#we need them back in the MCU at some point

[libblesdoodles]

I’m gonna cry! TED AND JACK LOOK SO CUTE! I love themmmmmmm!!!

Werewolf by night.

[quillheel]

@mobiues // loki & mobius!

Loki tries to wrench his arm free, and the contact feels like a fire against the skin to him. But resisting it feels worse.

The way hot is cold and cold is hot, and something in them is burning up. The shiver-shake-speed up of being wounded, of being pinned down. — not a pin, just a snare — no, a cradle. not hare stuck in bramble, not salmon caught in web, not a preyish thing being caught in the maw of something bigger than him, he and his many arms, he and his many snares. It isn’t the same. He has to remember that.

Remembering is difficult in a place with no time. Remembering is difficult when he reaches up, compulsive, to drag his fingers over his neck to see if there's still a collar there. — like a misbehaving hound you pushed back in the kennel until they learned not to bite. like teaching the hard way, the way they were raised, the way of hard lessons and hard wars and hard laws to live by but they had to live by them; decisions already made. decisions they had to keep making.

Reality. Breathe, lungs burning, focus or it'll get you killed. Loki looks to Mobius, coming back to the right-here right-now and the angle of which the skin frames his eyes make him look a little more harsh than maybe he intends. The look of a man who’s been through this before. The look of a man who’d kill you not to go through it again. — but you already know what he’s gone through, a thousand different iterations, a thousand different wounds; you’ve watched him die, Mobius, and he knows it. The wicker frame of his scarecrow body only proves you right, only does so much.

He was never much of a fighter, and even if he was, it’s never enough in the TVA.

“ Let me go. “ the words bite out of him before anything he meant to say can overtake them, like that dog in that kennel. the God continues, composure humming back into him like remembering who you are after a bad dream. He wasn’t going to wake up, but he’s gotten good at thinking on his feet. “ I will handle this later. The longer we wait the more we waste— “ he hisses a breath through his teeth, maybe irritation, maybe pain. Mobius is the expert, isn’t he? Too bad he wasn’t the doctor, too.

“ —I know you and your merry men don’t exactly have time-keeping beyond keeping time, but surely, you understand the urgency I am impressing upon you, yes? “ Loki tries to stray, and the burning only thickens, a lesson they have to learn the hard way.

( Even through the unspoken determination of ‘I’ll drag you if I must’, the way it is sometimes a test of will against the divine to hold them and to keep them at all. He lived into his act of the snake very well, didn’t he? )

[stevetonydatingsim]

Steve/Tony dating sim announcement & writer casting call!

The best part about a multiverse is all the different Steves and Tonys we get—and imagining them meeting. And kissing. And flirting. And maybe doing something a little spicier.

But why stick with imagining that when we can make it a reality? When we can make a Steve/Tony multiverse dating game? 

That’s right, we’re making a game and it'll be free to play! What exactly does that entail? The Steve/Tony dating sim (name TBD. We’re all ears for any ideas you have) will be a visual novel-style game that’s mostly dialogue with some simple minigames thrown in. You get to play as a Steve or Tony from one of the many universes that exist who’s thrown into a rift in reality with a bunch of other Steves and Tonys. You’ll get to decide whom to work with to invent, fight, flirt, and date your way back home. 

We’ll be sharing updates on the game development and launch on this Tumblr so make sure to follow us!

Who we are

The Steve/Tony dating sim team is made up of passionate Steve/Tony fans who have come together to write and illustrate the dating game of our dreams, coded by the wonderfully talented @v-thinks-on. You can read more about us here.

How this works

In order to make the game, we need writers for the player and love interest characters, artists for the visuals, and more. At this point, we’re looking specifically for love interest writers, but make sure to follow us as we’ll be looking for volunteers for other roles in the coming months!

Love interest writers can either work on their own or with a partner(s) to plot out and write a simple narrative arc and series of dates for a potential love interest character (a character that the player can choose to interact with and date). They construct the foundational beats for the story and dialogue for the love interest character, and they provide choices for player responses (you can indicate that the player can respond angrily, morosely, or happily to a certain line, but you’re not writing the player dialogue yourself). Later, player writers will insert responses to the existing love interest’s dialogue you wrote. It’s kind of like roleplay! 

For example, your script may look something like this:

Tony616 “So, you’re a Steve, huh” If <angry response>: Tony616 “Sorry I asked” If <happy response>: Tony616 “You’re a cheerful one, eh?” [the player gets closer to Tony616]

To get a more detailed understanding of how this works, see this guide here. We’re also happy to answer any questions, and we have a Discord server where we brainstorm and talk as a group.

Existing love interest storylines (more to come later!)

The following characters have arcs that are outlined already, and their writers are looking for a partner to collaborate with. Here are short pitches to give you a sense of each character’s emotional journey through the game.

616 Tony 

Iron Man V.1 128 Tony is newly sober for the first time and still hiding that he’s Iron Man. The player can either help Tony open up or drive him to drinking again. 

1872 Tony

Pre-canon Tony has lost faith in humanity and himself. Will the player convince him to get back on his feet? Or will he think everyone's better off with him at the bottom of a bottle?

616 Steve 

Avengers V4 Steve has just returned from the dead after his fight with his Tony about the Superhero Registration Act. He wants to trust Player, but can he?

MCU Steve

Post-2012 Avengers Steve is lost and doesn't know his place in the new century. Through his interactions with the player, he finds his home and purpose.

Don’t see a character you want to write for on this list? 

You can volunteer to write any Steve or Tony you want! In fact, we actively want more Steves and Tonys. This is a multiverse dating sim, after all, so the more the merrier. To help you choose, here is a list of universes we have writers for and available universes (if you want a universe not on this list, that means it's available)! Just contact us with the canon character you’re interested in writing for and whether you’d like to work solo or with a partner(s).

The only exceptions we have are a Steve or Tony who doesn't exist in the universe you picked (e.g., we won't accept Noir Steve as he doesn't exist in Noir) as well as Hydra Cap and Steves and Tonys who are canonically under 18 due to the nature of the game, the type of game people want to make/play, and how the game-making process works.

We don't foresee issues with other universes, particularly as we're in the "you do you"/"YKINMKATO" (your kink is not my kink and that's okay) camp when it comes to fandom. However, we'll be considering other universes on a case-by-case basis as we may not know or remember all the universes that exist. Because of this, we recommend giving more than one character option in your application if possible!

How to apply

Please email stevetonydatingsim@gmail.com with the following information:

Confirmation that you’re over 18 (just let us know you’re 18+; we’re not asking you to share personal info)

The best way(s) to contact you

What character you’d like to write for (universe and name). If you have multiple, please order by preference

Do you want to write alone or with a partner(s)?

A writing sample focusing on Steve and Tony (link or attachment), ideally with a good amount of dialogue. This doesn’t have to be a complete piece with a beginning, middle, and end; it's more to get a sense of your style and understanding of characterization, so all we ask is that it’s easy to follow. This can be something you’ve already written or you can write something new for this application. We don't have a minimum word requirement; if we need more from you, we'll let you know.

Contact us

Please don’t hesitate to contact us if you have any questions. You can reach us by email, Tumblr Messenger, askbox, Twitter DM, or Bluesky DM. Thank you!

[bitchyycapricorn]

Sticky

MCU!Peter Parker x Reader

Masterlist

Wordcount: 2.4K

Synopsis: Peter Parker loves to play with fun gadgets he finds around the Stark tower. Especially when it comes from an alien space ship. Which is exactly how you end up completely pressed to the ceiling of Peters room without knowing when you’ll come down.

Warnings: Smut!! Oral (f receiving), P in V, language, probably disappointing Mr. Stark

AN: lightly edited

Peter bursts through his bedroom door at the speed of light. “Y/N! Y/N!” Peter shouts, his eyes scanning his room for any signs of life. You peak your head out from under the covers, a small smile forming on your tired face.

“Hey Peter,” you mumble sleepily, snuggling your head into Peter’s pillow. “You’re home from Stark Towers already?” You hum groggily.

Peter shuffles over to his bed, plopping down next to your curled-up figure. “Mr. Stark helped me design new web shooters and-and I wanted to show you them,” Peter beams. A soft smile spreads across your face as you watch Peter shuffle around inside the black bag he brought home.

“Ah, damnit.” Peter mumbles pulling out some sort of gun filled with lava pink liquid. “I brought home the wrong bag. This is the anti gravity stick gun.” Peter frowns.

Your eyes shoot open wide, the aspect of an anti gravity sticky gun intriguing you. “Did you say anti gravity? Your smile widens as you sit up fully to take a look at the gun in Peter’s hand.

“Yeah, but we can’t you know…use it.” Peter laughs as he goes to put the gun back in the bag. Your hand is quick to stop his, wrestling the gun out of his grip. “Y/N/N, no, we can’t,” Peter pleas with you. “If Mr. Stark find out he’ll have my suit!” His words mean nothing to you in this moment, you’re too busy examining the cool piece of alien tech that Peter “accidentally” brought home.

