#traumatizing kids shows

[findmeinthefallair]

It can't be overstated how powerful the catharsis is when a scene of a character connecting with their wounded inner child is done right. The key poses...the expressions...the timing...storytelling like this can help to provide some healing for so many people in the audience.

[angstandhappiness]

Well, if you can't show dead bodies, actual red blood spraying, or people dying, you have to get creative with other kinds of horrors, then. Which they did very well

kids cartoons are like RATED TV-Y7 FOR SOME MILD VIOLENCE AND FEAR!!1!1 and then it’s the most gut-wrenching, horrific and mind numbing academy award worthy manifestation of depression and terror you’ve ever experienced in your mortal life

[adverbally]

Take a Chance, Roll the Dice

written for the @steddiemicrofic july prompt "one" | wc: 111 | rated: T | cw: none | tags: established relationship, Dungeons & Dragons

“With a fierce battle cry, you swing your sword at the manticore!”

“So I... roll for the attack, right?”

“Yeah. With its AC of four and your plus-two sword, you need at least a ten to hit.”

“And that’s on the big dice?” At Eddie’s nod, Steve rolls the twenty-sided die. “Shit. One.”

“Again?!?!”

“Apparently Sir Staevyn is cursed.”

“Your dungeon master could be persuaded to… overlook that roll.”

Dustin groans, “You promised not to be gross!”

Steve rerolls. “Thirteen!” He bats his lashes at Eddie. “How will I ever repay you, oh merciful one?”

“We can talk later, baby.” Eddie blows an obnoxiously loud kiss across the table.

Dustin gags.

[misticfog]

Regarding recently seen discussions about Harvey's reaction to Willow dating Hunter:

Bonus:

[batsyheere]

When thinking on timelines with DC and Danny Phantom, I always figure Dick Grayson and Danny Fenton being around the same age makes sense. Like, that 90-2000s tech and culture, the formation of the Justice League and the Meta Acts? It would make sense to have a time period with no basis for such things when it concerns Danny not reaching out to other heroes or for the Anti-Ecto Acts being slipped into law. And it wouldn't be weird for Batman not to hear about all the ghostly happening of Amity Park when he would primarily be focused on Gotham (and somewhat the League).

It feels like a good set up for Danny being a great mentor for others based off his own struggles as a teen vigilante with no preparation or proper support. He can finally reach out to other heroes, lend his own experiences and power to a fight even if he does decide to start retiring from the vigilante scene.

Then you have Dick Grayson trying to strike out on his own, form his own identity, and I feel like Danny would be weirdly intuitive? He immediately clocks Dick as a teen vigilante and is just there for him in the ways he always wished someone had been for him.

[ghostinggg3299]

think i fucked up my cuticles

i also had some deja vu feeling drawing this, like i felt like i drew this lil comic exactly or just pigsy in general-

either way, i enjoy the wukong slander/hj

[hood-ex]

It was crazy that Bruce showed Dick the footage of him getting shot in the head, but it was equally as crazy that he let Damian watch it.

[ninjaaa-go]

I was just thinking that, if we do actually get amnesiac Jay, him eventually getting his memories back could be really interesting. Because obviously you’ve got all the great memories with his family and the people he loves, but at the same time just— the horrors. The guy has so much trauma piled up from over the years and I feel like that would be A Lot to have dumped on you all at once.

[lunar-wandering]

do y'all think Macaque is falling back into the role that Azure and the others put on him by remaining on the outskirts of the group because he thinks his input/presence is unwanted (and yeah his presence isn't really wanted by MK and the others BUT. something about the fact Macaque is placing himself at the edge of the group, the edge that Azure and the others pushed him to, doesn't really sit well)

[ask-but-beware-the-consequences]

Family!AU is sometimes a bit challenging lol when it comes to Dethklok production with the two most active workers.

Skwisgaar is equally questioning the hold up. But I'm sure he'll manage to help somehow.

Autumn Collection #5

>prev family au<

[porter-pumpkim]

do you think mephone always calls himself a "fat slob" because cobs always called him that and he was convinced it was true when he was literally a month old phone eating cookies when it happened?

[abortionado]

Please reblog for a larger sample size I'm really curious about this

(I meant *in school btw but I can't edit)

[tiredaf23]

Genuinely can someone explain why TADC is tv-pg on Netflix? Like that shits not for fucking kids.

You shouldn't be putting THIS

With a fucking children's rating!!

We should NOT be exposing vulnerable children who don't even know what the hell they're getting into to this!! Shit like this is part of what fucking traumatized me a little kid!!

They need to change the fucking rating, I'm not even joking, I will not be watching this show until they do.

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[autumnslance]

In reference to this post I reblogged earlier, but don't want to muck up UC's activity:

#i think it's more important to see that redemption is in the eye of the beholder #not everybody (characters or real people) will accept the same type or amount of repentance for the same sins #some people might not care at all if the person who wronged them feels sorry; only if they materially repaid their crimes #others can feel the opposite #and either way that's their prerogative #you can disagree with the characters or the fans or the writers about who “deserves” OR has “achieved” redemption and that's okay #because it's ultimately a complex philosophical issue #like i agree with OP!!! but there's media literacy in accepting that not everyone will

I'm going to disagree with many of these tags, especially it being "in the eye of the beholder" and would argue it's more media literate to recognize when a character has a workable redemption arc even if one disagrees they "should" get one. It took me a long time to learn this cuz of how we're usually taught redemption = forgiveness in Western (especially very Christianized, and especially if explicitly raised Christian) culture:

It doesn't rely on anyone but the person seeking redemption.

