#tw: poison mention

[milesducemdominus]

|| OPEN STARTER ||

Darkness felt heavy, the rising smoke of burning machines and spreading fuel fires choking every breath drawn into exhausted lungs. Still, even in the lull that approached could one hear the shouts and cries associated with conflict - whether they were within ones mind, scarred from all seen, or whether they were somewhere within the maze of trenches one simply couldn't be sure.

He limps, pale gaze fixated upon the uneven terrain, one hand hanging on steadfast to his blade while the other had wrapped around the vicious length of an arrow's shaft, the razor head buried deep into the upper portion of his chest, erring toward a shoulder.

It burned, it stung; the aching pain that reared with every movement distracting the train of thought that attempted to get moving. He had those around him to yet get to safety, find somewhere among the madness to settle for just a short while to regain a smite of energy and tend to gained wounds. But, as he looks past the smoke and vulgarity of war around him does Aymeric feel his hope fading.

Panted breaths felt uncomfortable, coughing agitating lacerations and the embedded state of foreign objects and yet couldn't be helped for the sting of chemicals in the air grew too much.

Dragging feet eventually found their way to an indent in the rock, the darkness continuing inward to what appeared to be a cave - and 't is there in which Aymeric and the few folk he had nearby that belonged to the Alliance took shelter for the moment. Just to get off of his feet, just to sit with his back against the damp wall of the cave - - it was a blessing and although they had very little to aid themselves with aside from bundles of bandages stuffed into pockets, there was gladness in their reprieve.

They needed to be swift - there was no telling when another wave of enemy would come nearby enough to spy them, and thus Aymeric removed a pauldron and took a closer look at the arrow so deeply embedded in his person. The majority of the shaft was snapped - his cry of pain muffled by sealed lips and furrowed brows - allowing him to weave the fabric of his tunic and mail over it, revealing bloodstained skin beneath.

He's tired, every breath drawn tightening his chest, but he forces himself onward; dousing the wound in a small amount of salve that would, hopefully, aid in the dissuasion of infection. Eyes, however, already note the discolouration surrounding the arrowhead and where it had embedded itself, the swelling of surrounding muscle and skin, the sweet odour that mixed in with the vicious copper of blood.

Necrosis - he'd seen it before, the way living tissue started to die because of trauma or, more likely than not, a form of poison. That possibility churns his empty stomach, aches and pains throughout his body growing worse - cramps gnawing at his calves.

Aymeric firmed his consciousness, cast aside panic and concerns and attempted to force his concentration back onto the pressing need of getting those around him to help. They weren't too far from the Alliance base, they could make it if they were careful; but as eyes glance around did he come to the abysmal realisation that very few of them were in any such state to be moving any further and thus he made the rational decision to send one fellow, still standing and able, to go and note someone of their location. It was a hideous risk, that was true, but it seemed as if they had no other choice.

For a moment, just a moment, does he close his eyes and attempt to steady the immense racing of his heartbeat - he would do nobody any good to give in aught too soon. Bleeding had slowed, gashes and wounds forgotten about in place of the growing discolouration hidden beneath the fabric of his tunic, in place of the tightness in his chest and the growing inability to breathe deeply.

Thoughts turned to loved ones, good friends, faces he would miss were he never to see them again - unable to help the macabre genre, ears focused upon the sounds of explosions and distant battle.

After everything- was this truly to be his final chapter?

[incorrectbatfam]

[Robin!Dick era]

Bruce: Dick has three aunts. He calls them Aunt Cupcake, Aunt Flower, and Aunt Kate.

Bruce: Time to step up your game, Kate.

[lover-of-mine]

“Do not take ibuprofen by mouth or apply it to your skin if you have ever had an allergic reaction or symptoms like wheezing, runny nose or skin reactions after taking aspirin, ibuprofen or other non-steroidal anti-inflammatory drugs (NSAIDs) such as naproxen.”

4x05 “Buck Begins” -> 6x11 “In Another Life” -> 8x05 “Masks”

Inspired by @stagefoureddiediaz and @bewitchedbewilderedbisexual

[poisonousquinzel]

just thinking about how supportive and understanding ivy is with her, her real ride or die i love them so much please for the love of god dont ruin this for her

[malaierba]

Thoughts on Toshiro’s eating behavior, restrictive ed/disordered eating habits, and ARFID (obvious warnings apply).

Been thinking about how Toshiro’s eating is described in the manga. Especially when you consider the context within which he snaps — which is jokingly referred to as “he has hangry”. Interestingly enough, emotional deregulation IS a common symptom of EDs. That, alongside all the symptoms that Ryoko Koi chooses to illustrate in him… it’s done too accurately for it to be dismissed as him simply choosing not to eat and starve, as if it were that easy.

Basically, I think Toshiro’s inability to eat is ARFID-coded, and that’s symbolism in itself. I also think food is one of the few areas in his life where he exerts control effectively.

Assuming that he was under the influence of the dungeon (not necessary for this analysis to work tbh), his behavior is a quite accurate depiction of how desire works for people who are chronic ascetics in general, and ED'd in particular:

According to Maizuru, he’s a person who's denied themselves all their life (“saving Falyn was his first selfish request“),

Who seems to only experience a sort of self-agency when it's linked to deprivation (not really eating food from anyone who wasn’t Maizuru as a child, turning down her food as an adult even though he’s otherwise easy to pull around),

Who's actively reaching towards something for the first time in their lives (so he doesn’t know how to work towards it without burning himself out).

A common trigger (perhaps the main one) in EDs is the desire for control. The logic often goes, what's easier to control than what you eat? what do you own more fully than your body? It tracks in Toshiro’s case: when he is picky that's one thing he can fully control, no one could force him to eat not when he was a child nor as an adult. Toshiro's “whims” are most indulged when he restricts or rejects food, rather than when he reaches for it.

The reason why I’m getting ARFID vibes from him is Maizuru’s wording. On the screenshot I shared, she said “he never ate much, but he ate plenty of what I made”, making it sound like he’d try stuff made by other people, but in the end, Maizuru was the only one who could tailor it to his tastes the best (and made it with love). Rather than fighting him or forcing him, he worked with him, which is the best course of action for parents with kids who are being picky eaters.

There’s also the wording used by Maizuru: I think he's ARFID and perhaps ortho coded, or some other restrictive ED. Here we have to note that EDs aren't exclusively or even always about weight, weight is often a secondary effect of the behaviors that are motivated by the ED. In layman terms, they're eating disorders not weight disorders.

With the established, I do see a narrative relevance to giving Toshiro this type of relationship with food:

It sets him in obvious opposition to Laios: You need to eat and take care of yourself to succeed, neglecting yourself equals not taking your goals seriously vs. I’ll sacrifice everything recklessly, myself included, in the pursuit of my goals.

Tangentially related but lol, can’t help but think of Laios getting SO mad when Toshiro’s reaction to his plan (admittedly thought of on the spot) to get back Falyn is “you aren’t even EATING” which, SO fair, you can strategize and make detailed long term plans all you want, but as they say the secret to your future lies within your daily habits.

It makes him a mirror of Falyn, her passiveness reflecting Toshiro’s own. Falyn explicitly says at the end of her adventure, while she’s turning down Toshiro’s marriage proposal, “I’ve always wanted to travel; I’ve always just done what my bother and Marcille want, I want to try doing what I want now”, which is reminiscent of Maizuru saying “He was always such a well-behaved, reasonable boy, so much so that it worried me sometimes. The only time he ever made a personal request was for this task” <- person disconnected from their desires. (More on this idea here, I love it as a narrative choice).

And then (here’s where I get suppositional). It could be an extrapolation of the way his upbringing has permeated so deep within himself that he overtly controls what he eats even under normal circumstances. This extreme exertion of self-control, this constant self-monitoring, would be unsurprising in the guy who’s a little too good at following social scripts and masking (fun fact, did you know that ARFID is often co-morbid with autism?).

I often think of him in this scene, where he seems to be telling Senshi that he’s had enough / he doesn’t want something (featuring the other Weird With Food character, my beloved Kabru, maybe trying to help him? or maybe hassling him too lol):

Looks like some habits are hard to break. But, Laios does get through to him when he kicks his ass, and Falyn seems to have reached him too with his words, so perhaps there’s hope.

Look at him forcing himself to eat a burger while holding so much distaste in his heart. Did he and Laios order for each other? At least Laios seems to like his meal.

[spraypaintstainonawhitewall]

Ghoul: guess what?

Kobra: what?

Ghoul: no you have to guess

Kobra: okay, i give up

Ghoul: Party's in the hospital

Kobra: WHY WOULD YOU MAKE ME GUESS THAT

[the-kr8tor]

Rotten Floorboards

Pairing: Cowboy! Hobie Brown x Fem! Reader

Word count: 11.5k

Tags: No use of Y/N, no specific physical description of the reader, Cowboy AU, Wild west AU, CW hallucinations, TW poisoned without your knowledge, CW violence, religious talk, CW guns, TW abuse mention, CW food mention, CW panic attack, CW injury, TW death, TW blood and gore.

Our Place In the Middle of Nowhere Masterlist

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CHAPTER 7 >>> CHAPTER 8

Skinned knees, scarred hands, and venomous words, you've endured it all back home. Survived it all— his tight, firm grip on your hand that only loosened around guests, finger always running along the gold band on your finger, a reminder of your hatred, a different reminder for him. Then your aunt's yelling in your ears until you could only hear her thunderous words at night even when you're alone. Her pen that does more than sign documents, the sharp end pointed directly on your palm, stabbing and cutting along your life line as if it could end your life right then and there— sometimes you wish it could. Then him, your uncle who had his hand in cutting your ties with the man you love, whose echoing footsteps walk outside your door at night, never giving you reprieve from the pain of being awake in that mausoleum of a home. All that pain, all that abuse you've suffered from your so-called kin doesn't compare to seeing Hobie's limp body under the monstrous weight of steel and ash.