“There’s no way you ‘accidentally’ brought this home, you were totally messing around with Tony’s gadgets again weren’t you!” A smirk tugs at your lips as you continue to examine the bright pink liquid.

Peter groans, throwing himself back on the bed. “Okay! So I got sticky fingers and was messing with some of Mr. Stark’s stuff. But I really did accidentally bring it home! I had two identical bags, one with the anti-gravity gun and the other with my webshooter upgrades. Bruce just walked into the lab and I got scared and threw the gun back into the bag and without thinking took off with the wrong bag…” Peter babbles.

“Wicked,” you grin, pointing the gun at Peter. “So if I shoot you with this…”

“No no, I shot a flowerpot to the ceiling and it was still stuck up there when I left, I was playing with the gun for over an hour.” He replies sternly.

You let out a small laugh “Oh, so I’m definitely sticking your sticky ass to the ceiling.” You’re still pointing the gun at Peter when he goes to take it back from you. As you wrestle for the gun, a beam of light shoots out of it and the next thing you know you’re on Peter’s ceiling.

“Y/N!” Peter squeaks. Your whole body is pressed up into the ceiling, limbs completely frozen. Arms and legs both slightly spread out. “Um, shit what do we do?” Peter looks at the gun again as if there will be directions written on the outside explaining how to reverse the effects.

“I feel like I’m not even allowed to be mad,’ You let out a laugh, looking down at a panicking Peter. “This is actually really cool, I feel so firm.”

“Y/N, this is not the time to be messing around, we need to get you down.” Peter’s face is pale and sweaty as he examines your body being pressed against his ceiling by some weird alien magic. His eyes wander from how silly your hair looks fluffing out, down to how nice your figure looks, completely trapped and unable to move. Peter tries pushing the thought away, hating his sudden urge to crawl up on the ceiling with you and experience what its like to make you scream while you’re stuck. That’s when it hits him, “I’m coming up with you, I’ll see if I can pry you off the ceiling okay?”

You scrunch your face up at his words, not liking that he’s making you come down already. “Come on Peter, this is so cool. See if you can move my limbs into different positions first.” Peter disappears from your view for a moment before he’s hovering… below you?

“Why do you insist on making things difficult by messing around?”

“Because.” You state simply. Peter rolls his eyes, gently tugging at your arm. Your arm easily swings forward before quickly being pulled back to the ceiling. “Whoa, do that again it felt weird. I feel like my whole body is ten times more sensitive right now.”

Peter pulls your arm again, it comes forward before reattaching to the ceiling, his mind racing from your words. He can’t help but wonder if your whole body is more sensitive. “We need to get you down now.” He urges, knowing that if you’re up here any longer he won’t be able to help himself. It was always a fantasy of his to fuck you on the ceiling, or high up on a wall. He just never trusted himself enough to go through with it. But now that you were already up here, he couldn’t help but feel the urge to start fucking you senseless.

“Peter, earth to Peter Parker,” you coo, trying to get your boyfriends attention.

Peter blinks, refocusing his gaze onto yours, “sorry, sorry I was just thinking.” His face flushes red as he begins to crawl down to your legs.

“You couldn’t have been normal and gone around my body? You had to crawl over me didn’t you?” You ask, watching has Peter’s body hovers over yours on his way down to try and unstick your feet permanently. “Your dick is in my face, and it’s hard.” You mumble, a blush spreading across your face now.

“S-shit sorry!” Peter tries to move out of your face by backing up, only to find he’s made it worse by dropping his hips too low and smacking you in the face with his boner.

Your body begins to shake with laughter, “Ow, I just got a face full of sweatpants dick.”

Peter freezes, hoping down from the ceiling completely. “I don’t think I’m getting you down.” He admits, his face was a brighter red than before as he looks up at you.

You let out a small hum, looking down at your embarrassed boyfriend. “Well, you got any ideas how we can pass the time?”

“I won’t admit anything.” Peter replies, quickly adverting his gaze.

“That made absolutely no sense dork, do you have any ideas or not?”

“None that I’m willing to admit.” He continues to avoid your gaze, focusing only on the closet door.

“You should come up here and fuck me then,” you tease, eyeing his still obvious boner.

Peter’s face goes pale, looking up at you again. “Does the gun give you the ability to read minds too?”

A laugh erupts from your chest a you goto shake your head ‘no,’ only to realize you can’t. “No Peter, I can’t read minds but I can read the message your massive boner sent me while it was in my face.”

“That’s not funny, you scared me. I thought you could tell what I was thinking and that you’d start yelling at me for thinking about how good your boobs look in such a dire situation.” Peter pauses, realizing he just admitted exactly what he didn’t want you to know. “Never mind, don’t listen to me ever again.”

“You think my boobs look good?” You beam.

“Stop.” Peter warns, feeling his blush return.

“Oh my god Parker, just get up here and fuck me.” You groan. Peter hesitates for a moment before giving you a small nod and jumping up onto the ceiling. He starts at your legs, repositioning them so your feet are pressing against the ceiling while your knees are bent. Once he’s got you properly repositioned, you feel him crawling between your legs. “Peter…what are you doing?” You can feel his hands grabbing onto your pajama shorts.

“Fucking you, like you asked so kindly.” A smirk settles on Peters face as he rips your pajama shorts down the middle seam, watching as they fall off your body and to the ground.

“Peter!” You cry, looking down at your now torn shorts.

“Well I had to get them off you!” Peter defends, slowly ripping your underwear off you as well. You let out a gasp as the cool air hits your heat, feeling your whole body flush under Peters warm touch, “Tank-top is next.” He smirks, tearing open the fabric to reveal your bare chest. The cold air washes over your, making you shiver as much as the magic would let you. Peter grabs your wrists, guiding your arms so they’re pinned above your head. “Is this what you want pretty girl?” He hums against your neck. His lips slowly leaving a trail of kisses down your body.

You let out a sharp moan “Y-yes,” his lips causing you to completely forget about your torn cloths on the ground. He continues to kiss down your neck until he reaches your tits. His right hand gently creasing the swell of your breast making you let out another moan. Leaning down, Peter brought your hard nipple into his mouth. Another moan escapes your lips as you fight to press your chest into Peters face, but with no success. You’re completely stuck, unable to move. Peter smirks against your boob at the attempt, continuing to swirl his tongue around your extremely sensitive nipple. “Fuck Peter,” you groan, wanting more than anything to run your fingers through his soft brown curls. Peter switches over to your other tit, giving the other nipple some attention as well.

The room fills with your soft moans as Peter kisses his way down your body and to your hot cunt. He pulls away for a moment, pressing a soft kiss to your inner thigh before dragging his bottom lip down your thigh and back to your aching cunt. His head dips between your legs as you feel his tongue slowly slipping between your folds. The tip of his tongue makes contact with your clit, gently swirling around the sensitive bundle of nerves causing you to let out a throaty moan. Peter’s arms slide around your thighs, pulling your body closer ever so slightly as he continues to eat you out. His face buried in your soft cunt, lick and sucking on your swollen clit.

A knot begins to form in your stomach within a few seconds and your realize just how sensitive your body really feels. The feeling of Peters mouth pleasuring you makes your body a shaking mess against the ceiling. Your limbs feel like they’re on fire as pleasure courses through your whole body. Pressing your head against the ceiling as hard as you could, you feel your orgasm wash over you. A sharp cry escapes your lips, your whole body convulsing from your release.

Peter slowly comes up from your cunt, a smile plastered on his face. “I see someone enjoyed that a little too much.” He teases, placing a soft kiss to your lips. You let out a small groan in response, your whole body still pulsating. You keep your eyes on Peter as he begins to strip from his sweatpants and white T-shirt. His abs flexing as he miraculously manages to strip while still on the ceiling.

“Look at my sticky boy,” you giggle as you admire the way the light makes his abs appear to glow.

Peter grins, crawling over, well under, your body and positioning his hips between your thighs. “I’m about to make you real sticky.” You raise your eyebrow at his comment, noticing the cheeky grin on his face. “You ready?” He asks, his hand slipping between your bodies to position himself.

“Mhm,” you hum, feeling Peter slides into you slowly. The sensation of Peter thrusting up into you is completely foreign and completely surreal. Your body bounces ever so slightly up against the ceiling and you feel as though you could fall at any moment.

Yet, your body stays put, allowing for Peter’s hips to snap up into yours. His thrusts are sloppy and deep, feeling out your new position. A sigh escapes your lips as Peter leans up to kiss along your neck.

“How does this feel baby?” He whispers softly in your ear.

A shiver runs down your spine, all of your muscles contracting at the hot breath on your ear and neck. “It feels so good Peter,” you moan softly, desperately wishing you could wrap your arms around his neck. Peter gives you a warm smile, kissing your cheek as his pace speeds up. His thrusts becoming more even and deep, fucking you straight up and into the cold ceiling.

“Wanna see a trick?”

