#this applies to most activities btw

[sylveriasarcana]

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[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[birdofmay]

Most people really don't seem to know what this mysterious "residential care" means when it comes to disabilities.

"This person is severely disabled, they have to live in residential care."

Do you know what happens when a severely disabled person with high support needs who isn't aware of dangers and needs constant supervision applies for residential care?

They get turned down or kicked out a couple of days later.

This happens regularly, btw. Kids grow up and parents think "Oh, residential care sounds good", and then suddenly every institution, etc. goes "Sorry, we don't specialise in that, sorry, your child is too aggressive, sorry, your child can't stick to our sleep schedule, sorry, your child is too noise sensitive, sorry, your child HAS to participate in our weekly activities even though their disability makes it impossible for them to do so, sorry..."

People who can live in residential care aren't your "the worst of the worst" example. There is such a thing as "too disabled for residential care" and it's more common than you'd think! ☝🏼

"But what happens when someone is too disabled for residential care and their family can't take care of them? Surely everyone eventually ends up somewhere!"

They get passed around from institution to institution, but everyone eventually goes "Sorry, we can't keep them here", and it won't stop. Until, maybe, one day they're lucky and a fixed team of carers "adopts" them and tries to create some kind of assisted living from scratch.

(Edit: Some people in the notes mention that many end up in prison or psych wards. That's included in what I mean with "institution" ☝🏼. But keep in mind that most severely disabled people with very high support needs simply die when their needs aren't met, so they either are passed around from institution to institution until someone builds something from scratch... or they simply die.)

Nobody talks about it, which is why it's always a big shock for parents who found a really good residential care place for their soon-to-be adult child and their child looks forward to moving out, and suddenly this wonderful residential care company turns their child down because it's too disabled. And then the next one. And the next.

So no, residential care isn't for "those with the most profound disabilities" - people with the most profound disabilities can't be in residential care at all.

[mookymilksims]

ULTIMATE Realistic Populated World Roleplay Mods | The Sims 3 | Guide and Tutorial

What's up everyone! Welcome back to my channel, I am super excited to give you guys this tutorial, I've been wanting to make it for awhile! I'm going to offer some alternative and lighter weight techniques on how you can populate your sims 3 world with a small combination of mods and households. I'm also going to show you how to tweak your ini files and how to actually create the lots in your world to simulate the best experience. Let's jump straight into the video because I am so excited to show you!

Ini Tweaks:

So the first thing you want to do is open your graphics rules ini file in your bin folder. You won't have to scroll or search , the cpu settings will be there as soon as you open the notepad file, change all of those numbers to 4. What this does is massively improves how the sims 3 engine allocates resources in your game. This alone will start sending more sims to more community lots naturally, without any mods. However, we are going to add some extra mods on top of this to help sims make more logical decisions on which lots they will visit, as well as insure that every lot a sim in your active household visits will autonomously send available sims there.

Before we get into the mods I need to explain two very important things to you first.

Community Lots and Households:

These are very important factors when you want to go about creating a more lively world. Contrary to old beliefs, you don't need over 50+ households to populate your worlds. And the smaller the world is, the less sims you'll actually need to fill it.

You also do not need every single community lot available to you in every world, either. In fact, the more optimized your community lots are in the world, the more likely sims will visit them on their own. I will explain this further in depth.

Let's start with community lots:

For example, if you have 3 gym lots in your world, sims will get very confused on which gym to visit. They won't just pick the gym closest to them, and the decision might be so taxing on their little minds they will more than likely choose to not go to any of the gyms altogether.

So if you want to see a more active Gym lot, only regulate this to one gym lot in your world. This may not have been the perfect example as most of you will already have one gym lot in your world, but then you should also notice that it's the easiest lot for the sims 3 engine to fill up. Because it's only one decision the townie sims have to make on where and how to visit this lot.

So for the bars and clubs in your world, you want to regulate this to one of each, and you could probably fit in a second one if you have the NPC's to fill it. Remember that the engine can't send sims to fill the lots if there aren't enough sims to fill it. You also have to factor in if those sims have children and their work hours as well.

So, I typically will make 2 dive bars, one will be a low end hole in the wall, and another will be on the whole other side of town in a completeley different theme or style, I try to incorporate new activites that you can't find on the other lot, so a pool table, karaoke machines, the bull rider, etc. I can get away with 2 dive bars because I use this fixed MSC mod, this mod fixes the EA LN oversight that didn't send townies to these lots very well, it adds a script that will automatically invite sims to these lots when your sim goes to them. So I don't have to worry too much about how many sims are available, as the mod does this for me and invites sims who are free without me having to do anything. The fixed MSC mod also applies to all of the LN lots, btw. And the reason why I keep emphasizing "Fixed" is because someone fixed the travel crash and error code 12 issue that was on the older builds.

As far as an exclusive lounge and dance club, I only make 1 of each. This gives me 3-4 options respectively to have an authentic bar hopping experience in my world. As I love doing this on my sims fun and wild night outs.

So when it comes to all of the other community lots, you already know to have one of each. The only other tip I can offer is that you don't want to put too many functional objects on these lots. As again, this could result in overloading a sims decision making process. The lot and sims become way more optimized when you give them less to do actually. This means you can create themed lots for very specific occasions. For example, when I downloaded a casino lot for my simler90 series, the lot had a ton of the gambling store objects, including a bunch of random objects that wouldn't neccassarily fit into this lot, which resulted in sims standing around a lot more and choosing to sit down instead. When I lowered the amount of functional objects, you begin to see sims gambling more as they now had a clearer reasoning path to decide on what objects to use. This resulted in the lot overall feeling and acting much more realistic, as I would enter the lot and see sims already gambling on it; acting like a real casino.

This is how I was able to understand the sims 3 engine and AI a lot better. We used to make 64 by 64 lots with a bunch of stuff and wonder why it was so laggy, empty, and when sims did get there they weren't really doing anything. You have to optimize lots to get a better aesthetic and gameplay experience.

A coffee shop should only have the ability to buy coffee and free space to sit and chat or use a laptop. This will force sims on this lot to just buy coffee and talk with sims while sitting down. So this lot will look and feel like an actual coffee shop.

So as a basic overview for the lots:

You now know to limit the amount of community lots actually available to all the sims in your world. This makes for a much more immersive experience overall, as sims will naturally populate these lots a lot more when given a reasonable amount of options to visit them.

You now know to limit the amount of functional objects on these lots so that when sims do decide to come to these lots, they will act in a much more realistic way on these lots resulting in a more immersive and roleplay experience.

So now if you are a builder, or just some who likes to remap your world to have a better gameplay experience, consider these steps above. Since you now know that you don't have to add every kind of community lot to get a more active experience, and in fact, this actually hurts the goal you're trying to achieve, remapping the world becomes less stressful and more strategic.

For example, if I have a fish village kind of world, this allows me to add new unique lots specifically for this world that would make more sense. I can send sims to a savvier seller fish market, this is functional, sims can come here and buy all kinds of fish. I can make a cozy cottage core type of wedding venue and winery, this could fit into this world. I could make a small camping lot that can only be reached through a hiking trail on foot, this could fit into this theme. When I think of a fish village I think about family play, so I could add a unique arcade, daycare, and adorable festival lot, where you could see some younger sims running around more frequently. I could make an old town themed pub as a dive bar. I would really only need one of these in this world, so it would be very active, especially at night. I could add an underground rave scene and give it the dance club community lot type, this could signal a small rebellion of these traditional fishery values in the village, and still be quite active, since there would be only 2 "party" lots for sims in this world to visit.

And etc, make the lots fit for your world, and limit the access to how many types of community lots there will be. This ensures more time spent on detail without having to worry about how full these lots would get, as you know they will be very full using this method.

As a final note, you also want to consider opening up your rabbit holes. While, you won't have to make them functional with zerbu's uc mod, you can make these lots functional using other techniques without having to sacrifice less activity. So for example, opening up the diner and bistro RH, allows me two external dining options for my sims. The diner could be a mcdonalds, and the bistro could be a benihana's. I typically roleplay this, like the diner rh being a nice chill hangout and eatery, and the bistro being a much more wealthier upscale place, I use the consort dress code mod, so you can only be in formal attire here, or you could combine this lot with an exclusive lounge and get play out of both types of lots on one optimized lot. Adding Ani's business as unusual set, a piano which will auto assign a pianist, some pretty ball room floors and deco, and you've got a perfect date night or mobster family dinner. Depends on your play style. Because there are 2 of these, the engine will send sims to these lots because it has the RH on them, and when sims get there they will use the menu's to sit down on there own and begin ordering.

So now let's talk about Households.

I made a pretty extensive guide about this on tumblr, which I will link. But as a basic overview, I figured out a couple years ago that you don't actually need a lot of sims in a world to make the world feel populated. However, if you do add a lot of sims, there are ways you can go about it, which isn't as taxing on the sims 3 engine. As you may have noticed, having a lot of sims in your world increases lag and freezing, this is because when you hit the world's limit of townies, you'll get a lot of routing errors (which cause the freezing), with too many community lot options they get confused on where to go change their mind half way, go somewhere else, too many objects on that lot, so an ai freeze when trying to decide what to do. This overall results in a chaotic and laggy experience.

