#this is just for fun don't take this too seriously
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thatbitchery · 2 days ago
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Personal finance is tied mostly to your systems as a person. You could make 6 figures a year and still be broke and in debt or you could make 20k a year and be on your way to financial freedom.I have finally achieved financial freedom, and no I do not make super much, depending on who you compare me to. Mostly it's my financial and personal habits that keep me going.
I do not consider fancy a marker of a good life, as a matter of fact I do not understand it. What do you mean a MEAL costs 1000 its never that serious please. I don't consider Givenchy to be any more elevated than what my tailor can make me for 100$. Fancy is not important to me so when I was building my one year emergency fund I did not consider fancy part of the budget. I do not try to purchase status.
And I can not stress this enough- taking risks with my money. Buying a vending machine is one of the best decisions I made this year. Buying a business, as risky as that was, turned out to be great. I have lost money, too. Like a lot. I bought stocks in a startup that crashed and lost a pretty little buck. I dipped into the VR business not too long ago and that tanked. It is not about making the right decisions- with money that is almost never possible. Its about taking risks.
My end goal is not a career its the money. Meaning? I have worked jobs odd and unclassy and not so fun. I have packaged fish at some point- hated it. I have worked as a cashier once. As the personal assistant to some pig that was always trying to get their hand up my skirt. I have done real estate. Currently doing event (wedding) Planning for my girl. I did forex, once. I have been paid to go as someone's date to some event. I am not picky with my jobs because the job is not the end goal, the money is. The goal is to retire by 30 and I will do whatever it takes to get up there. It's the getting paid part that matters the most to me.
Learning to leverage my skills and the situation plus to recognize the opportunities when they show up. My girl's last organizer canceled last minute and I offered to take it if she tops the fee up because I love her but not THAT much. In the process I have met so many people in this place and making connections in a new country will never be a bad idea. I have zero to none skills in event planning but all i hear is compliments (Pinterest the things I'd do for you) and I can add event planning to the options my future self has for careers especially given the profile of this one. A lady at church was divorced and man left her with a mortgage and a financial crisis (your daily reminder marrying rich isn't all that) and i drew up a contract to cover her mortgage and kid's education in exchange of a piece of her estate plus slowly easing my way into becoming her financial go to person and asset manager. A bargain, seriously, and I've passed it through enough lawyers to know my fancy little mortgage note will make me very very happy in a few years. Leveraging my mentorship skills to work my way into society because the way to anyone's heart is their children. Its free on paper but is it really? These are the next CEOs and I'm building my space this early. Leveraging my relationships for more relationships. Opportunities are not given they are created. 
THIS. ESPECIALLY THIS - having a value system. Knowing what is important to me and what isn't. Being a part of high society is NOT important to me so why would i buy a gala ticket the same price as my rent? Buying brands to keep up a rich girl aesthetic? Winters in Gstaad although I despise snow? Being part of high society isn't something I value at all so I don't play social games I'll just go home. Yes I'll maintain my relationships but everyone that is everyone knows it is not a race I fancy (Which, weirdly enough, has made it very easy for me to navigate it). Like I said, fancy things are not important to me so apart from an Aston Martin I don't care about the price I care about the quality. I will be at a thrift store I really don't mind. My peace is very important to me so I'll pick the fancy overpriced library fees over other libraries and I will pay a ridiculous amount in rent for an apartment in the peaceful part of town and I will splurge on a fancy cafe because I know the price range itself buys me peace. Ramit Sethi (In his book I Will Teach You To Be Rich) gives this as the core point of getting wealthy, knowing your value system. What is important to you? What isn't? If you're not for something you're for everything. 
Minimizing responsibilities. I don't have kids and I don't intend to. I don't stupidly commit to things without thinking real real hard about them. I didn't buy things that require me to keep up with paperwork, I don't take on things I need to track. My greatest responsibility in life is my three cats. 
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novvabee · 2 days ago
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And They Were Roommates pt.10
summary: friendsgiving, you meet all the slytherins, this kinda doesn't contain a lot, just meeting new characters and wholesome interactions, i might make a part two to this lmao
cw: casual drinking? firewhisky is mentioned but you can interpret it in any way you want really
word count: 2.1k
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“Stop that, Siri,” you scolded, swatting at his hand, “It’ll never boil if you keep stirring it.”
You were at the stove, boiling water for potatoes, or trying to at least. Sirius, bless him, wanted to help out, but he was really just in the way if not a downright hazard in the kitchen. 
“You told me to boil and stir, those are my duties and I take them very seriously.” He said with a chuckle at the last part. You rolled your eyes and scooted him out of the way.
You had already baked a lovely cake, and helped James cook some chicken and pasta, the last thing you had to make were the mashed potatoes. Remus had cooked up some veggies and was storing them in the warmer.
About a week ago, you suggested a “friendsgiving” to the boys. They had no idea what you were talking about, staring at you and blinking blankly as you explained the concept. You just wanted to have your friends over, all under one roof, and eat yummy food and play fun games. It sounded easy, in theory, but it turned out to be a lot more work than you were expecting, especially since one of the three boys could not cook to save his life. You decided to put Sirius in charge of drinks and entertainment and that appeased him. 
The house was a rush for a couple days, you all decorated and figured out recipes you were going to make for the whole group. Then there was the inviting everyone and setting a time that everyone was available. It was like herding cats.
Your friends, Mary, Lily, and Marlene, were all easy. They communicated and organized and everything went off without a hitch. But Sirius wanted to invite his brother and some friends that you had yet to meet and they seemed…. Well a little less communicative and organized, but that was apparently very normal for them, none of the boys were upset by it.
“Remus,” you called into the other room. The tall boy appeared on the doorway in an instant. “Would you please help me finish the food?” you asked sweetly, batting your lashes to really drive it home.
Remus smirked and rolled his eyes. “Only if I have to.” he replied jokingly.
Sirius whined from beside you where Remus was now moving him out of the way. “Well what am I supposed to do?” he said, pushing out his bottom lip in a fake pout.
You looked at him and smiled, knowing his antics, he was only wanting to stay in the kitchen so he could “test” everything you were making. “Why don't you help James?” you suggested. James was in the living room, setting up some fall-ish decor which included strings of leaves he found outside. He claimed the colors were too pretty to be left out in the cold, so he hung them up insead. It was cute. 
Sirius huffed and exited the kitchen. You continued on cooking, a little faster and more efficient now that Remus was actually helping you. It was a little while later, as you were finishing up, you heard some muffled arguing in the other room. You and Remus gave each other a confused look, then went to go and see what all the commotion was.
You entered the living room and it was completely transformed into a fall wonderland. There were strings of leaves hung up across the ceiling, carved little woodland creatures strewn about, candles lit everywhere, and a fire stoked in the fireplace. The room had a warm glow to it. You stood there in awe, taking it all in. Maybe you should put Sirius on decorating duty more often.
“How did you do all this? And.. you were in here for like ten minutes, how?” you asked, still in shock.
Sirius smirked at you. “Magic,” he drawled, shoving what looked like one of the decorative sticks into his back pocket. James shook his head at Sirius, and Remus coughed from beside you. You couldn’t believe it, he and James must have worked really fast. 
Your attention was drawn to the door, hearing a knock and some cheerful chatter. You smiled, instantly knowing who it was.
You opened the door and were met with the sight of Mary, Lily, and Marlene, all holding dishes they made.
“Hello love!” Mary sang, kissing you on the cheek before stepping inside. You hugged both Marlene and Lily and let them in as well. 
“I can’t believe you actually live with them,” Marlene said to you while handing her dish off to James. “I mean, if you ever need an escape, just let me know and you can come stay with me instead.” she said, conspiring against her friends.
You laughed but answered, “I like it here, the boys are lovely.”
Marlene blinked at you in shock. “The boys? Lovely?” 
“They better be,” Lily chimed in, glaring at both Sirius and James.
The latter held his hands up in defense as the former confirmed “We’ve been on our best behavior.” 
All of you settled in, the girls leaving their dishes on the long table that James had somehow conjured up early this morning. You all found space on the couches or chairs or just on the carpeted floor. Conversation was lively, they all were recounting stories about their school days. 
You learned a little bit more about the boys through the eyes of the girls. Apparently Remus was known as sort of a “casanova” in their years at school, James and Sirius got detention every day for three months but were able to sweet talk their way out of it after only a week, and that they had once set a fire in their common room.
“It was small!” James defended himself and his friends. “And we put it out eventually, didn't we?”
“Yes, because I supplied the water!” Lily laughed, making the rest of the room chuckle along with her.
“What about you, Y/N? You have any harrowing tales from school?” Mary asked.
You shook your head and let your gaze fall to the floor. “I was way too shy to do anything bad or adventurous in school.” you supplied.
“You never got into trouble?” James asked. “Not even once?”
“I mean…Not for anything like setting a common room on fire.” you shot back at him, jokingly. James smiled at you, the perfect, warm smile that he often reserved only for you. The type of smile that would instantly heat your face.
You were grateful for the knock at the door, taking the attention away from you and your growing blush.
Sirius jumped up and raced to the door, opening it to reveal a boy you had yet to meet. He looked almost exactly like Sirius, the only differences were his shorter hair and his sharper features, almost cat like.
“Reggie!” Sirius exclaimed, wrapping his arms around him in a tight hug. The boy stiffened a bit but pat Sirius on the back. "You didn’t make anything?”
The boy furrowed his eyebrows. “Why would I make anything? Can’t we just-”
“Regulus! It’s been too long” Mary called out, skipping up to him and hugging him as well.
“Where are the other two?” James asked.
The boy shrugged. “Honestly I don’t know, I told them I was leaving at 5:00 and for them to be in the car. I left at 5:00.” he said plainly, making James chuckle.
“And they weren't in the car?” James asked again.
“They were not in the car.” The boy confirmed smiling slightly, just the corners of his mouth, but somehow it lit his face up entirely. He turned to you, looking you up and down. “Hello, I’m Regulus.”
“Hi, I’m Y/N.” you said, giving him a small wave. “I’m their new roommate.” you explained, nodding your head to where James stood beside you.
“Oh right, Sirius mentioned you,” he said. You couldn’t really get a read on him, didn’t know if he liked you or not, if he was friendly or not.
You were saved by Marlene inserting herself into the conversation by asking, “So Reggie, uh, do you know who else is coming?”
Regulus turned his attention to her and smirked. He raised his eyebrows and said, “Oh yeah, Pandora is coming. Can’t wait to see her.” He smiled at her like he knew something, like he was onto some game she might be playing.
“Cool, yeah! Love Pandora. I’m, uh, excited to see her too.” she said quickly, then walked away. Regulus and James laughed.
There was another knock on the door, Sirius again opened it and revealed two girls standing side by side. One with dark brown hair and the coolest clothes you had ever seen, the other with blonde hair and an eccentric aura around her. The blonde was holding a tray of baked goods and the brunette was holding some sort of bottle.
They said their hellos to everyone before the blonde stopped right in front of you. “You must be Y/N! It is so lovely to meet you. I am excited to get to know you more, I’m Pandora by the way.” she said in an airy type of voice. She seemed sweet, kind. You were excited to get to know her more too.
“Yeah, nice to meet you too.” you said.
“I made pumpkin pasties, I hope that's alright with you.” she said, motioning with the tray in her hands.
“Oh, uh, yeah that’s great, thank you so much.” you started, “I’ve never had one before so, I’m happy to try one!” you finished, trying your best to match her cheeriness.
“Never had a pumpkin pasty?” she asked, cocking her head to the side. “They are practically all I would eat when I was at-”
“I’ll take that.” Remus interjected, taking the tray gently from her hands.
“Oh Remus! How have you been? I was wondering about…” she started, getting distracted from you and following Remus into the kitchen. 
The other girl now stood in front of you. “Hey, I’m Dorcas.” she said. (you noticed Marlene blushing in the corner, eyeing her. Is this who she was hoping would show up…)
“Hi, I’m Y/N,” you repeated to her. “Nice to meet you.”
“Nice to meet you too,” she echoed the formality. “So… you’re living here now? With them?” she nodded to Remus and James in the kitchen.
“Yeah,” you said, nodding.
She handed you the bottle in her hand. “This is for you, I think it may come in handy living with that bunch.” she laughed, her voice smooth and soft. “It’s whiskey.”
You giggled and thanked her, taking the bottle. “Drinks, anyone?” you asked, raising the bottle up for all to see. There was an assortment of yes’s and agreements. You made your way to the kitchen to start handing out drinks.
Everyone was mingling and drinking, making their way to the table. You sat between Remus and Dorcas, talking to her about clothes and jewelry. She was wearing some of the coolest rings you had ever seen and you needed to know where she got them. “Oh here,” she said, handing you one you had asked about.
“W-what no. I couldn’t” you stuttered, shocked that she would be willing to give it up. Like she had known you for years, like you were sisters sharing clothes. 
“No, don't worry about it, think about it like a house warming present or something.” she explained, popping the ring  on the placemat in front of you. “Besides, I like making my own rings, I can always make another.”
You thought right then that she may be the coolest girl you had ever met.
There was yet another knock at the door. “Late as always!” Mary sang from the other side of the table, making the room laugh. Pandora was the one who jumped from her seat and made for the door. 
“Evan!” you heard her call out. She re-entered the room with two boys behind her. The first boy was tall, almost as tall as Remus, and blonde like Pandora. The other was slightly shorter and had green streaks dyed into his black hair. The second boy was holding a pie.
“I told you I was leaving at 5:00” Regulus muttered from one of the heads of the table.
“We made a pie.” the one with the green streaks said, extending out the pie he was holding.
Lily crossed her arms over her chest and raised a brow “you made a pie?” she said with an accusatory tone.
The green haired boy smiled. “We bought a pie, and the pie is here.”
You stood and walked up to the two new boys. You introduced yourself and took the pie, telling them to follow you to the kitchen so they could grab drinks as well.
“I never thought the day would come when I would be jealous of the marauders.” you heard the green haired boy, whose name you learned was Barty, mumble to the tall blonde boy, whose name was Evan, Pandora’s twin brother.
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so this one was so fun to write even though nothing really happened, I just like to flesh out all their personalities kinda... idk. also there is so much magic in this one if you're looking for it. I do wanna do a pt.10 pt.2 lmao but that is so silly
taglist 💌:@too-efn-old-to-be-here @cometsghost @eeviee4 @giuli-in-earth @spicybearnaise @the-lavender-girl @adharalikethestar @champomiel @itsleroyposts @enamoredwithbella @babymash @ilovejamespottersomuch @liszblog @sammyreid @kiaslily @idkman5335 @willowlovestheweasleys @lady-balem @nislame @latenightreadingpdf @v-loves-frogs @meggishhhh @mooonyxoxo @sodavrr @notmonstersapocalipse @plk-18 @prettylittlewrites
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cherry-smokes · 2 days ago
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Sugar Me
AKA the time you meet Steve at one of your gigs loosely based on Pour Some Sugar On Me by Def Leppard Pairing: Steve Harrington x bassist!reader best friend!Eddie x bassist!reader Word count: 3k Note: reader goes by Sugar and uses she/her pronouns Warning: Sugar is a flirt:)
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Sometimes you think you would be the most miserable person on earth had you not been in your 20’s in the 80’s. Rock and roll is alive and well and as Eddie likes to scream when he’s four beers in, it will never die!
Meeting him was one of the greatest gifts you were granted. Despite what the rest of Hawkins thinks, he’s the greatest guy you know. The rock scene was supposed to be all about going against the grain. Expressing yourself and indulging in things most people are too scared to indulge in because of what others might think. Despite this, it’s still infested with misogyny. Especially in a place like Hawkins.
Getting people to take any of your interests seriously as a woman is damn near impossible. Not with Eddie though. When he asked you to join Corroded Coffin you didn’t think twice. Eddie trusted you. He appreciated your talent and you knew going into it that you wouldn’t just be eye candy to draw in a crowd as the only chick in the band. To Eddie, how you dressed or how you presented yourself on or off stage didn't mean anything. As soon as you got that Bass in your hands, that's all that mattered to him.
Before you met him, finding your place in Hawkins had been frustrating. You'd tried other bands but they just never worked out. When guys in bands are raunchy and bold they're praised. For them it's a badge of honor. God forbid a woman dresses in the same skin-tight clothes and flirts, now that would just be down right slutty right?
Thankfully for you, the guys in the band don't share this sentiment. However they do have their moments. They're just guys after all.
When Eddie mentioned he’d invited his friends to your gig tonight you were a bit surprised. You’ve never been one to judge a book by its cover, but from your brief knowledge of Steve ‘the hair’ Harrington the last place you expected him to want to be on a Friday night is a dive bar at the edge of town.
You’ve heard Eddie’s Hail Mary about how-
“He’s a changed man Sugar, swear it!”
You believe him, really! If Eddie told you the sky was red you’d believe him too. Despite whatever bulletin board conspiracy your band mates have drawn up you aren’t fucking Eddie. He’s your best friend, frankly you’re still waiting for the day people can comprehend that a guy and a girl can be friends without secretly wanting to make out and elope in Vegas.
Steve Harrington however, was not a man you could be ‘just friends’ with.
The second he walks into the bar trailing behind a girl with mousy blonde hair and a chic vest you pause mid sip, beer instantly forgotten. No one is allowed to look that good in a Polo. Don’t even mention the hair-the hair! It’s a waste he isn’t in a glam rock band, blasphemous even.
He looks out of place in the bar. He shakes all the guy’s hands following it with a pat on the arm similar to how a Wall Street guy would greet his coworkers.
“Stevie, Buckley. This is the one and only Sugar!”
He introduces you in that tone he tends to use during a campaign. You lean across the table as Robin sits down to shake her hand.
“It’s nice to finally meet you, Eddie never shuts up about you.”
“How could he?”
You tease as you scooch your chair to make space for Steve to drag one over to your table. He sits down, holding his hand out to shake yours “Nice to meet you I’m St-“
“Stevie right?”
You cut him off with a firm hand shake and a curl of your red lips. Similar to his cheeks as he nods in agreement.
This is just going to be so fun. You've heard rumors about how much of a playboy he was back in high school. However, considering that he spends most of his time babysitting kids and according to Eddie ‘striking out’ you have a feeling that isn’t the case anymore.
You can’t help but notice the way his eyes linger over the lipstick stain on your cup, or the way your leopard print pants stretch over your thighs.
“This your first show?”
He looks back at you, wiping his palms down his jeans. He looks all American. Like he came straight out of a Bruce Springsteen song.
“Yeah, it is.”
“Well, I’ll make sure it’s extra special for you tonight.”
“You’ve only known the guy two seconds why are you giving him special treatment Sugar, I thought I was your main man?”
Eddie says this as he kicks your leg underneath the table.
“When you look like that you get special treatment, I don’t make the rules.”
You take a sip of your beer, glancing at Steve over the glass.
“Alright Casanova finish your beer we gotta get up there soon.”
You raise one arm in surrender as you chug what’s left and go to stand up. Making sure to lightly drag your arm behind Steve’s chair as you start walking to the stage. You turn to Robin before leaving, “killer vest by the way.”
You know Eddie is just teasing. This is just who you are, and you really get a kick out of seeing how many buttons you can push. How pretty and pink you can make a guy. According to the flush that spread over Steve's face, pretty damn pink.
It's just fun. You get the feeling Steve tends to go more for the 'girl next door' type and you've never been one to get your hopes up. Hawkins hasn't necessarily been kind to people like you. Guy's were never really that into you in your early teens. When they were, it was because they assumed you were an easy lay. You can imagine their disappointment when your idea of a perfect first date wasn't hooking up in the back of their dad's cars or under the bleachers.
It's fine though. Guys are much more fun when you can flirt them up at the bar and never see them again. It keeps your schedule free for rehearsals anyways.
You find yourself lost in this thought as you set up on stage. Glancing over at the bar you see Steve and Robin bickering quietly. He holds a beer out of her reach as she yanks at his hair before snatching it out of his hands. You can't help but see a resemblance between them and you and Eddie.
As if he knows what you're thinking he comes up behind you, guitar in hand as poke's at your side.
"Ready to rock and roll?"
"You sound like a dad when you say that."
"I thought you liked that kind of thing?"
You shove him harshly but can't help the laugh that comes out of you.
───── ⋆⋅☆⋅⋆ ─────
Steve swears this is heaven.
Yeah it’s hot in the bar, and it reeks of beer and sweat and he’s being jostled around like a punching bag but god it’s worth it when he sees you on stage.
Baby hairs stick to your forehead, sweaty and glistening. Your black top clings to your body and he feels like an asshole for staring at your legs in those pants. The real kicker is your hands. The way you pluck at the base effortlessly as if they’re gliding on air.
He flinches as the band finishes up the song and Robin hollers right beside him.
“They’re good! Not that I didn’t think they’d be good, I totally believed Eddie when he said they were but they’re like-actually good!”
Steve holds back a chuckle, Robin is a light weight but he’s glad she’s a happy drunk.
“Yeah, they’re killer.”
Eddie speaks up breathlessly from stage.
“Alright everyone, for our last song of the night let me draw your attention to our very own Sugar for a very special cover.”
He dramatically gestures over to you and bows down as you step up to your own mic, which you’ve been neglecting for most of the night.
The crowd hollers for a moment before cooling down. It’s hypnotic, the way you command a room just with your presence. As if you could make everyone buckle at their knees with just a breath.
“Step inside
Walk this way
You and me babe
Hey hey!”
The crowd roars at the familiar favorite. Steve’s never been one for rock music, but he can’t help but bob his head to the beat alongside Robin. He thinks he’d listen to every goddamn song ever created if it was coming out of your mouth.
You pull your hair back in your hands as you tap your leg rhythmically, seductively eying the crowd. Your bass hangs low by your waist and sways slightly. It’s obscene, everything is obscene when you look like that.
“I'm hot, sticky sweet
From my head to my feet, yeah”
It’s like you know what you’re doing. There’s a confidence that spills from you and he’s down like a dog. He feels like you could stomp his heart out with your black boots and he’d polish the blood off them with the shirt off his back afterwards.
Fuck he’s pathetic.
───── ⋆⋅☆⋅⋆ ─────
The feeling right after finishing a set is always the best. You're all giddy, high off the adrenaline and slightly cocky. You could perform in front of just three people and you would all still feel like hot shit.
"That was awesome!"
Robin breaks through the crowd with Steve trailing behind her, promptly apologizing to the men she's shoving aside. The way she walks through the larger and gruff looking men as if it doesn't phase her amuses you. From what you've heard about Robin through Eddie, you've grown to admire her from afar. While you've always been too shy to admit it, you've been dying to meet her. You love your guys but you often find yourself desperately yearning for someone who you could connect with on a deeper level. You've known Robin to be deeply feminist. You've read some of the Zine's she makes alongside Nancy Wheeler, fighting against the patriarchy and the typical conservative views in Hawkins. You're aching to collaborate with them on one.
Which is why you immediately agree to her request to buy you a beer.
As she drags you over to the bar, Steve stays back with the group. Shooting a longing glance at you as you walk away as if he had something he wanted to say to you.
"Harrington strikes out once again."
Steve's head whips towards Eddie.
He starts fumbling over his words immediately. He knows from past conversations that you and Eddie have only ever been just friends. He has also, much to his dismay at first, grown to care for Eddie and their friendship. He wouldn't want to cross a line in trying to get to know you in a more than friendly way.
"I'm not striking out-I'm not even in the game."
The guys all burst out in boyish laughter, making Steve roll his eyes.
"Dude. You were practically drooling the entire set."
Gareth says this before mimicking Steves' starstruck face he saw in the crowd.
"It was hot in there!"
"Oh yeah, I bet it was."
Jeff and Gareth leave to get beers of their own which leaves Eddie and Steve.
After a moment Steve speaks up.
"Look man, I'm not going to try anything I know you guys are close I don't want-"
Eddie cuts him off.
"Steve. You gotta know that doesn't bug me right? If you decide you want to actually get in the game I won't stop you."
He leans in close, and in his most theatrical voice whispers "but know this, it isn't a game for the weak."
He loudly slaps his hands on Steve's shoulders before hollering over his shoulder.
"Buckley! How about a game of pool?"
───── ⋆⋅☆⋅⋆ ─────
Your head whips over to find Eddie ready to drag Robin away for a game of pool. You would be disappointed, but you've already made plans with Robin to hang out sometime this week, and Steve is already walking over to you.
"Hey stranger, can I buy you a drink?"
He chuckles softly as he sits on the stool that used to belong to Robin. Who is loudly arguing over the rules with Eddie behind him.
"I'm pretty sure its supposed to be the other way around."
"Say's who?"
You both look at each other then. For the first time tonight you're able to really take him in. He has the prettiest eyes you've ever seen. Light brown, the way the lights in the bar reflect in them makes it seem like there's specs of gold in them. More than anything though, they look kind. It stirs something up within you. A feeling you so often try to push down. Then he smiles at you and you have to look away before you let the feeling come up any further.
You wave the bartender down and order a beer for Steve. Who nods in thanks before facing his body towards you.
"You were pretty amazing up there."
"I'm glad you enjoyed the show."
"Is that why they call you Sugar?"
You furrow your brows at him, not exactly sure what he means.
"The song?"
You go slightly red, embarrassed that you didn't catch onto what he meant. You feel silly. Guy's don't usually make you feel this way. They don't make your mind fog up. You feel tense, like you're hyper aware of how you're sitting and breathing and wondering if he can tell how fast your heart is beating.
"Oh! Right the song!"
He laughs at your response finding it endearing. He sees a slight crack in the persona you've put up all night. He wants to break it open and get to know who you are when you aren't on stage. He wants to know what kind of person you are alone, when everyone has gone and you're unwinding for the night.
"No the song worked its way into the set list later on but Eddie started calling me Sugar because he thinks it's ironic."
"Why would it be ironic?"
You laugh at this before you catch the look on his face and realize he's being serious.
"Well...I've been known to be a bit...blunt I guess."
He nods in understanding. He thinks this is his shot. If he can prove to you now that he's a worthy competitor in whatever game Eddie was talking about he might have a chance.
He gets the sense that you won't just agree to going out with him. He knows his reputation, knows the kind of person he was before. He thinks about it for a moment and wonders if he should dust off his old tactics but, that just doesn't feel right. He figures he should just be honest. Even if it makes him seem like a total dork in front of you.
"I thought they called you Sugar 'cause you're sweet."
He mumbles this and hides behind his beer as he takes a sip. You still heard him though. His compliment is corny, it resembles that of a dad joke and if he didn't seem so earnest about it you would have rolled your eyes.
But he's blushing and his eyes keep bouncing to your face to see your reaction and you can't help but send him a sweet smile. Not a flirty one, or a teasing one. A genuine smile that means he said something right.
"You think I'm sweet?"
You're indulging yourself. You've been called hot before. Sexy, confident. These compliments are nice sure, but nothing compares to the feeling of someone complimenting the way you are.
"Yeah, I mean Eddie talks about you all the time. Even from what I saw tonight, you just...you seem like a really warm person."
He can't remember the last time he was so nervous. He's sure he sounds like an idiot.
One look at your face and he stops worrying about all of it. He wishes he could have met you sooner. He thinks he could have avoided becoming such an asshole had you been around to not make him feel like an idiot for being so soft.
"Well aren't you a sweetheart Stevie."
He lets out a relieved breath, it sounds like a laugh.
"I don't know about that."
"Don't be so humble, I doubt I'm the first girl to tell you that."
"I hope you're the first girl who means it"
You realize now exactly what Eddie meant when he said Steve was a changed man. You've trained yourself to see men as one thing. Someone who doesn’t listen, doesn’t care, and doesn't feel anything other than lust and pride. When Steve says this, you realize he isn't the same guy he used to be. He's someone, who like you, wants to be seen.
God do you see him.
"If Eddie talks about me as much as you say he does, you should know I never lie."
"I'll take your word for it."
He lifts his cup to yours. You clink them together before taking a sip. Behind him, Robin gives out a triumphant yell as she scores a point.
"Do you wanna go watch them play?"
You don't want to, but you ask anyway. There is something at the back of your head telling you to look for an out. To walk away before you're in too deep.
Steve doesn't even glance behind him as he places his drink down and makes himself comfortable.
"I doubt I'm missing much."
You smile at him once more.
Later, when you're all leaving the bar. Steve, who barely nursed his one beer walks Robin to his car and glances over at you as you load your equipment into the back of Eddie's van.
Robin waves hastily at you "See you soon!"
You laugh and wave back before hopping into the passenger seat.
When you're all settled in Eddie speaks up.
"Sugar and Stevie sitting in a tree..."
"Shut up."
As he drives you home, you can't help but think that you wouldn't mind k-i-s-s-i-n-g in a tree with the sweet boy.
────────────── ⋆⋅☆⋅⋆ ─────────────
a/n: this was so much fun to write! If anyone would want to read more about Sugar and Steve let me know, I would love to make this an on-going series if y'all are interested:)
(also! all of the images used here are from Pinterest!)
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evilminji · 2 days ago
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OKAY, FIRST? Like the Picture Says...
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So!
Here I was, sittin', thinkin', pondering my thoughts. Thing to myself? "How could one? Presumably female, much like myself, Jedi repopul-" and THAT is when my brain, worn and weary, from years of The Internet? SLAMMED its fucking pint down on the bar counter, turned to me with an ugly scowl and sneered?
"You KNOW fucking how. Don't be coy."
( O.O) w-well alright then, brain. Little aggressive. Kinda wondering where you got the knife. I... I'ma just... go... *pint glass is thrown after me, shattering on the door as it just barely misses*
So! Yeah. Birth, probably. But STILL! That's like? Still ONE(1) fuckin Jedi right? And even IF Mr. "I am literally half midi-chlorians by blood" sired two Force Sensitives on his first go? That's no guarantee EVERYONE does?
Unless..... >.> we are taking into account a Force Sensitive RACE. THEN? Oh, THEN? It's not a matter of IF, but HOW MUCH. Enough to hit that arbitrary cut off point? What if you don't care? What if you say "everybody can be a Jedi"? Want to TRUELY spread the Light. Not just to those who are STRONG enough... but to EVERYONE.
There are a few races like that! But! That STILL? Doesn't solve the Puzzle! The Problem! Of how could One(1) VERY determined Jedi lady, who? Presumably is pretty cool with motherhood. Rebuild The Jedi Order, by NOPING™ out before Order 66.
Again, presumably AFTER taking on the role of Creche Master. And AFTER taking all the youngling on a Super Fun Unplanned Don't Tell The Other Grown Ups Suprise Feild Trip~☆ (yaaaaay!)(who wants snacks! Everybody got their travel bags and buddies? Let's gooooo~☆!)
Cause like? Still need a stable population. And enough Jedi to *obscene gestures multiculturally* at the Sith.
My? Proposal? We turn to the Wisdom of the Monster Fuckers. (Wait wait WAIT! Don't leave! HEAR ME OUT!) I KNOW this sounds like a sex thing! Not a sex thing! It's a "Who said Humanoid Meant Live Birth? Were fucking Aliens, Bro" thing! Just because? Our SI-OC? Was reborn AS a vaguely human shaped sentient?
DOESNT MEAN SHE'S A MAMMAL.
That weird hair color could mark her as some WEIRD, man! Fuck, for all we know she could be a fungus! It's vaguely body horror! You get over it! Adapt to new biology!
Learn?? You lay CLUTCHS. Fuckin EGGS. All baby making is external after the first bit. Something, something, easier to defend against predators. SI-OC doesn't remember that part. There was this high pitched ringing in her head then a thump. She was on the floor. May have fainted. What're you, a cop?
They offer her weird alien birth control.
She takes the birth control.
Learns she is a Rare and Near Extinct Species, a la Master Mundi. Learns it's VERY detrimental to her health to lay clutches. Takes a lot of resources, she can't LEAVE it, so with out a partner or community (or sufficient hoard of food) she WILL starve to death. It HAS happened.
No, seriously, look Mafame Che in the eyes. It HAS happened. And no you CAN'T "push your impulses into the Force". It's a biological imperative. Your body physically won't LET you.
Exactly three options. Babies born, they die, or YOU DIE.
......little intense. Got it. Yes she would like that birth control. She will continue to be both average and forgettable. Pay no attention to the Jedi Creche Master In Training! Oh look! It's kenobi! *yeets fellow jedi under the speeder*
Take some.... research trips >.> <.< >.> which is of course totally not scouting out new Temple locations! To the Wild Zone. Mmmmm, no one for WEEKS by hyperdrive! It's so calm out here!
Only took, like, 278 different planets scouted! To find the right one.
*starts building dwellings.* *starts directing "too old" Force Sensitives or Families that want to stay together and are willing to move, towards the location.*
New secret Jedi planet? Whaaaaat? Nooooooo. That would be illegal. Jedi can't break RULES! Don't be silly. Oh? Is that Skywalker? *same Speeder, new jedi. YEET!*
But WAIT! The War Approachth! D:> upsetting. Better get ready to give that "we totally need to Hide The Babies For War Reasons" presentation she has prepared. But FIRST?
A clutch. Got a transport pod ready to go. Got food stockpiled. Got the birth control out. Now? Just need a male! Too uh... contribute.
.......look, she wants her legion of tiny jedi babies okay? They glow like STARS. Everything is BETTER with them around. And she's kinda come around to this whole... disgusting slime... goo... Thing™. Cause I mean? At LEAST it's not pushing one OUT! ( o7 Padme, you have her respect. But also you are a madwoman.)
The Healers, are of course, FROTHING at the mouth.
YOU DUMB MOTHER FUCKER. They hiss, like healing and very concerned paragons of needle weilding fury. Where the FUCK are you going to just? GET?? A male of you INCREDIBLY RARE AS FUCK Species? You damn near dead and no longer existent species??!? You have DELIBERATELY put yourself in EXTREME medical distress! For WHAT?! Did you HAVE a plan!?
Yeah. :3 I call it Pulling a Yoda's Linage *Yoda ears move from Concern, to Intrigued*
*click*
..........what was that. Jedi SI-OC, What Was That?? *comms start blowing up* What did you just DO?
Oh :3c simple. She asked. It's the only polite thing to DO after all. She DOES need assistance. Surely someone would be willing to offer. If they can. How? You may ask?? Why look so CONCERNED Councilors! She simply assumed, that? Since there is no way of KNOWING where in the Galaxy surviving members of her Race are? And time IS of the essence? She SHOULD reach as wide an audience as she can, as FAST as she can... RIGHT?
>:3c so, of course, she posted her request to the Holonet.
Video and all.
"Grettings, I am Jedi SI-OC. I am an [race] and currently a Creche Master here at the Jedi Temple of Coruscant. I require the assistance of a healthy, willing Male of my species, as I have laid a clutch. And wish to have it fertilized. I would like to have children. We would, of course, discuss co parenting the children before beginning. I have, attached, further details. Thank you for your time. May the Force be with you"
Sexiest shit a LOT of people for egg laying races have seen in years. Well... those with Very Specific Jedi Kinks. Of course, no one ADMITS to jedi kinks. But like... you've thought about it. Don't lie. Everyone's thought about it. It's them and the Mandalorians.*commiserating noises*
But like? The NEWS CYCLE.
Holy SHIT.
Yeah, yeah, tensions and possible succession from the Republic. Sith plots in the background. But? *new casters violently clear their planned segments for THIS* JEDI? Horny on main!? Is THIS ALLOWED? IS this horny? What race is that? C-can other people volunteer? And if so, who? We take to the streets! Sir, what's your opinion on-?
OUTTA MY WAY, I'MMA BANG A JEDI! *frenzied mob like behavior*
*temple guards, unnamused.* back! BACK! Horny jail! For ALL OF YOU!
Just?? It's? So, SO? Important to me? That their are Mandalorian [race] that show up. Because the need to repopulate their people is more important then *scrunch nose* Jedi(ew). That it becomes the Galaxy's hottest Bachelorette show. WHO? Amongst these Fine And Acomplished Men? Will the Jedi CHOOSE? To have babies with! They ask.
And, presumably, marry and learn the power of family and friendship and emotions and be HEALED by LOVE etc etc.
There are shipping charts. It's horrifying. The talk shows LOVE it.
Council? Day drinking. Except for Mundi. He's just like "....but did you HAVE to you they Holonet? It's so MESSY >:/ everyone's in our BUSINESS now." Cause he's not a hypocrite. Grumpy asshole? Absolutely. But not a hypocrite.
Just? The single most "....who?" Jedi ever. Causing the BIGGEST fuss. Right at the worst possible moment, for Sidious. Causing an explosion of glee and hope and laughter etc, all across the Galaxy. Good feeling towards the Jedi. EVERYBODY talking about them. There's gonna be HUNDREDS more!
If she does this AGAIN (in a decade. Madame Che was NOT joking on the stress it puts on the body) there could be thousands new Jedi over the coming years! (Probably why the Sith fuckin wiped them OUT, not that she thinks about it. Fuckers. Who's laughing NOW?! Huh? WHO LAUGHING NOW?!)
Again! Very, unspeakably Ace. Not a sex thing. I just think I'd be funny? That the Forces answer to The Evil Sith plan was... Babies™.
What are we? Fuckin YODA?
@babbling-babull @hdgnj @legitimatesatanspawn @spidori @hypewinter @mayfay
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luckyyyduckyyy · 14 hours ago
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THANKSGIVING MOOTIE APPRECIATION ❤️✨❤️
Happy thanksgiving y'all! And a good time zone to all my non-US/non-Turkey day havers lovelies!
Tis the season of thanks and I'm a very thankful goober this year! I only started getting active on Tumblr about half a year ago and there's already so many people and things I'm grateful for from this site alone! I've enjoyed so much art and events, participated in yap seshes, tag games, and ultimately felt pretty welcomed and at home on this site, and it's thanks to all you! <3<3<3
Special thanks to the DCA fandom in its entirety as well! All the discussions, artists, writers, and shared reposts with all the silly notes are awesome! Y'all inspire me all the time and make me wish I was more outgoing than I am just so I can say hello to each and every one of you!!!!
The list gets long, so for the sake of those scrolling by, I have put it below! Have a lovely day everyone! <3333
@midnight-mourning Your writing is just wonderful. It's everything!!! I adore it so much and your CS boyos have wormed their way into my heart and refuses to leave. Some of my favorite songs even remind me of them! (Don't tell Moon this but I am very attached to CS Sun-)(Honestly gotta be my favorite Sun I've read fr fr) Also! Thank you for just being so supportive, thinking about me in tag games, and giving ALL the tag notes! They're a wonder to read and have me bounce off the walls! I'm always so happy we're mooties! ❤️❤️❤️ (Also, fun fact, you're my first mutual too! It's insane to me HOW DID THIS HAPPEN GUAHPHIAHDKA)
@pointyfruit You! Your art? Muah, wonderful. I don't even care if it's not dca related because it's so good. The shape language, art style, and just unique takes on just anything and everything blows my mind! Let's not forget COLORS. Oml they are so PRETTY. It's like an explosion I never want to end. 💥💥💥 Also! So goofy, so silly, and COTL enjoyer! Let's GOOOOO!!! I don't engage with the fandom much but I DO love the game and honestly I almost beat it, but still have not because I don't wanna do the final boss fight. It can't be over bros... Anyways when I see your posts I always wanna just wave like a neighbor seeing ya blow up 10 boxes of fireworks on a casual Tuesday afternoon. 👋👋👋:D
@divinit3a SPINS YOU!!! 🐶🐕🐶 Heya silly meister! In the midst of reading your work, gotta say? Muwah, Perfecto! The sillies are putting me on a rollercoaster and I'm stuck on the ride! While my ability to yap is a coin flip every hour, you happen to bring the yappening out of me with all the fun notes and posts you do--We've already had so many fun convos! Speaking of posts, the art is peak and will STAY peak! The designs? Muwah. The colors? Muwah. You make even the creepiest of goobers hauntingly beautiful! We've may not have known each other for long, but you're someone I look forward to seeing on my dash/notifications every time I open the app! ❤️❤️❤️
@sinister-sincerely Hi!!!! I'm still sometimes in awe realizing we're mutuals! I really love your work and if I'm in the mood to read something but I don't know what, I tend to turn to Aftersome often, even though I've read both the og and the rewrite! It's like you're the master of writing angst, bitter unrequited feelings, and the strange tenseness but want of confusing relationships. It's gut wrenching and I wish I could write something so evoking! All your stories are amazing and I seriously hope you know that, they're such heavy hitters that they have marked a place in my memory. ❤️ Your art too is wonderful! They don't pop up often but when they do it's a real treat! I love that you use grey scale in a lot of your works and the style is just so pleasing to look at. Whenever I see the DCA in your style I wanna give them the biggest hugs, even if they'd pry me off seconds later! ✨✨✨
@r0b0s-robos / @r0b0-wannabe Waving at you excitedly!!! It's always a pleasure to see your reposts, you always find the good stuff! Plus, you always are trying to help out others and it's amazing to see, your efforts are able to make great impacts. :333 You're also another writer I appreciate immensely, and I'm so invested in your botanist au. The sillies and their botanist who is desperately trying not to fall in love with them!!! ADORE THEM!!! I can't wait to read more! ❤️❤️❤️ The times you post about writing ideas or silly things about the DCA has me nodding my head with a smile. Also, the little notes you leave in tags, despite usually being brief, always makes me so happy! It's like seeing the kind stoic look at you from their seat, let out a small smile, and say "I love this"- and then suddenly it's a blast of blinding white light of endearment straight to my heart. K.O.!
@chickenchirps27 Welcome back!!! I've noticed you've been much more active recently and it's always fun to see what you got goin on! Obligatory art mention, but it would be criminal to NOT mention it. ITS!!! AMAZING!!! THEY LOOK LIKE ROCK CANDY!!! Colors!!! I love it so much, the goobers look delicio- I mean they look adorable and masterfully crafted in each piece of art! And your sona, ugh, she's so gorgeous and alien in the best ways possible. I've never seen anything like her and I am in awe of how you came up with all her little details. Those mantis arms are SICK and I want them!!! (Though drawing may be a little hard if I had em-)✨✨✨
@amarynthian-fortress / @amarynthian-chronicles Hehehe! Boops you! >:D Honestly, thank you for always being the biggest sweetheart around and being so welcoming. You're one of the people that made me feel able to crack my shell more and be more active on here! Your writing is whimsical, your reposts and comments are always so kind and feel-goody, and you just always show you care and the randomest times! Catch me off guard why don't you! I love all the snippets and treats you post, and I'm saving many of your stories to read for rainy days! ❤️❤️❤️
@ping-ski My reaction to us becoming mutuals was- 💥💥💥:OOOOO💥OO💥💥 I think I've followed you right when I started getting active on here and gah, your art is wonderful. So lovely, stylized, and colored so simply yet so appealingly that I can't stop looking. Your aus make me want to read them and their designs are always top tier! Also, I cannot forget to mention you are SILLAY!!! So silly! Your comments on reposts are goofy and I love to read them whenever they come up on my dash! Not to mention your own posts- I will never forget the 3-in-1 solid block of dca encased in ice. I was in awe of seeing them encased and I suddenly wanted my own dca ice cubes to put into a drink and try not to choke on. ✨✨✨
@quilteddreamz Your writing. Oh my GOSH your writing! It's wonderful, beautiful, gah, I can't wait for your advent calender! I wish I could do something for it but I got 3 more weeks of large projects tapped to my back. I am sending much luck your way and know that I am excited to enjoy some daily dca! Don't break yourself over it too! I may adore the goobers but you're most adored first! Take care and keep being such a whimsical person! Muwah! ✨✨✨
@flowysgonemad You are also! Silly!!! You are so fun to see popping around my dash and your doodles just make me go :333 every time! I love your aus and you're a very kind/goofy person! I don't even remember how we became mutuals but garsh diggity dang it, it's awesome to see ya and anything you yap about!
There are MANY more mooties I want to appreciate and show off, but I fear I am currently omw to go to a large thanksgiving dinner and I'm expecting to be there for the rest of the day. SO! If you weren't listed, please know that I AM thinking of you! Have a wonderful time zone, and just know that my heart is so full knowing that you're all there! I can't believe there is that many of you to begin with that I can't fit you all within the time frame! (Would you believe me if I said coming up with all the right words to say here took me 2 1/2 hours?)
So! To all my beloved writers, artists, and sillies alike! From the bottom of my heart, really, thank you! For being here, even reading this, and appreciating the things I do as much as I appreciate you! ❤️❤️❤️❤️❤️❤️✨✨✨✨✨✨
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mysteryanimator · 21 hours ago
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Breaking down Castlevania Nocturne Season 01 - Episode 04 "Bedroom scene" (almost) shot by shot!
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Breaking down episode 06 / Breaking down episode 08
(Word count 6.3k I am so sorry HAHAHA)
I was heavily considering not going through episode 04 mostly due to being in the public eye but I like talking about shows I enjoy, regardless if my writing is shitty or not. By the way, the title says almost go through this shot by shot only because there's a 30-image limit. This scene is LONG so I can't catch everything but I can catch most.
By the way, before we start, a massive huge thank you to the Nocturne people, i don't think they'd read this, but if they do, all the scenes are really well crafted and interweave soooo nicely to their next point of interaction. I would love to know everyone who worked on this section, but if not I do hope they hear my utmost thanks and applause from all the way from Australia.
(Actually, just everyone who worked on Nocturne take a standing ovation from me lol, the show actually changed my life lmao, but I digress)
To introduce people who may be reading my analyses for the first time:
I implore you to rewatch Nocturne after reading this and make your own thoughts because while this is an analysis, it also comes through my own lens. These are just my thoughts and by no means end-all-be-all!
These are just observations based on my special interest and study in the field of in media production and analysis (i haven't been in that field for a while but I'm trying to get back into the swing of things HAHAHA)! Despite all of that, this is for fun, which is why I will be writing a lot more casually, so please don't take this too seriously! This not only helps me out as a student to become aware of how stories are put together and, in turn, how to apply them and make my own, but it also allows me to impart that excitement to you! Shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions, and so on. It all has to count. Everything matters.
Passionate creatives care and there is more than "the curtain is blue just because." The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.
With that said, this is actually a lot more thicker than previous breakdowns, WHOOPS. So please feel free to read this in chunks, and I will warn you that my grammar is not the best so you might have to bear with me here! As a warning, I will be using the words like sex, genitalia, etc. I only mention the actual acts of sex when presented as a joke.
--
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Why am I putting in this last close shot of Tera? It is important because the whole scene beforehand has us mentally prepared for a fight or something a lot more action-like. The walls behind Tera and Olrox's room are REALLY similar, therefore once we see this inn room, we make a split-second assumption we're jumping forward in time with the protagonist. A picture says a thousand words.
Right up until the Olrox and Mizrak scene, our protagonist and antagonists both have very distinct places of associations and visuals, which often give the audience clues about their roles. They're established immediately from episode 01 and don't divert that line, that is until inn room. You can argue the line waivers in the courtyard, but the distinction is made REALLY clear in this episode.
The main cast, aka our protagonists, their places of association are usually amongst nature and people. If they're inside buildings, it is small cramped space, very much lived in and not completely upkept BUT it is what makes them very human. Our antagonists are associated with grand buildings and detailed windows that almost touch the ceiling. Gold trimmings. Vibrant rich colours that could only be afforded by the rich. If not the massive chateau, we have larger-than-life catholic churches, with stone walls higher than the eye can see. Our antagonists are congregations and establishments. Our protagonists are individuals.
I'd love to put some examples but I've used up my image slots, which means I'm making you rewatch (jokingly you don't have to) Nocturne from ep1-ep4 making you really conscious of the backgrounds
We as an audience have already slotted Olrox with with high-class, even though we as an audience know there's more to him. Olrox is designed with visual cues of the antagonists. His clothes literally could be wallpaper for the chateau. Not only that, the way he stands and holds himself very much leans into some of the stereotypes and tropes of the upper class that are often shoved into the media we consume. Then Mizrak, we do not see Mizrak anywhere besides the church, just strictly following the commands of the Abbott. We as an audience already have preconceived notions about religion, especially catholicism in the real world. Also, we have an established view of how Castlevania goes about religious characters from the previous series. Mizrak appears to have no other purpose but to be one of the main antagonist's guards.
This is a subversion.
Subtly this is going to tell us there is so much more with Mizrak and Olrox, and how their values align more with the protagonists rather than the villains and antagonists of the show. However, since they already began as oppositions to Richter and co, they need to earn the trust of the audience first so then they become more likable whenever they do have to earn the trust of Richter and co. This is our first building block. A step towards trust towards us and a step towards trust between Mizrak and Olrox.
(The location of their private conversations is REALLY important because they also tell us a lot about the characters, but I'll save it for the ep 3 breakdown when I get to it)
The sequencing and length of these shots are really important for the first half of the bedroom scene because we have exposition to get through. The scene has to be set out very strong from the start BUT, it also has to ease us in because this is a drastic shift, not only visually with naked characters but also a shift on the audience's expectation of already established characters. This is why we need this window first. We need to ease into this bedroom scene, or else we're going to be way too distracted by what is about to be shown.
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Going forward SOME of these will be gifs to help illustrate my point. After all this is an animation! This is really important to show you in motion.
This pan down, oh my god this pan down. Camera pans help to reveal new information off-camera or to showcase a shift in tone/perspective. Suffice it to say THAT IS A LOT OF INFORMATION and a new shift in tone. This long shot is here to help establish our setting more clearly, what characters we're following, and what is happening. What are we establishing here? Mizrak and Olrox had sex in an inn room, that's all this shot is. It doesn't have to be anything fancy, other than the fact Olrox is censoring his own and Mizrak's crotch but that's it. As simple as it is, it is extremely effective. Yet it's so pulled back and obscured by the flower we can't be completely certain which is why we need the midshot of them that follows after, which helps to continually ease us into the scene. It tells us so much with so little. Show, don't tell is not only a powerful tool in visual arts. It leaves the audience to their imagination and I'm pretty sure a lot of us can fill in the gaps (I see you writers, I've seen everything on AO3).
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This a midshot of Mizrak blankly staring up at the ceiling. Then they both turn to each other before Mizrak leaves and Olrox watches. In silence.
It's simple.
It's straightforward.
It makes you throw your arms up and go "what the fuck is happening???" It works. We're easing into this scene which is what we need. We're distracted by our own shock. So we've gone from our establishing the bed to establishing in our faces that, yes, it is indeed Olrox and Mizrak and they are both naked. That yes, they had sex and that Mizrak decided to stay for the night. Reasons? No clue and it's not important plot-wise, we just need to wrap our heads around that it is THESE TWO. It needs to be simple.
The lack of dialogue gives us room to breathe and to think. This is why this shot feels and holds on for what feels like a long time, in silence.
It might've changed but last I recall on average, shots will hold for 2-3 seconds. This is due to preventing the audience loose interest because the unchanging visual stimuli (and let's be frank attention spans are shortening, therefore media will change to reflect that). HOWEVER, a shot length heavily depends on the context of the scene and what you're trying to specifically say with a single shot, therefore making it super short OR super long. This one shot is six seconds. It allows for the dramatics to be amped up and it allows us to get through our shock for a bit longer since we're only TWO SHOTS into this scene, and right after this we're jumping straight into exposition and their deeply intricate dynamic. This is out six seconds to scream our heads off in shock and laugh in disbelief before we get hit with Mizrak's existential crisis.
The silence and the simplicity of it all also strengthen their mysterious characterization that has been established in episodes 01-03. We never see how they got here OR the act itself. However, what is really telling of these characters is their lack of body language and facial expressions. From episodes 01-03, Mizrak and Olrox have been seen to be very reserved characters until their fight in the courtyard. Their last scene together was fighting, in a courtyard. Now we're seeing them, post-sex, with neutral expressions and body language? The lack of any answers, the lack of anything dynamic happening from this shot and the last shot makes the audience absolutely learn for an answer. We're now invested in this side plot. What got these two men to be in this vulnerable state? How do we get the answer? We sit, we wait, we watch that vulnerability get earned. Mutual vulnerability that is.
This gets into personal opinion here so feel free to skip, but I really really enjoy how we get absolutely no answer or visuals, which might be a strange take for someone who does of fan-anims and fanart of them coughcough. We as an audience can get through literally two images and understand they had sex. We don't need to be spoon-fed. Media is in my personal opinion is more fun to engage in where we get just enough to know what going on, but we can fill in the blanks ourselves. We can read between the lines. This is adult animation. This is not to say I'm opposed to an explicit scene with them later down the line, I just think this is a very good way to establish the dynamic they are going to have. It has me way more emotionally invested in these characters which I believe is far more important because it tells me we're in it for the long haul and we're going to see a relationship actually develop in real time, both their high points and pitfalls. Also, I personally feel this whole scene is building towards something we have yet to see. I do not believe this is the last time we will see them put in a situation like this due to the whole emotional weight of them being naked, but that's theory territory LOL. I'm so happy to be proven wrong though.
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This long shot is slightly tilted up to help to censor genitalia but it is again a REALLY SHOCKING SHOT. I personally don't know any recent Western animated media that has done this, especially of a male couple. Even if there are some animated examples, this is not a very common thing, especially to this extreme.
Now we're actually getting into the meat of their actual discussions, knowledge, if you will.
By the way, the question Olrox is presenting, is already information everyone knows. Actually, a better word is presumed. We saw the abbot in episode 02. Olrox explicitly states it in episode 03, asking "Why is your abbot forging Night Creatures for the Vampire Messiah?" There's technically no reason to say this BUT for this scene, it works because we're still distracted visually. We still need to ease into this, much like how Olrox needs to ease himself into this conversation before getting what he wants truly. Mizrak's opinion.
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This midshot of Mizrak's back is so much important then you think.
I can be wrong, but I feel like you're supposed to be half-distracted or get whiplash by Mizrak's back. Frankly, we're supposed to get major whiplash from these two characters naked for a moment. These characters are usually completely covered from the neck down. This also makes the conversation they're having to be put under a way different lens. If they were clothed for this entire scene, the emotional weight would almost be non-existent.
Nakedness/lack of clothes is vulnerability, especially for a knight. Especially for a guarded vampire. I will be talking A LOT about vulnerability, so I hope I don't wear out the word too much.
You can perceive this shot in two ways and I think both work in this scenario. It can showcase even when naked and vulnerable, his unwillingness to open up, unable to fully face his own truths, the truths Olrox lays out for him. Yet, you're also having your back to a vampire, a perceived threat, which is a very vulnerable position to be in. You can't see your opponent.
It shows Mizrak trusts Olrox physically, but not emotionally. Not yet. We're going to watch Olrox earn it and for Mizrak to reciprocate it back throughout the series. Also just in general, sex requires vulnerability, choice AND trust, therefore even the implication of sex, those meanings get slapped down onto these characters. It means that they have the means to trust, be vulnerable, and have a choice with each other physically, but emotionally, they're building up to that.
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This medium shot will be the ONLY SHOT we get of Mizrak in his boxers. This is plainly in part of the fact he's hurriedly getting dressed BUT we need to see his hesitation, him slightly lowering his clothes, him actually listening to Olrox.
Olrox is right.
Though Olrox isn't here to converse about other people to Mizrak. He wants his opinion.
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Close-up shot of Olrox!
Close-ups are used to make the facial expression of a character the main focus. It gives us clarity on the character's thoughts and feelings on a particular subject, even when lying it can already tell us a lot about a character in the moment. The character themselves are the sole focus of the shot, nothing else. The same goes for objects. This also means when you do the opposite and obscure the face...
(drum roll to the next shot)
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This is a great close-up shot to cut to because this has Mizrak fully turn AWAY from Olrox, put on his armor, and paired with the line "I don't know what you're talking about." We're getting visual and audio confirmation that Mizrak does not want to acknowledge his own thoughts, in turn, he will not face Olrox and the audience.
He is actively putting his guard back up as soon as Olrox prods for his opinions. From episodes 01-04, all we have seen him do is be at the church and stand alongside Emmanuel, that's it. He is not a leader, a pillar of the community like the Abbot, he is a follower. A guard dog ( like Drolta Tzentes, though she has way more personal agency than Mizrak). He never voices his own opinion, his own thoughts. To do that would need you have the strength to be
VULNERABLE!
By this point in time, he's not fleshed to the same degree as most of the other characters. Richter gets the episode 01 prologue with Olrox being his main point of trauma. Tera gets her speaker backstory fleshed out along with establishing Drolta and Ezerbet's longstanding history. Annette and Edouard get a really well-established (btw beautifully done too oh my god) flashback as Annette recounts the past. While Maria has no flashbacks, her character gets to have her individual values and attitudes fleshed out due to her screen time and her connections to Richter and Tera.
Mizrak though?
Not much is known about him besides the church. We put this label on him simply due to what the show has given us, but through Olrox we're getting information out of him because clearly Olrox has seen there's more than meets the eye. Especially when Mizrak drops the line "when the world abandons you." Olrox's investment is also now our investment in discovering who Mizrak is.
Mizrak however, does not want to get personal feelings in the way of duty, a common trope in media for knights, soldiers, and religious people. So he shuts him out.
Multiple.
Times.
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This shot pans up, moving Olrox from lying down, which is more casual to more structured sitting pose. Specific movement is IMPORTANT to capture, so instead of just cutting to another shot, you move the camera with it. There's a tone shift. We need to see him go from lounging to making a very direct statement. Mizrak is ignoring his question so Olrox has to be more blunt with his statement because he needs him to listen- so the camera and the his body language have to clearly state "I'm not joking or fucking around anymore, just listen."
What he says is absolute truth though, this is exactly what happens in episode 08. "They're revolutionaries, Father. We're here to crush them."
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The stark difference here is crazy in this medium shot.
Mizrak. His head is purposely cut off, he's practically clothed, with his chain mail on. He's standing up and his posing is quite stiff with his hands almost balled into fists. You also might be thinking, why is his chest and boxers the only things we see???? It makes him appear so much more clothed up and, therefore a lot more guarded. Cutting off the face means we don't get to see his emotions, he's trying to ignore personal feelings on whether it's right or not.
Olrox on the other hand, is full body, we see his face, naked, and despite his very direct statement in the last shot, he still somewhat casually sitting. Olrox is STILL trying to get Mizrak to be vulnerable and trying to get HIS opinion.
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Funnily enough, I've talked about this close up shot before in BOTH episode 06 and episode 08's breakdowns. However, I've never actually discussed this initial way Olrox approaches him.
Olrox again, prods at Mizrak and this time Mizrak does have to sit with that thought. "Do you think he's right?" "Are you sure this path is right?" He's asking if what Mizrak is doing is good. If the horrors committed are justifiable. Both the way their expressions tell us that Mizrak does not think it is, and Olrox KNOWS. This close-up is INTIMATE. We're getting deep into personal matters (well try)
Side profiles not only give an air of drama to a scene, but it usually means there's more to the bigger picture since we're not seeing a person's full face. We're deliberately only seeing one side of the picture.
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This is a split-second shot and I've discussed it briefly in another breakdown, but now I can get to discuss it more in-depth now as it's own shot!
This is a top-down shot, putting these characters in a place of vulnerability and weakness. Olrox is put even lower than Mizrak in this shot, he's far smaller and takes up less space in this shot, therefore giving him less presence and less power. Episode 03 had established Olrox was the man (or should I say vampire) in control of the situation, hell, the shot just before this one had Olrox wrapping around Mizrak, again trying to get under his skin. Yet now he's suddenly placed the lowest in the power dynamic.
Not only this, the camera is packed in so tightly and close, it's practically suffocating. We have no visual room to breathe, almost like we're suffocated with the evil that prevails in the world and suffocated with the weight of the question "Are you sure this path is right?". Olrox's eyes are the only aspect we see of his face and Mizrak's eyes are the main focus of this shot.
And they both look horrifically sad. An emotion we have not seen either of these characters make.
This shot does not last long but it shifts the rest of the section completely, even when the moment of concern is gone. It lingers with us when dismissed because it does not match any other scene we've had thus far or what we have known of the characters.
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This one specific close-up is very important because it comes back to us in episode 08 and episode 06.
It's the holding from behind and the very concerned look from behind. Mizrak only ends up mirroring ONE of the behaviors. It's the concerned look from behind in episode 06 (timestamp is 19:25). They're put at the same heights, both talking about the evils of the world. Tin foil hat here, Mizrak may end up doing the other behavior, holding from behind, in another season.
The weight of this shot is so heavy that it is treated so differently amongst all of the other shots in this entire interaction. It also holds on for much longer. It holds for 5 seconds. This is important. There are little character moments from Olrox, like how Olrox looks up at him and he holds onto Mizrak as long as he can before has has to let go and watch him walk away. Duty, before desire.
A moment that Olrox has to go through once again for episode 08.
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In response to a line. "So we use our heads." Olrox jokingly goes "Or lose them."
This long shot is not only tilted up but it's on the slightest of angles as if to showcase how we're shifting the mood and tone of the scene. We are losing the gentleness and sincerity of the moment, back to the very conveniently placed knee to censor Olrox. We have Mizrak pulling up his pants. Whatever vulnerability they had, it's gone.
I don't think either of them wants to sit in the thought of their existential crisis because not only Mizrak is clearly going through one but Olrox is too. While I'm sure they were sitting with their own thoughts for a long while before meeting each other, it's only forced to be on the forefront and confronted after meeting each other.
So the "lose our heads" line ends up coming back around to where someone actually ends up losing their head in the same episode.
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While first, it is very comical because I've seen so many people make the joke of "Olrox gave Mizrak head" (which doesn't help because Olrox smirks at him after passing him the head), it also solidifies Olrox's truths to Mizrak. People will lose their heads under Ezerbet, and there is evidence not even hours after their discussion. Despite the humor, Olrox is deeply concerned.
Olrox is always right. Whenever he makes a statement, he has always been right and has always been proven right. The only thing he hasn't been right about is episode 08 when he says "If you go back, she'll kill you." However, in terms of technicality, Mizrak hasn't gone back to Ezerbet/Sekmet. This will be addressed in season 02 most likely and even then I think Olrox will be proven wrong. Maybe? We shall see LOL.
Which while we're at it:
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He eyes Mizrak the ENTIRE time during this very small interaction, and while he eyes him, we get a close-up of the book somewhat revealed before hiding it under his coat- silently communicating to him. This will eventually lead to episode 06. All interactions lead to effecting the next time they meet. I just really like this detail, though that might be a corn plate moment I'm not sure HAHAHA
Ok lets jump back to the bed scene!
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So this follows up the "So we use our heads." "Or lose them."
This is said insincerely, so Mizrak jabs back at him with the same insincereity and less seriousness of this scene. Coupled with the fact we have a panning shot of Mizrak pulling his pants up, aka, pulling up his guard. Important note again- his back is STILL FACING HIM. Even with the chainmail fully covering him.
Also, I just really enjoy the animation here, like the way his arm goes from in front of him and straight, and then goes to being pulled back and bent, but that's a side tangent.
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Low-angle tilted down shot. It ends up placing Olrox in a lower position of power than Mizrak in this current interaction, coupled with the fact that Mizrak towers over Olrox when he's standing up.
Despite us not seeing much of Mizrak besides his chest- he's fully clothed with his tunic FACING Olrox. While Olrox is STILL naked. Mizrak is shielding himself behind the cross. His faith. Olrox still is trying to delve into Mizrak's vulnerabilities and Mizrak won't give in.
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Props to everyone who worked on this shot he just looked really pretty here.
This shot is tilted up and a close-up, an opposite shot to the previous one. It feels daunting, coupled with that line especially. Unlike a tilted-down shots, which make a character appear more vulnerable and weak, a tilted-up shot can make a character feel more in control of the scene. It makes him appear unwavering and solid in his stance Also, this is so specific but we haven't had any solely focused Mizrak shots for a hot moment now. The last time we had it was when he had his back turned to Olrox- now he has all his clothes on and is fully turned towards Olrox. Say it with me !! Mizrak's guard is up !! He's shielding his vulnerability !!
He feels way more emotionally safer to face him guarded up and a lot of his language has very very subtly shifted from when he had clothes on versus off.
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Also thank you to everyone who worked on this shot, Olrox is very pretty here too.
Instead of having a tilted-down shot to do a verse version of Mizrak, it's pretty much straight forward close-up shot, which means the equal power dynamic in this conversation has returned. Simply because Olrox begins to prod at Mizrak again with the line "Who pays for it? Will you?"
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Oop naked Olrox. However, despite Olrox's ass being very clearly on display, he's not the main focus since his face isn't shown. He's only here to showcase the visual contrast of him being naked to a fully clothed Mizrak. Even his dagger is strapped to his thigh, which only means there's even more layers to his protective bubble he surrounds himself in.
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This close-up is important because it's a declaration of how much Mizrak doesn't care in the slightest. His facial performance, aka what we're focused on, doesn't look like he's lying or secretly worried either, he's genuinely disinterested. He just wants to get dressed and leave because Olrox keeps prodding at HIM for his opinions. As disinterested as he is for whatever Olrox has to say, he's disinterested in shedding his opinion.
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This midshot is so casual. He is very non-nonchalantly leaning back with a smile and jokes about demons. The camera moves with Olrox. Camera pans normally mean revealing new information visually, as if something is off camera, similar to the bed reveal at the beginning of this whole scene. What Olrox is doing is revealing new information. Also, he is on the very right of the screen then slowly gets pushed a little more towards the center, but still on the right. Having a character placed on the very cusp of a stage makes the visual balance feel really off, therefore as an audience, we feel really off-balance. So couple that with Olrox's humourous attitude with an information dump...
This so interesting because it sprinkles in that Olrox knows a lot about the forge master ability, hell itself, and a lot more we don't get privy to. He knows way more then he lets on.
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This ONE LINE gets three different shots. The very casual, humorous sentiment gets interrupted visually with extreme close-ups of Mizrak who is clearly peeved and tense about this. The quick succession of jumping to different images makes us tense up. This is due to the timing suddenly speeding up AND where the camera is placed is so drastically different.
He's reacting to the conversation unlike how he has before.
Now Mizrak's hands are fully covered, the last part of his skin, the last part that Olrox used in an attempt for vulnerability. Mizrak's guard is now unwavering, covered head to toe. He's gone from reserved and quiet to angrily guarding again.
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Lol you thought I was done talking about divides and boxes, you are WRONG.
Mizrak is boxing himself into all his preconceived notions of religion. This is the only time he's been aligned inside of the door frame. Mizrak is done with this conversation and he doesn't want to hear anything else.
Also, funnily enough- Olrox takes up the amount of space in this shot as to Mizrak and the door. Compositional it does make it feel more filled up rather than empty, showcasing Olrox is listening, peeved, but he is listening. It also might hark onto the Olrox God connections that are being subtly slid to us, though this feels like a slight stretch. There's a stronger Olrox God parallel I talk about later, so pocket that thought!
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I have to skip some of the shots because of the image limitation, but thought this one needed to be addressed!
Not only does this wide shot make us feel really pulled away and disconnected from whatever private conversation they were having. It also makes us feel like after this interaction, whatever same understanding they had, is gone (well not completely gone, it has to be rebuilt again). Mizrak's unrelenting faith in one God is causing a rift, a divide if you will between the both of them. They feel so separated, so distant from each other because Mizrak is still really stubborn.
Then after all is said and done. After Mizrak has the final say. He leaves and Olrox watches. Like episode 08. Again.
Olrox is pushed into a box, which funnyily enough, Olrox tends to be seen in a lot of boxed-up framing to the right of the screen. You can see a visual collection of it here. Whenever he's from the left of the screen boxed up, it's usually turned towards himself like an inner reflection.
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Ok, I have to skip some more shots to get to here.
"One God. And you think he can protect you?"
This is major foreshadowing but the one God, that Olrox scoffs about is himself. This close-up solely focuses on how he looks down and watches Mizrak from above. Much like how God is described in scripture.
Psalm 53:2 NIV: God looks down from heaven on all mankind to see if there are any who understand, any who seek God.
Psalm 102:19 NIV: The Lord looked down from his sanctuary on high, from heaven he viewed the earth,
Olrox looking at Mizrak from above as a protector happens numerous times in episode 08.
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There are also a ton of bible verses about living under the shadow of God, it's considered a positive thing because God's shadow covers the entire body, therefore a person is fully protected.
Psalms 91:1-2 NIV: Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty. 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.”
Psalm 36:7 ESV: How precious is your steadfast love, O God! The children of mankind take refuge in the shadow of your wings.
(i do realize now all my examples are psalms i hope that's ok to prove a point LOLOL)
Olrox is the sole protector of Mizrak to the point where he even drags him away for his own safety. The shot choice when he says it is a close-up shot of his face and his eye is slightly glowing, making him appear way more supernatural, almost god-like in a way.
It hasn't been confirmed (or denied for that matter) if Olrox's creature form is the Quetzalcoatl (an Aztec deity), but the god parallels are very apparent from the get-go, and a lot of the fandom (aka the audience) who are invested in Castlevania have placed this label onto him not only for the reasons mentioned above BUT also due to his association to Mizrak, who is a man who fights for God. However, this aspect doesn't get fleshed out like their vulnerability because Olrox only goes into this protector role at the very end of the season. After all, that is when he has a change of heart, much like Mizrak. This means this will not be the last time we will see Olrox in this role even after the break-up.
To wrap this up, vulnerability as showcased in episode 04 does appear in episodes 03, 06, and 08! I personally believe though that episode 04 however really hammers you on the head with it because you're able to play around with someone's literal nakedness as a visual metaphor. This episode is supposed to make you really conscious of them and the decisions they decide to make going forward. It is the bridging point between episode 03 and episode 06. It's a stab in the heart when you watch episode 08.
Vulnerability and the ability to open up is a massive thing between these characters and it's only going to get more raw and more human as the series goes on. We see it happen when Olrox is the one to open up first. One thing I noticed from both Castlevania and Castlevania: Nocturne is that love can be the most damning thing or it can save you. The choice, however, is up to you. However, to love is choosing to be vulnerable. By the way, love isn't just romantic it can be very much platonic and familial as seen with practically all the characters, both current and past... Olrox and Mizrak though are just really complicated and messy. Aren't all characters though? Isn't that what makes them human, even if they've lost it centuries ago? HAHAHASBDHADSB
(ok so the paragraphs below is my personal opinion but i think they're a good ending note/side tangent)
If we ever actually get an explicit scene it's going to make a specific commentary on how these characters have developed from season 1 to whatever season they have sex in, especially how they go about sequencing, pacing, and shot choices, especially with Netflix censoring and rating requirements. Limited things you can show, and limited things you're allowed to even imply, so everything has to make sense to what they want to portray AND say. Even simplicity requires a lot of thought. They can do some really cool stuff with it in which vulnerability, both physical and emotional, gets explored between Olrox and Mizrak. Sex is actually a very interesting way to explore a dynamic, I feel it's really underutilized, though it's mostly in part to a societal downpour view on it. With Mizrak and Olrox, two very withdrawn characters, you could say something really interesting about them as individuals and as a pair that you might not be able to do when clothed. The commentary may be as simple or as profound as the creatives behind this want it to be.
A counterpoint though is that you can very easily make a non-explicit scene feel really explicit and sensual without sex or kissing. While yes, we want confirmation through that means, don't get me wrong I love when queer love is straight-up told to us, there's something about telling a story of intimacy between characters that will often engage us first into a story. Phrases like "This is gayer than gay sex" are coined due to the emotional connection a character has, leaving a far more profound impact on an audience. Things like non-explicitly romantic touches like hands, the way the character looks at a person, communication, etc etc, are ways countless media have explored intimacy. Which Mizrak and Olrox already have. Why not build upon a solid foundation?
Whatever the pathway is, it will fit inside the themes of Nocturne and its aspects of revolution, freedom, and choice which is crazy to think "Olrox and Mizrak intimate scene??? meaning-" YES, it can (like sexual freedom, though I don't think it would be explored, it's just cool to think about). All of their scenes serve to strengthen those show's themes since they're a side plot. But I digress! I'm excited to see how they further Mizrak and Olrox's dynamic in a visual manner!
Okay, with that all said, I'm done with episode 04! One more episode to go! This was all for fun and to be silly about a show I really enjoy, but I hope this gets you to rewatch Nocturne! Apply this to other scenes! Enjoy the craft of animation!!
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dairy-farmer · 3 days ago
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So I had an idea a while ago but didn't have anywhere to share. Honestly very happy to have found your blog and asks(very fun to read too).
Basically:
Tim has an artistic eye, he IS into photography afterall, which means he can look at, enjoy and find beautiful something most people consider sexual in a completely objective way. Specifically, the human body.
So just Tim wanting to start a personal project where he explores the inherent beauty of anatomy. But he needs models. Somehow he gets his brothers to model for him.
Maybe they had to fight arousal almost from the get go, naked in front of him with all his focus on them. Every ounce of his attention on one person at a time and making them feel not just appreciated and beautiful, but like they were the center of his world for that short time.
Or!
Or maybe there's nothing to it to them. Kid is putting a weird amount of focus on body parts not really all that important, like they'd get it if he was focusing on the parts of them generally considered attractive, but he's not? Go off I guess.
Then they see the final products. They don't know how he did it, but... they feel seen in a way the never knew was being neglected.
Damian sees his hands through Tims eyes. They were always just a tool to him, not all that special even if vital. But somehow Tim has captured them in a way that is powerful and strong, and beautiful and gentle. You can see a paint stain that Tim insisted he not wash off, his calluses from training and the muscles coiled under soft skin.
Jason sees his eyes. His eyes that have become more green since he came back, eyes that he avoided looking at in the mirror because they didn't feel like his anymore. Eyes that now look back at him in a way that were they anyone else's he'd say they look intelligent and empathetic. He sees his lashes in stark detail, beautiful and not pitch black, a few as stark white as the streak in his hair that he never noticed extended beyond that. The corner of a scar that doesn't look hideous, but beautiful.
Dick knows he's beautiful, has been told so many times it's become shallow. He knows which parts of him are lusted after. He expects to see something along those lines. Instead he sees his shoulders. Not as some sensual part of him to be objectified, but... as wide and strong, as load bearing and of steel. He knows he's beautiful, but he's never seen someone even try to look past that in a photo.
Tim took so many different photos of them, but his focus was on picking photos that capture their very essence to him.
So seeing themselves through his eyes? They fall and they fall HARD.
them seeing themselves through tim's eyes and seeing that he thinks of them as art, that he can see the little pieces that make them up. when tim talked about photographing them for some personal project because bruce had told him to get a hobby- they'd mostly laughed it off. they hadn't really been taking it all that seriously they'd just been mostly humoring tim.
but then they'd been in tim's little bedroom studio and tim had been arranging them and his warm hands moving them- adjust posture, cupping heads and hands and moving them a certain way.
tim sees them as pretty and wonderful he photographs them but doesn't make them obejcts he makes them people 🥺💖💖!
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dangermousie · 2 days ago
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When the Phone Rings has got me thinking about PMR, which in turn got me thinking about MMH due to the similar plots and release dates. And it just reminded me how MMH was the bigger hit (largely due to Park Minyoung's popularity and Na Inwoo's rising popularity. But honestly, MMH adaptation was such a disappointment as someone who read the webtoons of both PMR/MMH. What was great about PMR is it leaned into what it was. Similar to what we see so far in WTPR. But MMH honestly took itself too seriously. Also I felt PMY was miscast in the role.
I just need more dramas that fall into the PMR/WTPR category. Soapy, makjang that doesn't lean too much into makjang (like official makjangs) but doesn't take itself too seriously. Or tries to be above it. Like it could be very easy for the writer to increase focus on the politics in WTPR, thinking that they are above the mess that is our leads relationship - even though it's the selling point. Thankfully they didn't.
I haven't read either the PMR or MMH source novels/webtoons so no opinion on how they work as adaptations but I felt the same as you did - I enjoyed PMR a lot more. It was just so fun and committed so hard.
I always believe that a drama (or any other adaptation) should commit fully to the vibe - whether it's wattpad/90s romance novel vibe like PMR or When the Phone Rings or gonzo fighting fantasy (high or modern) like Burning Flames or I Am Nobody,
When you hold back to be cool or artsy or whatever it is you feel must constrain you, the audience can feel the disconnect/inauthenticity. In which case don't make something like this in the first place, make an arthouse piece about accountants or whatever you can commit fully.
WTPR reminds me of old school kdrama melos - I can honestly imagine Go Soo and Lee Da Hae in this 15 years ago - and I think that is why I love it so much. That and adult-oriented sageuks were always my two favorite kdrama genres.
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lover-of-mine · 22 hours ago
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OK since you brought up the Tommy break up thing, well I'm weighing in because this has been bothering me with the narrative it has anything to do with sexuality
Honestly, if you disagree, please enlighten me because I would love to know.
IRL. I dated a guy who had a girl best friend. It didn't bother me at all. She was cool. But after a few months we were out shopping and he saw something that reminded him of her and he got it. Still not threatened but started watching. After subtle questions it was clear they had never been single at the same time. The way he talked about her, seriously subconsciously in love with her. When I did catch deeper feelings, I did initiative a friendly break up. I wasn't jealous or petty. Never even mentioned her. But in the back of mind it was clear. If she ever game him the chance he would probably take it. Who knows how deep I would have been then.
Honestly both the nicest people. To this day nothing has happened between them that brings me to my next point. She maybe wasn't subconsciously in love with him. She never showed any jealousy to me. But the point was I knew he was. That's Tommy's story. If you didn't catch it by his surprised me in E4 then I can't help you.
Them screaming Eddie's straight. It doesn't matter. Tommy knew from the beginning there was a third person in their relationship. He was having fun but avoided the feelings catch. He saw them together. He knows!!!
Long story short take the sexuality out of it. The story makes complete sense. Buck and Eddie were always going to be shadows in each other's relationships. Tommy was just the first to really see.
I totally agree. I was the girl best friend, and not going to detail on how I actually imploded my oldest friendship, my whole life if he got a girlfriend she never reacted well to me and i was always ready to say it's not like that, he's family, and all that. Hell, the day that I realized that I might have been in love with him, I actually like I laughed at the idea of being his girlfriend because someone assumed and then something happened and I was like oh fuck. I never thought about it like that, but he was the only person that my ex would go 🤨, all of his girlfriends I needed to prove myself too (i never had a problem with it, I knew what it looked like it but for me it wasn't like that until it was), it was always a situation where I felt like they were seeing something that we weren't. Now with the current clarity I have about the situation, I'm like okay I see it now, I guess there was something there, I just wasn't aware of it. And Tommy has a clarity that none of Buck's girlfriends had, that it's the fact that he knows Buck is queer. And when you take that into consideration and you look at his relationship with Eddie, there is only so much you can do without being like, okay how long until you wake up and realize you're in love with him. So I think it's a lot about protecting himself in the long run, it's not about sexuality, it's about the fact that Tommy has an insight to Buck and Eddie's relationships that none of the girlfriends ever had. He sees them from an outsider point of view and he has the knowledge that Buck's queer and knowing that it's harder to ignore it, to not be like, yeah how long until I'm in too deep and he realizes his feelings. So yeah, I don't think it's was about the sexuality at all, it was about the the fear of getting into deep and wondering what would happen if Eddie became an option.
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orions-choker · 2 days ago
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Gf pLEASE wirte something with I don't care who, and theyre your knight in like medieval timeline, and you maybe the princess??? Pleade something with medieval nobody wants to do it🥺🥺😔😔
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(A/N: Woah so I got way too excited for this and accidentally maaaay have decided to start a series instead woopsies, I hope this ends up being what you wanted )
Frustrated by royal duties and the incoming of a harsh winter, a young princess finds herself in the company of a young knight James who has returned home after a long fought brutal battle. With the victory imminent for her kingdom, her father begins looking to set up political alliances with neighboring, using anything as pawn in his cruel game, including the sacrifice of his daughters happiness. Bound by an obligation to her status and yearning for for freedom she finds comfort within James.
Tags: Alternate Universe - Canon Divergence, Alternate Universe - Fantasy, Alternate Universe - Royalty, Historical Fantasy, Princes & Princesses, Forbidden Love, Arranged Marriage, Other Additional Tags to Be Added
Chapter One:
“It’s far too cold to be romping about in the snow.” Came the petulant whisper of a young woman, her face reddened by the biting winds. Her arms crossed around her body in a futile attempt to stay warm, the fur lining of her chemise beneath her silks did little to stave off the cold. Even the hem of her dress was dampening from the cold snow.
As quickly as her arms had wrapped around herself she was smacked. Her body stiffening as her posture corrected and she returned her hands folded neatly in front of her. “Your highness, I implore you to remember your manners.” The spindly old woman beside her reprimanded her quickly, her wrinkled face never betraying so much as a hint of annoyance but she could hear it in her voice. “His Majesty the King will be present shortly.”
The young woman's face screwed up in annoyance. “You can just say my father you know,” She leaned over into the old woman's ear. “You don’t have to be so proper around me Mistress Andriet.” She was promptly prodded back into position and she let out a huff. Her governess was never one for warmth or fun. She didn’t think she had truthfully ever seen the old woman smile once for the many years she had been in her care.
“My Lady Y/N” The Governess chastised her, that was the closest to informality she would receive. “Have I taught you nothing in nineteen summers? You would do well to address His Majesty as such, ignoring familial relations.” Her long spindly fingers pinched Y/N’s waist in reprimand, though she could hardly feel it through her thick winter layers. “I wonder not why you haven’t been married off yet with behavior such as yours.”
It took great restraint to not roll her eyes. Call her own father by such a pompous title? She scoffed at the very idea. “I take offense to that, I am not married by my own choice.” She mumbled under her breath. “Why is it so important that we be out in the dead of winter to welcome in the return of some knights?” She asked quietly. Her eyes gazed around the courts, filled with people and palace personnel that she could not remember the names of. What kind of celebration is this? How could these people be so joyous in this weather?
Her governess let out a sigh, unimpressed by her lack of attention. Sure Y/N had been briefed on the day's agenda when she was awoken this morning, but how could they seriously expect her to remember such details when she was hardly awake? “This is that last cavalry that survived and secured His Majesty’s victory over Kingdom Castlegar, Secured your victory, that is cause for celebration don’t you think?” The old woman pulled on a tight smile at the sound of her Fathers arrival, accompanied by the loud declaration of his title from his squires.
Quickly Y/N dropped into a curtsey, her ankles crossing over one another as she tilted her head, her fur lined veil falling in front of her face. Her governess did the same beside her, dropping even lower than herself however. Y/N knew that had to be hard on her old bones, her father was a reasonable man; mostly he wouldn't care if the Governess had to forgo the depth in which she bowed. However the old woman was as stubborn as she was respectful.
As Y/N rose she felt the heavy and warm hand of her father on her shoulder. The smallest hint of affection on his face as she met his gaze once more. “Princess Y/N” He greeted her warmly. She bit back a sigh. She was never one to understand the need for formality. He was the king was he not, who would oppose him from being openly caring for her. Of course the rare private moments she got with her father were different. At the very least he allowed her to stand near him when she was expected to attend royal services such as these. Usually one of her brothers took the mantle however they were all abroad on diplomatic ventures.
She smiled politely back at him. “Father,” She greeted him back, not missing the way he sighed at her lack of care for his title in front of his court, but he didn’t reprimand her, he never did. She turned and faced the entrance of the courtyard as she heard the heavy hooves of galloping steeds. Distant cheers from city folk as the precession made its way through the streets approaching the palace. However the sight that greeted them was less than a happy one.
Far less mounted steeds entered the courtyard, she counted only twenty. This was it? The last cavalry, usually there were at the very least three hundred men deployed. Half these men were hardly in good condition either, doubled over on their horses, blood staining the the fabric of the tunic beneath the heavy plated armor. Yet still they were received with cheers as if every single man had returned. She felt sick. Blood dripped down onto the fresh snow, staining it a sparkling red that stood out against the dull winter backdrop.
Her eyes stayed trained on the red that seeped out across the crisp snow. There were flurries of movement beside her but she felt trained to that very spot. The clanking of heavy armor as the knights were attended to by fresh squires. Her fathers voice delivering a booming speech of victory, the declaration of a banquet held in these men's honor. A banquet? Food was all they could afford these people, what about the hundreds who had died. Y/N’s head was spinning as she was guided back inside by Her Governess and ladies in waiting.
“Did you see that one knight? How beautiful,” One of her handmaidens whispered softly to another as they unrobed her in her chambers. “I know, what a shame that face is wasted on poor folk.” Another gossiped as she slipped off Y/N’s Kirtle. Typically Y/N would engage in gossip with her ladies in waiting but all she could focus on was the blood. It was a stark and unpleasant reminder of the brutality carried out in her fathers name…subsequently her name. Why had they even needed to conquer that neighboring kingdom? Y/N was snapped out of the daze by the rustling of fabrics and a question. “Your Highness, which one, the scarlet velvet, or the golden silk?” One of her attendants asked, displaying before her two options for an evening gown. She blinked, oh yes, this banquet, she had to dress for the banquet. The sight of the red suddenly made her feel sick.
“The gold one, please,” She waved her hand dismissively. She was danced around her chambers by various girls as they dressed her, replacing her thick winter undergarments with something lighter. Her hair being left down in loose tresses the way she always requested. It didn’t mirror the tightly plaited styles that were common at court but she was never one to conform to what was expected of her. However much it grated on her father.
Banquets and feasts were never her favorite royal duty, what joy was there to be derived from sitting amongst gluttonous high ranking officials stuffing their guts full of mead and meats? It was a disgusting display of power and wealth in her opinion. This one however was much sadder. As she was skirted into the room into a chair beside her father she took notice at the disheveled appearances of most of the knights. Her heart ached. They had been cleaned, wounds dressed to, and given armor that was more ceremonial that practical but many of them looked so defeated.
There were of course a few younger man, boasting to each other about how well received their efforts had been, a couple boys who looked no older than fourteen wearing shell shocked expressions from the horrors they had witnessed, older men who had likely been too old to have been in battle in the first place. As she sat down her eyes landed on one in particular though. Her heart did an embarrassing flip in her chest as she drank in the sight of him.
This had to be the man her ladies were gossiping over, she could understand why. With long golden locks that fell almost wildly around his face, sharp piercing blue eyes that seemed trained on the table in front of him. He was quiet and reserved. He could be no older than thirty but no younger than herself. Her mouth felt dry watching him and she quickly picked up her drinking cup to wet her lips. He was possibly the most beautiful man she had ever seen.
She drowned out the sounds of her Fathers boasting beside her, the excited chattering of high lords and the few knights who were in seemingly good spirits. Everything blurred around her as she kept her vision steady trained on the boy seven seats down, she counted. And when his gaze lifted to meet hers, she could have sworn she heard the harps of the heavens playing. Her eyes widened, a flush coming to meet her cheeks. He smiled at her, soft and hesitant but it felt like the floor was crumbling from beneath her.
By all means it was improper for her to do so, but she couldn’t help the way the corners of her lips curled in response. Her eyes flittering away from his own shyly. Her fingers curled into the silks of her dress as she tried to still her fast beating heart. Her head dropped softly, allowing her hair and veil to conceal her blushing face. This was a moment she would think about late at night alone for months to come. She was sure of it.
The banquet came to a tidy close. She hesitated the longest to remove herself from her seat, her father leaving the hall with raucous laughter as he discussed future plans with his high ranking generals like they were old friends. Perhaps they were, though she couldn't imagine a time in which her father ever had time for friends, she didn't even have time for friends. Finally she lifted her head as a soft silence fell over the room, she stood from the table. Then there was a soft clanking of metal from behind her. “Your Highness,” An unfamiliar but soft and raspy voice spoke.
Quickly she turned in surprise only to see a mop of blonde hair bowing low before her. Her cheeks heated up again. “Oh!” She squeaked, quickly covering her mouth with her hand to muffle the less than lady like noise that escaped her. She could have sworn she heard him laugh softly. “My good knight, you startled me.” She quickly composed herself, speaking with a level of formality she wasn't typically accustomed to. Oddly she felt as if she wanted to impress this boy. “To what do I owe the pleasure?” She asked nervously.
At her acknowledgment he lifted himself up again. He was tall, quite literally towering over her in a way that didn't feel threatening, rather it felt comforting actually. He was prettier up close to, even though she could see the faint signs of a poor complexion across his cheeks and jaw, the skin left slightly pockmarked, somehow it added to just how striking he was. “Sir James, Your Highness.” He introduced himself softly. “I just-” In an instant she could see his confidence falter, what good reason did he have for speaking to a princess.
“Call me Y/N,” She said softly and quickly, her hand gently resting against the shiny ceremonious metal plating on his arm. She didn’t know why she did it, why she said that. He was just…enthralling. Quickly she pulled her hand back like she had burned herself, realizing she was bordering the line of completely inappropriate. “I’m sorry I should be leaving.” She whispered before quickly turning, leaving the dining hall.
“Okay…Y/N,” James’s voice echoed softly off the empty walls as she left, his voice calling her name would be ringing in her ears for the rest of the evening.
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derww · 8 hours ago
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DEVOTIONS WEEK DAY 6: FRIENDLY/PARANOIA
– Listen, – Spoke begins, sitting with his legs apart and leaning on them, on a block of netherite in the middle of the dupe vault, – I know that I've been acting strangely lately, right?
– That's not the right word,– Mapicc grumbles – he stands leaning against a wall of beacons, arms crossed, – a little more, and you would have completely switched to riddles.
– I know, I know, I'm sorry, – Spoke raises his hands, showing that he gives up, – I thought to keep everything to myself – here, you know, such a delicate matter, anyone can break everything, – he hesitates, – but then I realized that the simplest way to get you in my way is to keep you in the dark.
– I wish I could say you're wrong, – Zam stammers, – but you're probably completely right. To be honest, I've been very worried about you these last few days, all you've been doing is saying mystical phrases and refusing to clarify, I already thought that you were betraying us.
– Fair enough,– Spoke nods, – I'll tell you. But this has to stay just between the three of us. No one else has to find out; otherwise, everything will be at risk. Do you understand?
– What about Ro, – Mapicc interrupts, – even he can't know?
– He can't. Neither Roshambogames, nor TheTerrain, nor Vortexdragon. Just the two of you. It should be a secret from everyone. I can only tell you two.
Mapicc gives him a dark look and shakes his head – suspects, does not believe – but does not continue.
Zam looks at him from under his brows. Even now, holding on to different walls, he and Mapicc feel like one team, – what's the matter, Spoke?
He grins.
– This is a large-scale plan that originates before the start of the season. A glitch capable of determining the order of this world for years to come. The vulnerability is in the very code of reality. The whole dupe war is just part of the setup for it, and when the plan is put into action, nothing that happens at the level of ordinary players will cease to matter.
– Are you going to end this world? – asks Zam with unreadable emotion.
– Oh, Zam, – Spoke shakes his head, – I'm going to do a lot more.
***
– I just can't take it seriously anymore, – Zam shares, gnawing on a cookie. – Ro and his plans, – clarifies, – all his plans, you know? What difference does it make if Spoke turns the server into his playground very soon?
– He's having fun, – Mapicc shrugs, – weren't you having fun?
– Not really. I tried, because you are my team, but I never got better. It's not my thing.
– But you're so calm about the Wormhole. How is this better?
– It takes any responsibility out of the hands of the players, – Zam shakes his head, – what difference does it make if someone has an op? This world is obviously doomed, and you are my team, so why would I bother?
– I don't understand how you think. – And, distracted instantly, – I would have told him, but Spoke is right. The information is too sensitive. He's already taken a big risk by including us in.
– I would not like to fail to meet his expectations.
– I wouldn't want to mess up his plan. It's cool.
– It is... It's cruel, – Zam snorts, dragging his fingers along the masonry floor of the base. A modest poppy is breaking through the seams, – but I will not stop it. I respect Spoke. But, you know what?
– Hmm? 
– Spoke will regret it.
***
– How would you explain it at all, mind who? – Vi throws up his hands. A helpless expression is stuck on his face.
– We didn't like our team anymore, and we came for an interview, – Zam calmly replies, hanging down to see the swirling thick fog.
– To a secret base?... – Vi ironically clarifies, and Zam, grunting, nods, as if it was absolutely normal and definitely not crazy.
– I mean, – Mapicc grins – he, unlike Zam, sticks to the wall, clearly not feeling safe, – the fact that we were able to find it quite counts for passing the test. Not that it was difficult, of course.
– You know we're going to war against you, right? – Subz remarks skeptically, clearly not seeing the need to keep this in his sleeve, – against Ro and Mapicc in the first place, but also against Zam and even Spoke, too.
– Publicly, fight as many as you want, – Mapicc snorts; for him, the idea that he could lead to a decrease in the amount of violence on the server would definitely be unthinkable, – we are here unofficially. As colleagues. We came to say hello and find out how you are here. How are you doing with your idiotic emocult.
Subz facepalms. Vi sighs heavily.
– You shouldn't have been included, – Vi grumbles, but he doesn't sounds angry. – the more people know, the higher the chance that information leaks out.
– You can't return what has been done, – Zam shrugs his shoulders. – but hey, we're your best bet, we keep secrets well, remember the dupe war? – he grins, – we will be friends, Vi, don't worry. Do you remember the end of the season 3? I do.
There is a deadly silence. It is interrupted by Mapicc:
– So, where's the sacrifice room or something?
***
– I don't really like all of this, – Zam sadly admits, poking at the side of a po potion, – it creates too much imbalance between the players. If Spoke gets an op, he will be the only one with absolute power. But now... They're just mortals playing gods. You may be immortal and omnipotent, but you're still human, actually. It's stupid.
– I can understand that,– Mapicc nods. – the way Ro shot Pangi? Absolutely not necessary. Bro, bro, you can pick up a sword and kill him yourself. 
– Yes... – Zam pulls, – I understand the thirst for power and advantage, but what's the point if all this is illegal and doesn't really belong to you? This is... wrong. I wouldn't want it all to be on the server.
– Do you want to betray Spoke? – Mapicc asks imperturbably, and Zam flinches.
— No... No, – he stammers, – of course I don't like it, but there's no point in betrayal. Of course, I can try to take illegal items from people and dump them into the lava, but it will never work. And Spoke will be a god very soon, and none of this will matter anymore. If he wants to, he will remove all these toys. If he wants to, he will give them to absolutely everyone. Then why do anything at all?
– You could tell Parrot what's going on, – Mapicc suggests disinterestedly, and Zam snorts.
– To him? It's too late, the illegal items are already on the server. Spoke has too much pressure on him.
– It must be hard for you,– Mapicc says suddenly.
– Why? 
– Things are wrong for you, and your prospects are meaningless.
– Isn't that true? – Zam is surprised.
– Who knows, – Mapicc shrugs, – I'm not inclined to overthink as you do, but I know that wherever I am, any decision I make counts. – And with a well-aimed blow, he smashes the bottle of potion into the wall.
***
– It's, like, pretty decent,– Zam comments when they get high enough to regard the position as private.
– Who, your self-esteem? – Mapicc laughs it off and intercepts his trident, which is almost completely blackened by the number of effects.
– The Wormhole, – Zam replies with a smile, and Mapicc looks up.
Below them is a huge war for a twisted and broken world. Above them – a blue–blue-purple funnel continues to spin inexorably.
– Well, at least something good came out of it. – Mapicc shakes his head.
– No, there's something else, – Zam adds meekly.
– And what is it?
– It will never happen again.
Mapicc clicks his tongue and nods, understanding.
– You're right about that. Once and never again.
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sonicboomrevisited · 19 hours ago
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Okay, first of all, I'm already OBSESSED with your comics! For some reason, the idea of Sonic getting roboticized got me really into it. And I'd also like to emphasize how much you nailed the design and the humor as well.
Second of all, it might be a silly question, but when I read Sonic's lines, am I supposed to mentally read them in Sonic's voice with a robotic filter on it?
Thank you so much!!! Sonic becoming a robot is the literal antithesis of everything he represents so it always makes for a fun concept to play with. Especially in Boom's world where you don't have to take it too seriously! I'm glad you enjoy the humor. It's hard to nail, so I always appreciate hearing that I've done well with it :)
It's not a silly question! I'd say it's a great question cos in my head there's a distinction between Robo-Sonic 1.0 and 2.0 in voice. 1.0 sounds like Cybonic. Which is just normal Sonic with a robotic filter. He also speaks in monotone. There's no emotion behind his words. 2.0 has the same filter but uses Sonic's lower register and is much more emotional. It's the difference between a Robot Sonic actively fighting against Eggman and one that's a bit more keen on the whole villain shtick (however unwillingly).
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inkshadow · 13 hours ago
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"i don't hear you refuting it?" it's posed as a question to leave it open-ended at her own discretion. he had winked so if she decided to take it seriously then far be it for him to reject the idea. he smiles down at their hands and back up, eventually finding a nice spot in the corner to settle into. the music was still plenty loud but at least he can hear her well enough to fit the rest of the pieces by reading her lips. "eh, sometimes. nerds can have fun too, you know. it's actually a frequented place for me and some of the guys at work after a long day. so if you ever want something special at the bar, just let me know."
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she doesn't think twice about their hands being together, she's held on to her friends in a variety of ways in order to make it through crowded places. she smiles in appreciation when the drink is offered to her. "oh, is that your plan?" her eyebrows raise, but she doesn't exactly rebuff the idea. her hand finds his again so that he can lead the way... since he's taller, and all. "so... are you much of a club person?"
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barlowstreet · 2 years ago
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Okay I have theories
And I like being proven right so I'm posting this for posterity.
Under the cut because if you haven't played the game this is definitely SUPER spoilery!
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Okay, I know this is probably information you can find because critics have like seen the first season fully but I don't know how to do that and I am just guessing.
Episode 2 - Just Tess, Joel and Ellie going to the Capital building and Tess' death. I don't think they're gonna do much more than like explain Ellie's immunity, introduce clickers, etc. I think this would be a good episode to expand on Tess a bit because I love her, but I don't think they're getting far out of Boston. This might also be the episode with Ellie's mom/Ashley because there isn't a ton of plot to handle here.
Episode 3 - Bill's Town. The trailer has footage of Frank and Bill so I think they're going to do quite a bit of backstory with them and Nick Offerman is only gonna be in episode 3 so this one has to be the Bill episode.
Episode 4 and 5 - Pittsburgh. According to IMDB, Henry and Sam are in two episodes, so we're gonna get 2 Pittsburgh episodes. Probably one in the city proper, and then one for the outskirts/sewer/radio tower.
Also Wikipedia says that Henry and Sam are now from Kansas City and "hiding from a revolutionary movement in Kansas City", the leader of which is being played by Melanie Lynskey so that'll be interesting.
Episode 6 - Wherever Graham Greene is. Somewhere in Wyoming, apparently. I think they're going to find Tommy's place in this one, this is when we're getting the big confrontation between Joel and Ellie, and I bet this episode ends at the university with Joel getting hurt. I could be wrong, but that's my bet.
I wonder if they're gonna run into the cannibal group/hear about them, and then you get that line from Greene about Joel being scared, and then they get to Jackson and Joel gets all freaked out about caring about Ellie to much and tries to peace out. Then impaling, etc, because that would be such a good cliffhanger. And it looks like the Jackson stuff is more solidly in winter now so, logically, it tracks.
Episode 7 - Left Behind, I think this is when Left Behind happens, and I think they're going to film it almost exactly like how the prequel happens, switching between flashbacks and what Ellie is going through in the present. I think Left Behind is going to be a full episode on its own.
Episode 8 - Winter. Winter is an entire episode.
Episode 9 - The hospital and the end.
It'll either be like this, or Bill's town will be shorter than a full episode and Henry and Sam will be in some of episode 3.
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spacebubblehomebase · 3 months ago
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(Canon Luci with Shrunken Al. Did not go so well. 😅)
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Everyone: Deer instincts this. Radio noises that-
Me: Why don't we make use of the snake thing more often? I will never get over the fact that between the two of them, the predator and prey is not who people would usually expect.
Tied to this:
-Bubbly💙
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dionysism · 4 months ago
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TAKE MY QUIZ!!! and tell me who you got in the tags please (:
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