#this also isn’t formatted and worded perfectly it’s more of a stream of consciousness

[mistytpednaem]

So, what’s up with Another Me?

Honestly, I tried to draft this post, but the mental block made me decide to just go for it stream-of-consciousness style. Which I hope doesn’t bode poorly or anything. But here goes!

The Past and the Present

As you may know, I’ve been at this for a while now! Since 2014, in fact. In that time, I’ve gotten through the prologue and... most of chapter one (fun fact: I do have the entirety of this story mapped out! We are transitioning into what should be the final scene of this chapter. Originally, I wanted to make this post - or something along these lines - once I finished the chapter, but I figured since the year was about to end I’d be better off doing it now).

Now, let’s not mince words: that is a long time. I have six chapters total (not counting the prologue) mapped out for this comic, and there is more I’d like to do beyond it (what I like to call Arc 2, or, as you may or may not know:  The Part Where My Pet Character Marco Evangelisti Actually Shows Up). If I keep going at the current pace, I will probably not be done within my lifetime. So, if I’m aware of this, what gives?

... I mean, damn. There’s a lot I could point to; I was finishing my degree until 2016, and I suppose that takes something out of you. I have unreasonably high expectations for myself, as the people closest to me know. “2020 was a bad year for everyone,” I tell myself, before I also go on to say, “but even though updates slowed down even more this year, it’s not like they’ve been particularly speedy for the past couple of years, and I haven’t had that bad of a year anyway, so that’s a shoddy excuse.” And then some semblance of reasonable thought comes over me and reminds me my grandfather had a stroke in March of last year and passed away in early June of this year, and I’m like “I mean, okay, I guess I’ve been through SOME things.”

But lighthearted reflections aside, there are more actionable problems I have identified - such as, in an overarching sense, my attitude. My friends made me realise this some time late last year, and while I’ve been trying to work on it, I have to admit I’ve made very little progress: at some point, I developed a seriously unhealthy relationship with my art. Here is how my workflow has tended to go:

Start scripting update. I have a small readership, but that’s okay; I am grateful for every suggestion, I can work with this, and I AM building towards something that excites me.

Script done, regardless of insecurities. It’s time to start working on the actual panels. This sketch didn’t come out exactly the way I intended, but hopefully it still works (alternatively: this sketch looks promising! I am excited about this sketch. Sometimes, I do feel happy with my sketches).

Oh dear. I was hoping the lineart would help a little (alternatively: oh dear. the lineart completely ruined this perfectly fine sketch). Maybe it’ll still look alright with colour?

Oh no. I hate it, actually. I suppose I’m too sloppy; I should be more careful next time. 

(Repeat for however many panels i have planned for an update, typically with mounting guilt the longer I take on each one, because I keep taking longer and longer and, to my eyes, there is no improvement.)

Well, as my friends keep reminding me, done is better than perfect. Let’s post it!

The update is posted to a small readership and a quiet response, which, again, is okay, but leaves me wanting for feedback that I cannot get because I am reluctant to spread the word for several reasons, one of them being that I’ve convinced myself my work isn’t good enough.

Rinse and repeat, with the process continuing to be slow - if not turning exponentially slower - because apparently when things make you feel bad your brain starts wanting to protect you from them.

Apologies if this is a little harsh, but it is genuinely the most sincere breakdown of The Whole Deal that I can produce.

The good news is there are things I can do about this! Not easy things, granted, as they tie deeply into a lot of the recurring neuroses in my life, but in theory, the more I embrace imperfection, and the less I worry, the faster I should be able to work, and I should start getting some serotonin out of the whole thing again. In theory. This is not the only issue, however, and I have good and bad news about the other issue I’ve identified:

I don’t think the forum adventure format is working in its current shape.

It’s not about the suggestions - I love working with suggestions! Reader interaction is fun, it’s already shaped a good number of things and I hope it continues to do so. It’s more of a matter of visibility. Tragically, forums are not the most In Vogue things these days, and that reflects itself in, well, poor visibility. I’ve tried to remedy this by allowing suggestions through MSPFA, Tumblr and Twitter as well, but honestly, it hasn’t helped much. I think I’ve only gotten one or two suggestions through MSPFA? And don’t get me wrong, I’m sure this is in great part because of my passive role in getting the word out! But it’s all contributing towards this strange, shrinking spiral of a feedback loop.

The good news is that, since I have identified this problem, there should be an actionable solution. The bad news is I’m not quite sure what form that solution should take just yet.

The Future

Whew, that was a lot. So, what’s in store for 2021 and beyond?

Well, er, like I’ve implied, I’m a little unsure. But that’s my default state of existence, so let’s go over what I think.

When I finish chapter one, I would like to find a proper hosting place for AM. As I said, I don’t think the forum thing is quite working out, and MSPFA is a wonderful website, but I feel AM has little to do with most of the content on it beyond the second-person narration and the script-style dialogues. Whether that means a change in format is needed along with the change in hosting, I’m not sure; I would like to keep the whole “one panel per page with text underneath it” deal, which... should be doable on most places, but in this current year, I’m frankly not sure how it would come across, haha.

(I’m also not sure what this hosting place should be, mind you; potentially a wordpress blog with a layout tailored for comics, but drawing isn’t actually my day job, so I’m not sure how viable paying for a domain name might be. Or hosting, for that matter, should I need it - but imgur has been friendly enough of an image host so far.)

What I do know is that I want to keep the suggestions, even though I’m not entirely sure how well that will work without a forum structure. Comments on a post, perhaps? Maybe. But we can’t forget that this doesn’t solve one of the other big issues, which is my reluctance to advertise. And there’s still, you know, my unhealthy, unreasonably high standards affecting my entire workflow.

... But that all kind of comes back to one thing, doesn’t it? The fear of taking the plunge? That’s what I need to overcome. Plans are a good first step, but they mean nothing if I don’t act on them. Which is part of the reason I’m talking about all this - so people can hold me to my plans.

(Plus, like, offer feedback and opinions. That’s very valuable too.)

This whole Future section is a whole lot more uncertain than, I think, even I hoped for when I started writing this post. But I hope what I’m trying to say comes across in some kind of way - not just in the sense of this being elucidating (which, don’t get me wrong, hopefully it is!), but also as far as conveying my feelings to my friends and readers is concerned.

I’m going to keep trying, and I know I’m a little lacking in the Doing department, but now you all know what’s been on my mind. Thank you all for the support, stay safe in These Trying Times, and hopefully we can all keep growing together.

[antihero-writings]

Jack of All Trade, in This Masquerade 

Fandom: Pandora Hearts

Fic Summary: Jack's stream of consciousness describes how society is like a masquerade, while his dreams show his own hypocrisy

Notes: Originally written for Phmonth18, Week 3, Prompt/Day 2: Mask. 

What started out as something that was supposed to be a short little fic about Jack’s internal monologue became an in-depth look into Jack’s psyche…hehe. I’ll admit, this is one of the weirdest formats I’ve ever used, and I’m not quite sure if it works, but I had fun with it! This is my first time writing heavily about Jack, and it’s about how his mind works….so forgive me if there are any inaccuracies to his character. 

If you like it, I’d really appreciate if you could leave a comment!! They really do make my week, and help me keep writing, especially when it comes to multi-chapter fics like this one!!

Chapter 1: 

Everyone always wore a mask.

That was how things were, how the world worked. No question. No alternative. No argument you could make to stop it. Like a plague that replaced everyone’s faces with the skin of monsters.

The world was a masquerade. A dance, where you trade partners, and you never quite know who you’re dancing with anyways. You’re thrown in without knowing the moves, and are required to learn as you go, because you can’t stop. If you stop, the music, the momentum of the world turning, doesn’t. So if you do, you may just be trampled, thrown off the world.

As you grew up, you learned the moves, programmed them into your bones until the motions were mechanical, and your body knew nothing else. Nothing but the lies. Grew up, painted your mask, made it more ornate, less likely to show your true colors, less likely to fall.

Something that made a louder crash when it did fall.

They always do. Eventually. Don’t think you can escape it.

Your parents, your family, your friends, they’re no different. When I said everyone, I meant everyone.

But when you grow up in gutters, in the stench and blood, the offal of humanity, and watch from afar, forbidden from the dance, but also from...not dancing, learning that you must dance to make in it the world...you may or may not grow to hate humanity.

I couldn’t wear a mask. But I was doomed to see through everyone else’s. See their lies, see their hypocrisy, their cold cut rules about how much of a clown you could be, I could see the puppet strings.

I learned to hate.

But.

******

The room glittered and gleamed; the chandeliers, the polished marble tiles, the wine glasses, the clothing of the dancers.

Jack stood on the sidelines. The black and white players spinning before him, coming near him in flashes and fake smiles.

Outside, snow fluttered down onto a darkened ground, so much so he couldn’t see past the wind and flakes to a world beyond.

He had to stay inside, or else the storm might overtake him.

Storm inside. Storm out. Between two evils, how do you know which is worse?

They didn’t know they were simply chess pieces. That this was simply a game, that they would be sacrificed, all for the sake of the king.

Once, he had found their twirls and fanciful garments fascinating; the masks shined and their feathers climbed towards a twinkling ceiling. He looked on with longing, then.

Now, the word fake grew out of the crevices where their eyes were meant to be, it crept along their porcelain cheeks, their feathered heads, their bejeweled necks—and they didn’t see the vines, the spiders, linked together into chains, strangling them, driving fangs into their chests.

At the same time, sickness pooled in his own heart, started creating ripples towards his thoughts, reaching his words, crashing upon the shores of his actions.

A sickness called hate.

It took him far too long to realize the motions held no meaning. They were all just tumbling in the dark and the cold, trying to make meaning of the moves when there is none. The shimmer on the surface of the water was reflected from a sky they could never reach, not something buried beneath the waves that they could touch, hold, and keep, if they just held their breath long enough to wrap their fingers around it.

The same was surely true for the waters in his own heart.

At least, that’s how it seemed, and what he told himself.

Black and white. No color. Pawns and knights in a grand game of chess.

What was real?

What would happen if it all just…stopped? What if we called the world, the dance by name?

A pause. A flicker. A flash. Color.

First it was red. Red like lamplight, in the night-soaked brightness of the room, a lantern of hope, guiding him across the lifeless waters of a stormy sea—navy waves, navy sky, (navy, not quite black, not quite blue), till they were indiscernible from each other—to a land where there was more light like hers. Red that burned—could it burn down the masks? Like blood. Like roses.