“Trick?” You laugh, watching as Peter detaches his hands from the ceiling, leaving him on just his knees. He looks up at you with a smirk, gripping onto your thighs as he continues to fuck you at an inhuman speed. His nails digging into your soft skin as he hangs upside down thrusting into you.

You close your eyes, letting out a string of moans, loving the way he feels deep inside of you. “Fuck Peter, I’m close again.” You felt like you were on fire, your whole body overly sensitive to Peter’s touch and rough thrusts.

“Do it then” Peter grunts, his cock sliding in and out of you even harder. You push your head up into the ceiling, mouth falling open as another wave of intense pleasure hits you, throwing you completely over the edge. A scream escapes your lips followed by Peters name as you come down from your high.

Peter lets out a deep moan, throwing his body back up so his hands were once again sticking to the wall. You could feel his cock twitching inside of you, thrusting deeper and deeper before pulling out quickly. Hot spurts of cum shooting out and falling back down onto Peter’s stomach and chest.

“Fucking gravity,” Peter groans.

You burst out laughing at Peter’s scrunched up face. “I told you that you were my sticky boy.” You tease. Peter grumbles something under his breath and you let out another laugh.

Your eyes widen only seconds later when you notice you suddenly feel heavier than normal. Your body detaches from the ceiling sending both you and Peter tumbling down onto his bed. “Great now I’m sticky too,” you groan.

Peter smirks, “Told you I’d get you sticky.”

+++

TAGLIST

[rootedinrevisions]

Kinktober 2024: Day 11

PROMPT: "We have to be quick."

KINK: Quickie

WARNINGS: 18+ SMUT. (P in V Sex.)

WORD COUNT: 832

TAG LIST: See Comments Below

If you would like to be added to any of my Tag Lists please feel free to comment, send an ask, or send a DM and I'll be happy to get you added! (I currently have one for Glen Powell & His Characters, One for Bradley/Rooster now, and then a third for WWE/Wrestling. I also can create one for Bucky & other MCU characters if there's interest for more of those characters!)

The air was thick with anticipation as you paced the small hotel room you were sharing with Lily. The low hum of the evening buzzed around you, filled with the faint sounds of laughter and chatter from the nearby rooms. After a week of storm chasing, the tension between you and Tyler had reached a breaking point, and you were desperate for some time together.

When Boone and Lily decided to order a pizza, you felt a surge of hope. You tried to hide your excitement, knowing the chance to be alone with Tyler might finally be within reach. As soon as the van pulled away, you felt your heart race. The moment of truth was at hand.

A knock echoed through the room, sending a thrill through your veins. You quickly opened the door, revealing Tyler, his expression a mix of relief and desire. He stepped inside, shutting the door behind him with a practiced ease, and before you could utter a word, he had you pressed against the wall.

His lips crashed against yours, a desperate kiss that ignited a fire deep within you. “I’ve missed you so much this week,” he whispered, his breath warm against your skin. You felt a whimper escape your lips, the weight of longing crashing down on you as his hands roamed your body, exploring every curve, every inch.

“I’ve missed you too,” you gasped, your heart racing as he pulled back slightly to meet your gaze. His eyes were dark with need, and you could feel the heat radiating between the two of you.

He quickly reminded you, “They’ll be back soon. We have to be quick.” You nodded, knowing the clock was ticking. Without hesitation, he lifted you off your feet, his strong arms wrapping around your thighs as he carried you to the bed. You could feel your pulse quicken with every step, your excitement mingling with a hint of nervousness.

He laid you down gently on the comforter, a stark contrast to the urgency of the moment. His fingers deftly unbuttoned your jeans, sliding them down your legs before discarding them to the side. The cool air of the room sent shivers down your spine as he removed your underwear, leaving you exposed and craving his touch.

With swift movements, he shed his own jeans, positioning himself between your legs. You could feel the tension building, the air thick with the scent of desire and urgency.

“Go get a condom!” you urged, your heart racing, knowing that you needed to be safe even in your urgency.

He nodded, hurrying toward his jeans to find his wallet. As he rummaged through it, you watched him fumble, his fingers clumsy with excitement. He finally produced a condom, but in his rush, he struggled to tear it open. The wrapper slipped from his grasp, and you couldn’t help but giggle as he tried again, the playful frustration on his face only making you laugh harder.

“Damn it!” he said, trying to hold back a smile. “I swear I’m not usually this inept!”

You laughed, the tension momentarily broken. “Need a hand there?” you teased, enjoying the brief reprieve.

He finally managed to tear it open, rolling his eyes at himself as he approached the bed again, a wide grin on his face. “Okay, let’s get back to business before they come back.”

He pumped himself a few times, his focus locked on you, before placing the tip at your entrance. You could hardly catch your breath as he pushed into you, filling you in one smooth motion.

Tonight was different; there was no time for foreplay. He began thrusting into you with a wild abandon, each movement sending waves of pleasure coursing through your body. You felt the knot in your stomach tighten, the sweet tension building as he drove deeper, hitting all the right spots.

“God, you feel so good,” he murmured, his voice strained as he leaned down, his forehead glistening with sweat. You could feel him getting closer, the heat radiating off of him intensifying the moment.

The sound of your heavy breathing filled the room, mingling with the rhythm of his thrusts. The pressure built between you, both of you teetering on the edge. With one last deep thrust, you felt the wave crash over you, pulling him with you into a shared climax.

Breathless, Tyler pulled back, quickly pulling on his jeans. “Shit, that was—”

Just as he tossed your clothes back to you, there was a sharp knock at the door, and Boone’s voice echoed through the wood. “Pizza’s here!”

You exchanged wide-eyed glances, adrenaline coursing through your veins as you hurriedly slid on your jeans and underwear, your heart racing from both the encounter and the realization that you almost got caught.

Tyler opened the door. “Hey, Boone!”

He glanced over at you, his brow furrowing slightly. “You okay? Your face is a little red.”

You quickly brushed a hand over your cheek, feigning innocence. “I don’t think the air conditioner in here is working very well,” you said with a smile, hoping he’d buy it.

Boone shrugged, seemingly satisfied. “All right. Maybe T can go talk to the lady at the front desk about that. Want some pizza?”

You and Tyler exchanged a quick look, the corners of his mouth twitching into a smirk. 

“Yeah, I’m starving,” Tyler said.

As Boone turned to set down the pizza box, you couldn’t help but let out a quiet breath of relief.

You knew you’d have to be more careful, but the thrill of your secret rendezvous lingered in the air, and you could hardly wait for the next moment you’d have with Tyler.

[mynameisjag]

Quick Prompt: Wanting What Someone Else Has.

Scott finds out about the new Logan, Wade doesn't care about Scott's problems. Logan isn't even aware.

Wade stared at Scott.

Scott stared at Wade.

At least the mercenary assumed he was, kind of hard to tell, you know…with the glasses…

He’d give him a point for managing to get the drop on him though, showed up late enough not to be any help, early enough were they hadn’t left the mark's disgustingly beige mansion.

It looked better with the splashes of red everywhere.

Even the boring ass, uncomfortable lounges that they were sitting on, looked better with the splatter.

Cyclops was sitting on the less messy one, so maybe he didn’t agree or he just choose that one because then they could just sit and stare at each other face to face.

“Where’s Logan?”

“Better question, how are you alive? This better not be some multiverse MCU bullshit.”

Logan was probably eating his fill in the kitchen, the owners pervert party was catered and why leave and get underwhelming fast food when there was free rich fucks food that was going to go to waste anyway.

Lo had talked about his…hunting trips…sometimes, always on the move, always going from target to target, that at one point it was just sensible to eat what was there, rest, take what was need and move on. Considering how most of the fucks he went after were people of high importance, government jobs or just rich assholes, their was always alcohol, fancy foods, and wallets that no one noticed was gone till it was too late.

So this current hit was just another day for the feral.

Scott’s Logan was more man then his, could easily be mistaken for just another human without powers.

Wade’s though, his had lost himself to the calling of his inner animal and became it as he hunted those that had hurt his family. Body changing to its new needs, becoming the human predator he needed to be.

Logan hated it, hated what his body became, his behavior, his instincts, everything that changed, he hated it all. He spent so long trying to fit the profile others had tried to shove him into that losing himself to what was himself was a failure in his eyes. A shameful failure.

It wasn’t true of course and they were working on that, both supporting each other because they both were so fucked up but at least they were fucked up together.

Wade talked to the air and the millions of eyes that watched them, Logan would snarl and make more animal sounds then use his voice at times.

The merc highly doubted the X-men, at least this version, were going to be able to handle his Wolverine.

“There’s no dog for you to collar here, laser pointer, so why don’t you make your way back to whoever else has found the well of life in that mansion and fuck off.”

Seemed like he might have hit a nerve as that frown somehow got deeper, “I’m here for my friend.”

“You’re a good couple of states away from your Wolverine’s grave, can get you an Uber there if your that directionally challenged.”

