#the ultimate queer icon!

[puccafangirl]

A little late but Happy Pride Month to him. 🏳️‍🌈 UwU

[laytontheories]

The results are in:

The Winner of the Ultimate Queer Icon Competition is....

Desmond Sycamore/Jean Descole!!!!

He fought off 31 contestants to be crowned The Ultimate Queer Icon!! Congrats!!

Don't feel sad if your fav didn't make it. Everyone tried their best and there's no ill feelings between any of the contestants.

In fact, all the contestants are currently at a party together:

Sammy Thunder and Randal Mann are in charge of the music. Surprisingly, it's fairly decent. Until one of the speakers explodes.

Descole is standing ominously in the corner, wearing his Ultimate Queer Icon Crown. Emmy is taking the piss out of him.

Randall wants to dance with Angela. Henry wants to dance with Randall. Drake wants to dance with Henry. They reach a compromise and do the hokey cokey together. That's not a euphemism for anything, they are literally dancing the hokey cokey together.

Simon Reinhold runs out of power and Frederick gets shot with a party popper. Both are laying unconscious on the dance floor.

Emiliana was the one who shot Frederick. He was being loud and obnoxious. Eve witnessed the event but did nothing to prevent it.

Cesar Chance and Tab Lloyd brought their baby with them and Janice and Melina are cooing over him.

Aldus and Jacques have a very intense conversation about the products they use on their mustaches. Poor Ernest gets caught in the middle.

A nearby crime is reported and Grosky rushes into action FOR THE YARD! Alfendi tries to leave too, but Lucy stops him.

Hershel Layton and Doug Scowers have a long, boring talk about archeology. Katrielle has to literally drag her father away.

It's Lettie and Jean's first time out together and they are very nervous. They spend the entire time holding hands.

There's an awkward standoff happening at the food table. Rook, Bishop and Mackintosh all want to get something to eat, but Leonard Bloom is standing right there and they're too scared to go near him.

Shortly after Descole left, Desmond Sycamore arrives with Aurora. She teaches him some ancient Azran dance ritual, which happens to be very similar to breakdancing.

Dimitri Allen spends the entire party holding a drink and standing awkwardly.

Thank you to everyone who voted and making this a fun event! 🏳️‍🌈🏳️‍⚧️

[uncanny-tranny]

Hi 💛 I wanted to ask you something, it's been bothering me lately: I've always known that I'm attracted to people regardless of gender. At 15 I called it bisexual. At 17 I started using the label pansexual. Came out as a trans man at 23. I'm now 26 and I'm not sure if bi or pan work for me anymore. I know that I'm still attracted to people regardless of gender, but my experiences as a man in society have made the label gay resonate a lot more with me. Is that okay? What does this mean? Confused

It means whatever you want it to mean. People all across the queer community have used "gay" as shorthand for decades now (maybe including queer people you love). If you just don't vibe with bi/pan on their own, then you don't have to have them on their own. There's nothing wrong with being bi or pan, but there's also nothing wrong with feeling like that doesn't quite encapsulate your relationship with your queerness.

Basically:

[tigergendermoved2tigergender]

I am a chronic oversharer and I love describing myself but it still baffles me to see how much information people are willing to divulge in their carrds. Saw one dude I was lookin at randomly list every single label (like 20 in total) they used, every diagnosed mental and physical illness, every self diagnosed mental illness, every suspected mental illness, every single point of privilege they had, their religious views, their blood type, their triggers..... I understand wanting to show pride in your identity but this is just so unsafe. Do you know how easy it would be to absolutely fuck up your business with all of this info? Why do you trust internet strangers so much that you are willing to tell them every point of vulnerability you have while pointing them to where the knives are held. Why do you feel the need to disclaim every single aspect of yourself that may be relevant to your sociopolitical views in the case somebody even thinks about calling you out for some privilege they think you probably have. Why lay yourself so bare on the wild west of the internet for a blog where you don't even really speak? This person was OLDER than me which is remarkable because I assumed it would be the kids who so blatantly don't get internet safety but damn

[101flavoursofweird]

Heads Up 7 Up

Tagged by @samcybercat to share the last seven sentences from my current WIP. (Thank you!)

I’ll tag: @multiversal-madness, @lutiaskokopelli, @asa-liz, @skullmuffet and anyone else who wants to do this, please go ahead.

I’ve got some prompt requests to work on first (Thank you for them!), but in honour of the PL Ultimate Queer Icon competition, I’m going to write some Melina Whistler propaganda. Poor Janice was knocked out of the running at Round 1 but Melina made it to Round 2, so here’s a snippet from the ‘Jalina Happy Ending AU’ as promised. If the eternal sapphic queen makes it to the next round, I’ll include the wedding:

Maybe it’s a miracle. Maybe the air on the island has worked its magic. Maybe Melina really is descended from the Ambrosian queen— as Doctor Foster theorised—  but Melina won’t share the same fate as her.

Melina takes another breath and her eyes drift open. 

Her father has turned away from the bed. Janice is still sobbing beside her, clutching Melina’s hand. 

Melina squeezes her hand in return. 

[drchucktingle]

sometimes buds ask’ what is it like to be a neurodivergent artist?’ and this is great summary: the charts can look like this, and at same time people will be endlessly posting on how you are ‘not real’ or ‘a bit’. you can hold bestsellers in slot 1 to 4 and still not be 'serious'

i am ultimately ok with this. i love my trot and would not have it any other way, but i think it is worth investigation. when irony poisoning has seeped into everything, how many times does a neurodivergent person have to say ‘actually this is NOT so bad its good. its just good’

when you are autistic, or queer, or both, how much proof do you need to be considered good art? or good business? what do the charts have to look like for me to be a ‘real’ author? or allowed my face mask at a library association conference? or one person not a group of writers?

im coming up on a decade of writing tinglers soon, and people are still talkin about my ‘serious’ works vs my ‘joke books’ and at every turn, as kindly as i can, i shout from the rooftops: THEY ARE ALL SERIOUS BOOKS. THIS IS NOT A BIT.

but its hard when buds have had ‘the correct way to be a writer. the correct way to be an artist. the COOL way to react to a book that is TOO weird’ pounded into their heads by internet culture. 'kill it with fire' they say. 'i need eye bleach' they say without thinking. a line.

heres the thing, the tide IS turning. theres buckaroos jumping in and saying, ‘I want to be a part of this’ and for that they are being rewarded. the publisher who took me seriously is lookin pretty dang good right now with these charts and these sales. i am honored and moved

over time there will be more buds who shed that irony mask. the tide of sincerity is powerful, and the tide of love is inevitable. it is difficult to stand strong in our uniqueness but it also pays off, and I hope to be a shining example. eventually THE TIMELINE BENDS TO YOU

so this is not a thread to complain. i have been trotting long enough that these things do not really bother me. being made fun of and disparaged as ‘not legit art’ while also being objectively successful at the things im made fun of about is kind of the ocean that i swim in.

no. my point of this is to say THANK YOU to those of you who have been trotting by my side over these years. THANK YOU for proving love to me. im so honored by your support, and you should know that YOU have seen beyond the irony poisoned veil that stops many others. YOU get it.

and to those with their own unique perspective on creation: look what you can do. yes there will likely be a lot of resistance to something different, but there is also a LOT of reward. YOU can trot a new path. YOU can prove love is real, not in MY way, but IN YOUR OWN WAY

anyway thank you for reading buckaroos. thank you for your support. LUCKY DAY comes out next summer and it is probably as FAR OUT and existential as the tingleverse has ever gone. you can preorder it here

[animentality]

Wtf is it about Jennifer's body and venom that mentioned don't understand?

Jennifer's Body was a teen horror movie that flopped because the executives thought they needed to capitalize on Megan Fox's popularity as a sex icon following the success of the Transformers movies, so they marketed it primarily to teenage boys/ young men, by hyping up both her sex appeal and the lesbian kiss scene with Amanda Seyfried.

But it flopped, because it's more of a satire horror comedy than a pure horror, plus it ended up being more feminist/ pro LGBT in hindsight, since it's more of a revenge fantasy than anything else, and a crushing indictment of predatory male behavior. Rather than just being, "lesbian sex is hot, hahaha," it actually comes across as more, "this character is bisexual... she refuses to kill her best friend, even after she comes back as an undead demon."

And people have (correctly) read into this as actually pretty damn romantic.

Megan Fox's character has the opportunity to kill her best friend like three different times, but refuses. And the only reason she dies, is because she can't bear the thought of their friendship being broken...

And then... Amanda's character...she doesn't even hold it against her. She goes on a killing spree in her name...

Like. Come on. That's queer subtext, and honestly, just queer text, since Megan even says, "I go both ways."

So. ultimately. It was not really FOR cishet teen boys. It marketed to them, but failed to get their attention. And it did poorly, but then got a cult following in the following years, by the correct audience of women and gays.

Venom, on the other hand, was a teen anti-hero movie, focused on a character who was supposed to be in a rated r movie, but the execs chickened out at the last second. It was SUPPOSED to be dark and edgy and maybe a little horror-esque... but then it was written poorly, was edited very messily, had a very strange tone, and ended up making the symbiote more of an audacious, goofy, chaotic character than outright evil.

It was CAMPY.

Like Jennifer's Body, it was SUPPOSED to be aimed at teenage boys and men...who HATED it. Thought it was garbage.

But it ended up marketing to...the monster fucker crowd.

Because of the sizzling sexual tension between the two reclaimed LGBT leads.

So that's why we compare them.

They're both edgier movies that could've been rated r, but got pulled back to pg13 for marketing reasons. They were both supposed to be Cool Products for Boys, but ended up marketing more to women and gays in the end.

Jennifer's Body was "horror" and Venom was "action," but they both ended up being more purely comedic than anything, even if it was a little unintentional (more on Venom's part, than Jennifer's Body).

And that's all.

They've got very similar vibes, you know?

Camp LGBT, with horror elements.

Think Elvira, Rocky Horror Picture Show. You know.

[somethingintheforest]

I think a lot of modern Sherlock Holmes adaptations (as in, Holmes in the modern era) miss out by having Holmes work so closely with the police. A lot of people forget that Holmes was one of the original ACAB bitchies in fiction; he did not like the police. Yes, he worked alongside them sometimes, but he often talked about them with open distain. Sometimes he even worked directly against them (think of The Norwood Builder).

Granted this was mostly because the police lacked a lot of the skills they have today, such as forensics, something that Holmes was an advocate for, and tended to draw conclusions that did not fit the obvious facts. This has obviously changed - the police have a lot more resources at their disposal nowadays, but they are not a perfect institution - far, far from it, and if he were alive today, Holmes would have a lot to say about that.

I wish modern adaptations stayed true to the fact that in canon, Sherlock Holmes was the man you went to if you could not go to the police. If you had, perhaps, a criminal record, were homeless, were POC, were queer, were neurodivergent, an abuse victim, reliant on illegal substances, or even wrongfully accused, Sherlock Holmes would be the man you went to, and he would help you to the best of his ability.

Also, Holmes had his own unique sense of justice. Think of The Abbey Grange - a man murders the abusive husband of an old lover, and the wife is complicit. Holmes and Watson ultimately decide to let them go - Lady Brackenstall was being horribly abused, she was trapped in a loveless marriage with a violent husband. Captain Crocker murdered Sir Eustace, freeing Lady Brackenstall and perhaps saving her life. If the police had arrested Crocker, it would be very likely he would be hanged for murder, regardless of the circumstances.

Then there is James Ryder in the Blue Carbuncle. He, after Holmes pesters him, freely admits to stealing the jewel, but Holmes does not hand him over to the police and instead lets him walk free. It was Ryder's first offence, one he was manipulated into committing, and Holmes and Watson see him as a, quite frankly, pathetic little man. Holmes realises that if he were to turn Ryder in, it would destroy his life - he would be 'a jailbird for life'. Ryder committed a crime, but he is no criminal. Prison would turn him into one.

Holmes takes justice into his own hands, and in a way, it turns him into an anti-hero. But I think this a part of what makes him such a loveable, iconic character.

Holmes has created a 'safe space' within 221B Baker Street. I think this would be extremely intresting to explore through a modern lens.