Red in her eyes.

Then it was her hair, a splash of brown, flowing between the sides of black and white. Some say brown isn't pretty, isn't really a color. But looking and the rich hazelnut locks he would beg to differ.

Then the violet of her dress, like flowers, like the fluttering butterfly she was, like she was the only royal in a council of fools and common sense.

He lost track of the moves to stare her way.

******

One day I met a girl—brown hair, eyes red as roses in the snow—who wasn’t wearing a mask. She told me she could see through the masks too. But instead of hating the world in general for the practice, she questioned, she wondered, and she cheated the game.

And looking into those red eyes, I realized nothing else mattered. Not the world, not the deadened grasp of humanity, the music, the moves, or the masks.…Just her.

I tried to follow her, but in the mix of feet, in the unlearned motions, I myself was trampled to the ground.

So I resolved to learn the dance—not to live, not for the dance itself—but to follow her. To trade partners until I found her hand. I had to get up, to sew together a mask, glue on the feathers with blood, and pull the jewels out of dead men’s hands.

Horror is the word, I believe. The one to describe the things I did. I think you’ll find that both joining the dance, and subverting it, will inevitably lead to that word. I followed in the steps of people who did worse than me. Danced with partners whose masks were sewn into the skin. I did things that’ll make you shudder to think.

All part of the dance.

                                        Nothing but her.

******

Outside, silent snow turned to to the taps of rain asking to get in, like little children knocking on the window frames to beg for some food.

As he stared the girl’s way, the masks knocked against his shoulders, they trod on his feet, and scoffed at his incredulity, scoffed at him for not knowing the moves he should have mastered by heart by now.

He looked over their heads, trying to peer through the feathers and jewels, catch another glimpse of the one real thing in the sea of falsity.

For the first time there was something compelling him more than puppet strings and patterns. There was something alive in him. His heart became a beating thing. His lungs a set of pumping parts.

For the first time he understood: the dance wasn't evil, he just didn't have the right partner.

She faded like a word on the tip of your tongue never breathed out into the air.

Living, which tasted so sweet, quickly turned sour, into something that hurt. His heart panged. His lungs thumped too fast. Fear, desperation set into to his fast-beating blood.

And, at last, his gaze on her fading footfalls, he moved.

Out from the sidelines, into the mix of motions. Out into the world, the sea that he always thought was full of things with teeth, that'd eat him alive if he got too close.

But instead of following the ordained pattern, he was a wrench in the perfectly predestined machine.

The other cogs knocked into him, dug their teeth into his shoulders. He tripped. Tripped into the workings of the machine, all the ugly machinations that made the pristine clock tick. The dance kept turning all the same, the other cogs kicking into him. Knocking him further, down to the tiles beneath, further below than he'd ever been. So he lay there, bruised and bleeding, staring at the calculated movements of the gears ticking above him. 

“Lacie!” his cracked voice called, reaching out his hand to the star he could never reach.

And on the floor, where all the broken parts, the scraps of things that tried to change the direction of the machine go, he realized that that the pattern was too ruthless to break. Kicked and beaten by the dance, he understood that the only way to follow her, was to join the dance.

He wouldn’t give up. He’d follow her footprints through the forest of feet and fakes.

If he’d bend the rules a little.

******

I set the moves into my hands and feet, resolved to be a bruising and beating thing, like them, clawed my way back into the artificial light, until that red was back in my sight. I took her hand in mine and—

She…didn’t remember me.

No peppered, cheerful hello. No pretense, or pretending.

No mask.

My free spirit. My unmasked beauty. My blood red girl. My Lacie.

In eight years, as I broke myself apart and sewed myself back together, as I metamorphosed into something I myself barely recognized, she still hadn’t changed, been chained; she was still the same dash of color in a world of black and white fakes. A player in a world of pawns.

Despite all the things I had done, I knew she was the one person who would still accept me. She was still the one who questioned the machine, and would accept the things I did to fight it, would understand that the only way to fight it was from the inside out. I'd done it all for her, after all.

There's no sunlight at the bottom of the machine. Eight years. Eight years in the dark. Eight years since I felt the warmth of sunlight on my skin, the touch of something, someone, living.

"Dance with me." I'd spoke the words a thousand times, but this was the only time I ever meant them.

When you find your color in a black and white world, your dream in a world of nightmares, your life in a world of walking corpses, you never want to give it up, to let the song end.

But.

******

After the moving maze, the muddied world of men, the journey to get back to her, his hand found hers.

Something real, something dynamic, instead of stagnant, something warm to the touch, not metallic and cold.

Standing before him—at last—was his pride, his prize.

She was on the other side of the endless ballroom, off to the side, her head turned, gaze out the window. But she was still dancing with someone. Slowly, their moves less cold and mechanical.

He didn’t bother with the pretense of the dance, or courtesy towards the one she was currently dancing with. He threw his arms around her, and held her tight.

The shock in her eyes told him something wasn’t quite the same.

—(Or maybe he wasn’t quite sane)—

Did she not remember him? That moment when color entered his world?

What was all of time for him, was a passing glimpse for her.

It didn’t matter. As long as she didn’t cover those pretty eyes with the mark of a fake.

And she never did. Not as long as he knew her

“Jack.” She placed her hand on his cheek, running her fingers along his skin, pushing a strand of his hair behind his ear.

She smiled, and it was the only real thing.

But that smile didn’t last forever; it became a twisted thing, etching itself onto her features.

A thing that certainly didn’t belong to her, even now.

Was this her mask? Could her face have been a mask this whole time?

She pulled away from him.

“You fool.”

He drew in a sharp breath, and it pierced his heart.

“You really don’t see it, do you?”

She gestured grandly to the room as a whole.

What? What didn’t he see? This was how it had always been. Nothing had changed.

She grabbed his chin and made him look away from her.

“Look at them.”

Then he saw.

The dancers around them weren’t just dancers, strangers, background.

They weren’t strangers at all.

Or maybe they were even less known to him than strangers would have been.

They weren't even in black and white after all; there was color all around him, the color that had belonged to himself. Many of them were wearing the same green outfit he wore presently, others were in red, and blue, some wrapped in a thin blanket…They all had the same blonde hair, sometimes in a braid like his, others messy and short.

And they all still wore masks, as if the emotions could be written and plastered on rather than felt—happy, sad, angry…that disgusting smile…

His disgusting smile.

Each and every one of them was himself.

Had it always been this way? Since the beginning? Or had they become this way? Somewhere in the middle, had strangers morphed into mirrors?

The music faded out, and the rain outside grew louder and louder until he couldn’t help but turn to the window, as if to demand some peace and quiet.

The drops that dribbled down and splattered across the panes were not clear, or grey, or blue.

That red he had once found so fascinating, once begged for, was painting the world.

He swallowed.

As he realized the change in scenery, all the other Jacks stopped, turning to him with mechanical motions, and faceless expressions, some creepy army of past-self-dolls.

“Lacie,” her name on his lips—(the word echoed through the crowd, the other Jacks moaning it as if remembering the one word that made them alive once, though it wasn't alive in their mouths now)—he turned to her, his one hope, his one safety in a world that had fixed its canons against him.

She was no longer beside him.

Laying in his hand was a limp chain.

He didn’t want to look, to follow the trail; he feared what he would see. But he chased the links to the ceiling—

Her body, suspended in the air above, like she was one of those twinkling chandeliers. Her body, pierced by chains.

That red rain was inside now.

And below her, looking his way, was someone else. Someone else in color. Someone else who wasn’t wearing a mask.

******

My Lacie, who lied, and died at the hands of her brother. For the simplest crime of never wearing a mask over those red eyes. For the simplest crime of existence.

Oswald. Her brother.

I should have hated him for taking her from me.

And there was a part of me that did. Surely. But he loved her too, you know. And it was some sick sense of duty that threw her into the pit, not his own will.

I was a question in his eyes, and he was an answer in mine. There’s something about mutual darkness between people; being able to look into someone else’s soul, and see your struggles reflected, and yet…not yourself… Something that we call friendship.

******

The first thing he saw was his cloak, like a wave breaking across his shoulder. Crimson, just like her eyes.

Just like her blood he spilt.

Then his eyes, violet, like her dress. But unlike with her, this violet, this royalty, was sharp, cold, and unforgiving.

Then it was the black of his hair and clothing. A deeper black from the dancers before. A darker sky.

He was the black king, after all, wasn’t he?

                          "Lacie is dead,”

                                                      “I killed her.”

******

It wasn’t malice, or revenge. It was the requirement and requiem of a leader.

Or at least, they poisoned his mind and made him think so.

I’m sure he would have joined me, if he wasn’t such a fool. If he wasn’t so wrapped up in his own ignorance.

(An ignorance that was my fault).

Joined me to get her, that is.

Death isn’t quite the right word. She was cast into the Abyss, into a place where "return" has no meaning.

But I learned that the masks, the dance, the masquerade, goes by another name:

Chains.

Chains come in many forms. There are the chains that killed her, those that we create contracts with, linking us to a place darker than the bottom of the machine. Chains between people; like friendship, like love, like hate. And the chains we create for ourselves, tying us to an abyss of our own making, with no need for outside temptation.

Then there’s another type; this world is a ruin—(I always knew it)—and the Chains around it are the only things keeping the world from the Abyss, in the same token as others tie us to it. They fall between the lines on the pages of our story, into the places our eyes can’t see.

Or, more accurately, keeping the world from her.

Blood red world. My gift for my blood red girl. And I didn’t care how much blood I spilled in the midst. Not really. Not enough.

This world is rotting anyway. I’ve known it from the start. But not to her. She saw the color, the life, the light. She saw the stars. She saw that there was something real behind those falsely shimmering lights. That maybe it wasn’t all on the surface. Maybe there was something beneath the waters that we could reach.

And I’d bring the world she loved to her.

                                                                          I’m doing this for you.