In general, I like adding townies I will actually care about, but this number of households needs to be manageable. So I make around 10-12 official townie households in my world, with a lot of detail on their cas and homes. I decorated their homes in the same way I would mine, because I'm more than likely to actually visit these sims in their homes. This means I can remove all the other houses in my world, because I don't want SP to fill these homes with more sims I don't care for, and will add more strain on the engine anyway. This also leaves more room to configure where I'll be placing my optimized community lots. Don't worry, when I want to world to look like it's more populated than it really is, I add deco buildings, homes, and sims.

Then I add, NPC households. This is an interesting and amazing method because of how it works. I make a very basic home, usually in a basement, with 8 beds, 1 bathroom and 1 kitchen. Just the basics, no cc or detail or decor. Then I add 8 sims. This could be single men/women, teens, children, cashiers, robots, elves, etc.

This is how I can begin to actually populate my world with very little strain on the resources in the sims 3 engine. You see, when sims don't have any way to entertain themselves, or advance their skills, or fulfill their wishes, they are pushed more than ever to LEAVE the home to achieve this. This means you'll see 8 sims from each NPC household more than likely OUTSIDE than sitting in their homes. The engine seems to spend a lot more resources on maintaining the townies when they are in their homes more than when they are visiting a community lot. I noticed this when I had a lot of townies in their homes, without any of these mods or ini tweaks, I had a significant lag because the engine was micro managing all of those sims in their individual homes. This removes so much strain on the engine, when all it has to do is force the sims to leave their homes, as also mentioned before, the engine spends less time on extending resources to them on community lots vs when they are in their homes.

So esentially, what I've done here, is given my engine a huge break, allowing it to allocate ram and resources much more effectively and much quicker, while at the same time introducing more sims into the world without the engine thinking this = more strain.

The third and even less engine intensive technique I use is, Arsil's custom role generator mod. This allows me to add any kind of sims I want, that the engine doesn't actually have to control or allocate, as this mod is a script and sims from this script are seen as bin sims/service sims. They simply disappear back into an invisible bin until their shift starts. So if I want to add regular customers to my Benihannah's without worrying about the strain on my engine I can achieve this effortlessly. However, I use this method on lots that aren't seeing a lot of activity. Keep in mind, everyone builds their worlds differently, and there are many factors to consider why a sim may not be as interested in one community lot as others, while this is mostly self explanatory sometimes, this isn't as cut and dry. So, for example, I notice that unless my sims actually visit the beach lots in my worlds, there won't be a lot of sims on it. Sometimes, there will be one or 2 sims, but in general, it doesn't see a lot of action. So I set a seasonal lot marker on the lot, and then proceed to add 4-6 new custom role markers (I transmogrify them into beach deco items, to blend in), I set this up for the summer time, as this would make the most sense for more sims to visit. And then I add a bunch of deco beach sims to the lot on top of that. That way when my sims visit the beach, it will already have 4-6 sims on it, but it will look like 20 sims are there, and the engine will probably send 5-8 more sims which will result in a very active lot everytime I visit.

This is how you can utilize the arsil technique to gain more popularity on lots.

Which leads to my next point, consider what is actually about the population that you care about so much? For me, I want the world to look full without the lag. I was able to achieve this with deco sims. The engine doesn't have to do anything at all for this, as deco sims are objects. I want to play on lots where I could take a screen shot without having to even set up a scene, like for instance making the lot look and feel full. Deco sims are already posed, so all I have to do is move them into place. I have learned how to severely decimate these objects to make them completely playable in the sims 3, so I am going to have a lot of fun converting ts4 deco sims to ts3. This is going to be perfect for my building and roleplaying style.

For me, a townie that I don't care for might as well be a deco sim, the only use I have for them is to decorate the background of my screen shots. That may sound harsh but it's the reality. I make every sim in my world with intention. If I can't see you being an enemy, lover, friend, at some point in my story, then the sim isn't useful to me. And if the sim isn't manning a savvier seller station, or cooking and serving at my benihanna's then what are you even doing here other than taking up resources? I wouldn't even care for the sim to populate my UC lots, because I can just use deco sims for that, too.

Understanding these new household techniques, combined with your new understanding of community lots creates a POWERFUL new experience that's results in smoother/faster gameplay on active and filled community lots.

So in general, you actually want to have more townies than community lots. You can achieve both without lag using my NPC households method, and more strategically themed community lots together. This means all of your community lots will more than likely always be active no matter what your sim is doing in the world.

And now we are going to add mods on top of that.

We already discussed the fixed MSC Mod. So let's move on to the others.

I know most of you were expecting to see the Lot Population mod on this list, but I'm going to tell you exactly why it isn't. The mod teleports sims randomly around my world, the mod promised to send sims to lots they would actually visit, and even according to the season, but I didn't see this result. Instead, sims, no matter what their personality was, were randomly appearing at every lot I paused an looked at. I wouldn't even be sending my sims to this lot, I'd just be looking at the lot, this often resulted in freezing, hiccups, and slight lag. If I had more than one sim in my household out and about and I switched over to other sim, I would see the same sims I just saw across town pop out over there. This broke my immersion by a lot. Not only that, but a lot of these sims would be using objects, with props, and when being teleported it temporarily broke the interaction, which resulted in props and objects floating in mid air, or being unusable, or showing up on other lots where it wouldn't even be possible for those objects and props to show up. This caused routing and script lag in my game by a noticeable amount. I was on a reduced version, and still noticed these issues. I really wanted to like this mod, and if it didn't break my immersion and cause more performance issues, I would otherwise love it. But unfortunately, I had to find some lighter alternatives that handled both of the issues I noticed with this mod.

This leads me to the Get out project, or you could of course just download arsil's script yourself and tweak the settings to your liking. BoringBone's tweaks the settings of Arsil's script and includes his own mods in a few modules to balance out the tweaks he made as well as enhance the overall experience.

These are the modules I downloaded for my mod list: Pedestrians Smart Vehicles

With all of these mods combined, sims are being pushed out and about in the world immediately, consistently, reasonably, while still allowing some sims to stay home. Which is another issue I had with the lot population mod. There were never any sims at home. This caused issues when townies threw parties, and invited me, I would go and no one would be home; so no party. This caused issues when I wanted to visit a friend I made in their homes for story telling and gameplay purposes, because they weren't home to open the door. This caused issues when inviting sims out, going on dates, inviting sims over. They would be randomly selected to teleport to another lot my other sim was on so it would completely break these interactions. The get out script isn't that invasive. It doesn't break these features and interactions, sims aren't being teleported, they are choosing to visit more lots more frequently. If they throw a party, or invite me out, or I invite them out, the EA script function takes back over and allows me to actually see the end of these interactions. On top of that, there wasn't any lag with this mod installed, as sims would be doing what the engine is already coded for them to do, just more of it; visiting community lots. The mod also adds walk abouts like how you'll see in the TS4, which I also combine with Shimrod's townies out on the town, where you'll see double the amount of walkabouts, while also extending a reasonable and light weight function to populate the lots in between.

Combing this with the Supreme AI mod, unlocks the sims AI in very innovative ways, for this particular guide, the supreme ai mod allows sims to make more logical decisions on which community lots to visit based off of their traits. While it's not completely set in stone, and still has a randomized feature which adds more interesting outcomes, now you'll see a lot more athletic sims at the gym, sims with hampers in their home at the laundromat, rebels and part animals at bars, clubs, and arcades, teens and kids at parks, arcades, libraries, the pool, etc. Let alone all of the other changes included in this mod, it has to be recommended for the logical fixes it applies to EA's system of how sims decide to go where.

The last mod I want to recommend here is the nana no shop in RH's. This mod makes it so sims no longer autonomously visit and enter RH lots. If you ever wondered where all your sims were, and you knew they weren't working at the time, they were probably inside of a RH. The game pushes them to sit inside of them for an extended period of time, this is to simulate to the player that the townies are alive and doing their own things. This isn't a problem in an unmodded game, however, when you're like me and open up your RH anyway, this mod would be a perfect enhancer, it still sends sims to my opened RH lots, and RH's in general like to eat outside of a bistro or diner, but it no longer allows them to enter RH's and sit inside of them. This means more sims who are available to visit community lots actually visiting those lots. Townies don't need to go grocery shopping in the RH because they can automatically get their ingredients from the fridge, with whatever recipes they choose to cook. The only reason a townie would need to visit the hospital is if they are giving birth. Unless a sim works at the police department or is going to jail, they don't need to be there, either. And well, you get the point. Any need for a RH for townies will be assigned to their tasks and they will be unable to take it off, this is for what they NEED. When you want to actually see those townies around town instead of sitting in RH's, this mod fixes that issue altogether.

So now I'm going to go in game and show you the kind of results that you can expect by following this guide.

First I will show you the normal populated world, this is what you're used to seeing in game. Then I will show you what it looks like when you optimize your community lots and add my NPC Household method. Let's begin!

Conclusion: As you all saw the massive difference in gameplay, either one still works out much better than the normal EA lot population method. So you can play this in either style. With my NPC household method and more optimized community lots this just promises better performance with populated lots, significantly. You don't have to follow this method, you can just use the guide and mod collection outlined here!

I want to thank you all for joining me , I am so happy I finally got to show you guys how to populate your worlds lag free, I love all of the support I've been getting, you guys are just so awesome! I have more videos coming for you so I'll see you in the next video!

