#the entire situation is fucked up okay

[riverpancakes]

i think its funny how ill think about nicholas and hudson or, to an extent, nicholas and hyacinth and get excited like "omg !!! theyre solangelo lite!!!" like i didnt do that on purpose !! babes you made the point and missed it conpletely !! but remembering does make me happy nd it makes my day a little bit better

[jeanmoreaue]

i’m so curious to know what Kevin’s mother was like lol did she purposely leave Kevin in the care of Tetsuji? if she purposely left Kevin to the care of Tetsuji was she totally unaware of his true nature or did she just not care or ? is there a will somewhere that the Moriyamas destroyed where her true intentions were actually for Kevin to be left to Wymack’s care upon her death? what was a woman who was stringing along Wymack like? and did Wymack have his sneaking suspicions about Kevin being his son before Kevin told him so when Kevin came moping into his office that day in TKM, did Wymack feel sick to his stomach and the reason that Neil describes it as “going poorly” is bc Wymack is so upset at himself for not listening to his gut and therefore not being able to care for Kevin sooner before he went through a lifetime of trauma just like Wymack did himself? so many questions

[hsslilly-blog]

this is extremely embarrassing but we are friends. anyway i have the autism that just made me wake up in a cold sweat from a nightmare with thomas hunt and the worst part is that he wasn’t even in the dream. but the idea of him being there existed. at any point i could turn around a corner and he could be there. but he never was. this would’ve been the greatest horror movie ever written. this is also how my life works. constantly in fear i’m going to see him. he can be anywhere and that’s so scary. i wonder if that’s how he dreams of claire too

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[blujayonthewing]

opening the group chat for the first time today and there's like 200 new messages because everyone's Going Through It today it seems but one of my friends dropped 'I'm separating from [terrible boyfriend she's been living with for like eight years] for real this time, I just moved a bunch of stuff to my parents' and I'm losing my mind because y'all the subject changed almost immediately HEY HI EVERYBODY ELSE SHUT THE FUCK UP I WANNA HEAR ABOUT THAT???

[carbonateddelusion]

I know I haven't said much about it, but legitimately, "running away" was one of the most pivotal life decisions I've ever made. Probably THE first major life decision I've made, and also the best. If you have an opportunity to go, leave. Get out of there. If you are not safe at home, emotionally, physically, whatever, and you're able to leave, do it. It's going to suck such major ass for a while because you're going to have to deal with the scars they've left on you, but I wholeheartedly, full-throatedly, with-my-chest promise you that it is going to be better. You're going to be better. If you have the privilege of being able to escape, no matter how difficult it feels, then RUN.

[oldhabitsdiescrming]

while i'm on my soapbox, let me say one more thing.

i see the critique of 'you sacrificed us to the gods of your bluest days'. i have seen every variation of complaint about this line specifically. how dare she criticize him for being mentally ill? (nevermind that the same was immediately done for her.) how dare she leave him just because he was depressed? how dare, how dare, how dare?

and i just, i think it's telling in many ways. as someone with depression/someone who has recently gone through a year-long depressive episode, i think this is severely taken out of context. the beginning of the song even includes a piece of that puzzle- i stopped tryna' make him laugh. the chorus asking how much sadness he believed she had in her, the multiple mentions of her bearing the weight. i've been on that side of this dynamic as well, that realization that someone you care about is hinging their happiness and healing on you. you have to bear the brunt of this because they, through no fault of their own, have settled into a fog.

it's already difficult enough of a situation, knowing this loved one is depending on you, but when you struggle with depression yourself? when you're hinging every day on being what this specific person needs to feel like they have something real to hold onto? there comes a certain point where, if you don't leave, you're going to lose yourself. you're never selfish for choosing yourself. depression looks different for everyone, and sometimes it does have that dangerous lead into dependency. you have to realize when you're breaking yourself with the same tools you're using to build them up. you just have to.

[imabiscuitinthousandworlds]

so i googled my current favourite play that i'm absolutely obsessed with and ended up on the english wikipedia site bc my browser is set to english and. it's so bad. the fucking plot overview leaves out basically everything that happens ever except for the end result. several key figures aren't even mentioned. "this guy dies for freedom" well, yes, but actually no, plus you're implying his sacrifice is actually worth it. that's not true. in some other section a dude is mentioned who claims this play is basically star wars. that someone familiar with the play but not star wars could look at a star wars poster and tell you which characters are narratively similar/equal to characters of the play. i am baffled. i have never, not once in my life, ever seen someone be so wrong. dude must have read an entirely different play. i'm tempted to dig up the english version and read it just to see how fucking wrong he is. he is *so* incredibly wrong. jesus fuck. how could you possibly say that

[varjopeura]

.

[bitegore]

ngl i think i kind of was a genius for being like 'yeah this character is a scary killyou cannibal scary killer who scary kills you' and then realizing that the way my worldbuilding works out is that there's a nonzero chance that if you leave literally any body parts over they can just come back, depending on what they believe in their heart of hearts can kill them. Of course she'd start eating her kills. She probably tried normal stuff first and then realized it didn't work and she had to try harder if she wanted to actually keep them dead.

[morningmask27]

I'm going to be bitching about Star for a while now. I'll tag them all with #asc spoilers, but really what the fuck was this book?

[dennisboobs]

sitting back after writing 3k words of a fic and thinking. what the hell is this

[monty-glasses-roxy]

For some reason, this round of meds (same dose and everything as last time) is making me have very violent Realisations and Remembering Things moments. And by that I mean the Thing I Forgot and/or the Realisations show up with a bat and see how hard they can make my brain hit the wall. So anyway.

YOU GUYS REMEMBER SPIKE THE WETFLOOR BOT??? YOU GUYS REMEMBER HER??? THE FIRST FAZBEAR ANIMATRONIC TO BE BORN FROM LOVE INSTEAD OF PAIN??? YOU REMEMBER HER???

CAUSE I JUST DID

[feppepurin]

poppy playtimers do we still fw dogday = rich theory . bc i do even if its been debunked im still here someone help

[oflgtfol]

literally what the fuck is in the air lately ive had three guys being weird at me within the past three weeks. thats one guy a week. Stop fucking being weird

[crowskullls]

I need to draw more kings duo. I will never be normal about them ever. Love teaming with my best friend even though I Know he will betray me at some point!!! Friendship loses!! Yay!