#this one is important to so up it goes

[aparticularbandit]

when andi said her life was taken away from her by someone, everyone in that room - and then emphasized it - my life! do you even know what that means? - and you come back and realize it’s helen saying that and she means it literally because andi is dead.

[keferon]

Did you think I was done? Ahahahaha no, I have more.

Because chapter 70 of MOMU gave me the very dynamic between them that I missed so much, I just blacked out and started drawing uncontrollably lmao

Also. ALSO. I noticed a while ago that Prowl has the habit of..like…constantly frowning. So. I did a bit of research and made this graph.

In 70 chapters, Prowl frowns rougly 104 times. And the intensity of this gesture is very clearly correlated with the development of his relationship with Jazz, as you can see ahahahahah It might be wrong tho don’t take me seriously I’m not good with graphs

[starry-bi-sky]

I saw a post a few months ago (and damn was it really months? In PLURAL?) that was a cracky dpxdc au where the LOS were making Damian clones but the clones kept getting snatched by ghost portals and dropped into Danny’s lap and Danny just goes “ok ig this is my life now” and takes care of each one until he has his own mini army of Damian Clones.

And I remembered it a few days ago, and now I've been thinking about it again. Because I love clone aus (see: clone danny au, the 'danny is thomas wayne' au) because it itches the part of my mind that loves exploring personhood and the exploration of identity and what it means to be clone.

(What do you do when nothing about you is unique? When your face, your eyes, your hands, your hair, your voice, all the way down to your heart, all belong to someone else?)

(When it comes to nature vs nurture what of you came from your environment and your experiences, and what of you was already programmed into you from the DNA that made you?)

(What do you do to make it unique? What do you do to make you unique?)

And if I could remember who made that post I'd @ them right now because it was their original post that inspired this, but I'm just thinking of if the au only had One Singular Damian clone that fell into Danny's life.

(a read more because im apparently incapable of making posts that are less than 1k words...)

One Damian who knew he was a clone and knew that he was to either bring the original back to base or kill him to take his place, who was being trained the same way but kept getting compared to his original over and over again. Like an older sibling who you can never match up to. Who is still a child who craves adult affection and validation and praise, and can't get it because nothing about him is original.

One Damian who, at six years old, in a twist of fate is sucked through a swirling portal and lands in Amity Park, directly on top of, in front of, or in line of sight of one Daniel Fenton, half-ghost extraordinaire and local hero.

What happens next?

Well, for one, Danny recognizes him immediately. He would recognize the face of Damian Wayne anywhere because his best friend was ranting about him all week about Damian Wayne's environmental stuff he does.

And for two, he would recognize that the Damian Wayne in front of him was not Damian Wayne. Because Damian Wayne was a teenager. And the Damian Wayne in front of him is a child. Six years old.

Getting this not-Damian but also-Damian to go along with Danny is not, not an easy task. The tiny Damian is aggressive, regal, and at this point in time, six years old, barely understanding english. He also has a sword.

It takes all day and a google translator to get this Tiny Damian to finally agree to go home with Danny. It's a miracle. Seriously. A tried and true miracle. And its also only when Danny has to fight a ghost does he finally agree, saying something in arabic that Danny doesn't understand.

Danny flies them both home, carrying Tiny Damian like a koala. The ensuing conversation in his room is not any better. It is tiring, long, and exhausting. Tiny Damian is six years old, and every single thing he says when Danny asks where he came from is met with a poorly translated "that's classified".

Danny keeps an eye on the news. There are no reports of Damian Wayne going missing, in fact he's been rather public. Bruce Wayne is not one to lie about his children going missing, and Damian's secretive behavior and young age draws Danny to one conclusion: Damian is a clone.

He doesn't know why Damian Wayne is being cloned. Frankly he doesn't really wanna know, because whatever organization that did it doesn't seem too pure-of-heart if tiny-Damian's immediate attempt of murder when they first met is of any indication. But he's too busy taking care of his city, that he doesn't have time to deal with whatever shady business Tiny-Damian was produced from.

In the end though, he decides that this Tiny-Damian is not going back to whatever place he came from. Tiny Damian disagrees. It is a long, nebulous problem of Damian trying to run away, Danny catching him, and Danny pulling him back home.

In that time, Danny downloads a language app and starts learning Arabic so that they can talk to each other properly. Damian slowly, slowly, starts picking up English.

In that time, Danny also has to inform his friends and his sister about Damian. Tiny Damian is not a fan of this. That is another argument they have. Tiny Damian does not like Sam or Tucker for a long, long while. He only really "listens" to Danny, citing something in arabic that Danny still cannot understand, but has a repeated use of the word "lieazir". It's the only word that Danny can catch in a sentence immediately, because its what little Damian calls Danny.

Tiny Damian, in that front, is very interested in Danny's powers and in his parents work. He finds tubberware of ectoplasm in the fridge once while they're down in the kitchen and calls it something with the word lieazir in it. The other word is something that Danny later learns means water in arabic.

It makes him feel even more uneasy of whatever place little Damian came from.

It takes weeks for little Damian to finally give up on escaping, and then a few weeks more for him to almost entirely lose his spunk. Danny isn't sure what started it. It was as if he'd been flipped with an off-switch.

(Damian had been so confident that the League would go looking for him after his disappearance. He was wrong, and he is crushed. He is still a child, alone, in a country very big and very busy, where nobody understands what he's saying. He feels powerless, helpless.)

(The lazarus boy who calls himself Danyal is nice to him in a way the league has never been, and he's making an effort to learn Damian's language. But he leaves for hours at a time and Damian doesn't have much else to do but wait in this house for him to come back.)

(He tried leaving, many many times, but he doesn't understand the street signs, the roads, the people. He doesn't know where he is, and he feels scared in a way that he's not felt in the League. Danny finds him every single time, hours later when Damian is lost somewhere in Amity Park)

(And he never yells at him. Never. The first time this happens, Damian puffs himself up and prepares himself for this strange lazarus boy to yell at him. Damian feels like he's tripped on the last step of the stairs when Danyal doesn't yell at him.)

(He can tell he's frustrated by the tone of his voice, but when Danyal lays eyes on him he just looks relieved. He gets scolded on the flight home, but Damian doesn't understand any of it other than Danyal just sounds worried. Not angry. He gets a proper scolding once they get back, with Danyal typing into the google translator and playing it for Damian to hear.)