Mod links:

MSC Fixed mod get out supreme ai shimrods townies out on the town

nana no shop in RH's

Arsil Custom Role Generator

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one�� You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[race-week]

Can you please explain more about the asymmetric break torque situation? I’m still very beginner on the technical f1 side :(

So if it turns out to be the case that a team (or teams) were using it I’m sure we’ll find out more about it but in the most simplest terms it’s to do with the pressure that is exerted onto the brake rotors.

A vehicle, whether that’s an F1 car, a road car or a truck, needs brake torque to slow down and stop

Now this regulation change is specifying that the force applied to both the left and right brakes, has to be the same, you can’t be braking more on the left side than the right side for instance. They are also specifying that you can’t intentionally have asymmetric brakes nor can you have accidentally asymmetric brakes.

Having asymmetric braking torque, could allow the car to corner better, be more stable when cornering and reduce understeer.

The reason for this is, say you were turning into a tight left hand corner, you could slow the inside wheel down more than the outside one, which would allow a tighter line and a stronger front end.

If there is a team that’s doing this, or has done this, we don’t know exactly how, but in the past McLaren did something similar by adding an additional brake pedal that only activated the rear right brake [X <- really good explanation of it], but I would assume that it’d be quite a bit more high tech than that.

Btw: this is different from brake bias, which is the proportion of how the braking power of the car is split, front to rear, that is completely legal and the drivers will often change that corner to corner throughout the race. Brake asymmetry is to do with the left and right brake pairs.

[five-thousand-loaves-of-bread]

poke hornet nest

my stance on ABA

(my stance on ABA)

as someone with (some) lived experience

most of it is shit.

for long time in past and even now, ABA only service available for a lot autistic people & family.

most of it (< ABA*) still is shit. (*this disclaimer applies to rest of repetition)

heard of more than enough cases of. insurance/school system/etc give pathetic number of hours/sessions for speech, OT, etc for autism but many more hours of ABA. or only cover ABA.

most of it still shit.

some speech & OT & other so called “alternatives to ABA” use behavioral & ABA tactics.

most of it still shit.

for many family, especially those with autistic person diagnosed as “severe” or level 3 and or have extreme behavioral issues etc. their option isn’t “ABA or no ABA.” often, option is “ABA or be labeled as abusive neglectful by government” or “ABA or have child taken away” “you ‘willingly’ enroll in ABA or we take and put them in ABA anyway” or “ABA or lose job.”

most of it still shit.

“ABA or lose job” because school not able or not willing help (because autistic person’s needs “that much”), you keep getting called to pick them up from school, from day care. other people not know how “deal with” your autistic family member, you know how help them a little more but also you sure as hell don’t and are just as lost. so you keep miss work to go pick them up from places that kick them out and you exhausted and you not get sleep because autistic family member needs pretty constant supervision and you not have respite and you not know how help and eventually your job fires you because you keep miss work. and oh did ever mention caring for disabled person extremely expensive? but oh btw there ABA agency you can send autistic family member to for up to 40 hour/week so maybe you can keep job and thus keep roof over head and can still put food on table for family for your autistic family member. oh they also say they may able help with autistic family member behavior so maybe they don’t get kicked out of every necessary service.

most of it still shit.

ABA agencies frequently kick out people deemed too severe or “cannot be helped” or too violent or too many behavioral issues or cause too much harm.

most of it still shit.

in world where may & very often do kill you for seeing you as different thus “threat,” ability mask life saving survival tactic. am talking about POC. am specifically especially talking about Black people. is teaching how mask greater evil than dead killed hatecrimed? sure, no one should have to choose between these two options, but world not care about your morals n your “should”s n your envisioned better future you may or may not be actively help build right now, these people need survive in real world here and now.

most of it still shit.

there (some. a few.) ABA survivors who went thru ABA in past and now who think ABA helped. helped them gain skill. help them prevent harm. some of them don’t see self as abused in ABA or traumatized by ABA. some see it as both abused and helped and grateful for help and hate abuse. some see as both abused and helped and don’t see amount of helped as ever worth abuse.

most of it still shit. (so many were & are abused. n abuse is abuse)

many newer ABA agencies realize ABA heavily criticized n labeled abusive & say they change methods & no longer practice old school ABA & now no longer abusive.

most of it still shit. (many of these agencies still do coercive abusive stuff even if call themselves changed)

some of them maybe truly changed. getting rid of abusive practices, focusing on skill building & adaptive functioning, child-led, instead of drills and forced masking.

most of it still shit.

talk a lot with people who so adamant about “all ABA abuse” “all parents who put child into ABA abused deserve get child taken away” who never was in personal proximity of ABA who. when ask to describe what ABA is in own words, not able to. or give generic response like “abuse & force mask”, but when ask to describe specific methods they do that, not able to. when ask them what discrete trial training and prompting is and what goals may look like and how they write behavioral analysis, never heard of any of them. say listen to ABA survivors, but not able name any individual names. just “oh listen to them online, if you actually listen like me you would know & i wouldn’t need say more so it really your ignorance.” but more often, just get reactionary shut down whole conversation be seen as ableist threat if even be asked first question. how you help advocate for ABA survivors if don’t even know what ABA is? or who ABA survivors? if cannot even talk about ABA? how even fight against your enemy if don’t even know what enemy look like, not able pick out enemy from crowd unless spoon fed?

most of it still shit.

found that. when am talking about ABA. from add nuance to encourage thought provoking questions to even rhetorically ask people to describe ABA. have to repeat emphasize that am not saying ABA all not abusive. even if it first thing i lead with. even if it super clear that am indeed criticizing ABA, just with more grey area and nuances than people used to. lot people will block me from this post just within some paragraphs. lot will block me over saying “most of it still shit” instead of denounce all ABA, when it clear that use of word “most” is deliberate choice n reason of said choice is in every corner of this post. others will finish reading (if even that) and all get out of is repeating “most of it still shit.” made similar posts year(s) ago. and still, find people vague post or explicitly post about me or my post, paint me as evil ABA apologist. whenever come across people who talk about “post where talk about ABA good,” stop and wonder, are they talking about me?

don’t want to talk about ABA because of this. tired, not worth it, often is bad starting point is turn off for people who never seen my posts when have other posts much easier entry point, n start off at bad start may cause them to not listen to me and maybe even other higher support needs and or nonverbal nonspeaking autistics in foreseeable future or ever.

you know, this post started off as “… so you all know i don’t think kindly of ABA right”

throughout write this post, don’t know which part am emphasizing more. the “most of it still shit” part or parts in between.

still. most of it still shit.

[augustus-rok]

Nebula AU

Maybe I'll write a fic for this, maybe i won't, but here are the basics. Also if this inspires you to write something chuck me a tag cause I wanna see it.

Set during older/later high school rather than freshman year for Danny. However the portal accident still happened at the canon time.

Ghosts are more or less invisible with out tools or certain contamination levels. This also applies to general noise they make, they have to focus extra to be heard by humans. Typically yelling only equates to a whisper when right next to someone if you're a ghost.

As Danny doesn't become a hero immediately and gets to settle into himself first, his ghost form reflects more his track towards being an astronaut. Aesthetic more along the lines of solar flares and start dust. When ghost do actually come through the portal with intent to do harm he gets a helmet and thick gloves and has a sort of jacket layer over top. I imagine that his ghost form suffers from something like what's described in this post, and the helmet and glove and jacket are learned extra thing.

Story stuff. So it turns out when the ONLY ghost to wander through the portal other than little glowing blobs that only hover, is the antithesis of your theories you have to go back to the drawing board. So the Fenton's (kept out of the loop for a couple of months) and GIW are very much good guys and BETTER Scientists. And the militaristic mind set is swiftly put down when all of the subjects (the one) book it at the slightest hint of aggression.

Now Valarie, nicknamed Red Huntress during her internship, interns/volunteers with the GIW as a field watch/interviewer for Nebula. Which is the code name given to a Danny who never introduces himself and as such gets named by vote like a new firetruck by the community.

Hey BTW this is a portal Danny AU in my head.

The basement portal? That is a direct route to his lair, which is an astronomer's dream wrapped in a, you guessed it, nebula. The Wastes (or the area the Fenton Portal spawns in in canon) inhabitants spend a good few months flipping out at the arrival of what looks like a god or something. It's a decidedly "do not fuck with that" thought process.

Danny eventual.y introduces himself and makes friends without the protect the town from day one aspect. They all tussle a bit but the other ghosts go "hey it's a baby" and give him a proper lay of the land.

Cut to 21/2 years later after the Portal Accident, and Vlad decides to be a bastard and go after the adopted mascot.

Now the scientists have all learned that fighting= play/bonding. So they are all wildly caught off guard by the very sudden warpath through the city park.

Vlad doesn't put together Halfa Danny in this AU until well after there's been conflict. And after he managed to expose the active portal to ghosts outside of the immediate area of the portal that are perfectly willing to break into Danny's lair and some have figured out the horror aspect described here: FIC I RECOMMEND

So back to that fight. Ghosts are QUIET, especially Danny who even with the tech, radio/coms that make other ghost audible, has to be boosted to be heard by even other ghosts. (I imagine lots of sign language in this au) So this darling little sky watching ghost screams, a terrified child's noise, as this ghost that looks like a Vampire and a hoard of vultures(?) actively assault the poor thing? God the humans, the humans are scared. Everyone could hear that out side of the coms, and everyone saw it. They got good at televising the ghosts.

Sam and Tucker, decidedly only civilians are terrified for their friend. They know what play fighting looks like, they've been to the lair. Valarie who catches on fast thanks to being the intern bestie to Nebula and maybe future girlfriend to Daniel "Hot space nerd in row 4 of homeroom" Fenton, is forced as fights, proper devastating ones, continue happening to keep her friends away. Especially the first time. Most importantly that first fight.

REMEMBER Danny's portal, not the one in the basement. Well he stretches, upper body desperately crawling away from his lower half trapped by the vultures, keening all the way. Still scarily audible. Then from the gap made of flaring stardust and molten plasma that is the active void that consumes the area his stomach would have been was he human- Comes a raging adult ghost. More than one possibly.

I especially like the idea of Skulker and his missle launcher showing up, being the third ever recorded humanoid ghost, and absolutely steamrolling Plasimus who is not a Halfa as in halfway point like Danny is so loved by the Waste ghosts for being. But rather just half a ghost, a human with a funky little boon.

Now as Skulker has the time of his afterlife chasing Vlad and the Vultures, lets have say Lunch Lady slip out of Danny's portal, maybe one of the more teenagery ghosts too.

Anyways, instant fussing. Danny relaxes enough to stop being a portal to hell and the humans are very careful in approaching them all. What with the older ghost's yelling at the aggressors to leave the baby alone. Skulker is dramatic, and likes embarrassing the whelp.

After this point things beginning to resemble canon more, only the humans have a natural non-guessing gauge of hostility for the ghosts in town.

They figure out pretty fast that the physical portal and Nebula portal only let through friendlies. (Not entirely true but they don't know that.) And the threats, well lets just say Nebula is never caught off guard in his own territory again. He becomes ruthless.

Meanwhile, Danny Fenton has friends both dead and alive helping him fight a guerrilla war against madmen. He sits in class undisturbed even as he tracks the startbursts he knows are his friends protecting him and everyone else untill he's free. He huddles in the attic crawlspace filling out data sheets and pin boards as his girlfriend and best friends scour government documents.

Nebula sits in the portal, toxic light cascading like water around him, watching his parents and GIW agents work in the FentonWorks lab.

He always gives good greetings to those who offer, and when asked he whispers secrets of the universe he's learned from the source over the radio.

The scientists for get to ask for his sources, but when they do they are always both awed and terrified of the sources.

Things go well. And things as always progress.

Link to Doodle I did that actually drove me writing all this.

[mikavlcs]

Start a Fire

Pairing: Gwen Stacy x gn!reader

Summary: Gwen saves you and you help her out in return.

Warnings: nothing besides some probable medical inaccuracies and my writing lmao (no atsv spoilers btw)

Word count: 2k

Notes: idk why everything i write is kinda unserious. this also may not entirely make sense, sorry about that...

Masterlist

Firsts were a special thing.

Everyone, for better or worse, remembered things like their first kiss, and their first date, and their first heartbreak. Because of the novelty of these events, their importance is inescapable, even to the most unsentimental of people.

This same principle applied to superhero activities—or, at least, it did for Gwen.

She would never forget her first high-speed car chase, or her first armed bank robbery, or her first (incredibly embarrassing) criminal interrogation. So, of course, she was excited when her police radio picked up reports of a burning apartment building over on the west side.

Okay, maybe excited wasn’t the right word since people were in danger and Gwen would never be excited about that, but she was looking forward to checking off another box on the list of ‘classic crime tropes’ she kept in her journal. Burning buildings were a staple in superhero comics, and after nearly nine months on the job, it was about time for her to experience it firsthand.

She zipped in and, after a quick chat with the outside firefighters, began extracting civies from the upper floors while they covered the lower floors. Thankfully, the fire wasn’t terrible. They caught it pretty early and since the apartment building was three blocks away from a fire station, there were firefighters on the scene within ten minutes.

Since the fire started on the first floor, the worst of it was easily at the bottom floors, which the firefighters elected to cover since Gwen had more verticality and speed, but there was still smoke. A lot of it.

Now, Gwen knew a lot about fire safety thanks to her elementary school’s yearly presentations on the subject, but by the ten-minute mark, she was beginning to see that she had vastly underestimated the effects of smoke inhalation.

She didn’t have the respirators that they wore, her only protection against the smoke was the cloth of her mask. And at first, that was enough, but it was starting to get to her now. Luckily, she only had one more person to grab—someone on the top floor, frantically waving out one of the windows.

Hastily, Gwen crawled up toward the window you were leaning out of. The smoke was much thinner up here since the fire was only just spreading a few floors down, and she was very grateful for that. She crept to the side of the window, offering a grin you couldn’t see and a wave.

“Hey!” she greeted, securing an arm around your waist. “Hold on tight. This will be quick, just, uh, close your eyes if you’re afraid of heights.”

Once your arms were looped behind her neck, she webbed a nearby building and swung toward a nearby alley.

She deposited you down first, making sure you were steady on your feet before releasing the web and stumbling toward the nearest wall. A series of hacking coughs forced themselves from her throat, making her lean most of her weight against the wall.

“You okay, Spider-Woman?” The question came from her left and she looked over to see you resting against the same wall as her, staring with a mixture of confusion and concern. Gwen flashed a shaky thumbs-up in an attempt to both placate you and preserve her image.

“Perfectly fine. This is actually my first burning building rescue, so this—” She cut herself off with a particularly painful wheeze then finished with, “This is actually a pretty big moment for me.”

���Uh-huh, well maybe you should sit down for a minute,” you suggested, but her mind was already on her next destination, wherever that may be.

She shook her head at the idea, fighting the nausea that came with the motion. “No, no, I’m good. Feeling great. I’ll, uh, I’ll see you around.”

There was an attempt to raise her arm and shoot a web, but it failed rather miserably. She didn’t think the limb even moved, but the sudden, heavy wave of drowsiness that washed over her made that really hard to care about. A sigh slipped from her mouth, eyes drooping.

“Okay, yeah, maybe I’ll just take a little nap first.” The admission came out mumbled, but Gwen didn’t really notice. Nor did she feel herself pitch forward and slip off the wall entirely as her eyes were already slipping closed.

The world went dark before she could even hit the ground.

—

When Gwen woke again, the first of two major things she noticed was that she wasn’t in the alley she collapsed in.

In fact, she wasn’t outside at all. Her eyes cracked open and instead of staring into the cloudy afternoon sky, she was looking intently at a ceiling. And instead of laying on hard asphalt, she was resting on something soft—a couch, maybe.

She was in someone’s house, she belatedly realized, and that was when the second thing registered all at once.

Her mask was still on.

And it wasn’t just on, it was still tucked snugly into the neckline of her suit, the way she always kept it to ensure it never rode up. That meant that either someone went to great lengths to put it back in the exact position she liked it, or it was never taken off in the first place. When she saw you sitting in the chaise lounge across from the couch, her suspicions leaned toward the latter.

You hadn’t noticed her wake, eyes glued on the tv to her right, so she took the initiative to speak. It was harder than she expected since her throat was so dry, but after a few swallows, she managed to rasp her question out.

“Uh, where am I, exactly?”

Your eyes flicked to her instantly, and you sat up straighter, leaning forward a bit. “My house. Well, my mom’s house actually. She’s at work, won’t be back for a while. Good thing, too, because she would lose her shit if she saw you passed out on her couch.”

“Not a big fan of vigilantes?” she asked dryly. You chuckled.

“No, she’s not a big fan of her furniture getting dirty.”

“Oh,” Gwen muttered, pushing herself up to sit, “sorry, I can—”

Her sentence was cut short by you standing and gently shoving her to lie back down. “It’s fine, I’ll clean it later. Stay there.”

You watched her and, once you knew she would obey, walked out of her sightline. Gwen listened to your footsteps, noting the way you stopped around fifteen feet away. Then, she tilted her head back to glance at the windows and breathed a sigh of relief when she saw the light shining through the thin, drawn curtains. She couldn’t have been out for more than an hour.

Now that her initial question had been answered, she moved on to her secondary. “Did you drag me all the way here by yourself?”

“Well, I was visiting a friend’s apartment earlier, so we were only a few blocks away,” you called from somewhere on the other side of the couch, the faint sound of a refrigerator being opened and closed compounding the statement. “But yes, I did drag you here myself. You’re heavier than you look, by the way.”

Gwen’s eyes narrowed beneath her mask, but she chose to take it as a compliment to her forming musculature.

You returned a few minutes later with a glass of water and a pitcher filled nearly to the brim, setting them both down on the coffee table in front of her. Immediately, she pushed herself to sit up, hiking her mask over her nose and downing the entire glass in a few gulps. In her peripheral, she saw you sit back down and look at the tv again, letting the room lapse into quiet.

Gwen let the silence sit for a bit, then asked, “So, why didn’t you take off my mask? Most people would jump at the chance to figure out my identity.”

“I’m not into invading other people’s privacy,” you said plainly with a light shrug. “Plus, you saved my life. Taking the mask off after that would’ve been a dick move.”

