#the one that sticks out to me the most is in the Soul Eclectic when Mind sings ‘Seethe as he snarls at you’ | Explore Tumblr posts and blogs

trampohlena · 3 years ago

Text

Okay, so after last night’s episode I would just like to say that Supercorp IS Endgame. I’d also like to point out the various reasons as to why Kara and Lena are not only soulmates but true twin flames.

For those reading this post who have never heard of the term twin flame: “A twin flame is your own soul, shared across what appears to be two physical beings. It’s one soul, split into two bodies.” -Google’s definition.

For those who are spiritually inclined and have a proclivity for indulging esoteric philosophies; Lena and Kara are ABSOLUTELY twin FUCKING flames 🔥🔥🔥!!

Here are the reasons why:

1. Their drastically different childhoods that resulted in remarkably similar trauma.

Both Kara and Lena have experienced great loss throughout their life. Both mourned the death of their parents, and life as they knew it, at a very early age. Both were shipped off to a foreign land, forced to leave behind everything they knew, in hopes for a brighter/safer future.

Albeit, Lena got the shorter end of the stick in regards to unconditional love, but both were given a second chance and a new start...and yet, they still never fit in, or felt like they truly belonged.

Although they individually have dealt with said trauma in different ways (Lena by pushing away those who try to get too close, and Kara by holding on tightly to those she holds dear) both of their actions are motivated by the same subconscious fear that they HAVE never and WILL never TRULY belong. All while yearning for a sense of “home”.

2. They are opposite reflections of each other; true “mirror souls”, if you will.

Physically, aesthetically, economically, and emotionally—they are complete “mirrors” of one another.

Kara is strong, physically powerful, cut from marble, all hard edges and sharp lines—except for her face. Lena is clearly not as physically powerful, she is soft, all curves, and exudes the grace of the Devine feminine energy—except for her face, which is hard edges and sharp jaw lines. You see what I’m saying?

Aesthetically and economically go hand in hand of course. Lena’s exorbitant wealth is evident in her high-end designer appearance; whereas Kara’s aesthetic is more humble and grounded, and prioritizes comfort over “fashion”. (Let’s admit it. Some of Kara’s fashion choices have been questionable. She clearly rocks the chinos and button-downs better than anything else in that eclectic closet of hers she refuses to come out of 😏)

Emotionally...oh honey. Do I need to say more? I won’t say much but I will say this: Kara is the sun and Lena is the moon. They compliment each other in a way that ensures the world keeps turning.

3. Their individual strengths are the other’s individual weakness and vice versa.

Goes along with the aforementioned “opposite reflection” point above but I’ll expand a bit further in regards to their specific personality traits.

Lena is predominately analytically driven, whereas Kara is emotionally driven. Lena is good in crowds, Kara is not (overwhelmed). Lena is introverted, Kara is extroverted. Lena is detail oriented and has the memory of an elephant, Kara is clumsy and as forgetful as a Pisces (but hey, she has a lot on her plate and barely any free time to balance it). Lena eats like a rabbit-bird-hybrid and Kara eats like a garbage disposal. Kara loves giving and receiving hugs and other forms of physical affection whereas Lena does not (UNLESS it’s from Kara, of course). Etc. Etc. you get the picture.

4. Now this one is the DEAD GIVEAWAY. Undeniable, irrefutable PROOF that Lena and Kara are twin flames.

They are LITERALLY completing what is know as the Twin Flame Journey or the Twin Flame Union.

The stages of Twin Flame Union are roughly as follows:

1. Yearning for “the one”. I think every human being that believes in love experiences this whether it’s throughout their entire life, or only their adult life until they meet this person but yeah. You get it. Kara has always wanted that “Wapow!” moment.

2. Glimpsing/meeting “the one”. Whether it’s only for a short moment, an extended meeting, or perhaps merely locking eyes with them as you pass each other by...you feel immediately connected. There is an instant soul recognition when meeting them, so much so that you could have sworn you’ve met them before or that it’s as if you’ve known each other your whole lives.

Remember when Kara met Lena? And she was gaga-eyed over Lena? Or when Lena felt so comfortable around a new acquaintance that she granted an almost stranger unbridled access to her office? Or how about when Red Daughter flew to America (the country she was taught to hate), with no recollection/memories of Kara’s relationship with Lena (again, the woman she was taught to hate), all because she felt PULLED to do so. And then when she did meet Lena she looked at her and practically drooled over her as if Lena was a double XL cheeseburger with extra special sauce from Big Belly Burger? Like, biiiitch 👀

3. Falling in love. Need I say more? Fine, again, I will. You CANNOT tell me that there is no way in hell that these two morons are anything BUT in love with each other. That’s a lot of double negatives and I appplogize so let me reiterate for clarification: THEY ARE IN LOVE AND YOU CAN’T CHANGE MY MIND!

And at this point is it so freaking BEYOND platonic love, the show cannot explain it away or sweep it under the “just close friends” rug. No. Kara used her Fifth Dimensional Wish (she literally could have wished her entire planet didn’t explode) and she said “make Lena not mad at me, I’m sad 😔” 👀. Mmmkay. Not to mention Lena picking Supergirl over Jack, her former lover. Or the plethora of other times Lena chose Kara/Supergirl over everyone else she knew. Mmkay.

4. The fairytale relationship/friendship. Lena has finally found someone she can depend on, be vulnerable with, support her without judgement, trust with her life etc. and Kara has finally found a true best friend, not her sister, not Kenny who she didn’t realize was her best friend till after he passed? And now he’s not dead?? But her one true best friend that she felt she didn’t need to be neither Supergirl, nor Kara Danvers, but rather Kara Zor-El around (despite Lena not knowing that little tidbit of information).

They were each other’s best friend. Each other’s person. They were happy.

5. Outer Turmoil and Inner Purging—Supergirl and Lena fight. Lena still does not know that Kara is indeed Supergirl and does not pick up on the brewing tension between herself and Kara.

Kara of course is riddled with guilt and her relationship with Lena becomes strained. This outer turmoil creates inner purging by bringing out negative traits in each other. I.E. Lena hiding kryptonite and also Kara asking James to spy on her. Shit gets messy but they still try to make it work.

6. The Runner and the Chaser/Separation Stage—Tensions mount between the two and Lena FINALLY learns about Kara’s secret. And she has a choice to make. So what does she do? She runs. Not physically but emotionally. She completely withdraws from not only Kara and their friends but also withdraws from herself.

She literally experiences cognitive dissonance and becomes someone she is not. Someone other people made her believe she was on the inside, even though Kara knows that it isn’t. And so, Kara chases her.

Lena becomes the runner and Kara becomes the chaser as they navigate this separation stage.

Continuously running and continuously chasing.

7. The Surrender and dissolution stage—they’re fucking done. They’re tired. They’re exhausted physically, mentally, and emotionally after all the bullshit they put each other through as well as all the bullshit Lex and the Phantom Zone put them through.

They come to an impasse in regards to Lex and realize the only way to defeat him is to work together, as a team. (El Mayarah anyone?)

They surrender to their emotions and to each other as their egos dissolve and their souls expand after having learned invaluable life lessons. The major one being: THEY CANNOT LIVE HAPPILY WITHOUT EACH OTHER!

8. The last stage that we have yet to see but we fucking better or else I’m gonna January 6 the CW studio building—“Oneness”.

This time, I’m not gonna say more.

So, in conclusion: Supercorp is Endgame because Lena Luthor and Kara Zor-El Danvers are the literal definition of a twin flame, soulmate connection. They are the same soul, manifested in two physical forms, for the sole purpose of expanding their soul’s consciousness.

They deserve to be happy, they deserve to be together. Not only does their union parallel some of the greatest love stories throughout history, i.e. Romeo and Juliet, Darcy and Bennet, Superman and Lois (duh) it would also break the curse of generational karma and illustrate to anybody who watches the show that the only person who defines who you are is YOU. Not a name, not a legacy, not society’s expectations, YOU. And most importantly of ALL...it would showcase that love truly does conquer all.

I rest my case.

TPTB, make Supercorp Endgame or kick rocks ✌️😘

Sincerely,

An empassioned fan with way too much time on her hands.

#supercorp #supergirl #lena luthor #kara danvers #welcome back kara #soulmate #twin flames #the cw

105 notes · View notes

blackswaneuroparedux · 4 years ago

Text

Anonymous asked: As a beginner in Classics I love your Classicist themed posts. I find your caption perfect posts a lot to think upon. I suppose it’s been more than a few years since you read Classics at Cambridge but my question is do you still bother to read any Classic texts and if so what are you currently reading?

I don’t know whether to be flattered or get depressed by your (sincere) remarks. Thank you so much for reminding me how old I must come across as my youngish Millennial bones are already starting to creak from all my sins of past sport injuries and physical exertions. I’m reminded of what J.R.R Tolkien wrote, “I feel thin, sort of stretched, like butter scraped over too much bread.” I know the feeling (sigh).

But pay heed, dear follower, to what Menander said of old age, Τίμα το γήρας, ου γαρ έρχεται μόνον (respect old age, for it does not come alone). Presumably he means we all carry baggage. One hopes that will be wisdom which is often in the form of experience, suffering, and regret. So I’m not ready to trade in my high heels and hiking boots for a walking stick and granny glasses just yet.

To answer your question, yes, I still to read Classical literature and poetry in their original text alongside trustworthy translations. Every day in fact.

I learned Latin when I was around 8 or 9 years old and Greek came later - my father and grandfather are Classicists - and so it would be hard to shake it off even if I tried.

So why ‘bother’ to read Classics? There are several reasons. First, the Classics are the Swiss Army knife to unpick my understanding other European languages that I grew up with learning. Second, it increases my cultural literacy out of which you can form informed aesthetic judgements about any art form from art, music, and literature. Third, Classical history is our shared history which is so important to fathom one’s roots and traditions. Fourth, spending time with the Classics - poetry, myth, literature, history - inspires moral insight and virtue. Fifth, grappling with classical literature informs the mind by developing intellectual discipline, reason, and logic.

And finally, and perhaps one I find especially important, is that engaging with Classical literature, poetry, or history, is incredibly humbling; for the classical world first codified the great virtues of prudence, temperance, justice, loyalty, sacrifice, and courage. These are qualities that we all painfully fall short of in our every day lives and yet we still aspire to such heights.

I’m quite eclectic in my reading. I don’t really have a method other than what my mood happens to be. I have my trusty battered note book and pen and I sit my arse down to translate passages wherever I can carve out a place to think. It’s my answer to staving off premature dementia when I really get old because quite frankly I’m useless at Soduku. We spend so much time staring at screens and passively texting that we don’t allow ourselves to slow down and think that physically writing gives you that luxury of slow motion time and space. In writing things out you are taking the time to reflect on thoughts behind the written word.

I do make a point of reading Homer’s The Odyssey every year because it’s just one of my favourite stories of all time. Herodotus and Thucydides were authors I used to read almost every day when I was in the military and especially when I went out to war in Afghanistan. Not so much these days. Of the Greek poets, I still read Euripides for weighty stuff and Aristophanes for toilet humour. Aeschylus, Archilochus and Alcman, Sappho, Hesiod, and Mimnermus, Anacreon, Simonides, and others I read sporadically.

I read more Latin than Greek if I am honest. From Seneca, Caesar, Cicero, Sallust, Tacitus, Livy, Apuleius, Virgil, Ovid, the younger Pliny to Augustine (yes, that Saint Augustine of Hippo). Again, there is no method. I pull out a copy from my book shelves and put it in my tote bag when I know I’m going on a plane trip for work reasons.

At the moment I am spending time with Horace. More precisely, his famous odes.

Of all the Greek and Latin poets, I feel spiritually comfortable with Horace. He praises a simple life of moderation in a much gentler tone than other Roman writers. Although Horace’s odes were written in imitation of Greek writers like Sappho, I like his take on friendship, love, alcohol, Roman politics and poetry itself. With the arguable exception of Virgil, there is no more celebrated Roman poet than Horace. His Odes set a fashion among English speakers that come to bear on poets to this day. His Ars Poetica, a rumination on the art of poetry in the form of a letter, is one of the seminal works of literary criticism. Ben Jonson, Pope, Auden, and Frost are but a few of the major poets of the English language who owe a debt to the Roman.

We owe to Horace the phrases, “carpe diem” or “seize the day” and the “golden mean” for his beloved moderation. Victorian poet Alfred Lord Tennyson, of Ancient Mariner fame, praised the odes in verse and Wilfred Owen’s great World War I poem, Dulce et Decorum est, is a response to Horace’s oft-quoted belief that it is “sweet and fitting” to die for one’s country.

Unlike many poets, Horace lived a full life. And not always a happy one. Horace was born in Venusia, a small town in southern Italy, to a formerly enslaved mother. He was fortunate to have been the recipient of intense parental direction. His father spent a comparable fortune on his education, sending him to Rome to study. He later studied in Athens amidst the Stoics and Epicurean philosophers, immersing himself in Greek poetry. While led a life of scholarly idyll in Athens, a revolution came to Rome. Julius Caesar was murdered, and Horace fatefully lined up behind Brutus in the conflicts that would ensue. His learning enabled him to become a commander during the Battle of Philippi, but Horace saw his forces routed by those of Octavian and Mark Antony, another stop on the former’s road to becoming Emperor Augustus.

When he returned to Italy, Horace found that his family’s estate had been expropriated by Rome, and Horace was, according to his writings, left destitute. In 39 B.C., after Augustus granted amnesty, Horace became a secretary in the Roman treasury by buying the position of questor's scribe. In 38, Horace met and became the client of the artists' patron Maecenas, a close lieutenant to Augustus, who provided Horace with a villa in the Sabine Hills. From there he began to write his satires. Horace became the major lyric Latin poet of the era of the Augustus age. He is famed for his Odes as well as his caustic satires, and his book on writing, the Ars Poetica. His life and career were owed to Augustus, who was close to his patron, Maecenas. From this lofty, if tenuous, position, Horace became the voice of the new Roman Empire. When Horace died at age 59, he left his estate to Augustus and was buried near the tomb of his patron Maecenas.

Horace’s simple diction and exquisite arrangement give the odes an inevitable quality; the expression makes familiar thoughts new. While the language of the odes may be simple, their structure is complex. The odes can be seen as rhetorical arguments with a kind of logic that leads the reader to sometimes unexpected places. His odes speak of a love of the countryside that dedicates a farmer to his ancestral lands; exposes the ambition that drives one man to Olympic glory, another to political acclaim, and a third to wealth; the greed that compels the merchant to brave dangerous seas again and again rather than live modestly but safely; and even the tensions between the sexes that are at the root of the odes about relationships with women.

What I like then about Horace is his sense of moderation and he shows the gap between what we think we want and what we actually need. Horace has a preference for the small and simple over the grandiose. He’s all for independence and self-reliance.

If there is one thing I would nit pick Horace upon is his flippancy to the value of the religious and spiritual. The gods are often on his lips, but, in defiance of much contemporary feeling, he absolutely denied an afterlife - which as a Christian I would disagree with. So inevitably “gather ye rosebuds while ye may” is an ever recurrent theme, though Horace insists on a Golden Mean of moderation - deploring excess and always refusing, deprecating, dissuading.

All in all he champions the quiet life, a prayer I think many men and women pray to the gods to grant them when they are caught in the open Aegean, and a dark cloud has blotted out the moon, and the sailors no longer have the bright stars to guide them. A quiet life is the prayer of Thrace when madness leads to war. A quiet life is the prayer of the Medes when fighting with painted quivers: a commodity, Grosphus, that cannot be bought by jewels or purple or gold? For no riches, no consul’s lictor, can move on the disorders of an unhappy mind and the anxieties that flutter around coffered ceilings.

Caelum non animum mutant qui trans mare currunt (they change their sky, not their soul, who rush across the sea.)

Part of Horace’s persona - lack of political ambition, satisfaction with his life, gratitude for his land, and pride in his craft and the recognition it wins him - is an expression of an intricate web of awareness of place. Reading Horace will centre you and get you to focus on what is most important in life. In Horace’s discussion of what people in his society value, and where they place their energy and time, we can find something familiar. Horace brings his reader to the question - what do we value?

Much like many of our own societies, Rome was bustling with trade and commerce, ambition, and an area of vast, diverse civilisation. People there faced similar decisions as we do today, in what we pursue and why. As many of us debate our place and purpose in our world, our poet reassures us all. We have been coursing through Mondays for thousands of years. Horace beckons us: take a brief moment from the day’s busy hours. Stretch a little, close your eyes while facing the warm sun, and hear the birds and the quiet stream. The mind that is happy for the present should refuse to worry about what is further ahead; it should dilute bitter things with a mild smile.

I would encourage anyone to read these treasures in translations. For you though, as a budding Classicist, read the texts in Latin and Greek if you can. Wrestle with the word. The struggle is its own reward. Whether one reads from the original or from a worthy translation, the moral virtue (one hopes) is wisdom and enlightenment.

Pulvis et umbra sumus

(We are but dust and shadow.)

Thanks for your question.

#question #ask #classical #greek #latin #horace #poetry #literature #arts #cambridge #classics #personal #study #habits #reading #books #culture #personal growth

70 notes · View notes

katagawajr · 4 years ago

Text

borderlands characters from my atlas AU as “what i think they would order from the chocolate shop i work at”

(*not actually MY AU, it’s the one i have with @ewbie and @sirenballad mwah)

Rhys: Raspberry Jellie Sticks - this is for two reasons, 1.) because they’re gross, it’s like raspberry jello covered in dark chocolate, and rhys has gross food taste so yeah, also 2.) some guy came into work today and ordered every single raspberry jellie stick we had for the sole reason of giving them to his wife, which has big rhys energy.

Vaughn: S’more on a Stick- this is also because he has strange food taste, just like rhys. it’s literally an entire s’more covered in milk chocolate and on a stick, which has the vibes of both “summer camp food” and “why is this a thing that exists,” so vaughn would definitely get one.

Sasha: Seafoam- the best way to describe seafoam is that it’s like spun sugar candy that was blown out and covered in chocolate (kind of tastes like a butterfinger to me), which sounds very weird, but it’s actually my favorite thing in the whole store. it’s very eclectic just like sasha, but once you give it a chance you’ll find it’s amazing.

Fiona: Tiger Butter Pretzels- these are pretzels covered in a sweet peanut butter that we call ‘tiger butter,’ and it’s drizzled with chocolate stripes. it’s very cool to look at, and it also has that classic feel of a chocolate pretzel. definitely something fiona would get a bunch of and eat on the go.

August: English Toffee- this is a staple in our store, probably the most ordered thing because it’s just classic and tastes good. seems like something he would eat because of his mom, but he still does because he’s an old soul at heart. it’s something soft covered in something hard/sharp, just like him lmao.

Katagawa: Chocolate Martini Glass- okay, so we have this thing at our store where we take a full martini glass and fill it with chocolate truffles before wrapping it in clear plastic with a bow. very pretty and sleek and just a hint of overdramatic. i don’t feel like i need to explain why this is my choice for him... it just screams katagawa.

Timothy Lawrence: Rocky Road Caramel Apple- the other thing our store is best known for is our caramel apples! there’s a bunch of different kinds, but I think Timothy would go for something like the Rocky Road, which is a caramel apple covered in crushed walnuts, milk and white chocolate drizzle, and topped with fluffy little marshmallows. pure comfort food, very pretty to look at :) everyone would steal a bite once he cuts it up too.

Yvette: Cafe Au Lait Truffles- we have a lot of truffles, but this one is her vibes for sure. it’s a sleek white truffle (with chocolate inside), and on the top is a single whole espresso bean. It’s classy and coffee flavored, and Yvette would definitely get a full box of them (and make Rhys pay since they’re a little expensive lmao).

Lorelei: Java Toffee- just like yvette’s, this is coffee flavored because of course. if yvette’s is “classy coffee,” than this one is definitely more messy- it’s toffee with espresso bean pieces that’s been covered and drizzled in chocolate (milk and dark), so i think lorelei would definitely order it.

Zer0: Licorice- we have these bags of red and black licorice, and i feel like it just has zer0 vibes. they would get a whole bag, which is resealable, so they can eat them in private whenever they want to. they would also probably have the bag open and no one would see them eat any, but the bag would get more empty every time someone looked away.

(Bonus!) Gortys: M&M Apple- i know gortys isn’t really part of the AU, and probably cant have chocolate, but M&M caramel apples drizzled in white chocolate is the most popular item that children get when they come in, so of course gortys would get one :’)

#im not sure why i made this.. i’m just bored at work #i feel pretty confident in these choices honestly LMAO #anyways if you have any other hcs or some for THIS chocolate shop idea please let me know lmaoooo #borderlands #tftbl #rhys strongfork #vaughn the bandit king #sasha the kid sister #fiona the con artist #august the brawler #katagawa #timothy lawrence #yvette the lunch leech #borderlands lorelei #zer0 the assassin #gortys

38 notes · View notes

whattolearntoday · 3 years ago

Photo

June 21st is...

Arizona Day - Arizona became a state on Valentine’s Day in 1912. Arizona is home to the oldest continuously inhabited settlement in North America. Established around 1000 A.D., the village of Old Oraibi is located on the Hopi Indian Reservation in Navajo county. Known as the Grand Canyon State, Arizona brings the wilderness to you. The breathtaking views of the Colorado Plateau, which incidentally took over 70 million years to form into towering stone, are now one of nature’s grand centerpieces.

Day Of The Gong - Mighty and gentle, earthy, and celestial, this extraordinary instrument is a conduit of Creation. With an international cultural history, the gong offers sensory and multi-dimensional sounds. Thanks to artisans worldwide, gongs come in an array of sizes, designs, and origins. As an instrument, they are both beautiful in design and performance. While gongs originate in the East or Southeast Asia, they also have an ancient history in Rome.

Daylight Appreciation Day - It recognizes the summer solstice (the longest day of daylight in the northern hemisphere) and encourages people to celebrate the many benefits of the sun.The day also offers an opportunity to learn more about the importance of daylighting. Daylighting is using skylights, windows, and other architectural openings to naturally light interior spaces. Doing so helps not only to reduce energy consumption but may also have health benefits.

Go Skateboarding Day - Retailers, sponsors, parks, and individuals around the world host events showcasing this rebellious and creative culture. A combination of athleticism, dance, and art, skateboarding has grown up in an urban world. It also crosses multicultural divides and speaks to a diverse population. Skaters test the laws of gravity with a variety of ariels and twists, thrilling their fans.

Indigenous Peoples Day - It’s all about bringing people together from different walks of life to share in the contributions of Indigenous People to our society. You’ll find an eclectic mix of contemporary and traditional music while learning about how Indigenous Peoples helped to develop our agriculture, language and social customs. The day is also about how governments are creating crucial partnerships with Indigenous Peoples to protect their land, heritage and culture in modern times.

International Yoga Day - One of the best and oldest ways to release the tension building up in both the body and the mind is practicing yoga. The benefits of practicing yoga, such as mastering countless techniques of controlling the body and the mind, have been widely recognized by the Western world for years, and International Yoga Day aims to continue to inform people how much dedicating a bit of time to the art of yoga can improve their lives. It is not just a physical practice, but also a mental one, with many of the teachings of yoga reflecting mental and spiritual states, and allowing your body to wander and drift into unknown realms that will give you a focus in your life and a calmness with your soul.

Peaches ‘n Cream Day - Peaches’ n’ Cream is a simple, traditional, and delicious summertime dessert. Make some homemade vanilla ice cream to sweeten the deal, and your peaches’ n’ cream will be all the cooler

Selfie Day - While the act of taking a selfie may predate social media, smartphones, and the word itself (which is now in the Oxford Dictionary), the popularity of taking these self-portraits keeps increasing. And the ability to take them gets easier all the time. Selfie sticks and multi-functional camera phones make it all too convenient to take these kinds of photographs as well as group selfies (aka groupies).

World Giraffe Day - Whether you’re into conserving their native habitats, enjoy hanging out with our necky friends at the zoo or you just appreciate the joy of nature’s most weird and wonderful creatures, World Giraffe Day is a day of observance when you can really put your neck out!

World Humanist Day - There is a philosophy of belief that indicates that humanity is more than just the puppets of some divine being or subject to a list of metaphysical oddities and creatures with their own designs. Instead, humanism believes that we are whole in and of ourselves and that our good behavior and civility is not reliant on anything except a true and honest desire to be decent people. Most of all this philosophy raises the importance of personal responsibility, if we behave as monsters, it is we who are monsters, there is no “The Devil Made Me Do It”. World Humanist Day celebrates this ideology and those who practice it, bringing reason and science to the world of faith and irrationality.

World Motorcycle Day - Today motorcycles are used for an increasing number of applications, including delivery driving, passenger conveyance, recreation, and even just daily commuting. This is due, in no small part, to the incredible gas mileage these vehicles get, and how compact and easy they are to store even if you live in an apartment. Whether you’re using your motorcycle to get around from day to day, or are an enthusiast or hobbyist who goes on long rides as part of your yearly vacation, World Motorcycle Day is for you.

World Music Day - Music has existed for as long as mankind has found its voice, and quite possibly before. Every culture of the world has its own form of music, as distinct and unique to its area as language and cuisine. In the western world, we are familiar only with scales, known as the diatonic scale which should be familiar to anyone who took music classes or choir in school. But this is not the only or even the first scale that music can use. There’s the chromatic scale, which has 12 notes instead of the 7, and the octatonic scale, which has 8 notes, but these are just the beginning. In every part of the world, there are different scales and musical formats used, and these create a form of music that has its own signature. Then when you add in the cultural themes, the variety of instruments, and the forms of voice singing that can go along with it, music is a truly endless adventure. World Music Day celebrates this adventure and those that dare to take it.

#arizona #gong #daylight #skateboard #indegenous people #yoga #peaches n cream #selfie #giraffe #Humanist #motorcycle #music

17 notes · View notes

recordsshmecords · 3 years ago

Text

21 of 2021: The Best Albums of 2021

It’s been a long time since I’ve broken out this ol’ Tumblr account. Life has changed in the...Jesus...four years since I last posted on here. But the fact of the matter is this; I was motivated to crank out my first end-of-the-year list for myself in quite sometime. A huge shout out to multiple random people that I’ve never met who approached me saying they actually read my nonsense throughout the years. Big reason I threw this list on this old account (seriously, people use Tumblr still? Shock). Thank you for the support and with that, here are 21 albums that kicked total ass in 2021, a year when good music was more necessary than ever.

21. Vince Staples – Vince Staples

Vince Staples gets straight to the point with no bullshit. His self-titled album, another knockout, is Staples’ least abrasive sonically, toning the energy down with his focused lyricism front and center. Unlike other Staples albums, there’s no real political or social commentary explicitly explored. Instead, this self-titled album plays as stories told from someone who’s lived them, painting vivid portraits of a life consumed by violence and fear. The inevitability of death permeates the album, be that the inevitability from the lifestyle or simple matter of fact that no one lives forever. Vince Staples reveals the traumas that brought him to the conclusions of life – violence and pain that would define his entire outlook.

20. Sault – Nine

Everything about Sault’s fifth album Nine felt subtly monumental. The British soul/funk collective stays secretive, save for the knowledge that it’s a collab effort from producer Inflo with Cleo Sol (whose delivered a phenomenal album in 2021 with Mother) delivering some knockout lead vocals. In pure enigmatic fashion, Nine was only available for download/streaming for 99 days before disappearing forever. Though it may be gone, the thoughtful meditations of race and modern sociological issues resonated long past the album ran off into the night. Maybe it was the catchiness of the tunes; sticking these ideas in the mind through a subtle release that will never be forgotten.

19. Turnstile – Glow On

An absolutely BITCHIN hardcore punk album that brought soaring emotions, Glow On is the best album from Maryland band Turnstile. Glow On shreds the fuck out. But it’s not all punk jamming; Brandon Yates’ vocal performance take on an anthemic quality soars along with the rifts, morphing the production into something dream-like and intoxicating. Glow On feels like a gung-ho, go for broke type of hardcore album grappling with existential ideas in the fiercest way possible, blurring genre lines but remaining a punk statement throughout. My favorite type of punk and an album that was a perfect catharsis throughout the year. Definitely damaged my hearing with this one.

18. Squid – Bright Green Field

Hands-down the best debut of 2021, Squid are a post-punk British oozing with bountiful, off-the-cuff eccentricity throughout Bright Green Field. This is an album that indulges in any tendency as it sees fit, playing in its own labyrinthian world with listeners invited to spiral along. Whiplash is expected when songs veer from one end of the punk spectrum to whatever makes sense in the moment. As a band, Squid sound so secure in their vision here that it’s boggling to comprehend this as their first album. I randomly stumbled across Bright Green Field after a night of drinking, engulfing myself in its often unsettling atmosphere. This is one that begs to be listened in the dark, headphones cranked to deafening levels for the best “descent into madness” experience of 2021.

17. Tune-Yards – sketchy.

It’s easy to forget, but Tune-Yards have been working in the industry for 15 years, delivering quirky art pop with Merrill Garbu’s lead vocals always acting as some of the genre’s most distinct. Each Tune-Yards album provides unique soundscapes, but sketchy. is possibly the band’s most eclectic and colorful work thus far. A more personal album than previous projects, sketchy. is a confidently anxious project that confronts all manner of issues by puffing its chest and doing what it needs for release. It’s always bizarre, as all Tune-Yards albums are delightfully weird in general, but sketchy. comes in guns blazing with pure intent and passion. I was taken off-guard by how much I loved revisiting the world crafted here throughout 2021. Tune-Yards don’t give a shit and will express the heart on their sleeve as seen fit, something I’m 100% here for.

16. Julien Baker – Little Oblivions

Little Oblivions, the third album from singer/songwriter Juilen Baker, is an utterly punishing experience. Not in how abrasive the album isn’t, but how Baker’s self-destructive lyricism paints a vivid portrait of tormented emotions that feels like something beyond personal. Utilizing a full band rather than the simplicity of acoustic folk, Little Oblivions feels at once fittingly huge and painfully intimate. Like the diary of someone grappling with trauma in the midst of ego death, Baker brings a wide-eyed unpredictability of someone with nowhere to go but within. Little Oblivions isn’t a sad record because of the topics, it’s the singer’s own approach to the material that hurts the most. You want to tell Baker everything will be alright, despite knowing that’s bullshit.

15. Self-Esteem – Prioritise Pleasure

When Rebecca Taylor left the band Slow Club to reimagine herself as the bonafide Madonna-esque popstar Self-Esteem, it seemed like a jarring shift of intent. And yes, indie-folk to pop-bombast is a pivot for the ages, but Self-Esteem’s true nature is more personal and direct than the quiet intimacy afforded to folk. Her second album as Self-Esteem, Prioritise Pleasre, is a direct takedown of relationship dynamics and sexist gender politics that eschews preachiness by delivering the years’ biggest anthems of self-gratification. Even when the album is fighting with fire in its eyes, there’s a genuine sensitivity that comes through with fantastic songwriting as Taylor isn’t pointing the finger or laying the blame; she’s showing her side and bearing her soul for anyone willing to listen. Taylor’s Self-Esteem moniker isn’t a statement of who she is, it’s statement reminding herself who she is. This album feels like she’s shaking you, crying passionately for understanding from every angle.

14. Kanye West – DONDA

To anyone that knows me: yes, I knew you knew DONDA would make my best of 2021 list. But the thing is, the experience of the DONDA lead up is crucial to understanding what made this Kanye West’s best album since The Life of Pablo. Constant delays, the massive listening events that showed an artist crafting the album in real-time, the constant turmoil of Kanye’s personal life; all factored into DONDA being as grand as it is. You don’t listen to a damn near two-hour experience this messy and nitpick the flaws; you admire some of Kanye’s biggest, boldest, and most emotional work yet. It’s a slop-show structurally (my god, the deluxe is worse) and saves the best for the second half, but it’s a Kanye flex in every way imaginable. Being a Kanye fan can sometimes seem like a full-time job of defense and head-shaking, but 2021 was the gift that kept giving for Kanye fanatics with DONDA smack dab in the middle, defining a true cultural moment.

13. Laura Mvula – Pink Noise

Despite being nominated for the prestigious Mercury Prize in 2016, British artist Laura Mvula was unexpectedly dropped from her label RCA. A heavy blow to any artist and one that would undoubtedly drudge up the worst emotions. Five-years-later, Laura Mvula returns not with negativity, but with Pink Noise - a glistening and sexy slice of 80s/90s pop with Mvula radiating more confidence and style than ever before. It’s her biggest sounding album, dominated by a vocal performance bursting with attitude, sass and passion. This feels like an album specifically for Mvula to prove her self-worth to herself, to show the labels and critics that she’s worthy of her own artistry. Screw the labels and critics – Laura Mvula deserves the happiness radiating on every inch of Pink Noise.

12. Doja Cat – Planet Her

Easily the biggest surprise of 2021. I knew Doja Cat to be a talented rapper/singer with a dash of controversy, but hadn’t dug a complete project from her. Like other big name female rappers who’ve conquered the charts, Doja exuberant viral personality is tantamount to Planet Her’s energy and quality. She’s given us a chart-topping pop album that feels spaced-out and confident from beginning to end. Planet Her isn’t just full of catchy tracks specifically designed for maximum plays; these tracks earn your repeated listens with fantastic production and Doja Cat’s uniquely animated voice that’s as entrancing as it is hype as fuck. The pop-mainstream doesn’t always deliver on the album experience, but Planet Her powered through as one of the most worthwhile entries in some time. Sometime, a little faith in “what’s popular” can pay dividends.

11. Jayda G – DJ Kicks (Mix)

I’m going to keep it real – “Both of Us” by Canadian house producer Jayda G is one of my favorite bangers to share with people. It’s full of raw emotion that builds at a breakneck pace to an explosive soulful climax without ever losing any propulsion that house music needs to be a success. It’s incredible and while I’ve waited to see a solo-release of some sort from this incredible new talent, I’m floored with Jayda G’s contribution to the DJ Kicks series. It’s a soulful blend of house utilizing a plethora of raw samples for maximum impact on the dance floor. Once Jayda G starts the set, she sounds like a veteran of the genre with complete control of her craft, creating art through movement. It never loses momentum and I dare say it’s the best installment in the DJ Kicks series heard in years. Jayda G continues to be an artist to watch, especially when a simple DJ mix holds a candle to the best works of 2021.

10. Czarface & MF DOOM – Super What?

If 2020 didn’t suck shit enough, the death of hip-hop legend MF DOOM was a crushing blow to the entire rap community and artistry in general. DOOM amassed a following of rabid fans by simply being one of the best wordsmiths (an opinion I strongly share) of the genre. If DOOM’s death was a crushing blow, another collab with hip-hop supergroup Czarface was exactly needed to soften the hit. Super What? was delayed due to the pandemic and because of this, DOOM never comes off like an incomplete presence is in top form. DOOM may not be in every song, but his tracks feel like a pure showcase for a legend in prime form. Each member of Czarface (7L, Esoteric, Inspectah Deck) sound like they’re honored to be part of an icon’s legacy, delivering top-tier bars and production. It’s rare to get posthumous performances that live up to the life of the artist, but Super What? works as a bittersweet send-off to one of the all-time greats.

9. Tyler, The Creator – CALL ME IF YOU GET LOST

I remember the Odd Future Wolf Gang Kill Them All era of Tyler, The Creator like it was yesterday. The brutal shows of the collective, the abrasive (sure…problematic) attitude and sensation of a group bringing something new as a collective; it was exciting to see where it would all go. Throughout each subsequent solo album, ex-OFWGKTA leader Tyler, The Creator consistently challenged the perception of his brash persona, slowly peeling layers of his persona to reveal the intimate and personal side like never before. If Flower Boy was his descent into personal territory, and Igor was a bizarre interpretation of those sensibilities, CALL ME IF YOU GET LOST is Tyler, The Creator revealing and celebrating himself to the fullest. Tyler raps is ass off, bringing DJ Premier along for a personal odyssey that looks at the past to come to terms with the present. CMIYGL feels like the most cohesive vision of the Tyler persona; a soul-bearing rap epic that might just be his best album yet.

8. Lakou Mizik & Joseph Ray – Leave the Bones

I’m going to be 100% honest about this entry – I didn’t know, and still don’t, much of the history behind Lakou Mizik or Joseph Ray. I know Lakou Mizik as a multi-generational Hation roots band and Ray won a Grammy for a Skrillex/Nero remix of one of his tracks. Whatever the case and lack of knowledge, I feel the music within Leave the Bones speaks for these artists better than any online search would bring. I like it that way; keeping Leave the Bones a multi-cultural house record that destroys the dance floor with peace, love and unity. It’s an album that immediately brings a better mood with an exuberance pouring out with every track. The less I know details, the more I focused on the act of crafting such joyous tunes. One of the purest experiences of 2021.

7. Bo Burnham – Inside (The Songs)

Okay, so I tend to avoid comedy albums on end of the year lists, let alone one containing songs from a Netflix special. The thing is, no other piece of media grappled with the intimate issues 2020 left in its wake like the songs featured on Bo Burnham’s new special Inside. These songs are certainly hilarious at times, but strikingly catchy and produced with a level of craft often reserved for the biggest names in the business. Even without the visual aid of the film, Inside (The Songs) features tracks that feel remarkably honest and timely. Every one of Burnham’s songs seem to come from such an honest place of observation, like watching the world crumbling in 2020 felt to so many people. It becomes a mental health awakening that rightfully deserves to be in the conversation of the best album/film 2021 had in store. If you’ve ever felt trapped and insecure about yourself, maybe unsure how to channel personal energy, Inside (The Songs) has something guaranteed to get a laugh through a few tears.

6. Porter Robinson – Nurture

In the seven(!) years since Porter Robinson’s debut album Worlds became a sensation of the electronic dance genre, times have changed. The initial burst of new and fresh EDM led to an oversaturation in the pop sphere, almost diluting what made some of the genre’s best so great in the early part of the 2010s. Nurture isn’t Porter trying to recreate the success of Worlds nor is it any sort of commentary on the state of modern dance music – it’s a full blown statement of an artist who used the gap in albums to refine his sound and come to terms with his own place in the world. Nurture feels like a sigh of relief - like a hug from a loved one that hasn’t been seen in years or a feeling of peace rather than anxiety in moments of solitude. Worlds has a special place in my heart, but Nurture is a personally fulfilling album that glistens with hope every step of the way.

5. Little Simz – Sometimes I Might Be Introvert

With her breakout mainstream appearance in the new Venom film (best scene in an otherwise mediocre movie), it’d be forgivable if Sometimes I Might Be Introvert being the FOURTH Little Simz studio album came as something of a shock. The British-Nigerian rapper delivered a major critical darling in 2019’s Grey Area, displaying her incredible flows and intricate wordplay to a whole new legion of fans and leaving everyone frothing for a follow up. Everything was all warm-up; Sometimes I Might Be Introvert is the rapper’s best work by a country mile, no tall feat considering the quality of her previous albums. Little Simz matches her thoughtful bars with some of the best production of any album in 2021, booming along with soulful samples and kinetic beats that keep up with her madcap delivery. Easily one of 2021’s premier hip-hop records, Little Simz delivered something special that rightfully boosted her into a whole other level of fame.

4. Japanese Breakfast – Jubilee

To say Michelle Zauner had the glow-up of 2021 would be an understatement. After two solid albums leading Japanese Breakfast, the singer shifted her focus towards writing and landed a New York Times bestseller with her memoir Crying In H-Mart. Zauner’s book is a beautiful read, meditating on life with her mother using food as a gateway into poetic ruminations on bittersweet memories that defined a relationship forever. While the book is the meditation on death, Japanese Breakfast’s third-studio-album Jubilee is the catharsis. It’s the band’s most confident and assured work yet, delivering some of the finest singles in 2021 (“Be Sweet”, “Posing In Bondage”). Though Crying in H-Mart isn’t required reading to connect with Jubilee, the pairing of both crafts a thoughtful narrative of the human experience at once gut-wrenching and all too real. It’s the remembrance of small moments that stay with us forever, no matter how insignificant in the moment, that define our lives forever.

3. Wolf Alice – Blue Weekend

Hot off the heels of the 2018 Mercury Prize winning album Visions of a Life, Wolf Alice were in a situation award-winning, acclaimed bands find themselves; where do we go from here? Rather than completely reinventing, Wolf Alice doubled down and worked to perfect specific vibes on their newest album Blue Weekend. This is alternative rock by definition only; each song expertly plays as a series of vignettes, indulging in rock, shoegaze, folk, trip-hop and dream-pop without losing an ounce of cohesion. Wolf Alice keep a narrative of relationships and proceeding anxieties as a loose guideline to tell a mood-piece. Each song feels so distinct, its own contained story with something for any kind of vibe. Melancholic, joyous, or spacey; Wolf Alice have specifically designed the entire album to work on a multitude of emotional waves.

What separates Blue Weekend from the slew of dream-pop releases is not only the perfectly curated moods, but the fact that Wolf Alice delivered their best album by working towards improving everything that came before. The genres being explored don’t see reinvention often, so it’s up to bands like Wolf Alice to prove that a moody-shoegaze-alternative album can be thrilling. Not just music, but worlds to escape and discover ourselves within. A world of our own, separated from reality and finding the biggest truths. Blue Weekend is a masterpiece of the genre(s) that will be a blueprint (sorry) of what these sounds can accomplish in a new decade.

2. CHVRCHES – Screen Violence

While touring their third album Love Is Dead, CHVRCHES received horrific threats of death and rape, often directed toward frontwoman Lauren Mayberry. The taunting from Chris Brown based off comments Mayberry made about domestic abuse set shitty Brown’s fans into a frenzy, attracting shitty Tyga fans to pick at the electropop band. Upping security, CHVRCHES powered on to finish the tour only to have Covid-19 isolate the band with the rest of the world. With the band already disillusioned with the touring life, isolation could have been the kiss of death. Instead, the band fittingly recorded their latest album Screen Violence over video sessions in isolation for what is easily the heaviest album the CHVRCHES discography. It’s also their best.

Lauren Mayberry sounds better than ever. Though the threats gave her enough material to tackle misogyny headfirst, Mayberry is more concerned with expressing the confusing and terrifying mental repercussions of trauma. Everything is based off the worst case “what if” scenario in Mayberry’s lyrics, yearning for the comforting past not out of naivety, but weariness. CHVRCHES are at their glitchy electronic best, throwing in more guitars and reverb than ever before which compliment the band’s darker turn. Mixing cinematic production with Mayberry’s awe-inspiring performance makes Screen Violence the most dramatically satisfying album from the band. It’s as if isolation allowed everyone to fully express themselves in a world of their own. Screen Violence doesn’t find answers in the turmoil, but confronts them head on with an aggression of someone backed into a corner. Of all albums in 2021, Screen Violence is the most personally impactful, digging deep into the darkest side of mental health with honesty and heartbreaking realism. It fucked me up.

1. Jungle – Loving In Stereo

The best albums of 2021 felt like the reprieve needed after a tumultuous year the world still grapples with. Many, myself included, were impacted on a personal scale in a myriad of ways that shifted perspective of life as we knew it. In a digital age, the worst tendencies of man are on full display for all to see and as such, every self-accomplishment can feel insignificant or inconsequential to the madness around us. The best music of 2021 felt like an affirmation that no matter the context, everyone struggles with acceptance on a personal and collective scale that requires looking inward first. The new Jungle album Loving In Stereo is the album of 2021, for me, because it epitomizes everything music does to free the mind from the darkest depths.

It’s right there in the Apple Music description, spoken by Jungle producer/multi-instrumentalist Josh Lloyd-Watson: “This is the antithesis to our last record – where that was about heartbreak, this album is about freedom, picking yourself and moving forward,” before adding “It’s an album made for bringing people together; upbeat tunes to set people free.” And that’s precisely what Jungle deliver on Loving In Stereo – wall-to-wall groovy bangers that actively beg you to cut loose and feel yourself. It’s a massive album that feels like a monument for liberation at every turn, at every groove, with something amazing around every corner. We may be living in rough times, but hope for a better tomorrow is always possible with the focus on beautiful moments and how they can eventually overtake the bleakest of times. Jungle aren’t going to save the world with Loving In Stereo, but albums like it make it a better place.

5 notes · View notes

bebestay · 4 years ago

Text

Kpop idols as different types of witches (pt. 1 - Stray Kids)

[PLEASE NOTE THAT THIS POST IS DONE FOR FUN AND ENJOYMENT. NONE SHOULD BE TAKEN AS FACT]

Bang Chan - Eclectic Witch

This man can do a lot. He doesn’t just stick to one path when it comes to his practice, taking inspiration from various other paths to further his study. Chan constantly learning something to keep up with the changing world around him while still being comfortable with his own power. He does primarily focus on the lighter path as he tends to believe the best in anyone. However, don’t make him mad. You don’t know what other magic he has at his disposal.

Lee Know - Animal Witch

With three familiars already at his side, Minho is a place of safety for many creatures of the magical world. While he may not cast spells or make potions like any other witch, his focus is on the animals themselves and how their energies can influence his own life. By forming a bond with the animal kingdom, he’s able to create some amazing memories when the group encounters animals.

Changbin - Music Witch

With his lyrics and instrumentals, Changbin’s spells are meant to be shared with the world. He will pour various intentions into different songs and enchant them to influence the listener’s emotion. His work primarily focuses on self-reflection and self-love as he believes that the world has stories that need a little push to move forward. If he overworks himself, he struggles to write and compose and will need to seek out help.

