what repulsive daydreams have settled right behind your ribcage, clawing to be set free - and she’s offering her own body in sacrifice. Saying here, put them here. 

So you do. 

She doesn’t even look surprised when you slap her again. 

“See?” Karina’s chin tips upwards in delicious, submissive invitation: eyes darkly pleased, pale skin a burning wildfire, curled mouth a beckoning. Like it’s been what she’s waiting for, all along. “There you are.” 

And when you’re finally able to catch your breath:

Oh, you think, in some exhilarating epiphany. Here I am. 

Every single reservation falls out the window. Karina’s smirk slants viciously and then you’ve got your hands all over her, on her shoulders and her tits and her hips and her throat and her face, thumb digging hard into her cheekbone. Any sort of gentle caution is gone when you’re getting on top of her and burying your cock deep inside the suffocating vice of her aching little cunt, half-drunk on the high mewling moans you’re forcing out of her, head swimming at the drenched audible sound of her pussy every time you fuck into her - at how tight she clenches down around your cock. Fuck it all, then, it’s not like it means anything - hurt me, she’d said, running through your head on loop; I want it so bad, I need it, hurt me - and so you do, wrapping a hand around her delicate neck and pressing down, slapping hard against her heaving tits, salivating over the marks that you leave. She doesn’t even struggle. Takes it like a good girl, an obedient girl: something meant to be hit and torn up and pulled apart. A hands-on art piece. A disassembling, made purely for audience consumption; a sign hung around her neck that says leave your mark, that’s the point. You’d been so naïve, thinking of being careful with her - like she’d ever even fucking want that-

“You like it like this.” Your voice sounds raw, almost unrecognizable; your fingers press into the base of her throat. “This is all you needed, huh? You just needed to be roughed up real hard.” Your hand trails up to grip a fistful of her hair, merciless. Karina shuts her eyes. “Like you’re just a slutty fucktoy-” 

Karina chokes out a small, wet gasp.

“Oh, baby.” You yank harder at her hair. “It’s okay to admit it.”

But in a way, she already is. Doesn’t fight against the restraints tying her wrists, doesn’t flinch at how rough you’re fucking her, doesn’t whine or blink back tears at the harsh graze of your thumbnail against her nipple. Like she’s a plaything, here in your bed for your pleasure alone. Like-

“Like you were just fucking made for this, yeah?” She comes undone so easily: cunt a wet sticky mess when you reach down to rub her clit, teeth pearly-white where they’re caught on her bottom lip - though nothing can hold back the anguished noise Karina lets out at your pace, the thick stretch of your cock, your palm smacking at her tits over and over. “Look at you. That face, these tits, this little fucking cunt-”

Like it’s her one and only purpose - to have all her fair skin turned searing red and bruised under someone else’s hands. Her cunt just begging to be split open and stuffed full, railed so hard she could break. It’s gotta be what she was created for. She’s more than mortal, so above the concept of imperfection; a nasty little fuckdoll of a girl, meant to be used hard and licked clean. She looks too irresistible all fucked-out and ruined. It has to be in her nature. Made for this, you keep telling her: to be fucked until she can’t walk. To be treated forever how you’re treating her now. 

Your ex-girlfriend couldn’t have been more wrong. It’s not about power or control at all.

“You’d really just let me do anything to you, huh?” you murmur, awed, but you’re holding her throat too hard for her to reply. 

You fuck her, and fuck her, and fuck her. Rub at her clit until she clamps down and cums around you, until you can really get on top of her, force her to hold those huge tits together so you can fuck them. You can’t handle how tiny she is underneath you, her face and her mouth slack with lust, eyes glazed over entirely. She squeezes her tits around your cock. She’s hardly even human. It’s the best thing about her. 

“That’s how I know you’re a fucking whore.” Your grin feels wide and manic on your face. You’re gonna cum all over her - again. “None of this even matters.” 

And it’s only after - after you’ve painted her collarbone and chest creamy white and let up on her throat so she can fight for air; after you’ve groped her tits and grabbed her face after just to see your cum glistening all over her perfect slap-marred cheeks; after you’ve rolled off of her and you finally leave her alone - that Karina gives you a response. 

“No,” she says, hoarsely, staring up at the ceiling. “It really, really doesn’t.” 

-

Power just isn’t the right word for it. It’s something much more beautiful than that. 

Desire. You’re dozing off, halfway in a sleepy fantasy. You imagine rolling the word around in your mouth, using it in speeches, citing it as an obvious central theme. It’s about desire, you’d say, in interviews, at film festivals, patiently explaining your motivations to the masses. That irrational animal instinct. That innate human greediness. You’ll maybe even throw in some fun anecdote about how people in past relationships never agreed with you. It’s never been about power, though, you’d explain: how foolish, how crude. It’s about the ache of truly wanting something. Isn’t that so much more romantic?

So you’ll make a movie about this one day. So you tied Karina to the bed and slapped her hard and fucked her senseless. Actually, you picture yourself explaining, foggy and on verge of falling asleep: actually, it’s about hunger. Irrepressible, all-consuming hunger. That’s why I did this. That’s why I’ll keep doing it. You’re all like me; you get it. That makes sense, doesn’t it? 

And it will, to raucous, riotous applause.

Good. You’ll laugh so hard. You’re dreaming, now; you can’t tell if you’re talking about the sex or the hypothetical future movie. I’m glad you understand. Anyone would’ve done what I did. 

Because - honestly - what’s the point of starving yourself of something that’s right in front of you?

-

(Let’s pull back from your script for a second. Here’s a real story:

A few months back you were visiting a museum with one of your friends when you got into this conversation about performance art. He’d told you about a woman back in the seventies who walked into a gallery and laid out various objects and let the audience do whatever they wanted to her for six whole hours. Her as the artist, in title only; herself as the art. A free, untethered canvas. 

And what happened? you asked, morbidly curious. 

Your friend grimaced. What do you think happened? 

It was a rhetorical question. The performance had been a test of what the general public was capable of - a reflection of their moral compass, of what they’d do if left unchecked. The setup spoke for itself. You didn’t have to get all the gory details in order to understand. 

Seriously, though, your friend said, about the artist: I don’t know what’d compel someone to do something like that to themselves. He’d shaken his head, baffled. Like - I think it takes a deeply fucked up person to just give up their body like that. Like it doesn’t even matter to them. 

It’s strange. It’s an almost universally accepted fact that, at least on some level, artists are inclined to put pieces of themselves into the things they create. A memory; a feeling. Condensing twenty different emotions into a single acrylic painting, or a lyrical reenactment of heartbreak into a song - something personal and unique and lovely. Often inspired, sure, but yours. 

I think that’s what’s funny about it, you told your friend, before you realized that funny was a fucked up word to use here. There’s nothing personal about that. It’s so detached. It’s about the rest of the world, whatever they might make of her - it’s not about her at all. 

You were both quiet, thinking. Visualizing what it might’ve been like. To be there, one of many in the audience, watching this woman who had thrown herself to the wolves and asked to be ripped apart. 

She’s just - material for them to use, I guess, you said, after a moment. A blank page. 

Removing her own identity; becoming nothing, no one. A ghost. An empty vessel. A slab of clay, taking on the impression of everyone who’s ever touched her: the ridges of fingerprints, the half-moon cuts of nails, molding her into something new. Even if it took some force. Even if it hurt. 

Still, it’s what she’d asked for. 

You can’t imagine she’d ever expected anything else.)

-

There’s this fascinating complaint people have about films these days, you’ve found. It’s actually quite the phenomenon. You talk to your colleagues and scroll through social media and read comments on movie trailers trying to get a grasp on it all: market research. This isn’t realistic, people gripe. It’d never sound like that. She’d never look like that. This would never, ever happen - God, are you kidding? Who are they trying to fool? As if they’ve somehow missed the point of fiction - of a sweet, escapist fantasy. As if they’ve convinced themselves that the real world is better. 

Which is moronic, obviously. 

“So what’s the solution?” Karina asks.

Well, you’re no expert; it’s been a while since you’d finished your last movie.

“But you have an idea,” Karina interpets. She’s perched on the edge of your coffee table, nursing a new glass of ice. She’s watching you with her head at an angle, eyes shrewd. “Otherwise you wouldn’t be telling me this.” 

As with most of her guesses about you, she’s right. 

“It’s all about the details,” you say, after a moment. “It humanizes a person. Having little bits and pieces about who they are - it makes them alive. Their likes, their dislikes. Embarrassing stories. Things that make them laugh. Diary entries, favorite foods - first loves, first heartbreaks. So on and so forth.” You’ve got one of Karina’s ankles between your hands; your thumb brushes against the bulbous protrusion of bone. “It’s what makes people real.” 

Karina’s mouth twists, sharp and strange; it takes a second for you to realize that she’s grinning. 

“Oh, right,” she says. “You want me to spill my guts to you.” She pushes her ankle further into your grip. Her legs are just like the rest of her: thin and pale, waifish. Like a nineties catwalk model. “That’s how you’re gonna make me real. In your movie.” 

You pull a face, letting her ankle slip from your hands. Spill her guts; what an ugly figure of speech. As if you’re doing something much more invasive and violent than just writing about her. 

“Basically,” you agree, anyway. “I mean, it helps that you’re already, you know - a real, whole, living person.” 

“Ugh,” says Karina, dry and amused. “Barely.” 

You wonder if she’s also thinking about this morning; you, stunned and staring at her cum-streaked hair, calling her unreal.

She’s got a point, in a way. There’s something slightly uncanny about her sitting in front of you, as if she’s been taken straight out of some wildly different scene - some spotlit stage, some movie set, some glossy high-budget existence - and haphazardly edited into your life. You reach out and press two fingers to the side of her neck, like they do on television if they think someone’s bleeding out. 

Karina tips her head to allow you access. Her pulse throbs hotly under your touch. 

“I don’t know,” you say, smiling at the swanlike line of her throat. “You seem pretty alive to me.” 

“Sure.” Her hair tickles your wrist. “But you want more.”

She says it like it’s this given - as if she’s always faced with people wanting more from her. You wouldn’t doubt it, little tease she is. You can picture her in motion so easily. Always running. Letting people pine and plead for more. 

“Yeah,” you say. It seems pointless to lie to her. “I want more.” 

Karina leans in closer. She reaches up and touches one of your knuckles with the pad of her thumb. Without makeup, you can see the shadows of dark circles underneath her eyes, but even those look painted-on, pre-planned; a study on the aesthetic allure of bruises. She lets her gaze drop to your mouth, then bites down on her bottom lip. Impish.

“Karina,” you say, grinning wider now. 

It’s one of those unspoken things: the translation of body language, the transcription of the tilt of her mouth. Then have me, she’s saying, almost certainly - like a swooning melodramatic heroine, throwing herself into your lap, wanting to be saved. You want more? You want me? I’m right here. I’m yours.

“Fine,” Karina purrs, and kisses you again, like sealing a contract. “Take it all.” 

-

You don’t fuck her again - not at first. There’s more than one way to take someone apart. 

Karina says she’s got a story for you and then she pulls out her phone. 

“This was back in high school,” she explains, scrolling back through her photo gallery. There don’t seem to be a lot of recent additions to it; you’d expected selfies, pictures of her with friends. There are more photos of food than anything: plates of pasta and donuts and burgers and pastries piled with whipped cream. It’s cute. It makes you laugh. “When I won prom queen.” 

You splutter. “When you what?” 

“What?” Karina gives you a bemused, sideways look. “Does that surprise you?” 

It floors you, actually. At first you can’t quite put your finger on why, but then you look at Karina again - at her intense dark eyes and pouty fuckdoll lips and the exaggerated pinup proportions of her body - and you realize you’re making that mistake writers often do: buying into archetypes. It just makes sense that she’d be some kind of brooding bad girl. Mysterious, promiscuous; in your creative vision she’s probably cutting classes and chainsmoking in the girls’ bathroom. A favorite of the rumor mill. A pretty little delinquent.

“Wow.” Karina makes a funny noise in the back of her throat when you tell her this. “No. I was - I did fine in school. Perfect attendance, almost. And I can’t stand the smell of cigarettes.” But she doesn’t look offended, either; you imagine people make these assumptions about her all the time. “The prom queen thing - it wasn’t my idea, though. My best friend did all the campaigning for me.” 

“That’s sweet.” You watch as she reaches the year she’s looking for. Flashes of her in a sparkly dress with her arms thrown around another girl - a tiny doe-eyed brunette - slide by. In one of them, Karina’s got her head tipped back, clearly mid-laugh; in another, she and the girl have their heads bent close together as if they’re trading secrets, unaware that they’re being photographed. “Well - I think it’s sweet.” 

Karina’s fingers stall. “Why wouldn’t it be?” 

“I’m just saying-” You shrug. “It’s a nice gesture if it’s something you wanted, I guess. Seems like a lot of attention, otherwise.” 

“Oh.” There’s a pause. “Yeah. It was - I didn’t get to go to junior prom, so it was kind of - this was - senior year. Senior prom.” Another pause. “Yeah. She did it to make me happy.”

“And did it?” She passes by pictures that fill up with more people: friends with big grins who stick close to her side, wrapping her up in an embrace. “Make you happy?” 

“Of course.” Karina’s thumb pauses on a video, the preview dark and unfocused. She says it like she doesn’t even have to think about it. “She was my best friend. She always knew what I wanted. Hey, look at this.” 

The video’s of her in the back of someone’s car, prom queen tiara askew on her head, satiny sash falling off one shoulder. She’s yelling, laughing; the sound isn’t on, but her mouth’s wide open and her dark eyes are crinkled to half-moons, creased underneath heavy false lashes and glittery makeup that’s begun to smudge and fade. It makes her whole face look very soft. Young, too - cheeks full and flushed pink with excitement, hair blown-out and everywhere, glossed black. As if she’s having the time of her life. 

“How old were you here?” you ask, in awe. 

“Eighteen. Just turned, I think.” 

“You look-” Like a baby, you almost want to say. It’s true, though. Big brown eyes, scrunched little nose - grinning like the rest of the world hasn’t quite dug its claws into her yet. Skin unmarred and infant-smooth. “You look pretty.” 

Karina doesn’t look at you, but you can see the slight, entertained upturn of her lips. All the nasty things you’ve called her - all the irredeemable ways you’ve touched her - and now, inexplicably, you’re going for pretty. 

“Thanks,” she says, and clicks the volume up.

“Shut the fuck up,” baby Karina is saying, delightedly. Her voice sounds high, childish and carefree. “You’re so dumb. It wasn’t - it wasn’t even like that, I swear!” She flaps one hand in the air, her nails all short and painted the same rich deep maroon as her dress. “No - you’re just saying that because you’re jealous, you idiot, I know you - you just-”

The person behind the camera says something that you can’t quite make out. 

Baby Karina presses one hand to her sternum, pearl-clutching, and gasps. 

“I would never,” she admonishes - over-the-top like an actress from a movie - before she throws her head back and laughs. 

It’s a startling, wonderful laugh. A little-kid laugh. A mess of wild, unabashed giggles, hiccupy and sweet, so loud and infectious you can hear the other people in the car start cracking up with her; out of frame, someone reaches out to interlace their fingers with Karina’s, waving their joined hands until they smack against the car window and Karina only laughs harder. With her whole body, shoulders shaking and all. Streetlights flashing across her face, making her look sort of blurry and surreal, like something out of a painting. 

“Your laugh,” you find yourself saying, stunned. 

Karina’s touching the back of her neck, completely engrossed in the video. “My what?” 

You don’t laugh like that anymore. That’s what you mean to say. That scratchy, almost painful laugh that she’s been gracing you with since the moment you met her - there’s no trace of that in how baby Karina wriggles with laughter in the backseat of the car until her happy, breathless blush spreads to her neck and her chest. Head tipping back against the seat, like she’s all tuckered out. 

“Um,” you say, voice caught in your throat. 

On the screen, her eyes fall shut, lashes fluttering so delicately. 

You can’t do anything but stare. Brilliant, past-life, prom-queen Karina - grinning at nothing, and sleepy from a perfect night, and laughing as if she’ll exist as this version of herself forever. As if she just doesn’t know any better, yet. 

“You,” you start to say, again-

Karina shuts her phone off, and turns.

And you’re about to say something - something about the gnawing, uncertain feeling you get when you watch this former self of hers. It’s on the tip of your tongue. You don’t laugh like that. Something happened to you. For a moment the whole image just seems off - like the way people make posthumous holograms of pop stars, superimpose faces of long-dead actors on stunt doubles. A kind of intense wrongness. A murmured, uncomfortable: that’s not really you, is it? It can’t be. I barely recognize her. 

“What?” Karina asks. Her smile reveals her teeth. “Why are you looking at me like that?” 

Then reality hits you, all at once. 

“Sorry.” Your hand finds her thigh. You laugh because you’re being ridiculous - how would you know who she really is, anyway? “I was just thinking - I don’t know. Never mind.”

She seems to take that at face value. You like that about her. How she seems to trust so easily - going home with you, winding up in your bed, staying when you ask her to stay. Giving you whatever you want: her body, her story.

“So,” you say, eventually. “I can put in my movie that you totally peaked in high school, huh?” 

Karina snorts. “Yeah,” she says, playing along, and taps her dark phone screen with a clawed nail. “Say it was the last time I was happy.” She pulls a face, like the thought of it is just unspeakably pathetic. “That’s a tragedy if I’ve ever heard one.” 

“Shakespearean,” you agree, and let her clamber into your lap. “It’s perfect.” 

But you know she’s kidding. You’d like to think that you understand girls like her. They live in a different world than the rest of you - the kind of world where every person on earth looks at them and falls to their feet, falls madly in love. You’ll write about it one day; you’ll feel out the narrative for her, a curious exploration. That rose-tinted life she must flourish in, closed-off and flawless like a snow globe, her spinning and protected in the glass.

“Perfect,” echoes Karina, and kisses you - like she’s proving she really means it. 

That’s the reality, here. That’s it. This is all there is. 

-

Well, almost.

-

Karina lets you scroll through the rest of her photo gallery, front to back. You take the opportunity, because you’re greedy for as much as you can get. 

There’s a lot of photos that are just her, funnily enough - selfies posed in front of the same full-length mirror, over and over again, clad in unholy outfits. Swimsuits, sports bras and little running shorts, lingerie: shit that makes your mouth water, eyes lingering, groaning out loud as she laughs at you. But it’s also her in faded old t-shirts, holding the hem up to expose her stomach. Body angled to the side in girlish sundresses. Hair pulled up, showing off her neck, her gorgeously sharp collarbone - in makeup or out of it, stare intensely focused and sultry. 

“That’s hot,” you comment. “Self-obsessed as fuck, but hot.” 

Karina smiles - her tiny private-joke smile - and doesn’t say anything at all. 

There’s one video in particular that catches your eye. It’s recent, relatively - the date reads late December, last year. Less than a month ago. Christmastime. You click on it, curious. 

Karina’s immediately recognizable in it, black hair winding past her shoulders, drowning in a large black sweatshirt. She’s smiling, but it looks sort of tense and tired - bags under her eyes, like she hasn’t slept in a while. She’s got both hands balled up into fists, held close and protective to her chest; her sharp chin rests on her pale knuckles. There’s a tiny smear of red across her mouth, lower lip bitten bloody. 

“You just got here,” she says. She’s looking at something behind the camera. “The first thing you wanna do is hear me sing?” She laughs once, scratchy and hoarse. “Why are you even filming this?” 

The answering strum of guitar strings, a pretty, perfect chord. An invitation, or a demand.

“You’re kidding.” Karina’s voice is flat.

Another chord - evidently not. 

“Wow,” says Karina. Her smile, out of nowhere, goes very soft at the edges. “You just do this because you know I can’t say no to you.”

“What?” you ask Karina now, laughing. “Is this - what is this? Do you - are you really going to sing?” 

And then - crazily enough - she does. 

“Oh,” you say out loud, adoring, and Karina turns her face into your shoulder. 

Her voice in the video is breathy, sweet. Shyly unpracticed, raspy from disuse, completely and utterly gorgeous; lids slipping shut and open again, laugh leaking into her melody line in lyrics about black eyes and kisses and wanting someone who’s just so, so bad for you. But what surprises you more than anything is the look that dawns on her blurry on-screen face - irises sparkling and smile bashful, hiding her mouth behind the sleeve of her sweatshirt, curled up with her knees to her chest. You see now that she’s wearing pajama pants, fuzzy and patterned with snowflakes. 

She looks radiantly pretty. She looks vulnerable. And not even in a sweaty, satiated, filthy post-fuck kind of way - actually, genuinely vulnerable. Soft and wide-eyed and tender.

Suddenly, you just can’t tear your gaze away. 

“Stop.” 

The song’s over. On-screen Karina’s fully grinning now. Porcelain-fragile, but undeniably happy, too. 

“I hate you,” she says. “Baby, I really do.” 

“You love me,” says the person behind the camera. “You’ll love me for the rest of your life and you know it.” 

And in the video - in vivid, fluid motion - Karina laughs. 

Whole-hearted, lovely. Familiar. For a moment, you swear she’s still that girl sitting in the backseat of a car with her prom queen tiara on, giggling free and uninhibited, unhurt, untouched. A month ago - less than that, even - looking like she’s coming back to life. 

That’s where the clip ends. 

It doesn’t change anything, if you actually think about it. It’s just another version of reality. A Karina from a whole other universe, laughing like a child, and so, so far away from whoever she is now. 

-

(Back between the lines of your script-

The stranger and the girl drink to get drunk and that’s about it. She reads the label of his wine; he makes fun of her for being a snob. She doesn’t really drink, she says at first, but he laughs like this is a challenge, and pours her a glass anyway. She flushes pink and fidgets around. She seems to shed hair like a cat and he thinks this is the most hilarious thing he’s ever seen, picking up thin black strands off of the arm of his couch, teasing her about girls and how they really like to leave their mark, huh?

Leave their mark, she repeats. There’s some trick of the lens here, some sort of strategic camera work - he’s in the forefront and she’s in the background, and she looks so much smaller than him. Why do you say that? 

He still had his ex-girlfriend’s perfume in his cabinet. He probably still has some of her clothes in his closet. Not out of any particular emotional attachment, but sometimes this is just the way things are: when you spend years intertwining your whole existence with someone else’s, it’s hard to rid yourself of that connection. You’ve grown into each other’s spaces, tangling limbs and heart lines, putting down roots. It’s gonna take a little force to get them out. 

They’re just so much, he says, gesticulating with his hands. And they affect everything in your life, like a fucking infection. And then it doesn’t work out, and you - he makes a wide, sweeping motion here, attempting to encompass the wreckage. You have to fix everything they broke. Purge them from your system and all that. It’s so fucked up. 

It’s like this, he means to say - you love someone and then they leave you behind and you’re left staring at the blown-up decimated crater that used to be your life together. You love someone and they don’t love you back and all you have now is the debris.

They’re both drunk. There should be music here and there isn’t. It’s only eerie, too-still silence, suffocating the both of them with every passing second. 

Well, she says, laughing, and takes another sip. You and I can agree on that, at least.)

-

It happens like this:

There’s a monologue you want to write. 

You tell Karina this after you’re finally fucking her again, when she’s balanced on the edge of your glass coffee table with her legs spread and your mouth slick with her cum. Well - not after, technically. She’s between orgasms and you have your thumb on her clit, tracking the expression on her face, the split-second moment where she comes apart. It’s then when you realize so badly that you want to write some great speech for your heroine - something about the sweat beading on Karina’s midriff and her tits that you can’t stop touching and the jerky movements of her hips, trying to get your tongue back on her clit, panting and delightfully desperate. Something about desire. 

“Desire,” repeats Karina, voice halfway into a raspy, worked-up moan. 

“Yeah.” You’ve replaced your mouth with your fingers, fucking up into the obscene tight heat of her cunt. She’s trembling, dripping everywhere; she’s the very picture of what it means to want, probably. “But I just can’t figure it out.” 

Karina laughs roughly, and then she cums. 

“Is that funny?” you ask her, after, when you’re wiping your wet mouth with your wrist and she’s sucking on your glistening fingers, licking the taste of her own cunt off your skin. Her eyes big, lips all full and pink - slutty angel on her pedestal, perched above you. “Me writing about desire?” 

Karina lets your fingers free with a loud pop. She’s still clutching your hand close to her mouth, thumb dragging through the sticky gleam of her spit. “No,” she says, eyes distant. “It just reminded me of something. There’s this Anne Carson quote, about men and desire…” She shakes her head. Presses her lips once to your fingertips in a small, startlingly sweet kiss. “It doesn’t matter. Tell me more.” 

There isn’t much to tell, truthfully. Except that you’ve got this love for movie lines that are just so utterly quotable - things that make their way into the pop culture consciousness. That’s the kind of work you want to be doing: creating something that has an impact, something that’ll exist long after you’re gone. Everlasting. If you had to pull for an example, you’d say-

“You ever seen Closer?” 

“Yeah.” Karina drops your elbow into her lap. “Oh, I get it. He tastes like you but sweeter. Lying’s the most fun a girl can have without taking her clothes off - et cetera.” She hums the melody line. “So you want an early 2000s pop-punk band to make a song about your movie? Ambitious.” 

“More or less,” you say as she shimmies her shirt back down, hem falling back over her midriff. “But like I said, I’m kind of stuck.”

Karina rolls her neck. Her hair is everywhere, sweet-smelling; snapped-off strands decorate your table, looking like cracks in the glass. 

“Any suggestions?” you ask, thumb skimming along the pale bruised inside of her thigh. 

She smiles, mischievous. “Maybe.” 

That’s how you both end up curled on your couch together with your laptop in front of you, Karina’s eyes glued to the movie playing on the screen, watching as the four main characters fuck and flirt and cheat on each other and scream at the top of their lungs. Melodramatic dialogue. How do you feel about him using your life? You’re lying; I’ve been you. This will hurt, which Karina laughs at - as if announcing the pain will make it better, playacting at exoneration. 

It’s also - predictably - how you end up fucking again. You barely make it an hour in, and then-

“Hey.” Karina’s breath tickles your ear. She’s already seconds from climbing in your lap already; her thigh is hooked over yours, bare and inviting. “Are you inspired?” 

You’re swallowing back a grin. “Sure.” 

“Oh. Great.” She’s no actress herself, clearly. She couldn’t be subtle if she tried. “Do you wanna be more inspired?” 

And - whatever. It’s a movie about sex. If anything, at least you’re sticking to the theme. 

The dialogue plays in the background as Karina rocks her hips down on your lap - you can feel how wet she is again, like she never stops wanting to be fucked. You’re telling her something about how she’s the most insatiable girl you’ve ever met; the sound of the film saturates the room, setting the tone like it knows its purpose. How? How does it work? How do you do this to someone? This big, infidelity-ridden confrontation. Did you phone her? Beg her to come back? Asking him why he falls for another girl, getting this ridiculous answer - it’s because she doesn’t need me.

“Huh.” You smile into the curve of Karina’s neck, already palming her ass. “That one’s funny.”

“Is it funny?” Karina’s sharp jaw brushes against your cheekbone. Her eyes are so dark, shadowed by her long lashes. “I think it’s pretty realistic. People don’t like needy girls. It’s a burden to be loved so hard.” Her tongue darts across her teeth; her smile’s somewhat caustic. “Too much to handle, I guess.” 

“What are you talking about?” This strikes you as fairly fucking ridiculous, too. “What men have you met who don’t like needy girls?” 

Karina just laughs and leans in for another kiss. 

It’s easy to let the rest of the film float away in the background, the lines coming disjointed, unconnected. A spoken-word soundtrack, tone perfuming the air: the angst and pain and eroticism seeping into your clothing. Once in a while you’ll pull back from kissing Karina’s neck or tits or mouth and see a thoughtful little quirk to her mouth. Like she’s genuinely listening, even as you’re taking off her shirt, slipping a hand back between her legs. Where will you go? Disappear. I can’t still see you - if I see you, I’ll never leave you. I amuse you, but I bore you. 

“I bet you’ve never felt that,” you say, half into the silk of her hair. 

Karina pauses. Her shirt’s on the floor; she’s gloriously naked on top of you. “Felt what?” 

“I amuse you, but I bore you,” you recite. You already sound sort of fuck-drunk, far gone. “You’re the farthest thing from boring.”

Back in the movie, the female lead sobs into her fists. Karina studies you, fingertips grazing the nape of your neck. You try to imagine it - her as one of those heartsick heroines, crying herself to pieces, begging a man not to leave her - but you draw an utter blank. Some people just aren’t breakable in that way. 

“You’d be surprised,” Karina says, after a moment. “People get bored of me all the time.”

“Oh, please.” Even when she’s the one top of you, you can’t help feeling so completely in control. It’s gotta be the look in her eyes, dying to be obedient. “I bet you have lots of ways of keeping guys interested in you.” You smack her ass hard just to make a mark. “I bet you let them fuck you however they want.” 

“Exactly,” Karina agrees, without missing a beat. She moves in close until your noses bump together. Lets her voice go all smoky and suggestive. “Wherever they want, too.” 

You open your mouth - probably about to say something very rude about what a dirty whore she is and how you should’ve realized it the second you saw her; I knew it, I know you - but then your hands slip lower and Karina presses her lips to yours and licks into your mouth, over your teeth, making you swallow your words. Filling you up until there’s nothing but her and the movie, playing on.

I think I’ll be happier with her. 

You won’t. You’ll miss me. No one will ever love you as much as I do. Why isn’t love enough? 

“Romantic, right?” murmurs Karina, sweet against your tongue. 

“Shut up,” you say, and grab her by the hair, tugging her off your lap as you stand. “Bedroom. Now.” 

Later, you’ll take the time to consider the different ways filmmakers illustrate a power dynamic - it’s playing on your laptop screen right now. The heroine’s sitting on the arm of the couch, clutching desperately at the hero’s jacket. Gorgeously emotional and pleading for another chance, her tiny chin tilted up, eyes so large and watery. Made fragile and fearful by everyone: the protagonist, the narrative, the director, the audience beyond. By herself, even. It’s a stylistic choice - she wants to look that pathetic.

And you-

Well, you’ve got Karina’s long hair wrapped up in your fist, tits bouncing as she stumbles to her feet, ankle knocking hard and horribly loud against the leg of your table. Cute little ass all red from your hand. Thighs shimmering from how drenched she is, cunt dripping from how you’ve treated her. She hasn’t managed to work her mouth into a trademark smirk fast enough: when she looks at you over her shoulder, her eyes are abyss-dark and bottomless, crease between her brows, lips parted in pained surprise. 

The definition of pathetic, too - but that’s exactly the point. She’s just so much more fuckable like that. 

“Ouch,” you say, touching her hurt ankle with the side of your foot. 

“It’s fine.” Karina’s skin feels clammy and cold. Her smirk’s intact now, camera-ready. “I’ve been through worse.” 

Her ankle throbs under the pressure of your touch; you still haven’t let up on her hair. You’ll go through worse, too, you think of telling her: a sly comment about how rough you’re about to fuck her, what vicious marks you’re about to leave. How you’re gonna hurt her exactly like she asked you to. 

You don’t say a thing.

She must already know all of that, anyway.

-

So, Karina’s not breakable like the helpless, weepy, soft-hearted girls in the movies - but that’s alright. She’s breakable in much more enticing ways.

Case in point:

“Oh, get real, baby. Don’t pretend you don’t love it.”

Well, breaking someone down doesn’t really get better than this.

It’s all a scene of your own making, a perfect pre-arrangement. You on your bed, Karina limp and bent belly-down over your lap - you in control and Karina as the most impressive toy you’ve ever gotten your hands on, creamy ass and needy cunt and skin that turns bruises to artwork. You’re goading her and failing - trying to get her to just admit to what she is, what a filthy slut, what a nasty eager fuckdoll - but it’s hard to get a response when even breathing seems to be a chore for her right now. Every noise out of her mouth is nothing but a gasping, choked-out whimper. Her face is buried in her forearm, hidden. And through the shine of lube dribbling down your hand and her ass and into the sticky wetness of her cunt, you’ve got two fingers stretching out her little asshole - and you’re just getting started.

“I know you fucking need this.” Your other hand slides up her back, slips to tangle in her hair. “You’re just too good at it.” You pull hard, wrenching her head from the crook of her elbow. “Too good at being an obedient fucking whore for me, huh?”

Karina’s whole body stiffens when you fuck your fingers deeper, as if tugged taut on a string: the flex of her feet in the air, shoulder blades straining, neck craned back almost painfully. You pull harder. It’s a buzz at the base of your skull, live-wire thrilling: the knowledge that you can yank her into whatever position you want - fuck her anywhere, work her ass open with your cock, fill her up with cum - and she’s just going to have to take it. Like she’s this pliant, powerless thing. Like she’s yours. 

Your self-satisfaction seeps right into your voice. “Answer me.” 

You hear Karina gulp down a breath. “I,” Karina mumbles, but she can’t do anything but babble. “I - fuck-” All teeth-clenching nonsense; she shoots a baleful glance over her shoulder, desperation clawing its way into every word. “Please-”

Your fingers pause. “You want more?” 

Her cheeks are splotchy and pink; you swear there are tears wobbling in those big dark eyes. The heavy arousal in your stomach turns to violent hunger, as though your mouth could start watering at any second. You can’t help it. The thought of seeing her cry is fucking exhilirating. “You - oh-” 

“Answer me. You want my cock?” You’re waiting for the breaking point. “You want me to really fuck your ass?” 

“Fuck-” 

But that’s not a proper reply and Karina knows it, so she doesn’t protest when you pull your glistening fingers out of her and smack your palm hard across her ass. Once, then twice, and then you just don’t stop. She yelps like a hurt animal - trembles uncontrollably, her thighs and her shoulders and her quivering bottom lip - and makes a sound in the back of her throat that might be a sob, but she still lets you hit her: gives into the harsh crack of skin on skin, over and over again. Listens as you tell her that she deserves this, that she wanted this, that you’re making her into a good girl and this is what good girls get when they’re too cock-hungry to follow orders or answer a fucking question, you know that - you know I’m this rough for a reason. It should hurt. It’s so much more fun that way.  

“I’ve been too fucking nice to you,” you mutter, teeth gritted in an effort to hide your grin - as if you even need to. It’s obvious how much you enjoy this. It’s the point. “That’s the problem with girls like you - you never learned your fucking place, huh? Never really been punished for anything?”

Karina mumbles out something unintelligible, slurring from her drooling mouth to the sheets.

“Yeah.” Your hand comes down again - she flinches just before her body goes slack. “That’s what I thought.” 

And after you’ve spanked her so hard that her fair skin is ravaged and raised with goosebumps along the slope of her back - her whole body in revolt - you finally, finally stop. 

