#the whole crowd was very much

[arkon-z]

Why do I always remember that I never do anything right the first time after I do the thing? I'm too impatient and too impulsive to follow directions if they're only given as suggestions. Instead of taking a foundations class, I jumped right into what turned out to be an advanced class and I ended up wrenching my shoulder. If I don't find a way to get this impulsiveness under control, I am going to ruin myself, I just know it.

[cybertron-smash-or-pass]

TF One D-16

[thistledropkick]

I can't stop thinking about this Umino Shota situation, so I'm gonna write about it.

Umino has been in a very weird position for quite a while now, when it comes to his character, his booking, and his crowd response. I feel like it has finally hit some kind of breaking point at the recent KOPW show.

When Umino walked out to challenge for the IWGP HW belt, he didn't just "get booed" - he got a mix of cold silence, some scattered booing, and some overt heckling from people in the crowd shouting "Go home" at him. That wasn't even the kind of booing you want in pro wrestling - it was an outright rejection of him by the crowd.

(You can hear the heckling starting at about 3 minutes in during this video - people in the crowd start shouting "Kaere!" "Go home!" This mix of scattered booing, icy quiet, and heckling is not the kind of response NJPW goes for even for actual heel wrestlers.)

It was also absolutely not the response that anybody there had planned for or anticipated. Umino looked legitimately upset, Zack immediately took action to calm down the crowd before things got ugly, and then Takagi came out to keep things moving when it was clear the crowd was not going to change their tone. If any of this response had been planned, they would've encouraged it instead, or at least given it a little more space to play out.

In his backstage comments afterwards, Umino addressed the comparison that fans have repeatedly been making between himself and Stardust Genius era Naito. Umino rejected that comparison.

(Personally, I agree that the two situations aren't identical, but for a different reason - Naito was a much more well-established wrestler when the crowd turned on him, while Umino has never even held a title.)

In any case, the fact that Umino is directly addressing the comparisons that fans keep making, rather than ignoring them, was noteworthy to me.

Today, an article about the situation was released in Tokyo Sports. Tokyo Sports is a kayfabe magazine, and anything published there is generally done to forward the intended story of the wrestlers involved.

The headline reads: Umino Shota - "Booing = Big Shot" Proof of his decision to fight for the IWGP "Even Tanahashi-san himself said, I'm leaving it to you, Sho-chan"

This is... not helping to counter the feelings of the fans that Umino is being given a spot he doesn't deserve, to say the least. And quoting Tanahashi calling him the cutesy nickname "Sho-chan" isn't helping either.

With this being addressed directly in the kayfabe ToSpo, I have to believe it means they'll be addressing it directly in the storyline as well. And it's very easy to imagine some scenarios where they could repeat the infamous fan vote that eventually turned Naito ungovernable. But with the differences between Naito's situation and Umino's, I'm not sure how well this will actually work if they do end up trying it...

As for my own feelings about all this - I don't like or dislike Umino as a wrestler right now - more than anything, I feel like he hasn't solidified as a wrestler enough for me to have much of an opinion on him yet. But this whole situation has been fascinating to watch as it plays out.

[dynamitekansai]

wwe: C’mon Solo Sikoa, you know you want to 🎤🤣

[foxgloveinspace]

IV is so nice to look at, like ofc they all are, but IV??? He’s just got this like…. Air about him. Like he knows he’s driving us wild, but he’s still being sweet about it, and I think it’s genuine, I think he’s genuinely sweet.

[corrodedcoughin]

something something southern boy eddie being jealous of nancy and steve growing closer (even though there's nothing going on between them and it's all in eddie's head) and going to an open-mic night in country bar a couple of towns over to sing jolene.

that's it. that's all i got. i just want more eddie singing dolly parton songs and he'll be such a petty lil jealous bitch that jolene fits him perfectly. okay, hope you're having a lovely day friend!

oh my lord do NOT get me started on Dolly Parton loving steddie. I believe and will promote it!! Southern boy Eddie just feels right somehow, I love everything you said.

Now you are going to have to forgive me for all inaccuracies because I am not American but here's some thoughts.

Eddie thinking Steve and Nancy are getting closer, they've been spending more and more time together, heads bent close and talking in whispers. Every time he sees them it feels like a fist around his heart and windpipe a hot, uncomfortable thing that makes him want to turn on his heel but finds himself staring and hurting instead.