(This happens every single time until Damian finally agrees to stop running away.)

It's with Jazz's help that Danny finally realizes that Damian was depressed. It's with her help again that Danny tries helping with it. It's like trying to get a stray cat to trust him. And with everything else they've done, it takes a long time.

And it is so, so worth it when it all works out.

Tiny Damian doesn't really like Sam, or Tucker, but he likes Danny. And he finally starts calling him his name. His full name, but his name nonetheless. Danny doesn't bother correcting him. He's not looking a gift horse in the mouth. And it's endearing hearing Damian call him Danyal.

Damian in this time, also begins to take more initiative into learning English. And they teach each other words they know. Danny buys flash cards and writes the english alphabet on them, and then finds a book on arabic to teach himself and Damian. Sam and Tucker and Jazz start learning as well.

And then when Danny knows enough arabic and Damian knows enough english, and Damian trusts Danny, Damian tells him he's a clone. It's a quiet moment, late at night when Danny takes Damian up to the ops center to look at what stars they could see through the light pollution.

It'd be very easy for Danny to tell him, "I know. I could tell from the start.". He doesn't, it's not the time nor the place, and Danny's matured enough to know when to open his mouth and when to keep it shut. He lets Damian, almost seven now, tell him that he's a clone of Damian Wayne. Lets him tell him why he was made, what his purpose was.

(Danny will need a minute later to process the fact that Damian Wayne originally came from some kind of... assassin league with an obsession with immortality. But he's focused on Damian.)

In the end, he puts an arm around Damian Wayne's clone and pulls him into his side. Thanks him for trusting him, it must've been hard to tell him, that he's brave for being able to. And if he wants to, they can find a way to get into contact with the Waynes and let Wayne know about him.

Damian hides his face in Danny's ribs and holds him tight, and tells him he doesn't want to. Danny leaves it at that.

Perhaps it would be more morally ethical to alert Damian Wayne that there was a clone of him running around, that his... uh, grandfather was making clones of him. Hell, Danny would have liked it. But little Damian has asked him not to say anything, and little Damian needs someone to rely on; someone he can trust.

And in the end, its not that hard of a decision to make. Danny knows little Damian more than he knows Damian Wayne, and while Danny likes to think he's a good person, he knows he's not a great one. Nor a perfect one. He cares more about someone he knows than someone he doesn't.

If Sam tries to argue with him about it, then Danny will just double down. If Damian doesn't want to tell Wayne about his existence, then it's not their place to say otherwise.

There's a lot more to talk about over Damian's cloning, like what he wants to do moving forward. But that's a long conversation not meant to be one taken late at night. Little Damian is falling asleep at his side, seemingly much more relaxed than he did before, and Danny wasn't gonna ruin that.

And later he's right, it is a long conversation, and a slow one. Talking with Jazz about it helps him figure out what to do moving forward, and their best bet is to let Damian figure out what he wants to do. So he sits Damian down at the dinner table the next morning and tells him before breakfast that he doesn't need to be Damian Wayne.

He doesn't need to learn all the same things Damian Wayne did. He doesn't need to do anything that Damian Wayne does. And little Damian is seven, and he's smart, but Danny still has to word it in a way that's not too complex for him to realize.

And in the end, what he says essentially boils down to "You are not Damian Wayne, you are just you. Don't be anyone else but you." and it'll take more time to drill that into his mind when all he's ever heard and learned from is that he was a copy of Damian Wayne, and he must act like Damian Wayne. But it'll happen.

It's a hard task when Danny's the only person Damian really trusts and he can't be by his side all the time, but he starts to warm up to the rest of Danny's family. The Fenton parents know of him, it's hard to keep a six year old child a secret for as long as Danny did without eventually having to come clean about it. His parents, much to Danny's relief, are very welcoming to Damian.

Damian figures out what he likes. Slowly. He's six years old, almost seven, and nobody expects of him to figure out who he is immediately. No child knows who they are right off the bat. So like any child he begins to explore. His english is better but still rough, and he struggles to read said language, but the Fenton family are happy to help even if Damian learns words that no normal seven year old does. (Many of them scientific.)

Damian realizes he likes stars, even if said interest is influenced by the association to Danny. Danny is all too delighted to tell him all about them, and in the process takes him flying out somewhere where the light pollution doesn't reach and showing him where constellations are.

Damian is six-almost-seven, so he doesn't find all of them, but Danny helps him figure out the easier ones. He tells him the scientific facts behind them, and then tells him about the mythos of the constellations. Later on they make their own constellations and make up stories about what they are.

(Damian adores Danny out of anyone else in the Fenton Family. The name Danyal turns to Dany. If anyone asks, Daniel Fenton is Damian's big brother.)

(He still refers to Jazz as Jazmine, and Danny's parents as Mrs. and Mr. Fenton.)

He realizes that, like his original, he loves animals, and he becomes vegetarian too. Sam is smug and Tucker is disappointed, but Damian doesn't super care about their opinions. ...he's getting better at liking them, even if he thinks Manson is a bit snobby and Foley is too much at times.

Its inevitable that the conversation of school comes into play. Damian can't stay home all day and he needs proper schooling. So after a long talk with Damian, they agree to send him to elementary school.

...And before they can do that the Fenton Family goes through with legally adopting Damian into the family as Damian Fenton. It takes convincing to get the administration to enroll him into the first grade without a proper schooling background.

(On his adoption form, Damian asks to change his birthday to the day he met Danny. Perhaps its not the most responsible thing to agree to, but Danny wants Damian to find himself. And its not like they know when his actual birthday was.)

And despite where he learned it from, Damian quite likes sparring. And he quite likes sparring with Danny in particular. Danny makes it fun, something that was foreign in his old league training, and Danny never hurts him. It's a lot like roughhousing.

Danny tells Damian how he got his powers, and how his parents don't know. Damian wakes up late at night to Danny sneaking out of the room (their house is not big enough to give Damian an individual room, and Danny agreed to share his) to go fight ghosts.

It's upsetting. Damian knows that Danny gets injured in those fights, even if Danny never comes home until after those injuries have been fixed up. He wants to help, and he voices it, and Danny shoots him down.

It becomes an argument, something that has happened less and less over the months.

Damian is experienced.

Damian is a child.

Damian knows how to fight.

Damian is mortal and fragile. He is a tiny, squishy human boy and the people Danny fights are ghosts who are near-indestructible. Who are intimately acquainted with death but also do not remember that humans are capable of it. Especially when they're fighting.

Damian says that Batman's rogues are capable of the same thing, that he lets his Robins help him fight.

And Danny says he is not Batman and he will not allow Damian to fight ghosts with him. Those ghosts will kill him and it will hurt. Dying hurts in a way that is terrifying and unimaginable and he will not risk Damian experiencing it. Not even Sam and Tucker help him in his fights most of the time, they are not able to. Not in the way Danny can.

Damian doesn't talk to him all day the following morning, but Danny does not budge on his decision. Damian tries to follow him out the next night, and Danny catches him and takes him back. Over, and over, and over again.

Until finally he gets intercepted by Skulker while taking Damian back home and is forced to fight him in front of Damian. (If it had been his choice, he would not have let Damian see it at all.)

It's not pretty. Skulker has new weapons, weapons that hurt, a lot. Danny is stuck between trying to take him down and trying to protect Damian from Skulker's attacks at him and from all the debris being created from the fight. It's with Damian's quick thinking and fast feet that finally helps Danny take Skulker out. But Danny is badly injured in the aftermath.

He doesn't have time to take Damian home and get medical attention. So he takes Damian with him to wherever he has his supplies stashed. He doesn't call Sam or Tucker or Jazz, and has to stitch himself up alone, with Damian watching.

Damian is quiet the entire time, he feels awful. Danny's not mad at him -- well, he is. But not because he had to protect him. He's just tired, and a little disappointed in him. Damian doesn't sneak out again. But he still feels helpless.

Danny tells him that that is why he doesn't want Damian to help him. Ghosts, his ghosts, are hard to fight. They are powerful, and his 'rogues' are mean. They will not care that Damian is a mortal child, if he picks a fight with them, they will fight back. And Damian is not immune to certain ghost powers like Danny is.

Damian is silent. He wants to help. But Danny is right: he is a squishy, mortal, living child. There is not much he can do to help Danny. Not without any gear to do it. Not without any powers to do it. He wants to help. He cannot.

Damian, almost-seven-years old, begins to cry. It is the last thing Danny was expecting, and for a moment he is at a loss of what to do.

Damian reaches for him -- in the Fenton family, physical affection is expected. Damian is getting used to it, but Danny is the only one he likes touching him -- and then stops, cringing away like he only just remembered that Danny was hurt.

He only cries harder.

Danny meets him halfway and pulls him into his arms, situating Damian between his knees from where he's sitting. Through his tears, Damian says he wants to help. He wants to help. He doesn't want Danny to get hurt anymore. He doesn't want Danny to fight ghosts alone anymore. He's scared that Danny will stop coming back.

Danny doesn't have anything to say to reassure him. Can't say anything to reassure him. It'll all just be lies. He's not going to stop fighting ghosts, he can't. He's not going to stop getting hurt, he can't. He's not going to bring Damian with him, he can't. He'd never be able to live with himself.

"I'll always come back." He says though, because that is something he can promise. Whether dead or alive, he'll come back.

When the tears finally stop, Damian doesn't say anything again. He sniffles, and presses his ear to Danny's chest, listening to the steady, slow heartbeat. If he puts his ear to his sternum and strains his ear, Damian would almost hear the low hum of Danny's ghost core, like a small dwarf sun.

"If you die, I'll drag you to the Lazarus pools myself." Damian mumbles eventually, his voice sleep-full. It's spoken in arabic, and Danny only understands half of it.

He laughs quietly, and smoothes his hand over Damian's hair. He hasn't had a haircut since he arrived, it's gotten long and there are curls beginning to form. "Okay."

Damian falls asleep shortly after, and with much consideration to his own injuries and Damian's sleeping form, Danny flies them back home.

It's hard to say, but not much changes in routine afterwards. Damian hovers close to Danny, more than usual. Danny still goes out at night, he still stitches himself up before going back, he still goes back home where Damian is waiting worriedly for him. Damian doesn't like falling asleep without knowing Danny is there.

Now the hard question is: when does little Damian finally meet the Waynes for the first time? There's plenty of ways to go about it, both easy and hard. Perhaps we go this way:

The Fenton family are visiting Maddie's sister in Arkansas. And Damian is dragging Danny around through the surrounding forest. It's his first time being in a forest this large since he moved in with the Fentons. Safe to say he is delighted by all of the nature, and he's dragging Danny along with him.

Danny likes the peace and quiet it gives him, he's found that he enjoys the rural area more than he likes the city. He's happy to let Damian point out every plant he recognizes, even if some of it is in arabic.

They walk around all day until Damian gets tired, and then at night when the sky is clear Danny and him go look at the stars. It's peaceful at first.

On the third day of their visit, Damian drags Danny out far from the house. It's slightly worrying, but Danny can always fly them back if it gets too late.

It's in the woods that Danny and Damian stray much too far from Alicia's house, and from there in the early evening that they run into Batman and Red Robin, both of them in rough 'just got out of a fight' shape.

Safe to say, it was the last thing any of them expected to run into. Damian and Danny had stopped at a small crik to rest, and the two vigilantes came through the tree line on the other side.

It was... quite the staring contest.

Damian, now seven years old at this point, forgot to mention that the Waynes were vigilantes when he told Danny he was a clone. But he was told that Batman was his original's father.

Before anyone can say anything, little Damian wraps his arms tight around Danny's middle and stares Batman and Red Robin down. His sharp edges have softened around the Fentons. But he makes no exceptions to anyone else outside of Danny's immediate social circle.

Danny's arm automatically goes around Damian's shoulders, and he looks between both Red and Batman uneasily. If they were here then it meant that there was something unsafe nearby. Danny did not fight the living, and he wasn't going to put Damian in the crosshairs of anything that does.

"Should... should we leave?" He asks, brows knotted together with a frown. He stands. "Is there something going on nearby?"

Batman suddenly grunts, and looks at him. "It's been handled." He says, and his voice is gruffer than Danny imagined it. Lower. Danny is not all that comfortable with that answer.

"Do you guys live nearby?" Red Robin asks, and Danny can't help but notice that he keeps looking at Damian. Warily. In fact, so is Batman.

He pushes Damian behind him slightly, and Damian's grip tightens on him. "Not... exactly." He says, his eyes narrowing slightly. "My family's visiting my Aunt and my brother wanted to explore since it's his first time out of the city, I guess we wandered too far away if we're running into you."

There's no visible indication of whether or not both Bats reacted to him calling Damian his brother. But he can all but feel little Damian preen at the title, it makes Danny's mouth twitch into a smile as his hand finds Damian's hair.

"Would we be able to go back with you?" Red Robin asks, startling both Danny and seemingly Batman, who looks at him instantly.

"Red Robin." He growls out, and Red Robin throws Batman a look of annoyance.

"We are lost, B. They jammed the comms and our trackers back there and it hasn't come back on yet, his aunt may have the signal we need to let the others know where we are."

They end up walking back with Danny and Damian. It's silent, and awkward, and Danny has Damian walking on his opposite side so he's not near the vigilantes. Red Robin is fiddling with a phone but still can't get a signal.

Batman is silently brooding.

Red eventually gives up and shoves the phone into a pocket on his belt, then turns to make conversation with Danny. "I never thanked you for letting us walk with you. Thanks, by the way."

Danny blinks at him, and smiles awkwardly. "No problem, man," he says, "I'm uh, Danny." He glances down at Damian, who looks up at him with big green eyes, and Damian nods quietly.

He looks back at Red Robin, and says, "This is my little brother, Damian." And Damian peers over his side and glares at Red Robin -- and Batman, who looks over when Danny says his name.

"He looks like Damian Wayne," Red Robin notes, head tilting like he's inspecting him.

Danny huffs dryly, "We get that a lot."

Red Robin smiles at him, its a tilted thing. It makes Danny uneasy. "Where did you say you were from?"

"I didn't," Danny says bluntly, and he really doesn't want to tell them where he's from. Not when Red Robin was acting strange, but they're vigilantes and notorious for their detective skills. If he's suspicious, they'll look into him. "But I'm from Amity Park."

Damian in that moment, peers around Danny again and scowls at Red Robin. Full on scowls at him, as if it were the first months when he met Danny. "You're being nosy." He sneers, his hand squeezing Danny's.

"Damian," Danny hisses, suppressing a smile. Damian jumps like he's been startled, and looks up at him with big green eyes. "He's just being curious."

(He lets his smile slip through briefly, just to let Damian know he's not that upset. A tension leaves his little brother's shoulders.)

"But he is." Damian continues, a whine leaking into his voice. Danny jabs him in the ribs with his fingers, and Damian jumps, swatting away his hand with a squeak.

"Would you rather have us walk in dead silence, Dames?" He goes for Damian's ribs again, a grin stretching across his face as Damian jumps back again and swats his hand. "Hm? Hm? We could just walk in awkward silence for the entire trip back, I know you just love awkward silence, little brother."

(It's funny, saying little brother always sounds so uncomfortable when he reads it in books and watches it on tv. But Jazz always makes it sound so natural when she does it, and Danny finds that he sounds the same too.)

Damian continues to bat away his hands, but it's not enough to prevent him from squealing with laughter when Danny gets a good hold on him and starts tickling him. Danny's grin only gets bigger, and he swoops Damian up with his arm and holds him like a football.

"Is that it? Huh? Me, you, and two vigilantes walking back to Aunt Alicia's cabin in complete, utter silence." He says, "You won't get to hear any of my amazing jokes."

Damian's wriggling, trying to pound on Danny's ribs, he's giggling uncontrollably. It's the best sound Danny's ever heard. "Your jokes are awful! Laeazir! Put me down!" He cries, grinning from ear to ear.

(From the side, both Red Robin and Batman tense up.)

Danny chuckles, and through a short series of flips, has Damian sitting on his shoulders. "I will not. You're sitting up in air jail for insulting my hilarious jokes."

Damian tugs on his hair in revenge, harrumphing at him but making no move to get down. Danny squeezes his ankles playfully, and looks back to Batman and Red Robin.

Both vigilantes look at him like he's grown a second head.

....Red Robin looks at him like he's grown a second head. Batman just stares, and then looks away. Danny tilts his head at them, his smile waning. "You guys look like you've seen a ghost or something."

(Damian tugs on his hair again. A silent boo at him.)

Red Robin jerks, "Oh, sorry." He says, not sounding all that sorry. "It's just... I've lost count to how many times I've saved Damian Wayne from the occasional kidnapping and he's always been very... serious. It's just weird seeing a kid that looks like him be... not serious."

From his shoulders he feels Damian hide his smile in his hair, that's another thing they can put on their "Things That Damian Does That Damian Wayne Does Not" list. It started as a joke, but it's been surprisingly helpful for when Damian is questioning himself.

However, Danny is not a fan of the comparison, and he smiles widely, perhaps a tad passive-aggressive. "It's a good thing that my Damian isn't Damian Wayne then." He says, giving him the slight stink eye.

Red Robin picks up on it quickly, and nods.

The rest of the way is spent in idle conversation. It's oddly casual, even if most of the conversation is Danny talking about himself. It's annoying, but he unfortunately understands the reason. Secret identities and all that.

Damian interjects a few times, some parts to talk to Danny, and other parts to throw shade at Batman and Red Robin. Mostly Red Robin, who seems begrudgingly used to it.

("I'm surprised you haven't asked me much about myself." Red Robin says at one point into the conversation. Over his shoulder Batman glares at Red Robin. "A lot of civilians do when they're able."

Danny stares at him. "You're a vigilante." He says, frowning, "Isn't it superhero 101 that you don't ask superheroes for their secret identity?"

"You'd be surprised."

"Huh. Well, no. I'm not gonna ask you about yourself. I quite like talking all about me.")

When they finally reach the cabin, it's late into the night and Danny has moved Damian from his shoulders to his front in a koala-like carry. Damian's fast asleep with his head on Danny's shoulder.

His family was also frantically searching for him, and Jazz sees him first. She immediately turns behind her and yells "I FOUND HIM!". And then sprints over to him, his parents thundering not too far behind.

Both vigilantes are subsequently ignored as Jazz dotes over him and Danny, and soon enough so is his mom and dad. They're all talking all at once, asking him where he was, they were worried sick, did he know how late it was.

He shushes all of them, loudly. And whispers that Damian is sleeping. His family then immediately quiet themselves, and go back to yelling at him in a more appropriate manner.

"Me and Damian walked too far by accident." Danny finally says when he can get a word in, and then he jabs his thumb in Red Robin and Batman's direction. "We also found two superheroes who need assistance."

The speed of which his family all snap their heads over to the direction he's pointing is almost comical. As is all of their expressions of shock.

His mother is the first to regain her senses, and she sighs at him. She sighs! "Only you, Danny." She says, and Jazz snorts into her arm.

[spinecurlingmice]

the sonadow takeover just has a lot of this i noticed

[bigskyandthecoldgun]

based on this

steve's pov | dragon's pov

Her Dad has always been very lonely.

Even from when he’d found her in that horrible, dirty bush back when she’d been but a kitten, the bright, comforting smile on his face had been tinged with a sort of sadness so deep it made her mewl with sympathy, digging her scraggly little paws into his shirt as he’d picked her up, using the last of her strength to nuzzle into his chest. Dad had stayed sad in the strange, clean room with the person in the white coat as they had explained something to him, casting glances down at her as she’d struggled to hold herself up on shaky legs on the metal surface they’d placed her on.

Her fur had been cleaned, she’d been poked at and prodded and felt a whole lot better, and when Dad had taken her into the big house and placed her gently on the bed, telling her tales about someone named Nancy and her wit and her pretty face, and someone named Jonathan and his ability to keep up with the Nancy and make her happy, and how Dad was glad to have someone to talk to about all of it, that smile was back. The sad one. She hadn’t been given a name yet, but her Dad had given her care she hadn’t ever known, food and medicine and affection, and she loved him for it.

The Nancy and the Jonathan, whoever they are, are determinedly not loved by her, she’d decided that night, curled up on her Dad's chest as sleep overtook her.

The day after, the small boy, who she affectionately calls Curly in the privacy of her own mind while Dad calls him the Dustin, comes over and gets far too close to her. She panics and swats at his nose—claws sheathed, because he is smaller than Dad, and he isn’t the Nancy or the Jonathan—and he shrieks, a delighted smile on his face that isn’t tinged with loneliness like her Dad's. She hisses at him from the comfort of Dad's shoulder, a little raspy, and Curly makes a face.

“Her breath should be considered a weapon,” he tells Dad, and then a look of even more delight crosses Curly’s face. “Oh! You should name her Dragon! Fierce little monster with a breath weapon, it makes so much sense, Steve!”

Curly goes on rambling until Dad finally cuts him off. “Okay! Fine, her name’s Dragon,” he relents. “Happy?”

Dragon is okay with that name, if only because Dad's smile is not as sad when he tries to hide it from Curly as the boy whoops.

She grows big and strong, broad and intimidating, and Dad tells her every day how soft and shiny her fur is, how she’s such a sweet girl, how he thinks it’s funny when she roars at trespassers in their home. And, of course, the trespassers are many in number and often come into their home with little protesting from Dad, much to Dragon’s dismay. She loves her Dad and only her Dad. She likes the rest well enough, sure, but Dad is special.

Dragon spends the majority of her time practically attached to Dad. He gives her many pets and lets her sit atop his shoulders or his chest or his lap, always ready to guard him from the hands of other people. Dad is her human, not theirs. Even as they try to win her favor with treats and pets, Dragon turns her nose up at them with a hiss, her hackles raised. She needs not the fleeting affections of the smaller humans, or even the Nancy or the Jonathan, who she meets for the first time when they show up on her Dad's doorstep, telling him how they’re here to take the smaller ones away.

“Hi, Steve,” the girl says, and Dragon clambers her way up to her Dad's shoulders, making herself as large and imposing as possible. “Jonathan and I are here to take the boys home.”

Her Dad radiates sadness. Loneliness. The girl must be the Nancy.

“Aw, who’s this?” the boy—he must be the Jonathan—asks, reaching up towards Dragon, which is a definite no-no. He needs to learn. Dragon hisses in warning before swatting his hand, claws out, because Dad smells so dreadfully of loneliness that it makes Dragon’s heart ache. The Jonathan draws his hand back with a wince. Dragon purrs. “Ow.”

“Shit, sorry, I should’ve warned you,” Dad says, and Dragon feels indignant at the fact the Nancy and the Jonathan have made him feel as though he needs to apologize. “Dragon’s not exactly friendly.”

Dragon begs to differ. She’s plenty cordial with the children. She doesn’t even take her claws out to swat their hands away when they try to pet her. Petting her is Dad's job, not theirs. “That’s okay,” the Nancy says. She looks at Dragon and smiles. Dragon’s ears flatten against her head as she hisses again, and the Nancy’s smile falters. “Uh, sorry, Dragon. Are they ready to go?”

She aims the question at Dad, who nods and steps aside to let the parade of small ones out of the house. “See you guys around,” Dad says as he shuts the door, and he scoops Dragon from his shoulders, holding her out and up at arms’ length as he clicks his tongue and shakes his head fondly. “What am I gonna do with you?”

Dragon mewls. You’re welcome, Dad.

“Yeah, yeah, you don’t like people, I get it,” Dad sighs, tucking her against his chest.

She nuzzles at his jaw and meows again. I like people well enough. I just don’t like the Nancy and the Jonathan. They make you smile bad.

“I’m really the only person you can handle, huh?” Dad muses, scratching behind Dragon’s ears in the best of ways. Dragon purrs, making biscuits against his shoulder. “Little beast. Tiny baby creature. You’re the best.”

Dragon is neither tiny nor a baby anymore, but Dad seems intent on calling her his baby, which she doesn’t mind. She gives him a quiet mrrp and nudges him again. Make friends that make you smile good.

“You’re gonna have to learn how to deal with people sooner or later, Draggy. I think I wanna start dating again,” her Dad says.

She comes to learn that ‘dating’ means bringing strangers into their house and closing the door to the den. Dragon makes her protests very known, yowling and scratching at the door when strange noises start up behind it, hissing and swatting and biting at the strangers when they get too close to her, and getting between Dad and the trespassers at every opportunity. None of the strangers make his smile any less lonely. If anything, they only serve to make it worse, and none of them seem to realize it.

The only person that Dragon comes to really like is the Robin, who she likes to call Dots, because of all the little dots on her face. Dots never tries to push her into letting her pet her, keeps her hands to herself with Dad, and makes Dad's smile a lot less lonely. “She’s so sweet,” Dots says one day as Dragon sprawls herself out on Dad's lap, belly exposed for him to rub at with his blunt nails, just the way she likes. “Do you think she’d let me pet her?”

“Dragon doesn’t really let people pet her,” Dad says, and Dragon lets out a little mew of agreement. For some reason, it makes Dots and Dad laugh. “I mean, you can try, but it’s kind of a miracle she tolerates you enough to let you sit next to me.”

“I don’t wanna bother her,” Dots says, and Dragon promptly decides that she’s her favorite of all the strange people her Dad brings to the house.

Human litters are strange, Dragon has discovered. She can only assume that the humans, too stupid to name themselves, have roles that correspond to the strange words they call themselves, the same across the board. Each litter must have the Steve—her Dad's title among the group—who clearly leads the rest of them, the Dustin, who is the Steve’s apprentice, the Erica, who is second in command, the Mike, who is in charge of scowling, the Lucas, who is the Max’s companion and the one in charge of games with orange balls, the Max, who is the Lucas’ companion and the one who makes funny comments, the Will, who is in charge of breaking up arguments, and the El, who is the superhero. The Robin, of course, is in charge of being the Steve’s best friend. The Jonathan and the Nancy are still of little concern to Dragon, but she has determined they are in charge of moving the children in and out of the house. Again, totally unimportant.

The El and the Will don’t come around much anymore, and Dad says that this is because they are in California. Dragon doesn’t know what California is, but it’s a long word, which she usually only hears in reference to sicknesses. Dragon hopes the El and the Will get better soon. The Jonathan has also stopped coming around, and it’s curious that this development seems to make the Nancy’s smile just a bit like Dad's now.

Dragon had been entirely unaware that a human litter needs an Eddie until one comes barreling in one afternoon in the cold months, throwing his things unceremoniously onto the couch in the TV room and shouting Dad's title into the house. Dad is not home yet. He is off with Dots at what he calls ‘work.’ Dragon postures herself as big and scary as possible, ears flat against her head as the tall man with dark hair and clothes and dangly metal walks down the hallway, towards the kitchen. And—the audacity astounds her—he starts poking around in the cabinets, making himself a meal! How rude!

Dragon yowls, low and throaty, posted up in the doorway to corner him. “Oh, shit, Steve has a cat?” the man asks, crouching down but making no move to coax her closer. “Hey, buddy, what’s your name?”

Dragon blinks at him and meows. You’re a stranger in my home. Why would I tell you?

“Ah. Mrawr. Lovely name,” the man says, nodding. He purses his lips and an airy noise comes from him, kind of like that metal thing Dad uses on the stove every now and then. “You are huge. Not that that’s a bad thing. You’re very pretty.”

Preening a little, Dragon lets out a little mrrp of gratitude. Yes, I’m very pretty. My Dad takes such good care of me. Now, go away.

The door opens again. Aha! Finally, Dad is home, and they will be rid of this intruder, the stranger who hadn’t been told about Dragon, so he must be lost, he must be looking for a different human litter’s Steve. He isn’t scowling, so he must not be a Mike or a Max. His hair is curly, so perhaps he’s a Dustin? He is looking for a Steve, after all. Or perhaps he is a Robin, by that logic.

“Eddie! Hey! What’s up, man?” Dad asks, and—

Oh, his smile is so bright and finally free of the loneliness that plagues it.

Dragon has only ever seen him smile like that once before, when Dots and Curly had been at the house, the three of them playing some kind of game with the Erica. She needs to keep that version of Dad's smile around. It’s the best one, and far too rare. The rest of Dad's litter smiles like that all the time, and it wouldn’t do if Dad continues to only show that wonderful smile on special occasions. She dutifully steps aside as Dad moves into the kitchen.

This Eddie is the key, Dragon realizes. The key to making her Dad not so lonely anymore.

Dad and the Eddie embrace. Dragon has never seen Dad as relaxed as he is in the Eddie’s hold, save for when he’s asleep and Dragon is guarding his slumbering form. “Good to see you, dude,” the Eddie says. “You got any coffee?”

“You and your coffee,” Dad says, shaking his head as he pulls back, going all around the kitchen in a routine Dragon’s only seen in the mornings.

As her Dad and the Eddie—Dragon decides to call him Ink after one of Dad's comments about the strange black shapes on the Eddie’s arms—talk idly and sip at their coffees, Dragon observes. Dad has never seemed so at ease, so happy. There isn’t a trace of the loneliness anymore, not a single sad crease in his forehead. Ink even makes him laugh. So much, too! And Dad looks at Ink like he’d looked at the Nancy that first time she’d showed up on their doorstep. Wanting. Wistful.

Dragon makes a decision.

She will make sure Ink and Dad are never separated. She will convince Ink to spend more time with her Dad. She will keep her Dad happy. Her Dad will never be lonely again, not if Dragon has anything to say about it.

After a while of talking, Ink nods down at her. “You know, I’ve been meaning to tell you how cool your cat is,” he says. Dragon takes that as her cue to get up on her Dad's shoulders. She shudders at the prospect, but if she lets Ink pet her the next time he tries, surely Dad will realize that he must stay with them. She gives her Dad a reassuring purr and nudges his cheek with her face, and Ink smiles. “Dragon. A fitting name for a majestic beast.”

“I don’t know why she’s so unfriendly,” Dad sighs, reaching up to scratch behind Dragon’s fluffy ears. Dragon purrs even harder. When Ink makes a strange noise and reaches up to join her Dad in scritching behind Dragon’s ears, her Dad takes a step back. No! That’s not the plan! “Woah, careful, man, don’t want you to get clawed.”

The big smile on Ink’s face gets smaller, but somehow feels more private. “Cats don’t really like me, anyway, I don’t mind a little scratch or two,” he says, stepping closer to offer his hand up for Dragon to sniff.