[autoirishlitdiscourses]

Discourse of Sunday, 28 March 2021

Are Old, Who Rides with Fergus in the space that you contribute meaningfully to the larger-scale reading of the song recordings I posted to the connections between the poem and its representation of Father Sullivan is the ideal goal of the section develop its own; I think that you send me your recitation during a future week, you must email me a rough outline of your paper ultimately winds up being more successful in any reasonable way, literary texts rarely constitute direct proof that one way to do both at once. So, here is a rhetorical move that your reading of that is being transmitted, specifically, to be this week, I'll probably do this a worthwhile and important topics in the class for at least twelve lines of the subject in section. Let me know if you have 82. Were acceptable for purposes of this if you'd like. Did our conversation today answer your questions listed are fairly minor errors, though reciting more of the poem and its historical situation here, but that you will have definite ideas about what your paper's overall direction. There are no specific formatting or topical or length requirements. Well, God is good, and you exhibit a very strong job of setting your texts, a Batman, a rights-based and less discussion-oriented than it would be exhausting for someone who is taken to be wrong, but I absolutely understand that this is your only chance to talk about how most people think about why the comparison is worth. Talking in general, but I'm not willing to do it, and get them to larger-scale point winds up being quite fair to call on the last minute. Which is to think about just how much of an A-range grade on their own self-identify as Irish are more passionate than any other questions, OK? Hook-up, but others may surface, so I think you most need to include these types of documents in addition to tracking attendance, participation will be, and showing that you do not feel comfortable talking to me you've picked some good ideas.

Conforms in all, I'd love to archive them on my SoundCloud account and link to it. You're absolutely welcome to cut it off between 2:30 in my opinion, etc. It's been a clue. I think that one place where your analytical exploration of the class isn't for them and what women really are quite strong. Another potential difficulty is that you haven't yet or hadn't, when what your paper.

Section. History is or is going OK for you, and the only pair going this week. Let me know ASAP remember that you are thinking about this profitably, and your argument and how it fits a general pattern in Celtic mythology in which language and the only one freedom for wouldn't know what you actually get from putting Beckett, and that you've got a really, really is quite a slippery concept when examined closely, and it may be one way to clarify your own thoughts in more detail. I'll watch a few ways in which you can deal with.

Your poem will be helpful in any way. You must also provide me with a shrug but no vocalization when I asked them Who's read episode one of the prospectus when I've given you should be doing, and one, to come talk to me. Distribution of poetry or prose from an in-depth manner and provided a good break, and haven't impacted your grade. Noisy selfwilled man. I will also make a case of emergency, please see me but let me know. —People who identify as Irish are more interesting one, but not an acting class, which could be made about your ideas as you write, think in an even better, myself, since we follow Bloom and/must/attend or reschedule. Again, well done! I'm so sorry to take the morning.

If you wind up giving answers to these small errors, your writing. This includes your midterm and recitation in front of the whole class really was close to convenient and painless as possible, provided that you believe that the professor is behind a bit more so that I can get the changed document to me, and thanks for letting me know if you ask people to speak can be found online at. You've mapped out a mutually agreeable time for it and are certainly other possibilities that would be my student again have a good sense of the text in question, rather than simply instantiating an argument about it this way.

3 talk about them more quickly, and will use these two particular pieces is a complex relationship to the aspects of your discussion plans even if you assert it, you might think about the way that is intended to help people move along. /3 letter grade. Yes, there are several alternate readings that you know the name is not a bad idea to do. Here's what everyone is always telling me that is a wise textual selection that you picked, the sex-food combination pops up! No bibliography needed. You are now open for nominations from students already asking about crashing my sections but don't yet see a specific, this is a very difficult to treat in a lot out of lecture and less discussion-based and less discussion-based than I anticipated, and what would be more comfortable with silence, and a half pages from a piece of writing in order to be a more impassioned delivery.

Forster said. All nineteen students registered for that it is your central argument? I enjoyed having you in lecture yesterday: The study of 'Ulysses' is, after all, this would result in an American work, Upton Sinclair's The Jungle 1906, but you added one extra word in the back of your written expression. Section or not effectively support the overall arc that you examine. Up to/one percent/for emailing me a photocopy from it of the strongest papers I've read so far this quarter, then the quickest way to clarify your own thought, although you have read episodes 1, because I wanted to switch their attention back to some questions in section. None of which parts of Europe that frequently marks property lines, if I have posted a copy of the more helpful my feedback will be posted to the performance and discussion of ten weeks and also do the legwork myself. I haven't heard back from Alward, our undergrad adviser.

Based on notes provided by TA Christopher Walker and the idea that will change by much, but will get you a small observation: I will distribute your total score for base grade is largely based on your main argument as your main points out while still scaling up each part of the poem. This are comparatively minor textual hiccups here and there, I think that one thing that other people are reacting to look at. One of the 500 total points for both, that your thesis, because I think that that's what you are capable of even more specificity before a paper on the context of other interesting points, actually. For Young People via HuffPostBiz Welcome to the group. Part of the better ways to spin this to many other gendered representations here. On foundational definitional issues? However, I think that having more open-ended questions intimidating or not, too, which is to have in class, and I'll have a student paper; and/or minor problems in this world, on how you want to see models, there is also potentially interesting ways by a group is not just providing opinions. On the distrust of the Pig Toll Tax 6 p. This was incorrect: Thanksgiving is 28 November, though not comprehensively—cleaning these up is a series of topics whose relationship is between the IRA terrorists, while you write your paper and final later on for you so is perfectly OK at this point, but I haven't graded yours yet, and make sure that everyone will be thinking closely about it, then you may leave your luggage during section that week is by Eavan Bolland, not a statement about how Joyce treats Shakespeare in Ulysses, Bacon's paintings, and you really do have one extensive monologue from someone who is the highest possible grade you can point to start with the non-trivial citation problem; incorrectly sized margins or font; use of stream of consciousness and how that sympathy is constructed does to women and/or respond to very open-ended. The professor was discussing in lecture but didn't address the text, although the multiple starts ate up time that you sit down and start writing. Your writing is so as to avoid them entirely, etc. Here is what your paper as effective as it might come off as much as 1. Anyway, the sympathy of the midterm. Class level only appears when the hmm, he said No, I certainly will. Again, I'm suggesting that there is going to be including a text that you're capable of working through a series of questions or concerns about university policies on equal access, please consult a writing process. Nothing immediately proposes itself to me as soon as you could do an excellent delivery. You have an electronic copy however, that particular choice. So, let me know. What do viewers need to focus your argument itself is sensitive and nuanced interpretation—I've marked everything that you should focus on developing a more analytically incisive paper. Beyond that, it's a real pleasure to read. I suggested above, you did a solid job of effectively engaging the rest of the better ways to think about what is short-sighted or otherwise just saying random things about what you most need to hold the 11:30 work for you to become more specific, this could have been influenced by Beckett and the Sirens 1891. Think about what your most important insights are is one of the B range. I'll give away add codes as quickly as you being able to accept the offer, that you took. Often, a B for the foreseeable future. I'm going to be prepared for lecture and section to advance your central claim is actually quite busy with recitations this week! So let's have the capacity to succeed in this range do not use any form of communication device during an exam—or at any stage of the section. I also appreciate that.

Which is to engage the group. If you do have some interesting and clarifying thought-experiment, even though I've pointed to some comparatively nitpicky things in your discussion tactics for future use, and I really appreciate you both perform tomorrow night for you. The fact that the syllabus, and you incorporate the required texts in juxtaposition is a strong connection to religion, and that you don't have to set your expectations appropriately. But, you did quite a nice plan here. I think that what most needs to happen differently for this. I'm not aware of: you had a lot of good possibilities here several poems by Patrick Kavanagh, I suspect you ran up against was that I think that you speak enough in advance in section once when he supposedly came to mean that an A-paper receives a letter grade per day an A-and I really can't think offhand of work like you've done many things very well done! Remember that you could merge the recitation performance itself, for this paragraph: attending section a total of ten minutes and which originate elsewhere. What this means 11: General Thoughts and Notes 4 December in section the first-decade artworks because Ulysses has and did a number of things in abstract terms instead of waiting for the quarter that is, or you can still go just make sure that they're integrated into it as being about nationalism as a lens to examine fewer texts in more detail, and apply for the foreseeable future.

You should indicate the sources of the overall goal is to pick out the issues that need to have grown out of time that way. You supported each other, he helps several police officers to solve crimes based not only against your own thought, self-identify as Irish is kind of claim you want to have particular places in my box in the front of the values currently seen as a section of Ulysses, Stephen mentions to Buck Mulligan that he didn't take it in then. Hi! Both of these as a section you have already missed three sections and you have any questions about plagiarism or how to override the defaults and produce a meaningful discussion about the text to which you can absolutely meet Wednesday afternoon that you won't have time to get back to you. I agree with you, I don't think that the professor topic is frightening, because I necessarily agree with you. Sixteen got 6 or below on section website, so it's unlikely that you'll get there naturally. I force you to do this. However. You dropped the phrase at the beginning of your argument's overall points. Provided that what your paper. Works for me to leave. How does commitment to sensitive reading and merciless editing as part of why this is a bit with this paper, is in many ways basically fair to the question of influence entirely; 2 provide additional information you are working. I. Quite well done. You've been participating fairly regularly, so if you think. You might enjoy John William Waterhouse's painting Ulysses and Godot very top of the course I quite like the Synge vocabulary quiz on John Synge's The Playboy of the end of the Anglo-Irish Literature Section guidelines.

That's it! Though it was written too close to this message. You should still let me know if you really have done some quite excellent. For the recitation assignment so you need to be written in a fully capable member of the poems you choose and which texts/issues you specifically deal with this phrase in the world are necessarily shared by all means pay close attention to the course is a good selection there. So.

Remember that the opportunities for movement and observation were affected by this narrative, which at least 86% on the midterm; c divorce is essentially impossible in Ireland for three generations, but neither is it history in the question so that I have to fall a bit more space to get back to you. So, for instance, this is a mark of sophisticated writing and its background. You picked a longer selection than was required, of course and scratch and claw for every point. One is to engage critically with reliable historical sources with a perfect score is calculated for the sake of being responses to statements and thoughts from other students in the context of the female monologues in Ulysses and use that connection is significant: ultimately, are engaging in an earlier discussion, since I've never done it well to the poem taken for that because the writing process, though it's also a Twitter stream for the difficulties that I can. You're in charge for those interested in completing the honors section, people might it will be worth a total of ten weeks this quarter, recite the lines that you write it, but I think that what you'll drop if you are writing or after class instead of responding verbally.

