#to elaborate a little i guess

[ftm-megamind]

how do you think jack and david apologize to each other after having quarrels (besides words because of course sometimes they just say it out loud but i mean little things that mean just as much as "i'm sorry"). personally i like to imagine david giving jack a little kiss on the forehead and jack hugging david real tight and nuzzling into his neck

[possamble]

What I love about Dungeon Meshi is that it says “eat, or be eaten,” but not as in “survival of the fittest.” “Eat, or be eaten,” because there is no third choice—every day of your life, one or the other will happen. If you choose not to eat, you will be eaten. Eating is a mandatory part of being alive. The failure to acknowledge this makes you weak, guarantees that you will fail—as seen with Shuro, as seen with Thistle.

“Eat, or be eaten,” because “living things take other lives as sustenance, and no one is exempt.” If you eat—if you are a living thing—you will be eaten one day. Whether it's to literally be killed and eaten for your flesh, or decomposed down to the bone—violently or painlessly, quickly or slowly, you will be eaten and turned into sustenance for other living things. A dead body is always consumed as food, and there is no meaningful distinction between the two. The only way to avoid it is to have never been born at all.

“Eat, or be eaten,” because “eating is a privilege of the living.” And isn’t that incredible? To be a living thing is to have the privilege of eating. To have the ability to eat is a boon, an honour, a birthright. It is the unique, universe-given gift and right of all living things. It is synonymous with being alive—to live is to eat. To eat is to be eaten. We are eaten because we eat, we die because we were born, and the privilege of eating is earned through the inevitability of our deaths. The two cannot be separated. 

“Eat, or be eaten,” because “eating is a privilege of the living” and the reason why a mortal man could topple the personification of infinity—it cannot die, therefore it is not alive, yet it chose to eat. But to eat at all is to become a thing that can be eaten—choosing to take means you will have things taken from you in the same manner. The moment that Laios accepted this—after killing his sister with his own hands—was the moment the Winged Lion had already lost.

Dungeon Meshi is far from the first story to say, “memento mori.” But it takes the inevitability of death—a concept too distant and philosophical to grip the average person—and reframes it within the act of eating. Makes it visceral by using a universal part of daily life, a routine that every living thing is intimately familiar with. 

“Remember that you will die,” it says, but furthermore, “remember that your future death is a prerequisite for the food you are able to eat now—remember that other things die so that you can eat, remember that you will die to feed something else, and that there is no other alternative. There is no way to stop this. To take is to have things taken from you. To eat is to be eaten one day. There is nothing kind or cruel about this—it just is, and you must be the one to understand it and bring meaning to your own existence.

In light of all this, why wouldn't you choose to live as deliciously as possible?”

[whamss]

honestly it’s such a generic trope but i do genuinely love the concept of rose and kanaya flirting a lot with each other prior to dating, but never picking up on each others advances. both as an expansion of their pre-meteor/act 5 dynamic (lots of banter, slight mental warfare, two girls trying to see how long it takes the other to pick up what they’re putting down, flighty broads and their snarky horseshit, yadda yadda) and in the context of their miscommunication on their first date.

rose leaning on kanaya’s shoulder as she reads over a book about quadrants, and rose tells her that’s sooo interesting, she wonders if humans can engage in this stuff, and kanaya shuts her down with a vague Im Sure You Will Find Out Someday. kanaya making rose dozens of outfits, all lovingly designed, adjusting rose’s outfit when she puts it on and telling her that she wishes she could dress her like this all of the time, she’s never had a model quite like her, and rose is just like Well of course, if you ever have anything you’d like me to wear you’re welcome to invite me over. both of them die over these encounters later

something about rose and kanaya being confident enough to flirt w each other but too stupid to fully pick up on the Implications. always trying to tip the scale in their favor to force the others hand, never quite having the strength to outright admit that they like each other (until rose is shitfaced and stumbling). i think it’s a fun means to escalate their early banter as they become more acclimated to each other and develop Feelings.

[lemonisntreal]

TONE DEAF :: Rosita and Norman <3

The first in a [hopefully] series of redesign + headcanon posts where I give you my take on a character for my AU

I'm grouping the two together because a] a lot of fluff headcanons I have, they share [because they're literally husband and wife]. And b] if I made an individual post for every single character, I... would go insane. So yeah. A bunch of characters are gonna get clumped together.