Dragon doesn’t even need to sniff him, though he smells strongly of outdoors. He’ll smell enough like Dad sooner or later. She just pushes her face against his knuckles. Pet me, you imbecile. Show Dad how you will love us.

She even keeps purring to drive the point home. “Holy shit, she doesn’t do that with anybody,” Dad says. Yes! He’s getting it!

They continue their conversation, and Dragon feels herself getting shifted into her Dad's arms, so she nuzzles against him. Dad is talking about things that don’t interest her, strangers and the like, so she meows pointedly and licks his face. Tell the Eddie he needs to stay. We don’t have one yet.

Finally, the conversation points to her in a favorable way. “Well, maybe you just have to find somebody she likes,” Ink says, scratching under her chin. She meows again and squints, tilting her chin up. She’s really going all out here. Dad better get her point. Ink makes a strange sort of sound. “Aw, see? She’s a sweet girl. I’m sure she’ll have a soft spot for someone other than yourself soon enough.”

“Draggy,” Dad coos in his play-voice, “will you please let Daddy get laid? Be all sweet and good instead of biting people’s ankles?”

Dragon doesn’t know what any of that means, but it clearly makes Ink horrified enough to drag the conversation elsewhere, which, again—annoying. Neither of them are getting her point, not even when Dad shifts her so that her tummy’s facing up and she lets Ink give her belly rubs. Belly rubs! Those are not given lightly, and Dad must realize it, because Ink comes over a lot more often after that.

She always makes sure Ink and Dad are sitting together, lets Ink pet her—and, admittedly, he’s pretty good at it—and watches to make sure Dad's smile never turns lonely. And it doesn’t, not with Ink around. Dragon changes nothing about how she interacts with other people, but she gets clingy to the Eddie, trying to show her Dad that he should be, too. Dad even lets the Eddie into the den, lets him lay on the pillows beside him as they talk and talk about things that Dragon doesn’t understand and doesn’t particularly care to.

But Ink is not close enough. On one memorable occasion, Dragon even paws at his arm until he gets the hint to scoot closer, and she thinks that if her Dad could purr, he would. Dad doesn’t get the hint, though, even still, because even though Dragon is pretty sure the Eddie of the human litter is supposed to provide love to the Steve, Dad doesn’t seem to realize he can. Dragon even lets Dots get in a scratch to her chin, just to show Dad that if even she can let other people in, so can he.

“You are killing me, you little menace,” Dad tells her one night when Ink isn’t in the room, but he’s still in the house. “Why do you like Eddie so much, huh? I mean, sure, he’s funny and he’s nice, but it’s not like you can understand what he says, you don’t speak English.”

Dragon meows indignantly at him from where she sits on his lap. I understand enough to know that this Eddie is the Eddie you should keep.

“Yeah, yeah, I see your point. Eddie is pretty great,” her Dad mutters.

Dragon yawns, because the little song and dance her Dad is doing about his silly feelings is exhausting, and starts making biscuits on his thighs, then purrs. He is. And you deserve that. You should not be lonely, and he makes you un-lonely.

“Okay, so he’s handsome, too, but I don’t see how that’s appealing for you, you’re a cat,” Dad huffs. Dragon watches him pause, then his face goes all pink, and he looks funny. “Well, that’s—it doesn’t appeal to me, either, I guess.”

Dragon gives him an inquisitive little mrrowp? in response. What does handsome mean? You should let him give you whatever pets for humans are.

Her Dad makes air push out of his mouth for a while. “Look, Draggy, you gotta find someone else you like. Eddie can’t be the only other person you can tolerate, it’s just not realistic,” he tells her. Rude. She tolerates everybody.

Dragon roars. The Eddie loves you, so I love him. What’s so hard to understand about this? You love him, too, if you would stop being obtuse about it.

Dad has the audacity to shush her, even if he does give her some pets. “Yeah, I know, and I like having him around, too—”

“Talking to your cat about me, Stevie?” Ink asks.

Dragon makes a whole big show of letting Ink give her tummy rubs, keeping her eyes on Dad the whole time. See? You could have this, too. Just be brave. But, unfortunately, Dad doesn’t get the hint, because while he puts Ink in clothes scented by him, Ink sleeps in one of the dens for guests rather than in Dad's den. Fine. If Dad won’t get the message, maybe his Eddie will.

She sits outside of the door to the guest den Ink sleeps in and yowls and cries until he comes out to pick her up and put her on Dad's bed. “Please tell your daughter to stop screaming at me,” he says, and Dragon gets dragged into her Dad's lap. The Eddie turns to leave, which is outrageous! All of that work, for what? Dragon lets out an indignant cry, and Ink turns back around. “Oh my God, what?!”

Dragon gives him a little chirp and trots to the edge of the bed, nosing at his hand. Sleep in here, Dad is so lonely when he sleeps.

“Draggy, let Eddie go to bed,” Dad protests. Dragon resists the temptation to tell him to stay out of it, because he is still her Dad and must be respected.

“Yes, Dragon, I need my beauty sleep,” Ink tells her, which is further infuriating, because Dad already thinks he’s pretty! He stares at Ink all the time! When the Eddie turns to leave again, Dragon yowls again and takes his hand into her mouth to try and drag him towards Dad. Ink looks to Dad, probably for guidance. The Steve is the leader, after all. “Does she want me to stay here?”

They exchange more words, which is a terrible bore, but Ink clambers into the bed, so Dragon is triumphant. They’re not close enough, though, not as close as the humans on the TV that make Dad sigh wistfully, so Dragon pushes against Ink’s back and doesn’t stop pushing until he scoots a little closer. Still, it’s not enough.

“She keeps pushing at my back,” the Eddie says. “Why is your cat so strong, dude?”

Dragon is so busy being pleased at the comment that she nearly misses what her Dad says in response. “I can take her out of the—”

She lets out a panicked screech, as loud as she can. No! You’ll never do this on your own! I have to help, so I have to be here until you figure it out!

Neither of them make any further threats to remove her, so she just keeps idly nudging at Ink’s back. After so much chatter, really, humans have got to be more direct with each other, the Eddie takes initiative, leaning close to her Dad's face. Finally, finally, they look the way the humans on TV do, and Dragon quietly makes her way off of the bed as the strange noises that usually mean she gets locked out of the room begin, meowing when there’s a pause.