He deals with it the only way he knows how, through music and who better than miss Dolly? He spends nights in his room blaring out Jolene, and I will always love you. Sometimes he mixes it up, adds new artists in Willie Nelson with 'Always on my mind', patsy cline 'crazy' and whatever else he can torture himself with.

Wayne handles it as best he can before he's knocking on Eddie's door shouting to turn it down when the soundsytem starts to rattle the mugs on the shelf. He loves Eddie like a son but if he loses another mug to Tammy Wynette's laments he's going to start hiding his record collection from that boy.

Without an outlet for his heartbreak Eddie gets restless so one day after he sees Steve and Nancy whispering and smiling again he jumps in his van and drives, speakers turned up and when he stops he finds himself a couple of towns away outside a bar with some pretty interesting clientele that, while keeping a low profile, are clearly having a good time. He gets curious and Eddie has never been somebody to shy away from his own curiosity so he goes in and what he finds changes his life.

There is such an amazing mix of people, couples and non-couples and most of all, a complete lack of stares or judgement. He keeps looking around, a smile on his face grows when he sees the stage when the barman is at his elbow

'You here for the open mic night? You look the type anyway'

Eddie turns to face the man, certain that this is a place he is coming back to

'Not this time, but sign me up for the next one'

-------

It’s a few months down the line and Eddie is a regular, carved himself a spot on the stage in this evidently accepting and thriving gay bar.

He is gearing up to go out, ready to pour his heart out after seeing Steve pick Nancy up and spin her around, his whole mood souring and the overwhelming pain and sadness sitting low in his stomach. It had been manageable up until then, difficult sure, but manageable. So tonight is the night.

He walks up to the mic to familiar cheers and heckles; he always has such a varied set but never a bad word said about him. Eddie gets himself settled on the stool, acoustic guitar in hand and without giving himself a chance to look at the crowd he starts with the opening notes to Jolene and silence spreads across the audience. Eddie gives it everything, holding nothing back and the bar patrons join him in the chorus. He puts all his sadness into his performance, catharsis in its purest form. He aches and the audience aches with him, it finally feels good.

He looks up then and makes eye contact with the girl that has broken him. Nancy Wheeler stares at him across the bar, she stands in a gap in Eddie's eye line, somehow with nobody in front of her. Sad eyes seeing something in Eddie he never planned on sharing with her. He looks down immediately, not wanting to completely self-destruct in the middle of his set. But that's when he catches Nancy's hand, Nancy's occupied hand holding another hand. A distinctly non-masculine hand. He looks back up. Robin Buckley? Holding hands with Nancy Wheeler? Eddie has to park that thought, can’t let it into his mind when he has his set to finish but it finds a place to sit, to be addressed later, he's curious, not hopeful but definitely interested in this turn of events.

--------

He finishes his set to applause and takes an ostentatious bow, packs up his stuff and shuffles off to the bar, hoping to get a drink and think about what he saw. Eddie manages to get to the bar when Nancy intercepts him, Robin in tow. He should have known she wouldn't ignore him, not when Eddie has actually been in her house, made small talk during the summers when the school couldn't be used for Hellfire and Mike's house was the only available spot.

'Hi Eddie, I just wanted to say, WE both wanted to say, that was great. Really great. Right Robin?'

Robin swings forward, hand still attached to Nancy's and starts to talk, going over Eddie's playing, song choices and then the cover of Jolene. Both her and Nancy change their body language at that lean close, soften their eyes, seem to pick up on something Eddie was showing but not telling.

The thing is, Eddie knew about Robin, they'd had talks in the band room cupboard, tentative at the start but then more open as time went on. They had a trust between each other that neither took lightly. And because of that, Eddie felt protective of Robin, doesn't want to see her hurt when she has clearly opened herself up to somebody new.