Yeah, it's the wronged party's prerogative to never forgive, to think the perpetrator's atonement (and/or punishment) is not enough and never will be. Anyone (characters and actual people) who sympathize, and who are on their side, can agree it's not ever enough and that character/person's sins are unforgivable.

And that still doesn't matter to their redemption.

We have an example of a workable redemption arc that not all accept in Final Fantasy XIV with Fordola's situation, through the Endwalker healer role quests. She was raised a collaborator of Ala Mhigo's imperial occupiers, and thought the best way to help her people was to soldier for the empire, becoming their Butcher.

In the Stormblood patches, Raganfrid says he will never forgive her; he thanks her for the aid she gave in the throne room that day, but that's all. And even in the EW healer role quests, their interactions are complicated. He still can't forgive the collaborators, even as he works to reintegrate them into Ala Mhigan society. He recognizes many thought they had no choice. He can't, won't, forget the pain of losing his own loved ones to them. This is stated multiple times.

And others, like M'rahz, Sarisha, and M'naago also struggle, also say they won't forgive...but reluctantly agree they can understand how for the sake of their families, the collaborators felt pushed against a wall, and what lengths have they themselves gone to for their own families? M'naago even scolds Fordola: she doesn't get to give up, she has to keep working--or she dies as exactly what everyone said she was.

Fordola starts out as the one punished for her sins. Through the story, she makes her choices to change and fight and work for her people as a free woman. There are still those who despise the Butcher, and always will. Redemption comes from Fordola's actions, Fordola's choices. Who forgives her and who doesn't can't change that she has changed, and continues to do so.

And in the interest of fairness, for the opposite of Fordola, we have Laurentius. In A Realm Reborn, he collaborated with the empire, selling out his nation. He came out of his punishment wanting a new chance, so joined the Crystal Braves...and immediately fell under Ilberd's sway. While others remained loyal and stuck to their morals (and paid for it with imprisonment or even death), Laurentius went along with all of Ilberd's plans. And in the end, the player gets an opinion in the punishment he and his comrade face, but it's clear from talking to Raubahn there isn't much hope. Laurentius had his chances, but he didn't make any effort to actually change--so faced the consequences.

For Reference for the Healer Role Quests: Garland Tools Healer quest text starting with "Far From Free", and my own saved text in Gdocs (raw, not very organized compared to my later saved/updated docs).

(Nero's the war criminal who...didn't even get a slap on the wrist, he just waltzed into a leadership meeting 15 mins late with Starbucks and has been helping us save the world since. Gaius is the war criminal that went through traumas, saw his privileged preconceptions torn apart, and is starting down that road in the wake of Werlyt to clean up his mistakes and not let his children's sacrifices be in vain. None of these characters "need" punishment to decide to change; some of it simply happens as part of their stories, but they make their own choices and actions toward atonement.)

(Also redemption is usually an ongoing process, which is why "Death Equals Redemption", like how Yotusyu's situation is framed, is so dicey and often unsatisfying; are they actually changed, or they just getting out of putting in that effort to? Nothing indicated Yotsuyu actually cared to change, as sympathetic as she was in the end! But she has her redemptive moment for her fans, and the people who hate/won't forgive her also "win"--the trope is a "have your cake and eat it too" writing cop-out IMO at this point.)

[errorwarblesrr]

I feel like moments like these are important. It solidifies that after everything he has been through in Ocarina of Time and Majora's Mask, he is still a child. In OOT, he really was a child trapped in an adults body.

He doesn't consider himself a grown-up and doesn't really understand what's going on in the Anju and Kafei sidequest. He isn't motivated by the stakes or to help two lovers reunite but rather to just help for the sake of it.

In Great Bay, there are, unfortunately, a bunch of weirdos. He looks at a Zora man weird, but I think rather than just finding him gross, he doesn't get it as seen in the Fish Wish sidequest. He finds them weird, but he doesn't have a full understanding of it. This showcases his innocence in the game.

Along with that, there's also a moment where Sakon the thief tries to take advantage of Link. He talks about Link's sword and how cool it is, gives advice, and compliments the sword again, asking to just see it. It's obviously suspicious to the player, but if Link says yes, Tatl immediately gets hostile and attacks Sakon to drive him away instead of letting Link hand over his sword. If Link says no but tries to talk to him again, Tatl will immediately become hostile at Sakon anyway. I feel like this can show how niave Link can be.

There's also when Link receives a Keaton mask. He doesn't really get the meaning behind it and doesn't think accepting it if it makes sense, but he does it anyway. This doesn't really further any points other than he really is just a niave kid going through the motions.

Point is Majora's Mask highlights how he is still a child at heart. He thinks and acts like one still after Ocrina of Time. He didn't just grow up when he was asleep for 7 years. After everything he's been through, he's still him: a child.