[FULL MASTERPOST HERE [yet to be made <3]]

HEADCANONS // BACKSTORY ⬇️

Me and the bad bitch I pulled by being autistic [also autistic]

Both of them are the same age, mid to late thirties.

In terms of general intelligence: Rosita has gifted IQ, while Norman is at genius level.

I know. I know Norman seems kinda dim in the movies. But guys [LMAO]. "I know it looks like there's nothing happening behind those eyes, but...... he can make entire computers!"

He's so smart yet so stupid. He's that kind of character. Like he can do all of this super impressive shit, and is super talented and can do math like BOOM done, but he's also kinda a "deer-in-the-headlights" when it comes to life [I LOVE HIM 👹]

Both of them worked hard and have their college degrees almost completely paid off at this point because of the scholarships they earned.

Rosita has a degree in engineering, Norman's a computer scientist.

They're both in STEM, it's just that Rosita likes to handle more of the mechanical aspects of things while Norman's better with the technical stuff, which I think is cute af.

Yin and Yang <3

This dynamic is just how they are too. How they act. Like for example, Rosita can be very to-the-point-

She's very much a problem solver and will get right to it once she understands what she's doing. Like yeah, she often takes a very methodical approach to it [see the scene where she's got all the papers laid out to try and learn to dance- very new territory for her], but once she learns, she gos all in. And EATS.

Norman's gotta have a plan before doing anything, meanwhile. He has a morning routine that can't be interrupted or else his whole day and mood will be thrown off. He reads through a recipe twice before even starting. That kind of stuff.

He's a lot more hesitant to even try.

A lot of people find Norman boring. But Rosita is enraptured by every word he says, she LOVES his long spiels about hyper-specific [and often mundane] things.

AAAA--

Norman is also a closeted DORK. He ran a tabletop games club in highschool with a couple other of his geeky ass friends [he's still into D&D to this day and has introduced Rosita to the game too]

[she's fun to play with, but super competitive. This goes for ANY game, actually, not just D&D. She'll kinda accidentally turn everything into a "contest" due to her inability to not do her very best] [it's mostly inspirational, not annoying, if that makes sense?]

I also wanna say Norman was in a weird amount of drama that he didn't want to be in at this time. Like all of his friends had falling-outs, and he was just always caught in the middle of it.

He's afraid of confrontation [UNLESS IT'S FOR HIS WIFE] [HE STANDS UP FOR HER RAHHHH] [this is gonna happen when I get to rewriting Sing 2, he's NOT just gonna take Crystal calling his WIFE "mommy pig"]

They're sooo "excuse me, he asked for no pickles"

Norman and Rosita technically met in high school, in Junior year when Norman first moved to Calatonia.

WHICH, he and his family did this because this was a point in time where laws having to do with the rights of animals were VERY flimsy, and Calatonia was one of the first and only safe places at the time-- for Pigs especially, actually.

The 3 Little Pigs is deadass CANON TO SING. So Pigs were/are actually a marginalized species in this universe.

[[during the warring period that I have yet to really talk about, they were often victims of the anarchy and poaching, so stigmas and insults around them still exist to this day]]

[[[[see Jimmy Crystal]]]]

So anyway, they "met" in high school- Norman totally crushed on Rosita from afar whenever he'd catch her in volleyball matches-

Rosita had a major tomboy phase throughout high school, slowly falling out of it during college [still only saves dresses and skirts for special occasions really]

[[Fun fact, Rosita is also sapiosexual [attracted to intelligence] [Roxanne Ritchi ahh] ]]

[[Norman is bi]]

They actually got introduced to eachother and had a proper arc when they went to the same college [which might've been a college in Redshore actually? But I'm not 100% sure on that headcanon. It would line up since Rosita's "wanted to perform in Redshore since she was a little kid" and Redshore is obviously a massive city with a lot of notoriety. Idk though- and it's not really that important to the story anyways]

Norman and Rosita had plans together- they were gonna make it big and live freely. Things were looking up with the lawmakers, who were finally repealing a bunch of nasty stuff that was put in place during the war times. And the two had hope that their dreams could actually be accomplished.

Rosita, who was originally gonna play it safe and become an engineer, was now thinking about attempting to become a performer [which Norman has supported since the beginning, he LOVES her singing, and often tells her that she's "better than some of the people I've heard on TV!"]

But. Life got in the way...

Present day, Norman works in Redshore at Crystal Enterprises. He's the head of some sort of organizational team- not really working on what he loves at this point.