She stayed quiet for a minute, absorbing what you said, then, with genuine sincerity, said, “Thank you.”

You waved it off. “Consider us even. I wouldn’t have made it out without your help, this was the least I could do.”

A nod was the only response she gave. She knew she should probably leave now; she was in a stranger’s house, after all. But you didn’t seem to mind, so she poured herself another glass and settled back on the couch.

Despite the unorthodox situation, the atmosphere remained calm and quiet with occasional thought-provoking questions from you such as “What’s it like being wanted for murder?” and “Why do you wear ballet shoes instead of shoes that will protect your feet in fights?” neither of which she had solid answers for but had fun with anyway.

It was nice. Weird, undoubtedly, but a nice change of pace from the more turbulent and fast-paced interactions she was used to having with people as Spider-Woman. You seemed to be enjoying it too, if the fact that you didn’t kick her out an hour ago was anything to go by.

Time continued to pass, the darkening sky outside the window escaping both of your notice. Her phone buzzed in her pocket a few times while you were talking, but she elected to ignore it. That is until the tranquil air was eventually broken by her phone ringing, the Spider-Woman theme song echoing throughout the room.

“Sorry,” Gwen mumbled, pulling her phone out of her suit pocket. She scanned the screen and her eyes widened. It was her dad. She squinted slightly, confused as to why he was calling already, but then she looked at the time, and her eyes widened. Her dad had been expecting her home over an hour ago.

Panicked, she shot to her feet, narrowly avoiding slamming her shin into the coffee table by the couch. She took one step, then another, testing. Her limbs still felt a bit heavier than usual, but it wasn’t as bad as earlier, and she’d be able to swing home with minimal issues.

“Gotta go?” you asked, eyeing her from your seat.

She sighed, nodded. “Yeah, sorry, just remembered I have somewhere to be.”

You gave an understanding hum and she ventured to the door. Her hands were about to twist the doorknob when an idea suddenly popped into her head. It was a stupid idea, which made it all the more pervasive to her waning self-control. She debated back and forth with herself for all of seven seconds before she spun on her heels.

Gwen cleared her throat and put on a casual tone, praying her voice didn’t crack. “Hey, do you wanna get coffee,” she paused briefly, combing over her schedule in her head, “this Saturday? Y’know, as thanks for all this.”

“I thought we established that we were even,” you said, eyes narrowed.

“Well, I’m unestablishing it. So, coffee?” She rocked back on her heels, watching you ruminate on the offer. 

Finally, after what seemed like an eternity, you shrugged. “Who could say no to coffee with a wanted vigilante?”

Remembering that her mask was still pulled up halfway, she restrained the large smile threatening to creep onto her face to a small smirk. “Great, I’ll see you then…" Her sentence came to an abrupt end when she searched for a name and realized you had never given her one. “Uh, I didn’t catch your name?”

You raised a brow. “Are you gonna give me yours?”

She paused, then cocked her head to the side. “Fair enough. Then I’ll see you Saturday, stranger.”

“See you, spidey,” you said with a smile and a two-finger salute, both of which Gwen returned before pulling her mask down and jetting out the door.

She swung across the city with a speed that impressed even her, weaving through buildings and traffic with a racing heart and an immovable smile the whole way to her apartment.

In the end, Gwen wound up being grounded for a month since she was a little too distracted on her swing home to come up with a plausible excuse for her dad, but it wasn’t a problem. She would just sneak out Saturday during her dad’s shift for your coffee (maybe) date, and if she got caught and her punishment got extended, then so be it.

It would totally be worth it.

—

hi, if you made it this far, thanks for reading and i hope you have a good day 🥳🫶

[twistedastrology]

i got beef with earth signs

----------------------------------------------------------

this is 100% gonna sound insane bc i know EEEEVERYONE loves their earth signs but good fucking GOD!!!!!!

lemme explain to u what is up. But also first i need u to know that if ur an earth sign, DO NOT TAKE THIS PERSONALLY 💔💔💔💔 there are many other factors at play here i dont just outright hate earth signs instantly but im not. Fond of them. the shitty ones anyway

ok so for starters, i have less than 1 earth placement in my whole chart (sun in 29° taurus that is Obliterated by the rest of my chart and made into 100% gemini), so im already not a big enjoyer of earth ofc

But lemme explain real quick-

capricorn is the most respectable earth sign to me, i generally love capricorns- virgo is 2nd place, they're usually chill- Taurus is 1,467,892,682,257,109,067th place.

so to be fair i mostly have beef with taurus But the other earth signs i got beef with too if they're garbage enough-

AND IK PPL ARE GONNA COME FOR ME so let me clarify immediately that i KNOW GOOD TAURUS PLACEMENTS- there are totally some tauruses that are super fucking dope, this is just a very broad statement im making n i am aware of that but Hear Me Out!!!!

i have pulled like a billion charts by now and ive noticed that people with serious issues, especially issues surrounding their self, have Mostly taurus placements.

these issues can be just about anything but it's Usually around their own psyche, like they dont know themselves fully and they lack drive or willpower.

and i know someone's gonna be like "well u just said ur sun is in 29° taurus" Ok well here's what's up- Im talkin abt taurus stellium kinda stuff, but in my case with my singular taurus/earth placement, yes i did actually have a period in my life where i didnt know myself and lacked drive, but i powered thru it God bless my saturn in 1st house 🙏🙏🙏

so ive begun to believe that where ppl love to say saturn is the great malefic, Taurus is actually the great malefic because it grounds an individual So Much that they cannot find themselves.

not to mention that earth isnt even a primary element- in the entirety of the universe, earth is incredibly finite and rare. it doesn't create itself, it's created by everything else like fire, water and air.

so this has actually sparked a theory in my head that i have put to test multiple times and it has held up every single time-

earth placements are like outlines waiting to be colored in by the rest of the chart.

what i mean by this is if you're a capricorn rising, but say you have like 1 billion aries placements, your capricorn will be colored in by aries, so you end up an aries-influenced capricorn (some of the best ppl btw)

or on the flip side, if you're a cap sun/mercury but you're a cancer rising, you're a cancer-influenced capricorn (also some of the best ppl when worked on bc ofc there's oppositions there)

this applies to all earth signs, but capricorn seems to be the most like- Easily influenced, probably because the cardinal energy makes them less stagnant.

as such, virgo is also influenced pretty easily because they're the mutable earth sign.

whereas taurus is much harder to influence because it's double earth (fixed + earth).

i think this is where the issues are with mostly taurus placements. if you have, say, sun, moon, mercury, saturn and maybe even uranus, all in taurus, the rest of your chart won't have a whole lot of room to influence the earth enough to make it like. Normal.

plus, earth is the only element that literally Does not move. earthquakes and landslides? Generally caused by activity of the other elements.

earth cannot move on its own, it just. Sits there.

water flows, wind blows, fire spreads, earth just... is.

plants Grow, yes, but only with the help of the other elements.

this is why i say you NEED placements in one of the other 3 elements in order to color or Activate your earth placement to make it Do Something, otherwise too many earth signs (very specifically taurus) in a chart and you might find it very difficult to Move in life, to find drive to do things, etc.

taurus is literally the epitome of an Obstacle. (again im talking about taurus the Sign in a Planet, not People who have taurus placements)

and i saw something a bit ago that said the worst sun and moon combo to have is earth sun, water moon- And i have either that, or double air- But the absolute WORST sun and moon combo in terms of Signs??? Taurus sun, cancer moon. Because that is literally immovable object vs unstoppable force.

to reiterate, i have seen plenty of healthy and lovely taurus placements, Melanie Martinez has her sun, mercury and maybe moon (bc it's 0° and im not sure if the time i have for her is super exact) all in taurus and i love her sm- but she's also a scorpio rising and has pluto in her 1st house which totally outweighs a lot of that taurus energy and transmutes it into what it should be.

to me, she is totally what taurus energy Should be. very artistic, gentle, slow-moving yes but not lacking drive or anything.

on the opposite side of the coin, we have jojo siwa, yknow Kammrmas a BICTH!!!! I SHOulda KNOWN EBTETETT!!!!! IF I HAAD A WIUSH I WOUDLEVVENEVVER E F F E D AORUDNDN!!!!!

she has sun, mercury, venus and north node all in taurus with her moon and chiron in capricorn, and she's a solid of example of what excessive taurus/earth placements Can do to someone- she clearly doesn't know what She wants because unfortunately she didnt get to be her own person because she grew up a child star- she grew into what her mom thought the people wanted to see, and now she can't get out of it

so she's trying to startle us with this whole karma rebrand fiasco because her jupiter is in leo and her rising is in aries- two fire signs, but not enough to outweigh the earth, especially because leo is fixed.

and with mercury in taurus, she literally cannot think about how to get out of it properly, she can't think outside the box because taurus is the box that mercury Despises.

i know all of this sounds a little (or very) biased or just dumb, but this is what I've legitimately observed in unevolved taurus placements-

earth signs as a whole ya im not a Huge fan of, but my mom is an aries influenced capricorn so id be lying if i said i absolutely hated all of them

and ofc awsten knight is a taurus rising with 99% capricorn placements, but his moon and saturn are both in air signs (gemini and aquarius respectively), and since saturn rules capricorn, that gives all of his cap placements an air/uranus influence (which explains why he's so peculiar sometimes but he's silly so it's ok)

jonathan davis is a sun/mercury capricorn and saturn in taurus, but he has so much of like every other sign that it gives the earth plenty of other elements' influence.

and again, these are mostly capricorns im talkin abt- If u wanna talk abt taurus specifically, my dad is a cap rising, taurus sun/moon/mercury, and he is the spitting image of everything i have talked about so far. he legitimately has no idea who he is or what he wants out of life, he has No driving fire.

so my bad if this came across as me just straight hating earth signs, i definitely dont, i just hate the super unevolved ones, especially the super unevolved tauruses 💔

and i say it almost every post But this is all my opinion, if u aint agree with it that is 100% fine, i got no beef with u fr, im doin my thing, u do ur thing, we do our own things separately n in our own lanes n we never bother each other 🙏

[radioactiveradley]

By popular (???) request, based on the outcome of this poll.