“We know he is here, with you-“

“-Nope! Again, you have eye issues not hearing, your-hear that strain on that-your Logan is dead.” Deadpool reached forward to grab a drink he had set on the end table earlier before getting interrupted, “speaking of dead, you still haven’t answered how you’re still kicking around.”

“Your life isn’t the only one that involves time travels.”

“Oh, good, just the normal X-men bullshit then, should we be expecting the other Logan then?”

“No…he is still…gone…his body, or what we can find of it, is now resting back at the mansion…not all of us are back.”

“Oooh, I probably should have put that puzzle back together before jumping…everyone is still on the fence on whether or not old Wolves would have gotten a kick out of me playing Ninja Warrior with his tibias?”

“And what does that mean?”

“Ignore it and my little chats with the “gremlins” as Honey Bunny puts it, now, I’m going to guess you thought if you couldn’t have one, you figured you could take mine? Did Daddy Professor not drill in manners in all of that training, it’s rude to take other people’s stuff.”

“He isn’t your ‘stuff’, you don’t know how to handle him.”

At that precise moment, Logan ran past in the background, on all fours and a chunk of meat in his mouth, the merc was glad that Cyclops couldn’t follow his line of sight because of the mask. Cause all the red head had to do was slightly turn his head and he would see the man he was searching for bounding upstairs like an overly excited puppy with a new toy.

Either the man found fresh grade A steak or he had decided that some one smelled delicious and took a chuck. 50 50 chance on either option really and at least the blood was everywhere here instead of back in the apartment.

Al was less likely to complain when she didn’t slip and slide through puddles of blood.

“Handle him? Scottie too Hottie!”, at this point he lifts his mask enough to sip at the drink in his hand, grimacing at the flavor, how did they make fruit soda taste bad, “ugh, high society tastes are awful,” he wiggles the can at the other man, “want it?”

“No.”

“Don’t blame you, I can how ever blame you for thinking that for some shit reason that Lobunny, wait fuck that’s a Pokémon, Lo Bun Bun, is unable to think for himself and that I somehow can stop him from going wherever he wants to go.”

“He hasn’t came home, yet, if he was able to go-“

“That place isn’t his home, you are not his X-men, he is not a replacement, well, he is an anchor being replacement but not a ‘pick up where the last Logan left off’ replacement. So what ever regrets or amends you wanted to have, they should be aimed at the grave and not the man you wished was the one you lost,” Deadpool threw the can over the others head, before flipping over the couch he was on, landing on his feet and giving double finger guns at the X-man before the can could hit the wall, “well, good chat, but we gotta go!”

Scott was standing up now, face serious and ready to counter argue when flashing lights from outside reflected in the windows, sirens coming closer, “is that the police?”

“Yeah!,” now the mercenary was opening a window, hanging halfway out of it as he made grabby hands at something above him, “hope you got a ride,” blue colored gloves grabbed his red ones and he was yanked out and upward, “tootles!”

Scott took a deep breath, calming himself down before turning and heading toward his own escape.

He’ll try another day.

[luciaintheskyainthi]

author I know you've probably been asked this before but what are your comic recs for understanding ECM better? I genuinely don't know where to start... (-_-")

You know what?! I get asked this a lot less than you'd think!

I use footnotes to make the background in Existential Crisis Mode as accessible as possible, but I'm more than happy to share my reading list!!!

In regards to DC, there's a great deal I'm not counting, but if you're interested, these are my recs!

In terms of core texts related to Jason, there's the following for you to peruse (in order!):

Death in the Family: it contextualises Jason's death (which in the DC revamps like New 52 and Rebirth has since been retconned to a lesser [Rebirth] or greater [N52] degree). I'm working on this as the core events that led to Jason's death.

Red Hood: The Lost Days: an excellent volume, it documents the time between Jason's resurrection (which was NOT via Lazarus Pit as a lot of fanfics claim!) and his return to Gotham as the Red Hood. It's critical for understanding Jason's motivations, his training and personality.

Under the Red Hood: honestly I think this could be watched or read, although Jason's resurrection in the animated version is credited to the Lazarus pit (and Talia Al Ghul is erased from the narrative), so just keep that in mind. BUT Jensen Ackles voices Jason in the animated version which is scrum-diddly-umptious!!! And the opening scene?!?!?! Lives RENT FREE in my head. My GOD it fucks me up!

There are plenty of other comics with Jason in them before first of the Red Hood and the Outlaws were published, but I'll be honest, I've not read them. Largely due to access (I have a friend from work who was kind enough to share their collection with me!). For the purposes of understanding Jason's history, his personality and motivators as a vigilante, the above three are a solid start.

Beyond these, you've got both the New 52 (came first) and then Rebirth runs of Red Hood and the Outlaws.

I'm not the biggest fan of the New 52 run, largely because I Did Not Enjoy the in-your-face sexualisation of Koriand'r, however world-building elements like the All Caste, Jason's magic soul-consuming swords the All Blades (fun fact! They only work on people/creatures of pure evil), along with Jason's friendship with Roy and Kori are of worth!

As the All Blades have already been mentioned in ECM, so there's benefit to checking the New 52 RHATO volumes out. New 52 RHATO is also what birthed my headcanon of Jason being demisexual!

I much preferred the Rebirth RHATO, and Artemis and Bizarro (he's actually a clone of the OG Bizarro) are planned to appear at some point in ECM. A lot of the most recent events in Jason's life from ECM tie back to Rebirth's RHATO, along with Red Hood: Outlaw (which is what the run was called after volume 4), where Jason works mostly alone.

Other DC comics of interest include:

The "We Are Robin" series, "Robin Wars" and "Batman and the Signal": all great for learning more about Duke, but we see all the former Robins working together in "Robin Wars". The events of these volumes/series aren't likely to be used much in ECM, but good for characterisation!

Juni Ba's "The Boy Wonder" is excellent for characterising Damian! He's someone who gets Flanderised about as badly as Jason does in a lot of fanon, so it's nice to be reminded of his complexity!

In regards to Peter and Spider-Man, as he's from the MCU, there's no comics needed to be read for his background. But I WILL say, for reasons I will not disclose, I have read / am in the process of reading through...

Spider-Man: The Other. 'Evolve or Die'

Spider-Verse, Spider-Geddon and End of the Spider-Verse

My first recommendation for any of these comics would be to see if your local library has them!

(Though admittedly, I've purchased quite a few on Kindle, mostly for my own convenience since I'm using it as canon.)

[avelera]

I know it's been a while since it came out but when thing I really appreciated about Deadpool & Wolverine is that it and the rest of the Deadpool franchise really understood what fans want in a way that MCU movies have otherwise failed to grasp for a rather bafflingly long period of time which is this:

Happy Endings.

That might sound silly or childish (I can hear Deadpool's snort at the rude definition of happy endings in my ear even as I write this) but seriously, when was the last time a Marvel movie or show just gave us an unequivocal happy ending without any ambiguity?

For so long, Marvel has been feeling the need to provide some sort of hook, to set up that "not all is well" in order to keep people coming back for the next film.

But the thing is, I watched Deadpool 1, and Deadpool 2, and I came back for Deadpool & Wolverine even though technically all three ended with a happy ending. All three ended with the hero getting what they wanted, and the age-old reassertion of domesticity that is considered so cliche in so many happy endings (ie, everyone went home with their heterosexual partner and lived happily ever after in their white picket fence after the adventure was over).

What I actually loved, nay, even adored about Deadpool 2 was that it took the time to (spoilers) bring Vanessa back to life. It was in the credits, sure. But Wade/Vanessa is hands down my favorite het ship in the entire extended Marvel universe because they actually feel like they're in love, not just that they're falling in love or might have the chance to be in love someday (like Steve/Peggy) but that they actually have been in a long term relationship and they don't just love but actually like each other too, and they have what it takes to go the distance or, continue to be friends if they part ways as lovers. Like. MCU is so bad at het romance you guys, it's insane, but Wade/Vanessa actually feel like a real loving couple so even if I ship him with Logan too, I love how Wade/Vanessa was handled. I still get choked up about the whole Calendar Girl sequence and I was devastated in the second movie when she died.

And that's why it's so important to me that they brought her back. They didn't just leave it on "the girlfriend got fridged and while the hero still mourns her, he has grown stronger through the trials he suffered in the aftermath, etc etc." No, they understood she's a beloved character too, and it's a fantasy movie, and part of the fantasy is, yes, in the credits using the awesome magical powers at our disposal, we took an extra 10 seconds to make sure you know, as a fan, that everyone was ok in the end. Everyone got to live happily ever after, we brought back people who died, everything got to be ok.

The MCU hasn't done that in ages! WandaVision ends with Wanda losing everything, it's beautiful and devastating but it's also gut-wrenching and unsatisfying, especially after Multiverse of Madness. Winter Soldier ends with saving the world, sure, but the hero doesn't get everything back because we need to hook into the next movie, so Bucky needs to still be on the run and not reunited with Steve. Even Endgame, the end of the whole damn arc, ends with beloved characters (at least at the point of writing this) being dead and staying dead even though we have literal universe altering time magic at our disposal to, theoretically, bring them back and let everyone end on a happy note where they got everything they wanted.