Your heart has stayed inside your stomach since then, his green eyes closed, breathing shallow than the well that your uncle threatened to push you inside— you won't drown in it, you'll just crack your neck and your spine while you lay in tepid dirty water. You feel like that now, hopeless, blank eyes staring at the sky, seeing the world pass by from inside the well.

You've never left his side, feeling as if you'd regret it if you did even for a moment. You've regretted a lot of things, letting your parents go on that doomed expedition, and letting your aunt dictate the rest of your life. Never again. So you don't leave, you don't drink, you don't eat while the stranger who helped carry Hobie into the shabby inn treats him.

Your own wounds ache, festering under the heat of the southern sun. The humidity is clinging to your skin, making it all worse, making the pathetic bandage around your ear throb from the pain, tethering from infection. The walls of the small room they've put you in is suffocating, walls that feel like it's closing you in, dark hardwood that sweats from the sheer heat, and floorboards that creak and squeak from your footsteps. But you'd rather stay upstairs than what's below you. It smells there, especially when the day runs hotter than the surface of a boiling pot. It's probably because the whole building is old and moldy. Or there's something dead hiding underneath the rotten bloated wood.

The alligators outside your window hiss and groan, birds you've never seen before get eaten the moment they step foot inside the marsh. It's not fair, you think, for they only wanted to eat yet they ended up getting eaten themselves.

The night gives your nerves a break, the cooler air breezing through your injuries, taking the pain away for only a moment. Fireflies gather outside the willow tree that you've been staring at since you've arrived. Hobie sleeps under it all, from all the noise and the heat. You've held his hand the entire time, even with the bandages around your palms you could still feel him, feel his pulse, feel how he still breathes. Your eyes are dry and red, tears gone from how much you've cried on his bedside, and pleaded to the man to save him whatever it takes. The rickety armchair that has one leg missing has been your home, the room is your land, and Hobie has been your reason to stay.

You held his hand in yours, watching as his eyelids moved about, a sign that he still lives and thinks despite the trauma to the head he endured when the train crashed. The bandage around his head has turned red from his wound. He protected you, did everything to shield you from death. You'd cry if you still had any tears left to give.

Dawn has arrived, and you hear a knock at the door. It's quiet, almost silent as if the sound would disturb Hobie's slumber.

“Come in,” your voice is still hoarse from the noose that wrapped around your neck. It's small, barely there, barely having the resemblance of your former self.

With a creak, the door opens, and a familiar face pops out. “Just checkin’ on ya.” His southern drawl is thick, shaven face illuminated by the lamp he holds. “I need to change his bandages. And yours if you'd permit me.” Entering the room, he shakes his leather bound bag with the initials ‘T.M.’ embossed on it. The metal and glass inside clinks against each other.

You watch him carry himself with confidence, but with apprehension from his gait. “Do him first.” Moving the chair aside, you still don't fully leave Hobie.

“Alright,” his friendly eyes look at you with uncertainty. Kneeling down next to the bed, he examines Hobie's head, gently unspooling the cloth. That's the only time you look away, refusing to see him that way or it might wiggle its way into your dreams. “I’ve realized that I haven't asked for your name, miss.” You hear his bag unzipping while you stare at the outside world blanketed in deep blue. “Not your fault though, Holden brought you in haste.”

“Holden?” You ask, eyes scanning along the marsh.

“That's the big brooding man that carried him in. My name's Thomas, by the way, what's yours?” The smell of putrid ointment hits your nose, you refuse to cover the smell.

You give him a fake name, a name that isn't known to many, a name that isn't plastered in every bounty board across the country. “It's Clementine.”

“What a pretty name, I'd shake your hand but 'm occupied right now.” He chuckles, and you hold your breath while he continues to treat Hobie. After minutes of silence, you hear the rustle of fabric as he closes the bandages around his head.

You turn to look, the sight of Hobie just laying there is sobering. You've always known him as a strong person, always burying his heels in, independent in all the ways, and speaking his mind when he needs to be. The opposite of you, but right now, you have to be the one that's strong enough for him, to fight, care, and protect him if need be while he recovers. You don't know if you can do it, but it comes easily to you because it's Hobie, you've already done so a lifetime ago. You inhale deeply, finally meeting Thomas’ brown eyes.

“Thank you, for helping, you don't know us but you still helped. I promise I'm going to pay you back for the room and…” you look at the room that still bares Hobie's blood all over the floor, and his things thrown in the corner. “And everything else.”

“No, need.” Thomas smiles, eyes crinkling at the corners. Crow's feet evident in his smile. “Just seein’ him get better slowly is enough for me.” You give him a weak but genuine smile. “Your turn, miss?”

“I'm fine.”

“I've been a doctor for twenty years, and you're clearly not fine. Especially that ear of yours. I've seen better ears from pigs in line for the slaughter.”

You glance at Hobie's sleeping face, finally relenting. “Okay.”

“I'll try to be quick, I promise.” You scooch your chair closer, immediately holding Hobie's hand like his skin is magnetized. “I don't want to ask but, this injury doesn't look like it came from the train derailing.” He starts to peel off the shoddy bandage that you hastily put on, your skin feels like on fire. You don't mind it anymore, you've felt worse.

You sniff, eyes glued onto the gold ring dangling from Hobie's neck. “A piece of metal from the train nicked it.”

“And your hands?” He nods at your burned palms hidden under cloth.

“Heat from the metal when I tossed it off him.” A half lie.

“Ah,” Thomas cleans your wound with the same putrid ointment. He tugs at your raw skin, you bite your tongue on instinct. “Maybe I shouldn't ask about your neck then.” The angry mark left by the lasso still stays, you know it'll stay there forever. If not, then in your mind.

You look back at the stranger, eyes pointed and daring. “Don't ask.”

There's new cloth around your ear, muffling the sounds made by the house. “Then I won't.” He seizes his movements, eyeing your hand around Hobie's. “May I treat your hands?”

“It's fine, mister Thomas.”

“It's doctor, actually,” there's amusement in his eyes. “I’ve got a license and everythin’. You should see it, it's very professional lookin’.”

You crack a smile, “sorry, doctor.” With slight apprehension, you slide your hands away from Hobie's before laying your palms on your lap. “Do you own this place?”

“I do, sort of.” He unwraps your hands, revealing the angry skin underneath. Sucking in his teeth, you already know it's healing badly. But he still tries, for that you owe him everything.

“Sort of?”

“It's my sisters’ you see, they went on this business trip to get more funds for the place so they asked me to look after it for a few weeks.”

“I'm guessing that you had to leave your practice.” You flick your eyes over to Hobie's rising and falling chest to check on him. Satisfied, you look back at the doctor handling you with care. “That must've been horrible.”

“Havin’ sisters?” He jokes.

“No, leaving it all behind.”

His smile falters. “Don't cry crocodile tears for me, miss, I'll be back there treating the sick in no time.” His head tilts curiously at the old scar on your palm, ghosting his thumb over it. “What happened to this one?”

You want to say that it was because of her, that she did it. But this is one of the rare times that it wasn't her fault. Yet, when it was, she's good at hiding the evidence. Your aunt wasn't an idiot, she knew how to turn a girl into her personal workhorse that you whip and punch to obey without leaving any marks, without showing the world and causing them any concern for your well-being. So you tell the halfhearted truth.

“It was a long time ago, there's no cause for concern on that one.” It healed, a remembrance, telling you that everything will heal if you give it time— that Hobie will heal. You meet his eyes, finding it hard to read the old man. “How about Holden and the others I saw? I didn't get a good look at them when I entered but I saw a few guests. Are they guests?” You question him because that's what Hobie would do.

“Holden lives nearby who just happens upon the train wreck. He has a small stable in town, in Saint Denis. If you want he can take in your horses? They're mighty fine, I don't want them getting soiled by the marsh.”

“That…” you think for a second. If the horses are gone then you'd lose your only way out. Hobie would say no. “No, thank you, I'll take care of them.”

“You sure? Fine by me, there's hay inside the stable for ‘em.”

“The others? You were talking about them.” You continue to push the subject.

“Ah yes, sorry ‘bout that, old mind and all. Well, there's Eli, he's been stayin’ with us for quite a while. A priest on a mission we call him.” You listen intently, taking note of every single detail. “Then there's Lucy, she's a regular ‘ere, always comin' and goin'. Accordin’ to my sisters.”

You nod as he finishes your hands that's now tightly wrapped with bandages. Thomas begins to stand up, gathering his things. “Will he be okay?” Will he wake up?

He sighs, there's something behind his eyes that you can't quite pinpoint. “It’s hard to tell.” Your heart hammers inside your ribcage. “But he has so far survived the night, I think he'll pull through.”

“Thank you, again. I'll repay you, I promise.” You reach for Hobie's hand, letting your warmth seep through his clammy hands.

Thomas' eyes flick between your hand and eyes. “Don't mention it. I'll bring a basin with drinking water for him. Drip water onto his lips every few hours so he won't dehydrate.”

You nod in understanding. “I will, thank you ”

“Then some food and water for you.” He smiles, opening the door and looking over his shoulder to glance at you.

“No need—”

“How would you care for him when you don't take care of yourself? You need the energy. What would he say?”

You chuckle, squeezing his hand tighter. “He’d call me a wanker for not eating.”

Thomas knits his brows, turning back towards you. “A what?”

“Nothing, it's something profane.”

He chortles, wiping his hand across his nose like he smelled something foul. And you smell it too— the sourness, the moment he opened the door. Maybe a rat died under the staircase. “I won't ask then. Get some rest, miss Clementine.”

The door clicks and you're once again alone with him. It hits you again, how dire your situation is. There's a rock in the back of your mind that keeps rolling about, reminding you how close Hobie was from dying in your arms. But there's another boulder in the pit of your stomach, it tells you of a fate that could befall you now that you're here, close to the person looking for you. You'd rather jump towards the alligators than be back in their hold.

Hobie will wake up, you know he will. For now, you'd stay by his side, play the good nurse and protect him as much as you can because he would do it if the roles were reversed. You hold his ring in between your fingers, letting the cold metal melt into your warm skin.

—

You whisper to him, words that you're afraid of letting go, words that you wish would wake him up. You wonder what he dreams of, is it home? Is it something good? Or is he dreaming of you? You'll ask him when he wakes up, he'll wake up, you know he will.

There's another knock at the door a few hours later. Thomas enters with a tray that smells of something savoury, you've forgotten how hungry you are. But how could you indulge when Hobie lays there like a statue?

“I have some duck for ya, and a loaf. It's not much but it'll fill you up.” He senses your trepidation. “Please eat, you'll get weaker if you don't. ‘sides, no one will take care of him if you fall ill.” The utensils rattles as he places the tray in your hands.

You stare at the food with a blank stare. Guilt eats you alive, grief devouring what's left of you. “C-can you…” you clear your dry throat, “can you check on him? See if his breathing is alright?”

Thomas nods curtly after a moment, placing his fingers above his pulse, timing it on a watch that dangles from his waist coat. You don't touch the warm food until he's done. “His breathin’s fine, he's a fighter.”

You finally feel like you can exhale again. “Thank you.”

“Of course,” standing up, Thomas points at the bowl filled with water where a cloth floats atop it. “That's for him, from what we talked about.”

“I remember.” You're already squeezing the cloth, releasing excess water before you place the tray on his bedside to slowly let the water drip on Hobie's dry lips. With every drop, you pray to whoever is listening to will him awake.

“I'll leave you to it,” the door closes, and you're once again left in your dark thoughts where your fears have come true.

In between eating and playing nurse, your eyes start to get heavy with every bite of the succulent meat. You couldn't help but finish it to the bone, letting it fill your belly, leaving half of the loaf for Hobie when he wakes up. After chugging a whole pitcher of water and emptying Hobie's bowl by slowly but surely letting him drink, you place the tray down on the ground to lay down next to him carefully. There's a headache forming in-between your eyes, maybe you're incredibly fatigued than you thought you were. You're mindful of his injuries but not your own as you lay on your injured ear. It's self flagellation, as if everything that has happened was your fault the moment you stepped foot in the new world. As your eyes get uncomfortably heavy, mind foggy, you fall asleep curled up on his side.

You open your eyes and you're back home. The gilded walls of your room open up to you like a theater curtain. Your chest heaves, eyes filled with tears that you refuse to let go. Chiffon and velvet dress hugging you tightly, too tight, suffocating you slowly like a hand on your throat. Hand upon your chest, you rip it all off as if the garment burns you. But it isn't enough to get rid of it all, so you walk over to your table in haste, grabbing a sharp letter opener to slash and tear at the threads putting it all together. One by one, the once pretty gown is torn to shreds at your feet, from bodice to skirt, it all lays on the ground like discarded meat. In a flash, your eyes see red and bloodied muscle still writhing on the floor instead of fabric. As soon as it appears, it's gone after a beat.

You stand there in your slip, but the heaviness in your chest persists, hands and legs going numb— a testament to your shallow breathing. Your hands glide along your body to find anything tight around you, gasping and still in a panic, your hands stop around your neck that holds a string of diamonds. Without a second thought, you snatch the shiny thing away from your clammy skin, breaking the chain in the process.

Air enters your lungs the moment it's gone. Palms above your chest, you inhale and exhale whilst hot tears flow out of your eyes in a shower of sorrow. Leaning over the table for balance, your eyes meet with a familiar handwriting addressed to you. You're brought back in time the second your hand touches it, brought back to five years ago when Hobie slipped you a note during a party. You read it again, telling you that everything was ready, that he's ready to run away with you, somewhere far away and that you should pack your things.

After you read it, the letter dissolves into dark ink that drips down to your feet. You're holding the new letter again, opening the plain wax seal, you read the contents. Then you read it over and over until you get your mind wrapped around the saccharine yet sorrowful words that are all written in his hand. Hobie, the one you've been mourning since the news hit you.

His address is written hastily next to his own name, you laugh and then sob, hugging the letter to your chest. The scene shifts as if you've entered the fog and into a new world. You're in front of the docks, a large ship looming over you. You're dressed in a pair of borrowed trousers from Peter's wife, whilst the older man himself speaks by your side but you can't make out his words. It's all a garbled mess. For some reason, his hands are dripping with blood, but you don't point it out.

You tell him something, and he shakes his head with a smile, eyepatch moving as he gently nudges you towards the ship. The night hides his face, and all the secrets haunting you, even with the full moon shining down. As you wave goodbye, the ship unfurls its sails, sailors reeling the anchor up, and the captain steering the ship towards your future. You watch as Peter's silhouette gets farther until he's a mere dot in your sight.

You raise your head up to watch the swirling sky, falling stars raining down, and the moon smiling back at you. Someone whispers your name, and you instinctively turn around, expecting a fate worse than death thinking that they've found you. But you're greeted by Hobie himself, still in the same clothes you last saw him in, hair short, and face flat.

“Hobie?” You sound like you're underneath the waves.

“Run.”

You're awoken by the squeak from the rotten hinges. Sitting up, your eyes adjust to the light, seeing a silhouette of a tall, bony man in black and white. Vision focusing, you see him awkwardly stop in front of the doorway, the white square on his collar tells you that this is the reverend Thomas was talking about. He has a patch work of a beard and an aura of weariness.

“Eli,” your mouth speaks before you could think.

“That's me,” he chuckles, clearing his throat right after. His hands are behind his back, prompting you to be more wary of the man.

“What are you doing here?” You sit properly, hand placed on your gun belt, feeling the cold metal of Hobie's gun on your palm.

“I–I was…” his blue eyes flick from your gun to Hobie's sleeping face. “Thinking of p-praying for him.”

“He’s not dead yet, reverend.” Your harsh voice cuts through the man.

“I don't mean any offense.” He holds his empty hands up, you glance at his rough hands and the tattoo on his wrist revealed from how his sleeve rode down. It's something you can't quite get a good look at. Noticing your stare, Eli brings his hands down, pulling down his sleeves. “Praying for his swift recovery. That's what I meant.”

“You can pray for him outside our door. Better yet, pray downstairs.” You stare him down. “Where's your book of prayers?”

“I'm sorry, I should've knocked.” You can't place his accent. “I thought you were asleep—”

“And that makes it alright to barge in?”

He balances on the balls of his feet, your eyes instinctively flick over to his leather shoes that are too shiny, too kept as if he just bought it or cleaned it for the occasion. “We got off on the wrong foot, I'm sorry, miss…Clementine. My name's Eli.” Reaching for you, you only look at his hand without shaking it.

“I didn't give you my name.”

The reverend takes his hand back with a wince. “I–I got it from Thomas.” Your jaw tightens, eyes boring holes into his forehead. Thankfully, he reads the room and your expression. “I should go—”

“You should. Goodbye.”

The reverend doesn't turn his back on you, opening the door with what you could read as a cursory apologetic look. “I'm sorry, again.”

You grunt in reply. With the door clicking close, you stand up, taking a spare chair that Thomas always sits down on to lodge it under the doorknob. Locking the door and battening down the hatches. It's what Hobie would do, it's what he always does when he thinks you've fallen asleep.

“Wanker.” You scoff out before sitting back down next to Hobie. You don't find sleep after that. Your mind is too noisy, too chaotic to find sleep even though your body demands it.

—

Two days in and Hobie is still unresponsive, he breathes, even twitches in his sleep but he's unable to wake up. It's pure torture for you, seeing him lay there while you try your best at taking care of him. You've even tasked yourself at watching the good doctor clean his wounds and replace the bandages so you could do it yourself. You miss his smile, his laugh, and how he holds your hand. It’s just like how you've felt for those five long years, but this time you can see him, touch him, and take care of him but he doesn't speak nor look back at you. You don't know which one is worse.

Thomas says he's getting better, but you still worry. You play his nurse and a grieving widow at the same time. Everytime Hobie's breath hitches or even when his finger twitches you sit up, frantically calling the doctor to check on him. He always says the same thing, ‘he’s just dreaming,’ it doesn't fill you at ease, especially if it's anywhere near the dreams you've been having.

Three meals are brought to you every day, and each meal has brought you to sleep. You blame the trauma you've experienced, the things you've seen, the things you've done— it brings you towards the precipice of life and death each time, and without fail, you dream of him. Hobie still sleeps on the lumpy bed, body lay still, breathing sturdy and true. You don't mind the sleep, but the dreams you've had aren't always good, so you'd rather keep your eyes open than face the horrors that sleep brings.

Sometimes your mind wanders off, vision whirling to something else, something worse than him laying unresponsive to the world outside. In the corner of the dark room, you see a bloodied fountain pen with soiled grain littered around it. You turn around to look away, and you see something worse, his pristine white suit is a glaring contrast to the almost dilapidated state of the room, acting like a beacon of pain for you. He doesn't smile, nor come closer to you, he just stands there, back straight like he owns the place, light green eyes aglow like the fireflies outside but none of the comfort.

The blood in your veins runs cold at the sight, so you turn away from him as he stands guard with his judging eyes. Your eyes land towards Hobie to calm you down and bring yourself back to reality. He still sleeps, bandages wrapped around his head, eyelids twitching while he dreams. With a sigh, you suddenly see a pair of eyes under his bed, you're frozen at the sight of a large hand appearing from underneath, nails dark and rotten, wounds littered around the arm, decaying and sour smelling. You see it give you a crooked smile. Heart thrumming, the hand grabs Hobie's wrist, blackened blood oozing from its touch. With horror in your belly but bravery in your heart, you yank the hand away, finding it bursting into a cloud of smoke the moment you touched it.