A WARNING: you guys really did pick the most complex one. This is loooooong. A DISCLAIMER. This is a silly little lesson aimed at folks who know sod-all about MRI. There are memes. There is (arguably) overuse of the term ‘big chungus’. If you are looking to delve deeper into the mysteries of K-Space, this is not the Tumblr post for you.

So, without further ado...

Today I am introducing you to my one true love. The legend. The icon.

Ferromagnetic material loves him. Claustrophobic people fear him.

Yeah, that’s right – we’re talking about the big boom-boom sexyboy magnet machine, hereby known as Big Chungus.

Aka...

MAGNETIC RESONANCE IMAGING

First off, though? Let’s start small.

Very, very small.

Meet HYDROGEN.

The nucleus of this element is made up of a single proton, which has a magnetic dipole – i.e., it acts like a tiny bar magnet.

Hydrogen is also a component of water. As we all know, we’re basically walking sacks of goop – meaning that Hydrogen is abundant throughout our bodies.

Therefore, when we stick you in a strong magnetic field… say, within our friend Big Chungus… we can manipulate all those tiny Hydrogen atoms in a variety of fun ways.

Under normal conditions, all your Hydrogen protons are pointing every-which-way.

But in Big Chungus, there is a strong longitudinal magnetic field that travels along the Z-axis of the machine. So, all your teeny tiny Hydrogen protons swivel to align with that field!

If a proton’s energy is LOWER than that of the longitudinal magnetic field (a majority), they will align PARALLEL with the field. If their energy is HIGHER (a minority) they will align ANTI-PARALLEL.

As most of the protons align with the longitudinal magnetic field, the net magnetisation vector within the human body is also longitudinal! This is called the thermodynamic equilibrium – the resting state for all those li’l protons when your body is within Big Chungus.

(You won’t feel any different, btw! We’re flipping a bunch of teeny-tiny bits inside you, but you won’t feel a thing!) (You might do later, when we activate the Gradient coils. We’ll….. get to that)

But, while all of this is very cool, it gives us no actual information. We gotta play some more with your protons - which brings us to arguably the most important concept in MRI. I mean, it’s literally in the name!

Let’s go back to our Hydrogen protons.

We’ve established that they’re all pointing in different directions. But they’re not just sitting still. They’re spinning and wobbling all over the shop.

We call this rotational wobbly movement precession.

In their natural state, these protons all precess at different speeds. When we subject them to Big Chungus, as well as all lining up neatly with the magnetic field, they all start to precess at the same speed.

However, their magnetic North will be pointing to different points at any given moment. Imagine two clocks, both of which are ticking at the same rate, but which have been set to read different times.

This is where magnetic resonance comes in.

In addition to the homogenous longitudinal magnetic field provided by Big Chungus, we also create an oscillating magnetic field in the transverse plane by using a radiofrequency (RF) pulse. We can tune that oscillation to the ‘resonant frequency’ of Hydrogen atoms.

Every molecule capable of resonance has its own specific frequency. We use a funky equation called the Larmor Equation to work this out, or, as I like to call it, W, BOY!!!

(The weird ‘w’ is the resonance frequency; the weird ‘Bo’ is the magnetic field strength, and the weird ‘Y’ is the gyromagnetic ratio of each particular element.)

So, we know exactly at what frequency to apply that RF pulse to your protons, to achieve resonance!

But what is resonance?

In acoustics, a ‘resonant frequency’ is the frequency an external wave needs to be applied at in order to create the maximum amplitude of vibrations within the object. Like when opera singers shatter glass with their voice! They’re singing at the resonant frequency of the glass, which makes it vibrate to the point where it compromises its structural integrity.

A similar concept applies in magnetic precession, with, uh, less destructive results. We’re not exploding anything inside of you, don’t worry!

(We do explode your innards accidentally in Ultrasound sometimes, via a different mechanism. But you’ll have to ask me more about that later. >:3)

To put it simply, magnetic resonance is the final step in getting those protons to BEHAVE. Now, the clocks have been corrected so their hands move at exactly the same time, in the same position. The protons are precessing ‘in phase’. Yay!

This creates transverse magnetisation, as the magnetic vectors of all those protons (which, remember, act as bar magnets) will swing around to point in one direction at the same time.

But the cool thing about resonance? It also allows the protons to absorb energy from the RF pulse.

(Do NOT ask me how. Do NOT. I will cry.)

And remember how the higher-energy protons flip anti-parallel to the longitudinal magnetic vector of Big Chungus, while the lower-energy protons are aligned parallel? And because we have more low-energy protons than high-energy protons, our body gains a longitudinal magnetic vector to match Big Chungus?

Zapping those protons at their resonant frequency gives 'em energy (a process known as ‘excitation’, which I love, because I get to imagine them putting little party hats on and having a rave).

So, loads of them flip anti-parallel! Enough to cancel out the net longitudinal magnetic vector of our bodies – despite the best efforts of good ol’ Chungus!

(Keep trying, Chungus. We love you.)

Our protons are as far from our happy equilibrium as they can possibly be. We’ve lost longitudinal magnetisation, and gained transverse magnetisation. Oh noooo however can we fix this ohhhh noooooo

Simple. We turn off the RF pulse.

Everything returns to that sweet, sweet thermodynamic equilibrium.

Longitudinal magnetisation is regained. I.e., the protons realign with Big Chungus’s longitudinal magnetic field, with the majority aligned parallel rather than anti-parallel.

This is called SPIN-LATTICE RELAXATION.

‘T1 time’ is the point by which 63% of longitudinal magnetisation has been regained after application of the RF pulse. A T1-weighted image shows the difference between T1 relaxation times of different tissues.

And, without that oscillating RF pulse, we lose resonance – the protons fall out of phase randomly, due to the delightful unpredictable nature of entropy, and Transverse magnetisation reduces.

This is called SPIN-SPIN RELAXATION.

Or, if we’re feeling dramatic…

‘T2 time’ is the point by which 37% of the transverse magnetisation has been lost. A T2-weighted image shows the difference between T2 relaxation times of different tissues.

(Spin-spin is objectively a hilarious phrase to say in full seriousness when surrounded by important physics-y people. However, a word to the wise: do not make a moon-moon joke. They are not on Tumblr (present company excluded). They will not understand. You will get strange looks.)

But remember how resonance lets our protons shlorp up that sweet, sweet energy from the RF pulse? Well, in order to get back to thermodynamic equilibrium and line up with Big Chungus again, they have to splort that energy back out.

This is why we stick a cage over the body part we’re imaging. That cage isn’t a magnet, or a way of keeping you still – it’s a receiver coil.

It picks up the RF signal that’s given off by your innards as they relax from the intense work-out we just put them through. How cool is that??

The amount of time we wait between applying the RF pulse and measuring the ‘echo’ from within your body is called the ‘ECHO TIME’, or ‘TE’ (because we didn’t want to call it ET).

(yes, we’re cowards. Sorry.)

We also have ‘REPETITION TIME’ or ‘TR’ – the amount of time we leave between RF pulses! This determines how much longitudinal magnetisation can recover between each pulse.

By manipulating TE and TR, we can alter the contrast (i.e., the blacks and whites) on our image.

Areas of high received signal (hyperintense) are shown as white, while areas of low received signal (hypointense) are shown as black. Different sorts of tissue will have different ratios of Hydrogen-to-other-shit, and different densities of Hydrogen-and-other-shit – ergo, some tissue blasts out all of its stored energy SUPER QUICK. Others give it off slower.

A T1-weighted image has a short TR and TE time.

Fat realigns its longitudinal magnetisation with Big Chungus SUPER QUICK. This means, on a T1-weighted image, it looks hyperintense. However, water realigns its longitudinal magnetisation with Big Chungus slooooowly. Therefore, on a T1-weighted image, fluid looks hypointense! Ya see?

A T2-weighted image has a long TR and TE time.

The precession of protons in fat decays relatively slow, so it will look quite bright on a T2-scan. But water decays slower, and therefore, by the time we take the T2 image, fluids within the body will be giving off comparatively ‘more’ signal than fat – meaning they’ll appear more hyperintense!

If we have a substance with intrinsically long T1 and T2 values, it will appear dark on a T1-weighted image and bright on a T2-weighted image, and the same in reverse. If a substance has a short T1 value and a long T2 value, it will appear relatively ‘bright’ on both T1 and T2-weighted images – i.e., fat and intervertebral discs.

