Question about the bear:
Why does Henry seem to have better relationships with children than any other kind of person. With how children are well known to be easily irritable to some and their lack of impulse control, you'd think that Henry would be irritated by them.
It's all about intention! With Henry it's a lot easier to give kids the benifit of the doubt becuase he presumes a baseline level of innocence and naivete. In his experience if a kid is acting out it's usually not the kid's fault and he can try and help them with whatevers wrong.
There's also the simple fact he has a lot of power over children as an adult they respect and trust. They listen to him when he's in costume cus they LOVE Fredbear and when he's not he's an adult in a suit which means he has authority.
They generally do what they tell them to and when they don't he views it as a problem to be fixed rather than something to get mad about.
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when i think about where the anime left off…
2 hours later
…i can’t stop thinking about this part of the s5 op
• Fukuchi + pages (of the book?)
• a hand ominously dropping a book (the book?)
• sskk charging into a fight
• the clock in the background
who do we know who deals with time travel?
and this is the last thing we heard from her 👀
the clock could just be symbolic of Amenogozen… but i’d love to see Wells make a reappearance since it’s relevant to her ability
it would also be a perfect time to tie in 55 Minutes (a more sskk focused light novel), & make another callback to the Order of the Clock Tower
i personally think 55 Minutes needs to be animated before Stormbringer, bc there’s so much foreshadowing & world building in it that’s important to Stormbringer
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A while back I saw someone ask if Vander would have accepted Jayce's deal to give Jinx up for Zaun. The resounding response was "No", because Vander was already put in that position (sort of), and he chose to protect his children by giving himself up, and Vander would never be in that position to begin with. Those are correct statements, but they're not relevant to the question.
The question was, if Jinx decided to escalate tensions with acts of theft and violence that brought Piltover's attention, would Vander let Jinx be sent to Stillwater? I think the chance of him saying yes is at least more than 0.
We're not talking about all the kids getting caught up in a robbery gone wrong. We're talking about an older Jinx going solo into Piltover for targeted destruction havoc. In a universe where she everyone's still alive, Piltover still exists, and her hatred for that place would still burn and grow with time. The question really was, if Jinx put Vander in the same position Silco did in the past would he decide to give her up?
For Vander, what's on the line isn't Zaunite independence for Zaun, it's the safety of his family, his friends, and the population of the Undercity against Piltover's retaliation. He'd probably have even less moves to play than Silco did at the end. Vander can't give himself up, Jinx's name has already been leaked, and he is agonizingly aware of what Piltover's capable of.
Would he try to have her sent away? Vander wasn't willing to throw someone else under the bus for the kids in the past, so would he do it for a young adult Jinx who's more responsible for her actions? Would he think Stillwater is a better alternative for Jinx who may end up getting herself killed? Maybe he can try to plead for banishment (though that seems to be reserved for Piltovans)?
The question really stuck with me because Vander was willing to kill a man he considered his brother because he went too far, what does that mean for a daughter that won't back down from her own agenda?
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thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.
the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)
there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.
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i don't know how to be merely acquaintances when we used to be friends. or i think we used to be. i don't know how to yearn for a simple hello when you've been heaping your affection on me months ago, and i don't know how to talk to you when you won't say anything. when suddenly it's all about me. you know i have nothing to say, you know my brain is void of everything but horribleness and i cannot tell you about my day because i don't even know about my day. i cannot tell you about my day when i know you won't listen, when i know you'll apply your philosophy to my world and don't believe me when i say that everything is terrible. i don't know how to be the person you seem to think i am, or the person you want in your life. i don't know if you want anyone else in your life now that you're in love and sappy, found another recipient for your affections, leaving me empty and wounded and yearning.
you said you missed me. said it many times, while i was gone. now i'm back, have been back, and i wonder how you missed me, why you missed me, when you won't talk to me. i think you mistook missing for worrying. i think you mistook caring for a feeling of obligation. i think you like missing me more than talking to me.
and i think i can't breathe with how much that hurts
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art's bid to male manipulate tashi & art apart in college by telling her that patrick isnt "in love" is so v interesting, considering that of the 2 of them, patrick is the one who's more aware of sexuality/his feelings for art - while art himself has relatively repressed relationship to his attraction to patrick. but when art attempts (intentionally or not) to break them apart, he does so under the idea that ART is the one who decides whether patrick is "in love", like that's something he would know & identify intimately. he's admitting that he knows what patrick in love looks like, but either can't or won't follow that thought any further out than what can get him closer to tashi!!! madness !!!! the freudian slip of it all !!!!!!
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