Karina doesn’t budge except to breathe, and even that releases shallow, unsteady. You read it all in the shaky lift and fall of her thin shoulders, her hands in white-knuckled fists, her face pressed to your sheets and hidden - her hair coats everything, all ink, all words written but left unsaid. She shivers beneath your fingers. Her cunt’s dripping all over your lap. She’s a masterpiece. She’s a wreck. 

You’re filled up with thick, swollen pride. “Karina.” 

Karina. Your own personal creation, transformed under your touch. Might as well have your name carved into her, too. A brand right across her back, slicing through tissue, scarring to seal her fate - this is who you fucking belong to. 

“Poor baby.” You follow the sharp ridges of her spine, tracking notches, keeping a tally: counting how many times you’ll hit her, how many days she’ll stay in your bed. How many movies she’ll let you make out of her, being your brilliant muse for decades. “It’s painful when you don’t listen to me, huh?”

But then - inexplicably - you think of her bruising ankle. Her twist of a smirk, detached and humorless. I’ve been through worse. 

You’re abruptly glad you can’t see the look on her face. 

“Come on, sweet girl.” You dig the heel of your palm into her lower back, half a warning. “Pull it together.” 

Between the strands of glossy hair tumbling over Karina’s skin and your sheets, you spot a reddish mark on the back of her neck. Like the impression of a thumbprint, small and round. Blurry enough in the dim light that your brain starts conjuring up strange theories; an old wound, maybe. A birthmark or a burn, a childhood injury.

You graze her shoulder blades with your fingertips, exploratory. She feels so small draped over you like this, a tiny wet wisp of a girl. A doll. 

She still hasn’t moved.

“Karina.”

Nothing.

“Karina,” you say again, suddenly uneasy. Your hand stops. “Are you-”

For a few terrible seconds, you can’t even hear her breathing. 

But then Karina shifts. Slow, sensual, deliberate. Pushing herself up off your lap, arching her back, the slick pucker of her asshole obscene from where you fucked it open with your fingers. Her bruised knees dig into your mattress as she straightens up, and her gorgeous pale face seems to glow in the midday light - heavy dark eyes, bitten-pink mouth, black hair curtaining her cheeks like a frame to a portrait.

“You,” you start to say, feeling suddenly like you’re looking at her for the first time. 

“I’m really sorry,” Karina murmurs.

She doesn’t look close to tears at all. She’s so unfazed, as if having her ass spanked punishingly raw is something that happens to a girl like her on the daily. A run-of-the-mill occurrence - a consequence of having a body like that, made to be brutalized. She’s already reaching towards the nightstand for the lube. 

“I just wanted it so bad I couldn’t think straight,” Karina tells you, with erotic-film certainty - reciting all the lines that’ll make her seem the most insatiably slutty. “I’m sorry. I’m sorry.” Her lips form a pout; she leans down to press them to the tip of your cock, all sweet and demure, like she thinks she needs to convince you. Eyes flicking up at you through her thick lashes, molten-hot. “I should’ve listened.” It’s only a breath, warm and torturous. “I deserved that, I know.” 

Your hand winds tight in her hair. You want to force your cock down her pretty throat, make her gag and choke over her simpering apologies, spitting up your cum until it trickles down her chin, her tits, her tummy. Both a game and a power play: prove how sorry you are. 

Karina pulls back before you can, and holds up the lube. 

“Babe,” she says, the term of endearment almost a singsong - a lilting reminder. “I thought you wanted to really fuck me now.” 

“Uh-huh.” Her tits heave as she moves, crawling closer, offering herself up. “And I always get what I want, right?” 

You feel drunk with power. You forget that this isn’t supposed to be about power. You watch as Karina coats her palm with lube and pumps your cock, her fingers slick and hot, her veins starkly blue at her delicate wrists. Expression delighted at how hard you are, pink little tongue poking out between her teeth - seduction down to an art form, meticulously calculated. 

“With me?” Her smile burns. “Obviously.” 

You pull her in by the neck to kiss the smirk off her mouth. 

It’s interesting. There’s this other thing regular critics and moviegoers have been saying about films these days: sex scenes need to have a purpose. Some sort of coherent motivation. Strip your lead actress down to nothing and get her keening and moaning and you’ve got to explain it away somehow. It forwards the plot, you could insist, pitching it to producers and directors. It does something for the character dynamics. It’ll draw in just the right audience, the ones dying to see their favorite celebrity debauched and getting dirty on-screen - they’ll see it over and over just to get a taste. Isn’t that enough? To satisfy the masses? Isn’t that why we’re all here?

Because otherwise all people are staring at is a play at pornography: useless half-convincing make-believe. The heroine can writhe and whine and arch her back all she wants. Everyone knows she doesn’t feel anything. 

“Tell me the truth.” 

Oh, if you two were a movie - you don’t know how anyone could justify a sex scene quite like this. 

It doesn’t matter what artsy angle you take. It all comes down to the same unforgivable details: Karina face-down ass-up on your bed, the perfect bowed curve of her spine, the depraved wide stretch of her asshole around your cock - the sweat shining along her shoulder blades, the hard smack of your palm against the red raw skin of her ass, your other hand at the crown of her skull with your fingers wrapped entirely in her tangled hair - her cunt fucking ruining your sheets, wet all the way down her thighs, each brutal shift of your hips sending her little body into full-blown shudders-

“Tell me that you fucking love it.” Your hand slips lower until you’ve got her pinned down by the back of the neck, fingers pushing down: a grip she couldn’t escape even if she wanted to. “Whoring out your slutty little ass like this for a stranger. Getting on your hands and knees for me just because you’re so fucking needy for cock, baby - don’t even try to deny it, you’re so wet, nasty fucking girl-”

You just can’t stop yourself. It’s so easy. She really is so fucking pathetic. Too fragile to get free - too easily manipulated and manhandled. Trembling and drenched and giving way as you make room inside her, forcing space. She’s just so tight - it’s godless, how you make your cock fit in her lube-slicked asshole, how she moans like a bona fide bitch in heat over it: needing faster, needing harder, needing more. Cheek pink and pressed hard to your mattress, sharp nails digging into the sheets rough enough to tear through the fabric. Giving herself up to be fucked cruelly and stupid and senseless. 

Like she’s a real-

“Natural fucking cockslut, huh?” 

Look, seriously - you can’t be held accountable for the things you say to her here. 

Because when you say shit like you’d just let me do anything - like you’d let me fucking tie you up and keep you here forever, be an eager fucking cumdump for me whenever I want you, I know it, I know you - that’s just the moment talking. The circumstances. The pretty arch of her back and the drooling wetness of her cunt and the indecent tightness of her ass, conspiring to make you lose your mind mid-fuck - that’s the whole reason you even tell her any of it. You think you’re good for anything else? Right at her ear, your body covering hers, your cock buried deep. You’re not. Just made to get this slutty ass fucked open, and your mouth, and your cunt - this is all anyone’s ever gonna want from you and you know it - better get used to it now, baby. This is all you got. This is all you are. 

It’s Karina’s fault, really. She just takes it - all of it. She doesn’t even try to fight it. 

“But that’s okay,” you murmur, as she gasps and squirms and cries out like you’re killing her. “I’m still gonna make you cum.” 

And with your cock filling her ass and your hand between her legs, slapping hard at her sopping cunt until she can’t do anything but collapse - shaking, shattered - her whimpers fucked-out and drool-soaked and bleeding into one big nonsensical mess, everything about her used and ruined-

“You’re mine,” you tell her, laughing as she falls apart. “You get that? You’re mine.” 

-then, you do.

When it’s all over, Karina rolls over to face the wall, breathing hard. She’s slick everywhere, sweat and saliva and lube, your creamy cum dripping out of her well-fucked asshole and trickling down her thigh. You trace her lower back and grin at the way her skin seems to give into you, turning pink with a press of your fingertips. You’ve come to realize you adore her like this, the fugue state after you fuck her: utterly dead to the world. 

Like she could become a permanent fixture in your bed. Too tired to move. Too tired to ever leave. 

“Mine,” you say again, softer.

Karina doesn’t argue. 

It’s basically all the confirmation you need. 

-

So, really, if you two were a movie-

It goes like this: life can imitate art, too. It happens all the time. The line between fiction and reality blurs together until it’s indistinguishable - until you can’t tell where the fantasy ends, or if it ever did at all. 

-

(It goes like this: the heroine smiles sleepily and tells the hero he’s the best she’s ever had. You’ve seen this film before. The movie stars with their fake on-screen fucks might not feel a damn thing, but at least it’s still fun to pretend.)

-

Also, the mark you saw on the back of her neck isn’t actually what you thought it was. 

“It’s a tattoo,” you realize out loud, drowsily awed, brushing her hair away so you can get a better look. You’re both tuckered out, an inevitability when you fuck like you do; you’re seconds from dozing off. Karina’s looking away from you, on her side to escape the soreness of her ass, sheets loose across her chest. She lets you touch her wherever. “I can’t believe I didn’t notice that before.” 

“You don’t know me,” mumbles Karina, half into your pillow. “It’s not your job to notice anything about me.” 

The tattoo’s crimson-red, all delicate linework. It really does look like it hurts: like someone painstakingly cut the shape into her skin. It’s of a heart, rendered in anatomical detail - valves and ventricles and arteries. It’s beautiful, you realize belatedly. Bright instead of faded, and obviously cared for. Lovely. 

The only permanent stain on her perfect body. You press your thumb against the ink, fascinated. 

“What does it mean?” you ask, but Karina’s already fallen asleep. 

-

(In your script, the girl and the stranger watch some gory crime show, except they don’t pay very close attention and he tugs her into his lap and makes her ride his thigh. The episode they’ve got on is about a serial killer who murders so-called sinners - liars, adulterers, the like. Slaughters them like sacrifices, cutting their throats with vicious efficiency. Fake blood drenches the screen with every crime scene: a form of fucked-up baptism, a psuedo-religious cleansing. 

The girl’s putting on an equally decent show on top of the stranger: head thrown back, eyelids fluttering, high-pitched little moans. He sinks his teeth into her shoulder and keeps watching the TV.

Hey, he says, a murmur against her skin, a close-up on his mouth. You’re a sinner, right?

She’s got her hands on his shoulders, hips rolling. Sure am. 

How do you think this guy would kill you? 

He thinks this’ll shock her, but she doesn’t even pause. Like he kills all the rest, she says. Like an animal.

I think he’d be more careful with you, the stranger muses. You’re too gorgeous. He’d have to use, like - a scalpel, or something. Something cleaner. Something that’d keep you intact. 

It’s no use. Nothing he says seems to scare her. Her eyes are far-off, almost glazed in recollection. Like she’s thought about it too - her own untimely end. Her own vivisection, skin flayed and organs visible, viscera and bone. There, hold the shot: now the audience can consider it with her, ponder all the ways she could be torn apart, all the repulsive things they could do with her desiccated body. All the ways flesh can warp under a human touch: the blue-black yellow-green purpling of bruises, a whole palette on one tiny girl. There’s value in that, isn’t there? There’s something intimately, incomparably beautiful in suffering. There’s art. 

Isn’t that why everyone’s watching? 

I get it, the girl says, still soaking his thigh, smiling as if it’s an inside joke between them. You want me dead. That’s been obvious since the moment you met me. 

I don’t want you dead, he says, and grabs her by the jaw. I just want to fuck you. 

Okay, she says, uncaring, like there’s barely a difference. Fine. Whatever you want. 

