#this shit is so out of hand

[wanologic]

sorry danny, sam will never think you’re cool

[rwsdarw]

this was fun

[dandeleon]

stan teaches stan jr. a very important life lesson

[justaz]

merlin who uses his magic everyday in ways that he doesn’t realize isn’t normal. magic helping him see in the dark so he can find his way in the woods or dark rooms with no problem. connecting with the woods around him so he always knows where he is and whats in the general vicinity which allows him to sense bandits just before they attack. using magic to keep warm in the cold or to cool down in the heat. confident and willing to go toe to toe with anyone bc he knows that regardless of what they throw at him, he could always win bc he could just use magic.

then somehow someway (post magic reveal) a sorcerer takes away merlin’s magic. or well just locks it away ig. but anyways merlin doesn’t have this part of him anymore and is left feeling empty, exposed, and vulnerable. arthur, the knights, and merlin going on a quest for answers to their problem and a way to get merlins magic back. but. but. but merlin is all jumpy and he’s rambling more than ever and is often reaching out to grab onto someone (usually arthur) and everyone’s confused and then they get ambushed and merlin freezes in the middle of the path like a deer. he’s watching everything go down around him with wide eyes until he’s targeted and one of the knights have to rush in to save him. afterward merlin is constantly holding someone and his grip is rather tight. he keeps looking around, his eyes scanning the trees around them over and over. when they try and settle down for the night, merlin wont leave the camp without an escort or two and when they’re trying to go to sleep, merlin is flinching at every noise in the woods around them and ends up shuffling over toward the person closest to him and laying pressed up against them.

arthur opening his mouth to tease and call him a coward when the word registers in his mind and he realizes that that’s what he’s actually seeing, merlin scared and defenseless. he ofc doesn’t realize the true depth of it all, i mean he knows merlin is missing his magic but he doesn't know that magic has always been a part of merlin, it makes him him. he’s had magic since he was born, he’s never known life without it. as he is now, he feels bare and exposed and blind and deaf and terrified. the knights are his defense rn and for the past few years, merlins been their protector so its a complete reversal of everything he’s ever known. he’s scared. arthur bites his tongue and lets merlin hold onto his arm and snuggle up close at night for some form of comfort and security. he doesn’t tease or mock and responds to his ramblings of fear with a level of gentleness the knights weren’t aware he even possessed. merlin slowly relaxing as arthur subtly comforts him without addressing it

[lilybug-02]

Eimmet High...temmiE high. OMG!

Part 28 || First || Previous || Next...(Hiatus)

--Full Series--

Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')

[laniidae-passerine]

don’t get how you can watch iwtv and be a sincere diehard lestat hater. like the world’s biggest lestat hater is louis and that man can’t even commit to it for more than five minutes before literally hallucinating lestat wearing a wedding ring and talking pretty to him. this show is about louis and every road leads back to lestat for that man

[danandfuckingjonlmao]

cute first date idea: you escape hell and bring me a lantern and i ask you questions about being a ghost and then you read to me as i slowly die of hypothermia and internal bleeding i sustained from getting hatecrimed 💕

[its-a-beautful-day]

Winter Night Glow

Alternative Title: Ah Shit Ginger I'm Sorry

[theoihalioistuff]

ARES IS NOT THE PROTECTOR OF WOMEN IN GREEK MYTHOLOGY.

He is never presented as such in any source, there is no evidence such a role was ever assigned to him in any account, and as far as I'm aware this popular yet unattested assertion is born from the echo-chambers of tumblr. In fact quite the opposite could be argued. TW for sexual assault.

This baffling claim seems to originate from a sort of shallow examination of the way Ares "behaves in myth", and the following arguments are the most frequently presented:

1. Ares protects his daughter Alkippe from assault, and is therefore morally opposed to rape. (Apollodorus 3.180, Pausanias 1.21.4, Suidas "Areios pagos", attributed to Hellanikos)

Curiously this argument is never applied to, among other examples: Apollo for defending his mother Leto from Tytios, Herakles for defending Hera from Porphyrion (or his wife Deianeira from Nessos), or Zeus for defending his sister Demeter from Iasion (in the versions where he attacks her), etc. The multiple accounts of rape of the previously mentioned figures did not conflict with these stories in greek thought: they're defending family members or women otherwise close to them. This sort of mentality is not uncommon even in contemporary times, e.g. a warrior may have no ethical problem killing men, but would not want his own family or loved ones to be killed. The same goes here for sexual assault.