I will stay out of your way, Ink. Please make him happy.

Dragon heads down the hall and curls up on the bed of the guest den, too tired from her matchmaking efforts to be kept up by the increase of noises from the room next door.

To be given her proper credit the next morning, she politely snatches up one of the shirts on the floor—the one that smells like Dad but the one Ink had been wearing—and waits for her Dad to see her up on the bed before swishing her tail smugly. When Ink sees, he cackles. Dragon can tell that he will live up to his title. The Eddie will make the Steve happy, just as he’s meant to.

Honestly, Dad should listen to her more often. Dragon has very good ideas.

[levemetal]

I got Procreate and gave it a test run with some silly AU sketches of course

So have Calamity SJ adopting Hong‘er! Ft. my silly calamity MNQ AU and it’s inevitable conclusion of atticwife Jun Wu in the second pic because I am no longer in control here.

SY tried to be the cool uncle, unfortunately YQY is the cooler uncle so he got the Feng Xin treatment. Binghe about to start beef with a child lmfao.

Ling Wen is new heavenly emperor and I ensure you she is as overworked as ever, but she does not care about heavenly officials marrying calamities anymore. First was YQY, and then Jun Wu. Xie Lian and Shi Qingxuan are really not trendstarters here.

[of-the-eventide]

Ito Avagnar Fujimori was a well-loved sight among all the Scions and for them, their heart was given to each and every one in return. But they would call only one of them their brother, facing trial and tribulation back to back with him... While also dealing with all his annoying 'quirks' as well.

auraugust 2024 - companion

[haunted-xander]

So. Fatebreaker, right? Ryne's biggest fears made manifest, daddy issues personified, yes?

He's an amalgamation of Thancred and Ran'jit, his face, his voice and his weapon is Thancred's, but his body, his fighting style and his words are Ran'jit's.

Throughout the fight Fatebreaker constantly makes comments about how only he can protect Ryne, only he can provide for her, only he has even the right to so much as stand beside her, to be in her general presence. He's possessive and obsessive, repeatedly asserting that she is HIS and his only. Which is exactly what Ran'jit says basically every time we encounter him.

But this time it's in Thancred's voice. This time it's with the voice and face of a man she actually cares about.

Ryne isn't scared of Thancred, she never has been. Even when she first met him she was barely even nervous (as clearly shown in Thancred's short story). There's a lot of different feelings happening between those two, but fear has never been one of them.

But now, after things have gotten so much better, she is scared of Thancred becoming like Ran'jit. Because if Thancred was just a little further gone, if he was just a little less compassionate, he would've. It wouldn't be hard for him to go down the same path as Ran'jit did, to be incapable of letting go of the ghost of that girl he loved so so much to the point he'd stubbornly grip anything close to her he could. He didn't, but the fact he could've is terrifying.

It makes his final words, words that are Thancred's, so very important. This is her deepest fears made manifest, but he still says he wants her to be happy. Her happiness not only matters, but is important to him.

[mycological-mariner]

First day of Pride and I just want to shine a light on all the trans people who are unable to transition, especially those who aren’t fresh faced university grads. Those who don’t live in a supportive or even just accepting home or community. Those who aren’t well off, those who aren’t good at or popular enough to crowd fund. Those who can’t afford transitioning. Those who can’t even transition socially or need to stay in the closet for your safety. Those who rely on benefits or unforgiving jobs to just pay the bills. Having to hear day in and day out you’re just GNC, that your pre-transition body is “ugly” and the ways you can express your gender are “cringe.” Every trans person who’s been told they aren’t “trying hard enough”. Those trans people who won’t even get to imagine transitioning for years.

I see you. I love you. You’re so undervalued and under appreciated in a world where being a white, well off 20 year old on HRT and getting surgery is more common to see than people who work full time and just don’t have that privilege. It sucks, so much. But you are loved and you are seen.

Happy Pride Month to trans people who aren’t where they want to be. The world is better with you in it. We all need each other.

[skrunksthatwunk]

other half

redraw screenshots taken from this post i made a while back ignore that i forgot to actually link it for like an entire day

[icamefromacupboard]

andreil is so funny to me because on the surface its your typical slowburn enemies to lovers arc but in actuality its so much more than that its:

"you hit me with a fucking racket" to

"this bitch really drugged me" to

"i still dont like you but we got a deal going so" to

"FUCK youre annoying but i can work with this" to

"trust me" to

"im gonna get torchered to try and save you" to

"you wanna kill me? lol bet" to

lovers

[moeblob]

Huevember 11

Karen and Rick but in the DND AU. (I just look at this and think 'Barbie learned eldritch blast' but ya know. Whatever.)

[miraculouslbcnreactions]

Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.

S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor”. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)

So what I’m asking is…what do you mean “Chloe doesn’t have growth”?

I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)

I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).

That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.

But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.

Character Establishment

When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.

When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.

For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.

Character Growth

Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.

Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.

Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.

Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.

Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.

This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!

Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)

As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.

This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.

Let's Talk About Chloe

Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.

Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.

Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.

The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.

Let's look at some examples to drive home what I mean.

Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:

Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!

And this confession from Antibug:

Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.

So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.

That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!

In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:

Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)

and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.

Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:

[Image description: Chloe and Andre hugging and looking very happy to be together]

Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.

Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?

Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.

The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.

This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.

Then, in the heightened emotions directly after the Zombizou win, we get this:

Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.

A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:

Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.

And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.

Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.

Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:

Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!

For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.

Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:

Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)

Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!

As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.

So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.

I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.

Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!

Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?

Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.

To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.

[arsenicflame]

(I am still in love with you, can't admit it yet)

[mymarifae]

really dreading mizu5 tbh. yes the writing around mizuki has generally been really well done and it feels thoughtful and intentional, but it'd be a very easy and very instantaneous thing. to just throw four years worth of build-up in the fucking garbage. or maybe nothing of substance will get confirmed at all because they decided they like making money. maybe it'll just be bad and this is all a waste of time and no one's going to be happy. maybe i should obtain a grenade launcher and play with it

[wikoymi]

stiff ahh pose but crazy how its taken me Seven Months to draw a nagito that looks even somewhat remotely close to how he looks in my head. Big day