#the genre I mean
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zuzuelectricbugaloo · 16 days ago
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Okay pray for me bc I FINALLY have writing inspo AND ideas for writing itself and although they’re not my current WIPs they are two oneshot ideas that I am so excited to write and hope a few certain moots enjoy too ;D 🥰 (cough cough Toffee cough cough Howl cough cough)
So please pray I don’t lose it so I can post one today and the other tomorrow (hard maybe) 🤞
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whiteheart7 · 11 months ago
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would fuyuhiko like westerns
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foundfamilywhump · 10 months ago
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the question, you see, is not ‘is it too ooc for this character to cry’ but rather ‘what circumstances would push this character to cry’
this is the whump wisdom, go forth and make that character cry
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wolvndmouth · 3 months ago
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Okay but this Logan and this Wade
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And also this Logan and this Wade
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As well as this Logan and this Wade
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And then this Logan and this Wade
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And then this Logan and this Wade
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blackkatdraws2 · 3 months ago
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[Toon x Mobster] Only he can make him laugh like that...
Jack Desmond is the silly guy. Gavriel Huffman is the scary guy. They come from different worlds that has contrasting genres, one more cartoonishly comedic and the other much dramatically darker.
It's kind of a running gag that Sir Huffman is unable to laugh without looking absolutely wicked. Both in the cartoon world and his own world.
That doesn't stop Jack from being completely smitten with him though, his voice is the most mind-melting thing he's ever had the pleasure to hear
[AUDIO USED:] Men I Trust - show me how
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fictionadventurer · 10 months ago
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How did Treasure Planet manage to come up with the greatest aesthetic in all human history? Victorian elegance plus space-age flair, with just enough dirt and grime and wear and tear to make it feel real? A combination of traditional and computer animation that perfectly embodies the movie's blend of old and futuristic? How does it get any better than that?
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vakariaan · 2 months ago
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ultimate ships challenge - [1/10] movie otps
Nicholas/Mia  »  The Princess Diaries 2: Royal Engagement
Just think how lovely she'll look on our postage stamp.
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fuckmeyer · 7 months ago
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the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.
if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.
choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.
if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.
even the "healthiest" option produces scars that will never quite heal.
Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.
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theythemmer · 8 months ago
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the way he thought phil was actually going to give him a regular complement♥️ girl have you not lived with him for a decade
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heymrstargazer · 2 years ago
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feel free to rb and tag w any others i just ran out of options
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dapper-lil-arts · 9 months ago
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Darlings. is it gay when the phantom you created as a manifestation of your dreadfull loneliness takes the form of one of your closest friends.
Fanart of this pretty good horror rarijack fanfic, "The haunting of carroussel boutique" personaly i am surprised the writer didnt take the chance to point out how fucking funny this is. Me n kim started laughing about it during stream and i just had to draw this
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fixated-on-something · 2 months ago
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Teenage queers will discover Tragedy and make it their whole personality forever
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m1d-45 · 1 month ago
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bloodletting
summary: a budding god needs a place to test their new powers, and childe was always a little too eager to lose a fight... a match made in heaven!
word count: 1.7k
-> warnings : minor AQ spoilers ? just like, general gi plot.. fairly graphic depiction of blood + other injuries (might be classed as body horror???). generally obsessive tendencies (childe <--> you). i cannot stress this enough, reader is 110% a sadist.
-> gn reader (you/yours)
taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr || @ryuryuryuyurboat || @undrxtxd || @rainswept || @wanderersqt || @rozz-eokkk
< masterlist >
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power was not something that came easy. it was fought over, stolen, defended with teeth and claw, tides of blood shed just so one could have power over another. social, physical, financial; no matter the leverage it provided, power was hard won. to give someone power was to admit defeat, a certain death that tartaglia had learned and taught more than his fair share of times. nobody undeserving of power ever held onto it for long; it was an acknowledgement that you were better, that you deserved it, that you’d won. power was a fickle resource that childe would kill to keep, only ever laying down his blade for a precious few.
the tsaritsa, of course. his fellow harbingers, skilled both on and off-field, who themselves could rival the archons. his family, for whom he’d happily give the world.
and naturally, who would be more worthy to hold power than you?
you, not just a god but the, the highest authority across all of teyvat. you bore a hundred names and a thousand monikers, your worship the one thing the world could agree on. granted, nobody could quite agree on how, but that was fine. childe did not need external powers to tell him what to do. he knew, in his deepest heart, that he had gotten it right.