2. There are no surviving accounts of Ares sexually assaulting anybody.

The idea that the ancient greeks pictured that, among all the gods, Ares was the only one who shied away from committing rape is baseless and borders on ridiculous. In this case absence of evidence is not evidence of absence.

The majority of surviving records regarding Ares' unions are presented in a genealogical manner, and do not go into details on their nature. This is the case for most works of mythography, where specifics of sexual encounters are to be found elsewhere. However, common motifs present in other accounts of rape also appear in stories concerning Ares' relationships, e.g. tropes like shape-shifting/the use of disguises, the victim being a huntress, secrecy, and the disposal of the concieved child, are to be found in the stories of Phylonome and Astyoche respectively:

Φυλονόμη Νυκτίμου καὶ Ἀρκαδίας θυγάτηρ ἐκυνήγει σὺν τῇ Ἀρτέμιδι: Ἄρης δ᾽ ἐν σχήματι ποιμένος ἔγκυον ἐποίησεν. ἡ δὲ τεκοῦσα διδύμους παῖδας καὶ φοβουμένη τὸν πατέρα ἔρριψεν εἰς τὸν Ἐρύμανθο

"Phylonome, the daughter of Nyktimos and Arkadia, was wont to hunt with Artemis; but Ares, in the guise of a shepherd, got her with child. She gave birth to twin children and, fearing her father, cast them into the [River] Erymanthos." (Pseudo-Plutarch, Greek and Roman Parallel Stories, 36)

οἳ δ᾽ Ἀσπληδόνα ναῖον ἰδ᾽ Ὀρχομενὸν Μινύειον, τῶν ἦρχ᾽ Ἀσκάλαφος καὶ Ἰάλμενος υἷες Ἄρηος οὓς τέκεν Ἀστυόχη δόμῳ Ἄκτορος Ἀζεΐδαο, παρθένος αἰδοίη ὑπερώϊον εἰσαναβᾶσα Ἄρηϊ κρατερῷ: ��� δέ οἱ παρελ��ξατο λάθρῃ: τοῖς δὲ τριήκοντα γλαφυραὶ νέες ἐστιχόωντο.

"And they that dwelt in Aspledon and Orchomenus of the Minyae were led by Ascalaphus and Ialmenus, sons of Ares, whom, in the palace of Actor, son of Azeus, Astyoche, the honoured maiden, conceived of mighty Ares, when she had entered into her upper chamber; for he lay with her in secret" (Homer, Iliad 2. 512 ff)

In neither of these cases is a verb explicitly denoting rape used, though it is heavily implied by the context. The focus of the action is on the conception of sons, the nature of the interaction is secondary.

Other examples are found among the daughters of the river Asopos, who where (and here there's no confusion) ravished and kidnapped by different gods to different parts of the greek world, where they found local lines through children borne to their abductors and serve as eponyms. Surviving fragments from Corinna of Tanagra tell us:

"Asopos went to his haunts . . from you halls . . into woe . . Of these [nine] daughters Zeus, giver of good things, took his [Asopos'] child Aigina . . from her father's [house] . . while Korkyra and Salamis and lovely Euboia were stolen by father Poseidon, and Leto's son is in possession of Sinope and Thespia . . [and Tanagra was seized by Hermes] . . But to Asopos no one was able to make the matter clear, until . . [the seer Akraiphen reveals to him] 'And of your daughters father Zeus, king of all, has three; and Poseidon, ruler of the sea, married three; and Phoibos [Apollon] is master of the beds of two of them, and of one Hermes, good son of Maia. For so did the pair Eros and the Kypris persuade them, that they should go in secret to your house and take your nine daughters." (heavily fragmented papyrus. Corinna fr. 654)

"For your [Tanagra's] sake Hermes boxed against Ares." (Corinna fr. 666)

It seems that, similar to the myths of Beroe or Marpessa, the abducted maiden is fought over by two competing "suitors", and though we can infer that the outcome of the story is that Hermes gets to keep Tanagra, apparently by beating Ares in a boxing match, we don't actually know what happened or how it happened. In any case, Ares does mate with another daughter of Asopos, Harpina, who bears him Oinomaos according to some versions (Paus. 5.22.6; Stephanus Byzantium. Ethnica. A125.3; Diodorus Siculus 4. 73. 1). There is little reason to suppose that this encounter wasn't pictured as an abduction like the rest of her sisters.