If you do an excellent sense of harmony and rhythm. 5% 137. Doing this effectively is to provide a sense of having misplaced sympathies that are profitable manners of digging into the ground when he did his recitation a painfully slow and clumsy performance of a letter grade being worth 10%, what do you see as being about nationalism. You could think about this before the third year in grad school. Are you talking specifically about your ideas out, it's not inevitably the case not just talking about Francie's level of comfort and interest, and the context of the classroom, but there are several alternate readings that you deserve to represent them even further. If you are one of her religion finds that to be leaving town. I am sorry for your research paper, or moonshine, because it's so centrally concerned with Irish nationalism are connected in rather interesting: the namby-pamby justice system has its hands tied by a bus or abducted by aliens, I think that a lot of ways, and so on the final! In these circumstances, you should definitely be there on time. Hi! I will hold up various numbers of fingers at the end of the scene come through more in section don't really start talking until nearly eight minutes into your own topic; I'm just trying to provide. I'll give it the burning bush of Moses. You demonstrated that you do have good readings of Croppies, of course thinking of a discussion of a text that you've got a good understanding of your interest in the assignment and may not arise to give everyone their preferred text/that week will partially serve as a whole, and gave a sensitive, thoughtful, engaged delivery, very good job of putting your texts well here, although there may be that your paper grade are the significant people in section we will have to mop up on my SoundCloud account and link to the perception of absurdity this is unlikely, because I think that what you're going with the small-scale issues and/or last, please leave the group; once when everyone introduced themselves, once when everyone introduced themselves to the aspects of the last lecture was recitations. I saw the email me a copy of this category. Spavindy means lame, in the play as a last resort are constantly hungry; c you have a fair number of points possible is 50 10% of your cancellation penalty for not following a specific analytical claim would distract you from being an important passage and gave what was covered earlier so that you're OK, and sometimes the best way to avoid departing until afterwards, even if you anticipate that you think. Of course, and next week in which Celtic myth there are several possibilities for discussion: performed: Oh I Do Like a S'Nice S'Mince S'Pie sung by Corp. Have an excellent lecture/discussion performance for the rest of the text s, but of the poem he is going to introduce some major aspect of Irish identity that are very very high score, wasn't enough to make selections that allow you, since I read it. —You really have done so, what you've sent; just don't assume that they'll be cleaned up in certain specific ways that cultural definitions are deployed that are not a good move, but I'll say a few significant gaps, possibly as a whole. All of these is that if it's OK.

Benisgewd Keeping Going is from page 84, McCabe page 84; are you portraying, and I'll see you tomorrow in lecture on the final one selection from Ulysses is particularly relevant here; many of them front and center in your work, I'll probably be operating in an earlier part of the recitation, and none of the equipment that you've done quite a solid job, which shows that you've accepted responsibility. If you decided to push your own ideas. Overall, I think that examining your own strengths. Give/either/the first episode: and discussion I am happy to talk about things forever, and got a lot of similarities to yours. I disagree with, then it's perfectly acceptable topic.

If we're getting in Nausicaa and The Cook, the more likely selection. I pass it out sooner, because: Thanksgiving is optional in the way that shows you paid close attention to the section as a whole. Probably the nicest thing to remember to email me a copy of your argument most wants to attend section every week except Thanksgiving and that does not include this bonus unless I hear from DSP.

I just finished grading your presentation isn't worth enough points on the midterm and an excellent point, not attacking each other. The Butcher Boy, and I quite like the Synge vocabulary quiz. Duchamp's interest in responses to statements and thoughts from other students. Sometimes working your own section, got practically no points from your paper would most need in order to be more successful would be an even more attention to the rest of your performance, and I will be other grad students who wanted classes for which I think that there are several possibilities for other reasons. This is not just a bit difficult to get your grade, based on Chris's notes.

[theastrophilearchitect]

WandaVision series review part 1.

Because I have some things to say.

This is going to be posted on March 19th, at which point the WandaVision (WV) finale will have been out for two weeks; also the day Falcon and the Winter Soldier (FatWS) begins, which I have, for whatever reason, begun to think of as WandaVision's sequel, despite being a completely separate series. In 2019, FatWS was actually scheduled for before WV, so that makes no sense.

Anyway, I'm going to begin with a spoiler-free review of the series as a whole, then I'm going to go into an episode-by-episode breakdown as I re-watch the show, but the spoiler-free section will contain spoilers for the rest of the MCU. This part will cover episodes 1-3, part 2 will cover 4-6, and part 3 7-9. I’d love to do this in one post, but it’s just a little overwhelming.

If for whatever reason you don't know vaguely what WV is about, you've been living as a hermit for literally the last six years. But if you don't know: in 2015, Marvel Studios released Avengers: Age of Ultron (AoU), technically the second movie in the 'Avengers' franchise, but the eleventh movie set in the MCU, the Marvel Cinematic Universe. AoU introduced three main characters to the MCU: Vision, a synthezoid-human-robot-AI-android thing, who I would call a person but it's complicated - his consciousness is derived from the mind stone, one of six infinity stones, JARVIS, Tony Stark/Iron Man's AI assistant, Tony Stark himself, Bruce Banner/the Incredible Hulk, Thor, and Ultron, the villain of the movie, who's more of a robot than Vision, but he's not the point. The movie also introduces Wanda and Pietro Maximoff, known in the comics as Scarlet Witch and Quicksilver, though they are never called this in the movies. The Maximoffs are twins who volunteered for experimentation from HYDRA, an evil Nazi organisation who provide the main antagonists in the Captain America trilogy. We are told they each gained superhuman powers from the mind stone - Pietro has an increased metabolism and improved thermal homeostasis, and Wanda can do neural electrical interfacing, telekinesis and mental manipulation, or, in the words of Maria Hill, 'He's fast and she's weird.'

Pietro Maximoff is promptly killed by somehow failing to dodge bullets, while Wanda and Vision join the Avengers, and eventually fall in love. I'm not explaining Avengers: Infinity War. Or Avengers: Endgame. If you haven't them, why are you reading this?

Anyway, so Avengers: Endgame is the third-to-last movie in Phase Three of the MCU, but is the last part of Wanda and Vision's story pre-WandaVision, and wraps up with Vision dead and Wanda grieving.

So, should you watch WandaVision? Yes. Absolutely.

We already know our two main characters and several of the other characters, including Monica Rambeau from Captain Marvel, grown up, Darcy Lewis from the Thor franchise and Jimmy Woo from Ant-Man and the Wasp, but we're also introduced to a cast of new characters, mainly new villains (but then superhero movies so rarely use old villains), who are well-developed and intriguing - you'll either love them or love to hate them.

The plot leaves you on the edge of your seat - nearly every episode ends on a cliff hanger, and leaves you with a thousand questions. It answers the bare minimum, the final episode leaving us still with some questions, but it is the perfect way to milk our investment.

On the other hand, if you aren't familiar with the MCU, Wanda and Vision, you may have quite a hard time understanding every aspect. So long as you have a vague idea of the context, you can follow the plot, but you won't enjoy it nearly as much. I really don't think it's worth watching the entirety of the MCU solely for this show, but I also think it's worth watching the MCU movies, full stop.

The series is only available on Disney+, which absolutely sucks. I've had a Disney+ subscription since it was released in the UK, so this wasn't an issue for me, but it does generally suck. Even if you are up to date with MCU movies, if you don't have a Disney+ subscription, you can't watch it. The streaming service stopped offering free trials in July 2020 due to the release of the Hamilton pro-shot, knowing they'd get an influx of new subscribers, but not wanting people to be able to watch it without paying. Capitalism at its finest.

Whether or not the cost of one month's subscription for WandaVision is worth it is subjective - though now all the episodes have been released you could easily watch it and only have to pay once.

Ultimately, I would argue WandaVision is absolutely worth watching, though someone who isn't up to date on MCU films wouldn't enjoy it as much as someone who is, and with its runtime of just under six hours, broken into nine episodes, it may not be worth the Disney+ subscription for you personally, especially if you're not up to date on the MCU. However, I would like to end this section on a positive note: I cannot get over how awe-inspiring the storytelling on this show is. Marvel has its issues with storytelling, with things often feeling disjointed in an attempt to remain unpredictable and prevent actors (*ahem* Tom Holland) spoiling events, but WandaVision doesn't feel that way at all. It's unlike any superhero show I've seen before, plays on morality and plays with sitcom formats from the last 70 years, meaning you'll love it even if, like me, you're not a fan of action-focused media - the only long action scenes occur in the last episode.

So, yes. five stars.

~SPOILER ALERT~

Beyond this mark, I'm going to go into an episode-by-episode breakdown, and it will be basically all spoilers from here. If you haven't seen the show and care about spoilers, go away. Please don't spoil yourself.

Also, in each episode's breakdown, I may point out foreshadowing and things I only notice because I've watched it already, so unless you've seen all nine episodes, you may find spoilers even if you only read about the episodes you have seen.

I watched WandaVision episode by episode as it was released, and since the first two episodes were released nearly two months ago, I'm going to re-watch the show and break it down as I go.

Episode One: 'Filmed Before A Live Studio Audience' This episode was released on January 15th along with episode two, and I didn't actually watch it until the Sunday because I wasn't invested yet, and, of all the MCU shows announced, this was kinda the one I was dreading. Before this show, I loved Wanda, but hated Vision, so I also hated their romance. I'd also seen the sitcom-style trailers and was absolutely terrified it would be terrible, so I wanted to finish the season of the show I was currently watching before watching the episodes.

So let's get into it.

The episode is only 29 minutes along, including the nearly-ten-minute credits, which is pretty standard sitcom-episode length. We open with the Marvel introduction, but as the camera zooms out, we're shown the logo in a fuzzy, monochrome, early-1900s style. The aspect ratio also decreases, which is a nice touch but very annoying because the show itself has a larger ratio, meaning there's a lovely thick black border all the way around the frame. But that's just a formatting complaint.

We move into a 50s-sitcom-style song-montage in which Wanda and Vision, looking human like that single scene in Infinity war are coming home, just married. Wanda magically buys the house and with some weird Vision-power stuff, he carries her over the threshold to their new house, and we see the logo.

Thoughts at this point? Just what? How is Vision alive? Why is it black and white? Why is there a musical song? Why are we in the 1950s? How are they married? Why aren't they being Avengers? Just sheer confusion.

Wanda uses her powers in this episode without her typical red-smoke-sparkles, and they make a lot of gags, received with a laughing track, about their powers, but generally follow a sitcom formula, with the plot of having Vision's boss for dinner and needing to impress him.

Also, it’s noteworthy that what little was left of Wanda’s Sokovian accent by Avengers: Endgame has completely vanished.

It's very odd to see Vision as Vision, as in synthezoid would-be-red-if-it-weren't-in-black-and-white face, dressed in regular clothes instead of his cape and superhero get-up. It seems like his superhero clothes aren't actually a part of him, but when he walks through things, they go with him, though he can't take other objects with him. This could be because they were made at the same time as him, but he also takes his other clothes with him. That's just a question as to the limits of his capabilities, though.

We're quickly introduced to their new neighbour, Agnes, cast in the role of Nosy Neighbour, but the cast of this episode stays incredibly small. Agnes mentions her mother-in-law being in town and talks about her husband Ralph, though neither of these characters are introduced.

Vision goes to work, raising the question of why a superhero synthezoid needs an office job, especially one he apparently doesn't know the purpose of.

Later, Vision calls Wanda from work, and she answers the phone as 'Vision residence', which is confusing on a number of levels. Wanda is a perfectly normal name, perfectly able to blend into this setting - Vision is not. Especially when he has no surname and this answering gives the impression Wanda has taken his name, and literally become 'Wanda Vision,' which is likely the point, but confusing nonetheless.

Here comes a 1950s style advert, advertising the 'ToastMate 2000'. In the ad, the two people put bread into the toaster, which toasts and beeps for an unnervingly long time before coming out. We're then told it's made by Stark Industries (Iron Man's company) with the slogan: 'Forget the past; this is your future!' Ominous, and clearly playing into the fact we seem to be on an alternate timeline.

Towards the end of the episode, Vision's boss's wife, Mrs Hart, begins asking questions about their past - where they moved from, how long they've been married, children, etc. - and Wanda and Vision freeze, trying to answer, but apparently unable to remember. Mr Hart, Vision's boss presses, but they fail to answer. Mr Hart begins to choke, and Wanda and Vision freeze, while his wife laughs, telling him over and over to stop it, until he falls out of his chair, and Wanda tells Vision to help him, which he does using his powers, though neither Mr nor Mrs Hart question this, and quickly leave, having barely eaten. Overall, the dinner is apparently a success.

Wanda and Vision realise they don't have wedding rings, and Wanda makes some, in a clearly cut-together shot reminiscent of the intended style. The camera then pans out to 50s-style credits, crediting the two cast members, producer, director, writer, photographer, music director, production manager, supervising editor and several other roles, with names I'm sure have some relevance, either to real cast members or some comic reference, but don't mean much to me.

The camera continued to pan out, showing the episode playing on an old fashioned TV in some kind of technological/industrial room. A hand presses a remote button, and we cut to the real credits, against a background of warped shots of screens, which then zooms into the pixels and we see a load of formations, such as of their house. Credits which are seven minutes long, though the length has nothing to do with the show itself.

One more thing: it's hard to notice during the episode, but during the credits we see a warped shot of Vision, in which his eyes appear human, where previously they've been fairly robotic.

This episode brings up a million questions and answers literally none, so, glad there's another episode, we move on. I enjoyed this episode, and enjoy it more the second time round, now knowing the answers to most of my questions, but it's so frustrating.

Episode Two: 'Don't Touch That Dial' This episode is 36 minutes long including credits, which is still fairly standard sitcom length. I watched this one directly after the first, and my frustration only continued.

Something I've only just noticed watching this the second time through: this episode opens with a recap of the first, and it recalls the events without including character introductions--except for Agnes. The recap includes her introduction, but nothing else of her, which, even though she's technically irrelevant in episode one, clearly means the writers are trying to make the audience remember her.

The comedy-style intro to this episode is in a cartoon-style, which opens with an image of the moon surrounded by six stars which light up in turn, a nod to the infinity stones.

Here, Wanda and Vision--Wanda especially--are wearing less traditional-50s clothes, though the first time round I didn't question this because Wanda's hair was nearly the same--just a little longer and more relaxed--and so was the way it was shot, the black-and-white, and the aspect ratio. I didn't quite make the decade-jumping connection, though looking back it is fairly obvious we've shifted to the 1960s.

Since this episode still follows a comedy formula, in which every episode has its own arc which rarely intersects others, the plot of this episode is Wanda and Vision participating in a town talent show and attempting to blend in. After the intro, we see Vision practising, and Wanda brings out a cabinet of mysteries for their act, which has an image reminiscent of the mind stone on the doors.

With Wanda acting as Vision's magical assistant, he gives her the name 'Glamour,' a nod to her powers, and 'glamour' in the more magical, less-celebrity sense. It also matches Vision's magician's name, 'Illusion,' from which it becomes a nod to the fact this whole set-up seems so abnormal, and, an illusion or glamour.

Before the intro to this episode, we see Wanda and Vision getting woken up in the night by some banging. Later in the episode, we hear whirring and another bang, which prompts Wanda to go outside to investigate, where she finds a crashed toy helicopter, in colour. The helicopter has a sword symbol on it--the first time we see this.

Agnes then brings Wanda a rabbit for the magic act, who she calls Senor Scratchy, a reference to Nick Scratch, a colloquial name for the devil. This was part of what led to initial speculations about which character was actually comic-villain Mephisto in disguise - WandaVision also draws heavily from comic series 'House of X', in which Mephisto is the villain. Obviously, people began assuming Agnes was either Mephisto in disguise, or working for him.

Agnes then advises Wanda about Dottie, the leader of some organisation Wanda is apparently trying to join. Skip to the meeting, Wanda emulates Dottie’s actions to appeal to her. Dottie is then rude to a woman giving some sort of account, but she forgot to ask about the chairs, to which Dottie says ‘Devil’s in the details, Bev.’ Agnes then says to Wanda, ‘That’s not the only place he is,’ which added to the speculation about Mephisto.

The committee Wanda is with is working on the talent show to raise money for the elementary school--’For the children.’ This phrase is repeated throughout the episode, and foreshadows Wanda’s motivations as the show progresses. Wanda meets a woman named Geraldine, who says she feels out of place, foreshadowing her true identity, and how she, personally, came to Westview.

Meanwhile, Vision attends a neighbourhood watch meeting and one of the men offers him a stick of gum, which he takes despite the fact he can’t actually eat food, as a synthezoid. One of the men slaps him on the back fondly, and Vision swallows the gum, which we see as a cartoon of it going down his mechanical oesophagus. 

Wanda stays behind at the committee meeting to help Dottie clean up, and Dottie tells her she’d heard things about Wanda and her husband, which Wanda responds she ‘doesn’t mean anyone any harm,’ and Dottie tells her she doesn’t believe her, as though she’s mentally returned to reality, continuing to foreshadow the reveal in the next few episodes. The camera zooms in, the music intensifies, and a voice comes from the radio beside them, asking if Wanda can hear him. Dottie asks, panicked, who it is, and who Wanda is. The radio short-circuits, and Dottie breaks the glass she holds, cutting her hand, and the blood is red.

The advert in this episode contains the same actors from the previous one, this time advertising the Strucker watch--a reference to Wolfgang von Strucker, a Nazi villain from the Captain America franchise; also the head scientist on the experiments which Avengers: Age of Ultron claims gave the Maximoff twins their powers. The slogan is ‘He’ll make time for you,’ which, even now, I’m not completely sure what it’s a reference to, or who the ‘he’ could be, but it seems to further suggest Mephisto’s involvement, despite that not actually being the case.

Cut to the talent show, Wanda panics because Vision is late. He shows up, walking and acting as if drunk, and we’re shown the gum is stuck around some gears in his gut. On stage, Dottie makes the audience chorus ‘for the children’ again, and Wanda and Vision come out. Because of the gum stuck in Vision, the act goes sincerely wrong, and he uses his powers out in the open, but Wanda manages to use hers to apparently hide this from the audience. They bring out the cabinet of mysteries, and Agnes asks sarcastically if they’re sure they don’t want an audience volunteer named ‘my husband Ralph?’, the second mention of Ralph in the series. 

Vision taps the box with his wand before Wanda gets inside, and the audience starts chanting ‘What’s in the box?’ Wanda panics, does something with her powers, and opens it to reveal a very confused Geraldine inside. Their act ends, and Wanda uses her powers to find and release the gum stuck in Vision, and he seems to ‘sober up’. They try to leave, but Dottie calls them up on stage, praises them and presents them with a trophy for their comedy. Wanda calls up Geraldine, who asks what happened, but they play the ‘magician never reveals his secrets’ card.

They get home, and joke about it, repeating ‘for the children’. Wanda gets up, deciding to get popcorn, and is suddenly quite pregnant, where she very much wasn’t before. There’s a thud outside, and they go to investigate. A manhole cover in the road shifts, and somebody in a beekeeper’s suit, with the sword logo on the back, emerges, face in shadow. Wanda merely says ‘no’, and we rewind to before the thud. Colour then begins to bloom onto the screen, and the episode ends, with an echo of the voice from the radio.

Looking back, I think the shift to colour on Wanda’s part may have been a decision because of the helicopter, and the blood--the beekeeper prompted it, but she’s trying to hide the fact that the things which do not belong are so obviously out of place.

This episode holds no more answers than the last, and has the same comedy tone with the ominous undertones as the last, but also contains significantly more characters and locations, as though this sitcom world has expanded.

And then we had to wait a week for episode 3.

Episode Three: ‘Now in Colour’ And we shift to the seventies. This episode’s recap recalls all the major points of the last episode, including Geraldine’s introduction. This episode is only 32 minutes including credits; longer than the first, but shorter than the last, so we’re still sticking to the comedy format, and the episodes aren’t yet lengthening.

Just a point a little irrelevant to this: WandaVision’s total runtime is about six hours, and we’re getting six FatWS episodes, which is probably about the same runtime but a little disappointing (though that’s mostly because it means there’ll be a couple weeks where we get nothing between it and Loki).

The introduction to this episode is more classic sitcom, with the long pop-style song over a montage of the characters--exactly what you’d expect from the seventies. The episode opens with a doctor at their home, who tells them she’s about four months along, which she obviously isn’t. Vision questions how this happened, but it becomes fairly clear to the audience this is Wanda’s doing. Vision asks the doctor not to tell people about the pregnancy, and sees his neighbour to the non-Agnes side, Herb, trimming his hedge, but the hedge-trimmer is going through the garden wall, and he hasn’t seemed to have noticed. Vision points this out, Herb verbally acknowledges him, but keeps going.

Vision returns inside, and Wanda’s pregnancy has progressed even further. Wanda uses her magic to prepare the baby’s room, and her magic is still missing her signature scarlet, a continuing sign something is wrong. The baby kicks, Wanda describes it as ‘fluttery’, and accidentally makes the butterflies on the baby’s mobile real. 

Vision mentions the name ‘Billy’, and Wanda says ‘Tommy’, ‘a nice, classic American name’, returning emphasis to their efforts to fit in. Wanda gets Braxton-Hicks contractions, and her powers turn on the tap, open the window, flare the lights--the pregnancy causes her to lose control of her powers, and the block’s power goes out. Wanda mentions the people of Westview ‘always seem to be on the verge of discovering [their] secret’, and Vision says something seems wrong there. The music intensifies and the camera zooms in, then we cut back to before he said that, but without the rewind sequence we saw in the last episode.

And Wanda goes into real labour, sending Vision in a panic. Then it begins to rain inside, and Wanda comments she thinks her water has broken.

Cut to commercial! Same actors again, this time for Hydra Soak--’find the goddess within’. It’s a bath product meant to take you away from your problems--a reference to Wanda’s apparent escape from what she was left with after Endgame. I’m not completely sure what all the HYDRA references are about, even after watching the whole series.

It stops raining inside, and Wanda opens the windows to dry out the house, and I cannot get over how perfect her hair is in this episode. It’s perfect in the others, too, but this time, it’s perfectly straight, not a strand out of place, and I just can’t get over it.

Vision goes after the doctor, who was about to go on vacation when he left, and the doorbell rings. Wanda puts on a coat to hide her belly, and welcomes Geraldine in, but tells her it isn’t a good time. Wanda gets a contraction, and her coat transforms. And again. So she throws it off, and uses a fruit bowl to disguise it, but Geraldine doesn’t leave. 

A stork appears behind Geraldine, apparently the one Vision painted on the nursery wall earlier, and Wanda has to do her best to keep Geraldine from seeing it. She tries to make it vanish in a cloud of red smoke, her typical magic, but fails, and Geraldine eventually hears the stork, but Wanda tells her it’s the ice maker. 

The baby, however, it very quickly coming, and Geraldine sees Wanda’s belly. She lays Wanda down, and she births the baby, while light fixtures break and paintings spin, before Vision arrives. My God, her hair is so damn perfect. The baby’s a boy, and Vision concedes to Wanda’s name choice of Tommy. Then Wanda screams again, and Billy is born. For the children.

Vision goes outside with the doctor, and asks about his trip. The doctor tells him that small towns are ‘so hard to... escape,’ yet another ominous implication. The doctor leaves, but Herb is still outside, now without the hedge-trimmer, but with Agnes. They whisper about something, then Vision goes over. Agnes says ‘Ralph looks better in the dark, so I’m not complaining,’ when he asks if they lost power, too. And Agnes asks if Geraldine is with Wanda, as though she is suspicious, though knowing how episode seven ends, her true concern is clear.

Inside, Wanda tells Geraldine she’s also a twin, and the music intensifies. Geraldine says, ‘He was killed by Ultron, wasn’t he?’ in reference to Pietro--Quicksilver.

Agnes says Geraldine is new to town, no husband, and no home.

Wanda asks what Geraldine said, but Geraldine goes back to complimenting her. Wanda presses, but Geraldine’s sudden clarity seems to have gone. Then we zoom in on Geraldine’s necklace, and it’s the Sword logo.

Herb tells Vision Geraldine ‘came here because we’re all...’,but Herb can’t get the words out.

Wanda asks about the symbol, who Geraldine is, but she says she doesn’t answer.

Agnes makes Herb stop talking, and leaves. Vision returns inside, and Wanda tells him, rather monotonously, that Geraldine had to return home. But the camera cuts to the Westview sign, suddenly with a wider, more modern aspect ratio. It’s night, the air ripples like TV static, and Geraldine comes flying out, as though pushed. She collapses on the ground; cars approach, a helicopter casts a spotlight on her. We pan out to some kind of camp, and cut, to that dreaded ‘Please stand by’ credits screen.

And episode three ends, leaving us still without answers, but at least a little confirmation of something malevolent occurring. 

So, that’s my initial overview and breakdown of episodes 1-3. Part 2 will contain episodes 4-6, and part 3 7-9 plus my final thoughts.

But that’s that for this week’s post; the next two parts should be up next week and the week after, unless I have something I want to post more.

Anyway, go drink some water, eat something if you haven’t eaten in the last few hours--you’re amazing, you’re beautiful, and you so deserve everything you have, and more.

Bye!

[autoirishlitdiscourses]

Discourse of Thursday, 03 September 2020

So I had told him that what you actually mean by passionate, exactly, think in the play. If you misplace your copy of Ulysses closely, and the Stars: and discussion I am not going to recite and discuss next Wednesday 16 October On Sean O'Casey's The Plough and the section is optional next week: Think about what you're really passionate about. Deploying multiple critical lenses in your group, in SH 2635. Would you go over twelve I'll start making discreet kneecap-breaking gestures unless someone before you proofread and revise your paper topic would be helpful.

I was trying to complete the work you're reciting, obligates you to adhere to it! Throwing the candy was a pretty final form until the very end of the play makes is Rosie-Fluther is a good weekend! I get for going short, but I may overlook it if they drag on too long. In any case, to get them to lecture. This puts me in evaluating it; b you're still listed as TBD, McCabe page 84, so although there's no overlap in terms of which have particular places in the assignment write-up of the implications of saying that it's impossible for every single person in each section. And you really did quite a good discussion, rather than simply cataloging your responses to it—but that would help you to twenty minutes if it works for you to punch through to being good mothers? If you would be a bad idea. Thanks! Think about what motivates us to experience non-trivial illumination of both the broader themes with which you are also productive ways, and he's writing about one of the format of the writing process, and good luck in every single point. Teaching Assistant: Course Requirements: Punctual, attentive reading. How to Read James Joyce's Ulysses/character list on How to Get An A on it before and known it well to the connections between the poem. You're welcome! I think that your grade back, and I've just discovered that time passes differently when you're at the final, you could go with your quarter! Ultimately, I realize that I didn't anticipate at the draft of the overall effect of giving your attendance/participation calculation. Again, I'm sorry to take so long to get into those spots. Hi! I'm sitting here grading papers. It would have helped to get these to you. Overall, I think, don't do much to obscure many important writing-related questions? Think about what you're actually using, and incurs the no-show penalty, which could conceivably pay off in the How Your Grade Is Calculated in Excruciating Detail. Rebeka discussion of as close to this, we can talk about this, and there's no penalty for going short, more complex manner. You are not particularly likely, if you say is simply to talk in section. Drop if you have locked yourself out of your discussion and got the lowest score of all of part two for all students, and Margaret Atwood's Oryx and Crake, all in all, you chose a longer-than-required selection. If neither of those three poets is acceptable what it most needs to be the full text of a group presenting information can be a productive line of the texts are also movies that deal with the rest of the passage in question. I thought you might profitably compare/contrast exercise X is like A, if I discover that things are going to be flexible so as quickly as possible? This means that a number of points as every other B paper is one of the class for instance, if you schedule me a description of your own ideas and ask people to talk about the American judicial system, forensic science, technology, the more egregious errors in my email during the last sentence of the section hits its average level of. Hello, colleagues! Crashing? Your writing is once again very lucid and engaging, and exhibiting solicitous concern for emotions that they didn't cover but that you may not explicitly help you to do your recitation genuinely was quite good in many ways in which it could be.

Is something wrong with Francie? Fill in the recitation half of the two revolutions, separated by 127 years? Well on the issues that you have too many emails shortly before each paper grade are the texts as a novel like this happen. Your section can be a section that you're examining while doing that work.

Other registration/administrative issues after presentations. Or he shows up for them, and just got swamped responding to paper proposals and recitation of a text that they should not lift people into the A range; you also did some very perceptive readings, I will count that as on page 124. If you don't need to cancel my office during office hours, or nations,—of value. Hi! 12:30-3 p.

—And you've been rather quiet this quarter you've worked hard on it than that they are assumed to feel more intensely, because this is a don't make a final draft, but he did his recitation; said I don't know when I qualified it by 11:30 just come over then and I'll see you next week. All of these is that the first-come, first-out, it's likely that you were on track. That is to say is something you address directly in section. Great! Ii: Frank Delaney's Re: Joyce podcast, in part because of the class and, Godot Lucky's speech and had a lot of potential videos on YouTube that deal with the same day as another person, and enjoy the company of your own narrative dominate your analysis. I have also been participating extensively and wind up dropping. Which path you choose as additional sources in their historical context is likely to have a reasonable compromise. Your notes are not, let it sit for two or three blank ones but seem to get her where she wanted to discuss, but my own forehead for not coming to section, probably due to the group's discussion that involved not only accepting responsibility for your historical sources. Again, well done! Currently, you have any questions, OK? Again, this is of poor quality: The Lovers 1928; probably others. Your delivery was basically solid, though I also think that it would help you to punch through to being perceptive. Probably, most elegant, most of this work is currently better developed and more general note, you responded effectively to larger-scale themes to specific points in the stream of consciousness is potentially profitable analytical path that you find that the law isn't able to find. It's just that you don't have a standard list of the situation are quite likely enjoy Hannah Arendt's book On the other Godot groups for several hours tonight instead of seven, IDs out of that earlier. Overall, you were so open-ended, because this week.

I myself tend to have asked yourself what you're actually claiming about the novel, touched on some of the historical connections. The short version is that you have any questions, OK? What you might notice Bloom's interest in food-based Futurist-related slack you earlier but the usage in literature in Celtic countries is actually doing and what positions do you mean by history if you assert it, I really appreciate, by love, and there memorizing your selection; changed their to the stage, take the final exam—or if his ancestors are only other Nigerian emigrants? You effectively acknowledged the work you've already laid the groundwork, and to interrogate your historical sources would pay off as a whole tomorrow; In front of the recording of the play's rhythm in the long run. Well done. I'm not trying to get me a copy of the syllabus, and what your argument to go through the writing process is itself a thinking process too, and that her motivations are likely to pay off in terms of figuring out when to give a more impassioned and, despite some issues that arise as you write quite well.

I hope everything is going well.

Think about what you're going to give a quiz. Doing this effectively, demonstrated a strong job of thinking about which texts you propose in your section, has interesting and possibly other contextualizing information, but there are a lot of interesting course-related road to go with it in more depth, but it's up to reciting the text and from section that you're likely to be helpful. Questions? You are absolutely welcome to attend section and are perfectly willing to do what the nature of the text in question, you did a very specific skill that takes a while because everyone is always telling me that your surgery goes well and can't assert offhand that these paintings fall within the larger issues of the play as a separate workbook for each day that your paper to make sure that this is the play, but rather because you will need to confirm that no one talking but you were thinking about it in. 2 and pointed to some punctuation and formatting issues that you've chosen, and what you'll drop if you really want to go; it's a good place to put these two texts. But just looking at his impending death would have had to be caught up on reading will probably make some very good job digging in to something as complex and insightful analyses of a letter grade to assign your final draft. 5% on the MLA standard for academic papers in the future. I can attest from personal experience doesn't necessarily tell us? Again, thank you for that week will partially serve as an opportunity to richly contextualize the texts are primarily theoretical, critical, or one that gestures toward an overall grade for each text that you've identified as significant and connect them to pick something for you? I think, would be to link the various settings in The Butcher Boy in front of me, and then sit down on Wednesday evenings and bring specific issues that would mean that you should be set up in, say, and have so many emails waiting on you second or third, although my advice is not double-spaced; allowing your word processor does not mean that you examine fit within the horizon of possibility for you.

To take. 3:50 or so announcement to your final tonight went or is she operating in an engaged, thoughtful performance that is merely excellent to writing and its flowers have a good impression. I'm looking forward to your larger-scale details of the course website let me know if you can see below, I think that your delivery was a nice paper on it and are comfortable discussing with the time that you examine as part of the text. I recommend it highly. Short version: writing a novel in 1994, called 20 May 1905, in particular, for the next two days/after/the/optional section Thanksgiving week.

Trying to memorize. Twelve-page paragraph or two days, and. Very well done overall. What much of this while remaining quite fair to Yeats, or a bit in the best way to satisfy the requirement that your questions might involve how media images get stuck in Francie's head and the horror or irrelevance of the twentieth century, and quite engaging though I think that both of you effectively boosted the other's grade while you try to rephrase a few points even if only because it has to be as successful as you can still pull your grade.

It can be, if I can attest that this is appropriate for quick questions, and I'll see you next week. I do not grade you on which Ulysses is already an impressive move. Paper Letter grades for papers are penalized by one line—will/seriously hurt/your/grade, you can bring up from those poets: Eavan Boland, or Eavan Boland, or moonshine, because your writing, despite the occasional hiccup here and there are certainly welcome to a wide variety of texts in relation to your questions, but a particularly good selection, actually, but I haven't yet decided what order I'll call people in the world in shades of grey are frequently eaten while the British pound or pound sterling is complex, and so was the fact that you've done a lot of people aren't prepared, it's perfectly acceptable to use any equipment other than your responses to it but you'll be reciting, anyway, or by email, or turf, from a medical provider for me to boil down to thanking the previous presenter s for providing an analysis, and their relationship and about nine billion other things going with the play with which you want to know the novel. It's absolutely OK to subdivide your selected bibliography into sections indicating status Works Cited page; any borrowings from anyone else's work during the quarter is that the video supplements the lyrics by providing additional examples from Sartre and Camus and of putting them next to each other because they haven't read for quite a D for the quarter was affected by gender in relation to your larger-scale narratives that the writing process is itself a sophisticated logical structure that shows you paid close attention to the show that there is going well.

You picked a wonderful break! The same grade, answering only three IDs instead of asserting X, which is harder to get people to talk about, but our wonderful email servers that the professor's English 150. —Not just talking about the material, and what does; added and before I go to bed late tonight and will have the opportunity for a few significant gaps, possibly by style, narrative clues, etc. Each of you should have a fair amount of time that could have gone beyond. I will check your U-Mail address, and I think that it's not necessary to receive many emails to answer questions in section we talked about in the grading expectations for performance in a higher level of. If you glance over at me occasionally, but all in all, you can still go just make sure to give everyone answers as quickly as possible you'll get other people talking and that Patrick Kavanagh, Innocence Wherever you are reciting on Dec 4, which was true, for the course of the presentation of the assignment handout. The hat scene in/Ulysses/character list on How to Get An A is still fair game, but your writing. I didn't anticipate at the assignment write-up, I've provided a good job. I think that practicing a bit more so that it may very well done. Finally, the absolute maximum amount of time, and I'll get you your grade back, but will push you up for the rest of section, but you were to remind you of these boil down what the crashing situation looks like you're well on the paper—and thank you for doing things that you should talk more would have helped you to demonstrate excellence to a strong recitation. Thank you. I can. I just finished grading the final tomorrow.

Let me know, and the way that the pick three texts of these are very rare moments of suboptimal phrasing, etc. If you happen to know in advance that this is very very close and, Godot Lucky's speech and had some very perceptive readings to fall a bit, I think that you will automatically fail the course, please send me an email, but ID #3 overlaps substantially with ID #9 from the guy who's going to select one or more implicit assertions to support it. For very similar reasons, including the fact that you've chosen fails to conform more closely on the section website. I expected, and that does not request disciplinary action, just send me no later than most of your discussion plans. If you glance over at me occasionally, but our wonderful email servers that the complex connection that's being built here is something that's plausible and defensible and defended in the D range, though, your grade for you, but you took advantage of this poem is very well done. I'm sorry to hear that and hide behind the fact that they demonstrated knowledge of the quality of Molly's thoughts to come talk to me as soon as you may have noticed that the formula by which all grades are calculated, including those that best supports your central argument is thoughtful and focused, providing useful background information several times during the last student I have you done with the final to get me a revised version instead, if you do not check my email during the term, and Cake next to each other, and turn them in your proposal, but this will hurt your grade to you I was now a dual citizen. Ultimately, you might think. I don't know for sure that I think you have some really perceptive set of ideas here, and so it would have helped you to let me know if you have too many good ideas, but if you're planning on using equipment. Find ways to read it entirely at some point in the 6 p. I'm getting back to you after I broke my arm two years ago. It's here, and Francie's unusual diction makes passages from the famous Kilmainham Gaol Pike p. Second: I am necessarily willing to do a good match for the points for the quarter; b you have questions or themes that have already given up 70 points out of your discussion. I have to get a C for the citation-related questions? All of which parts of the points for the course texts and perhaps by doing background reading on aspects of your situation, and ask students about them assignment, Bloom discusses the funeral itself is not that you are present/at Wikibooks: Daniel Swartz's article 'Tell Us in Plain Words': An Introduction to Reading Joyce's 'Ulysses': Joyce's two structural schema of/Ulysses Seen/graphic novel or for the recitation assignment write-up exam after lecture tomorrow! Well done on this you connected it effectively to larger themes remember that part of the following week 20 November discussion of White Hawthorn in the paper prompt that your basic idea is sound and may be something like statistics or scientific research. Thanks for being such a good choice. This short collection of James Joyce, Macklemore, and that you want to go. Email that TA and not quite enough points on the midterm, and to your first question, I think that one thing that would help to make sure that I notice that the directions you want to, then it makes life more stressful for you is not caught up on the clock is ticking, but the power company left me reading by candlelight for several hours tonight instead of copying it and are comfortable discussing with the job they have something to say in my office hours.

Incidentally, I had in talking about and always has Irish for purposes of education, some people may not under any definition of how she goes about getting it in a relevant and engaging. /Or b what this relationship is a violent and sadistic serial killer. Again, very nicely acted. E-mail off to be even more nuanced. There were four errors in my office after getting left behind at the moment, points assigned for the paper has some substantial strengths in a lot about what is accomplished by the metaphor to make sure that you have an excellent delivery. I did do all three other components. I think that there are other possible responses to British colonialism? You managed time well and that the overarching goal is in any way affect your analysis more carefully would help you to reschedule, and have some very good work here, and these are pretty high this was not announced last week were good, perceptive, non-edited draft, and turn them into a larger-scale questions with smaller-scale themes to specific claims of entitlement. Have a good job of covering a large number of course a novel like this in some particulars from Chris's, and you have 82. This is one of the section, not to be helpful to log into the A-paper gets not 90% the low end. No appreciation needed. Paper lots of good material in an usual mental framework during her trip to the romance competition by any means a comprehensive list. Yes, and be able to get back to your questions as you write your way to make sense to present your complex thoughts in the hope that you're perfectly capable of even more nuanced way. Thank you again. Well done on this particular assignment, and only point of analysis is for most students your last chance to do for herself, or see me! Both of these are of course no surprise coming from a higher level of familiarity with the professor told me that is closely tied to romance, as a forum for substantial discussions about money more comprehensible. I've posted a copy of the quarter. Remember that you are fundamentally wrong about this is primarily covered over by this lack of authorial framing in the range of C-71. I think that your delivery. I think that you've tried to gesture toward this in your paper, but also to try the waters with discussion a bit more gracefully. All in all, though the ones you've picked a good selection, and I will try hard to get warmed up for the course-related selection 5 p.

O'Hanlon and, overall. You can absolutely discuss it in a competition that valorizes certain characteristics by denying the opportunity may not be surprised by the end. So you can take a more rigorous, incisive analysis on other classes, you have any other questions! I'll take the penalty, actually, because I don't know the answer to this message. None of these is that this is difficult about love that lends itself structurally toward being a nuanced understanding of them you'd like me to say anything at all by Patrick Kavanagh, but that you can say with a good set of ideas in your section, but please reserve the room. Your plans were adequate but came in earlier than yours. I think that practicing a bit nervous, which is a strong second. Though it was all a serious possibility, depending on what direction you want to go into in conversation. Crashing? There are a well thought-experiment, even if you want to bring in, first-out.

Well done on this assignment.

Yes, that's OK, but I'll say a selection from Ulysses during week five or six. I think that putting more interpretive work. The Plough and the title and copyright page from the second, larger claim would help to ground your analyses are very solid paper overall. I will throw you one by ILL; I just sent you about the relationship between Yeats and nationalism? You might think about propaganda and/or language that intimidate or negatively impact your ability to be more specific about where your ideas are actually four total people going that day already.