he knew—and, on occasion, flaunted—that he was your favorite. of all the vessels you had chosen, you returned to him time and time again, wishing on his stars until his vision gleamed. his bow shone with power, even his weakest weapon more than enough to push his strength to new heights. part of him wondered what he could do if you’d granted him swords, or a claymore… but that was speculation for another time. didn’t it say something that you had still chosen him at his weakest?
the thought always made him smile. thick in the heat of puppeteered battle, before the sun to after dark, your presence was a constant in his life. at every altar, with every offering, when his hands stung from the rash of leather and his blade was covered in rust, your name a prayer behind blood-soaked teeth. he could not remember a time when his pocket was not weighted with a charm.
his devotion was no secret. he wore your bow with pride, entirely phasing out his other weapons. it didn’t matter that he was technically more controlled with them, for you had chosen this path for him. your word was his guide, a polar star through bitter nights.
he did not doubt when your presence ebbed or flowed. who was he to dictate when or where you spent your attention? no, his faith did not waver. it had no reason to. he waited patiently, going about his regular duties, lingering in snezhnaya for no other reason that he just felt like he had to.
who was he to question to buzzing in the back of his head? who was he to decline when he felt an instinct to leave, to go for a trip far past the city gates? who was he to think himself better than the guiding light that had never led him astray?
for you, he was whatever you needed. and so he went, armed with a thick coat and snowboots, hands shoved deep in the pockets to hide the slight shake. down the main road, an arbitrary turn into an alley and down an abandoned path, into a part of the city he’d never traveled. but a golden thread had tied itself around his heart, pulling without hesitation. he easily hopped over the fence gate, not bothering with hauling it open through the snow. the path beyond was covered in a thick layer of powder, his foot crunching through a foot of it before hitting solid ground. still, he continued.
snezhnayan winters were not warm. they bit and dug into every gap in your clothes, stealing away the precious warmth within. and yet, with his half-done coat and incomplete guard, he was not cold. or, rather, he couldn’t feel it. his hands were pink with frost, stiff at the knuckles, but he couldn’t feel the resistance. his body was not important, not now.
the snow began to thin. it fell from his knees to his shins to his ankles to his toes, until he was face to face with a thick wall of bramble, impossibly overgrown. he was beginning to overheat in his jacket. twin blades made quick work of the wall, and the sight behind it easily dispelled any breath left in his lungs.
the air that washed out of the bubble was thick and heavy, like a humid spring instead of snezhnayan woods. his breath came in short gasps, a shameful wheeze that he hoped was missed beneath the howling snow. he didn’t want you to see him as weak, as someone so easily tired by a short trip to a falling star; he didn’t want you to think of him as anything other than his best.
but you didn’t push him away. you helped him up—his head was buzzing with delusion, he could hardly see, when had he fallen to his knees?—and brushed the snow off his hair, not pushing him away when he leaned into your touch. he couldn’t think, couldn’t breathe, could barely collect himself enough to recognize that he needed to get you inside, away from the wilds.
that was power. to so effortlessly take over every thought in his head, to hold his mind in your hands and pull it into your liking, that was the power he adored you for. gods were figureheads of power, a physical incarnation of their dominion. a god of the entire world would only naturally have power to manipulate that world to their liking. how blessed was he, that he could be the first you made yours.
he was with you when you first stepped into zapolyarny palace, looking around at the chandeliers and fine tile. he opened the door for you to her majesty’s throne room, sucking in a sharp breath as you brushed by. he was by your side when the tsaritsa swore you her fealty, delicately placing the gnoses in your hands.
and oh, how he’d fallen to the floor right then and there, dizzy from the wash of power that rolled off you in waves, an ocean that he willingly dove into. the floor was cool beneath his forehead, his hair sticking to his skin as sweat quickly began to bead. he didn’t bother pushing himself up on his hands, teeth sinking deep into his lip again to control his panting breath. copper bloomed over his tongue, filling his mouth and clogging what remained of his senses.
dimly, he was aware that he was being pathetic, that this would surely change your mind about him. he heard your voice, faint through the fog of his mind, your wisdom lost to his own inadequacy. and yet, despite his weakness, every part of him was tuned into you. he knew it was your hand whispering across his shoulders, he knew it was your influence that stole the breath from his lungs. he knew it was you, because it was always you. you were all he could think of, and now you were finally able to leverage your full power over his self.
he’d woken up in a hospital bed. saline dripped into his arm and the lights pierced his eyes, his head full of snow and iced over. and yet, the moment he was cleared for release, he found himself desperate to be back to your side, racing through the tiled halls of the palace and following the urgent burn in his chest. you would have been right to turn him away, to deem him too weak to stay by your side, but you didn’t. you smiled when he lost his breath and laughed when he wavered, brushing off his concern. you invited him with you—his lungs burned with the need for oxygen—as you twirled the gnoses between your fingers, as if they were toys or paperweights rather than objects of divine power.