As every tissue has its own distinct T1 and T2 property… we can work out precisely what sort of tissue we’re looking at.

When we build in all our additional sequences, this becomes even clearer! This is why your MRI scan takes sooooo long – we’re running SO MANY sequences, manipulating TR and TE to determine the exact T1 and T2 properties of various tissues within your bod.

There is, however, a problem.

The RF signal given off by each proton doesn’t shoot out in a handy-dandy straight line. Meaning, we have no idea where the signal is coming from within your body.

Enter our lord and saviour:

THE GRADIENT COILS.

(Shim coils are also very important – they maintain field homogeneity across the whole of Big Chungus. While Big Chungus wouldn’t need them in a perfect theoretical scenario… reality ain’t that. Big Chungus’s magnetic field is all wibbly-wobbly, so we use Shims to keep everything smooth! That’s all you need to know about them. BACK TO THE GRADIENTS.)

There are three of them, wrapping around each of the three planes of your body. When these activate, they cause those epicly eerie booming noises, characteristic of a Big Chungus ExperienceTM.

The Gradient coils are also what causes those weird tingling sensations you get in an MRI machine – which, don’t worry, aren’t permanent! Your nerves just go ‘WOAHG. THASSALOT OF MAGNET SHIT. HM. DON’T LIKE THAT.’ But they’ll calm down again once you’re freed from Big Chungus.

The gradient coils cause constant fluctuations in the magnetic field across all three dimensions. They activate sequentially, isolating one chunk of your body after the next.

As these fluctuations cause variation within the signal received, we can look at how much THAT particular signal, received at THAT particular number of milliseconds after an RF pulse, varied when THAT particular gradient was activated, in comparison to when THAT OTHER gradient was activated.

For every single bit of signal output.

That gives us A WHOLE LOTTA DATA.

^ imagine this, but the cupboard contents is just. data.

Way too much data, in fact, for our puny human brains to comprehend – so obviously, we feed it to an algorithm.

K-space is a funky computational matrix where all this info gets compiled during data acquisition. Once we’ve finished the scan sequence and have all that yummy raw data, it can be mathematically processed to create a final image!

Just like that. Simple, right?

TL;DR

You are full of Hydrogen.

Hydrogen nuclei (protons) are basically tiny magnets

These tiny magnets are orientated completely randomly, with ‘North’ pointing in all directions

We stick billions of these tiny magnets (i.e., you) into a mahoosive magnet (i.e., Big Chungus)

All the tiny magnets flip around to align with the longitudinal magnetic field of Big Chungus

High energy protons = antiparallel Low energy protons = parallel

As you have more low energy protons than high energy protons in your body, the net magnetic vector of your body is longitudinal – just like Big Chungus!

All your protons are spinning and wobbling (precessing) at random rates

We use an RF pulse, tuned to the Resonance Frequency of Hydrogen, to make ‘em precess in phase (wobble at the same time, all pointing in the same direction at once). This creates a Transverse magnetic vector.

This in-phase precession is ‘Magnetic Resonance’

Magnetic Resonance means the protons can absorb energy from the RF pulse

Now there are more high energy protons within your body! They flip antiparallel, and the net longitudinal magnetic vector of your body decreases.

We measure the time it takes for the high-energy protons to release that energy and return to alignment with the net magnetic vector of Big Chungus (Spin-Lattice Relaxation / T1 recovery)

And the time it takes for the precessing-in-phase protons to Quit That Nonsense and all start wobbling in random directions again (Spin-Spin Decay / T2 recovery)

Each tissue within your body has a different composition & density of Hydrogen atoms – which means each tissue within your body has a unique T1 & T2 recovery time

By measuring the signal at different times (TE) and by varying the frequency with which we apply RF pulses (TR), we ‘take pictures’ that show variations in the amount of signal these tissues are giving off. The signal is caught by the large radiofrequency receiver coils we put over you when you enter the machine.

Because the signal given off during recovery/decay blasts out in all directions, we don’t know exactly where it originated within your body.

Gradient coils are arranged across X, Y, and Z axes throughout the gantry of Big Chungus. They cause tiny fluctuations in the magnetic field, in sequential chunks throughout space. This is the booming noise you hear when you’re in the machine.

These tiny fluctuations cause variations in the signal we receive, depending on how close the signal is to the activated gradient coil. All this data is compiled in a magical computational matrix called K-space. A funky algorithm then decodes those variations and couples them up with the strength of the signal to give us 1) How much signal is being blasted out at that particular moment 2) Where exactly that signal comes from within your body, according to the 3D map produced by the gradient coils

It then represents these values with a pretty picture!

Tl;dr tl;dr:

[starry-bi-sky]

I am of the DPxDC belief/headcanon that any variation of Danny who grew up poor in Gotham during his formative years before moving to Amity Park would not be friends with Sam without friction at first. It makes things more interesting and imo allows for more exploration of different themes plus character growth for Sam that she doesn't really go through in canon.

(this doesn't only apply to a DPDC au where Danny grew up in Gotham poor, but it was the first thing that I thought of where this might happen considering my Childhood Friends au.)

Now Sam's a compassionate girl, it's one of her defining character traits, but so is her hypocrisy and judgy-ness. She's the Not Like Other Girls' girl. This is in part of the show's narrative framing that makes her out like this, unfortunately though its still showing how she is as a character since its consistent enough to be part of her character description. There are also times where the show's depiction of her activism makes it look like she's performative about it. All of this makes her dynamic with a Danny who grew up poor in Gotham very interesting.

Anyways, Sam is aware of her privilege to an extent, but still has her blindspots - glaring ones, in some cases. Her self-righteous attitude would not go over well with a crime alley kid Danny. He'd like her, at first, but then she'd do something to make him mad - personally I think her judging people for not being vegan would annoy him the most, or at least would be the breaking point for him, because it was only recently that his family started actually being able to consistently put food on the table at all, good food nonetheless. And being vegan is expensive.

Any other behavior he noticed from her he'd slowly stop tolerating - her judging conventionally attractive girls and automatically assuming they're vapid and shallow for being feminine. Her anti-capitalist beliefs start coming off as superficial at worst, and Danny would eventually figure out that Sam either came from a family that was well off, or that she wasn't aware if her family was experiencing financial struggle.

He would still be friends with Tucker, but since Tucker imo is still friends with Sam, they'd still run into each other often enough to butt heads. Sam's got a nasty habit of refusing to take responsibility when she's wrong, but when Danny is arguing with her, and counterpointing her with stuff she can't retort back at without compromising her own beliefs, then forces her to start reflecting on herself. Especially when Tucker eventually starts siding with Danny and agreeing with him.

Does sam genuinely care about her beliefs and philosophies? Survey says yes. However that doesn't mean she's not ignorant, and she definitely is at times throughout the show (like when she released the purpleback gorilla thinking it 'wanted out of its enclosure' despite the fact that it was endangered and in an urban area) and I think it'd be a real fascinating dynamic between Danny and Sam to explore.

This isn't Sam hate btw, nor am I trying to make her out like "the worst person ever" bc she's not, i wanna make that explicitly clear. Sam Manson has a lot of positive traits about her but she also has an equal amount of negative traits that I think should be explored, she is not immune to the character development.

[alice-apparently]

I think Agent / Subject / Catalyst are the three categories [CAT 1-3] in the case numbers.

Bear with me.

So aside from the dates, the case numbers are split in 3 parts, right:

CAT 1-3 (rarely combination of 2 numbers) -> category

*R (-> rank) A/B/C (sometimes combination of 2 letters from ABC)

DPHW (4 digit number)

* the case numbers for episodes #3 and #4 don't have the R for some reason

This is very much taking into account/based on the stuff from the ARG klaus.xls document btw, which has these exact 3 columns & features some of the episodes' cases where these match up exactly with the case numbers. [if you're interested, it's #2 line 80; #3 line 64; #5 line 75; #7 line 77]

Both category and rank are divided into 3 options, with some exceptions of cases having 2 applied at the same time. So now episode 9 gave us another nice group of three. And I thought, hm, maybe those ideas, Agent, Subject, and Catalyst, could match up with one these as a classification of the cases. And I think it does.

Based on the cases we had so far, I think category 1 is Agent, category 2 Subject, and category 3 Catalyst.

In my tmagp paranoia document with all my notes, I made a table sorting the cases according to the categories for a better overview and to be able to maybe spot similarities:

Let me explain what I think the classifications mean.

1 - Agent.

That's the most self-explanatory one I think. I'm not the first to make the comparison between avatar and agent, and not the first to point out that Needles acts like a TMA avatar.

Agent then is an active purveyor of fear/terror. someone deliberatly acting in such a way to spread it, to scare people. It is the person themself directly and possibly willingly causing the 'unsettling experiences' and spreading fear. Needles is the prime example.

It doesn't work quite so well with #1A, but I'd say the "he" that she interacts with acts as an agent, with him luring her to the cemetary and the unsettling way he is described there, but more importantly, with the laughter that follows, that he seems to enjoy what's happening, her fear. Her fear that's caused by him.

2. Subject.

Subject I would describe with "being subjected to something" or that "something just happens". A subject to fear. Maybe as a victim of sorts, but that's not quite it. Anyway, I think the cases in category 2 group together easily:

What's interesting is that all of the cases feature in some way a person entering a space and being affected by it/by something in a certain space. Or at least it is centred on a certain space. they are subject(ed) to the space.