Hyunjin - Performance Witch

By pouring his heart and soul into his performances, Hyunjin is able to enchant or effect his intended target. From music choices to choreography, he focuses all of his energy in the way his movements tell stories about the higher powers or how his performances bring benefits to him and those around him. If he finds himself injured and unable to physically perform, his vocal performances will amplify to substitute the missing piece.

Han - Solitary Witch

Jisung seems to do his best when he works alone. He studies alone and learns by trial and error. He’s able to pick up on certain subjects very quickly, sometimes creating some of his most powerful spells. By working and studying alone, he is very in tune with his own energy and can tell when someone or something is trying to attack him and harvest his energy. He trusts his closest friends to help him develop new ways to protect himself and others.

Felix - Kitchen Witch

With how much this boy enjoys baking, he probably infuses happiness spells into his confections. He knows the meaning of any herb and spice like the back of his hand. He will be able to whip any kind of pick-me-up you need. From food to drinks, Felix believes that all you need are ingredients and intention to brighten someone’s day. He puts his heart and soul in to everything he makes, so it can really affect him if someone doesn’t want it.

Seungmin - Literary Witch

By incorporating both classic and modern literature in his practice, Seungmin can use his magic in normal conversations without suspicion by just saying a reference. He depends heavily on words and their meanings to cast, making them very straight forward and will never stray from their intended intention. If he can’t speak his spell, he prefers the method of burning the paper to activate it or tracing a sigil on the nearest flat surface.

I.N - Novice Witch

Jeongin is still discovering his path with the help of everyone else. He learns about various different paths and studies what he can before he’s ready to choose his own. He may not like all of the research that comes with the practice, but with the power of technology, he finds it a bit more enjoyable.

#stray kids imagines #kpop imagines #kpop fanfic #stray kids fanfic

6 notes · View notes

shemakesmusic-uk · 4 years ago

Photo

youtube

Wallice has shared her subversive new single 'Hey Michael'. 'Hey Michael' amplifies her blood-thirsty nature, a revenge anthem that finds Wallice turning into a worse villain than her erstwhile love interest. A song about toxic tendencies and how they manifest in our lives, 'Hey Michael' twists and turns around American Psycho imagery. Wallice labels "a revenge anthem for anyone who has encountered a gaslighting, manipulative person. It’s what I wish I would have said to all the ‘Michael’s’ I have met in my life. It can be substituted by many names, we all know or have met a ‘Michael’ though. Somehow the world revolves around them and they just can’t catch a break, because they never do anything wrong and it’s usually your fault. You should have listened to your gut instinct and swiped left on this Michael. This isn’t a man-hating song, it’s just something many people can relate to. Sometimes it’s embarrassing to admit just how bad a friend, date, or romantic partner was and a lot of the time, I would just smile and laugh off stupid remarks but when I think back, I wish I had told them off. But at the same time, my persona in the song is not the best person either. I literally say: I think I want to start a fight, which one is your girlfriend? The whole song is funny because I am so focused on how shitty Michael is that I don’t even think about how shitty I might be as well." Directed by Phil Stillwell, the video takes place at a house party, with Wallice interacting with various 'Michaels' before her behaviour spirals into something much, much worse. [via Clash]

youtube

In the same vein as Massive Attack’s suburban groove and social commentary in the mid 90’s, KITA have captured the rhythm and heartbeat of suburban Pōneke; a city abuzz with a vibrant music and dramatic performance scene in their brand new track and official video, ‘Private Lives’. Weaving together elements of vintage rock, pop and soul, and warm hints of synth, KITA have created a skin-prickling piece of magic with ‘Private Lives’, a deeply beautiful track penned in 2020’s lockdown, that delves into the unknown of what happens when the blinds are shut – the parts of life that are unseen by others. "Standing from my kitchen window during lockdown in Aotearoa, sinister thoughts entered my mind about what could be happening behind closed doors for people”, says front-woman Nikita 雅涵 Tu- Bryant. The video tells the story of a father and daughter’s relationship amongst snapshots of everyday life and its monotonous anonymity, while things aren’t always what they appear on the surface. Late at night the father can finally reveal his true self, adorning makeup and sequins, only to be spied by his daughter. The two then share a special moment of dressing up and dancing together, a true celebration of individuality, self-love and the beauty of self-expression.

youtube

'Just Chemistry' is the third single from Dance Lessons, a London-based, female-fronted and produced trio, creating what they define as Serrated Pop. 'Just Chemistry' is a delicate hymn to the unspoken. Dance Lessons return with their signature sound – minimal production, sleek vocals and intricate arrangements. Ann says: “'Just Chemistry' is about the over-complication of our relationships. It’s about the things that are left unsaid in-between the awkward text messages and conversations, and how the absence of knowing can be misinterpreted as doubt. Last year was a difficult one. For a long time, I felt at the mercy of my emotions. I doubted where things were going. I lived in the future and found it hard to commit to the present. But these moments of not knowing can be equally thrilling and beautiful. And that’s what the song is about: finding beauty in the unspoken. In most cases, it’s chemistry that makes us fall in love. Things end, all is temporary. Let’s not go to war with one another over it.” Nat says on the video: “A friend told us about this weird and wonderful house in North London that feels a little like stepping into an acid trip. We obviously wanted to check it out. It’s completely surreal, all over the place (in a great way) and generally eclectic, which felt inherently us. We instantly wanted to do something there and asked the owner for permission to shoot a music video. We filmed during lockdown and were let loose embracing all the oddness of it. Ann also designed and created the outfit she wears in the video, something she does with most of her wardrobe. It was shot, directed and edited by our hugely talented friends Ben Hanson and Simon Frost from Borderland Studios.”

youtube

Returning with her first offering of the year, North London’s rising star Laurel Smith is ready to reveal her anticipated new single, ‘Out the Cage’ accompanied by an action packed and thrilling cinematic style music video directed by Jeremie Brivet and Jai Garcha. Sticking to her winning recipe of moody, dark, electro-pop production paired with effortlessly edgy tales of narrative lyricism, ‘Out the Cage’ is the next huge single from the young, innovative artist that is sure to follow the same trajectory of success as its predecessor, ‘Game Over’ released late last year. A songwriter and recording artist, Laurel Smith has been writing songs since the age of sixteen. With each single she’s released, Laurel has continued to adapt her sound and aesthetic, consistently honing her craft and evolving her brand. She has carefully carved out her place in an ever crowded industry and proceeds to turn heads at every corner. “‘Out The Cage’ is a song about breaking out from your constraints, both physical and mental. Although it can be interpreted in any way, when I wrote it I created a story around a bored housewife, falling out of love with her husband, she fantasises about tying him up and leaving him to be a badass assassin in a video game type world, roaming the city at night and living a life of unpredictability and excitement”.

youtube

Hailing from the Philippines, singer-songwriter Laica is coming off a breakout 2020. Now the 21-year-old is gearing up for the release of her debut album I’m so fine at being lonely. The first single off the project, 'love u lately' is here, accompanied by a music video directed by Cooper Leith. 'Love u lately' is a relatable and infectious track. The song revolves around dating, understanding mixed signals, and the confusion that surrounds that world. Lyrically, Laica walks us through her experiences here, voicing her thoughts and frustrations about someone who she just can't seem to read right. Production-wise, the track is carried by a pulsing synth and a groovy bass. Together, the track feels upbeat. The vibe created by the production stands in contrast with the more emotional lyrics, making the track complex and interesting. The music video takes the concept of 'love u lately' to the extreme, in a fun and playful way. Laica is seen capturing her dream boy and attempting to use witchcraft to finally win him over. The video has a very DIY feel, which could serve to add to the reliability of the track. It’s a great extension of the track and taps into everyone’s most fantasy-driven realities. [via Earmilk]

youtube

At first, Emily C Browning wasn't sure what to think. Spurned, rejected, and cast aside, she was angry, furious, and - at times - utterly bereft. Usually she'd utilise songwriting as a vessel for her emotions, but when she was so conflicted, and feeling so negative, that it just didn't enter her mind. The Christchurch, New Zealand artist needed to take a step back, and when she located some perspective, she was ready to act. New single 'I Wasn't Into You Anyway' is a soaring slice of revenge, one that finds Emily C Browning taking full control of her music. Her first solo production credit, its reminiscent of those surging, empowering Maggie Rogers bops, while also containing similar DNA to Sharon Van Etten's work. Lyrically, it's absolutely her own creation, with Emily leaning on those often-hidden feelings. She comments... "Everyday for a month I wrote in my journal: I want to write a song about feeling rejected. But I couldn’t figure out how to keep it light and funny, it can be quite a painful topic and I didn’t want to sound too heavy. But I kept working on it everyday and came up with this song. I then spent another month recording it, trying to capture a sound that stayed upbeat and playful. I put so much time and energy into the song that I ended up completely forgetting about the person who rejected me in the first place (honest, I swear)." [via Clash]

youtube

Alt-pop force Holly Humberstone returns with new single 'Haunted House'. The songwriter's potent debut EP Falling Asleep At The Wheel was a sensation, racking up more than 100 million global streams. A bona fide phenomenon, Holly returns with a single that displays a more nuanced, reflective side to her work. 'Haunted House' digs into childhood, and looks at the way memory can frame the way we construct our identities. She comments: "I wrote this song about the old and characterful house I grew up in. The house is such a huge part of who I am and our family. With my sisters and I moving out and living separate lives, coming home feels very comforting and one of the only things keeping us all connected." Playing with concrete imagery and no small degree of invention, 'Haunted House' connects art to life in an enchanting fashion. She adds: "The house is almost falling down around us now though, and we’ve realised that pretty soon we’ll be forced to leave. There’s a cellar full of meat hooks and a climate so damp mushrooms grow out of the walls. Loads of people have probably died here in the past but I’ve always felt really safe. It’s like a seventh family member. It’s part of me." [via Clash]

youtube

In 2019, the Boston-born and Brooklyn-based indie rock album Crumb released their debut album Jinx. Crumb haven’t yet announced plans to follow that album up, but they’re definitely working towards something. Last month, the band came out with a one-off single called 'Trophy.' Now, they’ve followed that one with two new tracks, and they’re both winners. The new songs 'BNR' and 'Balloon' both fit nicely into Crumb’s comfort zone. The band’s sound is a rich, sophisticated take on psychedelia, with blissed-out lead vocals from Lila Ramani and with some great funky drum action. The band co-produced both songs with Foxygen’s Jonathan Rado, who’s done great recent work with people like Father John Misty and Weyes Blood and the Killers and who knows how to make oblique ’70s-style pop sound good. But Crumb themselves deserve a ton of credit for coming up with a sound this layered and weird. They’re the rare circa-2021 band who might remind you of Broadcast. In a press release, Ramani says, “‘BNR’ is an ode to my favorite colors. I had a weird obsession with those colors in winter 2018-2019 and felt like they would follow me around everywhere I went." 'BNR' also has a cool music video. Director Joe Mischo starts the clip off as a hallucinatory reverie, but he turns it sharply towards horror at the end. [via Stereogum]

youtube

Last year, Limerick poet/musician Sinead O’Brien released her debut EP, Drowning In Blessings. It was a unique work, a handful of songs featuring O’Brien’s sing-speak over spindly, post-punk guitars. It garnered O’Brien a bit of buzz overseas, and it left you wondering where she might take her music from there. Now, O’Brien’s back with a new song called 'Kid Stuff.' “‘Kid Stuff’ shows up all different tones on different days,” O’Brien said in a statement. “There’s something alive in it which cannot be caught or told. It is direct but complex; it contains chapters. This feels like our purest and most succinct expression yet.” Like Drowning In Blessings, 'Kid Stuff' found O’Brien working with Speedy Wunderground mastermind Dan Carey. Musically, it hints at a level up moment for O’Brien. There was something alluring and jagged about Drowning In Blessings, but 'Kid Stuff' places her usual approach over a song that is surprisingly groovy — maybe even a little danceable. It comes with a video directed by Saskia Dixie. [via Stereogum]

youtube

Das Beat are made up of German actress and vocalist Eddie Rabenberger and Agor of Blue Hawaii. The pair have just shared their first single 'Bubble' online now and are set to release their debut EP Identität on June 4 via Arbutus Records. Born in Berlin during 2020’s legendary lockdown, Das Beat seeks to blast both boredom and boundary. Dabbling in German New Wave, Italo Disco, Indie & Dance, their sound is unified by vocals from Eddie Rabenberger, sung in German and English. Amidst playful lyrics one finds a strong underlying pulse (das “beat”), pinning down the duo’s meandering atmospherics, dreamy synths, guitars and percussion. The duo is half-Canadian and half-German. Agor (of Blue Hawaii), moved to Berlin from Montreal in 2018. Eddie is a theatre actress originally hailing from a small town in Bavaria. Together they find a strange but alluring symbiosis - like Giorgio Moroder meets Nico, or Gina X Performance meets The Prodigy.

youtube

St. Vincent has fully embraced the ’70s aesthetic for her retro-sounding new record, Daddy’s Home. Now, she’s diving headlong into the animation styles of the era with the video for 'The Melting of the Sun'. Presented as a “betamax deluxe release” rip from “Candy’s Music Video Archives,” the clip blends live action shots of St. Vincent herself with the wavy, intermittent animation frames any Schoolhouse Rock student is familiar with. The psychedelic lines fit a song called 'The Melting of the Sun' perfectly, as do the drawings of the legends mentioned in the song’s lyrics like Nina Simone, Joni Mitchell, and Tori Amos. St. Vincent co-directed the clip with Bill Benz, while Chris McD provided the animation. [via Consequence]

youtube

Bay Area slowcore trio Sour Widows have released a new single, 'Bathroom Stall,' from their forthcoming EP Crossing Over, which they announced last month with its title track. The song’s build-up is subtle and poignant like Sufjan Stevens, but Maia Sinaiko’s evocative, sweeping vocals are one-of-a-kind, and the lyrics are graphic and tragic: “Do you remember it like I do?/ Your lips turned blue I had my fingers in your mouth/ And I couldn’t get them out.” Sinaiko said of the song: "This song is about a relationship I had with someone who struggled with addiction, who very tragically passed away three years ago while we were together. It’s about some moments we shared, and how it feels to walk around carrying that person and those experiences with me while the world stays normal. I wrote the song because I wanted to preserve and document what happened to me. to write out the scary stuff and just let it sit there forever. I think its funny that its called 'Bathroom Stall' and that it has that image in it: the song goes from heavy and dark to ordinary and totally pedestrian in a sentence, which feels absurd. And that’s kind of what it’s like to grieve. That’s kind of what’s hard to explain about grief, how absurd it is. Part of you goes to a different planet and part of you stays walking around like an alien on Earth, going to the bathroom and looking at the moon and shit." [via Stereogum]

youtube

As JUNO-nominated singer Kandle Osborne prepares to launch her new project, Set The Fire this spring, she shares the album’s third single, 'Misty Morning.' From being penned on a napkin while abroad to a Vancouver studio, 'Misty Morning' is a sonic journey that echoes soulful vulnerability and an honest reflection of realizing true love. For the video, Kandle reconnects with 'Honey Trap' director, Brandon William Fletcher, to create classic 40s noir-inspired cine-magic, filmed along the Vancouver coastline and within the lush landscape of Stanley Park. Kandle says: “‘Misty Morning’ is my first real love song, captured on a napkin while in Ischia, Italy when I was truly happy. My songwriting usually comes from a place of turmoil and catharsis, but this was simply a snapshot of a perfect, vulnerable moment. In recording it, I wanted to hide behind lush orchestration, but my producer/ best friend Michael Rendall had other ideas. He wanted to strip it down to just piano & a single vocal to take me out of my comfort zone and re-capture the open-hearted feelings I had while writing it. The song and the recording both hold for me a time when I dropped my guard for pure authentic love in spite of all my flaws and failures. In that moment, I felt my true value as a whole person for the first time.”

youtube

On 'Vertigo,' Alice Merton’s first single of 2021, the 27-year-old describes the long road from uncertainty back to self-confidence. It emphasizes the unrest that seizes her again and again, the thought: “Why can’t I just let it go?” These contradicting thoughts and emotions that are so familiar to all of us sum up to an overwhelmingly positive effect - 'Vertigo' leaves you empowered rather than anxious: A powerful indie pop arrangement with distorted guitars, plus Alice Merton’s crystal-clear voice. The result is reminiscent of the British Invasion, with no air of self-doubt. With its energetic live qualities, 'Vertigo' feeds an appetite for summer festivals and concerts that will definitely return at some point. Largely responsible for this is the Canadian producer Koz, a multiple Grammy nominee, who has worked with Dua Lipa ('Physical') among others. Here, too, he adds on to what has already made Alice Merton stand out from the crowd in the past - her classic pop appeal - with an uncompromising and indie attitude. This enables Alice to take another big step: She equally encourages a shaken generation and herself that there will be easy summers again. That you can dance again and lie in each other's arms. That it is absolutely fine to have many facets, to not always be clear, and that strength and weakness are not mutually exclusive.

youtube

Canadian artist Olivia Lunny's new release 'Sad To See You Happy' is a shamelessly poppy track centering an acutely relatable break-up narrative. The Canadian artist follows up her breakthrough success with a bouncy cut to soundtrack 2021’s long-awaited spring. There's a relatable tale of break-up at the heart of the gloriously poppy new single, belied by percussive instrumentation that creates a warm, nostalgic feel. [via Line Of Best Fit]

youtube

After sharing the single last month, Charlotte Adigéry is now revealing the brand new video for ‘Bear With Me (and I’ll stand bare before you)’. The first new music since her 2019 debut EP Zandoli, Charlotte says of the video, “The video is about being confined thus confronted to the way we live. The cruel irony of having the privilege of standing still, questioning and observing my life in all safety while others are fighting for theirs. On the other hand, the video is about trying to stay sane while feeling that the walls are closing in on you. Embracing boredom and finding joy in the little things in life.” Director Alice Kunisue adds, “When I listened to Charlotte’s song and what it meant for her and Bolis, I wanted the video to visually encapsulate that feeling of being stuck inside and confronted to our deeper selves while paradoxically sensing the chaos going on in the outside world without being able to do anything about it. Choosing to film an apartment room from one single angle was a way to reflect that narrowness of thought that we all experienced, but also a constraint that allowed us to explore and develop visual ideas within a narrow system, in a way having to think only inside the box, which artistically was a fun challenge.” [via DIY]

youtube

Millie Turner has shared a video for ‘Concrete Tragedy’. It’s a cut from her upcoming mini-album Eye Of The Storm, set for release on May 16, which also features a rework of breakout song ‘(Breathe) Underwater’. “This video is a visual representation of dancing on your own,” she says of the clip. “Combining the many parts of who we are when we’re by ourselves, I wanted it to feel like you’re entering a world of imagination that comes alive when we express ourselves.” [via Dork]

youtube

Doja Cat and SZA have come together for a new single called 'Kiss Me More.' When the song was announced Wednesday night, the internet flipped out, which is to be expected with these two — especially Doja Cat, who is regularly going viral these days for all kinds of reasons. When it comes to collaborations, she always finds the best people. That includes Saweetie, who appeared on Doja’s recent 'Best Friend' but then claimed that it was released against her wishes. Given SZA’s long history of public frustration over TDE Records holding back her new album, she is probably happy to have any new music out. Despite recent single 'Good Days' hitting the top 10, her restless fanbase is still awaiting a follow-up to 2017’s iconic Ctrl. 'Kiss Me More' is the first single from Doja’s new album Planet Her, scheduled for release this summer. It returns to the disco vibes of Doja’s #1 hit 'Say So,' this time with no apparent resemblance to any Skylar Spence song. [via Stereogum]

#videos of the week #wallice #kita #dance lessons #laurel smith #laica #emily c. browning #holly humberstone #crumb #st. vincent #sour widows #kandle #alice merton #olivia lunny #charlotte adigery #millie turner #doja cat #sza

3 notes · View notes

aion-rsa · 4 years ago

Text

15 Hardest PlayStation One Games of All-Time

https://ift.tt/3o3aW0n

The PlayStation is fondly remembered for its classic collection of revolutionary games, advancements in 3D technology, and CD player functionality that let you easily play the Men in Black soundtrack whenever you wanted. As you’ve probably guessed from the title of this article, though, it’s also the home of some of the hardest games of the ’90s.

The PlayStation may have helped move us out of the arcade era and its notorious difficulty levels, but with the challenges of 3D game design came a new set of in-game challenges that tested a generation of gamers in ways that they simply were not prepared for.

Even after we’ve grown accustomed to the machinations and expectations of 3D game design all these years later, I suspect that many modern gamers would struggle to beat the 15 hardest PlayStation One games ever.

15. Crash Bandicoot

One of the funniest things about the release of 2017’s Crash Bandicoot N. Sane Trilogy was watching everyone suddenly remember that the Crash Bandicoot games were absurdly difficult.

Despite their linear design, the Crash Bandicoot games demanded a level of platforming perfection that proved to be elusive enough at a time when modern video game graphics, cameras, and controls made the remakes of the Crash Bandicoot games much more accessible but was nearly impossible to achieve in the early days of PlayStation gaming.

The later Crash Bandicoot games made things slightly easier, but the first title’s combination of intentionally challenging obstacles and a few questionable design decisions make it one of the most truly difficult games of its era.

14. Fear Effect

The original Fear Effect games are awkward to play today for a lot of reasons (casual racism and strange “softcore” cutscenes, for instance), but if you find yourself struggling to make it through these titles, it’s not just because they haven’t aged especially well. Fear Effect was an incredibly difficult game even for its time.

Essentially a blend of Resident Evil-like controls, point and click adventure puzzles, and awkward stealth sequences, Fear Effect is like a Hall of Fame for the most challenging and infuriating gameplay concepts of its era.

Fear Effect 2 might even be harder than the first game, but the nod here goes to the original for featuring one of the most uniquely difficult gaming experiences the PlayStation has to offer.

13. Driver

22 years after its release, I’m still convinced that Driver is a prank. How else can you explain developer Reflections Interactive’s decision to make this game’s tutorial mission one of the hardest levels in video game history?

Driver’s first level requires you to complete a series of complex maneuvers in a confined space while racing against a way too short time limit. To make matters worse, the game often fails to recognize when you’ve properly completed a maneuver, which means that you might not pass the test even if you’ve somehow mastered the game’s most complex movies the first time you’re ever asked to perform them.

If you’re one of the many who has never beaten Driver’s opening level, you may be shocked to find that there are difficulty spikes later in the game that are even more difficult than its notorious opener. At least this game is still better than the sequel.

12. Oddworld: Abe’s Odyssey

Oddworld’s unique puzzles and strange core mechanics would have made it challenging enough for players just trying to figure out what’s expected of them, but this game goes one step further by employing some of the most unforgiving level design tactics in PlayStation history.

Your margin for error in this game rarely rises above zero as gunfire and traps constantly threaten to end your fun. While that kind of unforgiving gameplay makes sense in something like a bullet hell title, it can be frustrating to work with in a puzzle game where your trial and error attempts are hindered by an additional series of wrong moves.

Oddworld: Abe’s Odyssey is clearly meant to be a difficult game, but knowing that doesn’t make it feel any less unforgiving.

11. Rayman

As strange as it may seem given the evolution of the franchise over the years, the original Rayman is by far one of the hardest games of the ‘90s and arguably one of the hardest platformer games ever made.

Unlike other platformers that challenge you with rewarding gameplay that requires precision movements, most of Rayman’s challenges can be best described as “bulls***.” The slippery slopes and spiked pits spread generously throughout levels might kill you, but the game’s bizarre enemy spawning system that makes it practically impossible to anticipate their placement certainly will.

If Rayman isn’t one of the hardest games ever made its certainty among the most frustrating.

10. Vagrant Story

For years, fans have called Vagrant Story one of the most underrated PlayStation games and one of the most overlooked RPGs ever made. It deserves both those titles, but I think Vagrant Story also deserves to be remembered as an absurdly difficult epic.

Initially, the challenge of Vagrant Story comes from learning its unique combat system that often leaves you feeling helpless. Even after you’ve made sense of the basics, Vagrant Story’s brutal bosses, clever traps, and even “basic” enemies will constantly make you wonder whether or not you can ever really master what this game throws at you.

Like Dark Souls, Vagrant Story’s difficulty is very much part of what makes the game work as well as it does. Appreciating that doesn’t make the game any easier, though.

9. Heart of Darkness

Never heard of Heart of Darkness? I’m not surprised. Even for its time, this was a relatively obscure title that is now fondly remembered for its visuals, excellent story, and interesting gameplay. Mostly, though, Heart of Darkness is remembered for its nearly unrivaled difficulty spikes.

In fact, Heart of Darkness could give Driver a run for its money in the battle between games with the most absurdly difficult opening levels. Enemies swarm you in this opening section like you’re playing a bullet hell shooter, but the game controls like a particularly clunky FMV puzzler. Even if you know what you’re doing, it’s incredibly difficult to respond to the on-screen action in time.

Things get slightly better from there, but I’d still say that most gamers will not have the patience for this game’s labyrinth levels, bewildering puzzles, and often painful controls.

8. Blasto

To be fair to Blasto, this PS1 action game was probably released a generation before technology could properly support it. In another timeline, it might have turned out to be as good as the first Ratchet and Clank game. To be even fairer to Blasto, it starred the late Phil Hartman who always went above and beyond for everything he did, including the voice work for this game.

With all of that out of the way, let’s focus on Blasto’s real reputation as one of the PS1’s most reliable sources of broken controllers. It’s bad enough that this game’s slow movements and dodgy camera make even basic sections challenging, but the fact that many levels have no barriers to speak of means you spend most of your time falling to your death while trying to complete even simple jumps.

This is a truly painful gaming experience that snared many unsuspecting gamers with its charm and front-loaded good ideas.

Games

15 Hardest Sega Genesis Games of All-Time

By Matthew Byrd

Games

15 Hardest SNES Games of All-Time

By Matthew Byrd

7. Einhander

While not the most difficult 2D shoot ‘em up ever made, Einhander was high-profile enough to lure in many early PS1 adopters who were completely unprepared for its retro difficulty level.

Rather than throw as many enemies at you as possible and call it a day, Einhander increases the health pool of the average enemy while requiring you to navigate some truly devastating death zones. The impact of that design decision really comes thorugh in the game’s boss fights which task you with taking down massive foes who employ complex and shifting attack strategies.

This is a truly great game that stands the test of time, but don’t let its looks and sounds convince you that Einhander is anything less than a classic example of “NES hard.”

6. Irritating Stick

Yes, the game’s title gives its difficulty level away, but to truly appreciate how frustrating Irritating Stick is, you’ve got to play it for yourself.

Irritating Stick is like a blend of Super Monkey Ball and the board game Operation. It requires you to guide a small ball through a series of themed mazes that leave you almost no room to safely maneuver. To make matters worse, you have to race against a constantly ticking clock that’s absurd restrictions essentially require you to truly master this game within a few levels. Of course, true mastery may not be possible for most players as each level seems to add a new wrinkle that makes you wonder how you will ever get through in time.

Oh, and I have to give a special shout-out to the game’s announcer who screams “Watch out, you’re too close to the edge!” whenever you’re near the game’s barriers. Yes, I know I’m too close to the edge, now kindly leave me the **** alone.

5. Incredible Crisis

Remember that scene in Metal Gear Solid when you had to mash the Circle button to survive the torture device until it felt like your wrist was going to break? Well, imagine that scene stretched out across most of a full game. That’s Incredible Crisis.

Incredible Crisis is a collection of eclectic minigames that often require you to mash buttons as fast as humanly possible. Actually, I take that back. No human can be expected to survive this gauntlet of finger destroying terror. Oh, and if a minigame doesn’t require you to furiously mash buttons, that means it’s only going to destroy you in some other strange way.

The bizarre set of skills required to beat this game means that it may even frustrate gamers who otherwise seek such challenges.

4. Tomb Raider 3

Yes, the first two Tomb Raider games are difficult. However, part of their challenge (especially today) stems from their ambitious design which was often ahead of what you could reasonably expect from video game technology at the time.

Tomb Raider 3 is on a different (difficulty) level, though. Even if the game didn’t add a ridiculous number of spikes, boulders, pits, and traps waiting to end your run before you know they’re there, its bewildering level design that tried to recreate the experience of having no idea what you’re doing in the middle of a dark tomb has broken even diehard series fans.

Despite its better moments and incredible pedigree, it’s genuinely hard to recommend this game to anyone but masochists. I genuinely don’t know if it’s possible to beat this game without a strategy guide or walkthrough.

3. Nightmare Creatures

There’s a degree to which early PlayStation games were fundamentally unprepared to handle the challenges of 3D action/adventure game design. That means that any additional difficulties added to that underlying level of challenge make some games of that era nearly impossible to properly play today.

I guess that’s just my way of saying that Nightmare Creatures is indeed the nightmare it bills itself as. What would already be a challenging romp through a hellish world of monsters is made that much worse by the presence of an adrenaline system that effectively serves as a time limit and forces you to kill enemies as quickly as possible despite often being unprepared for them in every conceivable way.

Some games throw you into the water to teach you how to swim. Nightmare Creatures holds your head under the water as you lean because it fundamentally doesn’t want you to succeed.

2. Tenchu: Stealth Assassins

The “fall” of the stealth genre from mainstream gaming in recent years has long disappointed genre fans who rank such games among their favorites of all-time. Yet, it has to be acknowledged that even the best stealth games were often difficult in a way that could immediately dissuade even tested gamers.

While difficulty is a given in many stealth titles, Tenchu sometimes abuses the privilege by going out of your way to remind you that you are weak. Maybe it’s because many of us were just excited to play a game where we were a badass ninja assassin, but the way that Tenchu required you to play it safe and employ trial-and-error tactics to survive its various challenges left many burying their hands in their face as they tried to understand what they were doing wrong.

Even after you appreciated Tenchu for what it was and even discovered what the game expected of you, it always found a way to force you to make that little mistake that would instantly end a run.

1. King’s Field

Is it cliche to name a game from eventual Dark Souls developer FromSoftware as the hardest PS1 title ever? For the sake of argument, let’s say it is. That doesn’t change the fact that even Dark Souls veterans will find themselves surprised by how difficult this game truly is.

King’s Field was pretty revolutionary for its time, which means that many gamers simply didn’t know what they were supposed to be doing when they booted up this title. What the most patient PS1 gamers discovered, though, is that King’s Field is basically a rough draft of Dark Souls combined with an especially difficult dungeon crawler. Even if the game’s ambitious 3D visuals and the jank they produce didn’t create additional challenges, this title’s brutal combat, a parade of traps, confounding controls, deliberately slow pace, and complete lack of direction even made hardcore PC RPG fans wonder what this game was and why it hated them so much.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

King’s Field doesn’t hate you, but it’s a testament to what the game was going for that it’s both clearly an early look at the next 25 years of gaming and a title that will likely still challenge generations to come.

The post 15 Hardest PlayStation One Games of All-Time appeared first on Den of Geek.

from Den of Geek https://ift.tt/3hh6wBX

#aion-rsa #Den of Geek

3 notes · View notes

oosteven-universe · 4 years ago

Text

Lady Death: Malevolent Decimation #2

Lady Death: Malevolent Decimation #2 Coffin Comics 2021 Written by Brian Pulido & Mike MacLean Illustrated by Diego Bernard Coloured by Ceci de la Cruz Lettered by Marshall Dillon Lady Death has always been the bad girl. But once upon a time, she was absolutely EVIL. Obsessed with annihilation, the diva of death sought to snuff out the entire human race and turn the earth into an endless graveyard. Thankfully, Lady Death changed her wicked ways to become a champion of the downtrodden and a scourge of demon-kind throughout Hell. For generations, the evil seething within the witch's soul lied dormant... forgotten... until now! Should Lady Death stay this way I wouldn’t be upset in the slightest. Granted my favourite version of her is when she’s midway between good and evil, where she’s fighting for herself and a better world but isn’t upset in the slightest about doing away with someone and in fact kind of relishes it. She fought for her place, for her mother and was kind of ruthless in doing so, that’s the woman I remember fondly. So to see her unapologetic in her actions is both a blessing and curse but for now i’ll stick with blessing, after all her son seems like whiny little thing and needs to grow a pair. I am loving the way that this is being told. The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well. The character development is utterly phenomenal thanks to the dialogue, the character interaction as well as how they act and react to the situations and circumstances they encounter. This is all about how they interact and honestly it such a treat to see the dialogue especially from Lady Death to Johnny. The pacing is superb and as it takes us through the pages revealing more of the story alongside the twists and turns along the way are absolutely to behold. I am a huge fan of the way we see this being structured and how the layers within the story continue to grow, evolve and strengthen. These layers within the story is where we see the the depth and complexity of the story and how it adds the drama or changes the dynamic of how we view the characters. How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is so immaculately achieved. The interiors here are utterly spectacular! The linework that we see is phenomenal and how the varying weights and techniques are utilised to showcase this degree detail work is astounding. This is so visually stunning and every time you turn the page there’s something spectacular to look at. I’d like to see backgrounds utilised more as when we do see them they blow me away with what they add to the moments. We get such a great depth perception, sense of scale and that overall sense of size and scope to the story. The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling. The colour work is absolutely divine. How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work showcases such a stupendous eye for colour and how it works. This is as thrilling a story as they come and this young man being at the centre of it all is really spectacular. How we see this eclectic cast of characters all being there for different reasons and many of whom are there to stop Lady Death from her nefarious plan may just be in way over their heads. This story, however, is why we love Lady Death because she is who she is whether that’s good, bad or ugly, though she’s drop dead gorgeous, she’s just one of the most amazing characters in existence today and this is how you keep her fresh, new and exciting.

#Comic Books #Comics Reviews #Coffin Comics

1 note · View note

quillyfied · 5 years ago

Text

Mega Good Omens Fic Rec Post 3

THE FINAL CHALLENGER APPROACHES.

This will hopefully be the last Mega Fic Rec Post I make for a long, long time; I have enjoyed it, but a lot of work goes into these and I’m tired. There are 73 titles on this list, organized by category: Jaunts through History/Canon, South Downs, Post-Apocalypse, Bus Ride/The Night Before/Heaven and Hell, AU/UA, Just Soft, Touch-Starved/Body Worship/Wings, Bonus, and H/C /Whump/BAMF. Please enjoy these treasures as I have.

Mentioned questionable material where appropriate; several authors have Tumblrs but I wasn’t able to tag them, for whatever reason. Oh well.

Mega GOmens Fic Rec Post MASTER

IF A LINK IS BROKEN OR I HAVE MISATTRIBUTED SOMETHING, PLEASE LET ME KNOW.

JAUNTS THROUGH HISTORY/CANON

1. let me feel your heartbeat (grow faster, faster) – @thehoyden (T, the one where Aziraphale had a big ole crush on Crowley before the Fall and it doesn’t stop from happening. This one’s just cute; starts with a “senpai notice me” vibe that morphs into mutual pining very, very quickly. It hits the high notes of a lot of cute romance tropes and I’m into it.)

2. Pride and Prejudice and Angels – SanSanFanFan (G, the one where Miss Crowley and Mr. Fell clash wits. Kinda. Mainly it’s a lot of lovely pining and Aziraphale being sad about awful things happening in London, so he’s escaping to Hampshire for a while, where Crowley happens to be in the middle of a temptation she promptly abandons in favor of lifting Aziraphale’s spirits. Not finished, but already sparkling with Crowley being miffed about gender double standards and Aziraphale letting himself be cheered up by Crowley. It’s great.)

3. Kissing, Accidentally – @skybound2 (G, the one where Crowley can’t help kissing Aziraphale after pinning him against the wall. Hilarious and sweet and featuring that best trope of all, Crowley going boneless and speechless at an unexpected show of affection and wanting from his angel.)

4. Visible world (or, you are responsible forever for what you have tamed) – @matchahedgehog (T, the one where Russian folklore plays a significant element and it’s weird and beautiful. I don’t think I can really convey what this is, exactly, but there are elements of building a new world and holding on tight to love even through the toughest times and it’s gorgeous.)

5. I’ve Been Drowning All These Years – @terrible-titles (T, the one where Crowley comforts Aziraphale five times and one time Aziraphale comforts Crowley. There are some discomfiting scenes Crowley is talking Aziraphale through in this one, but the comfort is sweet and the resolution is well-deserved.)

6. Moving Rocks – shiphitsthefan (T, the one where confessions are made in 1941 but they can’t act just yet, and waiting is agony. I really adore this one, especially what happens when they finally Smooch, because it happens in a spot I rarely see anyone putting it and it made me smile. The longing is so painful, poor Aziraphale. Poor Crowley.)

7. On a Wing and a Prayer – @alphacygni-8 (T, the one where Crowley is a pining mess but he has a plan. This is another trip through history of Crowley trying to go about his business while his feels are crushing him, but I think it’s how Crowley tries to go about confessing that helps make this one a standout; there is a restaurant and there is a lot of food and there are, of course, miscommunications aplenty. The historical scenes are nothing to sneeze at, either, they’re all packed with longing and bittersweetness. Lovely.)

8. in the shapes of angels – @qwanderer (T, the one where navigating an intimate and loving relationship of any stripe is difficult when your true form is a bit noncorporeal. This one crescendos in a form of angel-demon soul bonding that really reverberates and sticks in the brain, the visuals are incredible. And the implications of switching bodies gets a lot more high-stakes, too. On top of it all this is a story about finding someone to share your life with, whatever the arrangement of the relationship might actually be, and friends it’s tender and scary and wonderful.)

9. Pilgrim – brasspetal (T, the one where Crowley is on a sabbatical to sort out his feelings and he writes love letters, of a sort. This one is one of those fics that feels like treading in deep water knowing there’s something more in the depths, but it’s more tranquil and less unsettling. There’s an overstory about Crowley traveling with a group of humans and an undercurrent about him working through how he feels about Aziraphale and the two work together to bring about something memorable and, I feel, truly impactful. It’s entirely possible that by the time the last chapter is up, the story will be something completely different from what I’ve described, and that’s cool.)

10. drowned in living waters – @mortuarybees (G, the one where Crowley and Aziraphale make out in a field and almost get caught. This one is short and sad and made me feel sad things, though the imagery is gorgeous and the argument leading up to the kissing is entertaining. Stupid Gabriel and his stupid face.)

11. Things They Need – LostSoftSpaceDyke (T, the one where Crowley and Aziraphale take lovers as stepping-stones to get to each other. This one is bittersweet and FRAUGHT, friends, it is absolutely a heart-masher. The ending rights it, of course, and beautifully, but welcome to Hopeless Longing Town, friendos, population One Angel and One Demon.)

12. Off the record – @paintedvanilla (T, the one where Crowley reports his personal sins and then neglects to report his virtues. Bookverse, a wonderful character study of Crowley and Hell’s bureaucracy and how certain things affect Crowley personally. Includes a lovely homage to Freddie Mercury, of course.)

13. By Any Other Name – ausgezeichnet (@thebeatlesaremyboyband) (T, the one where Nanny Ashtoreth and Brother Francis fake a wedding to get Thad Dowling off their backs. While it definitely has its funny moments, what stands out more to me in this one are the soft, quiet moments of pining sprinkled in between their adventures. There’s real strain between Crowley and Aziraphale with this turn of events, and I can’t wait to see it all boil over. Also Thaddeus Dowling is a dickbag in this one and is deffo getting his.)

14. God’s Gift – Katzedecimal (T, the one where Crowley and Aziraphale are undercover as a lady and her tire-woman while on a job. This one is based on one of the stories from The Akashic Records by PeniG (which y’all know I adore), specifically one where a potential 30K caper is laid out involving this exact scenario, and I love that someone actually tried to tackle some of it. The friendship is so good, and the little bit of excitement that happens in the plot is Terribly Exciting. Just ladies taking care of ladies, what could be better?)

15. All I Want (Is You) – amavyllis (G, the one where Crowley and Aziraphale don’t touch but that doesn’t mean they don’t want to. Oh, y’all, the longing. The LONGING. And the sheer ACHE of not being able to touch someone you would like to be physically close with. It is PAINFUL and it is GOOD and I am DYING.)

16. meantime i ask you to be my valentine (i’ll be your valentino) – hipsterchrist (T, the one that follows Saint Valentine’s Days through the ages. This one is really interesting, actually, and has one of the most eclectic collections of historical moments I’ve ever seen in one of these types of fics. That ending scene is on point, though; I spoil nothing but you guys TEARS. Of LAUGHTER. And also OVERWHELMED WITH EMOTION.)

SOUTH DOWNS

17. Let Me Live Here Ever – @moveslikebucky (T, the one where they’re soft and just talk about their feelings and smooch a lot. This one is part of a larger series but you don’t need to have read it to read this one. It is so very soft, y’all. So tender. I will never be over stories where they just lay in bed all day and revel in how they feel about each other and their life together.)

18. The Cottage, The Husbands – Dragonsquill (G, the series where Crowley and Aziraphale have a life in the South Downs and it is good. Featuring lots of cute little tableaus and some of the most fun OCs ever—Twelve in particular is a treat, she’s Crowley’s stylist and absolutely wonderful. The whole series is just FUN, it’s cute and casual and domestic and great.)

19. For All the Stars in Heaven – ausgezeichnet (@thebeatlesaremyboyband) (T, the one where Heaven and Hell need to shove off already. This one takes off almost without warning, and escalates rather quickly before a frankly genius solution to The Problem of Aziraphale and Crowley is found. I only deal in happy endings, so you KNOW it’s good for the husbands. Surprisingly good, in fact, I didn’t see it coming at all.)

20. Angel and Demon Teatime – @penig (T, the one where Crowley and Aziraphale entertain a few unwanted guests for a while. This one is really cool, with a lot of sensory details while Crowley and Aziraphale relive a lot of the sensations of Earth and bring them into the physical world for the spies Heaven and Hell sent after them to experience them, too. The spies are both precious, though in completely different ways, and the ways they go about changing through this visit are subtle but profound.)

21. The Tales of Eden Cottage – Jupiter_Ash (G, the series where Crowley and Aziraphale slowly settle into their new South Downs community. This one has a lot of fun OCs and some extremely touching stories (the one about Joshua in particular broke my heart in all the best ways). Their neighbors are a lot of fun and the fic in particular that has a facebook chat of their speculations on who the new guys moving into Eden Cottage are is fantastic.)

22. A Brand New Angle – @fallsouthwinter (T, the one where Crowley and Aziraphale pick a direction and gun it. Has first kisses, dancing, delightful neighbors, gardening—all the best ingredients for a heartwarming, satisfying South Downs romp. And this definitely is one—with some promising things to come, judging by the standalone in the same universe!)

23. A Safe Place for You – Vagabond (@waffleironbiddingwar) (M, the one where learning to receive love is a little bit harder lesson to take in than giving love. M for a humanly intimate scene that borders but does not cross into full smut, and an ethereally intimate scene that is weird and pretty. This whole thing is achingly poignant and heavy; every word drips with emotion and it’s both difficult and sweet, much like the subject matter, I suppose. A memorable and beautiful piece.)

24. Act of Service – @dietraumerei (T, the one where people think Aziraphale is Crowley’s sugar daddy. This one starts off hilarious and then slam-dunks itself right into the Feels Pile, with a side-helping of discussing dynamics and reaching acceptance. An instant classic and one I’ve definitely read more than a few times.)

POST-APOCALYPSE

25. Thou Knowest Us Happy – @mirrorleaf (T, the one where Gabriel gets the truth shoved directly into his face. This is a fic of a fic (the original I have not read bc it’s rated E and I can’t do that for personal reasons), and while this fic references its source quite a bit, it’s not confusing enough for the fic itself to be off-putting. In fact, it’s a gorgeous one-two punch to the throat: first, the Banishing of the Archangel Gabriel, which is INCREDIBLY satisfying; second, the Making Sense of It All, where Aziraphale and Crowley realize they’re truly free and start to explore the various contexts of their relationship, past and future, which is very sweet. A delectable little treat, all told.)

26. Courage – @mandysimo13 (G, the one that’s a good old-fashioned post-apocalypse love confession. There’s a cute little characterization of Courage woven throughout, because of course Crowley personifies the emotions he is or isn’t dealing with, but on the whole it’s adorable and intimate and cute.)

27. when the earth is trembling – @stammiviktor (T, the one where Crowley takes Aziraphale on an amazing date. Listen, I adore stories where Crowley falls to pieces under the weight of his love as much as the next dork, but Crowley delivering? Crowley being, if not confident, then at least secure in the choices he’s making? Crowley showing his angel a good time because he knows what his angel likes? SIGN ME UP, FAM. Especially if we still get Crowley coming a little undone at his attentions paying off in a hoped-for but still unexpected way (to him, anyway).)

28. Little Terrors – @runwiththisdinosaur (T, the one where Aziraphale is being more affectionate and Crowley is one hand-touch away from an aneurism. This one doesn’t pull away from Crowley’s all-consuming fear of Aziraphale Falling for loving him, and captures the messy feelings and hurt and heartbreak and healing these two getting their act together demands. Also Indian food.)

29. Forgiveness – @guanin (G, the one where Aziraphale has a well-deserved breakdown after Armageddon’t. This one is super-duper cathartic and has Aziraphale working through all of his hurt feelings and confusion over Heaven and how they treated him, and how he subsequently treated Crowley. Featuring a very patient Crowley and a very weepy Aziraphale and a lot of wondering about fate and choice.)