“You alright?” Thomas asks, he watches you catch your breath from the doorway.

Your hand is closed around nothing, still held up in front of you, gasping at nothingness. You inhale, clearing your throat and bringing down your trembling hand to your lap. “Y-yeah, I think I'm just too hot.”

Thomas nods, eyes roaming around the room. “You've been cooped up in this room for two days. I think some fresh air would do you some good.”

You immediately shake your head. “I can't leave him. Besides, there's a window here, I get enough air as it is.”

“Pardon my bluntness but, you need to stretch around, get a different scenery or you'll go mad seeing the same walls.” Thomas crosses the gap, tentatively placing his hand on your shoulder. His palm hovers slightly above your blouse, not truly holding you. “I can watch him for you, the worst has come to pass already. I know he'll wake up eventually.”

You glance at Hobie's face, he does look better than before. There's color on his lips again, his breathing stable, skin no longer clammy and his wounds are starting to scab over. And the horses need your attention too, you have no idea how they're faring since they got here. You ponder leaving him for a moment.

“...okay, j-just for a few minutes.” But you still don't trust Thomas enough to leave Hobie alone with him. “You don't have to watch him.”

“Alright, I understand where you're comin' from. Hell, I'll give you the key to the room if it makes you feel any better.” Thomas takes out a ring of keys from his pocket, and then he takes out an old key from the metal ring to hand to you. “Just bring it back after.”

“Alright, thank you, that actually fills me with ease.” You close your fingers around the key, letting the metal press down into your burned palms.

“I'll be downstairs. I promise if I hear anythin’, even a squeak I'll come runnin’ out to get you.” Thomas smiles, back already turned to leave.

Your voice calls him back. “Doctor, you've seen death, do you think there's an afterlife?” You suddenly ask him, Thomas stops in his tracks, chuckling softly.

“I don't know, love.” You raise a brow, head turning immediately to face him. “I think it's best if you ask the reverend that. I'm sure he can provide you with an answer.”

“But you've seen people die, right? From your patients, to just…living. I want your opinion on the matter.” You push the subject, eyes heavy and tired. You can feel every bone in your body as your vision shifts, seeing iridescent light pass through the windows and shine in Thomas' face. When your eyes focus, the light is gone.

Thomas scratches his head. “From what I experienced?” You nod, “I don't think so. I think there's just darkness right after.” He sniffs, hands placed in his pockets. “I really think you should talk to the reverend, he might provide a more comforting answer.”

“Maybe I should.” Your voice drifts off, eyes blankly staring outside.

“You sure you're alright?”

“I don't know.” You don't see how red your eyes have become, or the bags weighing it down.

Thomas leaves without another word. You don't leave the room after that, and the key stays with you to hold onto, letting the metal dig into your palms.

—

Startling awake, you sit up from the whispers that have managed to slither its way inside your ears. You look over your side, seeing Hobie asleep and safe, you begin to sit up, head pounding roughly against your skull as if you've been hit by something in your sleep.

More whispers echo out into the darkness, your eyes wander around the room, finding no one so you listen closely. You glance at the floor, ears straining to hear, you realize the voices are coming out from beneath.

Slowly clambering away from the bed, hand reluctantly releasing Hobie's hand, you make your way onto the floor, laying yourself down on the cool wood. Pressing your ears, you listen in on the murmured conversation.

“She barely sleeps!” A woman's voice exclaims, it's followed by shushing. “It doesn't even work on her. I'm at my fuckin’ limit.”

“We need to be patient—” Someone says.

You press your face down closer to hear better. “We've been patient. We need to—” the floorboards creak from your movement. And they immediately quiet down.

You lay there perfectly still, but no sound from downstairs can be heard. Standing up, you check the doors if you've locked it properly this time, and you pat the gun on your hip to feel if it's still there. The unfounded trust that you've given to the strangers downstairs are wavering by the minute. But you can't leave, not until Hobie wakes up, or you might disturb his healing.

—

You gasp awake, trembling in your seat, the wounds on your palms have reopened from how your nails have dug into your broken palms. It's another nightmare, another nightmare that has kept you awake. Hobie still sleeps, and you're still trapped inside the small dusty room.

The heels of your palms rub roughly on your eyelids, washing away the nightmare and sleep. Laying your head on the back of the chair, you stair at the ceiling and the cracking paint. There's a dark red spot near the middle, it's barely noticeable but it's there. The longer you stare at it, the bigger it gets. You fight a sob as you abruptly stand up, maybe you should take Thomas on his offer by going outside. It doesn't hurt to leave for a few minutes, right? Surely no one is awake at the break of dawn, so Hobie is safe to be left for a moment. And he's comfortable with the window opened, letting the cool early morning breeze inside.

You sit down on his bedside, hands gently cupping his own. “I'll be back, alright? I just need to check on Buck and Cherry.” He doesn't answer. “Maybe they can tell me how they managed to find us. Or maybe what you told me before was actually right, that they can smell us. Like loyal hounds we had back at the manor.” Your words drift away as your eyes lose focus, staring at the raised scar on his neck. You sniff, bringing yourself back to reality. “Please wake up, I feel like— just please wake up. Yell my name when you do and I'll come running back.” You kiss his knuckles, eyes glancing at the pair of white trousers standing in the corner. “I'll be back.”

You stand up, ignoring all the ghostly eyes staring at your back. They're not real, you whisper to yourself. Opening the door and locking it behind you before you could change your mind. The key is safely tucked away in your breast pocket. A headache rushes by, you almost fall on your knees from the pain.

As you stand shakily in the hallway, the floors seem to shift and change. It stretches before you while you walk, as if it won't allow you to escape the place. You close your eyes tightly, grounding yourself by holding onto the wall. When you open your eyes, you see your aunt standing at the end of the long hallway. She's clad in black, a long coat hiding her entire body, from her neck to the tips of her feet. Her hair is stark white against the dark material, strands that are longer than you last saw her. You can barely see her face, but it's odd, like something's amiss.

“Where are your eyes, dear aunt?” You ask in a small voice, as if you've returned to the young age you first met her.

She opens her maw, a deep dark crevice of sharp teeth all lined up in rows. You hear your name escape from her unhinged jaw, it's whispered close in your ears. “You can't leave.”

“I just did.” You say without remorse, and without guilt. “Watch me leave again.” With measured steps you walk closer to the vision, as you get closer and closer, her body turns transparent until you've walked through her. And everything returns to normal. You've reached the banisters overlooking downstairs, hand clasped tightly around the wood. Shaking, but victorious. “Not real.”

You look over the railing, eyes roaming around the small space. There's a small common room where a fireplace that doubles as the kitchen lies. A large man sleeps on the single couch facing the fireplace, snoring softly, arms crossed over his chest. A humble bar is placed across it, where amber liquid in foggy glass sits on the shelves. Leaning closer, you spot a door on the floor that could lead to a basement of some sort. The surfaces have been wiped clean except for the tops of the shelves that are caked in dust. There's minimal decorations, save for a few pictures hanging on the walls. Then it hits you, the smell of the place. From sour milk to rotten eggs, you can barely decipher what it is, only decay.

You can see the place being homely after a renovation if not for the stench.

The wooden bannister creaks when you put your weight on it, you flinch away before it gives out from under you. You walk slowly down the small steps of the stairway, legs shaking from the thrumming headache behind your eyes, feet swaying like you're drunk off of moonshine. You attribute it from the vision you saw and from how fatigued you are. But your shoes barely clack against the floor from your footsteps. Your eyes skim over the photographs on the walls, yellowed paper and old frames of family. You look for Thomas in any of the pictures, but he's absent in every single one.

You finally make it down without waking anyone. The man, Holden, you surmise based on the description Thomas gave you, still snores on the couch. Crossing the threshold, you unlock the front door to go outside.

The entire marsh is bathed in blue, sun barely peeking in the horizon. A breeze passes by, goosebumps rising on your arms from the cold. You should've brought your coat with you, but it's too late now. If you go back upstairs, you think you cannot go back down.

You already feel like you're coming back to your old self. Eyes still weighing heavy in its sockets but at least the air and the greenery have grounded you back to reality. You have no idea what has befallen you, why you've been having visions of your family. Maybe it's the sleep deprivation, or maybe the living has decided to haunt you for all the things you've done to survive.

Walking along the wooden paths that prop you up from the mud, you follow it further down towards the small stable. The birds are beginning to wake up, chirping just above the canopies of tall willow trees. With every footstep, your feet sink slightly into the mud, soil swallowing down the planks of wood laid down as a makeshift path. Flies buzz around your legs, you swat away any that comes near your healing wounds.

You finally make it towards the stable, opening the door with slight force since the hinges are long rotten from the wear and tear of the moist environment. You finally crack it open, seeing seven horses in their little pens on the side. The wood inside is in the same state as the inn, bloated and decaying from age. Light filters through the cracks, dust and bloatflies flying all over the horses.

Bucky peeks his head when he hears you enter, he immediately recognizes you, hind legs stomping in excitement. You smile genuinely at the dark horse, walking towards his stable, still swaying slightly on your feet. Cherry appears from behind Bucky, coat muddy and hair tangled. You guess that they had to share a pen because of the lack of space in the stable.

“Hi, you two.” You reach up towards their faces, Bucky nuzzles your hand while Cherry huffs against your palm. “I'm sorry, I should've visited you earlier. But Hobie needed my attention.” With the mention of his rider, Buckeye neighs, leaning away, almost standing up on two legs. You think that he worries for him. “It's alright, calm down, boy. He's getting better.”