In #1B it's the TMI ruins, in #3 the garden, in #5 the cinema, in #7 the charity store, and in #8 the service station. The person in #8 himself blames it explicitly on the place, the architecture, on the space he entered.

3. Catalyst.

Catalyst, I would argue, means a moveable object that works to spread fear. That is, a person with a certain object--or artifact, if you will--working together: it's a person with the object as a catalyst, it's the object through a person spreading fear.

To put it more concisely, it's cases of a person carrying an artifact and through them, allowing the artifact to affect other people.

We have the violin and the dice in episodes #4 and #9. In both cases the people who pick them up spread harm/misfortune by using them. In both cases the person first harms themself before learning they can/how they can instead spread it to others.

In episode #1B, which was in both category 2 and 3, RedCanary takes that wooden box/old wooden thing home with them. And it's that box, taking that box, that's linked to what's happening to them. Or what they do afterwards. Because we don't actually know what happens to RedCanary or what RedCanary goes on to do afterwards. We've kinda assumed that they just die, but maybe not? Anyway, my point is, old wooden box thing = artefact/catalyst.

Episode #2 is the biggest hole in this theory I think. Without knowing I probably would've put it as category 1, agent, with Ink5oul as the agent. But instead it's rather that the tattoo acts as a catalyst, through the artist. So far it rather has seemed to affect the artist herself rather than other people through her, except for the confrontation with her roommate. But, as @amelie-isnt-french pointed out, we don't know what she moved on to do afterwards. Maybe it would go on to affect other people. Maybe she just hasn't learned how to do so yet.

Or maybe affecting other people is not even a criteria at all. Maybe it's enough that the artifact comes into contact with a person and affecting them.

I'm aware that this theory isn't without flaws; both cases in episode #1, and esp. #2 don't fit into this as well as the others. But I think it still works.

That being said, I can go even more crazy.

You know that other ARG document, the chdb.xlsx, with the list of the gifted children tested at the Magnus Institute, the one that features Sam and Gerry, the one that's possibly the one Sam mentions in episode #8 through which he found Gerry.

Now my question on looking at this document, or you know, one of my questions, was what does the chdb stand for. I figured db might probably be database. the c could be children, because that's who were tested and listed. but the h? I had the stray thought at some point that it might be host. which I found very unsettling, but also didn't really work as a whole, like "Children Host Data Base"? nah.

But what if the C is not for Children. What if it's for Catalyst. Because Catalyst Host Data Base suddenly makes a lot of sense. We know that the TMAGP Magnus Institute is interested in "supernaturally active items" as the episode 9 statement giver tells us. They have been collecting artefacts/catalysts. Cf. also that old wooden box RedCanary found in its ruins. So they might have in the children been looking for potential hosts for them.

[fernlessbastard]

You guys aren't ready for the conversation of how Quackity sincerely loves bottoming

I'm not at all saying he wants to always bottom, I'd say he still prefers topping most of the time, but whenever he's down to get something up his ass, he's DOWN to get something up his ass, if you know what I mean

(the switching applies to position only, tho. I sincerely can't see him genuinely enjoying subbing, and neither can I see Wilbur actually domming unless they're both being influenced by years of internalised homophobia and patriarchy and all that bullshit, but even then it's just cringe and they're just both pretending it's not cause it's easier that way (and the sex itself isn't like, actively bad, not to mention that it provides some degree of an emotional connection which they both desperately crave), plus it's still basically vanilla just with a little bit of dirty talk - that's how i see them in Pogtopia (with Q bottoming - if you want another huge post on their Pogtopia dynamic let me know cause I have so many thoughts on it and how their traumas affected them and their relationship and how complicated it all was))

That being said, man's 10000% intensely fucking traumatised

(tw personal hc and following the logical path from canon implications idfk)(also exaggeration) like, if he were ACTIVELY evil and had ZERO (even personal) moral code, then the amount of anger he feels towards Schlatt for taking away the enjoyment of it is probably enough to ignore all ethics and torture Dream so utterly unimaginably he ends up violating entirety of the Geneva convention, and then having 50 new ones written specifically to condemn his actions, just to break every single one of those as well on the way, just so that Dream gives him the revival book so that he can re-kill Schlatt with his own hands

Also he absolutely re-traumatised himself with Karl and Sapnap cause he was for sure like "I shouldn't be having an intense panic attack right now, I'm going to push all my energy into pretending that everything's ok and that I don't want to cry and scream and rip my skin off. I'm just being silly and dramatic anyway ha ha" which just resulted in them unknowingly hurting him all over again. I take no criticism. Q's got MASSIVE communication issues when it comes to validating his feelings and Karl and Sapnap are "everything's fine"-ing way too much on the daily. And whole Quackity should work on his issues, it IS a partner's job to at least try to check up on the other(s) (and vice versa), and Karl and Sapnap clearly always preferred to ignore any hints that something might be wrong as a general life rule. The relationship was immaturely focused on "fun and good vibes" from the very start, so any bad topic obviously felt out of place. It started off with lack of communication and it died cause of it too.

That's also actually why I will always firmly stand by the fact that Wilbur (during las Nevadas era) is the only person with whom he could ever heal, btw (yes, including Charlie as a hypothetical romantic interest). Cause Schlatt's abusive, Karl and Sapnap "deserve better" in his eyes (so he pretends to be fine until shit hits the fan and everything falls apart)(that also applies to his hypothetical relationship with Charlie). But with Wilbur there's enough distance to feel safe and call out his bullshit without retaliation in form of abuse, and on the other hand he doesn't care to pretend to be perfect - hell, he probably purposefully shoves his issues onto the guy cause he's like "you think you're so strong and stubborn you can handle me??? You think???? Think again." (Wilbur does the same btw). They're purposefully trying to push each other away, destroy the "relationship", show each other just how fucked up they are. They're psycho-competitive. Even being the first one to be "too much" and get abandoned turns into a competition.

But it backfires. They bond. They're real with each other. They're stubborn, they're determined enough to stay just long enough to see each other's walls crack. And once they do, the feelings are quick to spill. They're each other's only people to be GENUINELY themselves with - no masks, no manipulation, no bullshit. Just themselves. And that's the first, CRUCIAL step to developing a healthy relationship (or at least healthier than all their other relationships).

So with Wilbur he probably only tries to bottom either once he ACTUALLY begins to feel like he could maybe try to reclaim it, or even if he tries it in a self-destructive way, (considering their history+patriarchy and shit) Wilbur'd know and care enough to realise Q's just trying to hurt himself. And as shitty as Wilbur can be sometimes, he's not a bad person - he'd stop Q if things'd go too far, or give him (at least a temporary) safe space to safely go through a breakdown without hurting himself like that. He wouldn't take advantage of such a low moment, and he would know enough to recognise it's a low moment in the first place.

Anyway once they figure all that out and Quackity's genuinely comfortable with it again, it's for sure not uncommon for him to enjoy some nice aggressive pounding, all the while having one hand in Wilbur's hair, pulling it to hold him close, and the other hand on Wilbur's neck, lightly choking him as they're intensely making out

All that to say Q's a massive sadist but he's also a huge massochist and he'll absolutely have Wilbur on a nice leash and call him a pathetic, desperate, horny dog or something like that as the man's (purposefully) sloppily thrusting in and out of him, causing the most "carnage" he can (Wilbur will be double fisting Quackity and Quackity will be just looking at him unfazed like "your hands are small" (they're not)/hj)

Oh btw to clarify [TW ok more direct talk of SA so please be careful and take care of yourselves]- yes, I'm absolutely saying Q got repeatedly SA'd by Schlatt throughout their relationship. The guy was canonically generally verbally and physically abusive, AND basically the whole point of his character is that he's like, the epitome of everything wrong with society. Add to that the sexual comments which were constantly used to demean, insult, and objectify Q, as well as Quackity's intense, palpitable discomfort which noticeably grows each time the topic comes up when they meet after Schlatt's death during Las Nevdas era, it's a pretty safe bet to assume Schlatt didn't stop at "just" verbal and physical violence. Sexual violence is almost a guarantee when you consider all that context - it's hardly even "reading between the lines". And you can't tell me that in our society that views being penetrated during sex as something negative, especially for men, while viewing penetrating someone as an act of "conquering" and "winning" and all that a character who's supposed to embody as many of this world's faults as possible wouldn't shove his dick where it's not wanted, even just purely to prove he can despite lack of consent.

[bloodyrook]

I hate the lis fandom actually its so misogynistic if a woman can in any way be precieved as competition or a threat to a ship she's a demon. This is about rachel amber and cassidy jones who get so much hate when one of them is dead and the other is objectively the better romance just not the gay one.

You can argue with the wall cassidy is better than finn solely because she does not agree with using your 9 yr old brother in a heist the second she finds out he has powers in fact the idea of using a child like that actively enrages her. And anything bad you could say about her also applies to finn but he's got child endangerment on his list as well. Btw neither finn or cassidy are in their 20s they are canonically described as teenagers in game, finn is probably older than cassidy but 19 at most. Hate on their dreads by all means, i do and i wish they didn't have them, but they are teens.

In regards to rachel the way some of you talk about a girl who was groomed and murdered makes me genuinely ill.