#until is true again

[ladyinfierno-art]

2 am wip

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[bluerosefox]

BREAKING NEWS! Youngest Wayne's Secret Lovechild?!

Teenage Ellie taking care of deaged Danny and moving to Gotham to hide from Vlad because Lady Gotham offered them sanctuary and will keep Vlad out.

BUT

Chaos is set into motion when during a Rogue attack, Damian Wayne (not as Robin at the moment) saves him and returns Danny to Ellie...

The internet/news happen because of course it did.

And people mistake Danny as his kid and Ellie his baby mama.

[spineless-lobster]

Icarus and melinoë are like the elementary school kids who would shyly hold hands on the playground and I 100% support them they are so adorable

[buttercupshands]

Had another one of "YOU HAVE TO DRAW NOW" moments

I actually did the scene above on my second try of the battle, lv 90 doesn't exactly make it easy to lose

Also I think it's time to show those sketches too

The Siffrin practice once more, but this time a bit earlier

Also first try on figuring Loop's full body ref too

Also this little thing, not as polished as digital would've been

Imagine my reaction when I accidentally gave Loop a flower after trying already and they accepted it. I adored that 'yeah we won't speak of this, but I accept your stupid flower' scene more than anything and it was pure text after little scene

[userjiminie]

those hips working like rent is due

[midwinterwings]

RULES OF BEING OTHERKIN #1

Being authentic and true to yourself is the only way you are 'supposed to be/act like' (insert entity). If anyone else disagrees it only tells you about them.

[tomurakii]

I like bloodweave. Okay. But I DON'T like the version of them in fanfic where Astarion is a dick and Gale is like. Whining and pleading for him to be emotionally vulnerable (or just. Nice to him) prior to the relationship being established. Because that is just not accurate. Gale needs the player to express interest in him during his weave-teaching scene before he even considers hitting on them properly. Gale is entirely resigned to his fate and needs someone else to pull him away from it. Gale only starts being sweet and romantic and devoted after you accept his love confession and give him hope for the future. Gale says fuck all and then slinks away to cry privately if you break up with him.

Like he isn't chasing after people lmao. He isn't dropping to his knees and crying about anything much less this dickhead he met a week ago. He is overwhelmingly passive about literally everything personal to him up to and including his own death (provided there are no casualties/there is a good reason) until after the player expresses that they care about him. Astarion is not doing that in any of these fics.

Like Gale is friendly and a dork and doesn't wanna get murdered but he fully has a suicide plan. He thought the artefacts would help him survive but he didn't believe he'd ever truly live again. If Gale confessed and Astarion said/did like one (1) mean thing afterward Gale's romance is closed off forever. He's wandering into the forest to cry. He's killing himself immediately. His fragile ego and self worth can't take it. You have to understand that when we joke about him being pathetic it's not bc he's like. Sopping wet and chasing people down and begging for a scrap of attention. It's because he craves affection but would literally rather die than ask or even hope for it until someone else forces that hope back into his serotonin-deficient tadpole brain.

[hejee]

did this between comms again and yep im making my own da4 canon

[eternity-death]

It’s rough being a Sunday lover

[emmg]

Evolution of writing smut

Stage 1: Nervously taps keyboard like it’s a live grenade. Spends an hour Googling “fancy word for penis.” Finally types “cock” and immediately logs off for three days to recover. Uses phrases like “sensitive bundle of nerves” because calling it a clit feels too unholy

Stage 2: Takes three shots, rips a bong, and decides shame is for mortals. Types with the raw, unhinged energy of someone who’s Googled “how much cum is too much cum” and lived to tell the tale. Suddenly, every sentence is an orchestral arrangement of obscene filth: “throbbing” this, “glistening folds” that, “the sacred geometry of his cumshot” somehow makes it in there. Slams ‘publish’ and bellows, “GET IN HERE, YOU FILTHY SWINE, DINNER IS SERVED!”

[maybe-boys-do-love]

A Tale of a Thousand Stars answers the age-old question: What if Hallmark movies were good?

[poorly-drawn-mdzs]

Hi I hate to be cheesy but I wanted to say that while a lot of people - very rightly!!! - point out how cool your art is and how inspirational it is that you showed art can be learned, not just a rare natural born talent, I also LOVE your sense of humor. The dialog and visual jokes are always so sharp and are guarenteed to make me laugh! Because I'm autistic as hell lol I like to bookmark things I can read through over agian when I'm looking for laughs and your blog is now high on the list! Thx!

Be not afraid to be cheesy; your genuine message has brought me immense joy B’*)

[lokh]

ive been thinking about this but. i think shuro understands laios' character pretty well, but he doesn't value his strengths or interests (monster knowledge). in the DVD extra where laios imagines what would have happened if they'd been on better terms, shuro STILL leaves because he thinks his chances are better with a trained crew (which....... is likely to be true but. look at how he ended up anyway lmao). meanwhile kabru recognises that while the party isnt particularly strong, the reason they get so far in the first place is BECAUSE of what laios knows about monsters. shuro seems aware that laios knows about monsters or has an interest in them, but views this as frivolous and a waste of time and doesn't seem to realise how much this knowledge carried them in the first place

[gutfaced]

yes i am the biggest advocate of surrogate father haymitch & adopted daughter katniss but like. they're so Awful. they've not got a mother/daughter relationship, they've got that father/daughter relationship where the dad is both reaching for a connection and rejecting the thing that he made because she's too much like him, too close to what he is and far away from it because of her potential and the daughter rejects because she doesn't understand him. understanding him is understanding herself. caring for him is caring for herself. and then she's awful to him because she doesn't understand and doesn't want to understand. and he's rejectful of her because she's got so many traits that are for the worse and not for the better. their similarities don't hurt nearly as much as what their differencee impale them with. it will always be what katniss could be (haymitch), and what haymitch prevented/could've been (katniss.)

[aroanthy]

kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings