Honestly Knockouts whole thing comes off to me as someone who tends to gear up to bite almost out of reflex. Like his self assuredness and vanity are all 100% genuine, but I also think hes the kinda guy who, whenever he meets someone new, is already lock and loaded to have the sharpest bitch off imaginable and I like the implications of that.
Like, Knockout being someone who has learned to handle himself in verbal sparring matches to the point of expecting them take place. Perhaps having a history of being disrespected and pushed around at some point, and his overall sassy attitude is his response to that.
Its also why he's much more casual around the rather earnest and open breakdown. They share playful remarks with each other, but Breakdown largely respects knockout and what barbs there are dont tend to involve any kind of personal attack. Hence why Knockout is much more relaxed around Breakdown than he is anyone else.
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genuinely i think like. there are interesting things you could do with whole. and his existence and his relationships with hms. but a lot of people just. Don't. so instead hes just this guy who kinda. doesn't do anything. and would be better off not existing at all bc as he is he just, only really serves as a detriment to whatever fanfic/fan art it is
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I kinda hate how the main take away in general seems to be "hahaha I love being a hater, kendrick is the king of being a hater hahaha" or "drake has a secret daughter" and not "there are mysogynist sex pests and pedophiles in the hip hop industry and kendrick used his clout to very publically call out one" like can we please not drop the pedophilia out of this conversation YET AGAIN like the jokes are funny and I also make some but I feel like this should be front and center of the conversation and men in positions of power always get away with this shit
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i- i genuinely dont understand how like 'normal' people function like... yall have to be lying right? theres no way thats true
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i love the artistic stylings of studio ghibli as much as anyone else does but im kind of sick of anything with like vivid environments and big blue skies being branded as ghibliesque. because its like. you know where else you can hypothetically find some vivid environments with big blue skies? my friend the great and wonderful outdoors are here for you
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I have unwittingly witnessed a new level of the absurd. Behold, the AI-generated equine anatomy models.
Ah yes, my favourite parts of the equine body. Paster and... *looks at the smudged writing on hand* boob. At least this one looks purely decorative and the being actually looks like a horse. But don't worry, it gets worse.
If we completely ignore the hipopotamus musculature of this one, there's still a lot of things that don't make sense in this one, like a tail that ends in a series of bone spikes and a complete lack of molars. You could make a cool pokemon on the basis of this, but it's not even in the realm of being an actual anatomy help.
I'm firmly convinced this is not a horse, this is something that really, really wants you to think it is a horse. The more you look, the more things look... wrong. The more details turn out to be shifted, bones crammed in to fill in the familiar form, its shape merely implied so that the human mind fills the gap. Of course the text seems like gibberish, because its anatomy is incomprehensible. it's either a parasite or a monster and in each case, it's an eldtrich body horror. I'm kind of angry at how well this joke writes itself.
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End-of-Splatoon thoughts.
Thinking about how since the very start, Splatoon has had a feature where players can draw and post artwork and spot them as graffiti on walls or billboards. Or how the weapons have always been paint brushes and rollers and ballpoint pens. Since its inception, Splatoon has been dedicated to engaging its players with the act of creation and creative expression, showing them how their art can build communities and (literally) change the world.
Thinking about finding golden human-made music discs buried underground for thousands of years, and a grand finale music festival. About the Voyager Golden Records. About those human handprints etched into concrete in Alterna. Did those human artists know it would end like this? First a fiery death and then, eventually, a worldwide celebration of music to represent our shared past, present, and future. Did they know that their songs, insignificant in the face of extinction, would one day become the solution that will save the next dominant life-form from the same fate?
Thinking about how eerily similar the Octarian domes are to Alterna. About how close Inklings and Octolings were to repeating the same mistakes as humans. But their doomed fates were undone not by some miracle technology or military power or a rocket, but by music.
Thinking about how humans wiped themselves out with war, and our parting gifts were liquid crystals that somehow paired with the DNA of primeval inklings and somehow infused them with our memories and culture and a Song. And 12,000 years in the future, that same Song will end a war.
Thinking about how art and music and punk culture and rock & roll and friendly competition and petty arguments and water guns aren’t uniquely human concepts, but the fundamental qualities of intelligent life. An inheritable spirit that can cross evolutionary bounds.
Thinking about the theme of Splatoon, that art and music and fun will not die with the human race. That every piece of art we create is a seed we sow for future generations to reap. That our legacy is ingrained into the crust of the earth. That long after we’re gone, the oceans will remember, and they’ll pick up where we left off.
Thinking about how Splatoon says that the essence of humanity –– the thing that will outlive us –– isn't war or prejudice or destruction or greed, it's a song.
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