#them being made for each other and their story was already a tragedy but them now having to make themselves feel despair on purpose but

[star2fishmeg]

ᴜɴᴅᴇʀ ᴡʀᴀᴘs

[4.4k] Pairing | bsf!Luke Hughes x bsf!afab!reader Summary | luke and y/n are tired of feeling left behind and help each other out…but in the company of their friends. but it makes a good story, right? Warnings | 18+ smut, kinda slow start, best friends to lovers, long haired luke!!! Bc I love long hair, umich!luke, (basically public) fingering, swearing, appearance and sex insecurities, tiny bit of angst but not really, mutual pining, making out Authors Note | im in such a luke brainrot it’s painful, this was supposed to be a blurb but I can’t control myself but anyway, this is my first hockey fic i hope its alright. Based on this after hours post! This is a work of fiction, please remember that my dudes

Luke felt like a creep. But she looked so at peace sitting on the lake's docks, feet dangling and toes skimming the water's surface. While she was nothing but a silhouette in the distance, the sunset cascading on the horizon complimenting her like a portrait in a museum. He also wasn’t sure on how long he’d been standing at the sliding patio doors, the UMich boy’s voices blended out into a white noise while his mind wandered to crevices of thoughts he’d been avoiding for months, but anything to escape Ethan and Luca’s conversations about girlfriend stories. Yes, he was happy for them, found it cute in fact, but when was it his turn to have that chapter in his life? He could have it if he didn’t panic and fumble at every party they threw, just a bit more alcohol and maybe he’d have a chance but like all victims of tragedy, no one would ever be her. Could ever replace her or even substitute her. So, while his curls bounced in the gentle breeze, Luke Hughes admired the only girl in the University of Michigan that’s ever made his heart ache and contort in bittersweet ways.

With a firm slap to his back, Luke’s daydream snapped back to reality, to Dylan Duke grinning and wiggling his eyebrows. The most painful thing Dylan had to endure since he met Luke was watching his friend follow y/n like a lost puppy begging for attention, and there was nothing more he wanted than for the two to just kiss already. They almost did, once, at someone’s birthday party when they both nursed a bottle of tequila. But Dylan never told them that, he wasn’t entirely sure if he dreamt it, if he was honest.

“Just go talk to her, be honest,” Dylan said with a light chuckle, nudging Luke towards the porch steps.

Luke’s legs stopped stiff, and spun to face Dylan in protest, “No! What do I even say? ‘Oh, hey y/n I know we’ve been friends for a while, but I’m in love with you haha hope this doesn’t make it awkward’? Like, come on.” With the way Dylan’s grin turned almost menacing, Luke felt his heart almost stop, his stupidity catching up with him, “This stays between us, Duker.”

He groaned and watched Dylan giggle his way back inside. Wingman or menace? Fine line, but at least he was better than Jack. Who quite literally tried trapping him and y/n in a closet when he found out, hoping for the best. Perhaps Dylan would actually help him get somewhere, he’d spent many parties coaxing Luke into making a move but Luke being the humble soul he took pride in, let her have her peace. Oh, how much he regretted it every time he heard her laugh because of another guy.

Thankfully the docks were at the far end of his garden, out of earshot and almost out of sight, if you weren’t spying. He stood silently, just taking in her very existence alone. If she weren’t wearing his hoodie so proudly, he would’ve sat down by now but the heat that flushed into his cheeks prominently just had to ease before he could show his face. Maybe she’d find it cute that his face flushed so easily, or maybe she’d think he was a fool for thinking he had a chance. Girls were hard to read, so many codes and hints, he couldn’t keep up with them all and God forbid you had an ugly code name. Watching her like that did raise the thought, what was his code name? Did he really want to know?

“I can feel you starin’,” her voice chimed, their eyes meeting as she craned her neck, “you gonna join or just stand?”

Luke’s lips pulled into his famous half-smirk, “I like lookin’ at pretty things, can you blame a man?” He sat next to her, thigh to thigh, shoulder to shoulder like they usually did, the weight of his boldness lifting off his chest. “What’s runnin’ through that mind of yours?”

“Who said I was thinking about anything? Maybe I was finally catching a break from the zoo. Maybe I was thinking that you need a haircut.” Her laugh was like music to his ears, her voice his favourite song and every word that rolled off her tongue felt like ecstasy surging through him and freezing the world around them.

Spending a summer in a lake house was the only way y/n ever wanted to live. An oasis of serenity and laughs, endless memories, and an escape. But while she dipped her toes in the water, watching her reflection ripple, the everlasting thought that it was fleeting crawled its way back to the surface whether she wanted it to or not. The boys had been doing this longer than she had, it was her first time at the lake house and possibly her last. But there was nothing wrong with enjoying it while it lasted, being trapped under the same roof as the boys wasn’t as bad as she’d assumed. Except for the smells, they were straight-up disrespectful. Would she still love it as much if she was with other friends? Hard to say, if Luke was there, everything would be fine. Maybe a couple more girls would’ve been nice too, though.

“Please, you’re staring blankly, don’t try me.” Luke scoffed playfully, shoulder gently nudging hers as she rolled her eyes, unable to resist a gleaming smile. As much as she wanted to rebuttal, he was right. They’d met on the first week of university, Luke starting hockey practice and y/n starting as their new social girl and since then the pair of them had been two peas in a pod. Completely enamoured with each other, attached at the hip, where Luke went, he’d bring y/n, his person.  “Wait, you think I need a haircut? Is it that bad?”

She laughed, Luke, stooping so she could thread her fingers through his unruly curls gently, something only she was allowed to do, “Nah, I like your hair long, cut it and I’ll cut you.” They pulled back, sitting in their original postures and watched the sun’s pinks fade to oranges, “I was thinking about how many girls you’ve brought here.”

He blinked twice, turning his head slowly to face her and to his surprise his eyes met hers. There was a gloss to them, illuminated brightly by the sunset but like glass as if she were about to break. Heart beating in his ears, he licked his lips, almost quivering when he began to speak.

“Just you.” His voice just above a whisper, husky, “Only you. Always you.” Their gazes lingered, and his eyes fluttered to her lips for just a split second before he found himself licking his lips again, feeling his throat dry at the way her eyes crinkled when she smiled. His heart ached, he didn’t have half the guts the Fantilli brothers did, if he had then maybe he would’ve at least wrapped his arm around her. Instead, he sat like he was paralysed, just shoulder to shoulder as she rubbed her bare foot against his leg, their skins touching, lighting little fires up his body and his stomach gaining a warmth he’d only felt in the after-hours of his bedroom.

“Lu?” she rested her head on his shoulder, staring back out towards the horizon, “Do you ever feel like you’re so far behind the people around you? Like you’re missing out.”

Luke leaned his head against hers, almost nuzzling into it as he thought. It was a heavy question, one that’d been weighing on her for a while. Or he assumed, considering she’d never openly asked the group. That’s what made him feel special. Her feet hung still, ending their teasing game and just fell limp. He exhaled, could he let his pride go and agree? Or could he completely one-up himself and disagree, which made him braver? He loathed the storms she started in him, thoughts he never imagined he would think in his hockey brain. One girl could change his entire train of thought, change his heartbeat, change his mood. One woman he pined like a lost puppy over.

“Sometimes. What do you mean?”

“Like, all my friends have these insane hook-ups and embarrassing sex stories and I have nothing. Yeah, I’ve had boyfriends before, but I was younger and stupid then. I go out with my friends and I’m basically invisible to any guy who approaches us, just feel unlovable. And now here I am, twenty years old and a fucking virgin with little experience and no wild stories.” She vented, barely taking a breath as the words spilt from her mouth. Luke’s chest twisted, his face softening when she snuggled into his side. “I don’t know where I’m going wrong, Lu.”

He paused and bit his lip when he wrapped his arm around her shoulders, pulling her body into his chest. She melted into his touch, getting a whiff of his woody, amber cologne, her favourite one at that, the one he always wore. She’d never had the chance to properly relish in his touch, was his chest always this firm? Arms always bring this much security? Fuck, when did his hand get so sexy when on her body, gliding down her arm to nestle in the curve of her waist. With her ear pressed to him, the thundering in his chest surrendered his cover entirely. Cool and collected Luke Hughes was secretly a bumbling mess.

“I get you.” he finally spoke, ears burning when her finger traced shapes on his thigh, “My entire life has been hockey, so not a lot of space for experiences either. Not enough time for relationships between practice and games, development camps and time with family. A lot of the girls who liked me didn’t really like that. That or they liked my brothers and friends more, they are a lot more attractive than me, so I don’t blame them. M’just average.”

Y/n pulled away almost instantly, her eyebrows knitted and jaw agape. For a moment she thought she heard him wrong, ‘a lot more attractive than me’, ‘just average’? Delving into Luke’s psyche turned out to be an entirely different road trip than she had thought, heartstrings tugged as her lips fell to a frown. Who in the world made him feel like that? Who did she need to hunt down? But then again, Luke’s blood boiled hearing how insignificant she felt and who exactly made her think that to start with?

“Luke Hughes you are not average! You’re the hottest guy I know!” she yelped, the hand that drew gentle patterns now clutching his thigh tight. Luke gulped but didn’t retract away from the noise. His brain was too busy short-circuiting over the fact her fingers were dangerously close to his crotch, doing his best to contain himself with slow breaths, “They just didn’t give you a chance, if they really knew you, they’d be heads over heels. You’re so fucking smart, and passionate. And-and if they saw you smile for real, not a half-smile, your full smile with your teeth, the one that feels like a warm summer’s day. It’s their loss, they’ll never know how sweet you are, that after a bad game, you want steak and head scratches, that you’re sentimental as fuck- like you wear that Yankees hat because Quinn got it for you when you fell ill and couldn’t make the game. You’re not average.”

Luke blinked, once, twice and thrice as her eyes bored into his, glazed with fire as the words tumbled from her mouth and circled his head. He watched the way her body rose and fell as she caught her breath, the grip on his thigh tightening and heat rising through his body. He felt the sweat building on the back of his neck, his collar suddenly becoming too tight. She thought he was hot? She remembered such little details about him like they’d known each other since they were kids. The hand around her waist slid to her lower back, his thumb rubbing the fabric of her (his) hoodie unconsciously.

He smiled, his warm smile she mentioned, where his eyes wrinkled and his chin tilted up triumphantly, “The hottest guy you know, huh?”

Y/n’s face dropped. Never in her life had she experienced her heart stop the way it did hearing those words. She stared like a deer in headlights, she slipped up and the heat rushing to her cheeks burned. This is what happens when you let your feelings take over, you make a fool of yourself in front of the one person who would never want to. She sighed, hung her head and hid her face in her hands, the butterflies in her stomach choking her when Luke let out a saccharine chuckle that made all the flowers bloom.

Large, warm hands wrapped around her wrists with a feather touch, and slowly pulled her hands away from her face and into her lap, soothing her nerves with a gentle rubbing of her knuckles with his thumbs. Although his hands felt clammy, the tingling in his stomach became too addicting to care about it too much anymore.

“Don’t hide,” she was radiant under what was left of the tangerine hues, eyes almost sparkling, “let me see that pretty face.”

She hesitantly raised her head, eyes meeting his and her body relaxed. She had no idea why she was so embarrassed, he hadn’t gagged, laughed in her face nor had he physically repulsed. Instead, he looked at her like she’d hung out the stars for him, wide eyes with rose-tinted ears.

“I think you’re very pretty too. Beautiful even, I-“ he hesitated, “you have no idea how many times I’ve thought about kissing you, asking you out. Honestly, the idea of you rejecting me is terrifying so I never did, plus, I’ve never kissed anyone before, and I didn’t wanna fuck it up.”

Her eyes fluttered to his lips, the world around them falling silent until it was just them in their own bubble. Luke gulped, his eyeline following the way she flickered between his eyes and his mouth before he found their bodies leaning into one another, noses ghosting. His hands released her wrists, one arm snaking around her waist sending an electric tingle through her veins and holding her firmly close. They’d been this close before, sure. Multiple occasions of having his arms around the back of the sofa they sat snug on, arm hooked around her shoulders because some guy couldn’t get the memo at bars, in fact, the root cause of their problem was undeniably because everyone assumed they were together except them.

Y/n’s palm held his cheek tenderly, the hot, carnal desire to devour the boy only being released from its cage when he melted into her touch as if he was opening his doors to vulnerability.

“I can teach you if you like,” she whispered, her thumb tracing across his bottom lip. Luke’s fingers gripped her waist as if she couldn’t be any closer than she already was, but he couldn’t risk letting her slip from his grasp again. He wanted to erase all those other guys who’d kissed her, he would be the last guy on Earth to taste the lips that words and giggles laced with a honey-like sweetness that cradled his heart.

“God, please-“  his heart beat twice as fast, y/n leaning in, closing the gap between them and pressing her lips gently to his. If he were to die right there, he’d die the happiest man alive. Her lips were soft and warm, igniting every firework inside of him and adrenaline shaking him back to life. He could do this for hours, drinking in her citrus fragrance, lips mimicking the way she moved hers against his. If she was a match, he was kerosene and he’d let her set him ablaze over and over if it meant he could feel like the only man in the world until the end of time.

They pulled away, eyes fluttering open to an exchange of giggly smiles. Despite it being a closed-mouth kiss, nothing extra, just soft and sweet, Luke’s thoughts raced at a million miles per hour. All the weight on his shoulders lifted and he nuzzled into her palm, placing a kiss on it.

Y/n raised an eyebrow, his puppy-like gaze almost distracting her from how his skin burned pink in her palm. But in a way, all her previous anxieties dissipated like dust in the wind, tummy flipping at the pathetically sweet and lovestruck expression spread on Luke’s face, “Your face is so red. Are you okay?-”

“-Can we do that again?” He pleaded, quickly, desperately, a certain yearning feeling on his lips that he couldn’t quite describe, except that he needed to taste her again. He needed more, so much more to quench his thirst, a kind of fuzziness he felt in his core.

“Uh- yeah, let me show you what a real kiss is.” No hesitation was needed, y/n’s hand slid from his cheek to the nape of his neck, fingers carding through his curls as she roughly connected their lips again, messier, teeth chattering from the impact. Luke’s other hand found comfort on her thighs, pulling them over his lap and giving gentle squeezes, moaning when y/n bit his lower lip. He opened his mouth with ease, failing to hold back another moan when her tongue lapped his. He wasn’t sure how to react, he’d never made out with anyone and it’s not like his brothers would’ve explained it well either. So, he repeated her movement, his tongue dancing with hers with saliva lubricating their lips each time they dove back in to devour each other. Y/n tugged his curls lightly, pulling him closer, savouring the kindling arousal leaking into her panties with the way he craved her.

Luke pulled away to breathe, his chest heavy but shorts becoming tight with the intense and fiery eye contact that screamed nothing but lust, “You,” he kissed her again, fervently, “taste,” another kiss, “amazing.” He mumbled into her lips and their tongues stirred again, whimpers drawing from the back of her throat when his hand travelled further up her thigh, under her shorts and found solace on the skin only he could touch. Any further and she couldn’t promise she wouldn’t pounce, her underwear was soaked through and sticking to her folds and even one measly brush on her clit would open the floodgates.

A foreign burst of confidence washed over him, and he detached their lips, a string of saliva between them and her hand still tugging at his curls and whether intentional or not, he discovered something carnal clawing away inside him. Wetting his lips, he dove into her neck, planting wet kisses along her column and nipping in the hope of hearing her mewl again. Y/n tilted her head to the side, giving him free rein over her skin and her jaw slacking, whining his name with her thighs clenching together for any kind of friction. As he began to run his hand along her thigh, his pocket vibrated continuously, earning a growl to rumble from his throat.

“Fuck, why’d you stop?” y/n whined, hand falling from his hair to his chest. Luke pulled his phone from his pocket with a disgruntled look, of course, his moment was ruined. Swiping the notification away, he clicked his tongue, sliding his phone back into his shorts.

His arms wrapped around her waist, and looked back into her adoring yet disappointed eyes, “Dylan wants to know if we’re joining them for a movie.”

“I’m quite happy staying here with you.”

“Who says we have to watch the whole movie?”

Silence hung over the living room, only the TV blaring and the light crunching of popcorn from different directions. The lights were off, just the TV and three boys crammed on one sofa, and three plus y/n on the other. Luke, y/n, Rutger and Adam on the sectional directly opposite the TV, Luke occupying the end with the chaise for his legs, and y/n sat between them and huddled under a blanket. Rutger sat in the middle with Adam on the furthest end. Dylan, Luca and Ethan huddled together on the sofa adjacent to the TV, popcorn littered between them from missing mouths and flinching.

Luke’s hands wrapped around her waist, keeping her snug against his chest while she slowly chewed Haribo’s, feeding them to him now and then. While his heart skipped beats, feeling like a meadow of tulips blooming in the Spring, y/n’s wiggling against his crotch lured all the heat and butterflies from earlier straight back to his stomach, sending it into twists and turns. Heat flushed to his neck when she pushed her arse back into him, in an innocent attempt to readjust. A deep exhale through his nose and his hands slithered to her thighs, fingers kneading the flesh like dough as his head dipped into her shoulder, breath hot on the skin and making her hairs stand on edge.

“Stop wigglin’, pretty girl,” he whispered into the shell of her ear, placing a kiss, “you’re drivin’ me crazy.”

She froze, body falling limp into his as he ran his hands under her hoodie, his stiffened cock poking into her backside as she caught on to what his problem was. The sex-deprived whore in her awakened with a jolt, his cock solid because of her, and there was nothing she wanted more than to feel him pressed up against her, unable to find his release and have the rasp of his voice reverberate through her being as her vibrator. 

“And if I don’t?” she whispered back, as close to him as possible without being heard. Instead of answering, Luke dipped his fingers down her shorts, middle finger brushing against her clothed clit. His eyes locked to the screen in front of him, resisting the urge to smirk when her breath hitched but continuing to glide his finger – in what was a lucky guess – over her bundle. She squirmed, clamping her thighs together, only to have them pried open by his free hand.

“Be a good girl and keep quiet, unless you want to be caught.” His playful tone sent chills down her spine, goosebumps swarming on her neck but melting into his touch. She plopped another sweet into her mouth, chewing intensely when Luke drew his long fingers away, only for her to feel them caress over her skin, cold on her warm body, and down her panties. To describe the sensation that zipped through her when the pad of his middle finger reunited with her clit would be the same shock if you were to be struck by lightning: sudden and sharp, rattling up the spine.

Y/n placed the bag of sweets in her lap, tucking both hands under the blanket with the hope of seeming less suspicious, but her hand skimmed down his arm and placed itself on his, slowly guiding his movements on her nub until he got the idea. Firm yet gentle circular movements, the slick seeping from her warm on his fingertips, so inviting he wished he could have a taste. She pulled the blanket to her chin, not only to cover Luke’s sudden mood but to form some form of distraction from the fuzzy feeling rising to her head. No, she’d never had this before, so the experience itself embraced her tight, addicting like nicotine.

He kissed her temple, two fingers sliding into her cunt almost perfectly, too perfect that another Haribo was abused between her teeth as her breathing struggled to remain neutral. The moan that would’ve slipped past if she hadn’t been concentrating would’ve been embarrassing enough. Luke began languid plunges into her, relishing in the way her walls squeezed his fingers tight, keeping shallow at first. The more her pussy swallowed him in their wetness, the faster his mind spiralled in greed and his pace sped up, y/n’s nails digging deep into his leg, leaving crescent shapes on the skin. The heat pooling in her stomach was riveting, knowing she would finally have an insane story to tell even more so. No one could say that Luke Hughes’ tongue tasted theirs like it was the best meal he’d ever lapped up and that he’d watched a movie with his friends while pushing the limits of both his and their sanity publicly.

With a rush of adrenaline and her nails marking him, he buried his fingers deep into her cunt, driving swiftly and curling in places that made her wriggle against him, his free hand having to hold her hips still with a bruising grip and his cock begged for attention in his shorts. Y/n popped two more sweets in her mouth, relying on their gummy nature to suppress the moans that threatened to tear through her as the knot inside her came dangerously close to snapping with the way he bullied her pussy with his bare hands. His breathing fell deep and shuddered, his heart infatuated with the ecstasy of finger-fucking the woman of his dreams in front of an entire room of his friends hammered in his chest while his face struggled to stay indifferent and jaw tight like his cock isn't throbbing violently and straining against her arse. Like she wasn’t bucking her hips into his touch like he couldn’t tell that her heart was going haywire because of just him alone. If this was what foreplay was like, the idea of piledriving balls deep in her until she couldn’t remember her name was divine.

He dragged out his last pumps, the knot in her stomach snapping and coating his fingers in hot, sticky release, kissing her temple upon her body physically shuddering. Y/n pulled the blanket up to her chin as if she had shivered naturally, stuffing her mouth into the fluffy material. Luke pulled his fingers out, wiping the residue on his shorts, practically drooling over the image of milking her dry. His arms snaked around her waist, snuggling close. Y/n sighed, slumping back into him. On the outside Luke was his collected and cool self, his breathing stable and attention on the movie, the heat in his face and hands that rested on her stomach, soothing her heart rate screamed that he was the happiest guy in the room. With every gentle stroke of his thumb on the flesh of her stomach, her heart soothed and her eyelids became increasingly heavier.

"Was that story worthy?" He whispered, kissing her cheek sweetly.

Luke’s pocket buzzed and he tutted, carefully sliding it from his pocket and unlocking it, trying his best to prevent the screen from blinding everyone.

Duker idk if ur freaky or brave u dog

Luke closed his phone and looked up towards Dylan, who sat with a shit-eating grin. He smiled and shook his head, mouthing a subtle, ‘this stays between us’.

[Masterlist]

[Requests CLOSED]

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[hannaxjo]

Alan Rickman, David Thewlis, Gary Oldman and all those are iconic in their roles in Harry Potter, but I’ll always be a bit sad about that casting, because having that ‘Marauders era’ cast be age appropriate would’ve just been so much better for the story.

Sirius wasn’t this old man who spent 12 years in Azkaban, no he got locked up at 21. He spent almost third of his life in a cell. He wasn’t this wise father figure to Harry, he was a reckless thirty-something who never really got the chance to mature past 21.

Remus was an exhausted, bone deep tired man carrying both physical and mental scars from the suffering he went through. Because he’s a werewolf, because of the war, because he lost all of his friends. And he’s only 33 when first introduced.

And Snape. Snape wasn’t an old bitter man who just hated everyone and enjoyed being antagonistic. He was 31 in Harry’s first year. He began to work for Voldemort as a teen, and as a double agent at 20. He’s a thirty-something bitter man, who never got to really live or make real connections. From Harry’s perspective he’s scary and intimidating, but really he’s just kinda…sad and pathetic. And then especially that scene where Snape is begging Dumbledore to help save Lily, and promising anything in return. (Because apparently Dumbledore needs something in return…for saving people.) He’s twenty. Barely out of his teens. Rickman was good in that scene, but having someone who actually looks twenty, would better show how scared, young, guilty and just desperate he was. That might not put Dumbledore in such a good light, though.

And then, the characters I think would’ve been the most important to cast age appropriately. And most people probably already agree and know who I’m talking about. James and Lily. They were 21 when they died. When Harry sees them in the mirror of Erised, they’re 10 years older than him. That’s the age difference Ron has with Bill. In that scene I might understand somewhat them being in their thirties, because that’s what Harry wants. He wants his life with his parents, he wants to have been raised by them. Though, I don’t know if the mirror could know what they might’ve looked like in their thirties, since they didn’t live that long. But then, in the cemetery when Voldemort’s wand spits the last spells cast, we see Lily and James as they were. 21. They’re telling their son to hold on just a moment longer. And they are 7 years older than him. In Deathly Hallows, Harry sees Voldemort kill them. They’re not this happy couple who’s got to love each other for a long time, only to have that happiness torn from them, no they started at Hogwarts ten years ago. They’re 21, and they’ve barely tasted that happiness. At the end of the book Harry talks to his parents. They comfort him and promise to stay with him, as he goes to die. Harry’s seventeen. James and Lily are four years older than him.

It wouldn’t have felt as nice. Harry being comforted by someone who looks almost his age. But it wasn’t nice. It was pretty tragic. Casting people who look 21, would’ve really made it land on the audience. It was a tragedy. They were barely adults.

[vnti-vnxiety-recs]

Serenade of the Damned (M)

★ PAIRING: Pied Piper! Haechan x Little Red! Reader

☆ WORD COUNT: 10k

★ GENRE(S): Dark fantasy AU, Dark Fairy Tale AU. Magic. Smut, enemies to ??

☆ SUMMARY: The Pied Pier was one of the most feared folk legends of your time. Little did you know he was real and was coming to take your life. You, who was known as the wolfhunter, realized that the hunter had become the hunted.

★ ☆ WARNINGS: mature themes. Minor character death, knifes, blood, violence, alcohol, unprotected sex, gangs, threats, killing, 18+, MDNI

☆★ NOTES: Hallo! This is something that is totally different from my usual writing style, so im a little nervous to debut this, but im so excited because this concept was so freaking cool. I've been sitting on this for a while, but I thought it would be best to post in oct to fit the Halloween spirit. See the request that inspired it here.

Glossary Changelings- a shapeshifting race of beings that are related to the fey Tiefling- a humanoid race with devilish ancestry. They are known for their large horns, extravagant appearance, and carefree attitude Halfling- A halfling isn't a half-breed in that sense. They are their own separate race. They're called halfling because they're about half the size of a human. Half-Elf- A race that has a mix of human and elf traits Half-Orc- A race that has a mix of human and orc traits Harengon- race of rabbit-like humanoids Half-Harengon- A race that has a mix of human and harengon traits

In a quaint, shadowy town, where cobblestones whispered secrets and fog clung to alleyways, the figure of the Pied Piper emerged like a ghost from the depths of folklore. Clad in a tattered cloak, his features were obscured by the dim light of the moon, but the shimmer in his brown eyes betrayed a glimmer of mischief. To the townsfolk, he was more legend than man; a cunning sorcerer with the rare gift of crafting melodies so mesmerizing that they can lure even the most elusive creatures from the depths of their dens.

But behind his charisma lay a tale steeped in darkness—a story of pain that turned sweet melodies into lethal harmonies. The legend goes that the Piper had once been a simple musician, beloved for his ability to summon the gentle creatures of the forest with a mere note. But after tragedy left him scarred, his music dulled into a haunting echo of vengeance. Now, he used it to lure unsuspecting victims to their brutal demise.

He made his way toward the shadows of the town, the air thick with the anticipation of a storm. His target tonight was none other than the famed wolf hunter, Little Red. Much like him, numerous tales whispered through the streets about this legendary wolf slayer. He didn’t care; all he knew was that someone wanted you dead and was willing to pay a pretty penny for it. With each step, he breathed in the electric air, a smirk playing on his lips, ready for the deadly dance that awaited. 

Once upon a time…

There was a girl raised with cruelty. Some say she was raised by wolves. She knew nothing but brutality and lies as she grew up. Her family was ruthless and cold.

At a young age, she didn’t grasp the true nature of their business, but she sensed it was far from safe. Whispers of peddling girls and dirty money surrounded her family’s name, wrapping around it like a dark shroud, leaving a bitter taste in the mouths of those who spoke of them.

That girl was you.

You would come to learn that your parents were merely puppets, with someone behind them pulling the strings of their misdeeds. Like a fool, you were a puppet's puppet. You ran their errands, cleaned up their messes, and shouldered their burdens, enduring their brutal beatings when something went wrong.

One day, everything changed. 

You came home to an empty house, silence swallowing you whole. They had abandoned you, cutting their strings and fleeing with their puppeteers' money, leaving you behind in a world that was already merciless enough.

It wasn’t long before your grandmother found you, just before the bruisers came looking for you and your parents. Your grandmother was harsh, but you always thought she loved you in her own way. The forest was your new playground, a wild expanse where you learned to fight, to survive, and to become something more than a victim. Her love was implicit in the hours she forced you to spend deep in the woods, stalking prey, learning to hunt, and discovering how to protect yourself. You braved the harshest weather and the most unforgiving conditions, and though she never spoke loving words, you told yourself that this was better than the life you had before. 

You grew stronger, sharper, and more cunning. Each scrape and bruise taught you resilience, and every moment of solitude in the forest became a lesson in self-reliance. In time, you transformed from a puppet to a predator in your own right.

But soon, new whispers would begin to follow you.

You grew older, you could stand on your own two feet and you didn't need anyone but yourself.

Working at the nearby tavern, you earned a meager living delivering food to families in the area. You tucked delicious meals into your picnic basket and pulled your red hood high over your head.

Your grandmother had insisted you wore a hood in the city—she always said, "Wolves never forget." It had been years since your parents had run off with their tainted money. The Wolf Gang, a notorious bandit group that terrorized the townsfolk and threatened the crown with their ruthless dealings. They had once pulled the strings of your parents, and now they were still searching for you and your family.

As the end of your shift neared, you gathered your cloak tightly around you, seeking warmth against the biting chill of the approaching evening. After finishing your last delivery, all you wanted was to sink into the comfort of your humble home.

You entered the crowded tavern, your red cloak immediately drawing attention. The tavern master, a burly man with a thick beard, called out from behind the bar, his jovial tone slicing through the lively atmosphere of clinking mugs and laughter. “Heading out, little Red?” he teased, a grin spreading across his face as patrons turned to see who had just come in.

“Don’t call me that,” you replied, making your way to the bar.

“Oh, come on, Red. You won’t even tell us your name. What else are we to call you?” a half-elf named Renjun chimed in, leaning against the bar with a playful smirk.

“Faye,” you offered back, your voice laced with indifference. “Or Edith. What about Celeste? Do any of those names suit me?”

The tavern master chuckled, shaking his head.

Another voice chimed in.  “Oh come on, Renjun, we all know she can’t give us her name 'cause the wolves are after her,” a drunken half-orc named Hendery piped up, slurring his words as laughter bubbled up around him.

“Our little Red? Yeah, maybe when the Great Oak grows wings,” your boss added, his laughter infectious. "I do hear whispers of The Wolf Gang creeping closer to town. Just be careful out there." His expression turned serious for a moment, eyes scanning the room to ensure no unwanted ears were listening.

“I can handle myself,” a knot of unease tightening in your stomach. You understood the truth that lurked too close to the surface, the gnarled roots of your past intertwining with your present. The jokes and jests may been harmless to them, but the threat was all too real for you—a shadow that loomed ever closer.

With a wave, you turned to leave, the laughter of the tavern fading behind you, each step taking you deeper into the night. The forest beckoned; it was a sanctuary you understood better than the city. This is where you resided with your grandmother; she had less influence over you now but she was still as cold as ice. 

As you approach your cottage your human eyes struggled to perceive much in the darkness, the moonlight offering only a faint glimmer of clarity about the situation before you. The window to your cottage lay shattered, and the door hung limply off its hinges. At first, an icy fear gripped you—had a pack of wild animals broken in? But as you stepped through the threshold and took in the scene, you realized you were only half right.

A wolf towers over your grandmother's body, her ragged breaths shuddering in her chest. Its long, gangly limbs covered in fur and its ferocious muzzle are coupled with an unsettlingly humanoid shape. It looks like a nightmarish wolf, standing unnaturally on bent back legs. It's a perverse mockery of both wolf and man. These wolves were changelings, creatures that often adopt grotesque forms. Changelings can transform into whatever they desire. In a bid to evoke fear throughout the town, their gang had chosen a form that is both terrifying and unnatural.

"Get away from her!" you cry out, drawing a long hunting knife from your cloak. It may not be the ideal throwing knife, but it’s all you have in this moment of desperation. With precision, you hurl it at the creature. The creature howled in pain, a guttural sound that echoed through the silence of the night. It staggered back, the blade lodged deep in its shoulder, before bolting through the back doorway and disappearing into the darkness beyond. You could feel your heart pounding in your chest as adrenaline surged through your veins.

You rush to your grandmother, a whirlwind of emotions crashing over you. A part of you still harbored resentment, but she was all you had left. Kneeling beside her still body, you fought to steady your breath.

“Don’t fret, child. All will be well soon,” she rasps.

“Save your breath; I’ll find help,” you insist, tearing off a strip from your ragged dress to staunch the flow of her blood.

“There’s no time. Just promise me this: you will seek revenge. He wont just forget he saw you here. You must slay him before he tells the pack.”

In her final moments, she doesn’t utter words of love or comfort, but instead urges you to finish the job. It feels as if the last remnants of your heart shrivel and die alongside her, leaving a hollow void.

You stand up, your resolve hardening as you retrieve your knives from the secret spot beneath the loose floorboard. With a determined breath, you slip out the back door, embracing the darkness of the night.

He was wounded. He didn't get far when you found him. You weren't a puppet anymore; you were a hunter, and that night you killed your first wolf.

Any hope for a normal life died that night. She had thrust this burden upon you, and you could almost hear her voice echoing through the darkness, pushing you into a path you never wanted to tread. You didn’t want to kill that wolf. You wanted to run, you knew they would chase you but you were tired of fighting.

When the weight of his lifeless body slipped from your grip and sank into the murky depths of the sea, a pang of regret twisted in your gut. Days later, the waves returned him to the shore, a grim reminder of your actions. You realized then that you couldn’t simply wash this away.

With each report of the recovery, the whispers in the village grew louder, the shadows seemed to close in on you, and you found yourself a target. You didn't want to have to go further into hiding and you definitely didn't want the bounty that was put on your head.

The red hood, once a cherished gift from your grandmother, had become a symbol of something far darker. It hung around your shoulders like a curse, a silent testament to the blood that stained your hands and followed your name like a whispered sin. 

Then why do it? You had no choice. It was her dying words.

In this world, dying words carry some of the strongest magic imbued within them. They possess the power to curse, bless, or even command. When someone hears the dying words of another, they are bound by an unbreakable pact—compelled to fulfill the deceased’s last wish or face dire consequences. So, not only did your grandmother use her final breath to send you on a path of violence, but she also wove a curse around your fate, ensuring that if you failed to see her wishes fulfilled, you would bear the weight of her wrath.

Three cheers for family.

Your life was never comfortable, but you had grown accustomed to it. Working at the tavern provided easy coin, and you were frequently rewarded with free meals that warmed your belly and warded off the chill. The camaraderie of the patrons offered a fleeting sense of belonging, a brief escape from the harshness of your reality. But now, you stay hidden deep in the woods, very rarely do you go into town.

With winter just around the corner, the familiar game you hunted had grown scarce as the animals retreated into their dens. You were forced to broaden your field. You became a shadow among shadows, relying on your nimble fingers and quick wits to steal and swindle whatever you could in the city to put food on the table.

Tonight you were on a small heist, targeting a goblin who operated a brothel in the seedy pleasure district. He was known for his shady dealings and had amassed enough enemies that you weren’t particularly concerned about the theft tracing back to you.

You slipped through the winding, dimly lit alleys when you heard it—a sound unlike anything you had ever heard. It wrapped around you like a warm embrace, soothing your frostbitten ears and igniting a spark of warmth in your chilled body. Mesmerized, you followed the music, feeling an overwhelming urge to shed your clothes and dance, to lose yourself in the heat of the melody.

Your mind was clouded as you pursued the sound, unsure of where you were headed until you rounded a corner and spotted a figure. There, perched atop a barrel in a dark alleyway near the port where the wolf’s body had washed ashore, sat a man.

“Come to me, bring me the one who spilled blood,” he whispered, his voice carried softly on the wind. At first, you almost missed it, caught up in the resonant tune still echoing in your head, but as you stepped closer, the music faded. Rooted in place, you could only stare at the man—or perhaps the creature—before you.

He seemed human enough, but you knew better than to assume. Some beings intentionally concealed their otherworldly traits, opting to project an image of weakness—patiently waiting for the moment they had the upper hand to unveil their true selves.

“Who are you?” You asked, your back ramrod straight, unable to relax even a single muscle.

“Most call me the Pied Piper; some call me Haechan. But those who do rarely live long enough to share the name.” 

The chill of his words seeped deep into your bones at the realization that the Pied Piper was after you. You had always thought of him as a mere childish legend—tales spun to keep children in line, cautionary fables whispered at bedtime. Yet here he was, very much real, standing before you and setting off every warning bell in your body. 

He hops down from his seated position, setting his flute down on the barrel where he once sat. As he steps into the moonlight, he looks breathtakingly beautiful. He appears no older than you, soft brown hair tousling in the breeze, and delicate features that he likely uses to make his enemies underestimate him. But you’re no fool; you see right through him, right to the wolf in sheep’s clothing. 

He smiles at you, a disingenuous smile that doesn’t reach his eyes, as he closes the distance between you. Leaning down until your faces are inches apart, he distracts you, ensuring that all you can see is his face—the last sight you might have before your demise. You catch a glimpse of his deft hand reaching into his cloak, expecting something deadly. But instead, you’re taken aback when he places a gentle kiss against your lips.

Kiss of death.

Your grunt is muffled against his lips as a sharp pain lances through your side. He had stabbed you, just as you thought he would.

In one fluid motion, he withdraws his knife from your flesh just as he pulls his lips away from yours. The sudden pain breaks whatever trance he has on you. You jolt into action; he clearly didn’t expect you to be a skilled fighter. Maybe he thought you’d simply lie down and bleed out. But whatever he anticipated, it certainly wasn’t the swift kick to his chest that sends him reeling backwards. 

Seizing the moment, you sprint away, adrenaline coursing through your veins, fueling your escape as you leave him momentarily off balance.

You clutch your wound and don’t look back, sprinting through the dimly lit streets until you find yourself standing before the only place you know that might offer some help. The tavern looms before you, its wooden sign creaking in the breeze, the faint flicker of lantern light spilling from the windows.

You slip through the back entrance. The tavern has closed for the night, but you knew that the staff often linger for a drink or two. The sounds of laughter and clinking mugs filter through the air, guiding you like a beacon. Stumbling toward the main room, you knock over a few pails and brooms in your haste, the noises echoing in the silence of the empty halls.

“Red?” your boss calls from the dimly lit main room.

The last thing you see before darkness overtakes you is the sight of everyone jumping to their feet, concern etched on their faces as they rush to your side.

When you regain consciousness, you find yourself sprawled across a large wooden table in the center of the tavern, the surface sticky from spilled mead. Your cloak has been pulled aside, revealing the bandages wrapped around your wounds. A soft glow of magic hovers just above the injuries as Mark, the town’s cleric, administers a healing touch.

“Leave it to you to abandon your work and come crawling back half-dead,” Ten, a tiefling who worked alongside you, grumbles with a sigh.

“You’re just mad you had to pick up her shifts,” Lia, the only other human in the tavern, replies with a playful smirk.

“Will you all quiet down?” your boss interjects, his voice firm. “These doors turn away no friend.” He meets your gaze with a comforting smile, and you wonder if this is what a father’s love feels like.

As Mark’s magic dims, he gently removes his hands from your body. “You’re healed, but you might still feel some minor discomfort in this area,” he says, clasping his hands together. He must have been summoned in the dead of night to tend to you. You want to express your gratitude, but all that escapes your lips is a low groan as you try to sit up.

“Easy, you’re still sore,” Doyoung, a half-harengon with rabbit ears standing alert in worry, cautions you. You’ve always appreciated Doyoung; his expressive ears always reveal his emotions, making him a refreshing constant in a town shrouded in secrecy. He’s likely the closest friend you have.

Lia brings you over a glass. "Drink this, I mixed in a potion that should have you feeling a little better"

Gratefully, you take the cup and down it in one go. The warmth of the potion flows through you, easing the aches as you exhale a sigh of relief.

“Sorry for the intrusion; I didn’t mean to bring any trouble. I should be going now,” you say, attempting to pull yourself to your feet.

“No trouble at all, my dear,” your boss replies, his tone warm. “I’m not sure what kind of mess you’ve gotten yourself into, but if you ever need sanctuary, these doors are always open.”

“A little heads-up would’ve been nice if you were just going to disappear,” Ten chimes in.

“He just misses you—ignore him,” Lia laughs, her voice lightening the mood.

You look at them, a genuine smile creeping onto your face. Maybe you weren’t so alone after all.

The Pied Piper was real, and you were on his hit list. Rumors and legends shrouded his name, leaving you unsure of what parts were true and what wasn't. The one thing you were certain of was that his music did possess the power to enchant. You needed to discover his weaknesses—was it the pipe that held the magic? Or perhaps it wasn’t the pipe at all; maybe the true magic lay in the breath he blew into the instrument. 

You had to find him; you couldn’t just wait for him to show up again and gain the upper hand. Once he had his sights set on you, there was no stopping him from finishing the job. He didn’t chase you that night; he didn’t have to. With just a simple call from his flute, he could lure you out whenever he wanted. He was the cat and you were the mouse. You figured he liked to play with his food.

You had to find him and get some answers. Rumors spread as easily as the plague through the cobblestone streets of this city, and it wasn’t long before his name surfaced again. Tracking his movements was difficult; you had to sift through rumors to find the truth. It was like chasing a ghost but soon you had a lead.

His dark cloak enveloped him like a cloud of smog, and his steps were light as you followed his figure into the woods. You weren’t nervous. This was your hunting ground. You stalked him like a silent panther tracking its prey. 

As you ventured further into the woods, you came upon a rundown cottage with a thick thatched roof. You hid behind a tree as he entered the dwelling. After a few moments, a soft, warm candlelight flickered to life inside, casting shadows as you observed his movements. Carefully, you circled around the house, determining that the best way in was through the back. 

You waited until he moved to the front of the cottage before making your move. Slipping a knife through the crack in the back door, you lifted the rusty latch used to secure it. You entered quietly and shut the door behind you, holding your breath as you listened for his footsteps. The house was eerily quiet. 

Slinking along the wall, you made your way through the dimly lit house. The back door had led you into a small, cluttered kitchen. The air thick with the smells of old spices and something sweet that had long since gone stale. Haphazardly stacked dishes piled in the sink, their surfaces dotted with remnants of food that had dried and congealed.

Peeking around the corner into the front room, you took in the scene: a large desk was strewn with crumpled papers and half-filled bottles of ink. In the corner sat an old chest, its surface marred with scratches and mysterious stains, hinting at secrets long kept. A simple chair and a cushioned bench offered a rare spot of comfort in the otherwise bare space.

The room felt almost empty, save for the creaking floorboards that echoed with your every step, but the atmosphere was charged with an unsettling tension. A single door across the room caught your eye, and you assumed it led to the bedroom.

Just as you were about to move toward that room, you felt a knife pressed against your throat.

“I should thank you for making my job a lot easier, you know,” he says.

You freeze in your tracks, the cool blade pressing against your skin. You try to catch a glimpse of him from the corner of your eye. Raising your hands, you attempt to project confidence despite your precarious situation. “I always thought you were just a legend, but here you are. Tell me, who do I have to thank for sending a mere mice charmer to try to kill me?” You smirk, hoping to buy yourself some time and distract him just long enough to disarm him.

“A mice charmer? What are you, then, to have fallen into my trap?” he retorts.

Seizing the moment, you grip the arm that holds the knife and pull it down toward your chest, away from your throat. With a swift twist, you slip out of his hold. Maintaining your grip on his wrist, you twist it harder. The knife clatters loudly to the ground as you kick it away. Grabbing his shoulder, you pull him forward and drive your knee into his stomach. He doubles over in pain, and you quickly pin him down with a knee to his back.

You slip out your own blade and press it to the soft skin of his cheek. “Don’t move. Lay flat on the ground, and if you move even a muscle, I will hurt you.” You sense he isn’t quite the fighter he appears to be; he likely lets his magic do the heavy lifting for him.

He flattens his body against the rotten wood of the cottage and nods reluctantly. You slowly rise, keeping your knife steady, and make your way to the cloth you noticed earlier lying on the ground. You rip off a substantial piece and return to him, using it as a makeshift rope to bind his hands. 

With a swift motion, you pull him up and sit him in the chair in the corner of the room, making sure he can’t easily escape. 

“A mice charmer is nothing without his flute and enchantments, huh?” you sneer, looking him over with a mix of curiosity and derision.

“What do you want? Clearly, if you were going to kill me, you would have done it by now,” he retorts, glaring at you with a fierce intensity

You look at him under the flickering candlelight of the room. His cloak is missing, leaving him in little more than a simple white tunic and black breeches. A chain is tucked into the neckline of his shirt—probably a keepsake or a charm, something that hints at his connection to whatever magic he wields. You stride forward, seize the chain, and yank it, pulling him abruptly forward.

“Watch your tone, or did you forget I’m the one with the knife?” you warn, leaning in closer, your voice low and threatening.

His burning gaze doesn’t falter for a second, revealing the calm resolve of a man who isn’t new to the concept of death. His hands are probably as bloody as yours, if not more so. He’s been captured, but he’s not broken, and that only makes you angrier.

“Who sent you to kill me?” you demand, your patience thinning.

He chuckles darkly, the sound reverberating through the tension of the room. “With how you treat people in their own homes, I wouldn’t be surprised if you had more enemies than you could keep track of,” he replies, a cruel smile curling his lips. “But we both know who wants you dead.”

You push him back into his chair with force, and he grunts as his back collides with the wooden seat. “You better kill me, because if I get free, you’re dead,” he warns, his brows furrowing in a glare that could cut glass.

His confidence is infuriating, and you feel your grip tighten around the hilt of your knife. “You really think you can scare me with threats?” you say, your voice low and steady. "You're in no position to make demands."

He leans forward slightly, the chains around his neck jingling softly. “You may hold the knife, but you’re still desperate for answers,” he counters, a glint of malice in his eyes. 

You ignore his outburst, your thoughts racing as you assess your next move. You had suspected the wolves sent him, but confirming it wouldn’t hurt; you needed to know what you were truly up against. Weighing your options, you realize that killing him could lead to the same disastrous situation you found yourself in before. On the other hand, leaving him tied up while you made your escape was hardly a safe bet. How many times could you flirt with death before it inevitably caught up with you?

"You overestimate your importance," you say, stepping back from him. "I used to think you were some mythical creature that dragged children from their sleep with haunting melodies when they misbehaved. But you’re just a dim-witted knave with a flute." He bares his teeth and struggles against his restraints, but you remain unfazed. "You don’t frighten me, and slaying you would be a bore."

“If you leave me here, you will regret it,” he growls as you turn to leave.

“If I leave you here, you will owe me for sparing your life—don’t forget that,” you reply coolly before stepping out of the cottage.

Each night that has followed that encounter has been nothing but fitful bouts of sleep. You toss and turn, haunted by the shadows of uncertainty, constantly looking over your shoulder, and darting your gaze at every creak that disturbs the silence. Had he seen you? Would he come for you? You knew he would call your bluff if he could see you now, taunting you with the knowledge that you were not nearly as unfazed as you would have liked to pretend. 

You just needed a few more days to gather some coin and collect your belongings before making your escape. This was long overdue. There was nothing left in this town for you, and you had no desire to fight for a place that felt more like a trap than a home. The memories that lingered here were a weight upon your heart, but the thought of remaining any longer made your skin crawl with discomfort. 

If the wolves wanted this shithole, then they could have it, you had no intention of being among them when they claimed it.

It was your last night in this wretched town, and the anticipation of freedom coursed through your veins. You had already saddled the horse you had bartered for, packing all your belongings tightly—everything you could carry and nothing more. Now, all that remained was to wait for the first light of dawn to break over the horizon. 

Traveling under the cover of night felt far too risky; the shadows held too many unknowns, and you were no skilled rider. You knew you needed the gentle light of day to navigate the forest safely on horseback. The thought of losing your way or stumbling into danger sent a shiver down your spine. 

You were deep in sleep when a noise startled your horse outside. Exhausted from a long day of packing, you stirred slightly but let sleep pull you back under. 

You barely registered the creaking floorboards as someone entered your room. Your body was too tense and sluggish from the day’s work to react quickly. As you fumbled for your knife, a figure lunged at you, pressing a hand against your mouth and silencing you. 

A cold blade pressed against your throat, paralyzing you with fear. You lay stiff in bed, heart pounding, knowing no one would hear you scream in the darkness of the forest.

“I warned you, didn’t I? There’s a bounty on that pretty little head of yours that I have to collect,” he coos, his voice chillingly close as his body pins you to the mattress.

The knife presses deeper into your skin, a sharp reminder of your predicament. You mumble against his palm, and he lifts it slightly, allowing you to speak. “If it’s money you want, I can get it for you.”

“I don’t think you know just how much you’re worth,” he replies, chuckling as he grips your cheeks, squeezing them.

“The king of wolves is worth more,” you say, summoning as much confidence as you can.

His smile vanishes. “What a sweet talker you are. If you think I’m foolish enough to believe you could get the bounty from the king of wolves, you’re insane.”

“I can kill the king of wolves.”

“You’re a liar and a thief. Now give it back.”

The charm from his necklace—the very piece you had swiped the last time you were with him—was the key to his power. You had suspected that taking it would render him powerless, and now, faced with the reality of his desperation, you confirmed that he truly needed it to imbue magic into his flute. Without it, he was helpless. You only took it to buy yourself time; if he could lure you out with just a note again, you knew you would be doomed  from the start.

“Only if you agree to let me up. You won’t find it if you don’t let me get it for you.”

“You insolent little—”

“Ah ah,” you warn him with a smile, feeling the power shift in your favor. He steps back to the center of the room but keeps his knife pointed in your direction.

“Find it, now,” he growls.

“I can slay the king of wolves; grant me but a moment. This bounty is surely tenfold that of mine. The queen herself placed it upon his head; she would give us whatever we desire for his life,” you counter, your words dripping with allure.

“Charm, then we can discuss further,” he reminds you, his eyes narrowing.

You huff and roll your eyes, rising from the bed. The silk nightgown clings to your body, its delicate fabric highlighting your curves while the hem flutters just above your knees. The thin straps slide off your shoulders, exuding both elegance and vulnerability.

You notice a blush rising in his cheeks, a mix of embarrassment and something else. His gaze lingers on you longer than it should before he looks away, but not before you catch the flicker of desire in his eyes.

You slyly retrieve your hidden knife while he isn’t looking. Your heart races and as you pull out the charm from your brassiere, holding it up like bait. He takes a step closer, intrigue evident on his face, but you raise your weapon, warning him to stop.

“Stay where you are,” you command, brandishing the knife. The blade glints in the light, and the tension between you grows thick, hanging in the air like a charged storm.

“You shall not claim my life, for I possess a greater offer in exchange for it,” you declare, your tone resolute and laced with the bravado of a champion, your heart racing.

He lets out an exasperated sigh. “How do you figure you will kill the king of wolves?” 

“I’ve evaded you three times now, and you’re the ever-so-feared Pied Piper. Give me some credit,” you reply lightly, hoping to shift the mood.

He responds with a sly smile. “Impressive, I’ll grant you that, but it’s still not enough.”

“You're going to help me enchant him, and then I’ll take him down. Simple as that,” you say. Under different circumstances, you’d have dressed it up with more flair, but fatigue still linger.

“And why would I help you?” he asks, skepticism etched on his face.

“Because I know more about you than you think. My bounty won’t even cover half of what you need, but a wolf’s bounty…” you whistle, letting the weight of the impressive figure hang in the air, “that will cover everything and more.”

His expression hardens, and a flicker of unease crosses your mind. You wonder if you’ve made a grave mistake by bringing up his debt. 

“Careful where you tread,” he warns, his voice low and edged with threat. 

“You help me take down the king, and we both get what we want. Think about it.” 

He studies you for a long moment, weighing the risks against the potential reward, and you can almost see the gears turning in his mind. The tension thickens, but you know you’ve struck a chord.

“Two days. That’s all you get,” he says, his voice icy and firm. “I’ll be back tomorrow to go over the details. If you try to run, I’ll find you and kill you before you can even plead for your pathetic life.”

“Deal,” you reply, tossing him the charm. You assume he needs his flute to use it, and since you don’t see it on him, you figure it’s safe to hand it over.

With that, he vanishes like a wisp of smoke, a true phantom of the night.

The silence that follows fills the air like a heavy shroud, and you take a moment to steady your racing heart. The confrontation has left you on edge. You run your fingers through your hair, exhaling deeply. Two days. You have that long to devise a plan, gather what you need, and prepare for the next inevitable encounter. 

As the darkness settles around you, the weight of your situation becomes clearer. To kill the king of wolves, you’ll need more than just a tongue-in-cheek plan. You’ll need finesse, strategy, and perhaps a little bit of luck. 

And maybe, just maybe, a deeper understanding of the man you're working with.

This time, when he arrives, you're clad in your red hood and more prepared than before—but so is he. As he enters your cottage, you notice the flute strapped to his back and charm hanging around his neck.

“Neutral territory,” he states. “You’ll find I’m quite formidable with my magic,” he warns.

“Only a fool would think otherwise,” you reply with a smile.

You invite him to sit in your front room and make tea for both of you. He watches you take the first sip before drinking from his own cup.

“You know you're ruining my reputation, right?” he calls out, a teasing edge to his voice. “You're supposed to be dead and the wolves are impatient.”

“Don’t worry, I have a plan for that too,” you respond, your tone steady.

You pull off your red hood and hold it out to him. “With this, you'll claim my bounty, and that should be enough to keep your skin in the game.”

“You really want to kill the King of Wolves?” he asks, raising an arched brow over his cup of tea.

You let out a long sigh. “I could run, but wolves never forget. They will just track me down again. No more running.”

You lay out your plan in detail, and though he appears skeptical, he ultimately agrees to go along with it. A hush falls over the room as you both sit in the weight of your scheme, each of you reflecting on your respective roles in this dangerous game.

“Permission to ask a question?” you ask with a small smile.

He glares at you, annoyance clear in his eyes. “Somehow, whenever you start running your mouth, it pisses me off.”

“Is it true, the reason for your debt?” you ask anyway, intrigued.

He grips his teacup harder, his knuckles whitening. Not many people knew much about the Pied Piper; the legend loomed large, but even fewer knew the man behind the title—Haechan, with his soft features and heavy burdens.

“Yes, I went into debt to save my sick mother. As you can see It was all for nothing, given the fact that I'm here and she's not. I take on these jobs to earn money. Any other invasive questions, Red? How about I ask one—why are the wolves after you, and how do you get a silly name like Little Red Riding Hood?”

“My name isn’t Red; it’s Y/N,” you reply, bold in your assertion. You’ve never shared your real name with anyone before, but you figured it was time to even the playing field.

“And the wolves?” he presses further, curiosity sparking in his eyes.

“My parents stole away with some of their money. They want revenge,” you say with a shrug. “They got it when they killed my grandma."

As the gravity of your shared burdens swirls in the air between you, you realize that beneath the legends and whispers, Haechan was just a man, and you were more than a mere tale woven into the fabric of the woods. The truth hung heavy, intertwining your fates tighter with each revelation.

“And then you killed one of theirs,” he finishes for you, piecing it all together. “So it looks like we both have had our fair share of tragedy. Now look at us.” He shakes his head, a mixture of disbelief and resignation in his tone.

You had never thought of it that way—how similar your paths had been. Maybe out of everyone, he would understand you the best. Looking at him was like gazing into a mirror that reflected not just your struggles but also the shadows of loss and revenge.

Haechan was handsome, his lips plump and cheeks soft, giving him an almost innocent appearance. Yet, his eyes—oh, those eyes were hard and cold; they spoke of the dark secrets he carried, secrets that were all too familiar to you.

“Tell me more about your mom,” you say, breaking the silence that hung heavy in the air.

Haechan's expression shifts; a warmth creeps into his features as he recounts memories of his mother. He speaks of her laughter, of the stories she told, of how she would comfort him during storms and the way her love enveloped him like a soft blanket. Each word is laced with nostalgia, and you can’t help but feel a pang of jealousy at the warmth these memories hold. He was loved.

“She sounds like someone who could light up the darkest paths.”

He meets your gaze, and for a fleeting moment, the facade of the Pied Piper slips away. In that instant, all that remains is Haechan, the boy behind the legend.

“Tell me about your grandma,” Haechan says, curiosity in his eyes.

You take a deep breath and recount your upbringing. Your words are cold and empty as you speak of her harshness, how she cursed you and left you no choice but to kill the wolf that started all of this. 

“She never cared about me,” you finish, feeling the weight of your memories.

Haechan’s brow furrows. “Sounds like she was trying to protect you. If that wolf had escaped, you would have been in danger either way.”

You consider his words, the soft glow of candlelight flickering around you. Maybe he’s right, but it doesn’t change how cruel she was. “It’s too late to redeem her,” you say. “Her protection crushed any chance I had at love or hope.”

He shakes his head. “You’re not defined by her actions.” 

“But am I not defined by her cruelty? To learn is to experience. How can I know love if I’ve never truly felt it? I might just perish tomorrow,” you say, a bitter laugh escaping.

“It doesn’t have to be that way,” he replies gently, his gaze steady. “I still owe you for sparing my life back at my cottage. I can show you what love looks like.”

You narrow your eyes, skepticism creeping in. “And how would you do that if we don’t feel love for each other?”

He leans closer, a spark of mischief in his eyes. “We can pretend, just for this one night. I can show you how I would love you.”

A rush of emotions swirls within you—fear, curiosity, and a flicker of hope. “What do you mean?”

Haechan's voice is soft yet earnest. “Let’s create a moment together, something to hold onto, just in case tomorrow doesn’t come.” 

You hesitate, heart pounding, caught between the pain of your past and the promise of something new.

“Come,” he calls to you, as he stands. His hand outstretched, inviting yet unsettling. You’ve never felt this exposed with anyone before.

You know you’re being reckless, but what does it matter? Life could slip away from you at any moment—what have you to lose? You grasp his hand, and he leads you into your bedroom. 

He closes the door behind you, sealing off the world, and presses you against it, his arms creating a cage around you. 

“At any moment,” he says, his voice low and steady, “if you wish to stop, you have but to hit me.”

You manage a smile, trying to ease the tension coiling in your stomach. “That sounds quite tempting.”

His hands brush up against your cheek, his fingers lingering just a moment longer than necessary. “Once you feel my hands on you, you won’t want to let go.”

Your cheeks flush at his promise, and your heart races. His touch is gentle, as if you were a delicate doll, something precious that he couldn't bear to break. 

He leans in and captures your lips in a soft kiss, a sensation even more tender than you had imagined. His fingers glide over your face before trailing down to your neck, drawing you closer and pressing your body against his. The warmth of him enveloping you is just like the music that filled the air the night you first met by the docks. A sound escapes you—a breathless gasp—one you had never made before.

You can feel Haechan's smile against your lips before he begins to shed the layers of your clothing. Naked and vulnerable, you stand before him, yet your mind races too fast to truly register your defenselessness. His lips find your neck, leaving a trail of heated kisses and gentle nips, igniting a shiver of sensation. You moan softly, your body writhing under his tender yet possessive hold. You were completely at his mercy.

"Like music to my ears, my love," was a low murmur against your skin. His gaze clouded. His eyes swam with emotion you didn't recognize. A heady, intoxicating blend of longing and something else, something wilder. It was as if the taste of you, the sweetness of your mouth, had intoxicated him, leaving him drunk on desire alone. He trailed kisses down your neck, his lips leaving a trail of damp heat against your collarbone and shoulder blades. His hands roam over your body, mapping out every curve before they find their way to your breasts, soft mounds yielding under his touch. With a gentle yet firm grip, he kneads them, pinching and tugging softly, drawing out more moans that escape from your lips.

The old, wooden door groaned under your weight as you leaned against it, your breath catching in your throat. His lips, soft yet insistent, found their way to your nipple, a feather-light touch that sent shivers down your spine. You felt yourself drowning in his touch, in the way he made you feel utterly adored.

His gaze, dark and intense, met yours, the kohl lining his eyes like a smudge of night against the tan canvas of his skin. His tongue flicked playfully, a teasing caress that sent a jolt of pleasure through you. Each movement was deliberate; each touch a whispered promise.

He shifted his attention to your other breast, his deft hands working in perfect harmony with his mouth. You couldn't help but arch your back, your body instinctively seeking more of the exquisite torture. The rough wood of the door dug into your skin, a stark contrast to the velvety softness of his lips and the warmth of his hands.

His touch was an orchestra of sensation, a dance of pleasure that stirred something deep within you. It was a raw, primal connection, a language spoken without words, understood in the depths of your soul. The world narrowed, fading into a blur of color and sound, leaving only the intoxicating presence of him, his touch, his gaze, and the overwhelming sensation of pleasure that threatened to consume you entirely.

“I want you to feel everything,” he whispers, his breath hot against your ear, making you shudder with anticipation. 

He falls to his knees, a look of hunger in his dark eyes. With a swift movement, he lifts one of your legs over his shoulder and presses his mouth against your most intimate parts. A jolt of heat surges through your body as you try to squirm away from his eager touch, but his grip tightens, keeping you firmly in place. Your mind races with desire as you yelp out, your hands instinctively reaching for his thick, dark brown locks, tangling in your grasp. The intensity of the moment overwhelms you as you give in to his fervent passion.

“Hae—Haechan!” you gasp, his name feeling foreign yet perfectly right against your tongue. Each syllable feels like a spell, causing a desperate moan to escape from him as he feverishly licks at you. His grip on your hips is tight and bruising, but you welcome the pain as it fuels your desire for him. You grind your hips against his tongue, unable to control yourself as he dominates you with his mouth. He pants against your heat, driven by pure impulse as he closes his eyes and savors every delicious taste of you.

His lips and tongue move with wild abandon as he sucks on you, filling the small cottage with shameful groans and wet smacking sounds. Your legs start to tremble, but he shows no signs of stopping. You cry out and your head falls back, hitting the door behind you as you convulse in his grasp. A powerful sensation washes over you, causing a tightness in your gut before it finally releases. Haechan eagerly licks you up, cleaning away the evidence that you left all over yourself and on his face.

Your breaths slow down and meld together, as if in perfect harmony. The gentle rise and fall of your chests echoes in the quiet room. "I lost myself for a moment," he says softly, with a hint of apology laced in his words. It's almost as if he didn't intend to take you on this journey to the 12th gate of heaven, but couldn't resist the pull either.

He sets your leg down gently, and  he helps you right yourself.  He guides you to the edge of the mattress, and as he lays you down, there’s a palpable shift in the air. You watch as he stands before you, the heavy cloak slipping away to reveal more of him, piece by piece. The sight of him in his white tunic and dark breeches sends your heart racing, and when he sheds those as well, leaving only his undergarments and the silver charm necklace you once stole from him, your breath catches in your throat. 

You instinctively look away, your cheeks flushing.  Your body betrays you, reacting in ways you never anticipated, aching for connection. There’s a pull within you, a desire to close the distance and feel the warmth of his skin against yours. 

This man who had once threatened your life now stands before you, igniting a raw, undeniable longing that makes your heart race. You grapple with the gravity of the moment, torn between fear and desire.

He used to be your prey, but as he leans down and crawls onto the mattress, you start to see him in a different light. He presses his lips against yours once more, humming a tune that sends shivers down your spine. Your body melts into relaxation, and your senses are heightened even more than before.

“It's not the flute, is it?” You struggle to speak between kisses.

"I don't think I want to reveal any more secrets to you tonight." he responds with a playful smirk.

You surrender to the sensation as it consumes you. He was right - you had never experienced anything like his touch before. Your eyes follow him as he removes his undergarments, and you become slick at the sight.

“This might hurt; just relax and focus on the melody,” he says with a soft caress of your face.

You nod, realizing now that you trust him more than you initially thought. He coats himself in you and you moan at the lewdness of the act. He was coated in your arousal and soon he was slipping inside of you. He hums a beautiful note, one imbued with magic, easing any discomfort.

“It's beautiful,” you say, captivated by the sound.

His eyes shine at the compliment, and he kisses you.  It was strange to think that this love was all an act, because if this is what pretend love felt like, you could only imagine the intensity of real love. 

His hips sway to a rhythm that you can't quite hear, but you feel it pulsating through your body. His movements are fluid, like the  waves in an ocean. The chain around his neck, swinging in time with his thrusts. Your legs instinctively wrap around his waist, clinging to him as if he were the only life raft in the midst of a raging storm. With every thrust, he fills you up with his love, overwhelming you with intense pleasure and making you feel alive. In that moment, it's as if you couldn't survive without him, and he knows it. He pours his love into you, determined to fill every empty space so that you never have to feel alone again.

His movements quicken, the rhythm growing more urgent as passion overtakes you both.  Haechan's eyes lock onto yours, dark and intense. 

"You're a symphony," he murmurs, voice rough with emotion. His fingers trace delicate patterns across your skin, leaving trails of tingling warmth in their wake. You arch into his touch, craving more. 

Moonlight streams through the window, bathing your entwined bodies in an ethereal glow. The air is thick with the scent of arousal and magic. 

You run your hands along the planes of Haechan back and you cling to him as your overtaken by that feeling again. The release makes your limbs weak and mind numb.

Your muscles clench and release around him in a tidal wave of pleasure, pulling him deeper into you with each thrust. He finally withdraws, his body trembling as he releases on your stomach, The air is thick with tension and the scent of sex, but as Haechan's magic fades, all that remains is the sound of your rapid breaths.

As he settles beside you, the silence encases you both, thick with unspoken words and emotions. Your mind races, trying to make sense of how the events had unfolded so drastically. 

You glance sideways at him, marveling at the stark contrast of your feelings—a sudden urge to survive, to revel in this newfound complexity. It was almost surreal: one moment you were in peril, and now, here you were, yearning for the warmth of his presence. 

Determination courses through your veins; you refuse to succumb to the fate that looms ahead. If this is what Haechan's love felt like—the intoxicating blend of danger and allure—then you would indeed fight tooth and nail for every moment you could grasp. 

Working alongside Haechan had become a bit awkward, but you pushed the tension aside as you both raced through the labyrinthine alleyways of the town. The urgency of the mission overshadowed any lingering emotions between you. You had received a promising lead on the elusive King of Wolves; a halfling informant had mentioned spotting him stumbling out of a tavern, drunk and vulnerable. 

The king was never without his entourage, a handful of ruffian wolves who surrounded him like shadows. Despite them believing you to be dead, you understood that you still needed to be cautious. The element of surprise was in your favor, but luring him out would require a careful strategy.

Everything was going according to plan so far. If the informant was correct, then Ten had successfully slipped something extra into the king's drink.

As you maneuvered through the narrow streets, your mind raced with possibilities. You would have to bait the king, drawing him away from his pack. That's where Haechan came in. Haechan kept pace with you, his presence a steady reminder that you weren't alone.

Haechan maintained a watchful eye on the pack from over your shoulder as you both tracked the wolves ahead. The night was quiet and chilly, with a biting wind that whipped through the alleyways, assaulting your exposed skin. You cursed yourself for having given away your hood.

You waited patiently, your heart racing as you scanned the scene for the right opportunity. Though Haechan remained silent, the melody of his flute echoed in your mind—a lullaby only the chosen victim could hear. He knew that timing was crucial; if anyone interrupted or stopped the target, the trance could easily be shattered. Every second felt like an eternity as you both prepared to strike when the moment was just right.

The pack was a grotesque sight, with elongated frames, snarling muzzles, and bent, crooked limbs. Their figures resembled a tall, slender man who had forced his way into the mouth of a wolf, wearing the creature’s body like a horrid costume. They looked sickly and unnatural, and it came as no surprise that they struck fear into the hearts of the townsfolk. 

While trolls, goblins, dwarves, and other creatures managed to coexist with humans, these beings were unlike any you had encountered before. They had made a conscious choice to adopt such a horrifying appearance. They were changelings—shapeshifters capable of assuming any form they desired. They had chosen to embrace the guise of ghouls and monsters that haunted the night.

As the pack slinked past an alleyway, the King stumbled in, his steps unsteady from drink and poison. He leaned against a cobblestone wall to steady himself, his gang too intoxicated and merry to notice him faltering behind as they continued forward. 

Without a moment’s hesitation, Haechan lifted his flute to his lips and began to play a silent composition. Almost instantly, the King's body straightened, moving as if pulled by invisible strings, like a toy soldier suddenly animated. He began to march further  into the alleyway, drawn by the haunting melody, oblivious to the world around him.

You wait a few seconds, holding your breath as the pack continues down the road, their grotesque figures just out of sight. Haechan remains vigilant, his eyes locked on the pack, ready to act if they turn. You know that time is of the essence; you can’t afford to let them discover the King’s absence.

With a swift movement, you push yourself off the wall and follow the King into the alleyway. Haechan’s silent melody fills the air like a ghostly whisper, and you can feel the tension building as the King’s contorted form glides deeper into the darkness. Your knives are unsheathed, gleaming under the faint light, ready to strike. 

A few feet behind him, he suddenly halts. You hold your breath as you witness his body crumple, a howl of confusion escaping his lips. For a moment, it seems he’s still lost in the depths of the enchantment—but then he stumbles, regaining control. 

Realization dawns on you: Haechan must have shifted his focus to the pack once they noticed their missing king. Haechan's magic is now redirected, enchanting the pack that seeks out their leader—perhaps to coax them away from the alley and give you precious moments to act.

You watch as the King sways unsteadily, his eyes flickering with awareness. He glances around, scanning the alleyway for any sign of his gang, oblivious to the danger lurking just behind him. You know you can’t wait any longer; it’s time to make your move. 

He's drunk. He's an easy target. Take him out. The mantra echoes in your mind as you silently slip out of the shadows, your heart pounding in your chest.

With lightning speed, you dart forward, knives glinting in the low light as you approach the swaying figure of the King. He doesn’t see you coming; his bleary eyes are still scanning the alley, lost in confusion and intoxication. 

In one fluid motion, you bring your blades up, the metal shining with intent. Before he can react, before he can summon the last remnants of his senses, you strike with precision. The cut is clean; a swift arc of steel, and his head rolls away from his body, the wolfish features contorted in a final grimace of surprise.

You expect his body to crumple into a lifeless heap, but it doesn't. The headless form sways for a moment, arms reaching up as if searching for its lost head.

“Shit!”

You manage to slip away while he’s still floundering in his confusion. You sprint, heart racing, hoping that Haechan can hold off the other cronies for as long as possible. You may have lost him for now, but you know he has your scent and will find you soon. Your feet carry you through back alleyways and down dark streets until you're bursting into the crowded tavern. You’re met with laughter and cheers that erupt around you as you stumble inside.

“Aye, look, it’s Red!” the patrons call out in greeting. You have no time for pleasantries. Ten gives you a startled look from behind the counter, aware that something has gone awry. You send him a quick, urgent glance and head toward the back of the house. Ten excuses himself and pulls a bewildered Doyoung along with him.

“Well? What happened?” Ten whispers, barely able to contain his surprise.

“I killed him. Well, I thought I did. I cut off his head, but he’s not dead,” you reply, arms crossed and brow furrowed in confusion. “We don’t have much time. I need your help.”

“No way! I already poisoned him on your behalf,” Ten exclaims, raising his hands in exasperation.

“You poisoned the King of Wolves!” Doyoung gasps, his rabbit ears flattening against his head in fright.

“Keep it down!” you hiss, casting a wary glance around. You regretted not filling Doyoung in on your plan earlier, but you didn’t want him caught up in this mess

“What’s going on back here? Red, is that you?” Lia calls as she approaches the small circle where you all huddle.

“Look, guys, I don’t have time to explain, and I’m sorry to drag you into this mess but If word gets out that the King of Wolves was poisoned at this tavern, you will all be on his hit list. So you might want to help me!”

“Who poisons the King of Wolves!?” Lia gasps in shock.

Doyoung points an accusatory finger at Ten, who shoots him a glare in response.

“Guys, focus! There’s a headless wolf after me, and if I don’t leave soon, they’ll come after you too,” you remind them. “Any ideas on how to take him down?”

“Aren’t the wolves changelings?” Lia asks.

“That’s what I’ve heard,” Doyoung confirms. “I read once that if you light them on fire, they burn to ash.”

“I heard that if you show them their reflection, they cower,” Ten adds.

“Well, he doesn’t have a head right now, so that’s out of the question.” You say.

You hear distant howling. That cant be good and your thoughts flicker back to Haechan—where is he? Did he manage to shake off the wolves? The cold grip of worry squeezes your chest as the distant howling amplifies

“I have to go now. Don’t worry; just keep your heads down. If anyone asks, the King of Wolves never stepped through those doors.”

“Where are you going?” Lia asks, concern etched on her face.

“I need to finish this.” You grab a candle lantern from the wall and head out through the back door.

You sprint toward the docks, adrenaline coursing through your veins as you push your body to its limits. Haechan had agreed to meet you there if anything went wrong. The gravel underfoot shifts with each hurried step, but the sound of your heartbeat drowns out the crunching noise. You can feel the rush of impending danger creeping up behind you, reminding you that time is not on your side.

The alleyways give way to a wider street, and you navigate around groups of townsfolk enjoying their evening, blissfully unaware of the chaos unfolding just moments away. Their laughter and loud conversations contrast sharply with the urgency of your mission. You dodge around a cluster of patrons who block the path, their jovial cheers fading into the background as you push through the throng. The crowd thins as you approach the water, and soon you find yourself alone. The air is thick with salty brine, and the sounds of waves lapping against the shore become the only company you have left.

But before you can take a breath of relief, a razor-sharp slash rakes across your back. Pain erupts, and you stumble forward, the lantern slipping from your grasp and extinguishing itself in the dirt with a soft hiss. Darkness envelops you momentarily, panic bubbling up as you realize who had struck you.

“lɹᴉƃ uɐɯnɥ ʎllᴉs,” an ancient voice rumbles behind you, low and mocking. He had no mouth yet you could hear him.

Struggling to gather your bearings, you force yourself to turn and face him—the King of Wolves. The sight of him sends a jolt of dread through you. His haunting figure looms over you. You can feel the fresh blood seeping through your clothes, and your back aches with a pain that warns you of the severity of the wounds. Even with magic, you know it will take days to fully recover from cuts this deep.

You force yourself to stand tall, despite the agony radiating through you. The howling you heard earlier echoes in your mind, a haunting reminder that you’re not alone. Panic flares anew as you realize that his cronies could emerge at any moment. You hope Haechan can fend them off a little longer. you have to think fast.

"ʞɐǝʍ ǝɹ'no⅄ ˙puᴉɥǝq ɯoɹɟ ƃuᴉɥɔɐoɹddɐ 'ǝɔᴉpɹɐʍoɔ ɥɔns oʇ ʇɹosǝɹ no⅄" he snarls, the effects of the poison and booze long gone.

"I'm not afraid to use underhanded tactics on scum like you." You shot back, circling around him, both of you sizing each other up.

He lunged, and you barely dodged his claws. Your body was tired, aching all over, but you were determined to stay on your feet. You threw a knife, but your aim was off, and he sidestepped with ease. It was frustrating; your eyelids felt heavy, and you could hardly focus.

Then, you heard a melody—a familiar tune that made your heart race. Suddenly, energy surged through you, making you feel lighter and stronger. You didn’t need to look around to know who it was. Revived, you fought back, pushing the king back for once. He swung at your ankles, but you rolled away just in time. You were on slightly equal footing, but you needed to gain the upper hand before he wore you down again.

Footsteps approached, and hope flickered inside you.

"Red!" Lia shouted. She was with Ten and Doyoung, and relief washed over you.

"Stay back! It’s too dangerous!" you warned, trying to keep the king's attention on you.

"Don’t be a hero!" Ten yelled, annoyance clear in his voice. "You can’t win without us!"

You exchanged blows with the king, your heart racing as you saw Doyoung preparing an arrow. You held the king off while Lia lit the arrow's tip. In one fluid motion, Doyoung let it fly, and the king of wolves erupted into flames. You all stepped back, eyes wide, as you watched him burn to ash.

Just then, Haechan appeared around the corner, flute in hand, playing that energizing melody that made you feel like you could take on the world. It was the last thing you heard before the music faded and everything began to blur around the edges.

It had been a week since that fateful night. The echoes of that ancient voice still haunt you, but you pushed the memories aside as you stood before the queen, the severed head of the wolf king resting ominously on a velvet cloth. Her eyes gleamed with a mix of approval and intrigue as she took in the sight.

“You have done well,” she proclaimed, her voice a soft yet commanding presence in the throne room. “In ridding us of this beast, you’ve secured not just our safety, but your own place in history.” With a graceful wave of her hand, she summoned her guards, who strode forward bearing an opulent chest. 

As they opened it, a dazzling array of rubies, emeralds, and sapphires spilled forth, glimmering like stars in the dim light. Gold coins cascaded down in a shimmering waterfall, their clinking a symphony of wealth

The sheer abundance of treasure left you momentarily speechless, and you could hardly believe the magnitude of your reward. You accepted gratefully but your mind lingered on Haechan. He had chosen not to attend the queen’s audience, cloistering himself away as he still relied on the myth of his existence as a shadow. He preferred to operate in secrecy, a specter amongst the whispers of the realm.

You stroll into the tavern, the warmth and chatter wrapping around you like a cozy blanket. You’ve brought some gifts and treasures, a little token of thanks for the friends who stood by you in that crazy battle. It just felt right.

"Drink up, fellas! Drinks are on Red tonight!" your former boss shouts, raising his mug high and getting everyone's attention.

You wince at the name. "Would you stop calling me that already?" you groan, rolling your eyes.

Lia smirks, leaning against the bar. "What do you want us to call you, then?"

"Just call me Y/N," you reply, finally giving them the name you’ve always wanted them to use.

"Y/N, huh? It suits you," Ten says, pouring a mug of mead for a troll at the bar, who looks way too eager to drink it.

"Was that a compliment?" you tease, raising an eyebrow.

"Don’t push it," he shoots back, giving you a mock glare, but you can see the hint of a smile tugging at the corners of his lips.

Laughter echoes through the tavern as everyone raises their mugs in salute. The atmosphere feels electric, and in that moment, you know you’ve found your people.

As twilight deepened, you made your way to a familiar cottage, navigating through the dense woods that wrapped around the kingdom like a protective shroud. 

Rubies and a dazzling array of gems spilled forth as you toppled over the chest, the treasures scattering against the old, rickety floorboards of Haechan’s hideout. The glint of gold caught the flickering light of the lantern, creating a mesmerizing kaleidoscope of colors that danced across the dim space.

Haechan leaned back against the wall, a sly smile tugging at his lips. “So your word truly holds value, huh?” he teased, walking up to the trove. His fingers sifting through the precious stones as he reveled in his unexpected fortune. “Now, what’s your next move? I can’t imagine the pack isn’t hunting for the one who took down their king.”

You shrugged, a casual air masking the weight of your adventure. “They’re pretty useless without their leader. The royal guard has rounded up most of them, and for any stragglers, they’re probably getting out of town as fast as they can.”

He raised an eyebrow, a hint of hope creeping into his tone. “Are you planning to stay, then?”

“Never did I claim that,” you replied, glancing around the haphazard room. “There’s nothing for me here. I can’t spend all this gold in the slums anyway; I’ve got to see the world.” You stretched with a bored yawn, letting the wild possibilities of adventure wash over you. “But it would be a trifle dull to travel alone,” you hinted, letting a coy smile dance on your lips.

“If only you had a companion,” he shot back with a grin, earnestness hidden beneath the teasing.

“I know, it’s quite sad, really.” You turned toward the exit, pretending to be disinterested. “Well, I’ll be on my way.”

“Y/N.” The sound of your name, spoken for the first time, stopped you in your tracks, resonating in the air and binding you to the moment.

You looked over your shoulder, curiosity piqued and a smile still lingering. “Yes?”

Haechan shifted, his gaze steady and sincere. “You don’t have to go alone, you know.”

For a heartbeat, you considered the weight of that offer. Freedom beckoned ahead, yet the idea of shared adventure was equally tempting. You felt a connection forming, a spark of possibility that ignited your imagination. The world awaited, filled with danger and excitement, and perhaps it wouldn’t be so bad if Haechan journeyed alongside you.

“What do you say then?” you replied, a playful challenge in your tone. “Are you ready to step out of the shadows and into the light with me?”

Note: I might expand this world more for other members in the future so if you guys have any cool ideas that would work in this setting, lmk and i may incorporate them into a work in the future (far future cause i need to finish my other wips lol)

[literaryvein-reblogs]

Writing Notes: Story Plot

Plot - is what happens in a story.

Every story is made up of both events and characters.

A story happens because a pattern is interrupted.

If you are writing about a day that is like any other day, it is most likely a routine, not a story.

A Strong Plot

Centered on one moment—an interruption of a pattern, a turning point, or an action—that raises a dramatic question, which must be answered throughout the course of the story. This is also known as plot A.

Every element of the plot—each scene, each line—exists in service of answering that question. There are myriad plot devices that can bolster the main story; these are considered subplots.

7 Types of Plots

The nature of the dramatic question informs the plot and what kind of story it will be. Are the characters threatened by something external or internal? What genre will the story be?

Tragedy

Your main character should undergo a major change of fortune — almost always from good to bad, happy to sad.

Tragic characters have to suffer.

Comedy

Even though your characters have defects, their defects should never wind up being painful or destructive.

Comic characters make it through unscathed.

Hero’s Journey

The hero of a story must undergo two things:

Recognition and reversal of a situation.

Something has to happen from the outside that inspires the hero in a way that he/she didn’t realize before.

Then he has to undertake a quest to solve the situation.

Rags to Riches

Remember Cinderella? The classic fairy tale follows a simple rags-to-riches plot:

the protagonist is downtrodden, impoverished, or otherwise struggling, and through a series of events—either magical, like in Cinderella, or more realistic, like in Great Expectations — achieves success.

This type of plot often features a happy ending.

Rebirth

The rebirth style of plot follows a character’s transformation from bad to good.

The character will frequently have a tragic past that informs their current negative view of life, however, a series of events (usually set in motion by the protagonist or a narrator) will help them see the light.

See: Scrooge in A Christmas Carol, or the Beast in Beauty and the Beast.

Overcoming the Monster

Otherwise known as the good versus evil plot, this type of story features a protagonist (good) fighting an antagonist (evil).

The protagonist can be a singular character or a group united in their mission.

The antagonist is generally a big, bad evil (like Darth Vader in Star Wars) who continuously throws obstacles in the protagonist’s way—until the final battle.

Voyage & Return

This plot is a simple point A to point B and back to point A plot.

The protagonist sets off on a journey, only to return to his or her starting point having gained wisdom and experience (and sometimes treasure too).

Paulo Coelho's The Alchemist is a beloved contemporary illustration of this plot.

How to Outline a Story Plot: Three-Act Structure

Beginning

The beginning of your novel has to accomplish a lot.

It must introduce the hero, the villain, and the world of the story, as well as the story’s dramatic question, and it must do this with enough energy to grab your reader’s interest right away.

A prologue can be useful for seizing the reader’s attention.

Middle

Your job during the middle of the story is to make the hero’s quest as difficult as possible so that at every moment it seems less likely that the hero will triumph.

You must raise the stakes along the way and create obstacles of ever-increasing intensity while keeping your eye firmly fixed on your conclusion.

The different plot points can include the basic plot, plus various subplots.

The main plot of a story always has to build up to the resolution.

End

The end of your story answers the dramatic question, which already has your ending hidden within it.

For example, if your question is:

Will Ahab catch the whale?

Then your story’s finale will be the moment when he does.

Often, tension evaporates in the middle of a novel, so it’s a good idea to write your ending first. It may not be perfect, and you can always change it later, but it’s useful to know the climax to which your characters are headed.

Having that destination will help you stay focused during the “middle muddle.”

Freytag’s Pyramid

German novelist Gustav Freytag expanded on Aristotle’s concept of plot by adding 2 additional components to the beginning, middle, and end:

Rising action and falling action.

Freytag’s dramatic arc, also known as Freytag’s Pyramid, includes the following:

Exposition. This is the beginning of the story.

Rising action. Once the story has begun, it is important to create tension by raising the stakes. You must raise the stakes along the way and create obstacles of ever-increasing intensity while keeping your eye firmly fixed on your conclusion.

Climax (middle). The pinnacle of your plot.

Falling action. The falling action occurs after the climax but before the end. Falling action frequently depicts the protagonist dealing with the consequences or fallout of the climax. The falling action is when the protagonist ties up loose ends and heads toward the conclusion. It is also referred to as the denouement.

Resolution. This is the end of the story.

Source ⚜ The 3-Act Structure: History & Elements ⚜ A Guide More References: Plot ⚜ Character ⚜ Worldbuilding ⚜ Writing Notes

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.

[jaehaeryshater]

Illustration from Septon Barth’s novel ‘Dragon, Wyrms, and Wyverns: Their Unnatural History.’ The image depicts Vhagar proudly presenting her hatchlings to her mate Balerion, circa 35 AC. The hatchlings are identified by Barth as Sheepstealer, Cannibal, Vermithor, and two she-dragons that remained nameless, as they died before bonding and being named by any Targaryen. ‘The Black Dread’, as he was called, invoked fear in the hearts of not only people, but other dragons as well, and his hatchlings are depicted cowering from him, though he meant them no harm. All except Vermithor, who easily became familiar with his father, which greatly pleased Vhagar. This depiction was later called into question for being propaganda for Jaehaerys’s rule and exceptionalism, but the truth remains unknown.

art by: @ra-horakhty-art

Recently, I promised a sweet Balerion, Vhagar, and family artwork and I (and the artist ofc) have delivered! You might have seen the artist post this already, but I wanted to post it on my blog as well because I’m so proud of the piece. My vision going in was for it not to be depicted just as an artwork for us in the real world, but also presented with a storybook feel, with the added lore that it’s supposed to be an illustration from one of the histories in A Song of Ice And Fire. I tried to take into account not just popular depictions of the dragons, nor House of the Dragon, but specifically from the text and from art that GRRM himself has commissioned. Because of this, Vhagar is bronze-greenish instead of her standard green. After hearing @francy-sketches theory that Vhagar, for lack of a better term, oxidized with age and became green as she got older, I decided I liked that interpretation and have depicted her as green in artwork of her once she gets older, and this color when she’s relatively young. I‘m a bit biased but I do think it looks beautiful and exactly how I wanted it, book accurate and something you could imagine actually seeing in a Westerosi history book.

My main motivator in these dragon arts, as I’ve stated before, is to explore the nature of dragons, not as weapons of war or in context of the Targaryens, but as mythical animals. They’re not quite like lizards, but also can’t be held to the same standards as people. In most dragon lore, they often act like mammals but are physically reptiles. Most stories involving dragons have the creatures caring for their young and maintaining a bond with their mate, so for lack of anything on the subject from GRRM, I take it upon myself to feed my headcanons. I find it sweet to depict times where Vhagar was not lonely, nor being used in war. It adds another element of tragedy, that these dragons did not have to fight each other but were made to anyway. On a happier note, is it not so so sweet how the hatchlings here are so comfortable with their mom to protect them, they’re cowering under her and climbing on her wings because they trust her. My favorite is Sheepstealer on her wing, that’s adorable to me. And Vermithor, I did mean for that to be true instead of just propaganda, but I couldn’t help adding a little Jaehaerys slander. But Vermithor is still a very brave boy and wants to be just like his father when he grows big and strong! Cannibal, on the other hand, is scared out of his mind, all these anxieties and being forced around other dragons caused him to fly away and isolate himself (in my mind).

It was such a pleasure to work with @ra-horakhty-art, they were super accommodating and worked easily with my ideas. The process was super fast and easy on my end, he works hard and quickly so I was absolutely impressed.

[somehow-a-human]

Whose POV is it anyway?

An Introduction

DO NOT ASK NEIL ABOUT FAN THEORY

Cracking down on the storytelling of Good Omens season 2 through the lens of a changing narrator.

If you haven't read this interview with Good Omens cinematographer Gavin Finney, and you're interested in the fantastic dedication and detail that went into this TV show, definitely give it a read. Not only is it lovely, but Neil also posted the article with a caption mentioning that it's got so many secrets in it. Obviously that made me take a closer look.

I have already gone into a fair bit of detail about the different Lens Filters that Finney mentions in the article in a separate post and I will be referring to them quite a bit so if you aren't familiar with them I would suggest reading that first!

This first post is going to cover the basics of changing narrator/POV's and I'll be writing additional posts for separate episodes/minisodes/scenes since there's obviously way too much to cover in a single go. So shall we take our first look?

It's no secret that something's a *bit weird* with season two, and there are SO many theories about it. I love to read speculation, metas, theories, and opinions, it's definitely fun but my personal ideas align more with the idea that we're simply being shown the events of season 2 through the memories of multiple narrators, different POV's, and it slightly skews the story, sometimes within one continuous scene.

I am also a sucker for a good multiple timeline theory but that isn't this post.

Lens Filters

As I stated above, I wrote a post about each of these individual filters earlier. What I didn't go into in that post was speculation about the filters. While I think they're pretty straightforward, especially the filter for hell (Black Pro-Mist ((BPM)), I think the other two have a bit more room for speculation.

Bronze Glimmer Glass

BGG was described by Finney as being used for 'bookshop scenes', but after S2 back numerous times and paying as much attention as I could to the lighting and colouring of the scenes, I think this is generally true but not always true. There are times when bookshop scenes seem to use a different filter, and other locations also seem to be shot with the BGG filter as well. I think BGG aligns with Aziraphale's POV. Or if Not Aziraphale, an outside-of-Crowley narrator? Based on the scenes (which we'll specifically get into in other posts) which BGG seems to be used, context clues, character behavior, etc, I think BGG clues us in that we're seeing, if you will, through Aziraphale's eyes.

Black Diffusion FX

BDFX was described as being used for 'Crowley's present day storyline' and fuck me, that's not ominous or weirdly phrased at all Mr. Finney! This filter definitely aligns with Crowley. Most of the time he's separate from Aziraphale it seems that this is the filter being used, and certain scenes switch filters mid-scene when he begins to go off on snarky Crowley-centric commentary.

Catch-22 & Herzog

The books on Gabriels bookshelf, great books obviously, but I think books that are also meant to give us context about the story. Pride and Prejudice is a love story about making snap judgements on someone's character, and coming to recognize somebody might be good despite their title or appearance. The Crow Road is a story about life, death, love, morality, mystery, and God. 1984 details the tragedy of Julia and Winston's attempt at falling in love while living under in a police state. You see my point?

That's why I wanted to touch a bit more on Catch-22 and Herzog specifically when talking about the possibility of changing narrators/POV's in Good Omens 2.

Catch-22 frequently switches narrator and the events described are often not necessarily sequential. This way you're getting information about previous scenes as the story continues, so while you're reading the book you're forming a more complete image of the events as the story continues from different characters POV's and iterations of the story. Sound relevant?

Herzog is the other book I wanted to talk about. To be fair I haven't read Herzog in full like I have Catch-22 but I pulled out my copy to reference and flip through a bit to remind myself. Herzog unlike Catch-22 doesn't switch narrators but the narration by the main character, Herzog himself, switches between first and third person throughout. When he is narrating through his letters, you get a deeper look at his thought processes and emotions. It also relies on flashbacks to bring context to the life of Herzog.

While these books touch on other elements that are relevant to the Good Omens story, namely Yossarian's relationship and views of God in Catch-22, the way these stories are told intrigued me for this context.

Crowley's Hair

Yeah I'm gonna mention the hair, because I think the hair is linked. Crowley's shorter sideburns, trimmed mutton chops in the 1827 flashback, and shorter Job wig seem to be clearly aligned with the BDFX filter/Crowley's POV as far as I can tell. I don't know if this means it's just another way to denote POV, but it seems way too consistent not to mention it. The longer sideburns, fuller mutton chops, and longer Job wig all match up with Aziraphale's POV or the BGG filter. My thoughts here are that his hair is another hint of who may be relaying the information to us, AKA is it internal or external. I am making my best guesses though and there are still some situations that I feel less sure about. For example, when Aziraphale takes the Bentley to Edinburgh and Crowley is in the Bookshop with Jim his sideburns are long, is it because he's remembering these scenes unreliably? Is Aziraphale imagining the events? Is it because Jim is present? A brief fluttering thought I toy with from time to time is the fact that in the before-the-beginning scene they are long, and what that means in context of the rest of the season.

S2 Promo Posters

Finally this set of season 2 promo posters showing the characters thoughtfully considering scenes in their heads just gives me a lot of these POV vibes.

I'm planning on doing individual posts for specific scenes, episodes, and minisodes that require detailed breakdowns. I'll update this list with links as the posts are finished!

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

POV a Companion to Owls

POV The Dirty Donkey & I think I Found a *Clue*!

POV Bodysnatchers & Cosplaying a bookseller

POV 1941

POV The Ball

POV The End?

Whose POV is it Anyway - a Conclusion

[sonotpattismith]

pretty little things (kento nanami x reader)

word count: 10.3k inspired by: as the world caves in by matt maltese warnings: slight angst, fluff, me missing Haibara Yu like a mf summary: when nanami faces near death at the hands of his cruel reality, he's reminded of the graveness of simplicity at the hands of a friendly bookstore owner, who is struggling to find meaning in her own mundaneness. a/n: okay format switch up? LMK if you guys prefer this post format better! Also if it wasn't apparent in the tooth-rotting fluff- I LOVE NANAMI KENTO. That's all. I hope you all enjoy 🫶🏻🥹

Learning how not to ask questions was an art. 

Having worked in a bookstore that shelved such a wide array of genres for a few years— there were many questions that constantly littered your mind as character after character came and went from your quaint little shop. They all varied in age, gender, ethnicity, and their choice in literature offered that much more variety. You watched countless titles being laid against your checkout counter. Macbeth, Twilight, Baking for Dummies, A Happy Life in an Open Relationship, The CBT Workbook for Perfectionism, Why Can’t I Let You Go— all the covers that your neatly manicured nails skimmed over each hour told a story. 

Sometimes, as you peered up at the customer attached to the novel, you painted a picture of their story in your ever wondering mind. This evening, it was an elderly woman, her silvery hair pushed back with soft pink clips and a sage green frock clinging delicately to her slumped shoulders. Window to Widow, the bolded letter across the cover told her story for you. No matter how much you felt compelled to question, aching to ask her how she was doing— people came to the bookstore to find something in the world that they were missing from themselves. 

You, on the other hand, were only there to observe with a welcoming smile. Never judging, never questioning, never helping. They were here to help themselves, after all. 

So, you smiled warmly at the somber woman and rang up her total. Turning back to your side counter with her book in hand, you wrapped it delicately with twine, pressing your pointer finger in the middle of it to tie a quaint bow with the tool. Your lips twitched melancholily as you picked a small bundle of forget-me-nots from the cardboard box beside the register and carefully tucked it into the twine. 

You had gotten very skilled at not asking any questions. 

Sighing at the computer screen before you, your mind was flooded with uncertainty as you skimmed through the countless college programs emailed to you by the advisor you’d spoken with weeks prior. She told you that, following your meeting, these seemed like the best fit for what you wanted to pursue. As you clicked into each one and read more into them, you couldn’t help but look around at the solace of a corner bookstore you’d built up from the ground just three years ago. 

It wasn’t enough, you always thought when you heard about the countless deaths and tragedies that were befalling the city around you. After all, there were people on the frontlines, people making a difference, and you felt inferior as you selected your week’s display line up and decorated it just pretty enough to catch passer byer’s attention. You loved it with your whole heart, but was it enough?

“Excuse me,” A firm voice called out from behind you as the soft melody of the door chime sounded. Turning your head, you were met by the guarded gaze of a tall, suited man. His blonde hair sat almost perfectly on his head, save for the stray strands that fluttered across his forehead. The hollows of his cheeks made way for his carefully carved face and jawline, and the sight of him had your brows raising just a hair. “Do you happen to have a section for cook books?”

Despite his question being directed at you, he was already looking around the small store with a hand on his hip. The yellow tint of his glasses shone as the setting sun hit them from the window, revealing a glimpse of his narrowed eyes. Taking in his seemingly strong physique, his serious expression, and well pressed suit and tie, his question surprised you. A cookbook?

Shoving your questions to the back of your head as you always did, you smiled softly at him in greeting. Stepping down from the small footstool you’d been balancing on, you walked toward the far right aisle of the store, nodding for him to follow along with you. You heard his steady footsteps behind you as you stopped in front of your small selection of cookbooks. A timid smile lit graced your features as you waved your hands in presentation, watching as he nodded at the selection. 

“Um… is there anything specific that I can help you find?” You cringed at your question, beacause, in reality, there weren’t that many cookbooks to choose from, so you were sure the more than competent looking man did not need your help. Still, you couldn’t help but want to linger— he was the most handsome customer that had graced your store in a minute, after all. 

“No, that’s quite alright. Thank you.” The man didn’t even look at you as he dismissed your help, already peering curiously at the baking section. 

“Right,” You muttered pathetically, turning on your heel to give him some space to browse. “Well, let me know if you need anything!”

It was only a few minutes later, as you continued busying yourself with the finishing touches of the display table, that you heard him politely clear his throat behind you. Catching yourself before you slipped off the footstool, you nodded bashfully before placing yourself behind the register. The man set a hardcover down on the counter in front of you. Peering down, you smiled gently. The Bread Bible. Something about the mental image of this beefy, solemn man carefully following cookbook directions to make bread tickled a part of your brain that had you suppressing an amused expression. 

As he handed you his credit card, he took a chance to look around the small store thoughtfully. 

“Is this a new business? I frequent the café next door, but I don’t think I’ve ever noticed this being here.” You were surprised when he initiated the conversation, as you had already gotten the impression that he wanted to be in and out of here without being bothered. “I usually go to the bookstore down the street, but it seems they’ve closed for renovations.”

“Oh! No, I actually opened about three years ago.” You flushed, suddenly very aware of the fact that your little store was by no means attention grabbing from the outside. Glancing at the front windows, you made a mental note to search around for some plants or lights that might make it stand out more. 

He hummed in acknowledgement. 

“So, you like the café next door—” You squinted down at the card in your hands before smiling up at him and returning it. Grabbing the book from the counter, you made quick work to begin wrapping it up neatly. “Nanami-san? You should try their daifuku if you haven’t already. It’s to die for.”

Nanami’s head turned at the sound of his name.

“Daifuku, hm? I’ll have to try it the next time I go.” With curious eyes, he watched as you cut a string of twine and began wrapping his book. “There’s no need for that. It’s only for me.” 

Glancing up at him with a smile, you shook your head in dismissal before plucking a few flower’s from your stash to place into the knot. 

“I do it for all the books I sell.” You explained fondly, handing the beautifully presented book to him. His fingers brushed yours as he grabbed it, staring intently down at the soft, blue flowers that graced the cover. “Everyone needs a little reminder of the pretty things in life, right?”

For the first time since coming into the store, Nanami actually glanced up at you with the intent of seeing you. You wore delicate, linen overalls over your thin, long-sleeved white top. The loose strands of hair falling from your bun framed your kind face, making the corners of his lips twist up, just barely noticeably. Your smile was soft, kind— a reminder of the pretty things in this life. 

“I suppose so.” Nanami quipped under his breath, bowing slightly in thanks before exiting your little, corner bookstore. 

That cookbook didn’t get touched for the weeks that followed. It was sat beside the pile of other books he’d bought, always telling himself he’d make some time for himself to wind down and read them. Still, each time he stumbled home from work, his muscles aching and his eyes burning, all he could find the energy to do was shower and fall into his cold bed. After all, if he didn’t sleep when he had the chance, when would he?

Despite the dust collecting on the cover, those forget-me-nots always caught his attention from the corner of his eye. After a few days, they began wilting, but the reminder of them still rang clear each time he walked through the front door of his lonesome apartment and came face to face with the untouched, delicately wrapped and decorated book. 

It seemed as though each day, his missions became more strenuous, and with each mission, his lips seemed to brush that much closer with the kiss of death. Though his past had brought him face to face with such tragedies before, it felt as though the added risk to his mortality was being brought to his attention more often. So, the more he put off his books, or learning new hobbies, or forming any sort of real connection outside of his work, the higher the stakes were drawn. 

As he awaited his coffee that day though, just as he did every other morning, the rigidity of his routine was so much so that he didn’t even notice how he didn’t have to check the total before swiping his card— already knowing it by heart. The packaged pastry was warm against his cool hands as his eyes drifted over the display case, and he had the strangest feeling that he’d forgotten something. It wasn’t in his robotic list of motions though, so he left the café without a second glance. 

Nanami was on his way to work when his routine was interrupted. Well, not interrupted, but perhaps distracted was a better word. The quaint bookstore he’d discovered just two weeks ago came into his line of sight as it always did on his way to work. Though he sometimes cast a sidelong glance into the window, he had yet to stop in again. This morning though, you were outside. 

Your arms were outstretched above you, a set of fairy lights hanging from your fingers as you tried your best to loop them through the hooks above the door. The decorations you had ordered for the front of the shop had finally come in, and you were desperate for anything that would draw a little more attention to your hole in the wall of a shop. Hopping up a bit with a grunt, you pursed your lips in frustration as you missed your target again. 

“Would you like some help?” 

You whipped your head around mid-jump at the familiar, solemn voice. Sure enough, the mysterious Nanami himself stood behind you, coffee in one hand and packaged croissant in the other. Just as he was the first time you saw him, his suit was pristinely pressed, and it made you wonder what kind of big shot job he must have. 

“Nanami-san!” You muttered in surprise. A flush quickly found its way to your cheeks, embarrassed to have revealed that you’d remembered the man’s name that you’d swiped from his credit card. He didn’t seem phased though, shifting his croissant into the same hand occupied by his coffee and taking the string of lights from your hands. Reaching up with an ease that made your previous hopping look quite pathetic, he carefully looped the fairy lights in and adjusted them to frame the door nicely. 

“Is this how you wanted them?” 

Too caught up in your blatant staring at his casual display of masculinity, you hadn’t noticed that he finished. Snapping from your haze, you took a step back to inspect his handiwork. With an excited smile, you pressed the button on the remote in your pocket, watching the tiny bulbs light up the entryway. 

“What d’ya think?” You asked, not tearing your eyes away from the door.

Frankly, Nanami thought the lights were barely noticeable in the daylight, but you seemed so elated by the delicate change. So, he simply hummed in acknowledgment. Casting a shy look his way at the sound of his unenthusiastic reaction, you squatted down to grab the box of flowers at your feet.

“Thank you for your help. I didn’t really feel like dragging the ladder out here.” Grunting softly with the effort of the weighted box, you were surprised when he slid his arm right under it and relieved you of it, nodding for you to get the door. 

The sorcerer took in the sight of the various, opened books that littered your back counter as he set the box down. From the looks of it, they all appeared to be exam preps. You blew your hair from your face and followed his gaze to the aftermath of your anxiety induced study session. 

“Sorry, it’s a bit of a mess in here.” You chuckled nervously, frantically moving to mark your pages and stack your books neatly beside the checkout. “I have my entrance exams in a week, so I’ve been cramming when I can.” 

“Entrance exams?” 

“Um… yeah! I’ve been thinking about going back to school.”

“Something related to business management, I presume?” His question made you look down apprehensively. Chewing on your bottom lip, you began absentmindedly picking debris, spare flower petals, and leaves from the counter. 

“No, actually. I’ve been hoping to get into something more… meaningful?”

This made Nanami pause, tearing his gaze from the display case to face you. He wasn’t sure why he was lingering, but something about your sweet-tempered voice, and its nature to say whatever came to mind— it grounded him outside of his usual routine. It, of course, didn’t hurt that the owner of the nice, little bookshop just in the perimeter of his daily walk was so prepossessing. The sorcerer tilted his head with a furrowed brow. 

“I’m assuming by that, you mean you think that what you do here isn’t meaningful…” His shielded eyes drifted down to the name tag pinned onto your sweater. The way your name rolled off his tongue, in combination with his gentle, lecturing tone, flustered you a bit. The man wasn’t harsh, or judgemental, or mean. No, his words were curious and calculated, as if truly trying to understand such a notion. 

“I don’t know.” You squeaked out, feeling small under his dominant gaze. It had you wondering how intimidating he was without those damned glasses shielding his eyes. “I mean, is it really, in the grand scheme of things? I feel like people are dropping dead left and right. Probably be more useful as like… a nurse or something, y’know?”

Nanami hummed, shifting his weight from one foot to the other purposefully. Still, he gave you no solace from that smoldering, contemplative stare. You tried your best to take it head on, refusing to shy away from his determined eyes. 

“There was a time that I felt the same way, but what I was doing was truly not meaningful. People come into bookstores to get away from the grand scheme of things. I believe an escape is just as meaningful as tackling these problems head on, wouldn’t you agree?” His question wasn’t as rhetorical as his tone made it out to be, because he was staring down at you expectantly, awaiting confirmation that what he was saying was penetrating. You nodded dumbly. “It’s just as you put it… remembering the pretty things in life?”

If he kept talking, you were going to fall to your knees in the middle of this damned store. With flushed cheeks, you attempted to collect yourself. You cleared your throat and smoothed down the soft, cotton of your sweater as a customer walked in. Finally, Nanami’s eyes drifted to the entrance, allowing you a chance to breathe. With the newfound clarity, you noticed the coffee and pastry in his hand. 

“Speaking of,” You chimed in, grateful to get the topic off of you and your pathetic little existential crisis. His blond hair swayed as he turned to regard you once again. “Did you try that daifuku I told you about?”

It was like a bell had suddenly tolled in his mind, and he mentally cursed himself for having forgotten to pick one up, given he had been in and out of that café at least six times since you’d told him about the damned pastry. Pursing his lips, the blond looked down at his croissant. 

“No, it must have slipped my mind.” 

“Busy working man, I assume?” You teased, taking another once over at his suit and strangely patterned tie. Nanami hummed in a sort of regretful agreement. “What do you do anyway? You said you found your old work meaningless.”

For the first time since meeting him, a small, amused smile tugged at the corners of his lips. He bowed politely to you before making his way out of the bookstore. 

“Have a nice day.” Nanami offered calmly over his shoulder, and you were once again left melting at the sound of your name falling from his lips. 

The sorcerer heard you call out a meek goodbye behind him, and it made him forget that, for the first time in years, he was late to work. 

Kento Nanami stopped by the shop more often after that. Certainly not as often as you would have liked, but he was swiping his card for a singular, new book at least once a week now. He would ask you how your studies were going, and you lied and said that they were good, too embarrassed to tell him that you’d canceled your entrance exams in a panic following his impromptu pep-talk. It wasn’t that you fully scrapped the idea, but his finding meaning in your seemingly mundane little career gave you pause. Maybe you just needed more time to think about it. 

Each time he stopped by, there were new decorations out front. From the fairy lights he’d hung still lit up at the door, to the potted plants that dangled from the overhang, down to the charming welcome mat that you’d placed by the door. His usual bookstore finished construction a week prior, but it didn’t seem as appealing to him anymore. 

His selection of books ranged drastically, to the point that you wondered if he was purposefully doing it to throw you off. The more rational part of you said that he didn’t seem the type to care enough about what picture he was painting with his literature choices. From thin books on mixology, to informational books about stain removing, and self-help books about time management— you could never get a proper read on Kento Nanami. Still, you bit back your questions and tied them all up with a different flower each week. 

The sorcerer’s pile of untouched books grew and grew as the weeks passed, taking up his coffee table with a haunting energy. Ever since Sukuna’s vessel had sprung up, work was consuming him more than usual. Despite his hectic schedule, his aching muscles, and his survival mentality as he floated through life, the wilting flowers in his collection of books always grounded him back to his quiet apartment. 

It wasn’t until a particularly perilous mission that he wished he had made the time to read at least one of those books. His cheek rubbed against the cool, gravelly cement, and he could feel the warmth of his own blood, spilled and pooling around him. At the very least, the special grade was sliced into desolate pieces and scattered around him. As he attempted a deep breath, trying to gather his energy to grab his phone and call for help, Nanami realized all he could manage were short, shallow breaths, and even they felt as though they were piercing holes in his lungs.

Crimson pooled his vision, and his lids snapped shut as the puddle of viscous liquid invaded the corner of his eye. With shaking hands, he reached into his pocket to press the emergency button on the side of his phone twice, sending out an alert for help. Maybe they’d come in time. His hand fell limply to his side, and he shifted carefully onto his back, choking out desperately from the effort. 

The blood beneath him soaked into his shirt and clung to his hair. He knew he was losing too much, it was evident in the way his vision began to blur, and his head began to spin in a haze. 

The sorcerer thought about the pile of books in his apartment. He thought about each time he stumbled home and not once felt that he had it in him to do something for himself. The reminder that each time he could have indulged, the rigidity of his mindless routine kept him from doing anything of the sort— it haunted him as his consciousness began to wane. 

His fading mind wandered over every abandoned book, to the wilting flowers that accompanied each one of them. Your words rang in his mind as if a distant echo. 

Everyone needs a little reminder of the pretty things in life, right?

Despite himself, and how close his knuckles were brushing against death’s door, Nanami smiled, his split lip leaking with blood that stained his pearly teeth. Even in this mangled, godless tomb he’d found himself lying in— even with the demolished, irreverent figure that had desecrated his body so carelessly— even with the deplorable state his body would be leaving this world— you were there in the back of his soul to remind him, because you were the prettiest thing he could possibly think to remember in his final moments. 

It was the first week that had gone by in some time that Kento Nanami hadn’t stopped by your shop. Though it might have been silly, you began to expect him each week— either early in the morning before his shift, or late in the afternoon when he had a certain gruffness in his tone that gave way to the lingering effects of his day. You would never be able to tell by the look on his face though. It was ever neutral; never a frown and even rarer a smile. 

When the second week passed, you figured he’d simply gone back to his routine of going to the larger, more commercial bookstore that had reopened down the street. They had a wider selection, after all, and he said himself that he’d only stopped by your store due to their closure. 

In a haze of high-school type infatuation, you had told your friend about the guarded man that had been frequenting the store. She had a job at the local clinic, however she often came by to help you out around the store on the rare instances it was too busy for one body alone to keep up with the influx of customers. Each time she’d come in for a makeshift shift, you always silently hoped he’d stop by so she could at least put a face to the name. 

He never did though, and, with his now two week absence, you were coming to terms with the fact that she likely never would see him. You smiled wistfully at the thought as you watched her show a customer to the cookbooks. It was likely that you’d allowed your imagination to take you too far, and Nanami was, as simply as he put it, browsing your selection until the other shop reopened.

You couldn’t discount the hope he’d instilled in you though that the work you were doing did mean something to someone. Even someone as consumed by the hustle and bustle of the city as Nanami seemed to be made the time to stop by your shop with the intent of escaping, and it had been so important to you each time you heard his polite, reserved greeting filling the air around you. 

“Excuse me,” You were snapped from your dissociative haze by the customer in front of you. Lost in your thoughts, you didn’t realize that you’d failed to greet them before you began mindlessly scanning their books. Looking up in surprise, you smiled apologetically to the man in front of you. “Where’s that pretty little head of yours, huh?” 

Your smile faltered for a moment at his borderline creepy question, but you shrugged it off nonetheless and began packaging his books up. 

“Did you find everything you were looking for?” You questioned politely, haphazardly measuring the twine you were rolling out before slicing through it. 

“Well…” The man sighed dramatically, leaning against the counter. You knew then that you shouldn’t have asked, and, with an internal sigh, you knew you’d spend at least the next ten minutes suffering for your fatal mistake. “I was hoping to get the nice cashier’s attention, but it looks like she’s otherwise preoccupied.” 

Not looking up at him as you continued packaging his books, you resisted the urge to correct his cashier comment to owner, figuring the less he knew— the better. Having picked out about five books, he had the time to go on a long winded rant about how decent courtesy was a thing of the past, and women just aren’t as nice as they used to be but that he was sure you seem different from all the rest. The irritation was rising in your chest, but you swallowed it down as you placed the finishing touches on each of his books. 

“Have a nice day, sir.” You smiled meekly at him as you slid his nicely presented books toward him. He stared dumbly at you for a moment, blinking a few times before offering a sly smile. 

“And I don’t suppose your number is written in any of those right?” 

With a blush that was more so from irritation than anything else, you began cleaning your workstation, once again choosing to ignore him. You never were good at putting your foot down in such awkward situations. An anxious gulp forced its way down your throat when you heard him hum in question. 

“C’mon, I see that blush—”

“Is it time for your break yet, my love?” 

Your head shot up at the sound of another voice cutting off the sleeze’s comment, and your eyes met those of a taller man looming calmly beside your lingering customer. They were calculated, focused on you while seemingly ever-aware of the lurking presence beside him, hazel irises glistening from the sun shining through the windows. 

It took you almost a full minute to realize it was Kento Nanami standing before you. You had never seen him without those goggle-like glasses always attached to his nose, and he wasn’t in his usual suit. Instead, he donned a cream colored, knit sweater that paired well with his neatly fitted, dark jeans. You couldn’t tell what caught you more off guard, seeing how striking his eyes were for the very first time, or how different he appeared in such casual clothing. 

Clutched in his hand was a bouquet of white roses, light-blue forget-me-nots sprinkled throughout the arrangement. 

“My love?” The questioning call of his voice, paired with the intense eye contact he was maintaining told you that he indeed was directing that term of endearment toward you. He cast a quick, sidelong glance to the man beside him, and you quickly caught on, nodding softly.

“Um, yes. I was just wrapping up with this customer.” You hinted, pushing the stack of books closer to the dumbfounded man for good measure. “Have a nice day, sir.” 

Not allowing him to respond, Nanami stepped forward to take his spot at the counter, leaving the man to begrudgingly pick up his books and take his leave. Your eyes followed him out, and you couldn’t help the dramatic sigh of relief that heaved out your chest as the door closed behind him. 

“I apologize if I overstepped, but it appeared as though he wasn’t taking the hint.” 

Looking back over at your knight-in-cashmere-sweater, you smiled gratefully at him. Nanami’s lips twitched up ever so slightly at the sight. 

“I didn’t even recognize you.” You admitted bashfully, looking behind him to assure there were no other customers waiting. Focusing your gaze on him once again, you couldn’t help but feel relieved that he had finally returned. “Those flowers are beautiful, by the way. Special occasion?” 

He hummed, looking down curiously at his attire before meeting your gaze once again. 

“Oh, they’re for you, actually.” 

This made your finger’s soft drumming against the counter pause, assessing the sincere expression on his face. You gave the store a quick once over.

“I think he left already, Nanami-san.” You laughed softly, trying to quiet the butterflies in your stomach at the idea that he had actually come in to bring you flowers. His thin, blond brows furrowed a fraction at your comment, and he shook his head. 

“No, I brought these for you. Also— please call me Kento.” He clarified, watching the way the blood rushed to your cheeks as your eyes ran flusteredly over the bouquet he was handing your way. “I apologize for not having come by recently, I got into quite the accident at work, but I’m feeling better now and would like to take you out. If you’d like, of course.” 

Your fingers wrapped hesitantly over the bouquet. Leaning forward, you gently breathed in the delicate scent emanating from the flowers. It was mixing with Kento’s cologne, wafting into your senses in an intoxicating mix. He watched pensively— the way you tried to bite back your smile, but soon enough your teeth were shining brightly at him, cheeks ablaze in a manner that made you appear absolutely radiant. The sight clenched at his bandaged chest, and he wasn’t sure if the burning was coming from his steadily healing ribs or the erratic beat of his heart. 

Despite what his rapid blood loss and slipping consciousness had led him to believe that night, help did come in time for him. They cut it incredibly close, but still, when he pried his eyes open the next day, his heart was still beating and his flesh was still warm. He spent a few days in the hospital, Gojo and a few of the students stopping by to see him once they were informed that he’d woken up. 

The warm welcome back into the land of the living was kind enough, even if he had to beg them to quiet down at least four times during their half-hour visit. When he returned to his apartment a few days later, each step seemed to take every last bit of energy from his already worn out body. The door opened with a creek, and he was enveloped in silence. 

Nanami usually welcomed the blissful peace with open arms, already worn out from the atrocious ways fate had played with him for one day. That night though, it only reminded him of how close he was to dying alone. 

So, he stood before you, gazing upon the very smile that had flashed in his mind when he believed himself on the brink of death. Flowers were clutched firmly in his fingers, a reminder of the way you planted the seed of meaning back into his life— of something more than his thus far wasteful nature of crawling through his days had provided.

 Kento smiled at you, pounding the final nail in the coffin that held any semblance of dignity you hoped to hold onto when you saw him next. 

It was criminal, you thought, how perfect one man could look— how easily he could render you a stuttering mess with just a flash of his golden smile. 

“I hope your silence isn’t my cue to take a hint as well.” His honeyed voice quipped, and you could swear there was the faintest hint of amusement in his tone. 

“No! I mean— I’d really like that.” You attempted to save face for your flustered state, but you were sure even he could see right through it. “Thank you… for the flowers, Kento.” 

Even his name falling from your lips sounded so blissfully intimate in his ears. 

“Shall we go then?” 

“Oh— now?” You squeaked, checking the time to see it was still only noon, and the shop didn’t close for another few hours. “I don’t close here until—”

“She can take a break!” Your friend suddenly chimed in, having been pretending to stock the shelves (she had been pulling and placing the same book from its shelf for five minutes now). You looked up at her in shock, watching Nanami turn and bow to her in greeting from the corner of your eye. She gave you a pleading look, as if she was the one being pulled from her shift midday by the six feet of pure gentleman that had just graced your store. “The rush has died down. I can hold down the fort for an hour.”

You made a mental note to bring her back something sweet from the café Kento was steering you toward, a guiding hand resting respectfully on the small of your back. Even with the well-mannered placement of his palm, the feeling of his touch at all was turning your brain to mush. 

It seemed to all be rushing to you now, as you looked up at him. He was speaking calmly with the woman at the register of the café, and you finally caught onto the almost faded, yellowing bruise on the right side of his face. It lined his sharply defined cheekbone, a tiny scar on the edge that made you wonder how bad it had looked two weeks ago. 

What kind of accident had he been in that made him rush to take you on a date with such fervor as soon as he was well enough to leave the house? Better yet, what line of work was he in that put him in such positions? It was all simmering in your mind, growing hotter as you recalled his dodgy answers when you would ask what he did for work. 

Kento called your name, the sound slowly pushing its way into your consciousness as you snapped from your haze. He was looking down at you in question. 

“What would you like to drink?” The tone of his voice let you know that this wasn’t the first time he’d asked you. Tearing your gaze from his, you gave your coffee order to the barista before nodding in thanks. “Something on your mind?”

You couldn’t help but notice how casually he’d crossed over this boundary with you. Just minutes ago, he was Nanami, your guarded, regular customer who had a knack for entrapping you in never ending daydreams of domesticity and dominating glances. Now though, in a matter of minutes, he had turned into Kento, your date who was paying for your coffee and pulling your chair out for you— asking you about what was on your mind, blissfully unaware of the fact that it was him. 

His hazel eyes gazed down at you curiously as he placed an ivory plate in front of you before taking the seat across from yours. Glancing down at the dish, a small smile tugged at your lips. You must not have heard him order in your haze. 

“Daifuku?” You grinned teasingly at him. He hummed in amusement, looking down at his own, matching pastry.

“If I remember correctly, you said they were to die for.” 

“Yeah, like two months ago.” You laughed, blowing softly on your steaming cappuccino. 

“Oh, has the title expired? I can take yours too, if you’ve changed your mind.” He was hiding a tickled smirk as he reached over to grab your plate. You swatted his hand away with a blush, taken aback by his subtly playful nature that had since been concealed behind pressed suits and tinted lenses. With a knowing hum, he looked down at his own plate. “Truthfully, I had been so caught up with work that I had forgotten all about it.” 

“That secretive job of yours, huh?” You quipped softly and took a small bite of the chewy sweet, biting back a contented sigh upon the realization that he’d somehow guessed your favorite filling. It was a beat longer before you spoke again, afraid if you pushed it too much, he’d be too quick to throw out another guarded excuse. “Ever the mystery, Kento.” 

At the sound of his name, he peered back up at you. You were glad your mouth was occupied by your warm cup now, convinced you would have drooled at the sight of his smoldering gaze. 

“I don’t mean to be so… mysterious.” He admitted as he straightened his posture against the café chair. “The truth is, I can’t disclose much about my work. The nature of it is… sensitive. I hope you can understand.” 

Your eyes drifted over the bruise on his face, and you thought back to how badly he must have been hurt to have gone MIA for two weeks. Kento was watching you so earnestly though, a glimmer of hope in his usually stoic eyes. 

Against your better judgment, your ‘no questions’ policy began influencing an area of your life it definitely should not be touching. The sincerity in his explanation though, paired with his calm and collected demeanor, had all common sense evading you. You raised a brow at him, a breathy laugh slipping past your lips. His head cocked ever so slightly at the noise.

“Funny you should say that, I was like convinced you were yakuza for a while.” You attempted to lighten the mood of the heavy topic at hand— one he didn’t seem ready to explore yet. The serious expression on his face made your laugh falter for a moment, and with a quirk of his thin brow your smile disappeared all together. Your stomach fell uneasily.

Oh fuck.

 “Oh, um, I… uh—”

“That was my attempt at a joke, I’m sorry.” Nanami’s tense expression finally broke, a genuine smile splitting across his cheeks at the fear on your face. It did make him wonder though, how you would react to his actual profession. “I assure you I’m not in a gang, though I’m not sure if I should be flattered or not that you think I’d fit the description.” 

Jesus, this man was going to make you hurl. 

“Yeah, big, buff, and quiet with your strawberry daifuku— so scary, Ken.” 

He tried not to feel too proud at your description of his physique, hiding his smirk with a first bite of the dessert in question. A contented hum rumbled in his chest, and you found your lips parting as you watched his face melt in pleasure at something so simple. You didn’t have time to conceal your stare before his eyes opened once again. 

Nanami wasn’t sure how he had been blinded for so long at how pleasurable life could be. It had been just beyond his reach, yet it took his near death for him to snap from his ambivalence. The confection he’d glazed his eyes over for years in this little shop, the bewitching girl he’d strolled right past, the ease of connecting with another soul; it was intoxicating how the promise of lighter days filled his senses, lit him ablaze. Looking back at your innocently charmed expression, he couldn’t believe he had almost left this cruel existence behind without ever having been on the receiving end of it. 

The sorcerer’s weekly visits to your shop promptly resumed. This time though, he always came bearing gifts; whether it be a hot coffee (having already memorized your order from that first time he heard it), an accompanying pastry, or a fresh set of flowers when he knew your previous ones were beginning to wilt. 

Maybe it was overbearing for so early on in your relationship, though he wasn’t even sure he could call it that yet, but he couldn’t help himself. Watching the way your eyes would light up, how your cheeks would flush, and, in recent development, you would lean across the counter to press an appreciative kiss to his clean-shaven cheek— Kento would buy the world for you if it meant he’d have the chance to see such joy one more time. 

Much to his surprise and relief, you didn’t bring up the elusive topic of his career again, save for when you’d ask him how his day was going. There were times, so many times, that you had come close. Each time he’d show up with a new, what would have been a inconspicuous had they not been so damn frequent, bruise or cut on his face or arms, the question lingered in the back of your throat. When he’d help you move things around the store, and you watched him lift the still stocked display table with an ease you’d never seen before, even for someone with his impressive build, you bit back your interrogation. 

A seed had been planted in your mind though— so tiny you weren’t sure if you were deranged for even having the fleeting thought of it. 

Nanami had stopped by the shop one evening when you were stocking the shelves, eye level with the top shelf you were working on as you balanced on your trusty footstool. Your headphones were pressed snuggly against your ears, your soft music occupying any spare space in your mind. A pair of gentle hands settled over your waist, ripping a gasp from your chest as you jolted back. The grip around you tightened as you fell into a warm chest, one arm wrapping around your middle as the other moved to pull the headphones down around your neck. 

“Perhaps the noise canceling headphones aren’t the wisest choice when you leave the store unlocked.” Kento’s buttery voice flooded your senses and calmed the fight or flight response his unexpected appearance had triggered. You turned to glare half-heartedly at him as he set you back down on your feet. 

“Well, I left it open for you.” You mumbled sheepishly, adjusting the headphones around your neck and nudging your shoulder into his firm chest. As you turned to look up at the box you’d left behind, you missed the way he smiled softly at your comment. 

“I’d be far more flattered if you would protect yourself from intruders for me, but I appreciate the thought.”  Kento quipped, reaching up to grab the abandoned box from the top shelf just as you stepped up on the stool to grab it. You stepped back down with a shy smile. “I’ll be leaving town this weekend for work.”

“Oh,” You acknowledged quietly, unsure of where he was taking this conversation. Twisting the hem of your sweater awkwardly between your fingers, you chewed on your bottom lip. “Well… I’ll miss you coming to scare the shit out of me when I’m closing?”

“That’s sweet, darling, but I was telling you because I’d like to have you over for dinner before I go.” The sorcerer mused, using his spare hand to brush a loose strand of hair behind your ear.

You weren’t sure if your sudden onslaught of nerves and flushed skin was due to the nickname he’d given you, or the thought of going over to his house for the first time. Attempting to stop where your racing thoughts seemed to be wandering to, you began to absentmindedly grab books from the box clutched in his grasp to finish shelving them. He peered into the box before grabbing one and finding its rightful place, hoping to help you in being able to close and get home earlier. 

“You sound like you’re about to go to war or something.” You joked hesitantly, but, honestly, the implications of his offer had your pestering curiosity peaking once again. “How long will you be gone?”

“It should only be a day or two.” His attempt at reassurance only served to concern you more though. Maybe, if he said he would be gone for a week or more, you would have understood his supposed urgency in getting one last date in before his trip. With him only being gone two days though? You realized that perhaps something more dire was at play here. Sensing your contemplative state, he halted his stocking and leaned against the shelf to look down at you. “It’s just that— my work is…” Kento’s voice trailed, unsure of where he was going with his explanation. 

“I’d love to come for dinner, Ken.” You reassured with a gentle smile. The furrow in his brows, the hope in his eyes, the apprehension in his tone— it told you all you needed to know, and you heard it loud and clear. 

It had been a while since Nanami had the chance to delve into one of his old hobbies. Cooking was one that used to be his favorite, something he indulged in before his schedule became so unpredictable and his missions turned more crucial— before he had lost himself to the cruelty of the reality he’d chosen for the sake of a meaningful existence. There was something different about this time though, he thought as his knife sliced expertly through his selected root vegetables. Perhaps it was the knowledge that, once the small, black timer on his counter went off, alerting him that his veggies were done boiling, that he’d be one step closer to setting a plate down before you. 

The sorcerer glanced back at his modest dining table, already set up with two plates and utensils, taking a deep breath before wiping his hands and checking the time on his watch. It was already five minutes past the time he’d told you to come by, but he figured closing was simply taking longer than expected. After fifteen minutes though, he found himself frowning over the boiling pot, stepping away to check his phone in case you’d attempted to reach out to him regarding your delay. With nothing to show for, his mind began to race a bit. 

You did have a tendency, Nanami had come to understand, of leaving the shop unlocked as you closed. This wouldn’t be so bad would it not be for those damned, clunky headphones you insisted on wearing each time, blocking out any noise possible danger would alert you with. Without much thought of how irrational he may appear, he found himself swiping through to find your contact and hitting ‘call’. It went straight to voicemail. 

Yeah, he thought as he abruptly shut off the stove and tossed the towel from his shoulder, fuck the radishes. 

Kento had all but ripped the door of his apartment open, barging down the hallway with terrifying calculation as images of you unconscious in the quaint aisles of your shelves flashed through his panicked mind, when he ran straight into you. Instantly recognizing your startled gasp, his hands reached out to steady you as you stumbled back in surprise. 

“Kento, I’m so sorry!” You babbled, brushing your wet hair from your face in a frantic attempt to appear put together, when you knew deep down you were anything but. The man before you was staring down at you with a relieved expression, but it faded as quickly as it came as he took in your appearance. 

You were practically soaked, mascara running mortifyingly down your eyes and onto your flushed cheeks. The delicate, ivory sundress you wore was clinging against your wet skin, and Nanami forced himself to respectfully avert his eyes from what the now see-through fabric was revealing. There was a wine bottle clutched desperately between your fingers as you waved your hands in explanation. “I know I’m late, I wanted to bring you some wine, but the store was short staffed so the line was abysmal. Then the train got delayed, and it started to rain, and my phone died. I’m sorry I look a me—”

The baffled man stepped forward, clutching your jaw between his calloused hands to lift your gaze to meet his. Despite your dishevled appearance, smeared makeup, and frigid clothes, all Nanami could think about was how relieved he was to see you well. Additionally, as you rattled off all the ways in which your night hadn’t gone as planned, the only thoughts in his mind were how grateful he was that these silly, insignificant little hiccups were the extent of your day to day battles. 

It was so like him, so ingrained in his very being to expect the worst. The truth was though, not everybody’s life was on the line everyday. Not everybody drifted through life in survival mode as he had grown accustomed to doing. Some people missed the train and got caught in the rain, and his heart was so full with the notion that you were one of those people with such domestic struggles. On the other side of it all as well, you braved through them to come see him, and he didn’t think he could ever find you more beautiful than he did in that moment. 

He exhaled with softly drawn brows, allowing his hazel eyes to appreciate each streak the rain left on your delicate features before leaning down to kiss you. Your lips were frigid against his, and you leaned into his warmth, the shame of soaking through his neatly ironed dress shirt with your rain soaked body flying out your head as he wrapped his arm around your shivering form in an attempt to draw out all chilliness that dared disturb you. The hand that gripped your jaw slid down and around your neck to tangle into your nape, tugging you closer.

You pulled away for a breath, but Kento chased your lips with determination, quickly capturing them once again. His fingers pressed firmly into your nape as if to stop you from escaping him so prematurely again. Accepting your fate with a graceful willingness, you reached up with your free hand to grip at his shoulder in an attempt to pull yourself up and closer to him. It wasn’t until a shiver ran down your spine, though you weren’t sure if it was due to your soaked clothes or the desperation he was pouring into the unexpected kiss, that the gentleman in Nanami tugged him from his primal desires. 

Pulling back with a heave, the sorcerer took a moment to compose himself, eyes drifting over your shivering figure. He ran a hand down his jaw, pretending not to notice the way you panted softly as you stared up at him with those wide, glistening eyes that made him rethink his restraint. 

“It… the wine I brought isn’t that nice, you know.”

As Kento shut the apartment door behind him, he couldn’t help but feel the smallest bit awkward for the way he came onto you so suddenly, though something about the glowing smile you were attempting to conceal told him you didn’t mind as much as he did. You looked up from your search around his tidy apartment when he cleared his throat. It was evident in his face how he’d caught himself off-guard, barely able to look you in the eye. You bit your lip to hide your amusement. 

“You must be freezing. I’ll grab you some dry clothes.”

You opened your mouth to stop him, but he had already disappeared into the hallway. Now by yourself in his space, you took the chance to unabashedly look around. It was just as you expected his apartment would look like; warm, pristinely kept, and it held an air, just like him, that something deeper was hidden within the cream colored walls. A warm smile fell on your lips at the spread he’d prepared, and you placed the wine bottle on the counter to continue your search. Just as your eyes drifted to the stack of books on the coffee table, the man returned, a small stack of clothes in one hand and a towel in the other. 

“Please feel free to dry up in the restroom. Take your time, I’m just finishing up dinner.” He offered as he placed the soft articles into your arms. With flushed cheeks, you took note of the sweatpants and sweater he’d picked out for you. 

“No, really, I’ll be fine. You made everything so nice, I would hate to be in pajamas.” You shook your head bashfully, nudging the items back into his hands. 

“And I would hate for you to get sick sitting in wet clothes all night.” He countered with a playful shove of his clothes back into your chest. 

“I am not having dinner in sweatpants when you’re in a suit, Kento.” Another shove back at him. This time, he tilted his head, his lips pursed in mock frustration, but you could see the playfully challenging glint in his hazel eyes. Straightening his posture, the blond accepted the clothes you shoved his way this time. 

“Oh, is that what this is about?” He challenged before nodding softly to himself. “If you’ll excuse me for a moment then.” Confusion crept up in you as you watched him walk back down the hallway without another word, shutting the door of what you presumed was his bedroom behind him. You sat, slightly dumbfounded, on one of the dining chairs and cringed at the feeling of your cold, wet dress pressing against your thighs. 

It was only moments later that he reemerged. Abandoned were his previous, light blue button down and khaki slacks, and in their place were a simple, white tshirt and plaid pajama pants. You felt your heart race a bit at the casualness of it all, how at ease he looked with his once neatly placed hair ruffled from the swiftness he had yanked the cotton shirt over his head. Biting at the inside of your cheek in any attempt to control your facial expressions, you watched his biceps flex as he handed you the previous stack of clothes with finality. 

“No excuses now, hm?” 

So, you and Kento sat at his formally set dining table that night and sipped at your wine glasses in your— well— his pajamas. The change of scenery helped ease some of the expectations for your date to go a certain way, setting a domestic tranquility over the evening as he watched you with his knuckles pressed against his cheek. Your face appeared fresher than he’d ever seen it, likely due to the fact that you had had no choice but to wash your ruined makeup off of your face while freshening up in his bathroom. It made his heart soar, as he imagined this is just how you appeared in your own space— comfortable, vulnerable, and beared truly to the world. It allowed him to see every freckle and blemish, every blush more clearly. 

Maybe that’s why he couldn’t help himself as he moved to grab your plate to place in the sink, leaning down and pressing a lingering kiss to your awaiting lips as you tilted your head up to him expectantly. You already had pinpointed that look in his eyes. Under your breath, you thanked him for dinner as he pulled away slowly, your noses brushing together softly. For a moment, Nanami thought as he peered over his shoulder from his place in front of the sink, it felt as though you always had a place right there at his dining table, with his sweatpants rolled up at your ankles and his sweater swallowing you so warmly. He tried to think of anything else, because the thought of you taking up residence so comfortably in his space was exciting him way too quickly for a first home visit. The sorcerer cleared his throat. 

“Oh, I had almost forgotten,” He began, placing the last, scrubbed plate onto the drying rack. You didn’t pretend to not be staring when he turned to face you again, leaning so delectably against the counter behind him. “Have you heard back about your applications?”

“My applications?” You questioned with furrowed brows, fingers rubbing pensively against your nearly empty wine glass. In an instant, though, you recalled one of the first conversations you had had with him, the one that planted that seed of intrigue in your mind in the first place. Your eyes fluttered down to the red liquid sloshing around the bottom of your glass. “Oh right. Well, can I be honest?”

Nanami only hummed in response, crossing his arms over his broad chest. 

“I never actually went through with my entrance exams. I… had a change of heart, I guess.”

“A change of heart, huh?” He repeated thoughtfully, regarding you with a curious gaze. You only nodded curtly, feeling small under his studious eyes. “What changed?”

Kento had pushed off of the counter to walk closer to you and lean instead on the table in front of you. You swallowed thickly at the sudden proximity. Setting your glass down beside him, you looked down at your laps, fingers twisting in the soft cotton of his grey sweatpants. 

“I thought about what you said.” You confessed quietly. Peering up at him through your lashes, you didn’t miss the way his features contorted in perplexity. “You know, about how having an escape is just as important as getting your hands dirty. I… didn’t want to give it all up, but I couldn’t live with the guilt of not playing some sort of role in helping. You coming in every week… it made me realize that I was— y’know, in my own way.”

It felt as though all the resolve he’d built up over the years, trying to protect himself from caring too much again, it had all been for not. Here you were, an angel put down the middle of his path of unrighteousness, gracing him with your kindness, your humility and gentleness, yet you had the nerve to spill such fantasy from your plush lips that he had been the one to show you the path of meaning. 

Kento’s hands worked mindlessly to pull you up by your gentle hands so that you stood between his thighs. He wrapped an arm around your shoulders, allowing his other hand to find purchase on the back of your head as he pulled you into him. 

One day, he thought to himself as you wrapped your startled arms around his chest, perhaps he’d tell you of the horrors that had led him to where he was today. Maybe over coffee and daifuku, he’d tell you of the boy who couldn’t save his best friend and cursed the world because of it. You’d smile and ask the blond about him—  what he was like and all the memories he’d kept buried in his imprisoned mind for so long. Kento would tell you he was just like you; tender-hearted and with the willingness to save the world—  existing in the same reality he had deemed fatuous and yet still holding that love for others that poured out with each wide lipped smile. 

For now though, Nanami wanted you to remain just as you were; only plagued by long grocery store lines and dodgy weather. The sorcerer wanted you to continue to find meaning in your books and your flowers, even if just for a little longer. 

“I’m glad.” Kento murmured against your damp hair, pressing a chaste kiss to your temple before releasing you from his firm grip. “The world needs you as you are now. No need to change anything.”

And there it was— that innocently animated smile gleaming up at him as if there was no wrong in the world. He smiled back at you, and you must have seen the misty haze in his eyes. 

“What’s that look for?” You questioned in amusement, tugging at the sleeves of his tshirt absentmindedly. He shook his head, reaching up to brush your hair behind your ears. 

“You just remind me of someone, is all.” 

The two of you silently agreed that you weren’t ready to part ways just yet, evident in the way you lingered too long on otherwise pointless conversations, and how neither dared look toward the front door. You had confronted him about all his books that were still wrapped up and stacked neatly on his coffee table, teasing him about how the escapism qualities he spoke so highly of wouldn’t work if he never actually opened them up. Kento allowed you to rummage through them, recounting each memory you had of wrapping up each respective cover. 

He watched with soft eyes as you laid back between his legs on the couch, one of his abandoned books laid snuggly in your lap as you read it to him, claiming if he wouldn’t make the time to read them that you’d do it for him. Your head rose and fell in tandem with his breaths as he laid underneath you, allowing your honeyed voice to fill his senses and breathe more life into his quaint apartment than he’d ever felt in the years he’d resided in it. 

You tilted your head back to look at him as the hand that wasn’t occupying your raised thigh came down to brush along the swells of your cheeks. A dazzling, bashful smile flashed his way as you raised a knowing brow at him. 

“Are you even listening to me, Ken?” You laughed, feeling dizzy with the way he gazed at you as if you’d hung the stars in the sky. He immediately shook his head, and you laughed breathlessly at his bluntness. Leaning down, he pressed a longing kiss against your lips, his nose brushing against your chin as you tilted up to meet the motion eagerly. His fingers tightened around your thigh, and he allowed them to drift up just a fraction before he stopped himself. 

“I was busy reminding myself of the pretty things in my life, darling.”

masterlist | requests | talk to me ❤︎

I love hearing everyone's thoughts! ◝⠀(ᵔᵕᵔ)⠀◜

[scribescrawls]

Thinking about headcanon established relationship Skystar in Transformers One setting where before Sentinel’s betrayal, they’ve already completed the conjunx ritus many cycles ago and have been together for a while, though they often have to spend time apart more often now because Starscream chose to join the High Guard switching from scientist to warrior when the war with the Quintessons got more serious. Over the cycles Starscream climbs his way up the ranks and becomes leader of the High Guard, while Skyfire works in his lab. They still do the equivalent of video calling when they can and see each other when Starscream has leave to visit home. And despite the war, they’re just so happy together.

And then one day everything changes. We the audience know that Sentinel betrayed the Primes and that the High Guard managed to survive. But the official story Sentinel tells is that everyone died. And I think about it from Skyfire’s point of view his entire world just falls apart that day. Skyfire thinking Starscream died and mourns for 50 cycles. The planet’s flow of energon disappearing seems to reflect how he feels in his spark as if all the life has drained away from it. What if he races in the Iacon 5000 every cycle because it’s a fast paced, often dangerous race and it’s the exact kind of thing Starscream would love and he does it cause it makes him feel closer to Starscream as a way to cope. But no matter how fast he flies he can never outrun his grief.

Meanwhile imagine Starscream holds back from contacting Skyfire because no matter how badly he wants to talk to his conjunx, it is too much of a risk that Sentinel could find out and kill Skyfire if he thinks the other is a loose end that needs to be silenced. We know Alpha Trion called for the High Guard with the distress beacon, but we also know that distress call ended up in the trash meaning it likely never made it to them. But we also know that Starscream did see/is aware of Sentinel being a traitor so it’s likely they made it to the cave so word must of reached them eventually that the Primes called for backup, but they probably arrived too late to save anyone. And I just think about the potential tragedy if Starscream had considered the Primes as people he cared about. Like he’s probably fought side by side with them, talked with them, exchanged jokes, looked up to them, and his duty was also to protect them. And he probably feels like he failed them. Like he just watched his leaders/comrades be betrayed and killed in front of him and now he and his troops are all alone. And he’s probably scared and has no one else to turn to for help or guidance. Like the High Guard likely looked to the Primes for orders and guidance for large matters, but now it’s just them left. The Matrix is gone, energon stops flowing so there’s a lack of food, the High Guard are being hunted down on top of it, and they’ve just watched the strongest amongst them be slaughtered. And Starscream is the only leader they have left and there’s the added weight that if they die the truth of Sentinel’s actions die with them. And as the leader of the High Guard many of the others are probably looking to him to know what to do in this situation now and he doesn’t know, but that won’t help anything so he probably pretends that he knows what he is doing and focuses on the immediate things he can control/address like finding food and shelter.

Like sure he did not manage to take out Sentinel on his own, but he kept everyone alive for 50 cycles on the surface where the landscape is dangerous and both the Quintessons and Sentinel are hunting them down. I personally headcanon that though the High Guard has always been militaristic in its behavior the more extreme ‘might makes right’ probably developed over the cycles as a way to maintain order and keep everyone from cannibalizing each other (metaphorically speaking or maybe even a little literal as there was likely a food shortage often). Like he was probably dealing with a large group of people who were both traumatized and constantly hangry for a long time. There were probably those who challenged Starscream’s decisions or those who grew desperate to return to Iacon or other cities to talk to loved ones as the cycles added up over the years and as a way to stop people from foolishly running off and getting killed that could lead others to the rest of them and get everyone else killed he probably resorted to the ‘strength of one bot over another’ thing. Anyway I don’t blame Starscream for not leading a head on attack against Sentinel throughout the years considering the circumstances, if I had to deal with the weight of all that I probably would have broken not even halfway through. Were the High Guard probably slowly losing it with each cycle? Probably. But they did survive for a long time and that’s impressive in its own right. I like to think that Starscream would constantly tell himself that one day when Sentinel was dead he’d get to reunite with Skyfire and it was one of the things he clung onto to not fall into despair.

[luceafarul-de-dimineata]

a noble runs into MC and the nobody devil while they’re on a date and MC introduces them to each other when confronted…

didn’t mean to annoy you by being clumsy and sending 3 asks in a row. apologies🤦

It'a fine, pussy, my imbox is empty, so there's no tragedy in giving the same request multiple times. For my sake, I'll just name the demon Marian, but you can imagine anything else instead.

Whb nobles seeing MC with another devil

Zagan

He was just going on his morning jog when he spotted you and Marian

Everyone in Gehenna knows everyone else in Gehenna, so don't be surprised that they know eachother.

Zagan would be kind of shy when getting closer to you and nod at the two of you

"Oh, hi Zagan! This is Marian, my boyfriend."

His face doesn't change much but you can tell that the realisation struck him

He shakes Marian's hand and leaves.

You should be thankful it was him that found you two and not someone more... aggressive

Astaroth

He's stuck

On one hand, this is such an amazing love story plot.

The child of Solomon, the human that could have them all settles with a nobody.

They are everything and he's just Marian

The drama, the romance, the tragedy that could spur out of something like this

He's all for it

But on the other hand, really?

You have all the kings drooling after you, all the nobles lining up to make a carpet out of their bodies so you won't have to step on dirt, and you choose... Marian?

Humans trully are fascinating creatures

He doesn't say anything when he sees the two of you, just hiding behind a corner and observing. He's really invested now, be ready to find his newly published novel about a queen falling for a layman on your nightstand

Bimet

He audibly gasps

He is revolted, he is insulted, he is disgusted

How fucking dare you

He doesn't know who that demon is, nor does he care

He would power walk between you two and look only into your eyes.

"MC, I didn't think I would find you! Who's the accessory you have with you? What's his purpose and when will he expire?"

"That's my boyfriend Marian."

"Hahaha, you're soooo funny! You're already dating Mammon. Do you really need something as... insignificant as this devil?"

You start arguing with Bimet until he just picks Marian up and takes you to the royal quert.

When Mammon gives the verdict that you can date anyone you want, Bimet's entire attitute changes.

He congratulates you for finding such a handsome devil and wishes you both ferwell.

Glasylabolas

Oh ho ho ho, now this, this is interesting

He's gonna have the time of his life with this one

First, he takes pictures of you two on the date, holding hands, hugging, any physical contact works

Then he makes his presence known

He's a lot more cheerful than usual and he eggs both of you on.

He acts like you two being together was his OTP all along, talking about how you two are just made for eachother

"Oh, but MC, why haven't you told his majesty Leviathan about your blooming relationship with this young fella? Should I do the honorifics myself?"

He doesn't wait for an answer, he just summons his coffin and teleports to Leviathan's throne room to tell him the gossip.

Seeing you and your boyfriend hanging put a smile on his face

Next time, try not to get caught

Stolas

He just shoots the guy

No warning, no anything

He doesn't want to hear your complaints

A vermin was touching the child of Solomon in a romantic manner

Avisos' one law is to not steal someone else's partner

And you're clearly dating Beelzebub, so Stolas was just enforcing the law

You had to rush your boyfriend to Paradise Lost to get treatment, but Stolas won't apologise

You have to explain to him step by step that 1. You're not dating Beelzebub and 2. You chose to date Marian because you genuinly love him

It takes him a while to process, and he still has doupts, but he'll pay for the treatment of your boyfriend

Ronové

You don't see or hear him coming, you just feel his arms snake around your neck

He congratules you for getting a boyfriend and shakes the devils hand.

He's actually very chill about the whole ordeal, but he seems weirdly fascinated about the other demon's sex life

He really doesn't want the child of Solomon to get sexually frustrated

He would offer to show him how its done, but you slapped Ronové before you could finish

He just chuckles and hands the devil a business card

Before he leaves, he whispers in your ear "if he doesn't treat you well, chop his dick off. Or better, ask me to do it."

Andrealphus

At least it's not an angel

When Andrealphus walk closer to the two of you, your date starts shaking in fear

Andrealphus just smiles and hugs you since he hasn't seen you in a while (insert blind joke here)

He smiles at your date, which doesn't help make him look less intimidating

As long as that devil doesn't pose a threat to you, he's fine with letting you date whoever you want

Your date might faint after Andrealphus leaves, but you both are glad that nobody got murdered.

Buer

He's confused and a bit offended

I mean, Lucifer is right there

It kind of reminds him of that story Lucifer once told him about his younger self. How he fell in love with a human princess but the princess chose some random dude instead of him and he got depressed.

He doesn't want that to happen again so he probably would move you and your new sweetheart to different sides of the hospital

If you try to comfront him about it he's just like "You are under my care and he's under Marbas' care, there's no reason for him to be in the same wing as you"

He wants to break you two off, but not directly. So he just hopes that the physical distance between you and your boyfriend would make the relationship deteriorate by itself.

Would probably stop only if Lucifer tells him to knock it off

[mournings-stars]

all i've ever known, again

the fifth and final part to IF IT’S TRUE / the orpheus and eurydice fic :))

so i kind of lied to yall... cus pt. 4 was the last part of the prelude and i had a final last part already started LOL so heres kind of (very much up to you whether it is or isn't) an alternate ending to this greek tragedy-inspired story also thanks to this request: “a happy ending or continue the story like what happened after the reader failed to bring Lucifer back ect.” from @smnthvxe that gave me the idea to change it from a direct continuation to an semi-alt happy ending… i think yall will like this alt ending more than a canon-aligned continuation :)

includes: all that other stuff but fluff this time i promise….

tags: @lxkeee @viannasthings @majonla @sapphirecaelis

part one | part two | part three | part four

When he fell, you didn’t come to the trial. You couldn’t. You didn’t tell anyone about his indiscretions. You let everyone think you were still happily as close as you were, wishing it’d been more — that you had, did, and said more. You stayed in the house you shared, went on with your days as you had been, and slept in the same bed because you had trouble sleeping when he wasn’t there. 

But you didn’t speak. 

He’d try, and he didn’t go back to Earth for some time, but each time you tried, your throat tightened and you had to stop before you said something that would make both of you feel worse. You couldn’t look at him without expecting him to confess more of what he did, more of how he showed her things that were so special to you. You didn’t want to know what else happened, if he kissed her, slept with her, it’d only make things worse. But he told you he never did. He told you he comforted her, and she comforted him, and that was all. 

He tried giving you replicas of flowers when you accepted what he told you, but they didn’t mean the same as they did before, and the moment you took them, they began to wilt. “I’m sorry,” you’d try to say as he looked at the flowers in defeat, but nothing came out. He brushed it off, pretending it didn’t sting and offered to show you what he’d been working on, but you didn’t want to be the one he showed his pride to when there was no one else to go to. 

“I’ll never see her again,” he promised, his last attempt to fix what he’d done.  

“It’s okay,” was the most you said to him in weeks, but he wished he didn’t hear it. He wished he wasn’t hearing you tell him to be happy without you again. 

But he knew now; all of his doubtful thoughts, after he ruined everything, were true. He’d made them so. 

Yet, you still protected him. 

Until the very end, you protected him for years until you couldn’t without falling with him. Years, and you didn’t tell anyone. Years, and you started staying in your old home, alone. Years, and when rumors spiraled, he helped her flee from The Garden. 

Years, and he understood what your relationship had truly been as he began to spend years with Lilith. 

Years, and when you didn’t show, everyone knew the truth. 

He didn’t even try to fight falling. 

Then, it was months. You didn’t see Lucifer on the promenade, or in your garden. You didn’t even see him coming back from Earth. You hadn’t spoken in years, but you saw each other everyday, and you noticed quickly when you didn’t. 

No one told you he fell. No one told you he stood trial. All of Heaven was keeping you in the dark until you went to Sera. 

“Free will? You banished him for free will?!” You yelled at her, and she let you, having expected this reaction. 

“He was also unfaithful,” she said simply.

“We weren’t married.” She shook her head. “We were hardly together — Sera, you can’t do this—“

“You spent centuries together. Nearly a millennium, do not dilute that kind of love to excuse his sin.” Eyes appeared all across her being. She was more angry for you than you had ever been, and she wanted you to lose faith in him. Just as she had. 

“We spent that time together, yes, we lived together. We slept in the same bed, had meals together, held each other… But most of the kisses we shared were on the cheek, or hand. It’s not what you think—“

“Don’t do this, Humility,” she scoffed, “I won’t listen to you lie for him—“

“It’s true! Sera, please, listen to me. Free will can be good! We can root out the evil in humanity and send it down to this Hell you spoke about. Humans will understand right from wrong — they won’t just resort to evil without knowing that’s what it is. Let him explain, I’m sure he had the best intentions—“

“Intent means nothing when this is what happens!” You quieted at her stern voice and full angelic form, heavenly voice echoing off the walls. “You cannot fix this—“

“You have to let me try.” And again, years later, she watched you in defeat in front of her. First, you cried to her over what you were losing on Earth, and now what you lost because of it. Except this time, you didn’t blame the humans. “Please,” you begged, making her resolve soften as she saw the shine in your eyes. “Let me try, so I can show him I’d do the same for him, as he’d do for me.”

“What are you talking about…?” Her angelic form settled as she frowned at you. “Surely, you don’t blame yourself—“

“No.” You shook your head. “When the Earth began to change, and everything felt so bleak, he was there to help me back into the light with the garden.”

“What garden? Eden?” You shook your head again and she was even more confused. “Perhaps you could show me?” She got up, walked over, and put a soothing hand on your back. 

You were consumed in a golden wave of magic, transporting you to the garden you came to everyday. You blinked your glassy eyes at her, gesturing to the garden and the animals that came to you and hoping that would be enough to convince her. 

“I’ve never seen this place before,” she said, frowning, but soaking in the beautiful environment. “It must’ve been created by an angel…” She trailed off, understanding what Lucifer had done. “Humility…” 

Your tears fell in shock, wide-eyed realization coming to your face as you looked around. It all felt so familiar, so close to home. You thought it was because it reminded you of Earth before it changed, but there was a reason it helped you feel connected again; every flower you ever said you missed, every animal you ever treasured or showed to him, even the pond that two ducks circled. He recreated it all. 

You shook your head, looking down at your hands as a cloud of golden dust created a beautiful lily in them. The very same flower you shut him out for. Looking at it now, it was one of the most beautiful flowers you’d ever created. Poisonous or not, it stood out as something you would have loved. 

Sera sighed, peering down at the lily you cradled as if it could take you back in time. She avoided your sad eyes as she looked over your face, pondering the idea that was lingering in her mind. Perhaps you would finally lose faith in him if she did it — perhaps, he would prove that he did care — perhaps… there were too many outcomes that could come from this. 

But she said it anyway. “I’ll give him a chance,” she told you, watching the way your wings lifted as you looked up at her. “If you fail, he will stay in Hell… forever, but I believe you can succeed.”

She told you her test, bringing you to the golden gates and creating the stairwell you would spend days walking down — days, where all hurt feelings washed away the moment you set eyes on him and he looked happy to see you. Days, where you realized he had a ring on his finger. 

You were too late, you thought. He would never come with you, you thought. 

But he did, and you pushed yourself to leave immediately, following every rule until you reached the golden gates of Heaven and stayed with your back to the stairs as you stood in front of them, thinking he hadn’t followed you. 

You took a deep breath before you turned, seeing Lucifer step onto the clouds and feeling your heart race when you realized you made it through Sera’s trial.

He was still, unsure of what he was at liberty to do now that you were back. The adrenaline of seeing you after so long, seeing you so ready to take him home, that allowed him to hold you like he did before, had gone the moment he stepped inside that stairwell and replaced itself with overwhelming doubt that the moment you were back, things would be how they were; doubt, that convinced him he'd already failed. Doubt that convinced him to prepare to see you cry for him again. Doubt that convinced him he'd have to say goodbye—

He didn’t even have time to process your arms going around him, but he recognized the warmth of your wings, secure and tight around him, feeling like home. 

And, God, did he miss it.

His head tucked into your shoulder as his arms hugged your waist, holding so tightly that you had to speak up. “Lucifer…” He held you tighter. You held him close, fingers threading into his hair to soothe him. “I’m not going anywhere—” And you felt his shoulders tense as you reassured him, harsh breath and wetness hitting the crook of your neck before he lifted his head. 

“Forgive me for this later,” he muttered, hand going to your cheek before he leaned in. He didn’t give you time to think before he kissed you, lips urging and eager as a bright, golden warmth washed over you. You could feel Lucifer’s hot tears on your skin as his lips persisted against yours, your hands going to his cheeks to run your thumbs beneath his eyes as you kissed him back. The moment your wings unwrapped from him, he muttered a weak, “no,” and reached his free hand behind you to gently guide your wings back around him as he pressed his lips to yours once again. 

For the brief moment you were apart, you caught a glimpse of a light above you. You pulled back. “Luci—“ His mouth was back on yours before you could finish, but he paused. 

“What did you call me?” He asked hopefully, but you didn’t repeat yourself. Instead, you told him to, “Look,” pointing just above his head. His halo had returned, glowing brighter than ever. 

The glow settled after a moment, Lucifer’s gold and blue, beautiful angelic appearance returning to him for a brief moment as Heaven’s golden gates opened. 

You stepped away from him and he knew the moment was past, fingers grazing his lips as Sera appeared in front of you. 

“Lucifer,” she spoke. “I see you made it back…” She looked between you, then paused when she saw his halo. “I suppose I should listen to you now.” She looked to you, nodding, and you gave Lucifer a gentle smile before flying off as they went in the opposite direction. 

“I didn’t think you would be able to do it,” Sera admitted after a long silence. Lucifer had been looking back at you, watching you leave in the direction of your garden. He looked at her when she spoke up. “I wouldn’t have.”

“If I was leading, I might’ve failed,” he said. “But I had something to prove.”

“And everything to lose, yes.” She nodded with a grimace, looking down at the ring on his finger. “I’m surprised you came.”

“What?” He frowned up at her, then followed her line of sight to the ring on his hand. “Oh…” Sera hummed as he lifted his hand, pulling the ring off. “It’s not what you think.” He handed her the ring and she inspected it, looking at the inscription on the inside of the band. 

Music notes were engraved in the golden ring, and Sera could hear the song in her mind. “I haven’t heard this song in a long time — the Song of Love, isn’t it?” She handed it back, watching him slip it back on his finger. “But before that, it was—“

“It’s Humility’s song,” he said. “I made it a long time ago — when the world stopped needing it to change the seasons,” he admitted, twirling it on his finger. As he did, melodic winds flowed past them and sang the very same song. He stopped, the winds settling. “And for these past years, I wore it so that I might be able to hear it again. Even down there.” Sera pursed her lips, not responding to the admission. “Sera,” he sighed, “I never did anything with Lilith—“ It was her turn to sigh, as she’d heard it before. It was the only thing he fought against in the trial. “—I know how it seems. I know my telling Humility was a confession to being unfaithful, but I never did anything with her, and in the years I had with her, we’ve been nothing but friends. There was a connection, I can admit that, but it was nothing in comparison—” 

Sera laughed, shaking her head. “You should’ve realized that sooner—“

“—and I never acted on it. That was when I told Humility, when I realized — After Lilith told me she loved me, and it meant something different than the love I have for Humility.” Sera quieted, letting him continue. “I can live with Humility never trusting me again — but, Sera, all I ask is that you believe I’m telling the truth.”

Sera was quiet for some time, stopping their walk as she stared at the ring on his finger; just like the lily, it was like it brought him back in time. 

“You should tell Humility,” she decided, her belief would rest on that. Whatever you decided. Lucifer was quick to turn the opposite way. “Lucifer,” she called and he turned. “It was my intention to protect you both, not to plant doubt.” He could hear your voice repeating her warning of abandonment, the hurt and vitriol having replayed in his mind for years. And it finally stopped now. 

“I know,” was all he said before he left, heading straight for your garden. 

He found you there, sitting in front of the pond with the two circling ducks. Lilies floated in the water and sprouted at the bank, vibrant, warning colors surrounding you as you watched the water. 

Lucifer couldn’t bring himself to speak, wishing he could immortalize the beautiful scene as twirled the ring on his finger. Winds blew gently, guiding you to turn your head toward him. You could hear the faint song, a smile coming to your face as he came and sat next to you. 

“There’s something I need to tell you,” he said. 

You shook your head. “Tell me tomorrow… Let’s just enjoy today.” You took a lily from the bank and carefully tucked it into his lapel. “It’s the first day of spring… Come to the Celebration tonight?” There hadn’t been one in years, and he knew it. You were asking him to spend the night with you, just as he’d done so many years ago. 

“I couldn’t miss it.” 

There was a long silence before he placed a zealous, maybe overly so, hand on your cheek. His thumb ran over your skin and he smiled faintly. “I missed you.” You placed your hand over his, turning to kiss the inside of his palm before taking his hand with both of yours. He pulled it gently to his mouth, kissing the back of your hand. “So much.”

And you could feel it. You could feel the truth in his words, and you could feel that there was a truth you didn’t know, one that wasn’t what you dreaded years ago, one that compelled you to twist the ring on his finger and make that symphonic breeze begin to blow as you went to remind him…

But he spoke before you could, taking the opportunity to finally remedy what he’d done as he held your hands to his chest. “I know.” 

And you couldn’t help but smile.

[sickwhispers]

Ur so cool for making stuff for dandys world💚 Im asking so politely for you to write Dazzle x Reader pretty pls? 🙏🙏🙏I like never see any Dazzle love

WING MAN

Pairing: Dazzle x reader

Relationship: romantic

Warning:

Type: headcanons + drabble

Hand written letters seem to be the only way he'd be able to express his fondness towards you

Letters about his day, how he had messed up while extracting a machine, how sad it made him, how the only reason he hadn't broke down crying on the spot was because you had smiled his way

Sometimes, he wonders if you save those smiles for him

Keeping them locked away for the rest of the day, only revealing the true kindness behind them the moment you two make eye contact

Razzle likes to tease him a lot

Most of the time, it ends with Razzle trying to convince him to talk to you

But there's always a new excuse

Dazzle wants to talk to you,

He really does

Although, when it comes to how he thinks those scenarios would play out, it always end in some sort of tragedy

He might stumble over his words; he might end up tripping both him and Razzle in front of you

He might even bring you down in the process

There were too many risks

Too many possibilities of embarrassing himself in front of you

No matter how many times Razzle seems to try and convince him to talk to you, every conversation ends with an excuse not to

At some point, razzle just ends up deciding to do it himself

Dazzle stares at the letter held in your hands, eye twitching as you try to explain how you had found it earlier in your room. According to your story, you had arrived in your bedroom after a long run extracting machines and distracting twisted to help save your friends, only to find a little white envelope placed neatly on your bedside table.

The letter, once you had opened it, stated it had been from Dazzle. Which confused him to no end, considering he had no recollection of writing it. You had almost laughed while reading it if you were being honest. You've known Dazzle for a quite a while now. And, you've come to learn how he prefers writing. There's always a melancholic tone in his words, his sentences short and simple. And yet, at the same time, there's always a deep hidden emotion behind the way he chooses to phrase them.

Dazzle takes a second to look over at his polar opposite. And it doesn't take long to notice how Razzle seemed to keep his gaze fixated on the wall. You try to speak, noticing the growing tension between the two of them, but before you could get a word out, Razzle speaks up.

"So-! What did you think of the letter? You know, the one your holding? The one Dazzle sent?" Even now, there seemed to be an almost anxious tone in his voice. A brittle laugh slipping past him as he made quick eye contact with you before glancing away again. However, this time, it seemed to have fallen on Dazzle.

"Well... it seems to have an overwhelming amount of positivity, considering dazzle wrote this." You fiddle with the note in hand, rereading the paragraph after paragraph. There had been a lot of exclamation points—more than what would have been appropriate to use. Along with the unusual way each sentence had been worded, there was almost an alarming amount of 'please.' "And a lot of desperation..."

"Y-you don't... uh... have to answer it. I already know what you'll say..." after hearing the last thing you said, Dazzle only seemed to cave into himself, attempting to step back and give himself more room. But, razzle only continued to keep the both of them firm in place. His eyes shooting Dazzle a quick glance, attempting to reassure him of his worries.

Despite how awkward the situation had turned out, you had accepted the letter

Your eyes scanning over the simple topic that had been painted across each paraphrase

The phrase "go on a date with me?" Being obvious among the array of sentences

Dazzle had seemed shocked when you accepted. Eyes widening as he watched you nod up and down

Yet, Razzle, on the other hand, had been fairly confident you would answer that way

And, after this whole ordeal, he made a mental note to thank Poppy for being the mailman for him

It was tricky having to write a love letter in the dark. in bed. While Dazzle was asleep

[annabelle--cane]

Hey so I'm not good at subtext and I saw you posting about ep 200 of TMA being awesome. I've listened to it a few times and I'm mostly...confused? I don't understand what happened

(I mean, I get what Martin did to Jon, but nothing other than that)

Would you mind explaining why it's impactful to you?

honestly the main standout thing that makes it really shine to me is the soundscaping and vocal editing, and I've seen people take that as an indirect snide comment about the writing before but it really isn't, the entire scene in the panopticon just sounds gorgeous. the distortion and static on jon's voice, the underscoring of the statement, the way jon and martin's dialogue pops out from the sounds of the crumbling tower, it's just. aaaaaaaaaa. I find it really pleasant to listen to, if you've only listened through speakers then I'd 100% recommend trying it with headphones, it is simply very pretty and well made.

from the story side, it's beat after beat of ultimate catharsis for threads and arcs that have been set up for the whole show.

jon going ham and just really brutally killing jonah with his own hands, no supernatural influence, finally fulling snapping and, it sounds like, gutting him like a fish. it's just about the most lively and impassioned we've heard him all season, and, as far as anyone could deserve to do such a thing, he really is the person who deserved to get to do it.

jon and martin both betraying each other and making the choices that the whole story has been leading them to. jon has spent years fighting against his internalized idea that he can't trust anyone and he's the only person who's powerful/expendable/knowledgeable enough to make decisions and solve problems, and at last he submits to it and takes matters into his own hands. martin has spent years operating under the assumption that he's unimportant and incapable, and now just as he finally accepts that his choices have meaning, he sets the plan in motion that ends up getting them both killed. and jon has tried so hard to be transparent and show him trust that he underestimates just how willing jon is to go behind his back and disregard the plan completely.

and the fuckign. web lighter. I have a longstanding obsession with the mechanics of fate in tragedy narratives, and this lighter. hhh. so, fate (the web) was guiding jon & co to release the fears, but to jon's knowledge, killing jonah and becoming the pupil should have been his winning move to keep them contained. as far as he was capable of comprehending, he made all the right choices, but fate (the web) (the oppressive forces that govern all of our lives) doesn't play fair, it planned for this and cheated him. because he couldn't remember the lighter. he couldn't remember that he already gave georgie the catalyst for the explosion.

this tells me a few things: the ultimate end of releasing the fears was always going to happen, there was nothing jon could have done, but, technically, he could have adhered to the plan and lived to spend what was left of his life with martin and the rest of his nearest and dearest. but that was never really an option, was it? jon archivist sims would never have made that decision, that's why martin tried and failed to plan around it, that's why the web tried and succeeded to plan around it, it would never have happened differently. jon made his choice, it made no difference except to doom himself and the one he loves, he didn't have to do it, and it was inevitable.

and after all of that, after the web cheated him, he could still have won. he could have survived the tower collapse and kept the fears. but one of his biggest stated motives, over and over, is that he can't stand to lose anyone else, and martin is not immune to burning buildings the way he is. in an inverse to gertrude, at the last moment, he chose the barest chance for martin to survive over his own life and principles and big picture goals. he could cope with being responsible for killing the world in the abstract, but when it came to watching the person he loves most die right before his eyes, he caved and came around to martin's perspective. the other worlds can cope, he wants to save the man he loves.

[sorinethemastermind]

"And I would say the third arc involves some new characters, some of the characters from the first seven, you know, the ones who survived season seven, but it's an evolution it's a next part of the story." - Aaron Ehasz on TDP Arc Three

Even before this quote I knew S7 would be heartbreaking. He already said that theme is "sacrifice" but I thought we would probably lose someone not someones. So let's break this down. Who is in the most danger?

Callum and Rayla

I think these two are in the most danger, honestly. It pains me to say it, but I think it's true. Not only did Season Six feature heavily around Callum asking Rayla to kill him and, on the other hand, Rayla asking him to sacrifice her if it came to it; we also now know that if Callum uses dark magic again he'll lose himself completely.

All of this leads me to think that either A. Rayla and Callum will be forced to keep their promises or B. they will be forced to break them. Either way, tragedy befalls our beloved Rayllum.

Soren

I have mixed feelings about how much danger Soren is in. On the one hand, he's the kind of person to use himself as a human shield, he's in charge of Ezran's protection, and I don't doubt that he would die for any of our characters or a stranger on the street. He's a true Crownguard. This makes me EXTREMELY worried.

On the other hand, we already had a moment in S6 where he had a chance to sacrifice himself, and they even made us think that he had for a moment. Which makes me think that maybe, because Viren died for his son and his kingdom, Soren will be allowed to live.

Amaya and Janai

I am so worried about our queens, because I think that if we lose one, we're going to lose both. I feel like there's a chance that the pair of them die for the future of Elves and Humanity. Alternatively, they could barely feature in the final season, offering shelter in the background of the story to the people of Katolis so that the Dragang can go off on their adventure without worry for their people back home. But I think that if it's a season where they feature heavily, we stand a good chance of losing them.

Claudia and Terry

Oh there are so many options for these two! I think there are two main possibilities, each with varying chances of survivability.

Option A. is Terry helping Claudia redeem herself. In this version of events, I think that Terry survives, but that there's an equal chance of Claudia sacrificing herself in her redemption and of her surviving.

Option B. is that while Aaravos is defeated in this final season, Claudia is not, and ends up being the final villain in Arc 3. In this universe, I think Terry dies in S7.

Either way, I think that both of them, but especially Claudia, is in grave danger in the coming season.

Ezran

The only character that I truly feel is safe is Ezran. I don't think he will escape this season unscathed, I don't think anyone will. But I think that Ezran represents a bright future and breaking the cycle, and I think for that reason he has to survive to champion that future.

[theother-victoria]

LOVE IS CONCOCTED FROM ESTERS AND KETONES- CH. 00: PROLOGUE

NOTES: I hope this chapter gives you an idea of the setting and what's to come!

TAGLIST: @tragedy-of-commons, @mitsvriii, @harque, @nariism, @vxnuslogy, @akutasoda , @flowery-jazz , @gabile18 , @khoncore

Somewhere within the heart of the universe lies a perfumery on an unremarkable planet, its simplicity belittling its fame. From its exterior, it looks like any other shop on the street. Simple, with a cute sign and clean exterior. They’re closed on Mondays but for the rest of the week, they open at ten am on the weekdays and close at six pm with extended hours on the weekends. 

The inside, however, tells a different story. It’s far more spacious than the outside would lead one to believe. The poor, overworked air purifiers can be heard running 24/7 to prevent the air from becoming suffocating. The shelves go as far back as the eye can see and are stocked with bottles of different colors, sizes, and designs- each of them hefty and works of art in their own right. Each of them have different scent profiles and all of them are handcrafted by the enigmatic owner who formulates and tests each scent in the lab located behind the shop. 

… The test subjects just happen to be the two shop assistants who are more than happy to be their boss’ guinea pigs. 

The shop itself is split into three sections- male, female, and unisex. Perfumes are arranged based on the fragrance family- fresh, floral, woodsy- before being further arranged by notes- green, fruity, gourmand- since people often walk in wanting to smell like a specific note, which the owner and shop assistants are happy to work with. However, there’s a rumor that you’ll get the best results when you come in with an idea, a concept, in mind. 

“I want to smell like worn, old, musty jewelry that’s probably tangled.” There’s a scent for that.

“Do you have anything that smells like a day at the fair as a kid?” Yes, there is.

“How about a warm rock?” Second display case in the unisex section, fifth shelf down, third bottle from the left, the green one. 

There’s also the option to get a custom-made fragrance, although it’ll carry a heftier price tag than the already-pricy wares. But for many, it’s a small price to pay for something that’s uniquely personal to them. 

All of this has led to celebrities, politicians, and other rich and famous people from across the galaxy to flock to this store, which has been the biggest reason for the store’s meteoric rise to fame. It started off as the name being shared among circles and it gradually rippled out from there until it reached the level of renown it has today. Celebrities often quote a bottle from the store as their signature and/or favorite scent in interviews and the paparazzi always snap a bunch of photos whenever a particularly high-profile person leaves the store with a bag in hand. 

Rumor has it that the advertising benefits for the shop are top-tier too, which is why they practically jump at the chance to promote the newest scents. 

But while the shop’s fame is undeniable, there isn’t much known about the owner. They’ve dodged the media’s questions ever since the shop’s popularity exploded and even the two assistants don’t know much besides what’s publicly available. It seems as if they intend for things to stay that way as well. 

Not only do you want to keep your secrets close, but you also want to preserve that sense of monotony that comes with running a business for as long you have. Wake up, get ready, open the store for business, and handle the various customers that come into the shop until closing.

But unbeknownst to you, there’s a wave of new customers coming, each with their peculiarities that you’ve never quite had to deal with before, and they’re interested in more than just your wares.

Keeping your inventory stocked and your heart guarded is your modus operandi for running your business. But between running your business, staying on top of orders, and dealing with these new customers… this may be a difficult task to follow for the foreseeable future. 

the taglist is open for this series and the rest of my works!

@ theother-victoria, do not copy, repost, modify, translate, or feed to ai

[vidavalor]

Ah, I remembered!

My question was: what are your thoughts on Crowley saying ‘I lost my best friend’ when he’s directly talking to Aziraphale’s non-corporate ghost in season 1? I always thought that line was strange. Is it that he can’t say ‘I lost you directly’ because others might be listening?

Hi @procrastiel ooh, nice! I *love* this scene so I'm super happy to share an opinion on it. Thank you. :)

Meta on the meanings behind what they call each other, what they intentionally *don't* call each other, how they actually said they loved each other and came up with a shorthand for it in 1941, and why they still don't just use those damn words already...

This goes everywhere, just FYI lol. I think I started with "no nightingales" and took a scenic route through 1600, 1941 and bits of S2 before coming back to the scene you asked about but I've been told it makes sense. Thanks for indulging me. :)

There are certain things that Crowley & Aziraphale feel that they can't call one another and can't say to one another directly. It's not just because they could be overheard if they're in public, though that's always a concern. They don't say them when they're alone, either.

It's because it hurts too much.

They've always tried to be optimistic about surviving Armageddon and being able to be together somehow but they're terrified that they won't and the odds, in their minds, aren't great, being that it's the whole will of God and all. As a result, they've lived their whole relationship expecting it to end in tragedy. They could both live for all of time, forced apart by Heaven and Hell. One of them could die and leave the other alone for eternity with nothing but the memory of the other. Meanwhile, in the now? It's not a great situation, either.

They can't really be together. They are together but not openly and they can't promise each other everything and they absolutely would if they could. Heaven and Hell could literally murder them if they got caught together so they have to be careful and keep it a secret. This means that even as the human world they live in opens up and starts to change to a point that queer humans like them are living more open lives with one another, Crowley and Aziraphale still cannot at this stage in the story.

So, it all becomes then an unspoken question of: what would make this easier? (As if it could ever really be made easier?) They don't wish to cause each other any additional pain. What would make it easier, they think, is if they don't say certain things so that what they can't have now or what might be lost to them in the future is and will be easier to bear.

This is delusional but they're doing it anyway because it gives them some measure of control over things they can't totally control.

They think it is easier to deal with not being able to be together if they just never say directly aloud what they are in terms that are surface-level undeniable. They speak in a coded language with one another and they say all the things in those words. But the doublespeak gives them some cover. Not to ever deny any of it but it softens the edges of it.

It's also because they live with the fact that they can't fully be together but they also both are fundamentally optimists and want to think that maybe, someday, they could find a way to have what they want to have with one another. That's also why they don't say the things fully. A part of them thinks that if they just don't right now and they wait until some time comes when it seems like they could have a life together, then they still get to have those moments. They're almost saving some of it for a life they hope they get to have but aren't sure if they will.

As a result, they are romantic as all fuck towards one another but they don't use words like romance or love aloud. If they do find they have to talk about it, they've shorthanded it in a way that they both understand because it's based on their past together. We already can see bits of it uncoded-- nightingales, dining at the Ritz-- but there are more than that that we can see if we deep dive a bit here so let's do that...

What's evident in the scene in 2.06 wherein Crowley decides to try to abandon the doublespeak is how deeply ingrained this way of speaking is for both of them. Also, how they don't abandon it when they're alone (the 1967 scene also illustrates this.) Crowley actually reverts back to their doublespeak *three sentences* into his proposal. He doesn't get much further than establishing that they've both been on this planet for a long time before he starts evoking coded messaging. He flicks his hands between them during the "you and me" line in a way that is echoing how Aziraphale gestured at him to mean "couple" in 1941. He winds up using coded language all over the place, peaking with the "no nightingales" moment that is actually coded language twice over because of "nightingales" being their word for romance and the asking Aziraphale to listen for birds evoking the Job minisode and the moment in the courtyard when they came up with the doublespeak.

Part of why Crowley can't get through the proposal without it is because he doesn't want to do it like this. Both the doublespeak and the idea of someday loosening it a bit mean things to them. They like their private language. Maggie and Nina are not exactly correct in assuming that they never say how they really feel. They're not wrong, either, but they're not fully right. Crowley and Aziraphale do talk. They just do it in a way that hurts them less because they can't bear to hurt each other because they're batshit crazy in love with each other. Maggie and Nina are correct in saying that Crowley and Aziraphale don't say how they truly feel if saying how you truly feel means using traditional language but they are wrong to say that they don't express these feelings at all because we have literally been watching them do so this entire time.

Notice how Crowley, even risking more with breaking their code in 2.06, still doesn't say some things. Amazing how he said all of that and he didn't say I love you, isn't it? He could have. He is, in what else he's saying, but the words they don't say are still there on the table. Aziraphale, later in the scene, almost does. He almost does because he is a mess over the situation and he wants to give Crowley something but then he doesn't and he spits out a self-aware I forgive you instead. That horrid, complicated version of it that he's used before and is code they both kind of hate. He's angry that this is all happening the way it's happening because it's taking some of the things they leave unsaid for hopeful, better days and it's saying them in a less than ideal moment.

That they both leave out that I love you, though, is the most I love you thing they could have possibly done.

They think it will be easier to not be free to be together and unafraid in the present-- and to maybe lose one another in the future, if they eventually have to-- if they pretend they're not a team or a group of the two of them and one way to do that is to never say words like the one we were all silently screaming at Crowley to say in that scene in 2.06 lol: "couple."

Are they a couple? Yes. Are they lovers? Yes. Are they partners, the term Nina used? Yes. Do they refer to their relationship using any of the terms in this paragraph? Oh God no...

That is why Crowley freaks out when Nina tries to get him to use uncoded, normal, human person language to help her understand what Crowley and Aziraphale's relationship is. She calls them partners and this is Crowley:

We're in agreement with Nina then when she responds with:

Nina isn't wrong here. She's just from a different world than Crowley. Nina lives in a world like ours in the year 2023 and she's puzzling Crowley and Aziraphale out through that filter. She doesn't know at this point that they are an angel and a demon who could be murdered by Heaven/Hell for being together. Her best rationale for why she's never seen Crowley and Aziraphale in her cafe together and didn't know until this week that the bookseller has a fella is her theory that Crowley is married and that he and Aziraphale are having an affair. To her, it explains why they've got chemistry for days but they're secretive. Crowley denies that-- defending Aziraphale's honor like the good old fashioned lover boy he is :)-- but the reason why he quickly denied that he and Aziraphale are partners, even if they absolutely are, is twofold. They are used to hiding it, it's dangerous for them to get caught out, and he probably feels uncomfortable with the idea of telling someone what they are exactly without talking with Aziraphale about it first-- that's all one reason.

The other reason is that he and Aziraphale don't use that word. It's not that it's an inaccurate one; it's probably the most accurate one, actually. They have a word, as we'll see, but partners isn't it because partners is the same thing as a couple and these are embargoed words to them. They don't use those phrases, even if that's what this is, just as they don't say I love you because if they don't call it love directly, they'll never lose that love, in their minds. If they don't know what it's like to hear the other say it, they don't ever have to bear the pain of never hearing it again. Better to hold those words back and only use them if they ever can somehow really be fully, openly together without fear. If Crowley doesn't use those words with Aziraphale, then he's not about to use them with the Coffee Shop Human he's only just recently met.

Along these same lines, they refrain from traditionally romantic terms of endearment on the surface. No my love, no darling, no sweetheart. Angel was there at the start and it stays because while it's always really angel (romantic), it's also angel (species/occupational), so it works well enough with their code. But its equivalent in reverse is Crowley. It's intimate, in the sense that only Crowley and Aziraphale know what it means. Only they were there in Job's courtyard. That's the coded layer of it-- it's Crowley's name to everyone else on the surface but it's that and a pet name to Aziraphale. It's why Aziraphale just calls him that constantly. Crowley changed his name to something only Aziraphale also really understands, making the use of it by Aziraphale then a way of expressing affection. When Nina asks them both separately about their relationship, both Crowley and Aziraphale actually revert to using what they call one another in an effort to explain it, even though they know that it doesn't translate fully in human terms without more words. Crowley says Aziraphale is an angel he knows; Aziraphale says:

Ironically? They are actually making it all *more* intimate by speaking in their own, private, coded language. They can't give each other everything but this they can, right? The language is their own, little world and not being able to explain their relationship to humans that well in 2023 doesn't mean they don't know what they mean to one another, which is more important. Since they can't make each other promises of forever that they can't keep and they can't have a life in the present that they'd choose for themselves, something they can do is use their little language to be sweet towards one another and they do. By having to work a little harder at conveying meaning through doublespeak, they wind up with something ironically actually at least as romantic as the traditional words, if not more so.

Anyone can call a lover darling and it can be lovely but can just anyone make my dear fellow romantic? Aziraphale can. This one was all him. He loved standing there in front of a dozen deadly human soldiers in the Kingdom of Wessex in 597 A.D., getting away with a pet name under the guise of stealing the "old sport"-style of male, moneyed, British speak and turning it romantic. This scene is great with the pet names because it opens with Aziraphale being a bit of a tease with "is that you under there, Crawley?" which he only does so that Crowley will roll his eyes and correct him. Aziraphale loves that Crowley changed his name to something coded between them based off of the moment they started their doublespeak. It was very romantic and this scene shows that Aziraphale sometimes, in earlier days, would call Crowley the old name just to get Crowley to correct him, which is all just a coded way of getting Crowley to say that, yes, he still feels the same way and yes, he still wants Aziraphale to call him that. This same scene, a few sentences later, then has Aziraphale's my DEAR fellow-- heavy emphasis on the 'dear'-- which is then answering Crowley's admission by just skipping any and all of Crowley's names entirely lol and calling The Black Knight my dear in front of a bunch of bloodthirsty soldiers and mercenaries.

The my [] fellow is perfect in their little language because of how it sounds all "I say, old chap!" on the surface but contains words that are romantic to them in their doublespeak. It's intentional that it's *not* "old chap" or "old sport" that they appropriated for their own purposes, it's my [] fellow. Fellow as in human, which is how they see their relationship (because it is) and that's something that comes up when Crowley uses a variant of this in 1941, which we'll get to in a second. My adds an intimate element to it of admitting that they are each other's in whatever ways they can be.

Aziraphale, like we said a moment ago, will sometimes sauce Crowley with the pet names a little and he does in S1 when he calls Anathema my dear when reassuring her in a scene in which he and Crowley are having a playful coded argument over Crowley's driving. Aziraphale miracles a bike rack onto the back of The Bentley and unnecessarily codes the word "bicycle" ("a perfectly normal velocipede"), smirking when Crowley grumbles "bicycle" at him. It's joking with him a bit at the lunacy of their little language *in* their little language. (Crowley playing back during this sequence is also calling Aziraphale angel (romantic) in front of Anathema, which was also a strategic decision to signal to her that he might look like a murder hornet but he's really just long-suffering gone on the sunshine-y one. Very we're just an old gay married couple, hen. We won't hurt you. in tone.) Anyway, Aziraphale using my dear with Anathema-- and his little smirks towards Crowley around it-- was really just underlining the way he uses my DEAR fellow with Crowley by using the same core phrase with a human in normal, uncoded, human conversation.

Other than this and the big one we're going to get to, there are really only two other things we've seen them use to refer to one another. In S1's Eleven Years Ago/2008, there's the moment when Crowley and Aziraphale have arrived back at the bookshop and Aziraphale is flirting with Crowley and says this, tongue firmly in cheek:

I mentioned this in another post about the wall slam in Tadfield but this is a very much intentionally blasphemous specific sexual request that is more at home in the sex meta post you all have me working on lol but for the purposes of this conversation, "foul fiend" is Bible for "wicked demon", so this is Aziraphale just kind of flirtily, jokingly calling Crowley a wicked demon in the one area in life where Crowley would probably happily own that description lol. It also has the other layer of humor in it in that Crowley calls Aziraphale angel (romantic) all the time, more often than he uses Aziraphale's actual name, and you'd think he wouldn't want to because Heaven hasn't exactly done right by Crowley and he's not especially fond of it. By calling Aziraphale angel with love behind the meaning of it, he's calling Aziraphale a good angel. He's saying that Aziraphale is what an angel is *supposed*to be, something that Aziraphale struggles with. It's both sweet and reassuring at the same time. As a result, Aziraphale has never just started calling Crowley "demon" for the same reasons-- he thinks if being a demon is being demonic and truly evil, then Crowley is a terrible demon because he's a lovely person. He is, however, positively wicked in bed, and Aziraphale likes to mock their whole situation with blasphemous Bible innuendo when requesting a little hellfire.