Look, I get it, an all-around happy ending where everything is nicely tied up and everyone is alive and got their loved ones back can feel a bit childish. But throughout the MCU it has felt just so relentlessly withholding that no one gets this unequivocal, unambiguous happy ending in ages. It's like in their rush to hook you to the next movie, they completely forgot that part of the reward for the audience in watching these heroes go on these adventures is the hero getting what they want in the end, and not just getting strung along to the next adventure.

Deadpool understands that. Heck, it understands that you can give the all-around happy ending and still have problems that emerge down the line. Deadpool 2 ends happily but Wade still has problems that emerge in Deadpool & Wolverine, part of them are the outcomes of getting what he wanted that had unexpected consequences but don't diminish getting what he wanted after Deadpool 2. He wanted the white picket fence happy ending, sure, but as a result his life got dissatisfying and his relationship fell apart in a completely normal, human way. That doesn't actually diminish Deadpool 2 and saving Vanessa, btw, because bringing her back to life means life will go on and sometimes life just happens that way. Bringing her back means she has the chance to go on living and sometimes that means making decisions that aren't all about Wade. That's a good thing.

And likewise, Deadpool & Wolverine might get another sequel. I'm actually fine if it does! I'm fine if another villain just pops out of nowhere to interrupt their peace and quiet.

But here's the thing it will be interrupting their hard-won happy ending. They got the happy ending. We got to see Deadpool save his world of 9 people and add Worst Universe Logan to it. We got to see Logan from the Worst Universe find a loving family, even if he didn't get the original one back. We got to see everyone in peace and at rest having got what they wanted and what they needed. We got to see characters we love be happy.

Deadpool as a franchise understands that. It understands that we love these characters and, at some point, we want to see them happy after their trials and tribulations are over. I wish the MCU would remember that more often in its other stories, that not everything needs to end on a hook. Sometimes it can end with happily ever after and that still doesn't mean the story is over forever. Maybe it's just for now, but whether or not the story continues, Deadpool understood we on some level want to see our beloved characters left behind in a good place.

[loki-is-my-kink-awakening]

Okay, I wanna talk about this scene and what it might mean for Loki and Mobius in S2.

Sure, they stood here so Loki could point at the panel showing all the Kangs fighting, and the full mural is meant to be the story of how the Time Keepers created order out of chaos, but what if it also means something else.

Let's look at Mobius first, then Loki.

Mobius POV

Mobius is standing with his back to a panel representing chaos and looking at one that represents order, showing the Time Keepers appearing as gods to shocked people below. Seems very religious and mythological, right?

Mobius had always believed in order and that what the TVA were doing, ripping people from their lives, was necessary.

He also has previously likened Loki's origins, which is literal mythology in mcu form, as similar to his own experiences in the TVA.

"If you think too hard about where any of us came from, who we truly are, it sounds kinda ridiculous."

Now, he knows the Time Keepers are fake, that he wasn't created by them. By this point in the episode, he's already acknowledged to B-15 that their gods are dead.

What he isn't aware of is who exactly was behind the curtain or that all-out war is coming. That's something Loki reveals to Mobius, showing him the truth in his blindspot (the panel behind him).

This revelation for Mobius feels pretty similar to how the truth was revealed to Loki in S1E1.

Mobius is also looking at a panicked Loki. He's seen him teary-eyed before, but not this distressed.

What Mobius sees before him is his fear, that Loki won't be able to escape the bonds of the sacred timeline, that he's doomed to die, and that pains him.

And one last thing. Loki is a god of mischief, and I can't help thinking about the comparison of a real god Mobius can see in front of him and the fake Time Keepers in the panel behind Loki.

Loki POV

Meanwhile, Loki is looking at chaos that scares him. The panel has several Kangs all fighting for supremacy in a pose that was similar to that shown by Kang in S1E6.

Loki is the god of mischief, who thrives on chaos, and yet the prospect of all these Kangs frightens him.

War is the only thing preoccuping his mind. It's the only thing he can see.

But behind him are the Time Keepers, and we know they are fake, but what if the truth Loki has to face is that while he no longer wants a throne, he might need to take it to save the people he cares for, his found family.

Loki is looking at Mobius, who's concerned about him and a little rattled, but ultimately keeping his calm. I think this calm is likely to fracture the more season 2 progresses.

What Loki sees before him is his fear, that Mobius will be caught up in the war and lost to him. It's a reminder of what's at stake if he doesn't restore order. And he's already experienced a Mobius who didn't know him, and that was heartbreaking.

What this scene also does is continue both Loki and Mobius being mirrors for each other, revealing truth and reflecting one another.

They are similar to each other in many ways. We saw glimpses of Mobius embracing chaos in S1, which I always love to see. And I can't wait to see more of these soulmates. They are important to one another.

And I haven't even spoken about all the touching, that Mobius doesn't want to lose Loki and Loki is just so desperate to get to Mobius, but I think other people have covered that.

Thanks to @lgwilt and @insert-witty-user-name-here for discussing this theory with me. I added in your glorious insights because what you said really resonated with me.

And just a wee note to everyone that this is just me theorising, and usually my theories do not happen, but I couldn't help pondering if this mural had an even deeper meaning. I just like theorising for fun.

Hopefully, the above made some sort of sense.

[gunsandspaceships]

Many degrees of Doctor Stark

It is widely known that 616 Tony has several doctorates. The number varies from 3 to 7, but it doesn't really matter whether he is 300 or 700% Doctor. He is one. And he doesn’t use his title 99.999% of the time.

Ok, but what about the MCU?

It is never mentioned whether Tony has a PhD or even a master's degree. Kinda weird. Both the absence of mentions and lack of degrees, since Tony is so smart and productive.

Let’s check, maybe he actually has some.

Here we have a file from a deleted scene from The Avengers (2012):

As we can see, the work is sloppy – there are inaccuracies in his hair color (it’s not black, it’s brown), and the fact that he speaks French was not included. Can we rely on this paper? Let’s not 100%, but we can still use things that don't contradict the movies.

The fact that he received his BS in Engineering from MIT does not contradict this, so we can mark it as valid. He started in 1984 when he was 14 years old and graduated in 1987 when he was 17.

We see no further education in the file. But we know something that this file doesn’t. We watched the movies.

Remember, in Civil War at 0:13:25, in the scene where Tony sees his parents for the last time, Maria tells Howard, “Be nice, dear, he’s been studying abroad”. Tony is 21 here, this is December 16, 1991. Looks like he is on winter break.

But wait… Didn’t he graduate in 1987 and stop then? Well, Maria tells us he continued.

Between 17 and 21 there are 4 years. What could he have done in these 4 years? A lot, right? He is smart and productive, we know that. A master’s degree usually takes 2 years. Tony could earn it in 1. 1 or 2, we still have 2-3 years that we need to fill with some kind of studying. I doubt he just went back and got another bachelor's or master's. That said, he was working on his PhD.

We don't know where. “Abroad” is a very broad concept. Maybe he went to Europe to study at Oxford? We do not know. Perhaps he stayed at MIT and just went somewhere else for the fall semester. We do not know. But he did go somewhere for (most probably) a PhD.

The question is: did he finish it?

Well, his parents died in Dec 1991, and we know from the first Iron Man (0:04:50) that Stane was the interim president of Stark Industries from that date until 1992. Most likely, Tony became CEO before his birthday, that is, May 29, which corresponds to the stated age of 21. He had a few months between.

We don’t know where he was in his degree at that time. But we know he is smart and productive. He doesn’t need 4 years to write a dissertation.

So, there are 2 options:

1) He did not complete his doctorate and devoted himself entirely to the company;

2) He completed it in the few months he had and then took over the company.

Here’s the evidence for the second option:

“Confusing matters more, a recently deleted LinkedIn profile for Tony Stark indicated he received doctorates in engineering physics and artificial intelligence.”

Source: https://alum.mit.edu/slice/who-iron-man

Given all the information and analysis we have, as well as a little logic, we can conclude that Tony has a Ph.D. Even two. He had time to do them. Why doesn't he use his title? Well, maybe for the same reason 616 Tony doesn’t? He doesn’t usually brag. Check out this post if you have any doubts about my statement.

Here are some additional hints:

He gave lectures at scientific conferences (IM1 and IM3 - Bern 1999).

His scientific expertise was not limited to engineering and his company's affairs (all the movies, but specifically I can point you to IM3– the scene with Maya Hansen and her Extremis-enhanced plants in Bern).

“He must have graduated after 1990, because the '90 Brass rat was the first one with the skyline on the edge.” MIT alumni commentary https://alum.mit.edu/slice/who-iron-man

Conclusion (actual): call him Doctor Stark, guys, he deserves it. Despite his modesty about his scientific achievements, Dr Stark has a couple of master's degrees and at least two PhD degrees in the MCU - in engineering physics and artificial intelligence.

