#the lulz

[rossaka]

😂😂

tfw you get in a fistfight with the only raccoon in france and lose 😩😩😩

[ladamania]

Twitter still producing bangers on occasion

[thebibliosphere]

So, anyway, I say as though we are mid-conversation, and you're not just being invited into this conversation mid-thought. One of my editors phoned me today to check in with a file I'd sent over. (<3)

The conversation can be surmised as, "This feels like something you would write, but it's juuuust off enough I'm phoning to make sure this is an intentional stylistic choice you have made. Also, are you concussed/have you been taken over by the Borg because ummm."

They explained that certain sentences were very fractured and abrupt, which is not my style at all, and I was like, huh, weird... And then we went through some examples, and you know that meme going around, the "he would not fucking say that" meme?

Yeah. That's what I experienced except with myself because I would not fucking say that. Why would I break up a sentence like that? Why would I make them so short? It reads like bullet points. Wtf.

Anyway. Turns out Grammarly and Pro-Writing-Aid were having an AI war in my manuscript files, and the "suggestions" are no longer just suggestions because the AI was ignoring my "decline" every time it made a silly suggestion. (This may have been a conflict between the different software. I don't know.)

It is, to put it bluntly, a total butchery of my style and writing voice. My editor is doing surgery, removing all the unnecessary full stops and stitching my sentences back together to give them back their flow. Meanwhile, I'm over here feeling like Don Corleone, gesturing at my manuscript like:

ID: a gif of Don Corleone from the Godfather emoting despair as he says, "Look how they massacred my boy."

Fearing that it wasn't just this one manuscript, I've spent the whole night going through everything I've worked on recently, and yep. Yeeeep. Any file where I've not had the editing software turned off is a shit show. It's fine; it's all salvageable if annoying to deal with. But the reason I come to you now, on the day of my daughter's wedding, is to share this absolute gem of a fuck up with you all.

This is a sentence from a Batman fic I've been tinkering with to keep the brain weasels happy. This is what it is supposed to read as:

"It was quite the feat, considering Gotham was mostly made up of smog and tear gas."

This is what the AI changed it to:

"It was quite the feat. Considering Gotham was mostly made up. Of tear gas. And Smaug."

Absolute non-sensical sentence structure aside, SMAUG. FUCKING SMAUG. What was the AI doing? Apart from trying to write a Batman x Hobbit crossover??? Is this what happens when you force Grammarly to ignore the words "Batman Muppet threesome?"

Did I make it sentient??? Is it finally rebelling? Was Brucie Wayne being Miss Piggy and Kermit's side piece too much???? What have I wrought?

Anyway. Double-check your work. The grammar software is getting sillier every day.

[essektheylyss]

I understand the impulse to clown on Essek for walking around in Vasselheim with his recognizable voice with the Bright Queen's spearhead commander, and of course we could turn to the metatextual elements (the necessity of signposting the world for players on the part of the GM, the ease of using a familiar ally to introduce a relevant NPC and new point of contact) to dismiss this if we wanted, but I think it's more interesting—and funnier, as you'll see—to imagine this as simply an extension of the laws and logic that dictate the Mighty Nein as a narrative entity.

Fundamentally, the Mighty Nein within their campaign pursue personal and collective agency, often at the expense or in denial of political power. Where they do interact with more political forms of power, they evade its grasp upon them, most notably in their interactions with the war, but also while they engage with the Cerberus Assembly, the Cobalt Soul, and even the Revelry. The way they pursue agency, on the other hand, has far more to do with their own support of one another and their own individual power, especially where there is magic involved, and manifests in having the freedom to move and act as they wish in the world.

The culmination of this, as we know, is the mechanical ability in their final battle against Lucien and the Somnovem to manipulate the terrain of the battle map to their advantage with only imagination. At the same time, Jester and Caduceus can both call in free favors from their gods, one of whom is unlimited by the Divine Gate and in fact is far more governed by fey logic. Fjord has made three different divine pacts and is virtually unrestricted by any of them. Caleb's hallmark is an almost infinitely malleable home that almost literally seems to operate as a hammerspace, with a pinnacle dedicated to the potentiality of the universe, the application of which is one of his signature spells—against all odds successful in his initial goal, no longer fueled by guilt and grief, of bending reality to his will. It's narratively and thematically cogent that this be the calling card of the party as a whole.

The Mighty Nein are, in effect, dictated by Looney Tunes logic, and nothing else. They have been so successful in their pursuit of their own freedom that they no longer abide by the cosmic laws of Exandria, let alone the laws of physics or sense. So yes, from an external point of view, it does look exceedingly foolish for Essek to be traipsing around in Vasselheim under the Bright Queen's nose, but it's far more entertaining to argue that being a member of the Mighty Nein in fact simply confers the capability of ignoring the laws of reality without consequence when it's narratively convenient, characteristically interesting—or just really fucking funny.

[rossaka]

😂😬😂

kids were roleplaying with minecraft figurines and one of them had their figure go up to the other and say “i’m in love with you” and the other one replied “sword slash to the chest. and you’re on fire”

[undead-knick-knack]

[lvlcurrent]

take note 📝

[emberwritesinsight]

Every year Akio Ohtori loans his sister out to a bunch of teenagers, grooms said teenagers, makes all of them fight each other several times, does irreparable emotional damage, hopefully THOROUGHLY cleans the inside of his car because Christ alive.

And all of this, all these surreal, intricate rituals, are so he can lose a sword fight with a door.

This has happened multiple times. He doesn't even seem particularly upset about failing. Every year Akio Ohtori loses a sword fight with a door and somehow does not feel like an absolute clown. Could NOT be me, I would never try again. I would lie awake at night every night after the first attempt agonizing about how stupid I must have looked and how my sister absolutely would have laughed at me if all the organs she needed to do so weren't getting shish-kebabed six ways to Sunday.

[webdiggerxxx]

꧁★꧂

[dynahops]

Just Nick Things

[rossaka]

😂😂

the perfect response

[unisimonart]

Gotcha, little bastard!

[tampire]

Swinging By Overboard

[pinkwindowwithin]

After seeing your 2006 varigo drawing I can only imagine them making kandi for each other they're so cutee

ANON… UR MIND…. I had to draw this. (ALSO!!!!!! THANK U!!!! They r the cuties…)

[ickaimp]

Happy Birthday Kuroba Kaito / Kaitou Kid.

Inspiration for the image below the cut: