#the whole show was really high quality tbh but i was just super pumped for the sound design
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oh man im so happy that the sound design in edge of sleep was that good. the podcast had such a phenomenal use of sounds, im really happy to see it translate to the show <3
#the whole show was really high quality tbh but i was just super pumped for the sound design#really proud of everyone who worked on the show#it turned out so good#edge of sleep
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poly billy and stu celebrating holidays with their s/o?? from birthdays (theirs) valentine's day, christmas, etc love your blog sm!! it's my favourite 🤩🤩
A/N: anon this is such a cute idea thank you for sending it in.
billy loomis x reader x stu macher
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Let’s start with the top’s birthday. So Billy? He is an iconic mix of bitch and bastard. Meaning that he is absolutely pretending to hate his birthday. Or at least is exaggerating on the point of how much he wants “everyone” to forget about it. Because … and I mean this ….god help you if Stu and you ever forget or listen to him when he says “don’t do anything”. It would be a fucking nightmare of which you would never wake if you both did this.
Luckily Stu already made this mistake one year before y'all were all together and he knows. The first year you’re together Billy is going through his regular shtick of bullshit. You pull Stu aside privately later and ask, “so are we doing anything for his birthday or are we listening to Billy.”
Stu gets….the most distant far-off look in his eyes. Like he’s a man that’s come back from war and just got drafted again. He’s never grabbed your shoulders harsher, “We have to do something he’s lying.“
So you do something. The good part about Billy’s birthday is he’s actually not hard to please. Start the day off right with an acknowledgement. So you do a movie night the day before. This way when midnight hits you can pause Halloween and he will almost start yelling at you before you guys whip out obnoxious colored party-horns and start trying to blow them to the beat of Happy Birthday. He is rolling his eyes but deeply pleased as he was already contemplating ….revenge of some sort at 11:55 (please god make Billy chill out for one day).
He is not lying about not wanting anything big though. He really only wants to celebrate with you and Stu. Don’t throw him a party. He won’t be mad per-say but he won’t be like pumped or anything. Will end the party early or will make you and Stu sneak off with him. This is #His Day and the focus will be #On Him.
His Mom used to make him a cake every year and Stu, as his life-long best friend (and now boyfriend), totally remembers the tradition. He's just not capable of baking or cooking. But he tells you and hopes you can do it and you can (if you're bad at baking too let's just imagine with you and Stu both working hard you can...achieve....something). Surprising Billy with the cake would make him feel #Soft.
Honestly he's spending the whole day acting tough and pretending he barely wants to do anything but?? He loves it and loves that you're both 100% focused on him and making him happy. He's just a brat. But ignore him while he's scoffing about you guys both kissing his cheeks at the same time he's having the time of his life. He just wants to cuddle and watch movies and for no one to go anywhere.
If you want to go Big for Him one year or something the best thing you could do is put Rich Boy Stu's money to good use and get him autographed shit from Horror Icons. Or original props from movies. He'll lose his fuCKING MIND. Finally breaks his lame "cool guy" act for 0.5 seconds.
Stu doesn't play hard to get and he doesn't play mind-games (with you and Billy, that is). Y'all know damn well he wants a big fuss made about his special day. He also wants a big party. It's super easy to make him happy on his birthday if you just remember that unlike Billy he wants this to be as over the top as fucking possible.
Wake him up with breakfast in bed screaming happy birthday at the top of your lungs and he jumps up like a kid on Christmas Morning. Yes....this is #His Day....pay attention to HIM.
Give him lots of presents! He's easy to buy for! New clothes. Stupid jewelry. Horror shit. New voice changer box. He just likes receiving gifts. They don't have to be expensive ...just have him open a lot of packages and he'll love it.
Do a surprise birthday party. It's not a surprise in any way at all but watching his face light up when he walks into his fucking house at the end of the day and half the highschool pops out like "surprise!!" is so fucking worth all the hassle that you and Billy have to smile at each other.
Billy has thrown him parties before but they're more of just...huge get-together’s. Like highschool(TM) parties where you're too cool to decorate. You? Not a pussy. You deck out the whole house and Stu loses his fucking mind. Knows you are the cause of this and kisses the shit out of you. Dips you and everything. Billy is protesting because, "Hey I blew up half these fucking balloons" ...don't be a piss baby it'll be your turn in like thirty seconds.
Fourth of July?? Stu has the most illegal fireworks he could get his hands on so they’re. …. pretty illegal. They’re the asshole neighbors that set them off like weeks before the 4th and if you weren't fucking them you'd want their heads on a platter. As is? Eh.....you're fucking them so I guess this is the neighbor's problems- They always forgive because Stu's family throws the greatest fucking barbecues day of.
St. Patrick's Day? Time to get fucking WASTED. You are wearing green aggressively because the one year you didn't Stu pinched your ass all day long. Even Billy joined in when he saw how feisty and annoyed it was making you. Stu is still doing it but you...tried at least, RIP. It's the tradition now.
Valentine's Day?? billy vc: love is a neurochemical con job. But don't worry Stu will not allow him to be a bastard about the day because he's affectionate and loving. Stu knows how to celebrate the day perfectly. This is his time to shine! The Most Obnoxious Boyfriend. Everyone else is jealous. Flowers? Delivered in the middle of class. Huge chocolate box that is also #Expensive? Have fun putting that in your locker (he's sweet so he's actually gonna put it in his car for you once you've had a few)! Would pay the Band Kids to Follow Billy and s/o around MOSTLY to annoy Billy but also to be cute. They're playing the fucking .... they're playing this. Billy is so angry but..... like.... his inner possessive loves being made a fuss over publicly so whatever. Maybe he won't kill the band kids for this. You're not an ungrateful cretin so you clap and laugh.
Billy does get Stu a gift ...something not really...Valentine's Day-esque but something he'll like. Like a horror-themed bong (i'm so sorry y'all this man obviously is smoking weed). You wrap it in pink, heart themed paper for him which he didn't know you were going to do and he is going to get you for that ...later...in the bedroom. But Stu loved it so whatever.
You? At the exact same time you and Stu present each other teddy bears. His teddy for you? Cute and fucking...Huge. Yours?? Fucking horror themed.. made to be gore-y and bloody looking. He gasps, obviously touched, "Babe!". Gonna get made out with so hard.... How are you so cute and funny? He loves you!! It sits proudly on his dresser.
What do you get Billy?? He really does dislike the Holiday because he thinks people who use this as the day to show they half-ass care about their s/o one day a year deserve death and despair. He will give them that death and despair. So what to give him then?
Stu pretended to be too busy planning for Valentine's Day to plan any murders with him which pissed Billy off even more the week prior. He was busy planning Valentine's Day. He was planning the Normal one they'd have with you and the more private, bloody one they'd have later that night killing couples together. Icing on cake? You pitched in by helping Stu plan it and by picking out new knives for them to use during. They're #Pink in a way that is obnoxious but the quality is amazing and you say, "it's your Valentine's Day knives!!! Just to use on Valentine's every year. Do you like them?" billy choked up: it's fucking .... alright
Got em'! The only way you can make the night better is letting Stu and Billy have sex with you when they get home. They're high off the kill rush and Billy is pleasantly-surprised that Stu did a really good job of planning everything alone. They're covered in blood and feeling love-dovey. Let's all do heavy eye-contact missionary tonight
April Fools is a mess and it leaves all of y'all mad at each other for a solid fucking week. Everybody gets got. Nobody can trust one another. Nobody should.
Thanksgiving is not a happy time for Billy. He doesn't like spending it with his Dad because while he's ...so good at misdirecting or #Avoiding Things He Doesn't Want To Deal With it gets very hard at this time of year to not get mad at his Dad. He's for some reason never going to hurt his Dad who he could easily blame for his Mom leaving?? But he won't. Though he's very angry during this time of the year. His Dad will try to do anything and he just shuts himself in his room. Doesn't even wanna go to Stu's house or your house. It would just make him feel .... weird, upset, like he's intruding... jealous, even. It's kinda sad. He won't even pick up your calls that day. You and Stu don't even have to sneak into the house. Billy's Dad quietly let's you in and you go upstairs and just hold him together. It's a solemn holiday because it's like the start of reminding Billy about his Mother abandoning him.
Christmas goes kinda the same way tbh but he's ....trying to make an effort to not be as big of a bummer since Christmas is a little more significant than Thanksgiving. He knows you and Stu actually enjoy the holiday season. He tries to distance himself in general during this time because he just doesn't know how to be anything else. It's actually kinda sad because most of Billy's emotions if they're negative wind up manifesting as anger but he's genuinely depressed as shit.
Things are different when you all move in together because now he's also not trying to spend the holidays with the literal reminder of why his life sucks (his cheating ass daddy). Plus you and Stu are determined to give him new Holiday experiences to replace the ones that make him feel so shitty with nostalgia. He's grumpy the first Christmas you guys spend together after you're living alone but not angry the way he's been at Christmas times' past. Improvement.
The Christmas after that? Doesn't cringe once seasonal music starts playing in stores. Ghostface killings get a little less violent and frequent (he's not using them to cope as soon as it gets cold). Getting better. The Christmas after that?? You can get him to help you decorate. He helps you and Stu with the tree. He makes cookies with you. You watch horror themed Christmas movies and some regular ones (you cannot be a movie tyrant during the holidays, billy-). Christmas after that? You all send out a "family" Christmas card. You and Stu are in ridiculous sweaters and Billy is in one of solid red but he's wearing a Santa hat. His arms are crossed but there's the slightest smile on his face. You each have an arm around him. You all look happy together.
Now ..... for the big one: Halloween. Thought I skipped it? Hah! Best for last. This is their happiest time of year. They are so ready for this shit you have no idea. It's disgusting how ready they are. It turns October and Stu drops this video in your three person chat. Billy replies with a devil emoji. Disgusting?? You know you're in for a chore of keeping them in line for a whole fucking month. They will be doing MISCHIEF. They will be doing SHENANIGANS. Both MURDER and OTHERWISE. They're teepeeing houses. Cars. They're stealing candy from kids like dicks probably. Or laughing at people who are doing this. They keep the kills to Halloween night though. A whole month of just planning so they can do something big and terrible. You have to be looking after them extra during this time because they're so excited they are ...not ...doing that. you: you guys please drink some water i haven't seen you move in hours billy and stu: billy: holy shit it's been- stu: babe please make us something to eat we haven't had anything since yesterday :((((
Fucking dumb idiot disease. If you're living together?? God help you, you used to only have to see them get hype as fuck. Now? You must experience it 24/7. Halloween prep starts emotionally? Once summer ends. They want to deck out the house to the nines and you’re just gonna have to piss now staring at/being aware of the over-sized plastic spider Stu put on the back of the toilet.
Everything is spooky. Cobwebs everywhere. Black! Orange! Pumpkins! Outside decorations that are actually scary as shit. They're the haunted house on the street that gets #Talked About. They're gonna go murder the shit outta people later but early in the night?? The kids that manage to walk up to the house?? Get fucking...the Mother-load of all candy. The brave little bastard dressed as a ballerina-fairy-princess?? Fist-bump. Billy does not much like kids but all the kids who get to his door? You deserve this. Full-sized chocolate bars and bags of candy. Maybe even a dollar or two. Stu is actually great with kids and is the nice one who guesses all of their costumes. Somehow can guess the weird ones accurately?
Once that part of the night is over they go out and just wreak total fucking havoc. Halloween in Woodsboro is a nightmare. They're having fun at least! This is their Christmas and they love it. Babe babe don't wait up. They tell you as if you couldn't fucking guess?? They're not home till the wee hours of the morning and they're dead-exhausted but they had the time of their lives.