The other thing to briefly mention before we get into the friend discussion is a scene not long after the one we just talked about, when they're both smashed in the bookshop in S1. When he's drunk and attempting to say "bouillabaisse", Crowley gets distracted staring at Aziraphale for a moment and calls him baby before going back to his attempts at saying a word (in French, their romance language, per S2) and we get the "fish stew-- anyway!" segue back into the rest of the scene. Aziraphale was too drunk to notice enough to react so this opens up the question of whether or not the rules can get slightly more lax in bed. Does Crowley call Aziraphale baby in more intimate moments or does he just want to and it slipped out when he was drunk? It's a fairly normal phrase so it both would and would not be a surprise either way but it's still something of a question mark by the end of S2.

But there's one thing that they use that pertains to your question from the Discorporated!Aziraphale scene (told you we'd start to get here eventually lol) and that's how they use the word friend.

The rules of their language apply-- what is said on the surface is what one of the meanings of what they are saying is. It has to be what it sounds like on the surface to also be a coded thing. Aziraphale is Aziraphale's name and angel is what he is and Crowley is the name Crowley chose for himself. That angel and Crowley have hidden meanings-- that angel is given a tone that turns it from referring to Aziraphale by his species and more into angel (romantic); that Crowley is the name everyone calls Crowley now-- from angels to demons to humans alike-- but only Aziraphale knows that it's an in-joke referencing Crowley having to playact at being demonic and evil to hide his truer, sweeter nature... this is what makes these terms acceptable in their mutual language. My [] fellow is then also meeting the rules of the language because of the humor of taking a non-romantic phrase and using it for this romance of theirs that they don't refer to as one. It sounds like a perfect common thing for British men of any kind of relationship to use in conversation on the surface but it's romantic to them underneath.

So when they say friend, by their own rules of this language, it has to first contain the surface meaning. It has to be true on that level to reoccur in their language. So 'friend' does mean 'friend' in a friendship sense. They are friends. They are good friends-- best friends. Using the word is an admittance that they are each other's closest friends, which is both lovely in its own right and healthy in a romantic relationship. You want to be friends with your romantic partner. It doesn't mean you can't have other friends, of course, but if you're not friends with your partner, it's not really going to be a terribly satisfying relationship and since that is what they are-- the longest-running of long-term relationships lol-- that they are friends is important and a good thing. It's also a big deal for them to admit to it, since they are actually *supposed* to be mortal enemies. Their whole enemies-to-lovers thing never really got off the ground because they adored each other on sight but that they're friends despite the danger and the conflicts is a big thing in its own right.

But that's not the *only* meaning of friend to them, so let's look at how they evolved that bit of their language.

From what we've seen so far, it started in 1600 in The Globe Theatre scene with this:

In 1600, Burbage drops some human, queer coding into the secret language. Friend, the way Burbage is using it, is something that's actually implying lover. The surface word is technically related to friendship but the tone changes the meaning of friendship in this context to be that of a sexual relationship. Burbage's tone implies that he thinks Crowley and Aziraphale are fucking (which Crowley, laughing, silently agrees with is obvious, since he's been ignoring Burbage in favor of buzzing around Aziraphale and clearly trying to flirt his way into his bed).

Burbage is pissed that these two-- who, as we know, are basically the entire audience-- have been ignoring his monologue in favor of flirting with each other so when Aziraphale tries at a modicum of politeness (that somehow is even bitchier subtly than Burbage lol-- "I love all the... talking" is the best he can come up with), Burbage slings back by trying to drag Crowley into it by calling him Aziraphale's friend, with that loaded tone that makes the question really: 'and what does your lover think?'

Aziraphale gets the innuendo-- he's not exactly a novice at this in 1600-- but his immediate response is just to panic at the idea of anyone noticing him and Crowley together and, as Aziraphale does when stressed, he lies in increasingly absurd levels of untruth. (See also: the scene with Shax in The Bentley in S2, when he spirals up into ludicrously claiming to *not even know who Gabriel is* in an effort to say that he has nothing to do with his disappearance.)

Crowley is bemused by Aziraphale's increasingly desperate attempts to deny what is abundantly obvious to everyone around them and by Burbage's attempt to make a thing out of them to try to assuage his bruised ego. He chooses a little violence with this particularly amusing bit of go fuck yourself, you insecure little twerp:

Anyway lol what this scene then does is give us a moment in the story wherein we see them in a situation where friend (loaded) is defined as friend used euphemistically for lover and they both know it. This isn't coding they came up with but that they will wind up appropriating from the humans around them and repurposing for themselves, though they won't for awhile still to come yet.

What's worth noting here is that friend (loaded) in this human code is euphemistic for a pretty wide array of loaded friend relationships. There's no separation in it for friends with benefits versus someone you're seeing but aren't comfortable admitting that versus someone you've been with for awhile versus the person that is basically your secret spouse, etc.. All of these things are friend (loaded) in human code because the main purpose of it is to identify a pair of people who are involved as such without directly saying so on the surface, even if it's implied heavily via tone.

So what happens when Crowley and Aziraphale eventually decide to repurpose it for themselves?

They've got to be clear on what it means. They'll need to define it more specifically amongst themselves in order to use it.

For awhile still after 1600, they just aren't defining their relationship. They don't need friend (loaded) because they have things they call each other, right? They've got angel and Crowley and my dear fellow and the like. They're not usually around a lot of other humans together that are going to do what Burbage did and try to force a definition of it. (This changes, as we know, in the modern era-- especially S2-- but back in the day, it was true for them.) As a result, they've never had to define this and that's absolutely fucking perfect, as far as they're concerned.

Not defining this? Lovely. Yes. More of that. Makes the fact that they can't just call each other my love hurt a lot less, they're convinced. It helps now for sure and it'll make it less painful if they lose each other. They totally will not at all continue to spend thousands of years wondering what it would sound like if they said the things. They don't each have fourteen million fantasies about being able to use the traditional words and how they'd do it-- absolutely not lol. *Not* using the traditional words isn't at all making both the allure of those words-- and the ones they *do* use-- hotter and more romantic or anything. Not in the slightest...

So then we eventually get the Holy Water Arc, right, and in the middle of that scene, we see them run into a definition problem. In 1862, what actually causes them to fight isn't the holy water request. It's Aziraphale giving it all a word and that word being "fraternizing." First rule of We Don't Say It Club is that we don't say it... but it's also that if you're going to say a word that means the two of you and what you have, maybe don't use the one that Heaven would-- the one that means 'socializing with the enemy.' In Aziraphale's defense, they're both a mess and half-broken up in this scene and there's more going on it than we're going to get into here but the point is that suddenly not having a word caused big drama and caused the whole holy water conversation to de-evolve into an argument that broke them up for the eleven or so minutes that they can stay broken up.

But they still hadn't really resolved the whole holy water argument debacle by 1941, even if there is evidence in the show that they saw one another between 1862 and 1941, and the reason why they haven't is because holy water is irretrievably linked to defining what they are.

Crowley asking for it meant they had to consider what they are to one another and talk about it and 1862 proved their language didn't have words for that at the time. There is a level of panic to it because the request contains a certain level of acknowledgement about how they feel about each other. Aziraphale jumps onto holy water being a suicide pill not just because he's terribly worried that that's why a visibly anxious and depressed Crowley wants it but because if it's not what Crowley wants it for, then Crowley is saying he wants it for defense and whose defense, right? Not just his own, potentially. It's very much saying that he wants it to protect not just himself but Aziraphale from Hell and now we're talking about Crowley being willing to risk the wrath of Hell and maybe get himself killed trying to protect Aziraphale from harm and now, we're closer than ever to that I love you under the surface and they panic and they avoid it for 80 some odd years entirely until World War II...

...and then we arrive at The Blitz in 1941. We are now a scant one hundred years or so until 6,000 years being up since the creation of Earth and Armageddon was always going to happen in "*about* 6,000 years" so, for all they know, this is it... and Crowley in 1600 told you how he feels about sad endings:

So while rescuing Aziraphale is nothing new, Crowley turned up in 1941 with the intent of making a better ending, in case they had now found themselves at the start of the end of the world. They were almost out of time either way and he didn't want it all to end without them having said the things but also they didn't know *for sure* if this was it... and they still can't be together if it isn't... so Crowley can't just show up and be like so, angel, I've been meaning to tell you in the actual words for the last six millennia-- I'm madly in love with you. He has to find a way to do it in their language of doublespeak. And so, here's Crowley using friend (loaded) in front of the Nazis in 1941:

By using my friend in the church, Crowley is then actually euphemistically calling Aziraphale my lover by calling back to The Globe Theatre and stealing the human coded term that Burbage used. Crowley does not care what the Nazis think. The comment isn't for them; it's for Aziraphale. So is letting Aziraphale find out about his first name, which is also calling back to The Globe Theatre. ("Anthony", pronounced "Antony", as in Shakespeare's 'Antony and Cleopatra', the play in which Shakespeare put the love poetry he stole that Crowley wrote for Aziraphale.) So is referencing the unguarded holy water in the church, which is then trying to talk about it a little by connecting it to this romantic grand gesture here and acknowledging why they panicked over it all those years ago. It's all saying I'm in love with you in their little language in the best way Crowley can in this moment.

But what did we say about friend (loaded)? We said they have to define it, right?

Because it can mean different things. Crowley isn't wrong to use it and Aziraphale understands it the way he does in the church. He understands it to euphemistically refer to them as lovers, which they are. It's just that all of this combined with Crowley saving the books then makes Aziraphale realize that it's one thing to say my friend (loaded) but if you say it and then there's holy water referencing and then there's more of the Shakespeare scene in there with Anthony and the little "you don't like it?" pout and then there's the entered a church for you and... you put all of that together with little demonic miracle of my own and saving the books...

...and Aziraphale realizes that Crowley is taking the thing that they always were-- my friend (loaded)-- and using it in the middle of saying that he's in love with him.

Crowley is trying to give it a word.

The word he's using meets all their language rules. It's from a moment in their past. It has a true surface meaning and a loaded undertone and subtext for days. He's not asking Aziraphale to use it. He's not saying the actual thing, as that would be breaking their rules, but he is absolutely saying it in their language.

He's not asking Aziraphale for it in return. He's just saying that this could all be over soon and he needed Aziraphale to know and in some ways, it's an apology of sorts. He's sorry they fought. He's sorry they lost years over it. He's sorry for the pain of it. He was in love, you see. The sex while pining got to be a lot. All of this got to be a lot. You get it now right, Aziraphale? Yes? Good. Lift home...

The phrase my friend (loaded) takes on a different meaning after Crowley saves the books and after their conversation inside and outside The Bentley. That's the point of the two "shut up"s-- the one from Part 1 and the one right after it where Part 2 picks up. Why have this conversation twice? Because it's actually two different conversations.

The first one outside The Bentley is Aziraphale in a love stupor, just telling Crowley that saving the books was a nice thing and Crowley responding with a half-effort "shut up" while he cleans his glasses. It's the only scene in the entire series to date in which Crowley is cleaning his glasses and he is in this moment to give Aziraphale his eyes for a moment. But The Blitz, Part 2 shows us this again... and then gives us the scene in The Bentley with what starts out sounding like the same conversation on the surface to start. It is, though, not the same conversation *under* the surface...

There's a reason why Aziraphale says a second time that saving the books was a nice thing. They're now in The Bentley, which is a little more private, and Aziraphale can't let this drop because he needs to know for sure what Crowley is saying with this and if Crowley's sure he wants to be saying what it seems like he's saying. This is basically Aziraphale's version of Crowley's "are you sure? are you sure you're sure?" in the magic shop later on. Aziraphale knows Crowley just said he's in love with him but Aziraphale also knows *Crowley*, right?

He's been with Crowley for a long time. He knows him very well. He knows that Crowley is anxious and emotional and hopelessly romantic and that the world is literally ending around them as they're driving through bombs raining down over London and part of Aziraphale is thinking of the fact that even in this seemingly apocalyptic Armageddon that could be starting here, Crowley was coded in what he just did. He left the traditional words on the table. He said the things in their language and that is, in some ways, even more romantic, but he's left them the things they leave out of hope for a better future, just in case. There's a caution to that and while Aziraphale appreciates the caution, he also can sense that Crowley was nervous about doing this. He is a little concerned that Crowley's going to have said he loved him and then regret it and pull away from him again and Aziraphale can't do the first bit of the Holy Water Arc all over again. He's really wanting to start to move into a lighter era here lol. He also really wants to be sure that he's understanding what Crowley is saying entirely.

And he wants to hear it again.

If Crowley isn't going to shut down on him entirely now, Aziraphale very much liked all of this and would like more of it but he first has to be sure he knows for sure what Crowley means and he can't just ask directly or he's both saying the things they leave unsaid and he'd be undoing Crowley's effort so he has to find a way to ask without directly asking and in such a way that an already sensitive about all of this Crowley won't take offense or be embarrassed and that gives them a way back from this if Crowley shows signs that he feels like he might have gone too far.

So Aziraphale offers Crowley an out.

He tells him again that it was such a nice thing Crowley did for him. He means this and it was a nice thing but this is also saying that he heard that I'm in love with you that Crowley was saying by saving his books and that he liked hearing it, that it was nice, that it was okay that Crowley did that, but that it's also okay if he feels like he made a mistake with it.

Crowley's response to again being told that it was nice is to again tell Aziraphale to "shut up", this one a bit more emphatically than he did outside The Bentley a few moments before. It's unclear to what extent this language, at this time, is sexualized, but by 2019/S1, this back and forth of Aziraphale calling Crowley "nice" and Crowley responding with some bite is a self-parodic sex game that they're playing in Tadfield.

Much of what happens in Tadfield is playing on other parts of their story-- think about the paintball bit with the gun but now with knowledge of The Bullet Catch in The Blitz, Part 2-- and there is a big difference in the ways Aziraphale calls Crowley "nice" in 1941 and in 2019. In Tadfield in 2019, Aziraphale is literally smirking in a way that implies that this is a little game they play and he's saying a series of things that he knows will prompt this intentionally outsized reaction from Crowley, who is playing it with him. The game is likely tied *to* this bit of 1941 that we see in The Blitz, Part 2 in S2, in that it's referencing it a bit (if very obviously going in a different direction lol), but also because Aziraphale's phrasing and tone in 1941 is not smirking. It's softer and quieter and not designed, through their language, to prompt a certain response out of Crowley. It's not yet a sex game, it's still a kind of conversation they've had in the past that will serve as inspiration for said sex game in the future.

While it's a bit unclear if a version of this already existed in 1941 or if 1941 is part of the evolution to what it becomes by 2019, there's a tone to it in The Bentley in 1941 that says that, at the least, Crowley suspects that Aziraphale is trying to lure him towards sex by calling him nice and that's reinforced by the next thing Aziraphale says, which continues it, but is also doing so to provide Crowley with an out to his confession of love, in case Crowley wants to take it.

Aziraphale's out comes in the form of offering him sex, which is absolutely what this is:

Oh, gee, Aziraphale, whatever could you do in this moment here in The Bentley? You aren't at all telling him you'd do literally anything he says he wants right now, right here, in his damn car, are you?

But while Aziraphale would so absolutely yes because lawd, 1941 Crowley is sldjwkejele... look at what he's *really* saying as well...

What he's saying here is we can pretend you just did all of that for sex, if you want to. I know you didn't and you know you didn't but we are good at pretending and if you're silently having an anxiety attack behind your glasses over there, we don't have do this...

Crowley's response?

The quiet "forget it, will you?"

Meaning: I don't want to take it back. I'm in love with you. I wanted to say it. I meant to say it. Everything might be going to go pear-shaped and I wanted to have said it somehow. I don't need you to say it. I don't know what I expected but I also maybe kinda didn't want the response to be 'aww, you're sweet... do you want a blowjob?' so maybe let's just drop this. We're going to never speak of this again now. Moving onto spreading the demon drink...

Crowley turns down Aziraphale's offer to make it about sex and, in doing so, Crowley says indisputably that it's about love. If he had taken up Aziraphale's offer in that moment, then it would have been agreeing to pretend that he's never said he's in love with Aziraphale and to instead pretend that the romantic-looking things were all an effort to get into Aziraphale's pants. When he turns down sex, Aziraphale smiles softly because, to him, *this* is then really the moment that Crowley said he loves him.

Aziraphale knows for sure now what Crowley was saying and my friend (loaded) now has a definition between them that means the whole deal. Since Crowley said the thing that meant lovers euphemistically as part of saying he's in love with him, then my friend (loaded) is now forever part of the night during The Blitz in 1941 when Crowley said he was in love with him, which means that they can't use any version of friend (loaded) with each other without that being part of it. Friend (loaded) always meant lovers (sexual partners) but now it also means lovers (romantic partners) as well. It's not that they just suddenly became romantic partners because it's been a romance all along but now they're acknowledging it in a way they can't go back from and they do so by giving what they are to one another a word in their secret language.

Aziraphale then wants to return the feeling. Crowley is saying that he doesn't need him to by telling him to forget it about it and wanting to move on from it but Aziraphale can't accept that. Crowley might be right-- this could be it-- and like Aziraphale's going to let Crowley potentially soon go to his grave without telling him he's not alone in how he feels. That's not happening. However you think the events happened to give Aziraphale the opportunity to rescue Crowley from the wrath of Mrs. H-- divine fate, Aziraphale miracling the bottles broken, The Bentley shipping it and helping Aziraphale, all of the above, etc..-- he gets the chance not ten minutes later and he takes it... and, of course, what does he use?

My good friend (loaded af lol).

They've already just redefined my friend (loaded) by this point, so to turn around and use it is to tell Crowley I feel the same way. I love you, too. This is Crowley's change in expression in reaction in that above gif. It's one thing when Aziraphale volunteers to help-- that is sweet and Crowley's all eyebrows raised in intrigued surprise. His whole expression then slips from that into being stunned when he hears my good friend and he realizes that Aziraphale is now grand gesturing *him*. He's realizing that the bit in the car really was just an offer of an out, not just that plus Aziraphale saying he was uncomfortable with what Crowley had said and needing it to stay a lot more hidden beneath a cover of sex. It was Aziraphale needing to be sure he understood and needing to be sure that Crowley was sure he wanted to make this change in how they are but now that he's sure on those things, Aziraphale is actually all in for it.

Worth mentioning that my good friend (loaded) is a mashup of my friend and my dear fellow, which makes it extra sweet. Just as Crowley started this by calling back to The Globe Theatre by using my friend (loaded), Aziraphale is calling back to the my dear fellow rhythm of what he's called Crowley for centuries. It says I love you and every 'my dear fellow' was not just fondness but an 'I love you', if you didn't already know. I've loved you forever.

It's also quite literally calling Crowley 'good', which is not something that he really believes about himself but is something Aziraphale believes about him. His good friend, as in close friend, but also his good friend, as in good person. He also does nothing to discourage Mrs. H's inevitable understanding that he and Crowley are a couple. He gestures between them to indicate it. He uses my good friend in such a way that it's just the same thing queer humans of the time would have said to someone low-risk (a theatre person) in London during WW2. It's completely inverted from his response to Burbage in a different theatre in 1600, in the moment this whole friend thing became a thing for them, which is also intentional. It's telling Crowley he understood all the things Crowley was saying in the church and he feels them, too.

Then, there's this, once they're back the bookshop:

Here, we're acknowledging what friends means now by pausing and emphasizing it. "That's what friends are for" is not a phrase that would require the pause and the tone on friends if friendship was all "friends" meant to them. It's not now and this is acknowledging that.

Note Crowley's little lip twitch/almost-sad-smile at what Aziraphale is saying. It's agreement. It's assent. This is them confirming that they understand what the other is saying and giving this new word a home in their language.

This is then what they call each other now when they need to talk about it and it's my friend on the surface and it's my love underneath.

There's a sadness to it. How nice it would be to just be able to say it... It's also a moment of realizing that they aren't sure they can use this word all the time. It's good to have a word and a shared understanding of what it means and they have no desire to take back these confessions of love here but while it's lovely to have said this now, it's also a bit heartbreaking.

Aziraphale's heartbreak, his little Crowley move of putting on his (transparent lol) glasses, his brave smile, and then how quickly they both transition from this conversation into The West End, The West End and I'm a lonely G.I... and The farthing *has vanished*! It shows you how accustomed they are to burying the pain under trying to live in the moment for one another.

A few moments after this, Aziraphale will be showing Crowley some of his human magic tricks in preparation for performing on stage and when they get to the point where Aziraphale is telling Crowley about Goldstone's Magic Shop, he then tells him that it's not for him because it's "for professional conjurers only."

This is somewhat unintentional metaphor on Aziraphale's part that Crowley then acknowledges and turns into coded language in his response. Aziraphale's love of human magic is metaphorical for his love of humanity and living in a way as to indulge his humanity in a way that angels have been taught not to do. The reason why Aziraphale's love of magic is this metaphor and not, say, his love of books or music or food, is because all of the other things that Aziraphale likes about the human experiences can be dismissed by him as relating to understanding the human experience *so as to be a better angel.* He's really not a student of humanity just to learn how to better guide them. He admits to Adam in front of Crowley in S1 that he thinks that humans are the ones who get it when he tells him that he hoped Adam would be good and worried he'd be evil but that he's something better than either of those-- he's human incarnate. Aziraphale can justify most of his indulgences as being related to learning human ways to relate to them to help them-- food, books (his home and his book collection can be justified as necessary cover for his angelic embassy), music, etc.... but the love of human magic?

Aziraphale just loves it. It's for him. It's his hobby. He thinks it's a little selfish and probably a lot unbecoming of an angel. He'd completely just want this for a job and he's not supposed to want a job other than to be an angel, which is supposed to be the bestest job imaginable lol. What kind of angel wants a silly human job? What kind of angel with actual magical powers is obsessed with human magic? Aziraphale is. He's endlessly fascinated. It makes him happy. It brings him joy. It's the part of living as a human that he's done in such a way that it's just for him and in such a way that it conflicts a bit with his role as an angel. The only other way Aziraphale loves like this, in this human way? The only other thing he studies at to be a better human over being a better angel?

Crowley.

So when Aziraphale says that he can't go to Goldstone's because it's "for professional conjurers only", Crowley knows that what Aziraphale is really saying is that the shop is "for actual humans only". He knows Aziraphale is admitting that he's sometimes insecure about his ability to be human because of how his humanity is tied to being an angel. Crowley knows that they're talking about Aziraphale and his human magic love on one level but that they're also talking about them and their relationship on another level. This is Aziraphale saying that he loves human magic with a passion but he's not sure he's as good as it as he could be or as he wants to be because maybe he doesn't know everything about being a human in the way that the "professional conjurers"-- humans-- know... and everything we just said he's unsure about with relation to human magic is also how he feels sometimes about loving Crowley.

This conversation is happening in an overlapping way with their friend confessions and Crowley hears that Aziraphale is saying in there that he loves Crowley with a passion but he's not always sure that he's studied enough, that he knows enough, about being human to be what Crowley deserves. He would love to go to this magic shop but he's afraid that it's not meant for him. He struggles, as Crowley already knows, with how he's not supposed to want it but oh he wants and he can't help but love magic and he can't help but love Crowley... all of which prompts Crowley to reassure him, using a now-familiar bit of their language:

"You, my Nefertiti-fooling fellow, are about to perform on the West End stage. If that doesn't make you a 'professional conjurer'... I don't know what does."

Meaning:

You, my human-passing man, are so good at this that you fooled the Ancient Egyptian Queen. You're about to perform your human magic on stage-- to make yourself vulnerable in a way that scares humans. You are always willing to take risks like that and try something new and learn more about being human and that makes you human. It's human to not totally know how to be human, I think. You're doing all of this tonight because you love me. It doesn't matter if you're a good magician or not. This love of ours is human and you're very good at it. You love me very well. If loving me doesn't make you a 'professional conjurer'... I don't know what does.

Crowley uses my [] fellow to emphasize my friend (loaded) by using the term of endearment that Aziraphale himself started that has human connotations to make the point that their love makes them human and to tell Aziraphale that he's very good at their love.

Aziraphale, understandably melting over that:

And then? They just keep using my friend. For decades. Through S2.

What makes it work for so long is the fact that it's human-coded in origin so if they run into a situation where they need to refer to one another like this, they can use it and it doesn't get a lot of questions. After the partners scene with Nina, Crowley uses my friend without thinking twice about it, telling her that she'll be safe in the bookshop because "my friend would never let anything happen to you." Nina already gets that they're friend (loaded) and she doesn't know what using friend means to them because only they know about 1941 but it's a phrase that they can use with the outside world if they need to but that mostly stays between them because only they know that, in their language, my friend = my love.

So when Crowley says I lost my best friend in the Discorporated!Aziraphale scene in S1, he means that he lost his best friend but he *also* really means I lost the love of my life.

The first thing my best friend means is just the actual, uncoded definition-- what the words really mean as they are. Aziraphale is Crowley's best friend. Whatever else they are to one another, they've always been that. The idea that he'd have to go through the end of the world and whatever came after without his best friend devastated him. In a lot of ways, it's sweeter than saying anything else, even if they weren't in a public space, because it's saying that what he'd miss the most is just having his partner in crime in life. The other layer of it is the coded layer. Since they are a couple that uses my friend in an euphemistic way for my love, then Crowley's my best friend in 2019 is the same thing as Aziraphale's my good friend was in 1941. It is my best friend on the surface and it is that but it's also my love beneath it.

This scene is also then the same thing in meaning:

And by S1's present of 2019, they're at a point of using it in an argument, which provides them the means to talk in a way they didn't have in 1862. Yeah, they have their dramatic little breakup spats but this is actually a marked improvement over where they were before the holy water mess. So now watch this bit of the bandstand again here below for the friend (loaded)...

Remember that Aziraphale lies increasing bits of absurdity when stressed and that Crowley knows that. He dismisses what Aziraphale says with that "you doooo" when Aziraphale tries the *utterly ridiculous* "I don't even like you" lol. They're both panicked about the end of the world here in Ineffable Divorce: Round One and Crowley's trying to get them to run away again, which is a terrible idea, but in the process of suggesting it, Crowley is calling them friends (now eternally loaded, as we just spent this meta proving lol) and...

...*how long* have they been friends does he say?

So, how long have they been in love, per their language, per Crowley in the bandstand scene?

Six thousand years.

Since the start.

Vavoom. Sorted. :)