30. Of burnt books and courting Crowley – robynvite (T, the one where Aziraphale accidentally finds out Crowley’s in love with him and then sets out to properly woo him. I love fics where Aziraphale finally takes the initiative, and he does so with gusto. Anathema serves as a great sounding board and go-between for these lovestruck idiots, and Crowley not knowing how to handle Aziraphale being flirty is the best thing. Also, Aziraphale finds out they burned the second Agnes Nutter book and has an angelic come-apart.)

31. that I may hear my heart fall from your lips – song_of_fate (NR, the one where Crowley and Aziraphale get to be themselves at last. Y’all like awkward but shyly happy getting-together fics? Y’all like Greek vacations? Y’all like Anathema being a bro and Crowley being casual and Aziraphale being absolutely taken with him? You’ve found your fic, folks, and it’s not even finished yet. More softness to come!)

BUS RIDE/NIGHT BEFORE/HEAVEN AND HELL

32. please please please let me get what I want this time – @sarahbacou (NR, the one where Crowley is extremely tired and Aziraphale muses on their situation. The tone of this one is mournful and apprehensive, but ultimately tender as Aziraphale cares for an exhausted-to-the-point-of-delirium Crowley on the bus ride home. The scene after they get off the bus is just straight-up heartbreaking, there are no other words for it, but it ends hopeful, especially knowing what we know about canon.)

33. Ethereal Love – @mariannightroad (G, the one where trying to teach Aziraphale to sleep morphs into something a little bit more. The purest and sweetest of romances, the most sexless making love of all time (even for weird angel essence-touching, it’s pretty devoid of lust), and just really really Soft u guys.)

34. Long Night’s Journey Into Day – @whatawriterwields (T, the one where Aziraphale keeps watch through the night. This one is adorable and very tender, with a terrible nightmare and an amusing adventure involving remote tea-making and FEELINGS. Aziraphale loves Crowley so much.)

35. Maybe Tomorrow Will Be a Better Day (If You Let Me Look at Your Beautiful Eyes) – TheWinterSldier (T, the one where Aziraphale ponders about Crowley’s eyes while wearing his body. There’s some historical jumping but the majority of the story is focused on retelling Crowley’s trial from Aziraphale’s head, and the meal at the Ritz afterwards. There are a lot of emotions about Crowley’s eyes. Ironically, there were also a lot of emotions about my eyes. Or, rather, in my eyes. Just overflowing with feels.)

AU/UA

36. Hard Times – @northeasternwind (G, the one that’s the bandstand scene in the context of Speremint’s Reverse Omens AU. I love the characterizations of Anthony and Azirafell so much in this particular AU, and the building tension and sudden breaking of the dam at the end is exquisitely done.)

37. Rosemary and Sage – AJissoverytired (T, the one that’s based on the witch AU by masao-micchi and is PRECIOUS. Crowley is the Red Witch, a very famous and talented mage, who accidentally gets turned into a snake by a rival and winds up being found by Aziraphale, a mage-in-training who’s starstruck by the Red Witch. They strike up a familiar contract, with Crowley conveniently not letting Aziraphale know who he actually is, and enter the Completely Ridiculous Comedy of a pseudo-love square. The world is vibrant and fun, characterization is spot-on, and it’s so funny and sweet I’m dying. Worth the read 4000%.)

38. Only Love (Can Bring the Rain) – @soft-october-night (T, the fairy tale-ish AU featuring a sweet prince and his handsome gardener boy. Y’all. Y’ALL. Pining and childhood friends-to-lovers and class struggles and vegetable-growing contests and subterfuge, oH MY. The flavor of this one is Very Very Good, absolutely a gem.)

39. Running in the Shadows (Damn Your Love, Damn Your Lies) – @soft-october-night (M, the one that’s vaguely a Persuasion AU but is mostly a messy, emotional romance shoved into Regency decency. M for mentions of sexual activity that would most certainly overwhelm the sensibilities of a more delicate readership, but it’s not bad at all for a modern reader. I think soft_october might just own my soul, because HOT DANG, that is two AUs in a row that are scratching my itches in the best ways. The LONGING. The EMOTIONAL TURMOIL. The MASQUE BALL. The CLASS STRUGGLES. I have read it twice already and will definitely be coming back to it a lot, because there’s lots of meat on this here bone. Adam Young and Crowley’s relationship in particular is touching, and Crowley’s friendship with Anathema is top-notch.)

40. I have loved you (for a thousand years) – @asideofourown (T, the one where they’ve been dating the whole time but SOMEONE missed the memo. Classic miscommunication at its finest; Crowley’s chapter is painful enough with his pining and heartsick longing, but Aziraphale’s chapter knocks it out of the park with his perspective of actually being in a relationship with Crowley and the various misinterpretations that’s caused. They’re so stupid and I love them.)

41. Gravity – Emmbee_89 (T, the one where Crowley was Raphael and he and Aziraphale had (and have) a love so powerful Aziraphale created Time and they couldn’t be separated even after the Fall. Oh sweet Jebus and all his little elves, the tenderness and powerful heartbreak this one causes gave me actual physical pains. Bittersweet and lovely. I am so proud of them.)

42. The Love You Leave Behind – @gloriouscacophany (T, the one that’s a 1980s college AU where Aziraphale is studying abroad and Crowley is the singer of a rock band. This one is UNBELIEVABLY gorgeous. Listen, I don’t usually go in for human AUs, but this one caught me, hook, line, and sinker. The sensory details are lush (especially when Aziraphale is noticing Crowley, hoo boy) and the story has some built-in heartbreak that’s already paying off (hello, homophobia), but despite the incoming pain and torment, I have full faith and expectation of a great ride along the way. Truly spectacular.)

43. Pray For Us, Icarus – @seaskystone (G and T, the series where Crowley keeps reincarnating as a human and Aziraphale loves him. Listen, I know 90% of you already know this masterpiece, but for the 10% who don’t, this series will heck you up one side and down the other. It will drown you in sorrow so that the good moments are sweeter than air. It is so intense, so emotionally raw, so dadgum TENDER, I had no idea what to do with myself after I finished it. Like a cheese grater on a sunburn when it’s bad, like hot chocolate on a bitter cold day when it’s good. A fandom staple for sure, cathartic and satisfying as only successful recovery after a long, hard, difficult event can be.)

44. Magnesium and Oil – @quaidpoppinjack (T, the one that’s a monster hunter AU. The great thing about fandom is that sometimes people will make AUs you would never have thought of, but once you know of it, you need it desperately. In this one, instead of tempting and thwarting, Crowley and Aziraphale are tasked with gathering the escaped creatures of Eden and sending them either to Hell or Heaven to stock for the impending War. The worldbuilding is AMAZING, the little details are great (for those of you wanting Crowley in hunting leathers, welcome to the party), and the story itself is just good, okay. Great action, lovely plot.)

45. alpha centauri – @hyruling (T, the one where Aziraphale agrees to run away to Alpha Centauri during the Apocalypse. To my understanding, this work was previously deleted by the author, but I’m so glad it was brought back so I could read it, because two very scared, very piney idiots carving out a domestic life on a barren planet WITH A CAT is the jam I didn’t know I had. Watching them circle each other is great; watching it all come tumbling down when Plot happens is even better. It’s a happy ending, don’t get it twisted, but you always have to wade through the Bad before you get to the Good, after all. A lovely little piece, absolutely A+++.)

46. Truth Untold – GenericUsername01 (G and T, the series where Crowley was Raphael, Aziraphale was made to be his assistant, and holy crap on a STICK where to even start. The worldbuilding is INSANE, I love how the Archangels are described and go about their business (word to the wise, do NOT skip the prologue work, you miss all of the best context if you do). And if that’s not great enough, there’s a whole system of angel-devil nemesis pairs all over Earth, whom we get to meet when devils start wanting to repent. There’s baptism involved and it’s horrifying and heartbreaking. Not finished yet, but it’s ramping up. Also, Crowley is functionally blind, which is about to start causing some real humorous problems since no one else knows about it, certainly not Aziraphale.)

47. Take me to the room where the red’s all red (take me out of my head, that’s what I said) – @raiining (M, the one that’s a Dom/sub AU with gentle top Aziraphale and bottom Crowley. No real sexual elements in this one, but I can understand why the M is there, the subject matter might be a little Much for some people even if it is fairly chaste (if sensual). The dynamic between Crowley and Aziraphale is delicious af, especially when they’re snapping at each other and then later melting into each other. It’s just. So good.)

48. Take This Sinking Boat and Point it Home – sobakasu, sssnakelady (T, the one where Crowley and Aziraphale used to be the same being, and the combination of fundamental incompletion compounding with being in love is tearing Crowley apart at the seams. Darkly emotional and absolutely raw with feeling, quiet and powerful and subtle. Crowley is absolutely heartbreaking, but Aziraphale manages to bind it all up quite nicely—not perfectly, they’ll have to work at it, but sweetly and with perfect love.)

JUST SOFT

49. Three Unthwarted Wiles – @almaasi (G, the one where Aziraphale lets Crowley get away with a few things. Oh my heaven it’s so SOFT, I know that’s the point of this section but HRRGK. Crowley does so much for Aziraphale and Aziraphale returns the favor as often as he can and they just love each other so much I’m sobbing.)

50. The Original Bar Joke – @deathbycoldopen (T, the one where Crowley sees himself as the punch line in God’s big ineffable joke. Sad until finally it isn’t, but Crowley spilling the beans via joke-that-turns-into-scathing-self-reproach is a unique flavor I wasn’t expecting and it broke my heart. Absolutely wonderful.)

51. Love Stories – @just-quintessentially-me (G, the one where Aziraphale is the maudlin sad drunk. Guys, I’ll be real, the emotional payoff of this fic is sweet, but the real highlight for me is Aziraphale scolding a fire he accidentally sets, because nothing feels so Aziraphale as him being drunk off his wings and attempting to LECTURE a FIRE. Also Crowley’s reaction to Aziraphale setting a fire in the bookshop is…well, about how you’d expect. A fantastic little number I quite enjoy.)

52. no mind to lose – @saints-and-demons-preserve-us (T, the one where Aziraphale goes fast and Crowley is a mess. Starts with an ode to Crowley’s long hair, as it rightly should, and evolves into a rather adorable start-stop where Aziraphale engages in various touching activities and Crowley is doing his level best, bless him, to catch up and remember how limbs and lungs work. Precious.)

53. Alas, Poor Yorick! This Is Gonna Suck! – WhiteQueenWrites (T, the one where Crowley finds his perfect opportunity while teaching a theater class to the Them. Yes, it’s canon!verse, not an AU. Yes, Crowley and Aziraphale kiss while teaching Romeo and Juliet. Yes, it is exactly as adorable and tween-traumatizing as you would expect. It’s very fun!)

54. Divine Intervention (aka God Ships It) – @theladyzephyr (G, the one where God has had it up to HERE with two idiots stuck in denial. Oh, folks. This fic is a TEASE. This fic is TANTALIZING. This fic is INFURIATING. And it is so, so worth its weight in gold, because the moment of triumph is so unspeakably sweet. It’s so good, y’all. So good.)

55. Learning to Speak the Language of Flowers – @junkshop-disco (M, the one where Crowley and Aziraphale are orbiting closer. M for discussions of trauma, I think. I’m not sure if I have the words for this one but I’ll try anyway. It shifts between the night the world didn’t end and the events after, and the time Crowley and Aziraphale spent in the Dowling household, and the transitions between the two are so smooth sometimes it’s hard to catch which time period you’re in. The writing is emotive and beautiful, and the emotional impetus behind the fic is compelling. Highly, highly recommended.)

56. seasons, changes – @whatawriterwields (G, the one that cycles through four seasons of Crowley and Aziraphale’s new life in love. Gorgeous and descriptive and so sensory—it really captures a lot of the best parts of each season. And also it’s incredibly loving and I die.)

57. waking up to you – @whatawriterwields (G, the series that’s a collection of tender morning moments. Listen, this writer is the MASTER of tender fluff, and this series is overwhelming. I have had to physically clutch at my heart and wail at my ceiling because of how cute everything is. If you need a dose of fluff after reading something angsty, here’s your medicine.)

58. Nemo dat quod non habet – @liquidlyrium (T and M, the series that examines the aftermath of the trials in Heaven and Hell, and Crowley and Aziraphale have an actual conversation. M rating is just to be safe bc the makeouts can be intense, but it’s not bad. The stories are basically revolving around the same conversation from two different points; Aziraphale’s bit goes more into the kissy-kissy afterwards. Powerful and raw, but understated; there’s dignity in this series, and a good bit of playfulness. The writing carries itself exceptionally well.)

59. Where to Start – @freyjawriter24 (T, the one where Crowley’s almost kissed Aziraphale plenty of times through history. Oh, y’all. Crowley’s emotions are laid so bare. The longing is so good. The scenes are all pretty original and interesting, and you can get a good sense for what Aziraphale’s feeling in these moments, too. Top-notch.)

TOUCH-STARVED/BODY WORSHIP/WINGS

60. The Power of Touch – @wordsintimeandspace (T, the one where Crowley needs some tending to and Aziraphale is more than happy to do it. It’s lots of kissing and touching and it gets intense but not too sexual. Also some lovely communication and boundary negotiation and it’s great.)

61. show a little skin (baby I’m begging) – @summerofspock (T, the one where Crowley can barely handle seeing Aziraphale flash a little skin now and then. Oh, y’all, it’s so much fun. Crowley is in over his head, someone please help him. Ankles, collarbones, FOREARMS. Oh lawd.)

62. You’re the Only Prayer I Need – @kedreeva (G, the one where Crowley’s shedding and Aziraphale helps. Featuring an absurdly large bathtub, wing bathing, and finally the peeling of snakeskin, which sounds so intensely satisfying, tbh. Simple, companionable, and nice.)

63. Of Firsts and Foremosts – @kedreeva (T, the one where Crawly finds Aziraphale cornered by Ligur and steps in. This one has really interesting bits of lore stuffed into it and a sweetly cautious blooming camaraderie between Crawly and Aziraphale; on top of that, there’s cuddling and wing care and both are extremely good.)

64. At Least Eleven Second First Times – @enjambament (M, the one where Aziraphale has to get used to being on Earth in a body again. M for risqué elements that brush up against smut without crossing over. This one is all about feeling things, from emotional to physical sensations, and how Aziraphale is overwhelmed by it all, but there’s also bits of the inherent diversity of the world and the significance of being able to feel things and on top of being secondhand-overstimulated, it drops you directly into Feels Town and it’s delicious.)

BONUS

65. a snake by any other name – @asideofourown (G, the one where Crowley’s snake form is spotted by a herpetology student and an unlikely companionship is struck. This one is from the view of an OC and is really cute, involving Crowley growing fond of a human with proper appreciation for serpentine charms. Also the OC and her girlfriend have a fun argument about what Crowley actually is and it’s adorable.)

66. Always Trust a Dog’s Judge in Character – notebooksandlaptops (T, the one where Warlock moves back to his London home and starts building a life. This one is so good, y’all; adult (ish, he’s nineteen) Warlock is such a delight and you can see Nanny Ashtoreth’s influence all over him. It’s even better when he meets Adam and forms the biggest crush known to man (good thing it’s reciprocated, that would have been awkward), and befriends the rest of the Them (Pepper in particular is to be feared and respected). A fic about growing up and finding yourself, and I love where it’s going.)