[ninadove]

Don’t you DARE disappoint me again

Sapphics… Assemble!!!

[laytontheories]

Professor Layton Ultimate Queer Icon

Final Round

[ryanxross]

Julie and the Phantoms was iconic for a million reasons but chief among them is the fact that they decided to make the Ultimate Villain of the show a flamboyant effeminate straight man co-opting queer culture who will go to absolute looney tunes lengths to force a captive audience to watch the most mid musical performance you’ve ever seen in your life. In other words just. A slightly more talented James Corden

[apollosgiftofprophecy]

guys. guys.

Apollo is canonically gnc. He didn’t BLINK AN EYE when Artemis put him in a silver dress.

He IS The feminine man icon.

User poll!!! Please give us your feedback users!!!

Take it a step further and rank them best to worst in the comments!! Tell us what you think, users!!!

[thenightshadowqueen]

The best character from each longform

(in my biased opinion)

This is (obviously) a long one, so if you do want to read it, more below.

(Also I left out the Patreon plays. I might do a separate post for them later; we’ll see.)

Jimmy (Tom, Toby’s Secret Pocket)

Look, Jimmy is the best. He’s adorable. He’s the representation we as the autistic community needed. He has happy flappy stimmy hands. He can’t walk through doors. We love him. (STOPINTHENAMEOFTHELAW!!!!!)

André Beetroot (AJ, Burglary and Bobsledding)

André Beetroot (André Beetroot) was iconic the first time around, but his return as the first recurring SFTH character obviously had to be memorialised.

The boy witch (Sam, Moist and Magical)

I was tempted by the witchfinder general, but the boy witch won out with “Henry Cavill with a wasting disease” and his thick accent. Also the cheeky little look he gives his grandma (Luke) when he flips her off wins him a lot of points.

Hugh’s mum (Tom, Marigolds Bluebells and Hugh)

She’s, like, a fair bit unhinged, but she has good intentions. She’s got amazing quotes, too; “why couldn’t you have just stayed in my womb forever” and “if you love something, lock it up” are both deeply concerning, but I love them.

The wife (Tom, Murders in Space)

This one is kind of an obvious choice. I mean, her quotes are glorious, and honestly “have you ever heard of feminism, James?” gets her top spot automatically.

Mario the sheep (Sam, the Lighthouse)

Was this even a question? I love Mario intending to be a one-scene character and then being forced to star in the whole play. I love the human bits. I love “🐑fuck you🐑”. I love the sheep (aka Sam) having a fucking breakdown at the end. 10/10 all around.

Titch (Luke, the Unrelenting Aubergine)

Listen, I was very tempted by Old Lady Margery (and by Derek), but in the end, canon queer guy with commitment issues and insane amounts of blindness around his own feelings won out. What can I say, I have a type in fictional characters.

Troll Son (Luke, Wine Under the Bridge)

Everything about this character is perfect. Screaming as hello? Colourful troll as a metaphor for being queer? Correcting a geography fact? It’s got it all. It’s perfect. I love Troll Son and his wine bar in Ipswich.

Juliet (AJ, Caesar and Juliet)

Is anyone surprised? She’s a murderous girlboss. “[My mother] said you have to be careful about men; they can be corrupted with power. But what she didn’t know is that so can woman.” They can, and I’m here for it. She’s bathing in blood and her skin is glowing. I love insane women.

Watson (Sam, the Mystery of the Midnight Circus)

Watson, driven mad with grief over his divorce and his one-sided love for Sherlock, becomes a murderous clown. Am I supposed to not love this? Is there even another choice in this play? And his breakdown at the end was gorgeous.

Priscilla (AJ, Pricilla’s Final Petal)

I was very tempted by both of her mums, and also a bit by the groundsman, but ultimately, Priscilla won out. She’s the title character. She’s confused, but she’s got the spirit, and she’s working through her trauma with a buttercup and a piano lesson. Good for her.

Marty (Sam, the Evil Make-a-Wish Kid)

I considered the seven-year-old detective, but in the end, Marty won. He’s evil. He’s a make-a-wish kid. What more can I say? He’s got an iconic smirk. He burns down all the petting zoos on the entire planet (and his mum). He dies at the end. He’s brilliant.

Derek (Tom, Susan’s Holiday)

There were a lot of great options in this one, but “I like looking at the back of another man’s head” was too good to pass up. Also, I adore the whole monologue he has while he’s waiting to be buzzed in.

The gasoline salesman (Luke, Beetroots and Murder)

Okay, I know he’s only in, like, a quarter of a scene. I know that. And I can’t tell you why I love him so much but I do. He’s just. I just love him. I can’t explain it. There are so many great characters in this play, but the way he says “could be, could be” has captivated me. If you understand the way my brain works, please contact me, because I don’t.

Peter Steven (Tom, the Milkman)

I love so many characters in this play. I love Gareth, and I love the Texan bartender, and I love David the milkman. But Peter Steven is the sweetest, most traumatised little boy and I want to protect him. I will adopt him and I will never make him walk on his knees again. I will throw away the PS5 and I will let him dig up the back garden as many times as he wants.

Johnny and Janae (Luke and Tom, the Neighbour’s Under the Bed)

I know they’re two separate characters, okay, but they’re a set. I want to keep them together. And I just can’t choose, okay? They’re two autistic children whose neurodivergence presents in opposite ways, and their parents don’t know what to do with them, and oh look, I’m back to wanting to adopt traumatised children.

Captain Egbert (Luke, the Leftenmost Window)

Shoutout to the mum, but Egbert won this one. He’s, like, kind of an idiot. I’m here for it, though. He’s got the iconic “diluileayilybilyeilysilym” speech. He wants to go to the ~astral plane~ but he’s waiting for his birthday. He lets his wife dip him into a kiss even though it’s 1940. I love him.

The king (Sam, the Prime Minister’s First Day)

Listen, I love several characters from this one, but I’m going with this one. He’s unapologetically a dick. He wears impenetrable armour made from diamonds stolen from Indian subculture. He’s impossible to beat. He’s brilliant. (Also did anyone else kind of find Sam hot as the king or is that just me?)

Franz Haberburg (Sam, the Excited Chinchilla)

Obviously fuck Nazis (god I hope that’s obvious). That being said, some of SFTH’s best characters are Nazis, and this is one of them. He’s glorious. I have never seen such a brilliant rendition of a Nazi chinchilla.

The Italian detective (Tom, the Ingredients)

He can’t pronounce paella. Do I need another reason?

Chip (Sam/AJ, the Cardboard Stegosaurus)

Oh look, another traumatised child! I want it. (No, but seriously, I love Chip and his English/French seizures.) Also he’s one of the few characters who switches actors mid-play, and I love that.

Persephone (Tom, Wild Wet and Worrisome)

She’s amazing. “HEY!” is a gorgeous siren call and don’t let anyone tell you otherwise. She deserved a happy ending and I’m still sad we didn’t get one. I like to think she swam to the shore and found Geoff again, and they lived happily ever after on a boat at sea, singing and not having to kill anyone.

Full Set O’Hands and his love/bother (Luke and Tom, No! I Always Loved that Caravan)

I know, I know, another set of characters, but you really can’t separate these two. They’re insane. I adore them. They’re just… Honestly, these two are comedy gold. Good for them because they are fucking timeless.

Andrew (Luke, All Eyes on Nigel)

Listen, Andrew is a naive little thing, and he must be protected at all costs. He goes through so much shit in this one, and I just want to wrap him up in a blanket and send him to rehab.

Magnus O. Puss (Tom, BUS)

Okay, this was a VERY close one between them and Arthur B. D., but Magnus is a genderqueer icon and we love them for it. Also, I feel like this is some of the most unhinged Tom content we have and I live for that.

Jeremiah (Luke, Inside the Mysterious Cube)

I was so torn because I love Bubba, too, but I’m trying to avoid putting sets of characters where possible, and Jeremiah just edged past Bubba because his death scene was gorgeous. (That is a mildly concerning reason to have a favourite, I will admit.)

Lord Lafayette (Tom, the Midnight Mystery)

You may be noticing a pattern; I adore Tom’s insane characters. We just don’t get to see that often enough. I love his very sexual flirting with Lady Lafayette (Sam). I love him making fun of the detective’s (Luke’s) shirt. I love “what does any self-respecting rich man do when he has a little boy in tights” followed by “captured—and only captured” as a save. I love him.

Dangerfield (AJ/Tom/AJ again, Once Upon a Time I Killed Mum)

I love the confusion when Tom briefly takes over as Dangerfield; it’s not often we get to see AJ understanding something that Sam doesn’t (I say this with all the love in the world). Dangerfield is so fascinating to me. He’s a “cleaner” for a crime lord, but he has mixed feelings about the things he does. I want to know how he got into it in the first place. How did he come into this life? I want to know.

Barry’s wife (AJ, the Hare who Wore a Sweater)

I don’t remember her having a name, but I could be wrong about that. She’s so sweet; she just wants to knit sweaters for the hares in peace. And then Jimmy the hare gets shot, and she and her husband go on a revenge plot. I’m here for it. I love her.

The king/tank commander (AJ, the Oopsie Daisy Bulge)

He’s obsessed with tanks. He used to have gay sex with his fellow tank commanders, but only as a joke. He sailed all the way around, through the other landlocked counties, into the east of France, and they never saw it coming. He drove tanks into the ocean. He’s so stupid he’s almost smart. I love him.

The landowner/farmer (Luke, Too Big to Be a Jockey)

He farms peasants (Luke, you genius). He’s such a dick, with his classist remarks about Johnny Jones, but somehow I love him anyway. His interview process is looking at a photo of someone and then hiring them, and he’s honestly wonderful. I love him.

Larry (Tom, Long Johns—Strike!)

Literally the only thing he does on screen is die. That’s it. That’s his whole purpose. And he does it beautifully.

Wizard Asceroth (Sam, the Dark Moons of Slough)

ASCEROOOOTTTHHHH!!! (I don’t have another reason. I don’t need another reason.)

The French waiter (Luke, Lost in Your Eyes)

I don’t know. I really don’t. But something about this character has stuck with me since the first time I watched it. Gorgeous accent. He kisses Amanda (Sam) for no reason at all. He gets stabbed by a gun. I love him.

The Lady of a Thousand Don Juans (Luke, the Meringue Haberdashery)

She tricked her husband for years. She murdered her own child. She has been a curse on all the Don Juans in this town. She’s one of the only villains who win at the end of a longform, and that’s very impressive. I love her.

Xavier (Tom, Oh my God is This a Joke?)

(Please refer to my previous statement about Nazi characters.) Okay, look. He’s a horrible person. But we as a fandom choose to disregard that because Tom looks amazing in a leather jacket and scarf. I am not above this. I am, in fact, a part of this. Tom looks amazing in a leather jacket and scarf. “I will die as I have lived…. Shirtless!” has to be one of the most iconic lines of all time. There was never any competition.

[theotheristhedoctor]

"Is that who I am now" / "it was never that far below the surface"

Guys, this isn't the doctor speaking, this is RTD doing a victory lap. This is someone who fought to get a nod to queer rep in 2005 openly gloating that he's won, that he can now have the most iconic sci-fi protagonist of a children's TV show admit to same-sex attraction without it being a big deal. This is him admitting that he wrote 5 seasons worth of subtext a decade ago and that conservative pearl clutching at the time was right, and now he doesn't have to hide it and it's gonna be all text baby!

This is a slap in the face to every executive who's ever tried to tone down RTDs queer stories, the ultimate Fuck You, and I have been riding the high of that realisation for almost a week now.

[queerly-autistic]

Let's get OFMD on Gogglebox!

One of the biggest things we can do to try and get Our Flag Means Death picked up by another network is keep making noise about it, and so I had a wild middle-of-the-night idea about one way we could do this: try and get the show on Gogglebox!

For anyone who doesn't know, Gogglebox is an extremely popular and successful show in the UK on Channel 4, where ordinary people (and sometimes celebrities) watch and react to television shows, pop culture moments and films.

Usually, they seem to react to television shows after they finish airing, between a month and two months after from what I've seen from other shows, so we have time to push this. It would be amazing exposure for the show, and really put it in a fantastic spot in terms of visibility in the UK.

So, how do we do this? Well, firstly, I would say tweet about the show and tag Gogglebox on Twitter, letting them know that they should react to it. The 'This Woman's Work' scene, which feels tailor-made for a Gogglebox reaction, is airing on BBC2 this week (19th February 10pm), so a great opportunity to tag them going 'hey, look over here!'.

Another thing that we can do is contact Channel 4 directly. Here's a rundown of how to do that. Click here to get through to their contact page: https://www.channel4.com/4viewers/contact-us.

Step 1: At the bottom of the screen, after filling in your details (if you're outside the UK, you can generate a random UK address to use here: Random UK Address Generator - GeneratorMix), you will see a box labelled ‘My message is about’. Select ‘Channel 4/+ - streaming/on demand/apps’.

Then click 'submit'. Step 2:

Select how you normally stream Channel 4 (if in doubt, just select ‘Channel4.com’).

When asked if you're contacting them about a technical issue, select ‘No’. 

When asked what your query is about, select ‘Programmes’. 

Then click 'submit'. Step 3:

You can then leave your message. Some points to think about including:

Plainly state what you want them to do (you want Gogglebox to feature OFMD, which is currently airing on BBC 2 and available on iPlayer)

Explain what OFMD is and why it’d be a great candidate for Gogglebox (emotional and funny, with bonkers and heartfelt moments, perfect for reacting to!)

Push the diversity angle and how great it would be to see such a queer show featured on Gogglebox

Show that you are aware of Gogglebox by referring to other things they’ve reacted to (some ideas in my message below, or you can have a look on their YouTube) - the ‘Running Up That Hill’ Stranger Things reaction was incredibly popular and did very well for them on social media, so worth mentioning that there’s a similar scene in OFMD

Mention that the show is immensely popular, so featuring it would bring in an automatic audience AND get social media traction too!

This is the message that I left. I tried to include everything as an example of what we could say, but of course if you want to make it shorter and snappier, please do! I'm getting in touch with a recommendation for the current series of Gogglebox. I think it would be fantastic to watch the Goggleboxers react to Our Flag Means Death - Series 2 of which is currently airing on BBC2 (and is all available on BBC iPlayer). It's an amazing queer romantic comedy about pirates, that can have you laughing out loud and bursting into tears in a single episode, which I think would make for some fantastic reactions from the Goggleboxers. After being deeply affected by the tear-jerking reactions to It's A Sin a few years ago, I think it's really important to see the Goggleboxers react to a very different queer story (twice GLAAD-nominated) which, despite having dark moments, ultimately celebrates queer love and queer joy. I remember how brilliant (and popular!) the Celebrity Gogglebox reactions to the iconic 'Running Up That Hill' Stranger Things scene were, and Our Flag Means Death has a similar (but different) scene, in which Ed (Blackbeard) imagines the man he loves as a mermaid helping him fight back to life following a suicide attempt. It's one of the best scenes I've seen in a television show in years, bonkers AND emotional, made me laugh AND sob, and it feels absolutely tailor made for the Goggleboxers to react to (you can see it here: https://www.youtube.com/watch?v=pSi1M8iQh_s). Not only is the show brilliant, but it also comes with a hugely passionate fanbase (over 86,000 people have signed a petition calling for its renewal, it was one of HBO Max's most popular shows last year in terms of engagement, and it consistently trends on social media with tens of thousands of tweets) who would flock to watch and talk about Gogglebox if it were featured. I really hope you'll consider letting the Goggleboxers watch this utterly brilliant show!   Then make sure you tick the ‘I agree to having my details passed to the production company if necessary’ (we want our messages to get to the people making Gogglebox!)

Then hit submit, and you’re done!

I think it's worth a shot! Who knows, if we make enough noise, and show how much of a following the show has, the producers might just consider featuring our pirates on the show, and what amazing exposure that will be!

[do-you-ship-this-comic-ship]

propaganda:

Because they help each other learn and grow! Because they have the most wonderful journey from friends to boyfriends to lovers, one of the greatest relationship success stories told through the collaborative journey of Big Two comics. Because they're the ultimate Battle Couple!

Super iconic ship in queer comics history, plus Rob Liefeld was mad about it and that's always a plus