Just then Robin shoots off, says something about the bathroom which leaves Eddie and Nancy together. Eddie doesn't really know what to do with himself, doesn't want to talk to the girl that is responsible for his heartache but also doesn't want to let the opportunity to protect his friend go. So he doesn't think, just throws himself in at the deep end and hopes for the best

'You know Ms Wheeler, never thought I'd see you in the kind of place. Taking a walk on the wild side before returning to your castle?' It's not nice but it’s not overly hostile, he hopes

'Yeah, well Robin wanted to come and I thought it might be fun. Let her show me the ropes a bit'

Eddie raises an eyebrow at this

'Wouldn't it be better to come here with your boyfriend? Does he even know you are here or you just here to get some kick from Buckley where nobody can see you? Go back to you 'normal' life in the morning?'

To her credit, Nancy doesn't get angry, raises her head to look Eddie directly in the eye and begins to speak but is interrupted by Robin making a reappearance next to Nancy and then, much to Eddie's horror, a voice comes from behind him

'Ah the love bird reunited at last, don't know how you survived without breathing the same air quite honestly'

'Oh, shut up dingus, I know for a fact that you are disgustingly co-dependent so don't even start'

And that's when Steve fucking Harrington comes up to Eddie's side, places an arm on his bicep and squeezes

'Hey man, you were amazing. That Dolly cover? Goosebumps dude! I'd love to hear more if you know any of her others?'

Steve is leaning in close to Eddie, he is smiling at Eddie, he has his hand ON Eddie's arm. Eddie...may have misinterpreted some things.

-----------

It's another few months down the line and Eddie is about to step on stage at his familiar open mic night. He walks up on stage, electric guitar this time, plugs it in and tunes up, not giving the crowd any attention. Then, when he feels ready, his eyes are up and he finds the familiar pair in the crowd. Steve.

Turns out the time he and Nancy had been spending together was to plan romancing Robin and the spinning? That was when Nancy had finally secured a date. He feels silly for it now but hey, worked out in the end, right?

Eddie smiles wide, gets close to the mic so it’s almost muffled

'Stevie darlin', this ones for you'

And Eddie starts Dolly Parton's 'Baby I'm burning' as the audience gets up on their feet and Nancy pulls Robin and Steve onto the dance floor. It's loud and it's fun and Eddie doesn't stop grinning the whole time, smile evident in his voice as he sings and he sends his thanks out to Dolly.

[its-no-biggie]

hey guys who was gonna tell me that bocchi the rock contained the single most autistic scene in anime history

[copia]

you want to talk, you want to talk it ouuut? 'cause the joke's on me and i'm laughingg t̝̊ǫ͔̠͖̖̟̬̰̜͂̄̌ͮ̇̇͘̚͠o̵̴͔̞̝̰̼͎̤̱̣̠̫̦̼̫͕͒̿̃ͧͬ̅͗̏́ͤͩ̂͂͗ͦ́̈̏̐ͧ̍͛̊͋͢͢͡ͅơ̶̢̭̗͚͙͖̦̮̹̂̂́̈́̄̆̿̐̈́̇͋ͨ̂̿̎̚͜͝

[balkanballad]

had a day that made me think oh that was a bit heavy on the symbolism, wasn't it

[whenthegoldrays]

sigh

[keirametzbrassknuckles]

I've realized with this whole "OP should be in the club" post trend, general discursive interest in clubbing in general, and my recent experience at a very exclusive club, that my idea of what "clubbing" constitutes is actually wildly out of sync with what most people think.

[carbonateddelusion]

I'm NORMAL (thinking about the fruit dads/the poly boyfriends with Eddie bc I remembered the picture of Max screaming at Chuck)

[cosmicdenro]

2p jesse gets beaten up by eepy gang live on camera

[omarwolaeth]

thinking 'bout how the lads interact with what the bracelets represent, especially in their decks

[salvadorbonaparte]

People are not making "fanart of someone's horrific death" they are making art in memory of Aaron Bushnell. He didn't shoot himself in front of a crowd, he engaged in an act of extreme protest. Do you think people believe Thích Quảng Đức was cool for setting himself on fire. Or that they try to understand the reasons he chose to do such an extreme thing. I feel like calling this "public suicide" is disrespectful to every protestor and to people who die by suicide. We're all saddened by Aaron Bushnell's death. But are we horrified at the fact that today the death toll in Gaza has only grown?

An extreme act of protest that was a public suicide. Because it was a suicide that happened in public and got announced in a live stream. People on here are obsessed with martyrdom to a disgusting degree.

[mellifloraa]

that was absolutely fucking hellish

but i did it >:3c