They don’t turn the TV off. They let the characters scream and bleed out in the background; he fucks her like she’s got a death wish. It’s funny - he expects her to get louder the harder he fucks her, ruthlessly working over the tight clench of her cunt - but she keeps getting less and less responsive, as if he’s pushing her little body into some sort of trance: expression vacant and blank, body limp and lifeless, mouth open and speechless. It makes him angry. Give me something, he’s saying, frustrated, clawing at her hair: baby, it’s not fair, it’s no fun like this. The on-screen shrieks aren’t enough - he wants it from her. Actually, he keeps saying he needs it - as if fulfilling desire is on the same level as food or air, as if he’ll drop dead in seconds if he doesn’t get her sobbing. He gets his overlarge hands on her face and starts contorting it, pushing her mouth open, her eyes wider, his fingers down her throat until she spits and gags and chokes. Oh, the audience will love this one: it’s reminiscent of those filthy exploitation films with their cult followings, so cleverly referential. Look at her pathetic and pinned down. Look at her helpless and struggling. Think of your favorite on-screen murder scenes, and then think of this.

Anything I want, the stranger reminds her, yanking back her hair as she drools down his wrist. You asked for this, didn’t you? You said anything I want. 

Except now the girl can’t say anything at all. 

This moment will start rumors, invite horrified scandal the same way some purposefully marketed horror movies are passed off as snuff films - that really went down, they really died like that. This scene’ll get a similar response. Did he actually fuck her? Did he actually hurt her? Did everyone - the writer, the director, the crew, the captive audience - actually just stand by and let that happen? 

Sure. Or she might just be a really, really good actress.

There. The stranger’s murmuring to her now, watching her manufactured expression, watching the tears fill her eyes. There you go. There’s my girl. And she is his, she really is - transformed into something all beautiful and new under his clumsy fingertips, molded right into art. The camera will zoom in close on her gorgeous, cadaverous face, a perverse little gift for the audience: here, have this, take a look. She’s all yours now. 

There’s something to be said here about the manmade link between sex and violence - inescapable, brutal, primeval; bodies in all shades of red - but he forgets it the second he touches her, and she’s being fucked too hard to remember.

Maybe they’ll get to it next time.) 

-

AND WE'RE BACK!!!!!!!!!!! <33333

all my luv ever to @capslocked @worldsover @passingnotions @braaan for beta reading my dumbass shenanigans and also for being the best ever I LOVE U!!!!!! AND ANYONE WHO IS READING THIS I LOVE YALL TOO.................. PART 2 COMING SOON!!!!!!!!!!!

[corkinavoid]

DPxDC How to Train Your Chaos

Okay, so, Tiny Creature, but it's not Danny, it's Ellie. And she fell out from a natural portal, which are Lazarus Pits in DC dimension. And League picked her up.

Now, Danny might try fighting out of the situation or communicating with someone, or whatever else his anxious teenage ass is capable of doing while he is locked in a Tiny Creature state. Ellie, though? She would take the opportunity to create as much chaos as she could. After all, if she decides she wants to go back, she can always call for Danny, or plain phase through the walls, and jump back into the natural portal since it seems pretty stationary.

But, as a free spirit with a knack for exploring and mischief, she would never miss a chance to mess with a whole base of assassins!

After a month of continuous bullshit caused by the little pit demon (and some new gray hairs), Ra's decides he's had enough. This creature is useless and troubling. How does he get rid of it?

Wait, Damian loves pets.

Cue Damian arriving in Nanda Parbat or wherever Ellie appeared, immediately falling in love with the new weird pit-demon-lizard-cat, spending a week trying to get on its friendly side while Ellie is just having fun making him run around the place, but eventually she agrees to go with Damian to Gotham - hey, it's a new place and a lot of new people to terrorize, the assassins are getting used to her antics already! - and enthusiasticly blending in with the Bats' weirdness.

Platonic or romantic doesn't matter, just imagine Damian jumping down from the roof in front of some goon, sword in hand:

Damian: I do not want to waste my time on this, even my cat could deal with you

Goon: excuse me, I know you're, like,The Stabby Robin, but a cat-

Ellie, a Tiny Creature made of nightmares, her definitely human smile filled with sharp teeth, in a fake cat-voice: mrrr-meow?

Goon: ..........I changed my mind, how about I just head to the nearest police station, bye

[niceonejames7]

fighting dogs & crying wolves

remus thinks you're oblivious to his condition despite your bias towards wolves. maybe you love wolves a bit more than he thinks.

part two for dogs or deers? or rats? (both can be read as standalones) (some parts may feel weird, though not anything major)

words: 1.9k

genre: fluff(?), lil bit angst, hurt/comfort, it's all happy ending

warnings: remus has self depreciating thoughts, mention of injuries

a/n: i imagine the end scene (these 1 , 2) very similar to the peter and gwen scene when he's in her bed injured because I'm kinda obsessed

...

Remus was tired today. The moon would greet him soon, their monthly encounter on the way. He has taken a habit of personifying his tormentor. To see the moon as just the moon seemed to torture him more. Your hands were on his face more than he could count. That's how it always is. He had learned quickly enough that you loved through your touches, through your actions. He finds it funny when you worry that they (the boys) don't know how much you love them, it's a silly question anyway, but it pains him to understand how much you love him. This time he doesn't have to personify his torment. 

The lights are harsh on his pages and he looks up to search for the switch, James knows his cue and gets up to change them. Remus smiles and James feels proud, it's a silly thing. 

You're sleeping, well you're trying to sleep, your head on a pillow that's laid over his legs. He had asked you to sleep on his lap, "I don't want to interrupt your reading." you had reasoned. 

Sirius opens the door rather loudly but settles down when he senses the quiet environment, his eyes darting to your sleeping figure.

He grimaces, "Sorry," a loud whisper, which only elicited an amused smile on your face.

Sirius wouldn't dare wake you up, but if he has already done half the damage, he is not giving up the chance of a cuddle.

He slowly climbs on the bed, pushes his head between the space of Remus' and his book and steals a kiss. 

Sirius smiles against his lips and Remus thinks of the moon again. He had been trying to do less of that lately, to cover his moments of happiness with a blanket of moonlight. Poetic, he thinks.

Sirius makes himself comfortable, his hands wrapped around your waist, impatient for you to be near him. You don't open your eyes to see who it is, it's very clear which one your boyfriends it will be.

He buries his face at the crook of your neck and you complain,

"Clingy."

Sirius whines and nuzzles further into his space before extracting himself to confront you,

"No."

You open one of your eyes, a teasing smile on your lips and of course he plants a kiss, how could he not, you looked so lovely in his arms. 

"You know what, why don't you tell me what your favourite animal is. I should know who I'm competing with."

Your eyes are closed again, but the smile on your lips is permanent.

"It's not a dog." you say in a matter-of-factly tone. Sirius rolls his eyes, "What is it then? A cat ?" James says, dramatising his tone when he says the word cat, like it could cause a scandal.

You sigh heavily and cast a mock remorseful look at Sirius, "No matter how many dog themed trinkets you bring me, it won't change my opinion. I'm sorry, okay?"

"And also, no, it isn't a cat. Though I do like them a lot." You truly ponder for a moment about what your favourite animal could be, but your mind comes up blank.

"I don't know honestly, I've never been much of an animal person."

Somehow, that statement feels too personal to Remus. It's silly, he thinks.

Sirius thinks of something, possibly something that Remus wouldn't like.

"What about wolves?"

A fraction of a second passes and a million things cross Remus' mind. He thinks how he's going to kill Sirius, he thinks how tired he is, he thinks how you're going to leave him now, and by proxy James and Sirius too. Because he unfortunately knew they would stick by his side. He thinks how much pain he will cause, just because he's this creature.

"I like wolves. Actually, I really like wolves. Did you know dogs and wolves belong in the same family? They're both canines."

Sirius' smile is too wide, he thinks. He suppresses it a little, enjoying your little ramble.

"I'm aware, darling." he says, his fingers slowly caressing Remus' thighs, a futile comforting gesture. Nothing could calm the erratic beating of his heart. 

"Maybe we can bond over that. We both like wolves, in our own way, and you can forgive me for not liking dogs."

Sirius wanted to take your face and pepper you with kisses. He wanted to laugh at how what you just said is probably true. You both do love a wolf, that is something you two bond over. 

"Do you remember learning about werewolves?" James speaks up after calming himself down for Remus' sake.

"Yeah, pretty cool stuff." You say casually, as much nonchalance as you can muster.

Remus holds back a scoff, "Cool? How is it cool?" 

"I dunno. Seems pretty cool. I'd like to know how it's like" you take a pause, your hands gesturing to explain, a pathetic attempt to calm your nerves, "how it's like to turn into an animal, or something of that sort, you know?"

"You could become an animagus." He says, his voice defensive. He doesn't know why. James casts a look at Remus, his nervous expression barely hidden, as often the case was with him.

"Yeah, but that's elective. I just wonder what it's like." Your voice goes quieter, sensing the tension in the air, you might have an idea on why it's present.

"You don't think it's strange?" His words are tentative, testing the waters.

"I'm sure it is. I don't understand why we have to be mean about it. Just seems like baseless prejudice." you're facing him now, a bit worried at his words. Your eyes searched his face, though he couldn't figure out what you wanted to find.

"They're pretty dangerous."

"Anyone can be dangerous, Rem. If they want to be. And wouldn't it unfair to cast someone as dangerous over something they can't control?" you ask. rhetorically, shaking your head as you get up to kiss him goodnight, another one to James before covering your face with your blanket, cozying yourself into Sirius. His gaze is still insistent on Remus. 

Remus' hands reach your head and he runs his long fingers through your hair, a slight hint of a smile present on his lips.

..

This would be one of the worst times Remus' would look back on. These past few months had become so easy, with his pack, his friends by his side, taming down the wolf. But he had been too much in his head this time. Not aware of his surroundings, his thoughts covered by you. 

He had gotten too far and Padfoot or Prongs couldn't reach him anymore, James had told him.

His scars were too visible, again. His eyelids felt heavy with pain. Madam Pomfrey had been generous with her potions, doing everything in her favor to heal him. It had worked, his scars had faded, not entirely gone, but they weren't so ugly anymore. They're not ugly Rem, your voice echoed in his mind. He smiles despite himself. These sentences had become sort of like automatic responses in his mind, James, Sirius and your words, one after the other to counter his misery.

It was early morning, and today there had been plans to go to Hogsmeade. Sirius had promised he would take care of the situation. Remus' always felt guilty when they would cover up his lies. But today was too much of an exhausting day to worry.

Maybe he'll tell you tomorrow, or later. Or you would be gone before he has a chance. Maybe that's the best option, he thinks, the last thing on his mind as he drifts to sleep. 

… 

He's awoken to a soft touch on his cheek, he dreads opening his eyes. Pomfrey is going to have to bandage him up this time, the wounds are too severe. He winces the second his muscles have to move,

"Oh no, I'm so sorry." His eyes fly open, his ears alert to the familiar voice.

"Shh, lay down." You push his shoulder gently to the bed, and hold up a bag, 

"I was already in Hogsmeade. Thought I'd bring over your favourites."

A bag full of chocolates. Remus smiles weakly even though his entire being is filled with fear. His eyes are watching every move of yours, how your fingers twitch when they're near him. If he didn't know you, he would misinterpret it as disgust, or annoyance, but he knew better. 

"But first, we have to dress you up." You say softly, your eyes smiling at him. It always felt like that, whenever you looked at him.

Your hands were tentative, too careful and gentle than needed. He was used to it, the pain. But he didn't say anything, just watched you figure it out, welcoming the gentle approach. 

As your hands apply the balm to his wounds, he audibly winces, which causes you to wince and pull your hands back. You look at him sorrowfully, "Did I hurt you too much?" He shakes his head no. He would have laughed at your question some other time, Not more than me, dove. That is, if he wasn't terrified. 

"You know," your voice is quiet, just above a whisper, "I'd really like to know what kind of dog you've been fighting, just about every month." your eyes flicker, a knowing sadness enveloping them. 

His eyes sombered. A wave of guilt and sadness covered them, a slight frown on his forehead, but his eyes never left yours.

She knows, Remus realises.

He doesn't know why he assumed you wouldn't. You're smart, perceptive, kind. He should have known why you didn't question their monthly disappearances. He should have known why your touches were more frequent around the full moons. 

He always brushed it off. Hopeful thinking. It must be a coincidence. He had hoped too much, too illogically. He had indulged his wishful thinking in hopes of not having to confront you, he supposed that is his fault.

He found himself more guilty of the fact that he had hid something from you, rather than you knowing the truth.

It was a surprising realisation, yet also not. 

He should have known, really. He should have told you himself. 

His hands raise to hold the side of your face, his touch a bit too harsh as he pulls you closer, his hands less in his control. His thumbs run across your damp cheeks, tears he had just noticed.

"I'm sorry." He whispers, his words a bit wobbly, unsure of his own voice. Your forehead rests against his, and you tilt your head to kiss him. He hesitated, just for a second, but pulled you back in when you tried to distance yourself.

The air is heavy with tension and unspoken revelations, "I don't care about your dog fights, Remus. You should know that."

Remus is grateful for the metaphor James had coined. He didn't know if he could handle the direct words, the intensity of the truth. He'll tell you every single detail, as long as it takes, as much as it scared him, or hurt him. Maybe he'll tell you tonight, or tomorrow, or maybe the day after. It doesn't really matter anyway. 

"And no more hiding in hospital when it hurts you too much." 

He nodded, repressing a smile at the dog metaphor.

"I'm beginning to think this dog and I are in an abusive relationship."

You laugh, and he's glad to hear the sound, his own mouth mimicking yours.

"I'll fight all your dogs, baby." You brush away his hair from his forehead to see him better, a small scar hidden by his hair revealing itself.

"I don't think Sirius will appreciate that."

You roll your eyes, "Who cares what he thinks."

"Oh, you have so much you don't know."

"What else is there to know?" You look at him questioningly. 

Remus chuckles and pulls you in to kiss you again,

"You will get all your answers, dove. I promise."

"But-"

"There are some things that that pretty little head of yours can't figure out."

"Huh-" You don't get to say much, because he shuts you up, his smiling lips on yours. 

[venomhound]

Hazbin Hotel - Signs they Got a Crush

Dumb headcanons about ways you can tell Alastor, Charlie, Angel Dust, and Lucifer have a crush. Why this super specific lineup? Because my goat brain said so.

Vees DLC now available >>HERE<<

Contents/WARNINGS: Gender neutral reader; Valentino mention; nothing else just tons of fluff Actual diabetes brainrot below the cut ˋˏ✄┈┈┈┈

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Alastor ₊˚ ‿︵୨୧

NOTE: Gonna out myself here. I was the anon who put >>this ask<< into @6esiree's inbox. So if you notice my wording in here sounds familiar, thats why. Both idea were wrought from the same horrid brain

I know I've said it before, but this man is an enigma. Its very hard to distinguish if he 'just friend' likes you or if he 'like likes' you. From your perspective (and most people's perspective to be honest), you'll probably think he simply views you as a close friend.

The biggest cue that Alastor's feelings towards you have changed are his eyes. His eyes don't soften or anything like that, oh no. He just starts staring at you. All the time. You could literally be standing across the room and his eyes will still be glued to you.

Alastor starts studying you. Noticing all your tics, quirks, and body movements. Its actually quite uncanny how well he is able to track you with his gaze. You sometimes feel as if the man is hunting you.

Unfortunately, other then the whole 'staring at you like Mr. Darcy thing', Alastor has no 'big' tells. They are much more subtle.

Alastor's humor around you takes a weird shift. Not one your likely to notice, but its a shift nonetheless. Alastor's jokes/quips are normally fired out like shotgun blasts, hitting everyone and anyone. No one is safe from his sardonic humor.

But once he starts taking a liking to you, you strangely become exempt from his more piercing jokes. Don't get me wrong, he still jokes around you, its just more playful in tone rather then cutting.

Alastor will also start targeting specific people you dislike, or he will start using brand of humor that gets you to laugh. People will probably brush this behavior off as simply Alastor being an asshole. But its really because he is trying to get a reaction out of you. Alastor loves your laugh and feels a weird sense of pride when he gets you giggling.

Another subtle shift that happens is Alastor gets more... musical? I'm not sure how to put it exactly. Alastor is already fond of song and dance as it is. But when he has the love bug, Alastor starts humming to himself, he has music playing all the time, and he bursts into dance more frequently. His overall energy is just up.

What throws people off with this, is that Alastor's musical energy doesn't appear to be directed at anyone is particular. So true, he may be dancing more, but the guy will dance with whoever is available for him to swing around at the time. Its not a 'will only dance with you and when your around' thing.

If Alastor's feelings for you get too strong, and/or he has been repressing them for a long time, its going to start coming out in a new... strange way. His shadows will start behaving differently.

Alastor's shadows will start acting more independent of their master and being... gentle with you. Kind. They'll smile and wave to you behind his back, help you find things if you've lost something, or even leave you weird gifts.

There was even an incident where you were half sleeping on one of the couches in the hotel parlor. You vaguely registered Alastor walk by, before you felt the cold hands of one of his shadows pull a nearby blanket over you and tuck you in.

Alastor wont even be aware of this when it starts happening. And god forbid he finds out...

SUMMERY: 🦌 Will not. Stop. Staring at you. 🦌 His humor around you changes. Becomes more playful and interested in making you laugh 🦌 His love for music presents itself more; always ends up humming, singing, or dancing 🦌 If things go on too long, his shadows will start giving away his true feelings

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Charlie ₊˚ ‿︵୨୧

Charlie is a complete mess when she starts crushing on someone. Its not subtle, and its not pretty. You can blame her inability to handle her own emotions on her parents and their broken marriage to be honest. As a double whammy; Charlie absolutely takes after Lucifer in the Disaster Bisexual™ department. So she is already starting on the wrong foot here (buh dum tsh).

The ""Princess"" of Hell loses any sense of grace, balance, or concept of gravity. Charlie constantly has to have her eyes on you, which results in her not paying attention to where the fuck her limbs are at any given moment.

So she knocks things over while making big gestures, knocks things out of her own hands, walks into the doorframe, trips over herself, trips over nothing... you get the idea. Clutz meter is dialed up to 1000%. Please don't put her near anything fragile because it will be broken.

As is normal with crushes, you want to get to know about them, right? Well, Charlie knows, theoretically, that in order to get to know her crush and actually have a chance of something happening between them, she has to talk to them. However. Charlie is so nervous that she ends up talking their ear off instead.

Its strangely adorable. Charlie will go and seek her crush out, then just start rambling. The funniest part, is she always realizes when she does it too. Charlie will get super embarrassed and start apologizing profusely after realizing she went on the most random tangent about frogs for 5 solid minutes and didn't even let you get a word in

Silence is absolutely deafening to her. Charlie is incredibly anxious and tries so hard not to think about things too much because she will overthink it and start freaking out. So she just immediately fills any gaps in conversation with her own voice.

Also (much like Alastor), Charlie's energy goes way up when she gets a crush. She hums to herself, prances around, and sings even more then usual. The girl literally stops walking like a normal person, now opting to skip around and do little twirls.

If Charlie isnt dancing around and singing like a Disney princess, then she is drawing something. She always has a pencil in her hand (which is a WEAPON considering how much she falls over). Charlie will scribble down the most random ideas she has and illustrate them. All so she can talk to you about them in detail later.

Going back to taking after her dad; Charlie will pamper the heck out of you in the pre-dating stage. Although, inadvertently. She really wants to impress you, so she ends up going overboard instead.

You say that your hungry; Charlie grabs you by the arm and is dragging you to a 5 star restaurant. Your phone breaks; Charlie buys you a brand new one, and it already has her number in it. Heck, you could just ask her for a glass of water and Charlie would give you a entire goblet of fancy lemon water.

Charlie excuses all this under a thin veil of 'need'. Oh, you need to eat. You need a new phone to to be able to contact people. You need to drink. That's the weird logic she uses in her head of why she is getting you all this stuff. She is helping someone in need.

Of course, this neglects the full picture. You could have just eaten some chips, you didn't need steak at Hell's fanciest restaurant.

SUMMERY: 🌈 Gets two left feet. Trips and falls over herself constantly 🌈 Talks talks talks talks talkstalkstalks 🌈 Creative energy goes through the roof; sings, dances, and draws for you 🌈 Anything you need, Charlie will get you. Only its the 100x luxury version of what you needed

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Angel Dust ₊˚ ‿︵୨୧

Hot take, but Angel Dust is just as much of an enigma as Alastor is. Unlike Alastor, however, Angel actually does something about his feelings. He just... is super confusing about it.

You know how Angel flirts with everyone? Yeah, everyone except you. For once, Angel isnt interested in sex for sex sake. No, he wants more then that. The only way he knows to try and communicate that is to... not... flirt with you.

Since flirt mode is Angel's default mode, and he rarely turns it off, he gets stiff and awkward when interacting with you. His overall tone shifts to weirdly formal. Instead of using one of his trademark nicknames or a petname, Angel just straight up uses your actual name.

Its especially jarring when there are people like Charlie or Lucifer in the room. You know, royalty. People with actual status. Angel will throw a 'heya toots' at Charlie and a 'short king' at Lucifer, then he turns to you and uses your full name. Gives everyone in the room whiplash.

Your guaranteed to feel singled out if not insulted at first. But I promise, its the spider's attempt at showing he respects you and that your different to him by going a little too overboard with it.

Angel also starts wanting to show you everything the nightlife Pentagram City has to offer. The good and bad. Angel knows all the clubs and bars like the back of his hand, so he knows exactly where to take you.

Every single night, Angel Dust makes plans for you two or just spontaneously drags you out with him. He invites you to come bar hopping with him and Cherri, he takes you out dancing to one of his favorite nightclubs, Angel even lets you know what sex clubs are good and which ones to steer the hell clear from.

Angel is very careful to keep you as far away from Valentino as he can though. Not only for your protection, but the whole situation with his work and boss is a can of worms that he would rather you not get involved in. At all.

Angel might come across as a bit neurotic because of this whole Valentino wild card thrown into the mix of things. Angel will be taking you to a club, get word that Val is there, then start speeding you to a different one across town. Or you two will have plans, then Angel will just completely drop or change them so you don't end up running into the moth.

Since Angel is taking you everywhere and lowkey showing you off to everyone, he also starts getting super invested in your appearance. Especially if your insecure or haven't really dipped your toes in the nightlife before.

Angel offers to do your makeup before you two go out and gets incredibly giddy if you accept. Angel will then doll you up, making your makeup match his, and play it off as twining.

This doesn't stay to just makeup either. Angel loves to take you out shopping and will get you both matching or themed outfits. He absolutely LOVES it, and several people have assumed you two were already dating because of how well your outfits were coordinated.

SUMMERY: 🕸️ Counterintuitively gets less flirty and stiff; awkwardly uses your actual name and not a nickname 🕸️ Takes you out on the town; just wants to go out and have fun with you 🕸️ Becomes protective of you against Valentino. Purposely makes sure your not in locations he is and just stay the hell away from him 🕸️ Coordinates/matches his outfits and makeup to yours

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Lucifer ₊˚ ‿︵୨୧

Not subtle. At all. His crush is just a flashing neon light to everyone that even remotely knows him. However, because the subject of his affections presumably doesn't know him that well (if at all), Lucifer easily can come across as just being a goddamn weirdo. That is, if he doesn't end up making the person think he straight up dislikes them instead.

Lucifer gets so caught up in his own head that he cant actually interact with you to save his life. He is stuttering, weird noises are coming out of his mouth, some words are being hissed rather then spoken, and his brain to mouth filter is fucking busted.

So yeah. Even if you take out the fact that his mouth isnt working right; every other word in his sentences is actually wrong and he is just saying dumb shit. Complete disaster.