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#billy loomis x reader x stu macher#billy loomis x reader#stu macher x reader#billy loomis imagine#stu macher imagine#slasher x reader#horror imagine#thaaaank you for the request and the sweet words#stu you motherfucker...to be.....using fireworks in ca but he only has one braincell#y'all: did she leave halloween for last because it's their favorite??#me .....dead ass having forgot the holiday known as halloween while i run a slasher blog: uh....yeah
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Museum of Mayhem Art Analysis
ahhh it’s finally here and it’s AWESOME. Lots of credit to @ifalnasminiatures for bringing this to my attention! Also credit to Hayder Hype for providing (nat zero six on gearbox forums) sources (Ashley Landry on twitter) in the description of his video because oh man it’s a lot
you can view most of these art pieces on the borderlands instagram as well
lots to talk about especially regarding the calypso twins so let us dive right in
tl;dr: tyreen has a weird red marking on her face in some old designs. i think troy used to be blind and missing his metal plates. more proof for my elpis/chemical sludge/lost legion theory that the twins are using said chemical sludge to give their followers psuedo-siren powers bc a dahl pumping station (hyperion pumping stations on pandora) but dahl had a presence on the moon
one of my favorites, it reminds me a lot of the Mask of Mayhem, but for villains.
Punk Girl is shown again twice, probably further proving she’s tied in with the CoV somehow
we also got some crazy looking villains such as
baby face. which is all kinds of extremely fucked up
this dude who looks like he could be a miniboss with the glasgow smile and the cool goggles
this guy who i legitimately thought was dr zed for a hot second there
could it be
the evilest brother?? pfft nahhh
this girl who seems like she could be a unique character with a baseball cap. wondering if maybe she’s related to Punk Girl in any way. What’s the verdict on the other band members? 🤔
uhh let’s give it a solid maybe and move on
this piece! very interesting to me
so, the very first thing i noticed is zane’s eye patch being on the other eye lol
amara’s tattoos are also gone, however that might’ve been for reasons similar to the japanese cover art of the game.
most interestingly is a point @ifalnasminiatures made and it’s that the calypso twins are actually palette swapped! you can see Troy is the one with the white hair and Ty is the one with the darker hair. which I think mayyy play into a few things we see later about the twins
we also see a tiny ship in the background. i can’t tell if that’s sanctuary-iii or the blue/yellow ship, it all blends together a lot due to the quality of the pic. but it is next to the calypso twins, which makes me want to believe it’s the blue/yellow ship we see with red markings all over it. you know this one from the mural of mayhem wallpapers
you can see the reddish markings on the back right next to the engines
then we have ummm
this cover art
😬
thanks for not using this one gearbox cuz
oh my god
she just reminds me of suicide squad, that’s not a good image you wanna dredge up from the deep recesses of your fans’ brains
she might be a unique character given the clothes/hair? cuz you don’t normally see psychos with stilettos on. or yknow, shoes in general. the hair also seems way to clean and neat to be a psycho/cultist
i just feel uncomfortable looking at this, so moving on
a different logo. also not my favorite cover art, but at least im not physically uncomfortable looking at this. that poor girl’s pelvis... anyway
lots of silhouettes
interestingly, i feel like the roses might have been a thing they just put in for the new cover art. haven’t seen hide nor hair of them across any of the pictures i’ve seen.
we got a lot of figures. out of them i most definitely recognized amara, salvador, maya, another salvador?, zer0, moze (maybe?), and axton. i thiiink one of them is maya as well, but im not 100% on that.
i can guess why they didn’t pick this one: it’s hard to tell who’s who. a lot of these poses make the silhouettes kinda hard to see and the merging together at the bottom makes things even worse. i do think it’s interesting there are some bl2 characters on here as well, but hayder hype mentioned they very well could be placeholders, and given that i can’t make out fl4k or zane, im inclined to believe him.
this art which was used during the promo for this event
rip elpis i guess LMAO
a better look at the psycho himself from the promo released by the borderlands twitter.
there’s a new red planet which hasn’t been shown off before, looks like a gassy planet kinda like jupiter, but interestingly it has this green crack in the side?
very reminiscent of pandora’s eridium scar. i am wondering if this is because this planet had a vault opened, or if it is tied to the Eridians at all. be interesting if it was their homeworld.
also i have no idea what the symbolism is in the homeworld destroying another planet but maybe we shouldn’t think about it too hard e_e
the other planet that’s being destroyed... idk fellas
it doesn’t match up to me but like, this is only one shot
i don’t know 🤔 if you really squint, maybe you can see that hint of purple at the bottom there?
here
tbh, i thought this was elpis the first time i saw it due to the cracks, but i figured elpis doesn’t have like continents across its surface, just craters. and wayyy more cracks.
so it’s probably not pandora and it’s probably not elpis.
huh...
i do think the actual shot is suspended above promethea, you can see the familiar asteroid belt surrounding it
there’s also a planet in the background,
which i imagine isn’t pandora bc no eridian scar
could be elpis or eden-6, or the 5th planet we don’t know about. i kinda get the feeling the 5th planet may be that gaseous red planet tho. which is probably going to be super weird to traverse now that i think about it. they said oz kits weren’t coming back, right? i wonder how that would work. hmmmm
there’s also this redder planet here which i actually DO think is Pandora. if you squint real hard u can see the purple from the eridian scar. plus the color matches up pretty well with the pictures provided above.
there’s also these two bodies over in the corner where the light is coming from. i can’t tell what they’re supposed to be
there are also these little dudes in the top right
i assume they’re maliwan? they remind me a lot of the maliwan drop ship things that fly overhead when you enter promethea
YESSS okay this is the start of some PRETTY WILD twin stuff
troy: missing his tattoos, blind in one eye, has a weird mark above his eyebrow. also, no metal bits!
Tyreen!!! with a red stripe across her left cheek going up to her eye??? no tattoos on her left arm as far as we can see, but that might be for marketing reasons (she’s also covering up part of her bicep). she’s also missing her coat and chains and wearing a different glove.
we also have a bunch of bl2 VHs taking up space. again i think hayder hype is right in that they’re simply placeholders. not much else to say, but
this trend of Tyreen having red markings on her face and Troy being blind in an eye (or both) actually continues through a fair amount of these posters!!!
more cover art. one of my least favorites again... i just think it looks like the psycho is puking out the VHs. also, seems to be an older version of the psycho mask.
fl4k seems to be less rendered than the rest of the cast? like they have less detail, especially on their coat
also you can see an older looking space shuttle up at the top, which reminds me a lot of the one we use in TFTBL to get to helios. except less caravanny and more rockety
the splatter also reminds me of siren powers, with the purple and the glitter. it’s cool that it’s showing a different shot than what’s behind it. maybe a hint to siren powers because it’s sort of like a portal.
more puke!
this time troy is blind in both eyes it seems,
tyreen seems to still have a mark on the left side of her face, im wondering if this ties into her scars at all? it doesn’t seem as prominent as the previous red mark.
Zane seems to have an actual eye patch instead of his more high-tech eye patch, which reminds me a lot of the leaked character concepts from like january i wanna say
amara seems to be dual wielding lol i wonder if originally that was going to be one of her 3 skills but then they were like “wait salvador. wait. nisha. FUC-”
also fl4k is being obscured by this weird saturn-like planet. let them be free!
moze is missing, the saturn like planet shows up 2 times total, and that blue/yellow ship is seen again behind troy
as for the purple stuff? you already know my theory that the twins are going to be using the chemical sludge on elpis to empower their followers. it could also just be straight eridium/slag. you know, like the testing from the WEP with bloodwing and even krieg. we’ll have to see. it would be interesting if they tied krieg into the story through there.
i do lowkey think it’s chemical sludge though, because some of it is actually glowing blue in places, you can see it clearly below amara’s feet. maybe some tie in to siren powers cuz they glow the same blueish color. who knoooows not i
big shot of this psycho here, looks like he’s crumbling.
i really like the 4 VHs standing at the base with the elongated shadows. very dark vibes from this tho, probably not suitable for the series as a whole. i can see why maybe they decided not to do it.
i wonder if we’ll see this giant psycho statue somewhere on pandora. it would certainly be a sight to behold.
also i kinda wish we had cloaks like the concept art shows. cloaks are cool
more sketchy art. this one is also kinda strange, i definitely get why they decided not to go thru with it.
possibly tie-in with the ‘mother’ imagery we get on the propaganda signs across pandora.
lmfao the foot
very bl2 like, im glad they didn’t stick with this. i like that they decided to change things up
troy seems to be blind and also missing his metal implants on his face. his jacket also looks a lot different, it looks more like tyreen’s with the spikes and stuff across it. we also can’t see his metal arm at all, tho we do see his sword! which looks a lot different, im glad they decided to revamp it to be more visually interesting lol
tyreen is more interesting to me. it looks like her right arm has like a silver coating over it? unless that is a metal arm as well. she also is wearing a different kind of glove. her tattoos are missing as well, but again, it’s probably because of the cover art. her scars also definitely seem to have reached her left cheek at some point.
zane also looks a lot different, tho amara, moze, and fl4k look about the same.
another shot of the ship, this one is definitely the blue/yellow one. there’s gotta be some significance with that, right? either we’re getting skins for sanc-iii, we’re going to be painting it a new color, or it’s a different ship.
what the HECK
maybe the twins stole sanc-ii and we’re using sanc-iii. idek. this ship is driving me up a wall lol
gun head.
not a lot to say here. i actually like this one lol it’s very mellow and straight to the point. it’s nice that the logo is right in the middle, not at the top like most of them.
game. buy it. okay? cool.
similar to the other background we did, a bit different. again, like @ifalnasminiatures pointed out, the twins are actually palette swapped here.
Zane also has the old eyepatch on his right eye instead of his left eye, and his jacket is black instead of blue. fuckin’ edgelord.
one of my favorite ones out of all of them. it’s beautiful, i really wish they had kept it. Fl4k is missing but i assume they were meant to go next to Amara? i also think it’s interesting Moze is in the front, as I took Amara to be the leader this time around. Zane is also an older design, with the eyepatch back on his left eye again (starting to think this is an aesthetic thing lol) and a black jacket instead of blue.
We see the twins on the top. Tyreen has that mark on her face again, and Troy is the same as the last few covers.
We also see Maya, Zer0, and for some reason Brick? Which is weird to me considering we have a few other characters who initially feel much for important to the story (cough Lilith cough), but I’m not complaining.
the purple splatters again make me think this is a tie in to eridium/slag/elpis’s chemical sludge. i also like the logo being worked into the design instead of just thrown on top, i think that’s a nice detail
i couldn’t find a great shot of this poster which is a shame because it’s one of my favorites
a lot of baddies to go around on here. i love the dude up top, he reminds me of the Anchormen from the captain scarlett dlc in bl2!
these dudes
we can see Punk Girl on the left again
and this guy who appears to be in some medieval armor
i have no idea what’s going on there but i am EXCITED
i’ve been thinking and tbh i think the multiple planets thing was just an excuse for gearbox to go absolutely ham on the character designs/settings.
i mean why should they have to hold back all their medieval armor designs for another dlc like tiny tina’s? all their pirate/sea-fairing designs for a pirate dlc? fuck it! go WILD. i think they did, anywho
there’s also this post which... tbh i can’t make out much at all. again, seems like an older psycho mask design. it looks like there are characters in the splatter on the bottom left, but it’s very hard to tell who’s who, especially at this angle and image quality lol
if we get a better shot later on i may return to this piece and try to figure things out!
we also have this piece which is giving me huge ‘Happy Together’ vibes. very trippy
moze looks like she’s using an untextured atlas gun? dunno what’s going on with that tbh lol
i really like this one too. it’s cool. i get why maybe they wanted to go a little crazier tho, feels too simplistic for the MAYHEM vibe they’re going for.
oof! can we get an F in chat for whatever planet/moon this is
lots of pink floyd vibes going on here as well
we see a different looking blue/yellow ship flying away from the explosion. it seems to missing a lot of the parts that make sanc-iii so recognizable including the engines/wings
i like the destruction vibe they’re going for here, really sells the “universe destroying power” the twins are supposedly going to get.
anyway, in addition to the cover art pieces, we also got a few concept art pieces as well!
this bit which looks like a gun
you see the aiming mechanism up there? you see how it’s aimed at that planet/moon? yeah i 100% timed this so you’d see the above concept art with this immediately after :P (im kidding i didn’t but hey now you don’t have to scroll)
fuck yeah babey
we also have seen something similar to this in the gameplay trailer!
i didn’t actually think it was a giant fucking GUN tho. can we get an F in chat for Promethea and/or whatever else this thing gets aimed at
yooo
i thought this was opportunity at first cuz of the bridge but it’s more likely promethea
when u go meet zer0 you can see some water surrounding the city so i would guess this is somewhere else on promethea
im mostly interested in the giant fuckin triangle in the middle of that courtyard looking area
oh also the giant trench of destruction on the right there. that’s probably important, too.
more concept art!
i think the bottom of the 4 VHs is actually what was leaked in january.
some art of the twins on the left there, tyreen is so much shorter than troy omfg
and this does indeed looks to be a younger version of angel so credit to @prettypinkdork for mentioning that on my angel post. it is nice to see those tech-y wings in action, definitely does prove it’s her.
we can also see this art of what i think is Punk Girl, which is interesting to me because she looks to be doing something with her right hand. possible siren powers? maybe!
we also get a much cooler, bigger version of that maliwan ship people were talking about, with what look to be maliwan... eye bots? surrounding it. this is soooo fuckin awesome to me because it reminds me of a sailboat. and airships are fucking COOL
but something interesting is that i don’t think this ship was actually always maliwan
we got an A in the back here... for Atlas? i mean... you know it’s coming... the colors would match up. Yeahhhhhhh...
more interesting is that it actually looks like maliwan covered it up with their flags/tarps. i would not be surprised if this was claimed by maliwan possibly during the takeover.
a cyclone, with a whole fuckin lot of detail. just... holy shit.
not much else to say here though. i like the stuffed animal on the side, though
a better shot of jakobs manor which holy shit looks badass as fuck
big turret/observation thing on the right there? im not sure
pretty sure this is eden-6. also more tropical trees? possibly a water planet? but maybe just ocean on eden-6. also there seems to be like webbing on whatever is on the road, so maybe some spider-like wildlife?
most important to me is this
yeah i would bet that’s eridium/slag/the chemical sludge from elpis
im pretty convinced this is something on elpis mostly because the DAHL logo on the side. which again, they were on pandora yes but they were mining for iridium not eridium. if this was pandoran pumping stations, that would be hyperion.
i do think this is elpis. and i do think the twins are using the chemical sludge that mutated the lost legion into those fake siren things to give their followers superpowers.”holy holy holy” indeed.
this, plus the rakk wings on the psycho in the mask of mayhem are just convincing me more and more
that’s all for now folks. i gotta run
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i have a lot of thoughts about bts’s new album
and yeah this is not at all related to the purpose of my blog’s existence but i feel the need to share anyways so apologies but here we go:
intro: persona:
actually i don’t have too many thoughts about this specific song? i mean it sounds lit and all, but honestly i don’t have enough knowledge of rap to comment on the quality.
the lyrics are interesting and the music video’s dope, rm is wonderfully raw and brave as hell with his words and he looks beautiful with white hair but that’s about all i’ve got for this one lol
also just the lyrics are genius and kinda speak for themselves? and i’m sure i’m missing a lot of nuances because i don’t speak korean so gonna just leave it at that
boy with luv:
not my favorite at the moment (i always say this with bts songs because they tend to grow on me the more i listen to them)
the music video really intrigues me?
i’m curious about the role time plays in it, what with the ticking clock at the beginning and the time markers w/ the ticket booth and the clocks throughout the song. also, sometimes it’s night and sometimes it’s daytime, idk, it gives off almost dream-like vibes? the colors give it a very surreal feeling, too, not to mention the set changes/transitions.
also, obviously am intrigued by the singing in the rain references, but not really sure what to do with any of it yet!
i love that they put their album titles on the neon signs, very clever
it seems like there’s a lot of references to older choreography but i’m not a dancer so could be wrong!
the lyrics are a cool progression in terms of showing how they’ve matured over time! could relate to the time references in the mv
there are a lot of roses in the mv? don’t really know what to do with that tbh but i’m sure it means something lol
suga’s lisp is so prominent in his rap and i love it. and what is he doing with that piano ???
mikrokosmos:
okay here we go
this song murders me. and i don't know why someone please help??? i normally am not a fan of super upbeat songs and this one is honestly straight up corny but??? i thought answer: love myself was as preppy as it could get for me without being sickening but apparently i was wrong??? anyway, mikrokosmos is the song i can’t stop listening to.
the beginning is so beautiful, i don’t know why but their voices just seem to blend so well with the instruments...
j-hope straight up sounds like an angel, and just the transitions from one voice the next are so good
ALSO i noticed that all 7 of them have lines before the first chorus which feels like it has to be intentional
listening to this song, i noticed that all of the vocalists seem to be more versatile now, their voices blend a lot more than they did in the past and they sound more similar to one another (at times) which shows not that they’re losing individuality but that they’re able to modify their vocals more effectively, so that’s dope
i love when suga says “one” don’t ask me why it’s just good (actually i think it’s the timing of it that gets me)
the harmonies in this song wow
particularly v and jimin at the end, i love their voices together??? they’re so different at a fundamental level but they sound so good
ummmm that high note at the end??? oof
anyway i’m really curious what other people think of this song because i thought i’d be sick of it by now but here we are
one more thing: i love that the lyrics define the symbolism of light, that’s poetry my dudes
and even though it’s cheesy i do love the sentiment they express, where being with someone you love can make everything seem more beautiful, in both a literal and metaphorical sense
make it right:
every time j-hope sings i ascend to heaven?
really like the transition from j-hope to rm
and then the transition from rm to jimin’s “baby i know”
i love jin’s low notes
another song with a lot of very nice harmonies
suga shut up
honestly though his verse is so much
the desert and sea lines (jimin and suga) are a fun punch in the stomach
jimin’s vocals are killer, his voice just fits this song perfectly
home:
more references to sea can they stop murdering me plz
“big house, big cars, big rings” big oof honestly this whole album is bts beating me up i guess
this song makes me sad, really
more good harmonies
the sea metaphor is so good because they’re talking about how hard it is to maintain a sea when it keeps turning back into a desert, and maybe it was a mirage all along and fame is so hard to maintain, it’s so much effort, and what they really want here is not an ocean but a home and you can’t have both it’s so??? sad and true ouch
jamais vu:
cool, cool, cool i absolutely love that these three have a song
the “who am i” question is back from rm’s intro?
j-hope’s vocals cleanse my soul
this is totally just the but the chorus kind of grates on me (again, could change the more i listen to the song?)
i don’t really know what to do with the lyrics? i think maybe the repetitiveness of the song is what bugs me and it maybe is meant to mirror the lyrics which would be pretty neat if that’s the case
mentioning the harmonies at this point seems unnecessary but bts’s harmonies just continue to astound me
dionysus
oh yikes
honestly i don’t have the mental capacity to process this song in one weekend
the j-hope vibes are strong imo, super intense, a lot going on, possibly the most pump-up song i’ve ever heard, catchy as hell
jin’s low notes??? 😲
harmonies... again lol
the distortion effects on their voices are cool!
jin just. straight up screaming at the end? wild
should like this song more than i do (and i might in the future) but as for now, to be honest, it overwhelms me
i’ll probably like it more after i’ve listened to it for like... 2 years lol
every time i listen through it once i feel like i’ve listened to 5 songs
do they plan to sing this in concert because if so ??? rip jin’s voice i guess??? #concerned (jk i’m sure if it’s dangerous to his voice they just wouldn’t have him sing those parts live but still, his lines in this song are absolutely wild)
some extra thoughts:
as i mentioned before, i don’t know much about rap, and also i don’t speak korean, sooo i’m saying this with zero authority, but one thought that i had almost immediately is that suga’s rap has a totally different feel? curious if anyone else feels the same, but it seems like his pronunciation is a lot more clear now than it normally is. he’s still slaying as always if you ask me, it just has a different feel than i’m used to from him!
there’s a whole lot of desert/sea references in this album and every single one of them is a punch in the stomach
i don’t ship but i’m such a massive sucker for vmin harmonies their voices sound so incredibly good together
ANYWAY this is stupid long, if you read this far i’m sorry for stealing so much of your time but also would love to know your thoughts!!!
#i'm sorry i've been so off-topic recently;;#i'm in a different country rn and#i just haven't had the time/energy to write anything#based on past track records i'll get back to sickfic eventually but#if anyone wants to unfollow me and my random content in the meantime#i don't blame you!#💜#bts#random#irrelevant#music
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RECAP: OUR TOP 50 AUSTRALIAN HIP-HOP/R&B TRACKS OF 2016
2016 was the year that this scene was finally accepted by mainstream media outlets, played regularly on Triple J and given the opportunity to throw mad rap events at some of the countries’ best live music venues. The number of local rap: artists, releases, managers, parties, radio shows, even blogs exploded too. MANU CROOKS was put on BEATS1 rotation & posted on The FADER. SAMPA THE GREAT racked up over half a million streams on “BLUE BOSS”. BARO blurred cultural/sonic boundaries. TKAY MAIDZA dropped a huge album + landed that KILLER MIKE collab. MIDAS.GOLD, CULT SHOTTA, BIG SKEEZ, I AM D, NICO GHOST & SAVOUR THE RATIONS all dominated live-stages across the country. The GREMLNS, PLAYBACK 808, 1 HUNNID RECORDS & TREXON WAVE showed us the future. These squads are all barely out of high-school, have a strong African heritage and are blowing up against the odds. Almost all of the above was soundtracked by producers: DOPAMINE, MIRACLE, JAMES DAMIAN ANGUS, MITCH GRUANKE & HARVEY who don’t get enough credit. JUNOR launched his AUD$ radio show on SYN which is legit. The PROPHECY BOYZ launched SAUCE - a new brand that will probs do huge things in 2K17. RARE FLOW TV, provided an essential piece-to-the-puzzle, bringing this all to life in quality music videos. Australian rap music is at an all time high. But tbh, it’s going to take another miracle to push it any further. Now that there’s money to be made here, cashed-up copy-cat rappers/labels/magazines/venues with no imagination will find a way to suck the life out of your music for a quick profit. Historically, this has happened many times over, preventing Australians from truly impacting music culture on a global scale. WTF is the diff between us and: Canada, England or America? Terrible artists will succeed if you let them. Donald Trump was elected president. We’re always a stones-throw away from making the next generation of AUS rap fans (and the rest of the world) cringe at us. Question everyone. Even THANK GUARD. Oh, btw. This blog still doesn’t make money. Here’s 50 songs that inspired us to keep hustling in 2016 in between dem long-ass shifts. 50. “VIEWS UP” - NYUON (MELB)
NYUON - an essential character in the MELB rap scene - stretches out the parameters of his sound a little more with each release. “VIEWS UP” saw him lean back towards centre after the experimentally hazy, lilting vibe of his ’15 BYMYSELF tape. With the help of producer ROOKIEPRO he pooled that self-effacing, conscious rap-swagger into his most polished track do-date. 49. “SORROWS” - BLESSED (SYD)
Taking cues from CUDI, UK alternative-pop and their own minds, BLESSED managed to instantly stand out from the rest of the trap-heavy SYD scene last year. Their output in ‘16 was super consistent, and “SORROWS” (our fav) has already amassed over 127K plays on Soundcloud. Early days, but their potential for global appeal is already proven. 48. “I.D.C.A” - 18K (BRIS)
“I.D.C.A” gives you a real wow moment the second those bars come in. 18K’s on that: modern-day BONE,THUGZ & HARMONY/vaguely MIGOS ATL, super-quick flow. His beats are perfect too. Hard hitting, modern trap sounds AND a hint of like CLAMS CASINO cloud-rap as well. 47. “30 DAYS” - DENNIS (MELB)
Mysterious producer/singer DENNIS dropped this one to no reception whatsoever. The mastering isn’t professional, but the song itself and the man’s vocals are world class. You gotta pump the volume ride it to the peak for full-effect fam. Like some new BON IVER shit without the cringe, pretty sure this came out first too. 46. “PRESSURE (ft. JACE XL)” - BILLY DAVIS (MELB)
BILLY DAVIS & JACE XL (RYTHYM SECTION) are both heavily associated with THE OPERATIVES (who monopolised vibes in MELB the last decade). JACE shows off his life-changing soul crooning over some classic BILLY DAVIS instrumentation. This would be a lot higher if it were more relevant to our needs. 45. “NO MORE” - DEEVILLA (SYD)
With this track alone, SYDNEY-based DEEVILLA proved he can write the type of song this scene needs. His flow, lyrics and overall mood on “NO MORE” summed up 2016 perfectly in terms of music & vibe. FLIP TRILL’s production on this one did all the above and more. 44. “RUN UP (ft. FLYBOII & L.U.I)” - LIL SPACELY (SYD)
Got the vibe that BLACK DANNA head honcho SPACELY had a tough 2016. But, being an essential SYDNEY rap-character that he is, the dude still managed to drop some of the livest AUS rap tracks of 2016. On “RUN UP”, he took the chunky, horn-filled instrumental from FAT JOE and REMY MA’s “ALL THE WAY UP”, puffed out his chest, and along with a couple talented homies delivered a growling, arrogant battle track that signalled his readiness to take his music national. He’s already dropped several tracks in ’17. Stay woke. 43. “FIRE” - SQUIDGENINI (MELB)
SQUIDGENINI a.k.a Bella, is one of Melbourne’s better-kept secrets right now. She’s been honing her craft for some time: playing in bands, producing solo tracks and supporting huge artists. “FIRE”, one of her only releases in 2016, instantly put her on our radar. This highly ambitious track features no-bullshit lyrisicm, eccentric production and some straight up vocal-fire. 42. “NAH BRUH, THIS IS WAGE GANG!” - VEENO (SYD)
When BABY VEENO dropped this insane freestyle in October it was criminally over-looked by many (including us). Choosing YOUNG THUG’S timeless “SEE YOU” beat from that G.O.A.T RICH GANG tape proved to us that the man has taste. The ensuing bars instilled visions of VEENO becoming SYDNEY’s trap-SKEPTA in ’17. 41. “CLAP BACK” - SAVOUR THE RATIONS (SYD)
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SAVOUR THE RATIONS were one of the most influential, pro-active and entertaining AUSTRALIAN rap crews of 2016 (especially towards the end). KWAME, DOMBA, JAYJAY ASSASSIN, GYBRYLLAH SHYNE & RAJ MAHAL made their biggest moves via videos/live performances. “CLAP BACK” which was dropped on Jan 2nd, 2016 showed the boys doing their ting for their own entertainment. This year they’ll be doing it for thousands no doubt. 40. “BEST FRIEND (YOUNG THUG REMIX)” - BIG SKEEZ (SYD)
This was probably the local track we played most last year. BIG SKEEZ really stood out in ‘16 for his song-writing hustle & originality (highlighted on his S.A.T.T mixtape). Remixing such a familiar, iconic song allowed SKEEZ to let loose in the booth more than ever before, resulting in 3:14 of explosive, feverish trap-fury filled with icy-cold local references/flips. 39. “ALIVE REMIX (ft. BARO & CAZEAUX O.S.L.O)” - ESESE (MELB)
Couldn’t think of a more suitable 2016 MELBOURNE summer-rap anthem than this BARO remix if I tried. It feature local pillars: CAEZEUX O.S.L.O, SKOMES and the ESESE crew - and oozes those heavenly FITZROY day-party vibes. Hearing HENOQ and O.S.L.O both spit new-gen AUS boom-bap masterpieces in rapid succession would’ve brought a tear to the eye of every true BURN-CITY rap-fan this year. 38. “NO MORALS (ft. $KINNY DOM)” - BLACK NAPOLEON (WA)
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On “NO MORALS”, BLACK NAPOLEON brought equal parts: slow, deliberate and estatic D double E style booth raps - the kind you’d hear on some UK Pirate radio set to the table. LUCHII, another PERTH-based genius jumped into the mix sounding more like a 6K Gucci, nailing the perfect guest verse. The CAMERON PARK directed-visuals for this one featured no guns, knives or punches thrown, but it still stands as one of the most violent local vids of ’16. #HOMEBAKED. 37. “FUCK THE JUDGE (ft. REMI)” - BARO (MELB)
When BARO dropped the second taste of his soon-TBR JPYNTK tape about 6 months ago, the world was torn in half by the racial violence sweeping the US. It was literally with you everywhere you went, no matter ur skin colour. “FUCK THE JUDGE”, which was released at the very hight of this chaos featured inspired verses from REMI + BARO and was accompanied by the statement: “They're killing my people. They're killing PEOPLE.” The song itself also made another (less important statement) about BARO’s unflinching confidence as a dude/rapper. It was his first absolute crystal clear “fuck u” to industry/fan expectations - a sign that he might be giving the typical AUS rap-sound a much needed kick up-the-butt in 2017. 36. “POTENTIAL (I SEE)” - LORD LEVI (MELB)
When it comes to MELB underground anthems in 2016, LORD LEVI’s “POTENTIAL (I SEE)” is practically unrivalled. The hook, flow and production on this one truly encapsulates the rise of the BURN-CITY outer-suburb high-school trap scene in 2016. LEVI and the GREMLN squad built a dedicated following last year on the back of songs like this. Trek thru any BURN-CITY suburb and “I SEE POTENTIAL” follows u through the streets. 35. “FLEX MODE” - ERIK SANDERS (BRIS)
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Brisbane’s ERIK SANDERS blew up out of nowhere last year on the back of several highly-polished, US-influence nu-trap singles. “FLEX MODE” bursts out of the gate with a series of auto-tune inflected bars that twist-and-turn, merging multitudes of impressive melodies in quick succession. This one gets real wild at the end too. 34. “RIDE (ft. REZT)” - LUCHII (WA)
LUCHII has always struck us as an interesting character, but we still slept on the man in ’16. When he dropped “RIDE” like a month ago, we swore to stay woke on the PERTH creative forevermore. This one rides an island trap wave that reminded us of CHILDISH GAMBINO’s “CALIFORNIA” and MAC MILLERS new stuff, but it also hits on something completely new. The vocals reference ATL rhythms/tones AND something else, which MUST have been born in a cloud of green smoke on one of those pristine PERTH beaches. 33. “PULL UP (ft. CIDI, LORD BRAVO, DUT BOL & RANDOLPH)” - BONKI CHOL (ADEL)
In 2016, the TREXON WAVE squad was our guilty pleasure. We legit found ourselves rinsing their proficiently rugged trap cuts more than CHANCE or FRANK. “PULL UP” is the song that started the whole affair. I remember being high af on a Tuesday at like 2PM about 8 months ago just blasting this enchanting MIGOS-style cut on my speakers for an hour straight. Jut listen to BONKI CHOI and homies: CIDI, LORD BRAVO, DUT BOL, RANDOLPH bring the sauce one time. They all flaunt separate styles, personalities and lyrical tendencies on this one, but their skills/delivery are at 100 throughout. 32. “HOW U FEEL” - NICO GHOST (MELB)
Close your eyes and “HOW U FEEL” will take you to a dark, nondescript club setting. Smoke settles in over those eerie trap bells - the calm before the storm. That amazing harpsichord removes any sense of time/location. Your mind is finally empty. Nico spits that FB generation mantra: “I couldn’t really give a fuck how you feel”, lulling you into a false sense of security before ruining your life with intensity. NICO’s 2016 was pretty-much dominated by his wild live-show. But in between sets he found the time to gift us with this the premiere for this one. Was a huge step forward for us. The man’s legit. 31. “MONSTER TRUCK” - ALLDAY (MELB)
ALLDAY is huge - has been for years now. In 2016, he went through a bit of a sonic evolution and we fucked with it heavy. “MONSTER TRUCK” is a song that pushed Australian rap to places in the world it rarely reaches. This one features earnest lyrics, euphoric melodies and a skin-tight flow - years of work/experience all coming together. ALLDAY made some serious global waves last year as unique voice in the world of post-OVO rap music. 30. “LIONA” - NASTY MARS (MELB)
On “LIONA”, future-star NASTY MARS took warm, wavy, lo-fi production ripped straight from a SOULECTION cassette and crafted his own rap/soul-experiment around the peaks and flows of the beat. Although, hardly representative of this guy’s unreleased material, live show and overall position in the AUSTRALIAN rap/soul scene - “LIONA” still managed to take on a life of it’s own… just suss the comments. 29. “BLOOD THICKER THAN WATER” - LUTHER (BRIS)
One of BRISBANE’s most charismatic up-and-comers, LUTHER teamed up with AUS production royalty JAMES DAMIAN ANGUS early last year for a YOUNG THUG/LIL WAYNE style cut that blew us away. The production bangs. LUTHER’s wild, warbling trap-jitterings are fierce, crunchy and at times hilarious. Everything you want in a track like this. The dude is associated with the WORLDWIDE BOYS who will blow up this year. 28. “THIRSTY” - ANFA ROSE (SYD)
“THIRSTY” came last year amidst a never-ending avalanche of consistently jaw-dropping ANFA ROSE & DOPAMINE joint-efforts. Everything on this one from the samples, to ROSE’s perfectly structured verses - to those 808 snares cutting thru your entire being - to the lyrics enforced our theory that these dudes aren’t human. They are computer programs or clones or holograms or something. 27. “MARIA MARIA” - GEEK, CHARLES X & SELASIE WUSSAH (SYD)
This one - easily top 3 most iconic “THANK GUARD” anthems in our entire history. Seeing it live at one of our BONEY parties inspired some of the most emotional dabs ever dabbed. When it dropped back in Jan, it brought out some of our best writing ever too… so I’m just gonna quote myself here.
“On the most polished THANK GUARD Premiere to-date, a dynamic trio of epileptic acid-rappers exchange contrasting melodic flows - in a bid to win a Spanish bae’s heart.” If you don’t know GEEK, CHARLES X (of CULT SHOTTA) or SELASIE WUSSAH by now we don’t trust u. 26. “1 3 1 6” - E L K (ADL)
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Adelaide teen E L K bursted onto the scene with last year with “TUTEN KARMEN”, which would have easily made the top 10 if he didn’t remove it from SC. “1 3 1 6”, a different (but equally impressive) joint also blew us away. This one brings guys like MF DOOM & JAY ELECTRONICA to mind instantly, but channeled thru the purity of a fresh, young mind with the voice of a rap-god. In 2016 alone, E L K and his PLAYBACK 808 crew went from bedroom rappers, to the creators of a legit AUS rap movement that looks poised to climb mountains in 2017. 25. “FEELING GOOD FEELING GREAT” - TOYOTOMI HIDEYOSHI (WA)
2 months ago, FourAM head-honcho TOYOTOMI HIDEYOSHI teamed up with producer SNOWEE for a sun-drenched 6K anthem. Some rare RAE SCHREMMURD vibes (if they were slightly more sober). Truly peaks at the end. TOYOTOMI is another young dude whose influence on the culture went beyond rapping last year. From short films, events to supporting those around him - this kid did it all in 2016. 24. “DOPER THAN DOPE (MACHINEDRUM REMIX)” - SK SIMEON (MELB)
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One of AUSTRALIA’s best rhythmic-vocalists had a huge 2016. SK SIMEON has been a worldwide reggae force for a minute now. Born in Uganda, recorded his first song at a studio in Dandenong… But last year “DOPE THAN DOPE” - one of his best tracks to-date was remixed by MACHINEDRUM. This version (which sounds good anywhere) took SK’s insane rapid-fire singing and infectious tongue-in-cheek delivery to dance-floors around the world. 23. “NULIFE” - MAIA (BRIS)
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BRISBANE neo-neo-soul singer/producer MAÏA returned to form in 2016 with her nostalgic, intimate “LOFI” Mixtape. “NULIFE” - a definite standout will swallow you up whole in a blanket of warm, jazzy melodies and pulsating rimshots. Coming very early in the year, this track really pre-empted a lot of trends that are dominating American music culture as we speak. We predict huge things for MAIA in 2017. 22. “$AUCE” - GREMLNS (MELB)
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2016 was the year of the GREMLN in the suburbs of MELB. No other underground AUS rap squad made more of an impact than these guys in the last 12 months. This “SAUCE” video came about after months of anticipation and was defs worth the wait. It showed the GREMSQUAD more polished-than-ever, a bunch of real young talents standing at the crossroads between street-fame and industry acceptance. The video itself is like a cross between an old-school Tarantino movie and a London GRIME vid, but set in some unmistakably murky Burn-city graffiti spots. 21. “BERETTA” - MATT BLACK (SYD)
SYDNEY-based vocalist MATT BLACK exploded out of the blocks last year with a series of MIRACLE/DOPAMINE produced R&B/SOUL singles - the type big labels dream about every night. “BERETTA” is the whole package. A high-concept, slow-burning, futuristic love-song which cleverly compares a lover to a pistol. Two things that (depending on the circumstances) can save you or destroy you, make u feel like a man or a mouse. 20. “EVERYDAY” - DREAM$TEAM (ADEL)
So much love for duo’s with vastly different voices. When you listen to a DREAM$TEAM you got no time for boredom. You’ve got CHARLTON on the first verse who always goes in with this SHAKE070-style flow and A-grade emotionally-charged lyricism, then the other G comes in riding world-class auto-tune vibes that sit somewhere between YACHTY & TRAVI$ SCOTT. The production, which features ZAYTOVEN-style piano, is the opposite of corny… bounces hard & leaves plenty of room for vocals. These guys are insanely talented for their age-bracket. Anythings possible for them in 2017 19. “TENNIES” - TKAY MAIDZA (ADEL)
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TKAY MAIDZA, easily one of the most successful artists on this list had a huge 2016. She was spun on SKRILLEX’s OWSLA radio show, played a tonne of festivals in AUS & FRANCE, but most importantly dropped a huge studio album, TKAY, which featured guest verse from KILLER MIKE (Run The Jewels). “TENNIES” was our favourite track from the album, because it combined her signature worldly sugar-rap with some hella uplifting footwork vibes. How often is boundary-pushing music this much fun? 18. “LAPUTA (TAYLOR MCFERRIN REMIX ft. ANDERSON PAAK)” - HIATUS KAIYOTE (MELB)
The one and only MELB-based GRAMMY-nominated future-soul quartet that we probs should have posted by now had to have a presence on this list, at least to show you all what’s possible. Their second album “CHOOSE YOUR WEAPON” is a must listen, but was released waybach in 2015. Last year, TAYLOR MCFERRIN recruited ANDERSON PAAK to rework standout single “LAPUTA” for a remix EP. The results speak for themselves. 17. “PEACEWALKER” - GALLU$, RAIDER KING (BRIS)
GALLU$ was real cult-force down in BRISBANE last year. His influence on the scene transcended his recordings - a huge statement considering the quality of songs like “PEACEWALKER”. This one features some heavy statements screamed with a natural Aussie accent over “GLASSSS” by PYRMDPLAZA.
“THIS INDUSTRY’S FAKE & THE PEOPLE TALK BULLSHIT // THAT SOUNDS PRETTY OBVIOUS // SO WHAT THE FUCK AM I DOING? // QUESTIONING MY OWN MUSIC LIKE // EVERY LINE THAT I WRITE // CAN’T HELP BUT FEEL STUPID.” - nuff said. 16. “ALL OF MI LIFE (MACHINEDRUM REMIX)” - YAW FASO (MELB)
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2016 was a year where artists like POPCAAN & J HUS were getting love on THE FADER + DRAKE/BIEBER/SKRILLEX were jacking sounds from the Caribbean and breaking billboard records. When our own YAW FASO shared this MACHINEDRUM remix of his sun-drenched single “ALL OF MI LIFE” the timing was perfect, but as the hook declares, he wasn’t riding any trends. Reggae is one of the few genres that makes you smile, dance and forget about all your issues. This song, bursting with: FASO’s highly motivational reggae mantras, sugary buildups and super-refreshing production does all the above. 15. “IDK” - GILL BATES (BRIS)
With his LESS STRESS, MORE SUCCESS EP, GILL BATES showed a whole new side of himself to the world in 2016. Standout cut “IDK” took the catchier side of AUS rap into unknown territory: substance & self-awareness. Above all tho, it’s just a great song. That larger-than-life JAMES DAMIAN ANGUS production grabs you from 0:01… GILL’s opening line “BEEN DROWNING MY SORROWS // BOTTLE AFTER BOTTLE” takes you into his psyche… Then GILL & JAMES drag you deeper and deeper into darkness before flipping things with a bittersweet xylophone-driven hook. A world-class highlight from one of the best local releases in 2016. 14. “NEVER BEEN” - TYRØNE (SYD)
In the last 12 months, few local artists worked harder than TYRØNE. The SYDNEY rapper/producer legit dropped a full EP Trilogy, brimming with GOAT Australian rap lyricism. Song, after song the guy managed to craft a unique aesthetic for himself and his music – darkness that isn’t fake. “NEVER BEEN”, a real standout encapsulates this dedication to his craft more than any other. That skin-tight baritone flow just doesn’t stop on this one. “I SAY LIFE IS EVERYTHING YOU MAKE IT // ONE THING DAMN RIGHT I AIN’T NEVER BEEN FAKE BITCH” 13. “HIT EM” - I AM D (BRIS)
BRISBANE one-man-movement I AM D flew way under our radar until we heard this one. “HIT EM” showcased D’s near iconic nu-AUSSIE rap tone, through a stream of SKEPTA-like vocal punches that explained every move he would make in the local scene. Little did we know at the time, but he actually went on to achieve everything he rapped on this track. In a matter of months after its release: he got signed to a major label, dropped a hugely successful EP, landed a national tour and stamped his influence on the local culture. 12. “NO FATIGUE (ft. GEEK & SELASIE WUSSAH)” - CULT SHØTTA (SYD)
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The video for “NO FATIGUE” really set the tone for CULT SHØTTA season in 2016. They were always a truly unique presence in the Australian rap game, but on this track, they toned things down, unleashing line-after-line of vibrant acid-raps over a relatively sparse bass-driven trap beat. As per usual, CHARLES X, GEEK & SELASIE WUSSAH each brought their A-game, showing off vastly different styles/personas, each challenging different “AUSTRALIAN RAP” taboos in the process. It also marked the beginning of director RUFFY’s much-needed string of ambitious video-work that helped elevate many-a local rapper last year. 11. “FOR GOOD (ft. SAMPA THE GREAT)” - REMI (MELB)
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Couldn’t think of a better ’16 feel-good Aus-rap summer anthem than REMI and SAMPA’s “FOR GOOD” if I tried. When your air-con breaks on a 35 degree day, this song could actually save ur life. The production, hook and overall vibe really feels like a classic Triple J anthem, the type that soundtracked our lives. But, obviously everything has been re-worked for the next-generation, creating a crisper, more sonically diverse hit than we’re used to. 10. “EXISTENTIALITY” - OJIKAE (MELB)
“EXISTENTIALITY” is a lovesick vision that’s refreshingly different from the over-saturated BILLBOARD TOP 100-style R&B that the likes of TORY LANEZ and BRYSON TILLER put out. It was also the very first track released by 17 y.o VCE student Matt Cicero, which blew us away immediately last JULY. The guy wrote something original, produced the track himself and whipped out a spine-tingling vocal performance that singlehandedly dragged his ass all the way to the top 10 of this list. 9. “ASSUMPTIONS” - MANU CROOKS (SYD)
“ASSUMPTIONS” was premiered on ZANE LOWE’s BEATS1RADIO show… got our mag a global shoutout AND tore stages apart across the country in 2016. We heard more sides of Sydney game-changer MANU CROOKS than ever before on this one. With help from production masterminds DOPAMINE & MIRACLE, CROOKS departed from them brooding Toronto vibes to show Australia & the world that he can can TURN UP like the best of them. 8. “CALL ME” - DEVARN (MELB)
This song is what THANK GUARD is all about. Sonically, it’s right up our alley… but more importantly it came from a creative young dude who: thinks for himself and punches well-above his weight considering the resources/money some people on this list have at their disposal. It also tells a story we have witnessed for years now…
“ALL OF MY N*GGAS THEY WORK IN THE SUN // WAITING FOR LABELS TO HIT UP THEY PHONE // I WANT SOME MONEY TO GET ME A PHONE” Few rappers can get you on their side like Melbourne’s DEVARN. His vocals are earnest, intimate - when he raps, it feels like he’s letting you into his world. He doesn’t slur his words, or smother them in auto-tune either - you can hear every word the man is saying. Also, huge props for referencing some of our fav underground anthems >> SAUCE (GREMLNS) >> MOOSHAMAD // I HAD A DREAM WE GON’ MAKE IT. Damn. 7. “000000” - MIDAS.GOLD (BRIS)
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Last year, Brisbane’s MIDAS.GOLD elevated himself to the Mount Rushmore of this new-wave. Of all the wild trap releases & intimate soul-searching cuts on his huge FOR WHAT IT’S WORTH EP, “000000” had the biggest impact on the scene. It dropped all the way back in JANUARY when local rappers were all bumping FUTURE & YOUNG THUG 24/7, but still didn’t truly believe that an Aussie could incorporate these sounds into their music so convincingly. MIDAS truly made this quality JAMES DAMIAN ANGUS/MO LIASON beat his bitch from 0:01, before abruptly taking the track down a notch in its last third, flipping the beat and creating a Schoolboy Q-esque bleary-eyed, kushed-out vibe that eased the track out from its original energy. 6. “WHIP IT” - BIG SKEEZ
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We’ve been huge supporters of BIG SKEEZ for a long time. Every track he dropped in 2016 wreaked of originality in both vision and character. SKEEZ, a dude climbing his way up a ladder of: elegant email signatures, cut-throat managers and concrete industry rules, often collaborated with us thru a simple fb message - or just bumping into him in the city. This made us question the likelihood of his success to some extent, but when this video for “WHIP IT” dropped, it turned all our dreams into a reality. The WAVY BADMON, along with his SYDNEY crew absolutely owned the big screen, turning up like a pro to one of the standout tracks from his under-rated debut mixtape. Seeing this whole evolution transpire before our very eyes gave this CERNE STUDIOS production a real sentimental value for the whole THANK GUARD team. 5. “ABSURD” - ANFA ROSE (SYD)
ANFA ROSE and DOPAMINE’S magnum opus will make you cry like a Canadian watching Drake sing the national anthem. The silky smooth, “Absurd” is a beautifully executed blend of 808s, pianos and harmonies. When it comes to polish, no local track released in 2016 comes close to this one. DOPAMINE stripped back that instrumental, focusing on an ethereal and ominous beat with a chordal pattern that slides effortlessly from note to note. ROSE’s delicate melodies fuse perfectly with the instrumental and his lyrics, which are reminiscent of DRAKE’s odes to RIHANNA, or THE WEEKND’s odes to drugs. 4. “RUN IT (ft. LEVI, PHANTOM & KMALITH)” - MIKE WANG (MELB)
When low-key GREMLN MICHAEL WANG dropped this fire squad track all borders between Australia & America went up in flames. The MELBOURNE underground literally outshone the AUSTRALIAN i-Tunes charts. Nothing would make sense ever again. In terms of flow, lyricism and local impact… this was without a doubt one of the best Australian rap tracks released in 2016. WANG, LEVI, PHANTOM & KMALITH came out, guns blazing with their own jaw-dropping take on that MIGOS-style flow (and this was all before “BAD & BOUJEE” blew up). That little OVO-style hook/breakdown “I GOT BANDS…” really added a whole other dimension to the song too. Don’t even get me started on the message behind these lyrics and their relevancy to our scene, the city of MELBOURNE and the racial/cultural tensions often overlooked by most Australians. 3. “BLOWIN’ UP (ft. MIRACLE)” - MANU CROOKS (SYD)
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“BLOWIN UP” was MANU CROOKS flipping the switch and making a statement: his rise to success is about much more than bangerz. Being able to rap and record full-time is any local rapper’s dream and seeing the SYDNEY rapper get premiered on The FADER must have motivated thousands of Australian teenagers to keep hustling in 2016. Honestly, didn’t think someone from this new AUS rap-scene would make the pages of a mag like The FADER for at least another year. That stamp of approval means a lot. Manu’s tuned-up, magnetically charismatic vocals definitely stole the show on this one…Dude just seems to know exactly what to rap and when. But, none of this would have been possible without his equally talented bros: DOPAMINE & MIRACLE who both shined, bright as ever on this one.
DOPAMINE always knows just the right amount of syrupy autotune to sprinkle over his mates vocals & this beat speaks for itself. MIRACLE’S production and vocals contributions always help bring a track to the next-level. All 3 of these guys will no-doubt make even more Australian-rap history in 2017. 2. “WDUBI (ft. NASTY MARS & MARCUS)” - BARO (MELB)
When the mind of a black sheep is re-configured to entertain the mindless masses, an artist has reached their final frontier. BARO (NASTY MARS & MARCUS) did this last year with “WDUBI” - the first taste from his eagerly-awaited JPYNTK tape. On first encounter, it plays as the perfect Australian new-gen rap jam. But on further inspection, everything about it: the production, vocal stylings and somber sonic undertones expose it for the beautiful alien it really is. All three verses loosely acknowledge US 2K16 rap (CHANCE, GAMBINO etc), but overall this track really does’t follow the rules set by the American market at all - which is why we love it so much. That NIC MARTIN production plays a huge roll in this also. Something about those double-timed snares/claps and the tempo made this one feel so damn refreshing. We really played the fuck out of this one last year. THANK GUARD. Oh btw “AND IF WE HAVE A SON I THINK WE’LL NAME HIM STEVEN” - line O.T.Y 1. “BLUE BOSS” - SAMPA THE GREAT (SYD)
LMAO. In 2016, a lot of local bro’s hyped their shit like crazy. Walking around like the TUPAC reincarnate, talking smack online & sharing videos on FB 10 times a day… and SAMPA THE GREAT quietly drops a song that makes them all look foolish, raising her to instant-legend status. SAMPA is emotionally mature, intellectually elegant, socially conscious. Her words can fight wars or comfort a child. She is the type of person you’d want running for president, let alone running the local rap scene. “BLUE BOSS” is like a world-class 2K16 surprise rap-hit, but also feels timeless. Unlike kindred spirits NONAME & KAMAIYAH, SAMPA keeps her production and overall-vibe as earthy as possible, creating her own unique place in the rap-world. Considering the desperate need for more female rappers in this country, the quality of SAMPA’s vocals and her all-too-rare modest demeanour, we had to give “BLUE BOSS” the #1 spot. Posted by PAULINE HANSON
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RECAP: OUR TOP 50 AUSTRALIAN HIP-HOP/R&B TRACKS OF 2016
2016 was the year that this scene was finally accepted by mainstream media outlets, played regularly on Triple J and given the opportunity to throw mad rap events at some of the countries’ best live music venues. The number of local rap: artists, releases, managers, parties, radio shows, even blogs exploded too. MANU CROOKS was put on BEATS1 rotation & posted on The FADER. SAMPA THE GREAT racked up over half a million streams on “BLUE BOSS”. BARO blurred cultural/sonic boundaries. TKAY MAIDZA dropped a huge album + landed that KILLER MIKE collab. MIDAS.GOLD, CULT SHOTTA, BIG SKEEZ, I AM D, NICO GHOST & SAVOUR THE RATIONS all dominated live-stages across the country. The GREMLNS, PLAYBACK 808, 1 HUNNID RECORDS & TREXON WAVE showed us the future. These squads are all barely out of high-school, have a strong African heritage and are blowing up against the odds. Almost all of the above was soundtracked by producers: DOPAMINE, MIRACLE, JAMES DAMIAN ANGUS, MITCH GRUANKE & HARVEY who don’t get enough credit. JUNOR launched his AUD$ radio show on SYN which is legit. The PROPHECY BOYZ launched SAUCE - a new brand that will probs do huge things in 2K17. RARE FLOW TV, provided an essential piece-to-the-puzzle, bringing this all to life in quality music videos. Australian rap music is at an all time high. But tbh, it’s going to take another miracle to push it any further. Now that there’s money to be made here, cashed-up copy-cat rappers/labels/magazines/venues with no imagination will find a way to suck the life out of your music for a quick profit. Historically, this has happened many times over, preventing Australians from truly impacting music culture on a global scale. WTF is the diff between us and: Canada, England or America? Terrible artists will succeed if you let them. Donald Trump was elected president. We’re always a stones-throw away from making the next generation of AUS rap fans (and the rest of the world) cringe at us. Question everyone. Even THANK GUARD. Oh, btw. This blog still doesn’t make money. Here’s 50 songs that inspired us to keep hustling in 2016 in between dem long-ass shifts. 50. “VIEWS UP” - NYUON (MELB)
NYUON - an essential character in the MELB rap scene - stretches out the parameters of his sound a little more with each release. “VIEWS UP” saw him lean back towards centre after the experimentally hazy, lilting vibe of his ’15 BYMYSELF tape. With the help of producer ROOKIEPRO he pooled that self-effacing, conscious rap-swagger into his most polished track do-date. 49. “SORROWS” - BLESSED (SYD)
Taking cues from CUDI, UK alternative-pop and their own minds, BLESSED managed to instantly stand out from the rest of the trap-heavy SYD scene last year. Their output in ‘16 was super consistent, and “SORROWS” (our fav) has already amassed over 127K plays on Soundcloud. Early days, but their potential for global appeal is already proven. 48. “I.D.C.A” - 18K (BRIS)
“I.D.C.A” gives you a real wow moment the second those bars come in. 18K’s on that: modern-day BONE,THUGZ & HARMONY/vaguely MIGOS ATL, super-quick flow. His beats are perfect too. Hard hitting, modern trap sounds AND a hint of like CLAMS CASINO cloud-rap as well. 47. “30 DAYS” - DENNIS (MELB)
Mysterious producer/singer DENNIS dropped this one to no reception whatsoever. The mastering isn’t professional, but the song itself and the man’s vocals are world class. You gotta pump the volume ride it to the peak for full-effect fam. Like some new BON IVER shit without the cringe, pretty sure this came out first too. 46. “PRESSURE (ft. JACE XL)” - BILLY DAVIS (MELB)
BILLY DAVIS & JACE XL (RYTHYM SECTION) are both heavily associated with THE OPERATIVES (who monopolised vibes in MELB the last decade). JACE shows off his life-changing soul crooning over some classic BILLY DAVIS instrumentation. This would be a lot higher if it were more relevant to our needs. 45. “NO MORE” - DEEVILLA (SYD)
With this track alone, SYDNEY-based DEEVILLA proved he can write the type of song this scene needs. His flow, lyrics and overall mood on “NO MORE” summed up 2016 perfectly in terms of music & vibe. FLIP TRILL’s production on this one did all the above and more. 44. “RUN UP (ft. FLYBOII & L.U.I)” - LIL SPACELY (SYD)
Got the vibe that BLACK DANNA head honcho SPACELY had a tough 2016. But, being an essential SYDNEY rap-character that he is, the dude still managed to drop some of the livest AUS rap tracks of 2016. On “RUN UP”, he took the chunky, horn-filled instrumental from FAT JOE and REMY MA’s “ALL THE WAY UP”, puffed out his chest, and along with a couple talented homies delivered a growling, arrogant battle track that signalled his readiness to take his music national. He’s already dropped several tracks in ’17. Stay woke. 43. “FIRE” - SQUIDGENINI (MELB)
SQUIDGENINI a.k.a Bella, is one of Melbourne’s better-kept secrets right now. She’s been honing her craft for some time: playing in bands, producing solo tracks and supporting huge artists. “FIRE”, one of her only releases in 2016, instantly put her on our radar. This highly ambitious track features no-bullshit lyrisicm, eccentric production and some straight up vocal-fire. 42. “NAH BRUH, THIS IS WAGE GANG!” - VEENO (SYD)
When BABY VEENO dropped this insane freestyle in October it was criminally over-looked by many (including us). Choosing YOUNG THUG’S timeless “SEE YOU” beat from that G.O.A.T RICH GANG tape proved to us that the man has taste. The ensuing bars instilled visions of VEENO becoming SYDNEY’s trap-SKEPTA in ’17. 41. “CLAP BACK” - SAVOUR THE RATIONS (SYD)
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SAVOUR THE RATIONS were one of the most influential, pro-active and entertaining AUSTRALIAN rap crews of 2016 (especially towards the end). KWAME, DOMBA, JAYJAY ASSASSIN, GYBRYLLAH SHYNE & RAJ MAHAL made their biggest moves via videos/live performances. “CLAP BACK” which was dropped on Jan 2nd, 2016 showed the boys doing their ting for their own entertainment. This year they’ll be doing it for thousands no doubt. 40. “BEST FRIEND (YOUNG THUG REMIX)” - BIG SKEEZ (SYD)
This was probably the local track we played most last year. BIG SKEEZ really stood out in ‘16 for his song-writing hustle & originality (highlighted on his S.A.T.T mixtape). Remixing such a familiar, iconic song allowed SKEEZ to let loose in the booth more than ever before, resulting in 3:14 of explosive, feverish trap-fury filled with icy-cold local references/flips. 39. “ALIVE REMIX (ft. BARO & CAZEAUX O.S.L.O)” - ESESE (MELB)
Couldn’t think of a more suitable 2016 MELBOURNE summer-rap anthem than this BARO remix if I tried. It feature local pillars: CAEZEUX O.S.L.O, SKOMES and the ESESE crew - and oozes those heavenly FITZROY day-party vibes. Hearing HENOQ and O.S.L.O both spit new-gen AUS boom-bap masterpieces in rapid succession would’ve brought a tear to the eye of every true BURN-CITY rap-fan this year. 38. “NO MORALS (ft. $KINNY DOM)” - BLACK NAPOLEON (WA)
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On “NO MORALS”, BLACK NAPOLEON brought equal parts: slow, deliberate and estatic D double E style booth raps - the kind you’d hear on some UK Pirate radio set to the table. LUCHII, another PERTH-based genius jumped into the mix sounding more like a 6K Gucci, nailing the perfect guest verse. The CAMERON PARK directed-visuals for this one featured no guns, knives or punches thrown, but it still stands as one of the most violent local vids of ’16. #HOMEBAKED. 37. “FUCK THE JUDGE (ft. REMI)” - BARO (MELB)
When BARO dropped the second taste of his soon-TBR JPYNTK tape about 6 months ago, the world was torn in half by the racial violence sweeping the US. It was literally with you everywhere you went, no matter ur skin colour. “FUCK THE JUDGE”, which was released at the very hight of this chaos featured inspired verses from REMI + BARO and was accompanied by the statement: “They're killing my people. They're killing PEOPLE.” The song itself also made another (less important statement) about BARO’s unflinching confidence as a dude/rapper. It was his first absolute crystal clear “fuck u” to industry/fan expectations - a sign that he might be giving the typical AUS rap-sound a much needed kick up-the-butt in 2017. 36. “POTENTIAL (I SEE)” - LORD LEVI (MELB)
When it comes to MELB underground anthems in 2016, LORD LEVI’s “POTENTIAL (I SEE)” is practically unrivalled. The hook, flow and production on this one truly encapsulates the rise of the BURN-CITY outer-suburb high-school trap scene in 2016. LEVI and the GREMLN squad built a dedicated following last year on the back of songs like this. Trek thru any BURN-CITY suburb and “I SEE POTENTIAL” follows u through the streets. 35. “FLEX MODE” - ERIK SANDERS (BRIS)
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Brisbane’s ERIK SANDERS blew up out of nowhere last year on the back of several highly-polished, US-influence nu-trap singles. “FLEX MODE” bursts out of the gate with a series of auto-tune inflected bars that twist-and-turn, merging multitudes of impressive melodies in quick succession. This one gets real wild at the end too. 34. “RIDE (ft. REZT)” - LUCHII (WA)
LUCHII has always struck us as an interesting character, but we still slept on the man in ’16. When he dropped “RIDE” like a month ago, we swore to stay woke on the PERTH creative forevermore. This one rides an island trap wave that reminded us of CHILDISH GAMBINO’s “CALIFORNIA” and MAC MILLERS new stuff, but it also hits on something completely new. The vocals reference ATL rhythms/tones AND something else, which MUST have been born in a cloud of green smoke on one of those pristine PERTH beaches. 33. “PULL UP (ft. CIDI, LORD BRAVO, DUT BOL & RANDOLPH)” - BONKI CHOL (ADEL)
In 2016, the TREXON WAVE squad was our guilty pleasure. We legit found ourselves rinsing their proficiently rugged trap cuts more than CHANCE or FRANK. “PULL UP” is the song that started the whole affair. I remember being high af on a Tuesday at like 2PM about 8 months ago just blasting this enchanting MIGOS-style cut on my speakers for an hour straight. Jut listen to BONKI CHOI and homies: CIDI, LORD BRAVO, DUT BOL, RANDOLPH bring the sauce one time. They all flaunt separate styles, personalities and lyrical tendencies on this one, but their skills/delivery are at 100 throughout. 32. “HOW U FEEL” - NICO GHOST (MELB)
Close your eyes and “HOW U FEEL” will take you to a dark, nondescript club setting. Smoke settles in over those eerie trap bells - the calm before the storm. That amazing harpsichord removes any sense of time/location. Your mind is finally empty. Nico spits that FB generation mantra: “I couldn’t really give a fuck how you feel”, lulling you into a false sense of security before ruining your life with intensity. NICO’s 2016 was pretty-much dominated by his wild live-show. But in between sets he found the time to gift us with this the premiere for this one. Was a huge step forward for us. The man’s legit. 31. “MONSTER TRUCK” - ALLDAY (MELB)
ALLDAY is huge - has been for years now. In 2016, he went through a bit of a sonic evolution and we fucked with it heavy. “MONSTER TRUCK” is a song that pushed Australian rap to places in the world it rarely reaches. This one features earnest lyrics, euphoric melodies and a skin-tight flow - years of work/experience all coming together. ALLDAY made some serious global waves last year as unique voice in the world of post-OVO rap music. 30. “LIONA” - NASTY MARS (MELB)
On “LIONA”, future-star NASTY MARS took warm, wavy, lo-fi production ripped straight from a SOULECTION cassette and crafted his own rap/soul-experiment around the peaks and flows of the beat. Although, hardly representative of this guy’s unreleased material, live show and overall position in the AUSTRALIAN rap/soul scene - “LIONA” still managed to take on a life of it’s own… just suss the comments. 29. “BLOOD THICKER THAN WATER” - LUTHER (BRIS)
One of BRISBANE’s most charismatic up-and-comers, LUTHER teamed up with AUS production royalty JAMES DAMIAN ANGUS early last year for a YOUNG THUG/LIL WAYNE style cut that blew us away. The production bangs. LUTHER’s wild, warbling trap-jitterings are fierce, crunchy and at times hilarious. Everything you want in a track like this. The dude is associated with the WORLDWIDE BOYS who will blow up this year. 28. “THIRSTY” - ANFA ROSE (SYD)
“THIRSTY” came last year amidst a never-ending avalanche of consistently jaw-dropping ANFA ROSE & DOPAMINE joint-efforts. Everything on this one from the samples, to ROSE’s perfectly structured verses - to those 808 snares cutting thru your entire being - to the lyrics enforced our theory that these dudes aren’t human. They are computer programs or clones or holograms or something. 27. “MARIA MARIA” - GEEK, CHARLES X & SELASIE WUSSAH (SYD)
This one - easily top 3 most iconic “THANK GUARD” anthems in our entire history. Seeing it live at one of our BONEY parties inspired some of the most emotional dabs ever dabbed. When it dropped back in Jan, it brought out some of our best writing ever too… so I’m just gonna quote myself here.
“On the most polished THANK GUARD Premiere to-date, a dynamic trio of epileptic acid-rappers exchange contrasting melodic flows - in a bid to win a Spanish bae’s heart.” If you don’t know GEEK, CHARLES X (of CULT SHOTTA) or SELASIE WUSSAH by now we don’t trust u. 26. “1 3 1 6” - E L K (ADL)
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Adelaide teen E L K bursted onto the scene with last year with “TUTEN KARMEN”, which would have easily made the top 10 if he didn’t remove it from SC. “1 3 1 6”, a different (but equally impressive) joint also blew us away. This one brings guys like MF DOOM & JAY ELECTRONICA to mind instantly, but channeled thru the purity of a fresh, young mind with the voice of a rap-god. In 2016 alone, E L K and his PLAYBACK 808 crew went from bedroom rappers, to the creators of a legit AUS rap movement that looks poised to climb mountains in 2017. 25. “FEELING GOOD FEELING GREAT” - TOYOTOMI HIDEYOSHI (WA)
2 months ago, FourAM head-honcho TOYOTOMI HIDEYOSHI teamed up with producer SNOWEE for a sun-drenched 6K anthem. Some rare RAE SCHREMMURD vibes (if they were slightly more sober). Truly peaks at the end. TOYOTOMI is another young dude whose influence on the culture went beyond rapping last year. From short films, events to supporting those around him - this kid did it all in 2016. 24. “DOPER THAN DOPE (MACHINEDRUM REMIX)” - SK SIMEON (MELB)
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One of AUSTRALIA’s best rhythmic-vocalists had a huge 2016. SK SIMEON has been a worldwide reggae force for a minute now. Born in Uganda, recorded his first song at a studio in Dandenong… But last year “DOPE THAN DOPE” - one of his best tracks to-date was remixed by MACHINEDRUM. This version (which sounds good anywhere) took SK’s insane rapid-fire singing and infectious tongue-in-cheek delivery to dance-floors around the world. 23. “NULIFE” - MAIA (BRIS)
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BRISBANE neo-neo-soul singer/producer MAÏA returned to form in 2016 with her nostalgic, intimate “LOFI” Mixtape. “NULIFE” - a definite standout will swallow you up whole in a blanket of warm, jazzy melodies and pulsating rimshots. Coming very early in the year, this track really pre-empted a lot of trends that are dominating American music culture as we speak. We predict huge things for MAIA in 2017. 22. “$AUCE” - GREMLNS (MELB)
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2016 was the year of the GREMLN in the suburbs of MELB. No other underground AUS rap squad made more of an impact than these guys in the last 12 months. This “SAUCE” video came about after months of anticipation and was defs worth the wait. It showed the GREMSQUAD more polished-than-ever, a bunch of real young talents standing at the crossroads between street-fame and industry acceptance. The video itself is like a cross between an old-school Tarantino movie and a London GRIME vid, but set in some unmistakably murky Burn-city graffiti spots. 21. “BERETTA” - MATT BLACK (SYD)
SYDNEY-based vocalist MATT BLACK exploded out of the blocks last year with a series of MIRACLE/DOPAMINE produced R&B/SOUL singles - the type big labels dream about every night. “BERETTA” is the whole package. A high-concept, slow-burning, futuristic love-song which cleverly compares a lover to a pistol. Two things that (depending on the circumstances) can save you or destroy you, make u feel like a man or a mouse. 20. “EVERYDAY” - DREAM$TEAM (ADEL)
So much love for duo’s with vastly different voices. When you listen to a DREAM$TEAM you got no time for boredom. You’ve got CHARLTON on the first verse who always goes in with this SHAKE070-style flow and A-grade emotionally-charged lyricism, then the other G comes in riding world-class auto-tune vibes that sit somewhere between YACHTY & TRAVI$ SCOTT. The production, which features ZAYTOVEN-style piano, is the opposite of corny… bounces hard & leaves plenty of room for vocals. These guys are insanely talented for their age-bracket. Anythings possible for them in 2017 19. “TENNIES” - TKAY MAIDZA (ADEL)
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TKAY MAIDZA, easily one of the most successful artists on this list had a huge 2016. She was spun on SKRILLEX’s OWSLA radio show, played a tonne of festivals in AUS & FRANCE, but most importantly dropped a huge studio album, TKAY, which featured guest verse from KILLER MIKE (Run The Jewels). “TENNIES” was our favourite track from the album, because it combined her signature worldly sugar-rap with some hella uplifting footwork vibes. How often is boundary-pushing music this much fun? 18. “LAPUTA (TAYLOR MCFERRIN REMIX ft. ANDERSON PAAK)” - HIATUS KAIYOTE (MELB)
The one and only MELB-based GRAMMY-nominated future-soul quartet that we probs should have posted by now had to have a presence on this list, at least to show you all what’s possible. Their second album “CHOOSE YOUR WEAPON” is a must listen, but was released waybach in 2015. Last year, TAYLOR MCFERRIN recruited ANDERSON PAAK to rework standout single “LAPUTA” for a remix EP. The results speak for themselves. 17. “PEACEWALKER” - GALLU$, RAIDER KING (BRIS)
GALLU$ was real cult-force down in BRISBANE last year. His influence on the scene transcended his recordings - a huge statement considering the quality of songs like “PEACEWALKER”. This one features some heavy statements screamed with a natural Aussie accent over “GLASSSS” by PYRMDPLAZA.
“THIS INDUSTRY’S FAKE & THE PEOPLE TALK BULLSHIT // THAT SOUNDS PRETTY OBVIOUS // SO WHAT THE FUCK AM I DOING? // QUESTIONING MY OWN MUSIC LIKE // EVERY LINE THAT I WRITE // CAN’T HELP BUT FEEL STUPID.” - nuff said. 16. “ALL OF MI LIFE (MACHINEDRUM REMIX)” - YAW FASO (MELB)
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2016 was a year where artists like POPCAAN & J HUS were getting love on THE FADER + DRAKE/BIEBER/SKRILLEX were jacking sounds from the Caribbean and breaking billboard records. When our own YAW FASO shared this MACHINEDRUM remix of his sun-drenched single “ALL OF MI LIFE” the timing was perfect, but as the hook declares, he wasn’t riding any trends. Reggae is one of the few genres that makes you smile, dance and forget about all your issues. This song, bursting with: FASO’s highly motivational reggae mantras, sugary buildups and super-refreshing production does all the above. 15. “IDK” - GILL BATES (BRIS)
With his LESS STRESS, MORE SUCCESS EP, GILL BATES showed a whole new side of himself to the world in 2016. Standout cut “IDK” took the catchier side of AUS rap into unknown territory: substance & self-awareness. Above all tho, it’s just a great song. That larger-than-life JAMES DAMIAN ANGUS production grabs you from 0:01… GILL’s opening line “BEEN DROWNING MY SORROWS // BOTTLE AFTER BOTTLE” takes you into his psyche… Then GILL & JAMES drag you deeper and deeper into darkness before flipping things with a bittersweet xylophone-driven hook. A world-class highlight from one of the best local releases in 2016. 14. “NEVER BEEN” - TYRØNE (SYD)
In the last 12 months, few local artists worked harder than TYRØNE. The SYDNEY rapper/producer legit dropped a full EP Trilogy, brimming with GOAT Australian rap lyricism. Song, after song the guy managed to craft a unique aesthetic for himself and his music – darkness that isn’t fake. “NEVER BEEN”, a real standout encapsulates this dedication to his craft more than any other. That skin-tight baritone flow just doesn’t stop on this one. “I SAY LIFE IS EVERYTHING YOU MAKE IT // ONE THING DAMN RIGHT I AIN’T NEVER BEEN FAKE BITCH” 13. “HIT EM” - I AM D (BRIS)
BRISBANE one-man-movement I AM D flew way under our radar until we heard this one. “HIT EM” showcased D’s near iconic nu-AUSSIE rap tone, through a stream of SKEPTA-like vocal punches that explained every move he would make in the local scene. Little did we know at the time, but he actually went on to achieve everything he rapped on this track. In a matter of months after its release: he got signed to a major label, dropped a hugely successful EP, landed a national tour and stamped his influence on the local culture. 12. “NO FATIGUE (ft. GEEK & SELASIE WUSSAH)” - CULT SHØTTA (SYD)
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The video for “NO FATIGUE” really set the tone for CULT SHØTTA season in 2016. They were always a truly unique presence in the Australian rap game, but on this track, they toned things down, unleashing line-after-line of vibrant acid-raps over a relatively sparse bass-driven trap beat. As per usual, CHARLES X, GEEK & SELASIE WUSSAH each brought their A-game, showing off vastly different styles/personas, each challenging different “AUSTRALIAN RAP” taboos in the process. It also marked the beginning of director RUFFY’s much-needed string of ambitious video-work that helped elevate many-a local rapper last year. 11. “FOR GOOD (ft. SAMPA THE GREAT)” - REMI (MELB)
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Couldn’t think of a better ’16 feel-good Aus-rap summer anthem than REMI and SAMPA’s “FOR GOOD” if I tried. When your air-con breaks on a 35 degree day, this song could actually save ur life. The production, hook and overall vibe really feels like a classic Triple J anthem, the type that soundtracked our lives. But, obviously everything has been re-worked for the next-generation, creating a crisper, more sonically diverse hit than we’re used to. 10. “EXISTENTIALITY” - OJIKAE (MELB)
“EXISTENTIALITY” is a lovesick vision that’s refreshingly different from the over-saturated BILLBOARD TOP 100-style R&B that the likes of TORY LANEZ and BRYSON TILLER put out. It was also the very first track released by 17 y.o VCE student Matt Cicero, which blew us away immediately last JULY. The guy wrote something original, produced the track himself and whipped out a spine-tingling vocal performance that singlehandedly dragged his ass all the way to the top 10 of this list. 9. “ASSUMPTIONS” - MANU CROOKS (SYD)
“ASSUMPTIONS” was premiered on ZANE LOWE’s BEATS1RADIO show… got our mag a global shoutout AND tore stages apart across the country in 2016. We heard more sides of Sydney game-changer MANU CROOKS than ever before on this one. With help from production masterminds DOPAMINE & MIRACLE, CROOKS departed from them brooding Toronto vibes to show Australia & the world that he can can TURN UP like the best of them. 8. “CALL ME” - DEVARN (MELB)
This song is what THANK GUARD is all about. Sonically, it’s right up our alley… but more importantly it came from a creative young dude who: thinks for himself and punches well-above his weight considering the resources/money some people on this list have at their disposal. It also tells a story we have witnessed for years now…
“ALL OF MY N*GGAS THEY WORK IN THE SUN // WAITING FOR LABELS TO HIT UP THEY PHONE // I WANT SOME MONEY TO GET ME A PHONE” Few rappers can get you on their side like Melbourne’s DEVARN. His vocals are earnest, intimate - when he raps, it feels like he’s letting you into his world. He doesn’t slur his words, or smother them in auto-tune either - you can hear every word the man is saying. Also, huge props for referencing some of our fav underground anthems >> SAUCE (GREMLNS) >> MOOSHAMAD // I HAD A DREAM WE GON’ MAKE IT. Damn. 7. “000000” - MIDAS.GOLD (BRIS)
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Last year, Brisbane’s MIDAS.GOLD elevated himself to the Mount Rushmore of this new-wave. Of all the wild trap releases & intimate soul-searching cuts on his huge FOR WHAT IT’S WORTH EP, “000000” had the biggest impact on the scene. It dropped all the way back in JANUARY when local rappers were all bumping FUTURE & YOUNG THUG 24/7, but still didn’t truly believe that an Aussie could incorporate these sounds into their music so convincingly. MIDAS truly made this quality JAMES DAMIAN ANGUS/MO LIASON beat his bitch from 0:01, before abruptly taking the track down a notch in its last third, flipping the beat and creating a Schoolboy Q-esque bleary-eyed, kushed-out vibe that eased the track out from its original energy. 6. “WHIP IT” - BIG SKEEZ
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We’ve been huge supporters of BIG SKEEZ for a long time. Every track he dropped in 2016 wreaked of originality in both vision and character. SKEEZ, a dude climbing his way up a ladder of: elegant email signatures, cut-throat managers and concrete industry rules, often collaborated with us thru a simple fb message - or just bumping into him in the city. This made us question the likelihood of his success to some extent, but when this video for “WHIP IT” dropped, it turned all our dreams into a reality. The WAVY BADMON, along with his SYDNEY crew absolutely owned the big screen, turning up like a pro to one of the standout tracks from his under-rated debut mixtape. Seeing this whole evolution transpire before our very eyes gave this CERNE STUDIOS production a real sentimental value for the whole THANK GUARD team. 5. “ABSURD” - ANFA ROSE (SYD)
ANFA ROSE and DOPAMINE’S magnum opus will make you cry like a Canadian watching Drake sing the national anthem. The silky smooth, “Absurd” is a beautifully executed blend of 808s, pianos and harmonies. When it comes to polish, no local track released in 2016 comes close to this one. DOPAMINE stripped back that instrumental, focusing on an ethereal and ominous beat with a chordal pattern that slides effortlessly from note to note. ROSE’s delicate melodies fuse perfectly with the instrumental and his lyrics, which are reminiscent of DRAKE’s odes to RIHANNA, or THE WEEKND’s odes to drugs. 4. “RUN IT (ft. LEVI, PHANTOM & KMALITH)” - MIKE WANG (MELB)
When low-key GREMLN MICHAEL WANG dropped this fire squad track all borders between Australia & America went up in flames. The MELBOURNE underground literally outshone the AUSTRALIAN i-Tunes charts. Nothing would make sense ever again. In terms of flow, lyricism and local impact… this was without a doubt one of the best Australian rap tracks released in 2016. WANG, LEVI, PHANTOM & KMALITH came out, guns blazing with their own jaw-dropping take on that MIGOS-style flow (and this was all before “BAD & BOUJEE” blew up). That little OVO-style hook/breakdown “I GOT BANDS…” really added a whole other dimension to the song too. Don’t even get me started on the message behind these lyrics and their relevancy to our scene, the city of MELBOURNE and the racial/cultural tensions often overlooked by most Australians. 3. “BLOWIN’ UP (ft. MIRACLE)” - MANU CROOKS (SYD)
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“BLOWIN UP” was MANU CROOKS flipping the switch and making a statement: his rise to success is about much more than bangerz. Being able to rap and record full-time is any local rapper’s dream and seeing the SYDNEY rapper get premiered on The FADER must have motivated thousands of Australian teenagers to keep hustling in 2016. Honestly, didn’t think someone from this new AUS rap-scene would make the pages of a mag like The FADER for at least another year. That stamp of approval means a lot. Manu’s tuned-up, magnetically charismatic vocals definitely stole the show on this one…Dude just seems to know exactly what to rap and when. But, none of this would have been possible without his equally talented bros: DOPAMINE & MIRACLE who both shined, bright as ever on this one.
DOPAMINE always knows just the right amount of syrupy autotune to sprinkle over his mates vocals & this beat speaks for itself. MIRACLE’S production and vocals contributions always help bring a track to the next-level. All 3 of these guys will no-doubt make even more Australian-rap history in 2017. 2. “WDUBI (ft. NASTY MARS & MARCUS)” - BARO (MELB)
When the mind of a black sheep is re-configured to entertain the mindless masses, an artist has reached their final frontier. BARO (NASTY MARS & MARCUS) did this last year with “WDUBI” - the first taste from his eagerly-awaited JPYNTK tape. On first encounter, it plays as the perfect Australian new-gen rap jam. But on further inspection, everything about it: the production, vocal stylings and somber sonic undertones expose it for the beautiful alien it really is. All three verses loosely acknowledge US 2K16 rap (CHANCE, GAMBINO etc), but overall this track really does’t follow the rules set by the American market at all - which is why we love it so much. That NIC MARTIN production plays a huge roll in this also. Something about those double-timed snares/claps and the tempo made this one feel so damn refreshing. We really played the fuck out of this one last year. THANK GUARD. Oh btw “AND IF WE HAVE A SON I THINK WE’LL NAME HIM STEVEN” - line O.T.Y 1. “BLUE BOSS” - SAMPA THE GREAT (SYD)
LMAO. In 2016, a lot of local bro’s hyped their shit like crazy. Walking around like the TUPAC reincarnate, talking smack online & sharing videos on FB 10 times a day… and SAMPA THE GREAT quietly drops a song that makes them all look foolish, raising her to instant-legend status. SAMPA is emotionally mature, intellectually elegant, socially conscious. Her words can fight wars or comfort a child. She is the type of person you’d want running for president, let alone running the local rap scene. “BLUE BOSS” is like a world-class 2K16 surprise rap-hit, but also feels timeless. Unlike kindred spirits NONAME & KAMAIYAH, SAMPA keeps her production and overall-vibe as earthy as possible, creating her own unique place in the rap-world. Considering the desperate need for more female rappers in this country, the quality of SAMPA’s vocals and her all-too-rare modest demeanour, we had to give “BLUE BOSS” the #1 spot. Posted by PAULINE HANSON
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