Bucky shakes his head, so you scratch the back of his ear where he always seems to like. You coo at him, whispering kind words towards the horse for finding you and Hobie amidst the wreckage with Cherry in tow. You enter their pen, brushing your hands along his fur and hair. Hobie's canteen peeks from his saddlebag on Bucky, so you take it, taking big gulps before placing it back inside the pack. You feel a lot better already.

Cherry watches you and Bucky interact. When she's had enough of Bucky getting all of your attention, she nudges your shoulder, nodding and huffing like a petulant child. “Alright, alright, I didn't forget about you.” Chuckling, you rub along her snout, you find that she likes to be pet there the most. “Have you been good? I'd give you both an apple or sugarcube but I don't have any on me.” You spot the bundle of hay near the entrance. “Is hay good enough? When we get out of here I'll give you both all the sugar cubes and fruit you could ever want.”

Leaving their side after numerous pets, you grab a pitchfork laying on the corner to grab some hay to place in their pen. Once both horses are properly fed and petted, you look around the stable for a horse brush, but the only thing you could find were more horses looking at you with curious eyes. You're more confused though, you see five horses in each pen, but there are only four guests inside the inn that you know of. There's Thomas, Eli, and Holden that you've already met. Then there's the mysterious Lucy. Whose horse is it that is alone in the corner? Maybe it's a spare? Nevertheless, you feed all of them.

“I'll be back,” you fold your knees to grab a bucket on the floor. “Let me just get some water for—”

“You're speaking to horses.”

“Jesus!” You clutch your chest from the sudden intrusion.

“Just me, sorry.” A woman stands in the doorway, hands on her shiny belt buckle, red corset tight on her torso, revealing freckles dusted on her shoulders and clavicle. She smiles, showing a gold tooth in the bottom row of her teeth. The sun has now fully risen outside, bathing her back in light, shadows hiding her face from you. “I'm Lucy, you must be Clementine.”

You clear your throat before you almost made the mistake of correcting her. “Y-yeah. Nice to meet you.”

“Why are you doing manual labor? Aren't you injured?”

“I am, but I'm feeling a lot better now thanks to the doctor.”

“Thomas?”

“Yeah, is there another doctor here?”

She chuckles, stepping forward out of the shadows. You see her chiseled face, lips full and pretty, more freckles lined around her eyes and cheeks. Her blond hair is tied in a neat braid, cowboy hat perfectly fitted around her head. There's a hunting rifle strapped on her back, and a large ornate knife on her waist.

“I'll take care of the water. Breakfast is being served inside if you're hungry.” She says with a lilt in her tone. “There's sausage, the good kind. I think you'll like it.”

“You've got their water?” You ask, glancing at your horses.

“Yeah, I've got them.” She crosses the small distance towards you, you don't drop your guard even when her hand grabs the bucket away from you. “I've been the one looking after them.”

“Oh, thank you then. I hope they're not too much of a bother.”

“Not really. Especially your Arabian there, she's real pretty.” Lucy eyes Cherry like a piece of meat on the chopping block. “How much for her?”

“Excuse me?” You scoff. “She's not for sale.”

“Alright, understandable. How about the thoroughbred?”

“No,” you stand stiff, jaw clenched. “They're not for sale.”

She grins slowly, brown eyes flat and staring at your soul. Shrugging, she begins to walk outside. “Eh, it's worth the try. Your loss, I would've bought them at a mark up.” Her voice fades away as she leaves.

You stand there with your fists shaking, you're perturbed by the people residing in the inn. You think Thomas and Holden are the only decent ones inside.

Cherry neighs behind you, you look over your shoulder to meet with her eyes. “The nerve of some people, huh?” Buckeye agrees by trotting in place.

Walking back towards the inn already has you sweating from the humidity. Once you open the door, all eyes are on you. Thomas stands behind the bar, preparing a plate. While Holden eats on one of the empty bar stools with a cup of steaming coffee paused on his lips as he stares at you. The reverend was just about leaving the basement when you entered, hand frozen on the handle of the basement door.

The doctor breaks the awkward silence. “Good morning. Did ya have a nice walk outside?”

You flex your hands on your sides, biting the inside of your cheek. “It was…pleasant.”

Eli casually stands up and then sits on the sofa near the fire and the cooking pot. He opens a large book, reading like he didn't just leave the basement as if he owned the place.

“Come have breakfast with us.” Thomas beckons you over, sliding the plate he was just preparing over to you. “I was just about to go upstairs and give this to ya.”

“Thank you, I'll eat it in my room. I don't want to disturb you all.” You come closer to the bar, fingers placed around the porcelain plate. You feel eyes on you, Holden continues to eat in the corner of your eyes. Eli is mouthing scriptures at his seat.

“No, no, come stay!” Thomas hands you a cup of coffee. The smell brings you back home. It's not a good memory. “It'll do you some good to have company, even for a moment. Please stay.”

You nod, clammy palms rubbing along your trousers. “...sure, just for breakfast though.” Rubbing your nose, Thomas notices.

“Sorry ‘bout the smell. We think there's a rat that died in the basement but we can't seem to find it.” He picks at his own plate while leaning on the other side of the bar. “That's why the reverend was down there. It was his turn to look.”

You nod, glancing briefly at the trap door on the floor. “Can I have a glass of water instead? I don't like coffee.”

His fork clangs on the plate as he lets go. “Oh of course!” Turning around he takes a pitcher of water and then he pours you a glass. While he does that, you look at the pictures behind the bar.

“Which one are your sisters?” You gesture towards the frames, Thomas still has his back towards you as he continues to pour you a glass.

“Oh, the picture that's in the middle.” You follow where he pointed at. A photograph of two smiling women in front of the inn when it was still new and shiny hangs in the middle of the bar. Their faces are flat and serious but the way their arms are around each other says that they're particularly happy in the picture. If not for the long exposure needed to take the scene, they would be grinning widely.

You tilt your head at the picture, eyes scanning their features and comparing it to Thomas' face. “You don't look like them.”

He twists around, handing you your glass of water. “I've been told.” Chuckling, he looks back at the picture briefly before turning towards you. “They got my mother's features and I got my father's. Which parent do you look like the most?” His eyes watch the mouth of the glass against your lips.

“I barely remember their faces now.” You don't drink the water just yet to answer his question. “So I don't know.”

“That's too bad.” And yet, he smiles. “How ‘bout you, Holden? Who do you look like?”

“My mother.” He says gruffly, tone monotone and uninterested.

“Ah.” Thomas picks at his plate again.

“I haven't thanked you yet for saving him.” You address the large man. “Thank you.”

“I just happened upon the place. My eyes couldn't leave the train wreck.” Holden stares at the same spot on the bar, you follow his line of sight, once you've reached the end, you see a dark red splatter on a glass of gin.

Before you could ask, Eli interrupts. “As is his will.” He's now in front of the fire even though it's sweltering inside already. “It's very lucky that Holden happens to be riding that way.” Eli says those words with humour, as if the train derailing is the funniest thing in the world.

Thomas clears his throat, “I heard no one else on the train got hurt.” You sigh in relief, knowing the real Clementine and her family are safe and sound. “A few railroad workers were injured but they're fine now, last I heard.”

“Yes, it's good that no one else got severely hurt.” Lucy appears inside the inn, smiling at you. She stalks silently around you like you're prey. Your hand instinctively slides down towards your gun belt.

“Well, except for your lad.” Thomas says, you look at him with wide eyes, blood running cold, gun now fully in your hand. The world swirls around you, your breathing gets faster, heartbeat loud in your ears. The air shifts, everyone except Thomas stiffens. “We know who he is. He's a fuckin’ legend ‘round ‘ere, but don't worry, we won't tell any lawmen. We're not like that.” Thomas continues to speak even with your world crumbling around you. He doesn't know what he just revealed. “Drink your water, we don't want you goin' thirsty now.”

“‘L-lad?’” you almost whisper, but the entire room is silent, a pin could drop and you'd hear it. Your words are thunderous compared to the fire cracking in the fireplace. “You said you're from here.”

Thomas chuckles nervously, you stand up, eyes flicking over towards the occupants. The rotten stench under the floorboards has increased ten fold in your panic, the tiny splotches of crimson on the walls and glass aren't just dirt and grime.

It's blood, and the entire inn is covered in it. Hastily scrubbed off the surface, but the mark of death remains.

They all look at you, Holden stands behind you, his shadow casting over you. Lucy continues to smile while Eli looks on amidst the backdrop of the raging fire behind him. Thomas gives you a look, shaking his head subtly.

You don't miss a beat, gun aiming behind you to shoot. But no bullet flies, you don't hit your mark for the chamber is all emptied out without your knowledge. You don't know when it was taken out but you don't have time to ponder it. Running past Lucy towards the stairs, you yell his name.

“Hobie!” You manage to get to the third step before you fall flat on your face, nose harshly landing on the stair, shoulder oozing something warm. Looking over the source, you see Lucy's hunting knife embedded in your shoulder. “No!”

Lucy giggles, and the reverend joins her side, face downturned, eyes following how your blood oozes out of your back.

“Fuck! They said don't draw blood! What the bloody hell is wrong with you!” Thomas shows his true colours, yelling at Lucy angrily. You continue to crawl up the stairs despite the searing pain. “Fuckin’ grab her! Get the key, it's on her.”

“I'm…” you still fight, elbows pressed on the rough wood, crawling relentlessly up the stairs. “Going to fucking kill all of you.” You say through gritted teeth, ignoring the seething pain as your body trembles.

Eli's voice pipes up. “We just want to get you home. God will strike you down if you do that.”

“Strike me down all he wants. He knows where I am.” With determined eyes, you keep crawling even though your arms are split apart by splinters.