And this is because of their children, who were a very sudden appearance in their lives [which is why we see so much struggle in the chaos at the beginning of the movie in this AU]

Rosita stopped everything, and Norman grabbed the first high-ish paying job he could, spending all his spare time on clocking in overtime hours.

The kids are all adopted, and there's only 6 now: Oldest Caspar [13], twin boys Mickey and Moe [11], middle child Kelly [9], little bro Freddy[8], and Zoey the sweet baby sister [6].

They became foster parents after the death of Rosita's sister [this hc is kinda subject to change, but this is the story rn. I'll specify on this later ☝️]

So Rosita's kinda put her life on hold for these babies. She's such a great mom to them, and they love her and Norman so much

But some of the older kids [Caspar specifically] are kinda in a rough phase since they feel like she resents them [which she doesn't], or that she isn't their "real mom" [which she IS]

This is like an E plot in the story, but definitely's gonna get at least a little bit of focus.

Rosita and Norman's marriage is falling apart just a little bit due to burnout, but it'll get better <3 [I can't do anything tragic to these two they're too sweet]

Norman snuggles up to Rosita in his sleep. Rosita starfishes LMAO

They wake up entangled. This is normal.

"Pig piles" are also a thing- there have been several nights where all six children "had nightmares" and so the family of 8 all slept in the same bed.

Norman has the best bond with the two girls out of all the children. They immediately latched onto him to be their level-headed dad.

Rosita can carry two kids at once easily, and often "relocates" them like this :>

She's probably the strongest out of everyone in the troupe if you don't count the potential Meena has. She solos.

She's constantly taking notes on everyone and everything around her. At the theater, you'll catch her tidying stuff up she spots out of the corner of her vision while you're having a conversation with her [she's still listening]. She knows everyones favorite foods, and allergies, and their preferences in things, etc. She's the most attentive and considerate out of all of them [the mom]

She may have a touch of OCD.

She gives the best hugs.

Rosita is also a FANTASTIC cook [not even a headcanon, I'm pretty sure the entire fandom agrees on this one] and often bakes stuff for her sweet-toothed children [and husband]

This is actually how she initially connected with Caspar, who refused to eat or speak at first when they were all placed with Rosita.

Cinnamon rolls.

Kelly will only eat the frosting off the top, and has ruined an entire pan before by doing this.

Rosita actually isn't the biggest fan of chocolate, small detail.

Idk why she just strikes me as not being an enjoyer.

Loves vanilla though. People are furious when she answers "vanilla" with zero hesitation to the chocolate vs vanilla question.

Norman is kinda a hopeless romantic, or at least really enjoys the aesthetic of it [in a sweet and not shallow way ofc], and goes all out every Valentine's Day: balloons, flowers, the works. He's learned that Rosita prefers strawberries over a box of chocolates, however. Has a tradition of getting a fruit basket for her <3

They also have a tradition from all the way back in college, where they go out to eat at specifically the in-universe equivalent of Olive Garden [which was the fanciest thing they could afford at the time] and eat a shared giant plate of spaghetti.

Norman loves coffee. Insists he likes it black but actually prefers a good 50:50 ratio of creamer and coffee.

Norman is also ☝️ lactose intolerant LMAO

[[or would be, if traditional milk was widely accessible/a thing. I say "lactose intolerant" but what I really mean is he's allergic to most milk substitutes- like nuts and soy [gives him tummy ache, not anaphylaxis] ]]

God, parenthesis are carrying me so hard rn.

Stopping here because I'm tired, but I could go ON about these two omg-

Normita forever rahhhh <3

[aroaessidhe]

2024 reads / storygraph

Compound Fracture

YA thriller set in rural West Virginia

follows an autistic trans boy who survives being almost killed by the Sheriff’s son after a party, and accidentally kills one of the boys who hurt him when he tries to get back at him

and is pulled head-first back into the 100 year old feud between his & the sheriff’s families, that began when his great-great grandfather was executed after inciting a miner’s rebellion, the grandfather whose ghost has started to haunt him

community & family & socialist revolution

aro-questioning MC

arc from netgalley, out september 3

[lesbianphan]

when did phil say he was sick during the antwerp show ? :(

It wasn't antwerp! I've read reports from people who went to Warsaw yesterday who said he was a little off and that someone from production even gave him a water at some point and Dan was picking up the slack and like checking on him a lot during the second half of the show. Which is fully understandable, considering they've done three nights in a row and we gotta remember that besides being out of practice of doing stage shows, Phil's health isn't what it used to be, and as much as he likes to tell us he's doing fine, he's just recovered from something life threatening, yk? Besides, he's a chronically ill girly, I know the feeling.... and he has a cracked rib??? like SHIT man, that's some insane perseverance on his part, and I suspect it's mostly cause he doesn't want us to be disappointed.

I do wish (maybe a little selfishly for my own piece of mind) that they rethink/shorten the stunts on this show a little as time goes on.... I mean I'm sure they know what they're doing and they prepared for it, I just worry a little is all, cause these idiots came up with a crazy schedule and it's like... yes you wanna make us happy but at some point you'll run out of steam!

I don't want this to come off as infantilizing cause I know it irks people (it irks me too!) like I know they're both adults and make their own choices, it's just stressful to watch and I've seen them stretch themselves too thin every tour and start looking like zombies and I don't think it's at all necessary to have that much physical stuff when they're not getting any younger

[thetardisisnotourdivision]

I am unreasonably upset about the fact that I've been forced to accept that Gabriel was a Gerald.

For context, in An Inspector Calls, Gerald Croft is engaged to Sheila Birling when he meets a homeless, struggling Eva Smith in a bar, and essentially in return for a home and money he shows her affection (ahem), then gets rid of her once he no longer has a use for her. Now, obviously this isn't a direct translation, but the essentials are - a Gerald is a character who uses another character, in return for something they need, usually masking the fact that they're using them with affection and love.

And against my will I've had to accept that this is exactly what Gabriel does to Nathalie.

Did I want to think he had potential to be better? Did I think he genuinely cared for Nathalie?? Hell, did I just really really want somebody to care about Nathalie???

Probably all of the above but the point is: he's Gerald. And I cannot - I literally can't unsee it now. Their whole dynamic in S3 is like “oh boohoo I'm sorry I wish you didn't have to use the peacock Miraculous and kill yourself over it but uh I need to use your powers” “yeah no that's fine I'm all good”. Which, given the "Gerald" theorem, I'm assuming leads to the fact that what Nathalie needed, above all, was someone to care about her - and Gabriel came along, as Sheila Birling puts it, "like a fairytale prince", and was so caring and gentle and... Yeah. She fell for him. And. Yeah he genuinely did seem to care like twice. But so did Gerald. Gerald actually admits that he did care for Eva, just not the way that she cared for him, and, uh, not enough to not just dispose of her. So he discards her anyway when she stops being useful.

Leading me neatly to my point.

He starts using the peacock Miraculous the second it's fixed, the slimy bastard, HOWEVER. It runs way deeper than that. Assuming I'm right (which I almost DEFINITELY am), then Gabriel only needed Nathalie while she was useful. She didn't stop being useful in season three - she's still scheming for him, helping him with plan after plan. It's only partway through season 5 that she officially servers ties with him, and starts to actively hinder him.

Nathalie stops being useful when she fails as Safari. And I reckon that's when Gabriel and Tomoe decided she had to go.

(It's painfully, I-was-ugly-crying-over-it obvious in Conformation that Gabriel is fully prepared to let Nathalie die - in the original storyboard, her alliance was encouraging her to sleep, and he's very obviously prepared for this moment - I've made a separate post about it that I'll link if I can find it. However, onto the next bit)

With all of this, there's one thing that sticks out to me - Nathalie didn't see any of it until it was already too late. There could be many reasons for this. But you know who would have seen through it? Whose parents were all loving and perfect until she married the wrong man? Emilie. Emilie, who left behind those videos, which on the surface look innocent, but when you look deeper look like a (love confession???????) AHEM a warning. I reckon Emilie noticed what was going on and realised that Nathalie wouldn't see through Gabriel, so she left those videos addressed to Nathalie (not Gabriel, which surely they should have been - they were about him, after all - unless they were there...) as a warning. I don't think the videos were supposed to be about helping Gabriel, I think Emilie was warning Nathalie to get the fuck out of that house, and to take Adrien with her. Because Emilie knew it'd end like this.

Yes I'm still mad ok give me a break.