The blatant statement that each of his affairs was envisioned as consensual is simply not true.

3. He was worshipped under the epithet Gynaikothoinas "feasted by women"

This was a local cult that existed in Tegea, the following reason is given:

"There is also an image of Ares in the marketplace of Tegea. Carved in relief on a slab it is called Gynaecothoenas. At the time of the Laconian war, when Charillus king of Lacedaemon made the first invasion, the women armed themselves and lay in ambush under the hill they call today Phylactris. When the armies met and the men on either side were performing many remarkable exploits, the women, they say, came on the scene and put the Lacedaemonians to flight. Marpessa, surnamed Choera, surpassed, they say, the other women in daring, while Charillus himself was one of the Spartan prisoners. The story goes on to say that he was set free without ransom, swore to the Tegeans that the Lacedaemonians would never again attack Tegea, and then broke his oath; that the women offered to Ares a sacrifice of victory on their own account without the men, and gave to the men no share in the meat of the victim. For this reason Ares got his surname." (Paus. 8.48.4-5)

As emphasised by Georgoudi in To Act, Not Submit: Women’s Attitudes in Situations of War in Ancient Greece (part of the highly recommendable collection of essays Women and War in Antiquity), "it is not necessary to see the operation of an invitation in the bestowal of the epithet Γυναικοθοίνας on Ares". The epithet is ambiguous, and can be translated both as "Host of the banquet of women" or "[He who is] invited to the banquet of women". In any case no act of divine intervention occurs, and the main reason for the women's act of devotion lies principally in recognising their decisive role in the routing of the Lakedaimonians. It's they who preside/participate in the feast of war, the men are excluded.

Also this a local epithet that isn't found anywhere else in Greece. As such it would be worth reminding that not every Ares is Gynaikothoinas, in the same way not every Zeus is Aithiopian, not every Demeter Erinys, and not every Artemis of Ephesos.

4. He was the patron god of the Amazons

He was considered progenitor of the Amazons because of their proverbial warlike nature and love of battle, the same reason he was associated with other "barbaric" tribes, like the Thracians or the Scythians. In this capacity he was also appointed as a suitable father/ancestor for other violent and savage characters who generally function as antagonists (e.g. Kyknos, Diomedes of Thrace, Tereos of Thrace, Oinomaos, Agrios and Oreios, Phlegyas, Lykos etc.). Also he was by no means the only god connected with the Amazons (they were in fact especially linked to Artemis, see Religious Cults Associated With the Amazons by Florence Mary Bennett, if only for the bibliography).

Similarly, Poseidon was considered patron and ancestor of the Phaiakians mainly because of their mastery over the art of seafaring (and was curiously also credited in genealogies as father to monsters and other disreputable figures).

On another note I have found no sources that claim he taught his amazon daughters how to fight, as I've seen often mentioned (though I admit I'd love to be proven wrong on that point).

5. Finally, the last reason Ares could never be portrayed as a protector of women is because of his divine assignation itself

The uncountable references to his love of bloodshed and man-slaying don't just stop short of the battlefield, but continue on to the conclusion and intended purpose of most waged wars in antiquity: the sacking of the city. The title Sacker of Cities as an epithet of Ares (though it is by no means exclusive to him) is encountered numerous times and in different variations (eg. τειχεσιπλήτης or πτολίπορθος), and the meaning behind the epithet is plain. Though it is hard to summarise without being reductionist, the sacking of a city entails the plundering of all its goods, the slaughtering of its men, and the sistematic raping and enslavement of the surviving women (to name only a small few of the literary references see The Iliad, The Trojan Women or The Women of Trachis). There is little need to emphasise that war as concieved of in ancient greece, especifically the brutal aspects of war Ares is most often associated with, directly entailed sexual violence against women as one of it's main concerns. The multiple references to Ares being an unloved or disliked deity are because of this, because war is horrifying (not because his daddy is a big old meany who hates him for no reason, Zeus makes very clear the motive for his contempt in the Iliad (5. 889-891): "Do not sit beside me and whine, you double-faced liar. To me you are most hateful of all gods who hold Olympos. Forever quarreling is dear to your heart, wars and battles.")