You're about halfway up the steps when you hear loud heavy footsteps walk towards your form. Groaning, you dig for the key inside your pocket. The second you find it, you toss it with all your might, it flies up and then it lands and slides under the bar shelves. It's your turn to cackle. Large hands grab you, turning you over. Holden's scowl looks back at you. Puckering your lips, you spit at his face, laughing as he lets you go, desperately cleaning his face.

“Move over, big guy. Do I have to do everything around here?” Silent steps cross over to you while you try to desperately climb up. You can't feel your back anymore. Suddenly, you feel a cloth press on your mouth and nose. You know this smell, it's sweet and tart, but there's an underlying bitterness. Recognizing it from the description on the botanical books you've read, the ones that they say a proper lady shouldn't read. And you know you're about to black out within ten seconds. You try to fight back but you're weakening.

“Shh,” Lucy coos, arm tightening around your neck as she presses the concoction harder on your nose. Her own arm hits the knife still in your shoulder, you gasp in pain, inhaling more. “Go to sleep, sweetheart.”

The last thing you hear is his voice calling out after you. You're not sure if it's real or not, but you still cling to hope that it is.

��

The rope around your body is rough against your skin, the hemp seems to tighten around you as you move. You feel bandages on your shoulder blade, stab wound aching and throbbing. Entire body covered in sweat, your clothes are drenched from the heat. Your vision swirls, mind tethering between reality and fantasy. You see your aunt standing near the rake you just held, your uncle crouched in the corner, watching you struggle against your binds. And him, who sits next to you, as if he's guarding you. His face crosses your line of sight, it shifts between Hobie's soft smile, and his grinning face.

“I told you, you can't leave.” He says, hand reaching up to touch your face. You know he's not real, that he's a result of what Lucy gave you, what they've been giving you— but you still feel the air around him shift, how his palm sits on your cheek like a hot pan against your skin.

“C–Cross,” you gulp down as much air as you can amidst your state. “What did I do to deserve this?”

He could only grin at you.

“You’re awake, good. Lucy didn't accidentally kill you.” Eli stands near the doorway of the stable with a gold gun in his hand. Fingers yanking off his tab collar.

“Eli, you creepy motherfucker.” You slur your words, but you fight the haze. “How much did they pay you just to bring me back?”

He sniffs, “a lot.” The horses neigh in the background, you turn your head and you see Bucky and Cherry frantically thump and kick their hooves inside their pen.

“You’re not even a reverend are you?”

“No,” He says, turning away from the doors to face you. “I was once though.”

“Let me guess, you weren't cut out to be one.” You lean up, almost folding yourself to squint at him. “Or they fucking kicked you out.” He flinches, it's subtle, but you saw it. “They did, didn't they? What did you do, reverend?” You taunt while you try to ease your wrists off from the rope. Your skin stings from the movement, but it'll be worth it once you get your hands around his scrawny neck. “Oh shit, don't tell me it's—”

“It was gambling. I've racked up a debt.” He was quick to answer, as if he's still trying to protect his reputation. “I used all the donations.”

“That's fucked up.” You scoff, riling him up, playing him like a fiddle. “Seriously, so fucked up. And you decided to what? Scam more people by wearing the uniform?” Eli doesn't answer, you see him bounce on the balls of his feet, anxiety rolling off him in waves. “Is there an afterlife, reverend?” You say in a small, weaker voice to rag on him on more. It works when he turns towards you.

“Stop talking,” He saunters over to you, crouching down to your level. “I've already heard all those words before, you don't get to hurt me back, girl.”

“Was it all of you? Holden looked like he didn't want to be in there.”

“Please, he was the one who recruited me. He knew that Thomas needed more men the moment he heard Hobie's name.”

You chuckle bitterly. “You know that one of you has damaged the goods, right?”

“Thomas healed you.”

“Yeah, but still, you've left a mark. That means the pay will go down, that means your share will go down thanks to Lucy.” You can practically see the cogs in his head turn. Tilting your head, you turn him against his own team. “Tell me, would it hurt if you got someone out? You know, increase your pay.”

“What are you saying?”

“There are plenty of alligators here. I'm saying that accidents happen.”

Eli knits his brows, “but which one—?” The unmistakable sound of a gun going off echoes around the marsh. It's so loud that the horses are startled, panicked neighing fill the stable, birds scramble off the trees to fly away. “That came from inside the inn!” He stands up, you drop your façade as he turns away. “Shit!” More shots ring out, then a dozen more, suddenly, it's quiet in the marsh again.

Eli is in the perfect position for you, his body shields you from the afternoon sun as he stands there in a worried state. His gun is in his clammy hand, hammer pushed all the way down. Without a thought, you sit up in a crouched position slowly without startling him. And then you push him on the back of his knees with your shoulder, earning a pained groan from you and a sudden bang when he falls that has you flinching away.

Rubies pool around Eli's body, and you realize, he has shot himself when he fell on his face.

“Fuck.” The voice by the doorway says, you can only see his silhouette, the setting sun directly at his back. He's hunched over, silver gun in his bloodied hand.

“Hobie, are you real?” You could cry, on instinct, you move to get to him but your binds prevent you. Tears cling to your eyelashes as he slowly makes his way towards you. “H-how?”

You can see his face fully now, blood coats his cheeks and neck, eyebrows contorted in pain but his smile tells you otherwise. “I woke up.”

“You did.” Sobbing, you try to hold him even with the ropes around your wrist. “Are you okay?”

Hobie holsters his gun, wiping the blood off his hands on his trousers, and then he cradles your face. Thumb brushing along the tears. “‘m alright, dizzy and a bit of a headache but ‘m alright.” His viridescent eyes are aglow, trapped tears glimmering. “Are you—? Did they hurt you?” He asks in a small voice, afraid of your reply.

You frown, and he already knows the answer. “I thought you wouldn't wake up.”

“With you waitin' for me, of course I'd wake up.” Hobie lays his forehead against your own. He's real, and he's holding you in his arms again. “‘m real, love. I'll never leave you again.”

You cry in his arms even when he cuts off your binds. Your mind is still reeling from the previous event. Body free, you embrace him, face tucked on the crook of his neck. He holds you, kissing your temple, hands rubbing up and down on your back. He apologizes against your skin a hundred times. And you forgive him a hundred more.

Hobie releases all the horses from the stable, all the now riderless horses gallop out in a rush. He guides Cherry and Bucky out to hitch them just outside on the trees and away from the inn and stable. Coming by to get you, who stands in front of the inn.

“I need to get my things.” He says next to you, pinky curled around your own. “Your letters are still in there.”

“I'll come with you.”

“No, you don't need to see that.” His eyes warn you of the sight ahead.

“Too late for that, Hobie.” You thump your head on his bicep. “I’ll watch your back. Just in case.”

“Stay close, yeah?” He smiles softly, letting go of your hand reluctantly. You nod behind him, gun drawn and loaded.

The door opens, you try not to look at the bodies at your feet but your eyes seem to gravitate towards the violence that was left. There's blood splattered all over the walls, Holden's body is hunched over itself, blood seeping out from his numerous gunshot wounds. You walk a bit more, following Hobie's path. Broken glass crunches at your feet, and you see Lucy laying on the ground with her own knife shoved inside her chest. Her eyes are wide open, mouth agape in surprise. By the stairs, in the same position you were in mere hours ago, lies Thomas with a shotgun wound on his back, making you see through him.

“H-how'd you manage this on your own?” Your nails scratch along the metal of your gun.

“You were in danger.” Was all he answered.

As you stand there, you hear something on the floor next to the bar, glancing downwards even though you've had enough of the sight, you find someone who shouldn't be there.

“Culver?” You ask, and he whizzes out.

“Help. Me.” He tugs at your trouser leg, he's drenched in crimson, from his face down to his boots.

“He was hiding underneath the floorboards with the bodies of the actual owners.” Hobie says, guilt is written all over your face. “It's not your fault, love, you gave him a chance and he spat at it.”

“P-please,” he wheezes out, voice hoarse and broken, “they hired me, I-I was just following orders.”

You sniff, fists shaking. “It was my aunt wasn't it?”

Culver shakes his head, desperate to please you, desperate for you to save him again. “No, it was your h—”

Your bullet cuts him off, he lays there, now unmoving, and the gun in your hand smoking. You feel like you're deprived of air. Hands shaking, tears flowing out freely.

Hobie reaches for you slowly, you don't flinch away so he pulls you in, letting you weep against his chest.

—

The flames ebb away at the building, ashes flying off into the air as the roof collapses down on itself. You let the smoke fill your lungs, watching the fire light up the entire marsh, but it acts as a beacon to where you are. And you can't risk being found, especially when he's back on your side.

You kneel down, placing the framed photograph of the actual owners on the ground, apologizing to them quietly.

“We should go, Hobs.” You softly say, tugging at his sleeves.

He nods, eyes flicking between you and the burning inn. His palm is pointed towards you, waiting for you to reach for him. When your hand slides on his own, all his fears melt away. You're safe, and he's alive— that's all that matters.

—

Midnight comes, you and Hobie rode further north and away from the chaos you two left. Bucky and Cherry sleep next to each other, both tired from the ride. You tend to the fire while Hobie cleans his hands in a nearby river. The murky water turns a dark shade of red as he scrubs his hands clean, there's blood under his fingernails. And shallow crimson slashes on his arms. Once all the blood has been washed away, he sees a slash on his palm, identical to yours, the one he sutured himself. He winces, and you turn around to check on him. The both of you had been quiet the entire journey, preferring to look on whenever one groans in pain or when either one of you shifts on the saddle. You don't want to talk about it, and he doesn't want to either. Both thinking that it was his and your fault for everything that had happened.