[shutupineedtothink]

More ep 8 + 9 thoughts, in no particular order:

Rio looks at Agatha the way Agatha looks at other people when they say something angry or misunderstood or untrue about her — mainly, hurt. It’s fine, I’m fine. By not accepting her nature, Agatha’s doing the exact same thing to Rio that people have been doing to her for centuries and if that ain’t trauma i don’t know what is.

I’ve heard people say it was out of character for Rio to go all evil witch in ep 8, but I think it was a choice. She was so hurt by the deal Agatha wanted from her to never see her again, she said you know what, fine. You think I’m evil? I’ll be evil. Let’s play. But even as she puts on this show she’s saying things like I’m the natural order of all things and you love me, and why don’t you want me? And again, this is an Agatha move. Putting on the show of the evil witch to hide her pain underneath. Calls back to ep 1 too, when she says I can’t kill you, but I can make you wish you were dead.

I tend to kill my coven members. So do I. — That boy and Agatha are mirrors what did I tell you. 🙌🏼

I still can’t quite wrap my head around what she was thinking when she tried to give him up to Rio. Did she see him start to turn himself in and know that that’s what Rio needed him to do, so she changed to her evil side to make him second guess himself? Or did she genuinely think screw this in that moment and then changed her mind? I don’t know, and I don’t think we’re supposed to know, and that’s really interesting actually.

And Billy! Basically manipulates her into sacrificing herself for him using Nicky! My dude you really aren’t that nice. In that sense… he really got all of them killed.

I say more about this in my general show overview post which is coming soon, but once I was able to let go of where I thought Agatha should go as a character, I realized a couple things: a) her journey isn’t over, so this wasn’t supposed to feel like a complete arc and b) I think the point of her character is that you just can’t pin her down in one category or another. She’s not fully evil, she’s definitely not good but she can make good choices, she’s not a complete villain but she’s not a hero or anti-hero either. She’s truly unique in the MCU in that sense. And interestingly, it seems like Billy is going in a similar direction. We’ll see.

So Agatha is the “maiden mother crone” of the last episode right? We’ve now seen her in all three stages, she was the mother up until she died and now is the crone as a ghost playing the Guide to Billy. I’m gonna go with that.

There’s a .2 second look of pain on Agatha’s face when Rio tells her Lilia is dead. That’s when she found out. She does care about them, she’s just definitely not going to show it in front of anyone else.

Lots of great line repetitions in these last two eps (covenless witch, get used to this feeling, etc), but one I could have used again was Rio’s “te veo” — she does say the line about watching Agatha just as closely as you watch everyone else, which was great. But idk I wanted that to come back one more time.

See my previous post for my Nicky thoughts but it seems like the more discourse comes out the more we all agree that is Rio’s child just as much as Agatha’s. The question then becomes, was he just created from their love and magic, or for some other reason? Personally I would love to see more play out with Nicky and him possibly being “a demon, or an agent of Mephisto” and that’s why Agatha can’t face him. She needed more time to figure out how to change his fate but she couldn’t. It’s almost a Bucky/winter soldier situation, but instead of hydra it’s literally the Marvel god of the underworld controlling him. There’s a movie in there somewhere for sure. (MCU witch movie??)

The music banged in these eps especially the choral opening to ep 9, so cool.

Am I the only one wondering why Agatha is RunNInG when she’s in labor? Like where’s she going, who’s she running from? Just an interesting opening.

It’s Agatha All Along in several ways: Agatha (and Nicky) originated the ballad, Agatha used the ballad to kill witches for centuries, she was telling the truth all along about the road not existing, she was the one who bound Jen, and she knew all along it was Billy who made the road. Not exactly the character transformation I was gunning for, but I see the vision now.

The Peggy Carter cosplay I live 🤌

I still don’t think Agatha outright intentionally killed Alice. I still think she either genuinely didn’t have control in that moment, or Billy subconsciously made her do it to make her the villain. (Edit, Jac basically confirmed option 1)

I LOVE that she’s a conwoman. It makes so much sense for her character and even in a more genuinely evil context I love a con.

Agatha says she was going to kill them in her basement on day 1, but Lilia stopped them. If they didn’t attack her, would she have found another way to take their power? Idk but it seems more to me like she’s just trying to make Billy feel better.

I’m itching for more, but I do love the emotional moment between them in the basement at the end. Agatha lets just a little bit of her true feelings peek through, and Billy gets a little perspective as well.

Ok, I’ve now listened to the full 3.5 hour House of R pod on the finale, including their interview with Jac Schaeffer, and she confirmed a lot of my thoughts here so. Nice.

OMG Jac said this thing about the Road being Agatha’s lie that Billy made real and I got CHILLS

I’m expecting some baller fan edits for this show now that it’s over absolutely can’t wait

I could probably say more, and if I think of more stuff I’ll add it in comments. But also look out for that full show review post.

[luna-rainbow]

Thanks for your answer for the last ask.

What is wrong with the writers of the new MCU material? Do they just hate Bucky, especially the writer of the Falcon and the Winter Soldier (he's NOT the Winter Soldier anymore!)? Did Bucky kick their cat or something? This hatred and victim blaming is not justified! "Oh Bucky's just a cray-cray psycho killing machine with cool metal arm but probably belongs in a padded cell. Lol he says he had no choice such a lame excuse..."

Soo…I don’t know if people still remember the rumours from back in 2021 and I don’t know how much of it is true, but my guess at it is this: there were supposed to be two main writers on the series. Spellman was supposed to take Sam’s story, while the other guy wrote Bucky’s story. For whatever reason, the other guy quit before he finished, and didn’t give the writing team enough time to put things together.

From a story craft point of view, Bucky’s story in TFATWS reeks of first-draft-ism. It’s a scattered plot of events that don’t quite string together, and a self-contradictory characterisation that hasn’t yet been smoothed over (but was made a little more believable by Sebastian’s efforts). You can tell some central character themes had been planted in the first draft — the PTSD, the guilt, the messy way he’s trying to relearn how to interact with people (Yori, Sam and later the Wakandans), the struggle with breaking free of his past. These were all strong, interesting character beats for Bucky to work through, and it honestly could have been a good story. And I think that’s when the original writer bailed.

When Spellman picked up this draft, he was pressed for time, he hadn’t watched CATWS and he never thought he’d needed to know about Bucky’s story, so he reads TheMovieSpoiler summary of the movie and tries to piece the rest of the story together. But Bucky’s not his priority nor his interest. There’s already beats of the story that were planned and have to be there for IP reasons. So beyond what was already in the first draft as mentioned above, Bucky is made to be the fall guy to make the rest of the plot happen. Zemo’s release — well we can’t make Sam help break out the criminal that killed an African king so we’ll make Bucky do it, who cares if it makes no sense for his character. The counselling session — the show’s few moments of levity, doesn’t matter that it makes no sense but hey, forced homoeroticism is hilarious, isn’t it? The Wakandan three-way fight — I may be remembering this wrong but I think Skogland said it was one of the first scenes that she had planned for. That fight had to happen, and again Bucky was made to provoke the Wakandans to the point Seb had to step in and say, almost literally, “he would not fucking say that” to make them wind back the animosity between Bucky and Ayo. Sam’s suit — oh no we can’t have Sam asking for it himself that would be too egocentric, we also can’t have Wakandans offering because well, not like the plot actually made Sam a strong ally for Wakanda, so we get Bucky asking for Sam’s suit to be made minutes after he fixes his mistake of releasing Zemo. It doesn’t matter if it doesn’t make sense if it’s Bucky doing it, cos I really think by this stage Spellman didn’t give a shit about a character that wasn’t supposed to be his responsibility in the first place. It’s like when you’re doing group project and your teammate bails on you, you’re gonna do just enough to get that pass but you ain’t putting in the effort for a distinction cos just looking at the unfinished work is pissing you off. So then Bucky also becomes the token white male who pushes all the wrong buttons during the few token racism scenes cos we gotta make Walker have some redeemable qualities and he’s already a dick so we can’t make him racist too.

So instead of having a thoughtful story about a veteran trying to grapple with his guilt and PTSD and lack of agency and making some mistakes along the way, you get a weird disjointed plot of some guy…with some bad dreams…who randomly does things for no good personal reason…who gets made the butt of the joke for the stuff he’s experienced cos he’s got a metal arm and super soldier serum how hard could it have been he just needs to go and apologise for killing people while simultaneously having multiple poignant scenes portraying his lack of agency.

Every writer who tells you “a hero is only as interesting as the villain” just secretly wants to write a simpable villain. And when that writer isn’t very skilled, you get the disaster of TFATWS where a lot of effort is spent on making Zemo funny and personable, and Walker nuanced and sympathetic, instead of making either of the titular heroes funny or personable or nuanced or sympathetic. And yeah, I really don’t think Spellman ever cared enough about Bucky to want to make him sympathetic…or a hero. Remember when he said Bucky pulling open the van door was the first time Bucky has ever been a hero? Fuck right off with that.