divine to him. child’s play to you. a courtyard of snow was cleared in an instant, ripples of pyro melting permafrost while keeping the flora beneath intact, a lazy show of power that pulled little more than a slight hum from you in response.
he wasn’t so much a fool as to think he could teach you everything, or even something, about being divine. and yet he clung to your side like a sailor in a storm, watching as you grew familiar with the elements. he watched, stubborn and weak, as you stopped hesitating.
flowers bloomed as you walked by, crumbling to ash with the slightest look. electro jumped from your skin to his, a painful spark that drew his mind from his head, finally seeing your amused eyes instead of just mindlessly staring. you could—should—have just left him behind, but you didn’t. you instead asked for his help, taking his hand in yours and leading him to a quieter hallway of the palace. you didn’t comment on his thundering pulse despite the fact that you could certainly feel it, tracing a finger along the crease of his palm.
“i wonder…”
a claw of geo cut across his skin, a sharp sting that quickly welled with blood. he barely felt it, watching with detached awe as it filled up his hand, sliding over the edge and dripping to the floor. you didn’t show any emotion, just… watching. his heart beat in his hands, a pool collecting on the floor, and still, you just watched. your other hand moved over the surface, barely an inch away, the blood collecting in a bubble beneath it. with a hum, your fist tightened, pain lighting up his arm. a strained grunt slipped between his teeth, hand flinching closed, brushing against the ball of his blood you had pulled from his veins. his hand was stained red, shaking in your grasp, minutes stretched into hours.
all at once, it dropped, forced back into his body as forcefully as it was removed. with a snap, the skin stitched itself shut, and you were again dragging him along like a child did their favorite toy.
you did that a lot. pull him aside and experiment with whatever new reaction you had discovered that month, week, day, hour, watching his reactions with unabashed delight. and he let you. every time, without fail, he eagerly followed, knowing full well he’d end up rigid with lightning or with ice crystals studding his throat. it was worth it, though. you always fixed him up, squeezing his hand with a whispered ‘good job’ that never failed to make him dizzy.
it didn’t matter what you did to him. it never did. even when his mind was hazy with pain and he couldn’t quite stand on his own, he never regretted it. unconsciousness licked at the edges of his vision, burning black stains that lingered even after you stopped, but he never once hesitated.
if you asked him to jump, he’d ask how high. if you felt like holding him underwater, he’d cherish every bruise. to be kept as a toy was still to be kept.
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mochiiniko · 2 months ago
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ANNIVERSARY BLAST
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necrotic-nephilim · 4 months ago
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what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.
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batman (1940) #456
Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.
and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.
and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.
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teen titans (2011) #18
to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.
i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.
#necrotic festerings#batcest#jaytim#dicktim#damitim#this post was first going to just be about tim hallucinating damian but i got carried away thinking about the identity crisis arc#have whatever this is.#idk if there's much of a thesis other than “tim's fucking weird about the robin mantle and that should extend to shipping too”#been meaning to post this for forever#finally got around to it though so yay me.#now i need to go work on my jaytim in the new-52 thoughts bc. i have a whole post planned.#a stack of comics next to me for research and everything. god help me.#ALSO while rereading to grab panels#why is it that everyone talks about how jason says “robin is magic” in an attempt to mischaracterize him as sunshine boy#and not the fact that tim *also* says robin is magic?#like it's not a jason thing. it's a robin mantle thing.#that's just what robin *is*. it doesn't say much about jason's character for him to say that when he's robin. it just means he's robin.#the robin mantle is magic. that's the point.#and you could argue that's more of a meta thing that exists on the wavelength of how children where supposed to project onto robin#moreso than an in-universe commentary on what the robin mantle is#(honestly the same argument applies to tim hallucinating here for like. meta intent vs in-universe meaning.)#i hesitate to even call it hallucination it's more like. daydreaming coping.#giving a face to his internal monologue type thing and this is just how the medium depicts it#also it was just sexy and cool for characters to hallucinate loved ones in the 90s in comics. it was a convention of the genre.#but still my point stands. tim pictures all of these ppl as robin first internally#and he self soothes using their image in his head. that's wild of him like what#tim you are weird about the robin mantle more than anyone else i give you that.
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blackkatdraws2 · 8 months ago
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The Main Character.
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[Blank Scripts AU]
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