This results in Lucifer avoiding interacting with you. At least directly. He knows he is going to mess it up super bad so he tries to keep it to group settings so he can still be around you, but not look like a total idiot. Lucifer also does that thing where he will actually be talking to you, but doing it through a third party so he doesn't completely freak out and mess up his words.

On the off chance you two do interact alone, it always ends up with Lucifer apologizing. You will accidentally turn a corner, bump into him, and Lucifer is the one apologizing somehow. You could probably drop a cinderblock on the guy's foot and Lucifer would still be like 'I'm sorry my foot was in your way'.

Just because Lucifer cant... talk to you like a normal person doesn't mean he doesn't want your attention. Oh no. He wants all your attention.

This is where the 'Sin of Pride' really shows. If Lucifer even gets an inkling that you like something or it impresses you? He is all in on it to an absurd degree.

Oh, you said his wings were cool? Lucifer suddenly has them out all the time and keeps fluttering or stretching them to show off for you. You like men who can sing? Now Lucifer is gonna find any excuse to do a musical number in your presence. You start laughing at one of his jokes? Whelp. Clown man is now gonna turn into an entire clown show. You think he tells good stories? Get ready for Lucifer to start blabbing about his entire life story.

Unfortunately this happens with anything negative you might say as well. Lucifer takes it way too hard and either tries to prove you wrong, or takes whatever it is you said you don't like and throws it out a window.

You said bowties were silly? Lucifer suddenly shows up wearing an ascot. You made a comment that his cane is just a glorified apple on a stick? Whelp, its in a trashcan now and Lucifer is designing a much fancier one. You don't think Lucifer can hold his liquor? Now he is challenging Alastor to a drinking contest and getting absolutely trashed.

Look. This guy just really wants you to like him okay? Please love him. He is a disaster, but he can be your disaster.

SUMMERY: 🐤 Forgets how to form words or how human language even works 🐤 Can't handle interacting with you directly; so he uses a third party or group events 🐤 Apologizes. Alot. 🐤 CONSTANTLY trying to impress you, or at least, get your eyes on him. Embodiment of peacocking 🐤 Takes any negative comments to heart and goes out of his way to show how wrong they are

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FURTHER READING ₊˚ ‿︵୨୧

If you want a super cute fic about Lucifer courting the reader with his wings, check out >>this post<< by @nicoliine

If you want to see a really good post on what attracts Alastor and Lucifer to someone, check out >>this post<< by @liliannadelaphinehartifelt

Then lastly, one of my favorite fics actually, check out the Unknown to Me and You series by @beejunos for an amazing take on Alastor's feelings coming out through his shadows. First part is >>here<< and second part is >>here<<

[vrystalius]

Cuddle bug? Cuddle bear.

Gyomei thought he’d prefer holding you in his arms, but it seems like it’s the opposite.

Pairing: Gyomei x gn!reader

Gyomei always leaves right before you go to bed. You invite him to stay and offer to let him sleep together with you in bed, but he always declines. You two have been dating for almost 3 years and the stone hashira continued to visit you almost every day now, it wouldn’t be weird to ask him to cuddle with you through the night, right? At first you thought that was the reason he didn’t want to stay the night. The second reason you thought he might not want to stay is that Gyomei fears that you want to sleep with him. You’re not 100% sure how he feels about that topic, but since he’s a religious monk, you’d think he’d rather not do it with you. You decided to ask him himself on why he didn’t want to stay the night…

“I’m afraid I might be too large for your bed. Too tall and heavy, beloved.”

Oh. Oh! You almost wanted to giggle a little. You thought it might’ve been because of you or whatever else reason, but that should’t be a problem. Tears were running down his face while you explained to him that your bed frame is incredibly sturdy and your bed itself large enough to host both of you. It didn’t take much to convince him to finally share the bed with you for the first time. Gyomei removed his yukata and unbuttoned his uniform, but keeping his pants on for comfort purposes. He was hesitant putting all his weight down onto your bed at first, but carefully came closer and closer to your body. A smile started spreading on your face as his muscular arms slowly wrapped around your waist, pulling you closer carefully.

“May I…?”

His voice was hushed and even deeper. You could feel the rumbles in his chest while he was talking. You hummed in approval to his question. That cue made Gyomei pull you right up against his warm body, making you nuzzle your face against his chest. You sighed contently and wrapped your arms around his chest, your hand lazily traced his back muscles. He sighed deeply and buried his head in your neck. You slowly shifted positions, your collarbone and chest against him while your legs wrap around his waist. Your hand moved from his muscles up to the back of his head, running your fingers through his short hair. Gyomei closed his eyes. You felt his whole body relax against you, him now being nothing but an oversized teddy bear. You grinned and leaned down, softly pressing your lips against his forehead. Silent tears ran down his face, but not in sorrow. A soft smile grazed his face as his arms wrapped around you tighter.

“I regret not accepting your offer before. I apologise, my beloved.”

“I’m glad you did now, ‘mei.”

You cupped his cheek and tilted his face, your lips finally meeting his. Gyomei hummed approvingly, his palms kneading your soft skin beneath them. The smile on his face grew after pulling away from you. He nuzzled his face back into your neck and placed featherlight kisses there before closing his eyes. Your fingers continued to work their way through his hair while he let himself get pampered by you.

Gyomei is only completely at peace when in your arms, he notes.

🎃

Fictober prompt: “Let’s try this”

I’m sorry if this was too short, but I hoped you enjoyed it anyway! @los-huesitos asked me to tag them in future Gyomei works I post but for some reason the tag isn’t working. I hope you see this anyway!! I noticed how… sad.. my masterlist for Gyomei is, so I wanted to write a little something for him today.

Anyways, make sure to EAT, SLEEP and DRINK enough <3

Take care of yourselves!

Here’s my event masterlist 🎃

[justauthoring]

ATTACK ON TITAN - JUST A TAD JEALOUS

includes: jean kirstein, eren jaeger, connie springer and levi ackerman all xfem!reader

a/n: i honestly don't know what this is :)

jean kirstein:

pouty :(

as much as he tries to act confident, jean gets extremely insecure when he sees someone else flirty with you

he'll watch from a far as the guy smirks down at you, invading your personal space as he brushes a strand of hair behind your ear and whispers something into it all one fell swoop - and jean will hardly be able to stop the heavy pout that curls onto his lips

it's not that he doesn't trust you (literally, takes everything you say and believes it - he trusts you more than anything) but he can't help but wondering if maybe that guy would look better with you and if others think that too

he can be a little oblivious sometimes and although he tries to make you his first priority, it doesn't always work out that way

maybe you'd be happier with this-

"i have a boyfriend, thank you very much"

your voice booms over the noise of the party, the noise cutting out momentarily as jean blinks in your direction.

he'd looked away for a split second and now you're glaring up at the guy, eyes set into a nasty glare as you push him off of you

a second later and you're marching your way through the crowd, ignoring the eyes that follow you or the sputter of the guy behind you, not stopping until you reach jean and the second you do the frown that had been stuck on your lips vanishes and a warm smile curls onto your lips

"there you are"

jean just blinks down at you

"why didn't you come save me," you pout up at him, falling against him dramatically as you draped yourself over him entirely; "that guy was weird and creepy and all i wanted was my handsome, strong boyfriend to protect me"

:((

now he feels worse

"sorry baby," he smiles down but it doesn't reach his eyes

you meet his gaze before shaking your head, "don't worry, jean, i would never leave you"

and he feels his heart swell at your words and the fact that he hadn't even had to say anything and you just knew

eren jaeger:

doesn't even let the guy finish

one second he's talking to armin after class about a project coming up and it's like his sense go off, his head snapping over his shoulder in the direction of you

erens eyes widen

you've been cornered against a wall, some guy eren's never seen before stood in front of you with his arm stretched across you, palm pressed against the wall next to your head

that's all it takes

the guys halfway through sending some sort of flirtatious comment your way when eren abruptly shoves his way through, not-so-subtly shoving the guy out of the way and coming to stand in front of you, fulling blocking your view of the guy

you're swarmed by him, eren's arms coming around you and pressing you against the wall as he smirks down at you

you blink up at him, dazed, the whole thing happening far too quick for you to process

"hi baby"

there's a shit-eating grin across his face

"eren-!"

"excuse me but i was-"

eren spins around, smile fading as he glowers down at the guy

"excuse you," he spits, "but i'm trying to have a conversation with my girlfriend"

every bit of his confidence fades then before he scampers away, thoroughly embarrassed

"that's what i thought"

"eren," you call, tugging him to face, "he-"

"was flirting with you," eren rolls his eyes like he can't believe you're even questioning it, "and i had to protect your honour!"

you just raise a brow at him

connie springer:

he's a little shit to be honest

not at all threatened but that doesn't mean he's gonna let the guy flirt with you

oh, definitely not

"y/nnnnnnnn~! i'm horny!"

cue you burning bright red, body tensing as connie wraps his entire body around you, nearly toppling you over as the boy in front of you turns beet red himself, sputtering

"i-i..."

"mm?" connie questions, lazily letting his eyes drift to the boy like he'd just noticed him for the first time (which all of you knew wasn't true), "oh, didn't see you there"

the boy blinks

"you're so... tiny"

your jaw slacks, "connie!"

"what!"

you just turn to him but he's grinning, eyes twinkling with delight as he shifts, moving to wrap an arm around your waist and pulling you flush against his side

"seriously though, y/n, i'm horny"

"connie, what the-"

"i-i... i should go!"

the boy goes running off before you can say anything

silence follows

"connie"

"hm?"

"he was asking me about the project we were grouped together for"

"oh"

turning to him, you shake your head, "yeah, 'oh'! what am i supposed to say to him now?"

"nothing?" connie shrugs, like the answer was obvious

"connie!"

"what!"

you huff, rolling your eyes but unable to stop the smile that slowly curls onto your lips at your boyfriend

"i was serious you know"

"shut up"

levi ackerman:

no one dares, to be honest

levi is quite literally glued to your hip

he's not a big fan of pda, but he is always near you; whether that be a hand pressed against your back, or holding your hand, or hovering somewhere close to you...

levi is always there

...glaring at any potential man that step towards you

if a guy does try to flirt (not even flirt, just talk to you) with you, levi is glaring at him the. entire. time.

a domineering, honestly terrifying presence behind you constantly

and you?

you're aware and you simply let levi

you're just as smitten with him as he is you and you'd happily let him do whatever he wanted if it meant just getting to spend time with him

levi has no reason to even get jealous because no one dares and you're utterly oblivious to any attempts

if someone flirts with you, you just simply bring up levi, smiling brightly and giggling at the mere thought of your adorable, wonderful boyfriend

and honestly?

its a huge boost to his ego

[ryebread0605]

HAIIII can i request the first years with a yuu/reader who has lifeless eyes?

Ooo ok this’ll be fun! As someone who has rbf/lifeless eyes, i can kinda pull from experience here! I hope you like!