[classicanalyzer]

What If Season 3 - What If... Agatha Went to Hollywood? Thoughts

"Everyone has a story worth telling. Even two lost souls on the wrong path. But sometimes, all it takes is a trip to the movies to remind you that anything is possible, even a happy ending. Then again, who doesn't love a cliffhanger." Uatu

This episode goes so hard. I really love the dynamic between Agatha and Kinko. Howard and Jarvis are a comedic blast. It's such a fun episode playing around with three diva characters who would've been around by this point of the timeline. The episode is also a love letter to cinema and the history of 1940s Hollywood with little details sprinkled out. This is What If at its best.

I love how this AU results from Agatha learning of Tiamut's existence. I also can't believe and love how What If also connects to Agent Carter since Howard did try to become a movie director (with mixed results to say the least). I think they also brought back Bernard Stark when Jarvis was trying to shoo away a flamingo from the set.

The dance choreography goes so fucking hard. I love musicals, so to see a musical dance number in the MCU is pretty great. The Hollywood and Bollywood dancing and music styles meshed really well in this episode. It was a pretty smart idea to acknowledge Agatha's power absorption powers would make it relatively easy for her to take the Eternals' powers. The real goats are the dancing teams of Agatha and Kingo for improvising so well during their fight lmao. Howard mentioning the Hinderberg is pretty funny since Agatha All Along said Agatha was suspected of causing the Hinderberg's destruction.

Agatha is amazing. Kathryn Hahn really loves playing this character and you can tell it. Whoever had the idea of pairing her up with Howard, Jarvis, and Kingo deserves a raise. I really love how she really leans into the actress role so much that she loves it by the end. Her Celestial design is simply beautiful. Her costumes are also great. Agatha becoming a Celestial would've been so in-character for her if she knew about them like we saw in this universe. There's something funny and cathartic about Arishem the Judge calling Agatha, a witch who lived through the Salem period, a heretic, then Agatha proceeding to beat the shit out of Arishem, that was a great historical joke.

I really love Kingo in this episode as well. While the Eternals was flawed, it had a great cast and worldbuilding. I love how Kingo was able to reach out to Agatha by appealing to an empty void inside of them until they did film. I really love his speech to Agatha. Stories whether that be film, games, etc inspire other people like me and I really connected with what he meant. It just reminds you that Kingo has a lot of depth to his character. I will say Kingo turning on Arishem in exchange for a three-picture deal is pretty hilarious (and other requests including his friends being freed). All the Eternals had to do was offer him that lmao. Kumail Nanjiani did an amazing job playing this character.

Jarvis eventually accepts the insanity and chaotic nature of the cast, which is pretty funny to see. He's such a comedic riot in the episode alongside the rest.

This episode really is one of the best episodes. This really showcases What If using its premise to create stories we never thought we needed until now.

"At some point, somewhere in our lives, the world made us feel small, so we set out to show them. But, Agatha, you never needed all this power. Because you've always had the only magic you'd ever really needed to leave your mark on the world." Kingo

"Uh-huh, uh-huh. And what magic is that?" Agatha Harkness

"The movies. The movies are magic, Agatha. Hell, they're better than magic. Because they change the world by changing people. By making them feel something real. And with that kind of power, you don't have to be feared. Because you can be adored." Kingo

"You can't possibly understand how long I've worked for this." Agatha Harkness

"Well, I've been on Earth for thousands of years, so I kinda do. And if you're anything like me, maybe all this time, you've just been looking for the right collaborator. So, what do you say? Wanna change the world? For real?" Kingo

[tobiasdrake]

Episode 2 of Agatha All Along and the show remains a fantastic rewatch.

This exchange is hilarious in retrospect. Agatha tells Billy right up-front that the Witches' Road is fake. But he refuses to accept that answer and accuses her of trying to deflect him from his goal.

Originally, this scene came off like Billy showing his determination and persuading Agatha that he has what it takes to make this journey.

But in retrospect... Yeah, he just sounds like a naive teenager who thinks five seconds of Googling makes him an expert, mouthing off to the one person who actually knows how bullshit this is better than anyone because she wrote the fucking con.

He is not the hero of the piece. He is a child making mistakes.

Even after she's forced to play along and pretend like the Road is real, she still tries to warn Billy off of it. Because. Yeah. The legend has only one purpose: to kill witches and feed Agatha. Speaking of which.

This is it. This is what persuades Agatha that attempting the Road con is worth doing.

The camera lingers on the locket and Nicky's hair. Which is almost a red herring, as it leads us to believe that it's the locket that convinced her. It's not, though; the locket and Nicky are deeply connected to the Road, so this is still meaningful.

But it's those words: "You really think you can outrun them with no magic at all?" That's it. That's why Agatha chooses to "go on the Road". Billy made a solid point, and she could use a shot of magic before she flees the Salem Seven.

So. Sure. You win, Billy.

Let's go eat some witches.

In retrospect, this is the funniest line in the MCU. He has no idea. He has no idea how in over his head is, what he's participating, or about the numerous murders he's about to commit. XD

Holy fucking shit, no wonder Agatha began projecting Nicky onto Billy. This double-act to trick Jen into dying for the Witches' Road con is straight out of Agatha and Nicky's playbook.

This was their life together. If Nicky were alive today, this is what he and Agatha would be doing.

Alice has sharp instincts. She calls out the Witches' Road as a con and she is dead-on.

Billy corrects Agatha's use of that particular phrase but Agatha knows what she said. She is intends to smash these nuts, not crack them. This was a red flag that went straight over Billy's head.

"Hi, this is really awkward but everything's about to fall apart around me so I just. Need you to stand nearby and look like you're participating while I murder three people. Cool? Cool."

"I promise that as soon as this is done, I will leave you standing there shocked and horrified, surrounded by corpses, and bail faster than you can say 'Witness Testimony'! You should. Probably also leave at that point. Because. Y'know. Cops. Haha!"

An interesting detail that Agatha makes Billy leave the basement. She's trying really hard to pull the wool over his eyes. She wants to carry out this murder without him realizing what happened.

If everything went as planned, she was probably planning on scooting upstairs like "Sorry you missed it, everything happened so fast, but uh we did the Road thing and I got my mojo back so HOP IN THE CAR LET'S DRIVE".

She doesn't want him to see the true nature of the Witches' Road. This is a departure from how she acted with Nicky, who was fully aware of and complicit in the murders they carried out together... But also came to be bothered by them.

XD Don't worry about it, Sharon. It does not matter if you sing it correctly. The song does absolutely nothing.

Agatha suddenly gets fucking fierce as they near the end of the song. Just pure scowling malevolence. She gets aggressive, like she's preparing for a fight.

Which, of course, makes sense in retrospect. She is, in fact, preparing for a fight. Getting her game face on. Readying herself to get nasty and provoke the coven into letting her kill them as soon as the song is over.

This is her predator face. The prey is in sight and the hunt is on.

But this hunt doesn't go the way they typically do. Because she had to do it in a hurry. Lilia correctly points out how weird it is for Agatha to suddenly be slinging out accusations and insults like this when. Like.

The Road was her idea to begin with.

Lilia's like, "What are you doing, Agatha? This is your thing. This temper tantrum feels a little forced and performative."

I love how spooked Agatha looks when they open the doors. You can feel her going "What the fuck what the fuck what the ACTUAL FUCK"

She is so freaked out, she breaks character. Why are you so surprised, Agatha? I thought you'd done this before.

Why do you look like you've seen a ghost?

I think this is it. Right here is where she pieces together Billy's identity. She takes a quiet moment, still looking entirely WTF WTF WTF, to feel how real this space she's stepped into is. This space that shouldn't exist.

A few seconds spent just... contemplating the stairwell.

Then, when she finally begins to truly descend, it's with a smile on her face.

She's got it. She knows what this is. She's the only witch alive right now who can truly comprehend what this is.

Then, once she steps out onto "The Witches' Road" and takes in all of its splendor, she casts a knowing look back at Billy.

Billy thinks this exchange is about, "Yeah, I knew we could do it. Great work, team. We made it!"

But really, Agatha's expressing, "Holy shit, Wanda Jr., this is a hell of a thing you've assembled. Okay. Okay. I can work with this."

[notafunkiller]

I know many Bucky fans are mad, but I never expected him to have a lot of screen time in Thunderbolts* to begin with. Especially with such a huge team (and they need to be*come* likeable and relatable to the audience).

Thunderbolts* is NOT a solo movie, it's a team movie (Suicide Squad style).

He should've gotten a Winter Soldier film ages ago (getting some of memories back in Romania so we see many flashbacks), but in Thunderbolts*, he doesn't need to have 2h of screen time to be a key character.

And this is what I care about the most... Quality > quantity

In his MCU journey, we always found him in different stages (and this is what made it fun and exciting for Sebastian too) & I love the fact we get to put two and two together and try to understand hints rather than straight up being told everything about his life.

He is one of the most interesting characters & he carried the Cap triology (and Marvel knows it). He got less than 15 minutes of screen time & 13 lines in CATWS (a movie with his name in the title) & still stole the show... he always steals the show, he's "the underdog".

He's super popular & so is Sebastian. They don't bother to use him more because they know people (come to the cinema to) watch anything if he is in it.

They saw that with "Dumb Money".

So they might even give us Bucky in small doses intentionally.

Sebastian got more projects left, which = a safe paycheck he can use for other projects.

(This is why I disagree when people say he should leave Marvel as if:

1. He doesn't have a strict contract with more projects left & he wouldn't need to pay;

2. He doesn't need the money - to pay his employees, to produce & play in other films)

3. He doesn't find it comforting to play Bucky every 3 years...

He loves Bucky (and he is similar to Bucky) & he always gets to explore different sides of the character when he returns, which is amazing for an actor.

Also, Kevin said Bucky is the de facto leader, after all. And that doesn't mean his role isn't important (CATWS & CACW are good examples), quite the opposite.

(I think he might have a subplot & save the team at the end)

We all got ??? when we thought he's in the team because he is already pardoned. He proved he is "stable" in TFATWS.

It makes sense to me if he has his own thing.

The fact the team has to "earn the trust" aka go into a suicide mission bc they are seen as disposable is sick.

(Bucky is seen like this, too)

There is no good or bad side & Bucky sees right through this. He always did.

I'm glad Yelena is finally a lead, though & I wonder how she'll use the opportunity to take revenge on Valentina.

Also, I think she'll lose her dad (sacrifice maybe), and that will be an amazing scene.

I really hope Bucky & Yelena have at least one scene (maybe he is sent to lead them in the middle of the film or he just shows up to save the team at the end). They are similar, yet different, so a great, great duo.

Florence and Sebastian are 🙌🏻 (incredible actors... they portray the characters with so much passion. They know them so well) and I can sense a lottt of chemistry.

My point is: things always change, you never know with MCU & so let's wait and hope it's a good film⚡️

[sourcherryandsprinkles]

Can I have Tony’s younger sister x Loki? Tony is not okay with this — obviously. Reader is not some soft sub like most loki fics, she is strong and has a smart tongue and stands up to Loki. He likes a strong woman. Maybe they sneak off somewhere during a gala or ceremony tony is organizing? smut plss

With the return of Loki season 2, I couldn't not write about my favorite MCU character. Please keep sending more Loki requests <3

Warnings: 18+, bathroom quickie, p + v, unprotected sex,

my taglists are here + you can send requests here at any time

—

Loki Laufeyson had some big reputation, both on Asgard and here — on Earth. After causing trouble on both planets, he earned a spot on Tony Stark’s list of people he hated with a burning passion — and his name was in red underline. Why the red underline? It seemed that the heart of Iron Man’s younger sister had been stolen by the God of Mischief, which made Tony hate him even more.

And what could Tony do? Absolutely nothing. 

A few months passed since the news dropped and you had hoped that your brother would have accepted your relationship by now, but he still wished Loki would stay the Asgardian fuck away from you. 

To make the situation worse, Loki adored to kiss you right and whisper the dirtiest things to you right under Tony’s nose, just to rub it in his face. After all, he was the God of Mischief.

Tony's jaw clenched and his hand tightened around his glass of scotch as he saw you and Loki in the corner of the room kissing. It wasn't just a smooch. One on the low back of your dress, touching your bare skin while kissing you passionately. You’ll need a lipstick touch-up — and another drink — after that. The sight was making any pair of eyes jealous, wishing their man kissed them like that. 

Loki generally didn't like public displays of affection, but he loved to play with Tony’s nerves.

Gently, you broke from Loki’s kiss, keeping your hand on his jacket’s sleeve. ‘’As fun as provoking my brother is, let’s not make him too mad tonight.’’

‘’But you look absolutely delightful in this dress, darling. Pardon me for being unable to keep my hands off you,’’ Loki said, proving his point by lowering his hand down the curve of your back and stopping right at the top of your ass. 

You flashed a mischievous smile at the Asgardian God, wishing you could just leave this event without anyone noticing and finish the night in your bedroom, but it was almost impossible to escape your brother’s gaze. 

As if he had read your mind, Loki leaned in, his lips brushing against your ear as he whispered. ‘’Do you think anyone is going to notice if we elope for a few minutes?’’

‘’Unfortunately, there's a hawk watching us.’’ 

Across the room, Tony's dark eyes were glaring at Loki and you — especially Loki — as he watched the scene unfold before him, his expression a mix of anger, disgust and frustration. He took a sip of his scotch, trying to calm his rising irritation, but it didn't do much to soothe his nerves.

Loki rolled his eyes back in annoyance. ‘’Does he know you are a grown adult and don’t need a chaperon?’’ 

Tony’s behavior was overbearing, but he had his reasons — besides strongly disliking Loki. 

‘’He's overprotective — always has been. But he got worse after Mom and Dad died. All we had was each other now, so he stopped seeing me as his annoying little sister and gave himself the position of protective figure in my life. He scared so many of my past boyfriends away,’’ you explained with a chuckle. 

Losing a parent was a pain Loki knew. It gets easier with time, but never goes away. 

‘’I’m sorry about your parents,’’ he said, bringing your hand to his lips to kiss it gently. You gave him a soft smile. ‘’His tactics are not gonna work on me, though.’’

You exchanged a sly grin with Loki, then reached for his hand and led him away. 

The second the bathroom door was closed — and locked —, your back found the wall and Loki's hands went to your hips, pulling you against him as his mouth found yours, kissing you with a passion and hunger that was reserved for private moments. You didn’t mind being kissed in a crowded room, but some kisses were just too intimate for an audience. 

Loki groaned against your mouth and shifted his hands lower, having been holding back from grabbing your ass through your dress all evening. As much as he loved it, he wanted to rip it off your body. But that would be problematic when it would be time to get back to the party. You couldn’t exactly go back in just your panties and high heels. That would be highly inappropriate — and embarrassing.

Without separating your mouths, you reached between your bodies for Loki’s belt, jostling with the buckle to undo it and unfastening his trousers. You pulled them down just enough to uncover his ass, making him smile into the kiss as his hands left your hips to grab your thigh. He hooked it around his waist as his other hand slipped underneath your dress to slide your panties to the side. 

Your time was counted. Soon, someone will come knock on the door to use the bathroom. 

‘’Ahh, Loki,’’ you sighed, your arms around his neck as he pushed inside of you. Your nails dug into the back of his neck, feeling the pleasure from the pressure and fullness of him. 

He wasted no time before pulling back out and trusting back in. ‘’This is much better than the buffet, isn’t it?’’ he asked, already knowing the answer. 

You threw your head back and closed your eyes, breathy moans leaving both of your mouths as he kept his movements quick but precise, hitting the perfect spot every time. It always surprised you how well he knew your body — your needs.

‘’Fuck,’’ Loki hissed in a drawn-out swear as you clenched around him so good. He kept an iron grip on your thigh, fingertips surely leaving bruises. ‘’If you keep squeezing me like that—’’ 

You cut him off, covering his mouth with your hand. ‘’Less talking, more fu— aah. More fucking. We have to get back soon.’’ 

You could feel your standing leg weakening at each of his deep trusts, forcing you to grip his shoulder with one hand to stop you from falling. The height and style of your heeled shoes was going to be planned accordingly next time. 

Soon, you felt the coil in your stomach tighten, climax building inside you. ‘’I…I'm about to cum,’’ you warned, your mouth close to his ear as he mouthed at your neck and shoulder.

Understanding the message, Loki’s free hand expertly found its way to your clit, skillfully rubbing it as you tightened around him, drawing nearer to your climax. He maintained his movements, his lips back on yours to catch your final moan.

A few more thrusts and he was there too, barely able to register his own orgasm approaching when he shot rope after rope of his cum inside you. Loki growled into your mouth, feeling his own orgasm ripple through his body, fucking into you as deep as he could go until he was finished. 

You shuddered when he pulled out, feeling the dribble of his cum down your inner thigh and on the floor, making you regret not using a condom. It was too late now, the mess was there. 

Forcing yourself to quickly recover, you and Loki took a few minutes to fix your appearance in the bathroom mirror, smoothing clothes and re-applying your lip gloss, doing your best to make sure no one would be able to tell of your and Loki's little escapade. 

You went for another kiss before slipping out of the bathroom together, his lips tasting like cherries and the expensive liquor he had been drinking. 

‘’How mad do you think Stark be when we walk by him?’’ Loki asked, approaching the room the buffet was held at. 

With the way Loki’s shirt was slightly wrinkled and the smudge of your lip liner, it was impossible he wouldn’t pick up what you and Loki had been up to.

Instead of answering, you grabbed a chute of champagne from the nearest tray and took a long sip. Tony could be pissed all he wanted. He’d be a liar to say he had never done this in his younger playboy days.

—

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