#usiness

[shihlun]

Leo Seltzer

- Sinews of Freedom

1966

[usikuagani]

Time bros

[princemick]

"push push"

[janeya]

my sweet tiny girl.....

[magnificent-winged-beast]

[vvvounds]

unico sbirro che c'è nel mio cuore 🦋

[rowanisawriter]

shrimp emotions from my own oc

[ztorm-of-goats]

Sheriffs!

Wanted to try drawing Sheriff South Sun and Sheriff Petal Fire! I love South Sun's design SO MUCH and I hope I did her justice!

(South Sun by @specklx and Petal Fire by me!)

[stuffyflowers]

Masterpost of everything we learned from the Kissy Cutie AMA with Merengue on ACDS for those wondering

(Merengue is the creator I should probably mention that lol)

The game, particularly its theme of racism, derived from the rise of Trump in 2016, during which hatred towards Mexicans was popular. As a Mexican woman herself, she says this was a very personal source of inspiration and she considers Kissy Cutie a "healing journey."

Similarly, Sona is inspired by her personal experience living with a controlling parent. Her confusing motives and reactions take you off guard. She depicts a complex person who is full of regret but fails to be better.

The endings were were a criticism of dating sims, trying to follow Undertale's ending style and the fandom.

She regrets making the truest ending so hard to obtain. She is tempted to make TikToks showing people how to get all the endings to stop the suffering.

She would love to remake Kissy Cutie, but "ran out of budget on the intro." In all honesty, she would think about it if people are really interested.

The game has so many artstyles as no artist wanted to compromise to draw all the sprites. While the end product worked, she would have preferred a more homogenous artstyle.

If she were to remake the game, she would like to redraw everything herself.

The yellow soul was renamed to Clover as the demo of Undertale Yellow had released during development. There are also references to Flowerfell (such as in Sona's final transformation), which was another fan creation she loved.

Sona's powers had many changes during production. She was going to be a doll-like monster that absorbed human souls (and goes bald at the end?), then she was going to have Flowerfell reset powers, but in the end she was made to be a witch whose powers came from an ancient artifact. She is also able to turn the monsters human through "determination."

She wanted to explain every loose end left in Undertale, hence the focus on Chara's backstory and their upbringing with Sona. She says Chara is the main character, not Sona.

She was nervous about doing a Sans path due to his popularity at the time. So she made him "that way" on purpose.

She handles the Frisk/Chara/Player relationship "like the Catholic Church handles the Holy Trinity."

She has played Danganronpa, but has not read Homestuck or watched Glitchtale.

The characters with no sprites are a result of their artists abandoning the project.

Alphys, Mettaton and Toriel paths were planned, but never got far.

The Alphys route was being written by a friend who she began to distance from. She never got to see any of it.

She has not played Undertale Yellow, only the demo.

The disappearance of the 42 Ayotzinpa students is another source of inspiration (The scene in which you find Mettaton's body likely alludes to this).

She loves and encourages fan content of her game, including using the game's code as a base for projects.

The humanification arc was intended to explore how a racist would 'solve racism' without violence, by turning everyone into "someone like them."

The human designs have slightly pink hair to reflect Sona's influence. Human Papyrus was inspired by his in-game comments about wanting muscles and hair, human Sans was "the typical fandom approach," and everyone else became anime characters.

The music was the last thing worked on. It was rushed and they didn't know what they were doing.

Sona was not intentionally similar to Monika or Makima.

Sona is (supposedly?) wearing a black mourning dress (Likely mourning Chara hence the yellow flowers).

The cover of Waterfall is her favourite track.

The idea of Sona being a skeleton named Arial was tossed around briefly.

The truest ending was created after some staff requested the option to save Flowey and Sona. It also fulfilled her plan for Sans and Papyrus to take over the orphanage.

Sona's final transformation intended for her to be kept human "but not without her sins showing"

The glitchy text character was Flowey. The glitchiness showed the interference and Flowey being manipulated

[aftonsparv-bugzz]

AGWHUEUWIIWIWOWOOWIEIFKJGJGJKHLTKRNN

[usikuagani]

@mermmarie its called bad ass foxy grandpa!

[dtaiusi]

I crave AR

[goozeghost]

Reluctant smoochies 🖤

[ugogoi49]

Today pc took over by these little "SHIMEJI S"

Animator polar summit )(twitter) & @gummygoatgalaxy

[mantarobin]

365 (art trade with @usi-thatdrawingguy )

[tinogiehd]

every doorway and doorframe

relationship: dream/georgenotfound, wilbur soot/georgenotfound (getting together, dnf endgame)

wc: 36k

chapters: 4 - completed