(Characters: Ace, Deuce, Jack, Epel, Sebek, Ortho)

tries to mess with you at first, but gets put off by the fact that you just don’t seem to react much 

Pouts about it and complains that you’re ’no fun’ 

When he sees you laugh for once but still have the lifeless type look in your eyes, he’s confused and weirded out at first 

Asks you about it and things start to click when you explain you’ve always kinda had that

Now refers to you as stone due to your ‘stone cold demeanor’

“Hey stone! Might want to smile a bit or the other students are gonna think you want to kill them or something! Wha- hey! Don’t look at me like you want to kill *me*!”

is nervous he did something to piss you off whenever you look at him 

Is the first one to ask what’s up with your face before quickly realizing how rude that is to say 

Is relieved when you laugh and explain that your eyes have always just kinda looked lifeless

He jokes that if looks could kill, you’d have murdered almost all the students at NRC

Still will ask daily if you’re ok out of habit

“Hey (y/n), you having a good day today? I know I ask every day but I can never tell with you! Shit- that came out wrong”

rbf vs rbf

Neither of you realize how intimidating you look to others until you see each other 

Instant bond commences over being seen as ‘rude’ by everyone 

He makes you feel seen and you two are seen as unapproachable despite both being super sweet once people get to know you 

I know Ruggie isn’t included here BUT you two become his unofficial bodyguards because I say so 

“I don’t get it (y/n), how do *we* get seen as intimidating but someone like *ruggie* is disregarded?!”

was ready to pick a fight with you the *second* he saw that RBF 

Backed down immediately when he realized you were actually sweet and just happened to have RBF 

Is completely shocked the first time he sees you laugh, he seriously didn’t think you were capable of that

Feels like he can be himself and drop the fake sweet accent around you 

“Honestly hangin out with ya is way better than being watched by tha others (y/n)!”

poor robo boy doesn’t understand why you look mean 

BUT he does not care about Idia telling him you could be mean and is determined to talk to you 

Quickly discovers how kind and caring you are and is thrilled to tell Idia (who straight up does not believe him) 

Is curious about how you can be happy but still look lifeless/bored

“Would you mind if I took notes on this (y/n)? I’ve never encountered something like this before”

oh he is big mad when he sees your RBF looking at Malleus 

Prepare for an hour long lecture on being rude towards Malleus

That is until Lilia cuts him off and explains that some people just.. look like that

Cue embarrassment

He’s not a huge fan of your RBF but slowly warms up to it overtime (even though he’ll never admit it) 

The biggest praise he’ll give you is that your lifeless/stoic nature would make you a good guard

“(Y/n), if you’re going to look so stoic at least put it to good use protecting master Malleus!”

[alchemistc]

Harry twirls a lock of dark curls between his fingers. Tips his chin against Tommy's head and stares up at the ceiling. He considers not asking, this time.

The sex is good, and Tommy's funny, and if he closes his eyes he could imagine there could be something - Tommy twitches and shifts his hand lower like he might be gearing up for another round, and it breaks the fantasy. That's new.

"Tell me about him," Harry says, and Tommy's eyes tip up to glare at Harry.

"Making an assumption, there," Tommy warns, but Harry just raises an eyebrow. Six years of this and Harry knows better than to expect Tommy would show up at his door for any reason other than to get his mind off of something - someone else.

"So we're both asses," Harry intones. He needs to call the super, see what they'll do about the water stain on his ceiling. "Tell me about him."

Tommy sighs. Twists, drifts away to the second pillow, and Harry's done this enough times not to mourn the loss, exactly. It's not like he's ever told Tommy -

"He's too young. Impulsive. New."

Harry fails to hold in his snort. "Okay."

Tommy at 34 had been a fucking hurricane. Newly out, no holds barred, he'd jumped right into the deep end and let the storm whirl him around. They'd been friends, for the first six months, Harry a watchful presence while Tommy made it his mission to be more than the guy in the dark corner getting a risky blowie fifteen minutes before last call. To be out - not loud, that wasn't Tommy's style - but to at least be himself.

He'd lasted two months in a real, actual relationship before he'd shown up at Harry's door with a six pack and a box of condoms.

"He looks at me and sees this - cool suave guy -" Harry shifts, nearly interrupts because that guy is exactly what Tommy projects, even if he doesn't mean to. Fucking Scorpios. "- and I was falling for him."

Yeah. Harry can extrapolate from that. Tommy fell ass over tea kettle and then got spooked.

"He's just so fucking open with himself. No brainworm goes untouched, and he can't hide his emotions for shit, and he's so goddamn stubborn and so goddamn ready to bulldoze through every hurdle ahead without looking back at the damage, and..." Tommy trails off. One hand shifts down to hitch the duvet up over his hips, and Harry adds the duvet cover to his list of laundry. "I gave him too many chances to slow down on his own."

"What, did the kid ask you to marry him or something?"

"He's the Himbo," Tommy retorts, and it takes Harry a moment to make the connection. He whistles through his teeth just to watch the scowl fall into place on Tommy's face. "And the connection freaked him out so much he asked me to move in. To his bachelor pad loft." Harry waits. "It has two balconies, Harry. Two."

"...he knows you have a mortgage, right?"

Tommy shoves at his shoulder. "It doesn't matter. We're just - the timing wasn't right."

"Did you want it to be?"

That's always the thing he ends up hung up on, in Harry's experience. Tommy's scared out of his mind to be the right person at the wrong time. Always has been. There's probably some mommy or daddy issues hidden in there somewhere he hasn't explored. Tommy's eyes drift up to the water stain. "Don't these apartments all have the same layout?"

This is the shove-off. This is his hint not to push. "Yes, and I really don't want to ask how the upstairs neighbor flooded their bedroom. Back to the guy." He's never been one for acknowledging unspoken cues.

"Buck," Tommy says, and the name sounds harsh in his mouth.

"Buck," Harry repeats, and pictures Tommy's usual type - tall, light-eyed, more smiles than common sense. There was always something distinctive, too - freckles, a scar, weird shaped ears.

"I miss him."

It doesn't hurt the way it had those first few years, when Harry was convinced that eventually Tommy would see him as more than a friend to blow off steam with. Still. There's a twinge there, beneath his rib cage.

"So stop missing him. That's an option, isn't it?"

And Tommy does that thing - that frustrating, enchanting thing, where his whole body seems to hold the emotion flickering across his face. "I walked out on him. I dug the damn knife in just to make sure he wouldn't try to convince me to stay."

"Would you have? Stayed?"

Tommy's quiet. The sweat has cooled on his skin, and the lights coming in through his window dance across the skin of his shoulder, his chest, that stupid thick neck of his.

The phone he left on the bedside table is dark, but that doesn't stop Tommy's gaze flicking to it.

"Cards on the table, Tommy?" Harry sucks in a breath. Blows it out through his nose. "Once upon a time, I convinced myself you were it for me. That I'd be satisfied with what you gave me, and I wouldn't ask for more. I cut you out of my life for eight months when I realized how fucking dumb that was."

Tommy frowns. Harry hadn't really ever expected him to notice.

"I've seen you through shitty relationships, and one sided ones. I've heard all the bullshit you and Greg put each other through. I've been there for every fucking heartache."

And he'd offered up his body like it was absolution for always being fucking thrilled when a relationship ended.

"You called me Evan," Harry murmurs, and Tommy's eyes go wide. That's never fucking happened before. This thing wouldn't have lasted nearly as long if he'd ever heard another man's name in his bed before. "You should shower. Go home. Take a day or two, if you need it. But I know for a fact you wait this shit out, justify coming to me with time and space from whatever guy has you strung out. I know it's been a minute already, and I know you've never sounded so unsure about cutting someone loose."

Tommy's gaze flicks to him.

"Whatever it is that's got you so scared of this guy, figure it the fuck out. Because it sounds to me like you fell fast and hard and hit a fucking wall before you ever thought to tap the brakes. That's not fair to you or him. Call him. Text him. Show up at his door with a bouquet or an industrial size bottle of lube and figure your shit out. Together."

Tommy stares at him for a long, long time in silence.

"Them's the brakes, huh?"

Harry hates that he knows exactly what Tommy means. Still, he clarifies. "This is your forever guy." Six years of watching him flail and learn and grow and hurt and love and fuck. He knows a thing or two about Tommy and his flights of romance. Knows this lonely man has never sounded quite so lonely before. "You don't need me, anymore."

He's quiet as his eyes drift back up to the stain. "I'm not his forever guy." Harry can't actually refute that, considering he's never met the guy. But he knows Tommy. Knows exactly how captivating he can be. Knows Tommy's a sucker for that starry-eyed look that so often has meant not love, as Tommy reads it, but idolization. "What if I'm not his forever guy?"

Harry digs toes into the spot in the duvet where Tommy's knees should be. He shifts Tommy about half a millimeter. "He has a nickname you don't call him except when you're punishing yourself. He dated Abby and that shared history didn't scare him off. You'd never let yourself fall for a guy that wasn't throwing clear signs that it was serious. I'd put my odds on him doing something weird and wholesome every time he thinks about you until his entire two balcony loft is filled with trinkets or treats and he still can't get you off his mind."

Harry's never seen Tommy's face do that before. Not in the throes of a honeymoon phase and not in the worst of a bad breakup. It's some awful mixture between unbridled hope and abject despair.

Harry thinks it's probably fair to hate him a little, for that face. He's earned the right.

"If he kicks you to the curb, I'll take you to one of those expensive wine tastings you pretend to hate, and I'll let you drink all my samples too." It's not an idle promise. Tommy may pretend to hate it but Harry fucking loves wine tastings. "If he doesn't..." Harry shoots him a fond look, "...knowing your type I'm not invited to the wedding anyway, so I guess then I'd been seeing you around."

Something shadows his gaze for a moment, but he's quick to hide it, to smack Harry on the chest like they've just had a good game, to shift out of bed and into his briefs before Harry can blink. He doesn't love Tommy. Not the way he'd have liked to, years and years ago. Still, when Tommy shoots him the dorkiest finger guns known to man and scoops up the rest of his clothes to take to the bathroom with him, Harry still wonders what it's like to have him enough to love him fully.

---

The name catches him off guard every time he hears it. 'Evan' isn't hard to filter - Evan had been a popular enough name to immediately write it off but Buck wasn't white noise of a name

Buck was a character in a movie, an old grizzled war vet, a dog. The name Buck wasn't popular enough not to hear it every time it was so much as whispered in his direction.

The coffee shop isn't crowded, but it's not dead either. When the girl at the counter calls out an order for Buck, sliding three cups down the counter, Harry can't help but look up.

A tall broad shouldered hulk of a man smiles a dimpled smile at the barista, and Harry watches him palm two cups and grab the third one in one practiced move. He's cute, Harry thinks. Maybe his grandpa ordered, Harry thinks, a little harder, and then caves, following his path through the three-tops littering the lobby.

Harry catches sight of him without being noticed. He's grinning, one of those rare earnest ones that make his ears rise and his face crinkle like a Shar Pei, hand spread out over something lying open on the table. The little girl on the seat to his right is a surprise, but Harry hasn't spoken to Tommy in two years. Maybe he's had enough time to get his mind around the idea that he's nothing like his father. The girl responds to something Tommy says by palming at as much of his face as she can reach and turning to the man now approaching their table.

"Uncle Buck!" he catches, another firm tug at the part of his brain that's been stuck on this for too long. The man barely gets all three drinks on the table before the girl is launching herself up into his arms, and it's too late for Harry to turn away without notice. Tommy's gaze shifts across the room and lands right on him.

He looks like he might wave Harry over, and Harry would rather die than know whether Tommy would introduce him as an old friend, or by name like Buck should know it. He tips a smile Tommy's way. Raises a brow at the man - Buck - and gets lips being sucked behind teeth in response, and then a slow, subtle head tilt.

Good. Good for him. Harry's never wanted anything for Tommy but to see him incandescently happy.

Witnessing it from a distance is better.

Buck twirls his - niece? - flops her back down on the bench seat next to Tommy and bends to say something that includes a pinky promise. He's got a wine-dark stain just above his brow, and Harry can't quite hide the tip of his smile.

Harry's name rings in his ears as he picks up his drink, and he's halfway to the door, feeling proud of himself for not turning back, when he hears the chorus of three laughs erupting from the corner where he'd taken his last good look.

He'd seen the ring on insta, a week and a half ago. Just an uncaptioned picture of two bands balanced one over the other on a rock, a killer sunset sky blurry behind them. No tags. 102 likes and counting.

Harry pushes through the doors and only glances through the window to watch Tommy tip his head back in laughter for a second, before he's cleared the coffee shop and rounded the corner back to his office.