H/C /WHUMP/BAMF

67. In Peace I Will Both Lie Down and Sleep – @fizzybiscuits (G, the one where Aziraphale is having nightmares. This fic feels so organic—like a logical continuation of the show, or at least one of many directions it could take. Aziraphale having vivid bad dreams and NOT TALKING ABOUT IT is so on-brand, and Crowley getting worried out of his gourd is also on-brand. Vulnerable and sweet and soft, once the nightmares are dealt with.)

68. A Touch Like Sunlight – @just-quintessentially-me (T, the one where Crowley acts the hero like an idiot. This is Crowley’s vengeance against the Archangels and it’s heart-pounding; of course stuff goes off the rails pretty quickly, but even the stuff that goes right has tension in it. A great adventure, with an appearance from BAMF!Aziraphale.)

69. Chokecherry – unsmilingchuck (T, the one where Crowley helps clean up Aziraphale’s hands after a frankly awful punishment from Heaven. This fic feels calm, maybe more so when it’s revealed what it’s in the aftermath of, and Crowley is very methodical and meticulous in his care. It’s clear how much they care about each other and that’s always the jam.)

70. Thus saith the Lord – @themanicmagician (T, the one where angels can be drafted into Her service like a hive mind. Oh, folks, you want historical pain? You want emotional torment? You want a thrilling chase and a tender aftercare and a triumphant victory? You want to be in your friend’s house and hear the Plagues song from Prince of Egypt and almost have a complete breakdown bc you’re reliving this fic? Then join me in singing this one’s praises, because it delivers. It does not let up even for a second, once it gets going. This is probably one of the darkest fics I’ve ever read, but the ending balances it out. It’s great.)

71. In Somnis Veritas – PinkPenguinParade (T, the one where Aziraphale volunteers to help Crowley with his nightmares. Oh, y’all. Y’all, this one is so good. Just two immortal beings, working through their various traumas together. There’s pain and healing and a beautiful, beautiful ending. This fic hits all the right notes, it’s splendid.)

72. Incongruous States of Being – @zehwulf (T, the one where Aziraphale is a BAMF and that was never truly up for debate. Featuring an argument meant mostly for fun, and then a fight meant mostly for not-fun. Protective Aziraphale through the roof, gang. Very, very good. The tension is exquisite, and the characterizations are perfection. A wonderful take on Aziraphale and his abilities.)

73. Aim Your Arrow At The Sky – @trellanyx (T, the one where Aziraphale is a warrior and don’t you forget it. Warnings for some pretty graphic violence. This fic is not epic-length but it is epic-scope; it’s downright cinematic. The details are so crisp and the action so well-described, and threaded through it all is fierce, tender, desperate love. A wonderful read, especially if you want to see two particular Archangels get theirs.)

#good omens #good omens fic recs #mega gomens fic rec list #and now i sleep for a week #found a lot of these during a week i was off of work #gosh i read SO MUCH that week #i am DONE reccing fic in this format for a while #fulfilling but exhausting u kno

186 notes · View notes

cw-student-edgehill · 4 years ago

Text

Reading the World – Review of ‘Rehab’ by Amy Winehouse (2006)

Amy Winehouse was an English singer-songwriter, known for her deep expressive contralto vocals (the lowest female singing voice) and her eclectic mix of musical genres such as soul, rhythm and blues, and jazz – which weren’t the most popular genres in 2006, when ‘Rehab’ was released. Despite this though, the son got to number six in the UK charts in that year, making it the singer’s first song in the top ten. However, in 2011, Amy Winehouse died at the age of 27 from alcohol poisoning, due to her alcohol and drug misuse.

‘Rehab’ has a strangely iconic and upbeat rhythm to it, despite the haunting meaning behind it. The song is about the singer, Amy Winehouse, refusing to go to a rehabilitation centre to help manage her drug and alcohol problem. The message reflected what was happening in the singer’s life at that point in time, which scared her family, her friends, the fans and her colleagues about her wellbeing, both physically and mentally.

To pick out a lyrical line to talk about is quite hard, seeing as they all have a hidden message in them. But the one that sticks out the most personally to me is the following:

“I don’t ever wanna drink again,

I just, ooh, I just need a friend,

I’m not gonna spend ten weeks,

Have everyone thinking I’m on the mend”

In this line/verse, Amy is trying to show people that going to rehab isn’t going to cure her or help her. She believes that when you go to rehab, it makes people have the illusion that they are getting better, that they are ‘on the mend’. It also says about her not wanting to drink, but her depression causes her to find comfort in it, almost like a friend. That being said, she doesn’t want to go to rehab and pretend to get better; all she needs is a real friend to help her through the rough times she is going through, to help her pick up the pieces of herself after a break-up.

#review #amy winehouse #song #creative writing

1 note · View note

yastaghr · 5 years ago

Text

Projects (Fresh’s DDFL Oneshot)

Pairing: Kedgeup

Characters: Underfell Papyrus, Undertale Sans

Warnings: None (this is fluff)

Summary: Classic is working on a project in a snowstorm. Edge takes care of him. For @freshouttaparsnips

Link: https://archiveofourown.org/works/23029627

A skeleton walked through the blowing, cold wind of the mountain winter. His boots were tall and red. His pants were tight and black, riding low on his pelvis. His uncharacteristic sweater was thick and warm, a cashmere wool number in a light orange borrowed from a friend. His teeth were sharp and three lines bisected his left eye socket.

Edge stepped into the basement. He closed the door and knocked the snow off his caked boots, then tramped down the stairs as loudly as he could so he wouldn’t startle his datemate. When he got to the bottom of the stairs he sighed. Classic was still hunched over his project. Edge had no idea what it was. At the moment it looked a bit like a steampunk teapot, but earlier today it had looked like a projector box, so that didn’t mean much. Edge didn’t really care what it was. All he knew was that his datemate was absorbed in fiddling with it to the point of being totally unaware of such paltry details as what time it was and whether he should eat. So Edge had decided to fill that role himself.

The tall skeleton slipped a plate of food into the space between Classic and his project. It held a hummus and tomato sandwich with baba ganoush and tzatziki sauce on it, just the way Classic liked it. There was also a piece of baklava off to one side.

Classic made a startled noise when the food inserted itself into his world. He turned to see who had brought it. Edge took the opportunity to steal a kiss from his datemate.

“IT’S TIME TO EAT, MY LOVE. YOU’VE BEEN WORKING AT THIS FOR FOUR HOURS NOW. YOU NEED TO TAKE A BREAK AND FUEL YOUR BODY AND MIND BEFORE THEY GIVE OUT ON YOU. PLEASE, TAKE THIS.”

Classic reluctantly grabbed a triangle of the sandwich and peered at it. “hummus and tomato?”

“ALONG WITH YOUR SECOND AND THIRD FAVORITE CONDIMENTS. A NICE, HEALTHY MEAL,” Edge confirmed quietly.

Classic let out a startled moan when he bit into the sandwich. He stared at it with wide eye lights before turning his brilliant smile on Edge. “thanks, edge. i really appreciate it,” he added with a genuine twinkle in his eye, “especially the baklava. you know a good piece of that sweet honey goodness makes me go absolutely nuts.”

Edge put on his best disapproving face to hide the startled laughter in his soul. He secretly loved his datemate’s puns, but he knew Classic absolutely loved it when he played the straight man to his comedian.

“I DON’T SEE YOU BOUNCING OFF THE WALLS JUST YET. PLEASE REFRAIN FROM DOING SO. I’M NOT SURE THE CORKBOARD COULD HANDLE IT.”

Classic chuckled. “sure thing, babe. but seriously, thanks for the food. i must be starving if i’ve been working that long. it has to be…” He pulled out his phone and checked the time, “...5 o’clock? sheesh, that’s late. how was your shift?”

Edge smiled mysteriously. “OH, YOU KNOW. A BIT OF THIS AND THAT. THE ELEPHANT CERTAINLY WAS ENTERTAINING.”

Classic narrowed his eye sockets. “what elephant? i thought you worked in an antique shop.”

Edge’s smile widened into a grin. “YOU WOULD BE CORRECT. AN OLD HUMAN LADY WITH PINK HAIR BROUGHT IN A NOVELTY LAMP THAT HER NEPHEW HAD BOUGHT HER. IT WAS ONE OF THOSE VINTAGE ART DECO DEALS. YOU WOULD HAVE LIKED IT.”

“i bet,” Classic said around a mouthful of food. Edge knew he only did it to get his goat, but it worked. Edge glared into the smiling face of the monster he loved.

He sighed. “JUST EAT YOUR SANDWICH. I’LL COME BACK FOR THE PLATE LATER.”

Classic waved to him as he left the basement. “bye! don’t stomp too hard on the stairs. you might break through!”

Edge’s only response was to slam the door on the way out.

=====

An hour later Edge returned to the basement to fetch the plate. Classic had set it off to his left and had cleared it. Edge smiled. He was always happy when Classic loved his food. He might not be a professional chef, but he still took pride in his cooking. It was eclectic and simple. Classic seemed to love it.

Speaking of Classic, he was bent over his project with a pair of tweezers and a bunch of wires. The project now looked like one of those rides you see at fairs that have a bunch of chairs suspended by wires that spin around and out at an angle. Edge had no idea what it was.

“HELLO, LOVE. HOW IS YOUR PROJECT GOING?” Edge asked quietly, not wanting to startle Classic and mess something up.

Classic set down the tweezers and swiveled in his chair to face Edge. He had a smile on his face, and his eyes were twinkling. “well, wire you asking? tweeze projects of mine don’t usually interest you this much.”

Edge scoffed, secretly impressed that Classic had managed to come up with two puns that fast. It never ceased to amaze him how gifted his datemate was in the pun department. Edge could appreciate a good pun when he heard one, but he was absolute garbage at coming up with them himself. His coworkers at the antique shop seemed to send them flying back and forth all day long, but Edge’s best attempts always fell flat. He’d given up on coming up with any, leaving that to those who had the skill, like Classic. His puns were better than their puns, anyway. Edge wasn’t biased. Not at all.

“JUST CURIOUS. IT’S BEEN A WHILE SINCE YOU’VE BEEN THIS DEDICATED TO A PROJECT. NORMALLY YOU’RE BETTER AT REMEMBERING TO EAT AND TAKE BREAKS. I KNOW IT’S BEEN A WHILE SINCE YOU ACTED LIKE THIS.”

Classic grinned. “aw, edgelord, that’s sweet. too bad i can’t tell you. it’s going to be a surprise~!”

Edge narrowed his eye sockets at his datemate. That was such a typical Sans move. Well, two could play at that game. “WELL, THAT’S GOOD. I HAPPEN TO HAVE A SURPRISE OF MY OWN WAITING FOR YOU UPSTAIRS, SO DON’T STAY DOWN HERE TOO LONG.”

With that, Edge grabbed the plate and sashayed his way up the stairs and back out into the deepening snow.

=====

It was late at night when Classic trudged up the stairs and through the snowstorm to the main house. He still wasn’t entirely convinced that he should be stopping. The interdimensional phone didn’t have nearly the clarity of tone that he wanted, but he really couldn’t fiddle with it any longer. When he was younger, maybe, but now his eyes gave out much sooner than they used to. It was better to take a break and sleep off the shivers than to push himself.

He felt absolutely caked in snow by the time he opened the front door. He couldn’t even see through the snow plastered to his face. Knowing that his brother was likely staying over with his datemate, Classic immediately started stripping off his ice-cold layers before he got chilled to the bone and soaked through.

It wasn’t until Classic was down to his t-shirt and shorts, after he had used a clear patch of his hoodie to wipe off his face, that he could see the room in front of him. It was… not what he had been expecting. If he’d been expecting anything, it was that the room would look as it usually did; the new couch that they had gotten when they reached the Surface, the old tv that worked better than it used to thanks to a little tinkering on Classic’s part, the joke/quantum physics book on the table in the corner, and the pet rock on the dining table. Most of those things were probably still there. Probably. It was hard to see them around the giant blanket nest that took up the majority of the room. Edge must have put in every blanket, pillow, and cushion in the house!

Classic grinned and crawled over the mounds of fuzzy fleece and warm wool that grew into a giant mountain of comfort. Sitting on top of (and slightly within) the pile was Edge. He had a self-satisfied expression on his face, like a dog with a big stick or a cat with a “dead” string. He had a large bowl of popcorn in one hand and the tv’s remote controller in the other.

“SO. DO YOU LIKE MY SURPRISE?” Edge asked his datemate.

Classic chuckled. “it certainly is surp-rising. how long did it take you to build this thing? i can see you used the pool noodles to maintain the pile’s structural integrity without sacrificing softness.”

Edge preened under the compliment to his engineering even as he glared at the pun. Classic knew he would. Edge loved it when his datemate praised him, and he was especially proud of his skills as a puzzle engineer. This might not be a puzzle, but the same principles applied.

“IT IS A RATHER INGENIOUS IDEA, ONE TRULY WORTHY OF THE GREAT AND TERRIBLE EDGE,” his datemate said as he set down the remote, freeing up one hand to help Classic over the last few feet of pillows and into the little divot in the covers that Edge was sitting in. “I HAD THOUGHT OF USING THE THROW PILLOWS, BUT THEY DID NOT HAVE THE LENGTH I NEEDED FOR THIS WORK. THE POOL NOODLES SEEMED AN OBVIOUS NEXT CHOICE.”

Classic smiled. “you don’t give yourself enough credit. i know i never would have thought to use them. i probably would have given up on the mountain-like design and just made a pillow fort.”

“OH,” Edge blinked, stunned. “THAT WOULD CERTAINLY HAVE BEEN EASIER THAN STICKING WITH MY ORIGINAL DESIGN. THE IDEA OF A PILLOW FORT NEVER OCCURRED TO ME.”

Classic chuckled as he settled into the curve of his datemate’s arms. He loved how nicely he seemed to fit in the other’s grasp, like both of them were designed perfectly to fit one another. His legs could curl up right next to Edge’s while his skull rested on the other’s ribs, and when he did so Edge could rest his skull comfortably on top of Classic’s. His brother had called it perfectly, sickeningly sweet, like eating a whole bag of pure sugar. He’d meant it in a good way, though.

“that’s okay, edge. if we all thought the same way then the world would be a really boring place, no bones about it. now, what did your insightful brain come up with for us to watch?”

Edge’s face went from a small frown at the pun that didn’t reach his eye lights to a brilliant smile. “WELL, I WAS THINKING OF STARTING UP…”

=====

Edge had no idea what time it was when the credits started rolling. It was dark outside still, but with the way the snow was falling it could be high noon and still be dark out. He didn’t have his watch available to check. That wasn’t because he didn’t have it on. No, he couldn’t check the time because Classic had fallen asleep while wrapped around that arm like a little koala bear. It was absolutely adorable.

Edge set aside the empty popcorn bowl and grabbed the remote controller with his free hand. He switched off the tv and relaxed into the mound of pillows, content to lay here with his datemate forever.

The sound of the snow hitting the windows and the lullaby of Classic’s snores quickly lulled Edge into a doze. His eyelids drooped. He fought the sleep, wanting to stay awake, but it was a futile effort. He gently drifted into sleep while curled happily around his datemate in a mound of blankets while a snowstorm raged outside.

#kedgeup #Underfell Papyrus #undertale sans #fluff #oneshot #yastaghr

17 notes · View notes