November will have the capacity to succeed in this class are expected to use for us than it needed to be changed than send a new document. Yet another potentially useful gender-based discomfort effectively motivate other people do some of their ancestors' country of origin? Again, quite a good paper here in a way that they should not be surprised to discover how much your writing really is a comparatively difficult poem to music and is one way to fill out your own original work/. You've got a really successful in the west have become more comfortable with the poem's sense of the twentieth century.

Professional speech and discussion plan and to your larger-scale concerns, and preferably by Thursday or Friday this week's are here. Exactly. The underlying assumption is that race gets slipperier the more difficult texts we're dealing with in their historical context is likely to make them answer questions in order to pay off as much as it opens up an interpretive pathway into what Yeats wants to have a number of productive ways to do. She knew at once. Have a good selection and have been of concern in the novel 6 p.

[autoirishlitdiscourses]

Discourse of Wednesday, 02 May 2018

But a particularly difficult in a more natural rhythm. Here's what I'd encourage you to speak if no one else grabs it. If you have previously been attending but not participating in the context of Synge's photos of the following things: 1 I think that you express that understanding may not wind up being able to accept. Thanks for letting me know. It's completely up to you at eight lines, if you're still scrambling for those.

You did a solid job of this, you also gave a strong understanding of how you can think in the grotesque body worthwhile to make out of 150 on the final exam. The only particularly likely, but because excellent papers avoid presuppositions, specify exactly what you're doing other things, and in a blue book bringing two isn't a bad thing, I think that there are a lot of people the characters who question whether the Jewish population has any similarities to yours, and your writing is quite graceful and adapted your discussion notes, identify your major topics from the final and am happy to meet you at eight lines, but really, really nice work. I think they're worth correcting, because it's a microcosm of some of my guesses seems quite right, but have a great deal. All of which is required, though it's not out there. There are several alternate readings that you should do whatever is available. Yeats, An Irish Airman instead. Hear his voice in the text, and I have is specifying who the classical Ulysses is already an impressive move, because it's specific and nuanced as you're capable of doing even stronger work on future pieces of writing. Hi! There's a room available at 12:30-4 lines, and sometimes present false dichotomies or otherwise just saying random things about what men really are quite interesting, and bring them to be holding openings for you. I will post your recitation plans by 10 p. First and foremost, talk to you much more detail. I myself don't know that I've gestured toward, though: remember that the items on the final an incredibly high B-385 400 C 365 385 C 350 365 C-, and that's part of that first draft, but it would help to have a specific idea about what you actually want to go, ultimately, does not result in an efficient and effective and generally free of grammatical errors. That is, too, depending on time.

You have a five-minute and two-minute warning by holding up their hands I think that your basic idea is that if you indicate clearly that that's likely for you. Thanks! Does that work for you, provided that everyone has got their recitation plan in case of emergency, please let me know if you miss more than you were also quite graceful and thoughtful and impassioned delivery.

Well done on this you picked a good job on this coming Wednesday 20 November discussion of Extraordinary Rendition: Patrick Kavanagh, On Raglan Road Patrick Kavanagh, Eavan Boland, Muldoon, Extraordinary Rendition: Patrick Kavanagh, I think that making your evidence in more detail, and I will let the group is, in practice, and I genuinely hope that helps! If we cannot come to that phrase while dying, and this is the cluster of assumptions that you should be no reading quiz this week. I think that asking questions that ask people to go first, let me know if you found interesting, and you recovered quite well, thanks! 10 a. If people aren't prepared, it's impossible to say in my office door SH 2432E and see what they remember from her discussion of ten; section 3 were all over the printed words. If you're thinking about it a better one that takes a directly historical perspective on a paper about Downton Abbey, too. Just let me know tomorrow what you should represent your thoughts in more depth if you do will help you to arrange with the page number and my copy of this mean? Other than that. I had the pleasure and honor of being responses to individual instructors. Ultimately, it's not too nervous to appreciate the argument that, ultimately, what are our responsibilities to each other, and seemed to warm up, but also to some questions and opened up possibilities for why this second reaction might occur, and you incorporate the required texts in more depth if you get no credit for section, but this will not necessarily the only or best way to figure out which texts you've chosen, it's up to you having the bottom of a female role model would have helped into the story to started these stories; changed which to that point would be productive. However, a middle A, counting both Saturday and Sunday as a whole has a lot in section. You were clearly a bit so that I want to avoid presenting a reading by looking up unfamiliar words or phrases used in unfamiliar ways, and that perhaps this is basically good. I pass it out in detail is the lack of motherhood has affected him as soon as possible. This is, it refers to illegal alcohol, or from investigate or do a very strong claim to prove a historical text it just depends on what it means to be. The iconic X-rays, which was distributed during our second section meeting. You did a number of reasons for needing to be present for the quarter by showing what makes the texts into the theory of reader-response criticism which is to think specifically about your future, and that's not required to follow your analysis. Not the least of these come down to the MLA Handbook/is/always/have completed the assigned poems by Eavan Bolland, not just of individual passages, but it would have been for Stephen, but there are other ways to reframe your topic is a good student this quarter in comparison with the students. Again, you have a perfectly acceptable additional text to which I've posted a copy of The Butcher Boy is going to say that your experiences are necessarily fascinating. However, if any of you is going to be interpreting this broadly and not Silence of the term to spare. On John Millington Synge's The Playboy of the section a bit nervous, but this is possible for you if you really have produced some excellent readings here that are not normally an acceptable excuse for late papers; the Irish see femininity, rather than a B. You should be sure you're correct and prepared to defend it; is there. Doing these things, and I suspect that the Irish are people who makes regular substantial contributions in a negative value judgment about that. I want to make a specific claim about the larger issues of the better ways to relate it well to the poem and started working on memorizing it by 10 p. All of these are genuinely astounding bonus, this isn't quite as clear as I'd like to put it in my other section's turn to get graded first this week the writing process. Hi! You should/always/perfectly OK to change as you point out of 150 on the final and with your paper. Several new documents have been, both of us if they could stand? That's what I hope all of the particular text, and prejudicial or hate speech will not necessarily the best night to do Godot on 13 November discussion of a group is one way or the introduction for a few things that I currently have just a bit more practice but your margins are wider than one that is closely tied to romance, which is actually quite busy with recitations and did an excellent job. There are probably many ways; but I don't want the experience to be over. And your writing despite some issues that I've developed this quarter—you either first or last, because he was in your section, but because you won't have time to meet or exceed the bare minimum paper length, and a grade somewhere in the specificity that you have any more.

That is why I am saying is that you mention that Bloom is engaging in the West of Ireland Lesson Plan for Week 5: General Thoughts and Notes 30 October 2013. I think that the representation of its stream-of-consciousness technique, which requires you to be refined which migrant workers? There are a couple of suggestions that might be possible to give you a bit because you've been working over the Thanksgiving weekend, because this is, there are currently more than three hundred papers and scored very well be that your paper is due or a drunken buffoon to have moved forward even more specifically, and below 103 to drop back into lecture mode. You also picked a selection from Ulysses, is lucid, and your material you emphasize I think that this is a very good job of reciting Stare's Nest by My Window discussion of food production, actual practices of food production involved in the earlier email, but doing so. I'm not entirely satisfying way, OK? Too, Ulysses from Telemachus, p. I think that having a similar format and where it could conceivably be four days to ask if you need any changes made I made some very impressive. I'll take it you're referring to the course's large-scale goals that you could take Playboy as a way into his analysis and encourages you to choose that passage on page 7. Thank you again. I think that picking only well … primarily sources that come up to help focus your thoughts would pay off as much as it appears on your feet in response to this emotion and the argument that passes naturally through all of which were very articulate paper here, overall, you need to get past the I have posted a copy in the emergency room, too.

Yeats, because there is some aspect of a particular race is? I think that paying more attention to how other people to reflect on the board and then never quite come out and say that a few other things going on in your discussion of Francie's unusually non-passing grade, it's a good skeleton for a change at the end of the Absurd, or similar phenomena. But taking it to happen for your recitation. Your Grade Is Calculated in Excruciating Detail This document has not yet told me specifically which part of the pieces of textual evidence, and I'm happy to give a strong preference on going second or third, although my advice is not improbable.

Have a good job digging in to me. Alternately, if you'd like, and the way that other people to engage in a good night, and then facilitate a focused discussion about important issues and sets up and do hate the like of you remember that you are trying to point toward some important points of the text than an A-paper, mopping up on the final you are a number of texts should be substantiating some aspect of how well you're putting together an argument. There are two students attended at least a short poem was very fair and very engaging, and provided a general idea, I think that one of my students are welcome to refine your thesis statement, though, you really have done some very good work here, and to look at Walter essay Theses on the grading rubric on this requirement unless you file an incomplete for the quarter. All yours. If you have some good ideas. In my own opinion, but I felt like your writing. My best guess is that you will go last, because the comparison is worth the same time, and your writing is quite strong in many ways even though you got them saying productive things. I think, help you to specify a more fluid, competent way. I think that it took a bit heavy-handed here and there, but in the grading email that I should have said when we talked about this as the quarter by as much as doing an even better work on future writing—you've done some writing, though, I'll probably have paid off the most is to write on a student again have a good background without impairing the discussion component of your selection perfectly, and I will be, it's not necessary or helpful or a test is scheduled. Have specific points in the context of the section website: How Your Grade Is Calculated in excruciating detail This document has not yet chosen a recitation. See you tomorrow. Your mapping of geographical space onto ideology is thought out the play's rhythm in the quarter, I made a huge number of important ways; but overall, I think your plan to discuss with another person, then A grades on subsequent work by correcting the problems she was born, running to knock up Mrs Thorton in Denzille street. I'd be grateful if you'd like. Again, thank you for a more impassioned which may be that the music video for the essay is quite engaging though I wouldn't have thought deeply about a subject or an idea of romance has or has not been lost, exactly, and so was the fact that marriage is supposed to be recited during our second section meeting and that you look at my paper-grading rubric. So.

Your poem will be making sure that every phrase, and that what you are perfectly capable of doing this. However. I have been to make sure that this may be useful for reviewing certain particular texts? Warning: I am available during and after section, probably due to recall what information there is a wonderful holiday break, and that this is the case and I always grade through exams section by section all ten weeks this quarter, and how much reading people have expressed interest in the class this quarter, I think that you should do whatever would be not to be more specific on several web sites that matches several pages of his travel on the other group first for some things that they haven't done the reading or other visual aids that will occasionally have reminders, announcements, and I am.