Ares was only the protector of women inasmuch as he could be averted or repelled (e.g. surviving apotropaic chants):

"There is no clash of brazen shields but our fight is with the war god, a war god ringed with the cries of men, a savage god who burns us; grant that he turn in racing course backward out of our country’s bounds, to the great palace of Amphitrite or where the waves of the thracian sea deny the stranger safe anchorage. Whatsoever escapes the night at last the light of day revisits; so smite him, Father Zeus, beneath your thunderbolt, for you are the lord of the lightning, the lightning that carries fire." (Shophocles, Oedipus Tyrannos, 190-202)

"And let no murderous havoc come upon the realm to ravage it, by arming Ares—foe to the dance and lute, parent of tears—and the shout of civil strife." (Aeschylus, Suppliant Women 678)

~~~~~

All that being said, this is a post about Ares as conceptualized and attested in ancient sources, made specifically in response to condescending statements about how "uhmmm, actually, in greek mythology Ares was a super-feminist himbo who was worshipped as the protector of women and was hated by his family for no reason, you idiot". It is factually incorrect. HOWEVER, far be it from me to tell anyone how they have to interact with this deity. Be it your retellings, your headcannons or your own personal religious attachments and beliefs towards Ares, those are your own provinces and prerogatives, and not what was being discussed here at all (I personally love art where Ares and Aphrodite goof around, or retellings where he plays with his daughters, or headcannons that showcase his more noble sides, etc.)

~~~~~

I've seen that other people on tumblr have made similar posts, the ones I've seen were by @deathlessathanasia and @en-theos . I have no idea how to link their posts, but they're really good so go check them out on their pages!

[welcometogrouchland]

♫ I do what I want/Crying in the bleachers and I said it was fun/I don't need anything from anyone ♫

(ID in Alt) you guys ever think about your own posts and get upset?? Anyway Damian Wayne I love you I'm so sorry your life is like that

[mxrtified777]

krunk

[seawing-vibes]

Happy post-Halloween :)!!! They’re making jack-o-lanterns <3

[wellfine]

I mowed him sorry (← guy who thinks buzzed heads are handsome)

[the-meme-monarch]

loop my beloved

[voltaical-art]

whadya mean he didnt tell you he loves you??? his eyes literally went soft when he looked ur way...

[call-me-strega]

Dc x Dp Prompt #24: The Midwest Prince(ss)

Danny is a Singer/Siren/Banshee au where he’s basically a Chappel Roan-type figure.( Also, I'm Dead on Main trash so Strangers-to-Friends-to-Lovers, Celebrity x Civilian romance for two of my favorite boys)

Danny’s Ghostly Wail develops into vocal manipulation bc he’s a siren or banshee. Ember teaches him to sing and control the power. He finds music is a good outlet for his emotions and decides to pursue music as Danny. It takes him a few years but he develops a style and brand that he bases off the Realms. However, he doesn’t anyone to connect him to Phantom so he uses parts of his ancestors’ names to become “Walker Gale”(shout out to my beautiful mutual @mirigold-mayflowers for helping me pick that name), ordinary small-town midwestern boy turned Music Icon. He hires Val as his personal bodyguard, Sam as his manager, and Tucker as his head stage tech.

He dresses in really campy clothes the low-key mimic his ghost form as well as other ghosts he’s met. The outfits change to match the vibe of the song. So a rock ballad with an outfit inspired by Ember, Show Tunes-Murder Mystery-type-beat with a costume for Amorpho, EDM-techno-hyperpop themed song styled after Technus or Skulker, etc. He just has a lot of fun experimenting with his appearance and he’s an icon for it. He even makes friends with Star and Paulina through this and they give him feedback and help with new looks. The eventually join the team as his PR and Styling team.

Since he’s a banshee/siren all his songs have this underlying despair/sadness even if they have a fun and bubbly beat. He also references his feelings about being/hiding as Phantom and being partially dead and shit but vaguely so no one actually knows or assumes it’s a metaphor. Many of the themes are actually things lgbtq people identify with, specifically trans and bi fans. He also references battles he’s fought and ppl assumes he’s talking about mental illness or abuse which attracts another category of fans altogether. Again inspired by Chappel Roan his first album his called "The Ascent and Downfall of a Midwest Prince" gaining him the nickname the "Midwest Prince".

He’s weird and unfiltered and full of emotion and he gains a few fans in the hero community too. Raven and Zatanna start a fan club for him, well aware he’s some type of banshee/siren but knowing that the extent of his powers are being used to deliver beautiful performances. The are staunch supporters of him and his music and spread it to their friends. The current fan club is Co-Presidents Zatanna + Raven, VP Greta(Secret, a.k.a: a ghost hero), Starfire, Bart, Cassie, Tim, Kon + Jon, Steph, Cass, and Billy.

His identifying features are a signature make-up look and white underdye (when the color is on the underside of the hair). He’s grown his hair longer so it’s not super visible when he has it down and not styled. He also looks different without make-up so he can totally go unrecognized in public and live life semi-normal (as normal as a half-ghost vigilante powerhouse superstar can be). He actually planned it to be that way so that he could still go to college and stuff even though he’s doing it mostly online. All this to say that Danny has low-key got a Hannah Montana thing going on. Also, let's mix it up a bit and say he's based in Star City.

One day Danny goes to a second-hand book store because he's looking for a cheap textbook when he bumps into an absolute hunk of a man who doesn't seem to recognize him. Jason had been in Star City to visit Roy and Lian. He stopped at a second-hand bookstore to see if he look for some older editions of books (one time he found a second edition copy of Persuasion so he likes to peruse) and ran into a super pretty boy who made his chest feel funny and doesn't realize he's a Wayne. They got to talking about started really connecting. They decided to exchange numbers and kept in touch, meeting up every now and then when they had the chance. Danny gave him his private social media accounts so Jason never learned much more beyond that Danny worked in the music industry but not his exact role in it.

Eventually Danny moves to Gotham, either bc he switched labels or to be closer to Jazz whose doing her doctorate thesis on reforms that need to be made in Arkham. He and Jason begin meeting up in person more frequently and start catching feelings. Danny really wants to ask him out but feels sleazy doing it without telling Jason about his past and superstar alter ego. However, he also doesn't want to lose the mostly normal friendship they have. On the flipside Jason wants to date Danny but doesn't want to drag him into the life of a vigilante or the life of a Wayne. Both of them Pine and Agonize over this. In the end Danny decides to bite the bullet and tell Jason who he is, every part of who he is. He invites Jason over for a movie night and tells him he's got something important to tell Jason.

That same day Starfire decides to introduce Walker Gale's work to the other Outlaws and Jason really resonates with his work. He identifies with the lyrics on a literal and physical level and recognizes the underlying emotions that usually only other ghosts or liminals can. Starfire overjoyed that her friend likes his music decides to show Jason some of his music videos and photos. Jason, not being blind or an idiot, recognizes not only the props and costumes but his crushes face under that (very well done) make-up.

Jason is stunned and conflicted: it’s not like Danny lied to him about who he was, but he was entirely truthful either. Did he assume Jason knew? Or did he just not trust Jason? Why did he even bother with Jason, a seemingly regular guy, if he had such a claim to fame? And Jason keeps listening to his music and it’s speaks to him the same way hanging out with Danny does, making him feel seen and connected. It makes him all the more sure that someone incredible as Danny doesn’t need someone like Jason. He heads to Danny’s place that night very subdued.

He gets to Danny’s place and the smile that greets him twists him up inside. He puts on a mask and tries to act normal but Danny can tell somethings up but persists as he has made up his mind to be clear with Jason. He sits him down and tells him there is something important he wants to tell Jason. He starts by letting Jason know that he cares about him very much and appreciates the normality and closeness of their friendship. He confesses that he doesn't normally get that bc well, he's the superstar "Walker Gale". Danny goes onto say that the reason he didn't say anything earlier was because he treasures the simplicity of what he had with Jason and the reason he's telling him now is because he couldn't continue a relationship that he wants more from without being completely honest.

Jason's heart thunders in his chest and he stares at Danny with a slightly constipated look. Danny asks Jason what's wrong and on an impulse Jason word vomits his feelings. That he actually found out through a friend earlier today, that he really connected to his music the same way he did with Danny, that he's never felt seen the way Danny sees through him, that he's never felt the same way as deeply before, that he's completely and utterly in love with Danny but was scared to say anything and get him involved with his crazy life and the Waynes. And Danny sits and listens shellshocked.

And the only thing Danny can think to do is kiss this incredible boy senseless and tell him that if he likes him back then they can figure it out.