[triglycercule]

ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,

nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)

this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations

and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare

nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???

this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person

but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say

and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit

but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)

and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position

each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare

sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)

killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time

he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with

[rosetterer]

tommy's not-so-guilty pleasure music is anything by journey and no I will not elaborate on that

[theresamouseinmyhouse]

go ahead. ask me abt my mayerling ballet au. i can be normal. i promise. im totally normal and wont yap about sarah lamb and steven mcrae as mary vetsera and rudolf for hours i wont i swear

[baylardian-1]

some horse doodles :)

my cringe tf agenda with lil cheese is that they gradually develop draconequus features as they age bc pinkie had all the chaos magic for a hot minute lol

but i dont wanna get too crazy with MIDS til i make the final form

[sovaharbor]

COMPUTER, ENHANCE.

reyna, ily. neon bullying phoenix is so real. cypher canonically using that smirk emoji, i have no comment. phoenix is abt to lose his shit

also love how reyna neon and phoenix all have those cute chibi icons (who on base drew them, btw) and then cypher's just cypher

[beatcroc]

I understand that you are a fan of robots, of the sonic variety, so Im curious, what are your thoughts on megadroid, the robotic host and/or editor of sonic the comic? And ig if you're still doing that Mecha ask blog thing, you could have him give his thoughts on him too, I'm just generally curious on your thoughts on him, tho

oh man you gotta know i know neither jack nor shit about the comics pre-idw and i am also for the most part not particularly interested in learning. rocking the wiki real quick though; this is him, i presume/hope?

i do actually really like the concept for this guy bc i'm always a fan of in-canon 4th-wall-breaky and/or behind the author process stuff, but im gonna be real chief he looks a bit shit. does NOT deserve a name as cool as 'megadroid'. i was anticipating some wacky final boss shit but i guess i should have expected otherwise from a mascot type character. the mega drive design gimmick is a fun idea but there is really just absolutely nothing notable going on with this design at all, like. it is a Nineties Robot Mascot Design and that is all there is to say about this thing.

kinda sad they apparently retired him in '98 though. it would have been WAY cooler if they'd inexplicably kept this incredibly antiquated character design around long past the time his gimmick was actually relevant just because he's their established Guy

actually pre-posting edit to tack some more on because i found a different page while hopping around images: holy fucking shit these are awful

these are also jsut the most generic possible Two Thousands Robot Mascot Design and it's so much worse. it would be a bit of disservice to say the original "had more heart" because it's mostly just that these guys are not yet antiquated enough to have that charm to them, but at least the 90's one comes more from a place of robots being a new and fascinating concept. these ones are just...'hey what's cool these days days? robots? lets make a Cool And Trendy Robot Design To Appeal To The Teens'. they're also just SO much more glaringly mismatched with the usual sonic art/design style so it's way more apparent they didn't care at all. all of this reinforces my opinion that it'd have been neat to have the old clunker one around forever despite being irrelevant; they could even make 'back in my day we had this thing called the genesis mega drive' jokes about it.

[cent-scratchnsniff]

doodle dump

[dannybobany]

OWL UPON YE

Ok so this is Alter Boy’s actual appearance, that other one is just how he’s usually presented, I’ve mentioned before how he’s a very antagonistic character towards Marze despite not directly attacking him, but that’s only half true- Alter boy DOES attack Marze but only in very specific situations

It has to do with my idea of Marzenie having multiple routes (game-like talk again), in my head this fight is part of the good ending route

(which can be taken as a metaphor for a lot of things but the interpretation I’m going with is that Basil has to learn to confront his paranoia’s around others, drawing on how Alter Boy is a very inaccurate representation of Kel based more on Basil’s inner anxieties and bitterness then who Kel actually is, to confront him is to push aside this warped perspective and begin to trust that others aren’t out to get him)

Anyhow- I had the idea for Alter Boy spinning his head around pretty early on but it was combined with several other scattered ideas that hadn’t been decided upon- so certain things I’ve said have since become inaccurate, as to why he’s green? Well believe or not but that’s a very very silly nod to him and reflection being related, mirrors are technically green! Look it up it’s very interesting

Also slight tinges of color in Marzenie look cool to me. There’s that too

That’s about all I have to say in regards to this, Alter boy being a weird owl creature isn’t super relevant- it’s one of those rule of cool moments where I disregard symbolism because I thought an idea I had was scary/visually cool enough to use anyway, I just had it in my head that if Marzenie were a game it would be MORTIFYING if his overworld sprite suddenly spun its head around to lead into the fight- even if I can’t execute this it’s still a very fun idea to me, and I’ve thought about using it for an animation later on

Last thing: His face gave me a lot of trouble so here’s a little demo of all the ones I went through trying to get it right ⬇️

[whoify]

throws rock at hornet nest. etc