He holds up a hand to you, wordlessly telling you that he's alright. Nodding, you turn back towards the fire, your vision shifts from the campfire in front of you to the burning cinders of the inn. A wet cloth on your cheek jerks you awake.

“Sorry,” Hobie flinches, taking the cold cloth away from your skin. “You have soot all over your face.”

You smile softly, hand reaching for his wrist, gently placing the cloth back to your face. He understands, wiping away the ash off of your skin. You stare at him, face unreadable, bandage still wrapped around his head. “Hobie,” he hums in reply, continuing to wipe the grime off. “You said you had to leave but you never told me how you left. Please tell me what happened that night.” Why did you leave me?

Hobie scooches closer to you, knee to knee, hand still wiping along your forehead. “Hicks did it.” You listen, hands fisting his vest to tamp down your frustration and everything in between. “He was the one who found out, told your aunt and got a group from the factory to ambush me in our meeting place.” His voice breaks but he composes himself. “He was the one who slashed my throat and…” faltering, the cloth slid downwards to your neck, rubbing along your skin. “buried me alive under our tree.”

Your heart clenches, imaging him clawing his way out of the dark earth. “Hicks, h-he married my aunt six months after you left. That motherfucker boasted that he killed you, hid your body in the woods. But I knew better.”

Hobie runs his thumb under your eye, wiping away a stray tear. He gives you a brief smile. “Fucker wasn't content in bein’ the factory manager, he had to ‘eliminate the competition,’ he said. I wasn't even participatin’.”

“I'm sorry,” you wrap your arms over his shoulders, hands holding his jaw. You apologize to him like an acolyte asking for retribution in front of the shrine. “I'm sorry, I should've done something— I could've—”

“There was nothin' you could've done, love. Just like how I couldn't fight back.” He pulls you in, face pressed on the crown of your head. “They used you against me. Told me that you didn't want me anymore. Told me I was a burden to you.”

“No, never. I'd never do that.” You pull away, holding him close, meeting his emerald eyes that reminds you of the best parts of home.

“I know that now. I knew it back then too, but my anger and frustration got the best of me.” He presses a heavy kiss on your forehead as you close your eyes, listening to him breathe. “Peter helped me get out, and all he got from it was getting his eye taken out.”

You gasp softly. “He helped me too,” Hobie looks at you, hands still cradling your face. Hands that are warm against your soft skin. “He didn't tell anyone where you were, I didn't know until now, until your letter. He helped me get on a boat.” You remember that day, it was raining, it was also pouring down back when Hobie left. Your nails dig into your palms when your mind gives you the image of him digging himself out of the flooded soil, lungs inhaling in rain water and dirt. “I–I really wanted to look for you, to run after you but I couldn't.” Hobie presses you against his chest while you heave, tears flowing down your cheeks as you feel his own drop on your head. “They had me under lock and key, they guarded my doors for years, until—” You pause, hands bunched up on his shirt. “I'm so fucking sorry.”

Hobie cradles you in place, arms holding your form as he lets his touch calm you down, accepting your apology, and accepting his faults. “You did good, love, you survived. But I'm ‘ere now, you'll never be back there.” You nod against his chest, Hobie hides his sorrow filled face in the crook of your neck, lips pressed on your skin, mumbling apologies. “When I was runnin’ away while I was still bleedin’, I thought I should at least say goodbye to you. But I changed my mind and went towards the docks while Peter hid me in his cart.” He leans away, just like back then, he doesn't want to sink his teeth into you, to bite hard and draw blood. “I thought that you deserve someone who isn't me. Someone who's not broken. 'm broken, and 'm afraid I'll never return to who I was before.”

You reach up to touch his cheek tenderly, head placed on his lap, cradling your body just like he did under your oak tree. “You are not as broken as you think you are. Not to me, never. You are everything to me, Hobie Brown.” You hug him, for you have no idea how to tell him that you know he can't be ‘fixed’, that there's nothing to be fixed. That even if there was, you'd break yourself, break every muscle and bone in your body, tore it limb from limb so you'd be broken together. That you'll fit right in where his jagged edges lie just like before. But you know you don't have to, because you're just as broken as he is.

"Is there still room left in there for me?" You poke his chest right where his heart is.

His yearning has taken a form in you, it has your face, and it has your voice. You are love incarnate.

"Always. you've never left.” He says softly, words that are only for your ears. You nod, smiling, tilting your head up as he leans down. “Let's go home, love.” He wants to carve out your name in his heart, but he'll settle for the next best thing— etching your lips upon his own.

[one-time-i-dreamt]

I realised too late that my brother and his girlfriend were working for Sweet Tooth and they basically went on a suicide mission where my dad crashed into their car and then Sweet Tooth crashed into my dad’s car and fed him poison sweets which made him laugh a lot and then he died.

[fabuloustrash05]

If I had a nickel for every time there was a musical number where a pink character sang a pop song about their sexual abuse and unresolved trauma with the song ending with them crying and having a mental breakdown...

I’d have TWO nickels!

[snoopyscorpio]

I'm guessing Sun would be the Dungeon Master and just...watching all the chaos unfold. "No, you cannot eat the poison mushrooms- no, you can't!....fiiiiiine! you can squish them, but you can't eat them! roll constitution!" "Nat 20" ".....*heavy sigh* SOMEHOW you are immune to the toxins spraying out of this gosh dang mushroom that has been rumoured to be the key ingredient in deadly poisons or raising zombie thralls!!" And then Blood Moon just going "ZOMBIE THRALLS?! I WANT SOME!!" and Sundrop is ready to throw his DM screen out of the window XD

I’d sell my soul to see the Security Breach Shows start an Afterlife Show with all the characters that have died before. Just the chaos of Old Moon sitting there waiting and Backup Eclipse and Solar Flare suddenly pops in and he just throws a party or Blood Moon pops in and OG Eclipse sets up Uno like ‘c’mon I’m bored play Uno. There’s only so much one person can do alone up here. Please, it’s driving me insane.’

[kiarabanetmi]

Hazbin Hotel: Episode 4 Discussion

I’m here to discuss my opinion in the controversey/arguments/backlash regarding episode 4, specifically the lack of trigger warnings and the Loser Baby song. If this triggers you or you do not want spoilers please keep scrolling and have a good day.

So brief overview before the episode: this episode dealt with SERIOUSLY dark topics that made my stomach turn, through Angel Dust and his servitude to Val. He’s an abused, trapped victim in a horrendously horrifying situation, one that many people in the real world are stuck in or have experienced. And there are very real S/A moments in the episode, specifically during the BDSM filming scene and the throughout the rest of the Poison sequence. (Please note, as a person who has lightly participated in BDSM and is constantly trying to learn it, KNOW THIS IS NOT TRUE BDSM! BDSM involved safety in losing one self, with a TRUSTED PARTNER/S and a safety system in place so all parties can be comfortable, secure and SAFE and not judged for stoping). And the fact that there was no trigger warning other than a 18+ rating is actually very troubling. Amazon, get your ass in heat and give a trigger warning on this episode! This is a legitimate concern.

This scene is haunting. And it did its job well. We see behind Angel’s facade, how he had learned to survive the abuse and r*pe he suffers from Valentino and who he’s forced to have sex with for him. And we also see he’s still a good person under it. He knows his situation is fucked and tried to keep Charlie away for her own safety and tried to protect her from Val as well.

Then he goes home and starts to self destruct. Husk was right. I’ve self destructed for different mental health reasons and even though my actions and way of self destructing is different from Angel’s, the mindset is the same. He’s been through hell that day, and the facade he put up is being criticized and put down by Husker. His safely net is being taken criticized and invalidated (even if it’s not healthy but just the best thing he can do in this unwinnable situation).

The the bar scene and the confrontation happens, as well as Loser Baby. The main critiques I see are these:

One: Husker is trying to compare his situation to Angel’s, which is “inappropriate and callous”. I mean, angel is S/A’rd for hours on end by strange men and Val daily/weekly and Husker is just indebted to Alastor right? There’s no comparison. Well that’s wrong for two reasons in my eyes. Firstly, we haven’t seen what Husker goes through with Alastor. What does Alastor have Husker do? Could he force Husk to do things, awful things, like Val does to Angel, just differently? We don’t know. But he doesn’t have control of his own life due to his own choice and situation, just like Angel. Second, I don’t think not trying to compare his situation to Angel’s, he’s trying to relate to him. Notice how Husk only tells Angel about his past AFTER Angel actually breaks down and tells him about how he tries to escape and hope to break enough that Val will get tired and let him go. That was the TRUTH, so Husk responded in kind. He’s not trying to compare his experience. Angel was finally honest; so tired and in so much pain he couldn’t keep up the facade and showed the truth. Just like Husk wanted. And in return for that honesty, the honest Husk kept telling and telling Angel to be, Husker opened up himself and shared him pain and past. (Also the fact that Husk was an Overlord is so fascinating and I hope it’s given more background information at some point! What he an Overload of gambling? Did he own his own Casino or business? What was his “department” or “specialty?”)

Second: Husker is telling Angel to “suck it up and accept his situation as hopeless,” and just punching Angel while he’s down. That’s not the situation at all, at least in my point of view. Remember, Angel is used to people complimenting him on his looks and videos by sick and greedy fucks or just being beaten and told he’s worthless by Val through physical, sexual, and verbal abuse. So what makes Husker calling Angel a loser any different? The fact that Husk is saying he’s a loser as well. He’s no longer seeing himself as better than Angel, or at least better than the facade Angel puts up. He’s also including himself in the saying. He’s saying “you’re a loser, and so am I.” He’s not saying “I’m better than you” or “suck it up, it’s hopeless so suck it up and accept your fate.” He’s bonding with Angel in the fact that they are both in shitty, fucked up situations (ones both of them chose: you have to WILLINGLY offer/bet your own soul) and instead of being fake with each other, they can open up to each other and understand each other. Val calls Angel a loser because he sees himself as better, and sees Angel as his property, and due to the soul contract he is. No one else calls Angel a loser cause he’s one of the most famous and valuable pornstars and assets in hell. Husker calling Angel a loser is to make him see that they’re alike and Husker is being brutally honest for the right reason. He’s right they are losers. Both of them are indebted to psychos who literally hold their lives in their hands. They have no autonomy and no way out and were there due to their own choices. (This does NOT mean they deserve what they get! And this does NOT mean that what Val does to Angel ok! It will NEVER BE OK!)

Three: everything is resolved after the song and we’re supposed to believe it’s all better? The song solved nothing right? It’s just fluffy bullshit shipping fodder to distract and devalue the hell Angel went through not even ten minutes ago. Well yes and no. It didn’t solve Angel’s situation at all, not even close. There’s still no idea as to how to free Angel from Val or make his situation better. And Angel will still have to go back to Valentino and be abused by him and those he has to work with. It doesn’t solve Angel’s plight. But that’s not the point. This song is supposed to be a turning point, even if it’s a small one. Until this point, Angel had only acted in his armor facade around husk, and Husk hasn’t bought it or even liked it. He said as much multiple times. At this moment, during this song, Angel and Husk finally begin to see eye to eye, and that they can be someone real to each other (the extent of that relationship will be explored down the line I’m sure), but they’re not immediately best friends or anything. It’s a start. And Angel realizes that while also having Charlie in his corner despite her severely bad attempt at helping on the porn set, he also sees that Husk is also someone who is like him and he can relate to. When you finally find someone who has been through a similar he’ll you’ve been through in a horrible situation, it does feel good. It makes you less alone. And when you are less alone you can start building a better foundation to become stronger.

These are just my POV on the episode. If you don’t agree with anything I said then that’s fine. I was just sharing my own opinion. And that’s what it is, an opinion. Not everyone is entitled to feel the same way I do. If this episode makes you hate the show now and you don’t feel comfortable watching anymore then that’s fine. This show has a very specific audience. My father and mother and some of my friends would never watch this show for various reasons, and that’s fine.

Hope you’ll share how you felt about the episode.

I may also make another post later about Poison and how some of the lines actually can relate to all forms of abuse, even domestic abuse and not just S/A.

[hippityhoppityyourenowmyproperty]

Oh my god, imagine walking up to someone who was sexually assaulted throughout their life and calling them a "one star review", I would lose my shit so fast

[incorrectbatfam]

[fighting Ivy]

Duke: Can we really eat a tree that’s that aggressive?

Stephanie: Only one way to find out!

[thebisexualteen]

"Forget me not"

Welcome. To the chaos of wonders. Anyways for those who don't know what an Forget me not is, it's an flower, generally an Myosotis, or Scorpion Glasses.

TW: Poison, Death and mentioning of graves

So(In this AU) Forget me not flowers are used for an death of someone special. They're also used for true peacefulness and love. Forget me nots are rare in the BI(Boiling Isles), only 24 Forget me nots have been known around the BI.(There was more in the past, but the level of Forget me nots have decreased ever since[Unless it's an bad situation])

Actually, once a day passes in Space, Forget me nots travel to space(Casually floating like it's dancing or jumping happily) and keeps traveling til someone gets/caught it. If u touch the pistil, it starts getting attached to u, til u let go. It's normally best if u put it on your ear.

Ik this is gonna be long soooo

There's something that u should be aware if random Forget me nots start appearing randomly. If there's alot of Forget me nots on the BI, it's generally an sign something horrible is gonna happen.

Forget me nots on the BI are good but also bad.

If there's alot, don't pluck them, it's now poisoned and the meaning for this is "Death shall cause misery around, I have now been poisoned. :("

This only affects the BI forget me nots, not earth, etc. Forget me nots in an bad situation are sorry for those, and never forget the people that roamed the land.

Forget me nots usually start blooming and floating in the Boiling Sea, usually to represent the graves of the people who used to roam the land. What's sad is the meaning. "I'm sorry, we couldn't save u in time. It was too late, is this the curse of being poisoned? :(" They also have some baby Forget me nots floating in the Boiling Sea to represent the children/babies that used to roam the land.

That'll be all cause i don't wanna type til it's 9 or something

@insanelyadd @milothegoat2 @owhouselover @naykamigami @imnotloney

Idk if the last 2 @s are gonna see this but ok

[poisonousquinzel]

Injustice: Year Zero #8

"You will wake up tomorrow because I allowed it. And because she'd never forgive me if you didn't.

But you're not powerful.

You're a fucking joke."

[poisonedspider]

Alright, alright, a bunch of you told me to just go at it soooo. I'm putting it under a read more. Also very large trigger warning, this entire starter relates to suicide, mental health (specifically PTSD), trauma, etc. This is an open starter, so please reply if you want to and feel comfortable handling really intense mental health struggles.

There was honestly no point anymore. That was it, mic drop, curtain closed. I'm sick of the poison, wish I had something to live for tomorrow. The thing was, he wasn't even certain if he did. He had been in Hell a long time, pushing triple the amount of years that he was alive. It hadn't seemed so bad....at first. Hell, in some odd sort of way, was more comforting than his living years. At least down here he got to be himself, no judgment, because everyone else was on #teamdebauchery as well.

The lifestyle had been beyond fun at first. It had even been fun when he had met Valentino. Valentino, who had appeared like some fucking Greek God (or, Latino God, should he say?) and swept him off his feet. Found value in him, didn't mind his bad habits, told him he was beautiful and wanted. If he had known then what he had known now - well, he didn't know if he would have left with Val after his shift at Club 666.

It had still been a decade or so before the contract was signed. And then everything started to get messy. The drugs were never enough to numb it, the hundreds of men could never fill the aching pain in his heart. Between all three Vees, Angel had had to leave. Val, for the most obvious reasons. But he knew when he didn't belong somewhere, when he wasn't wanted. That had been his whole experience being Henroin's son. And he could only stand so many thrown slurs and insults before he would lose it.

He had when he was alive, after all. He had found solace in death.

And maybe, just maybe, that had been what had landed him here. Sitting on top of the roof on the edge of Pentagram City, between the Magne District and Cannibal Town. It was far enough away from the Entertainment District owned by the Vees, or the Mafia and Weapon district where he might run into family. Far enough away from the hotel.

The hotel. His friends. His chosen family. He loved them, but he couldn't say he knew if they felt the same. All they knew of him was the fake persona he put on, the show he performed every day. A bullshit lie, starring the one and only Angel Dust! Cue the fake applause track. He had done it to himself, of course. He would rather be rejected for an image of who he was, then be rejected for his true self. He'd already had that happen too many times. By his dad and brother. By Valentino.

Charlie, she cared, but she cared about everyone. But ever since Pentious had moved into the hotel, she had seemed to put less attention in her first and only patron. He didn't blame the serpent, but it had driven him into a further spiral. Valentino was right - addict trash like him never changed. No matter how much he tried, and put in genuine effort, it wasn't going to matter. At the end of the day, he still sucked dick for a living. He still hid cocaine under his mattress.

And of course there was Husk. Husk, who Angel had started to fall for, even though it terrified him. Love was terrifying. But Husk had always pushed away his advances. Seemed annoyed by him. Uninterested. Maybe their little 'moment' had changed things, but it hadn't seemed like it did. While Husk smiled at him more and seemed more proud of him, Husk still had said he was tired of Angel being fake. And the sad thing? Husk had probably been who he was most real towards. Flirting or otherwise, it was because he had....wanted to try. With him.

This all led to here. He of course had tied all possible loose ends, or so he thought. He had cleaned out his room, the neon lights and pictures and fluffy purple pillows shoved into boxes, looking like he had just decided to move out without a word. Given up. Maybe he had. Fat Nuggets had been the hardest. It hurt his heart to leave his hellpig behind, but Nuggets deserved a better mom than him anyways. He had left a note for Charlie, not about his plans, but secured under Nuggets' collar. Please take care of him. xoxo Angie

Short, simple. He knew she would, too. Just like she did for Keke, for Razzle and Dazzle. Getting the angelic weapon had been the easiest part. Valentino's cabinet was stuffed with them. While Angel didn't have the money to get one on his own, it was incredibly easy to take one from Val. One would think it wouldn't be, but despite their rocky relationship, Valentino trusted Angel. He knew Angel still loved him, and would never do anything to hurt him. Not to mention that by contract, he couldn't.

Valentino would notice one of his guns missing eventually, but it would be too late by then. He had thought nothing could possibly be worse than being alive. Now he felt like nothing could possibly be worse than being dead. And double dead? That was the only unknown. Though surely, nothing could possibly be bad when ceasing to exist. He would never know it. He'd be gone. Nothing. Just like he felt in that moment.

He flipped off the safety, taking a deep breath. He knew how to do this - guns were his specialty, he'd killed so many people before. But fuck if this wasn't scary. When he had died, it hadn't been intentional. Maybe it had been unconsciously - he had wanted to die, and he had taken just too many drugs, more than he knew he could handle. He had slipped into the coma, and he had never woken back up. This was different. This he had to actively pull the trigger. Angel didn't consider himself weak, but he hated how his hands were shaking in that moment.

Hammer pulled back, gun cocked, he looked over Pentagram City one last time. In an eerie way, it was beautiful. He didn't belong amongst any of the good here. An angel he was not, despite his namesake. No, he was just Anthony. Scared. Alone. Nothing. Worthless. He had to shake his head to snap out of it, knowing the best aim - gun positioned right underneath his chin, angled so that he wouldn't fuck it up and end up suffering until he died of blood loss. Finger on the trigger. It would be okay....it would be okay....it would all be over in just three....two....