#the entire premise of What If universe is rewriting reality so every fic in that series has 2 alternate endings that'll be written
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WIPs
Rules: list your wips with a brief description
I was tagged by @tj-dragonblade and I always enjoy airing some ideas that are waiting in the pipeline. It feels especially timely since I’m nearly done drafting one wip, although editing it will still take some time. Regardless, here’s a look at what else I might choose to work on.
First up, those which are at least started:
I’ll make a man out of you [riddlebird] - Arkhamverse and a continuation of my existing series. Building on a proposal made in an earlier fic.
Every Breath You Take [hattercrow] - Arkhamverse and detailing the start of their relationship in that universe.
In the air tonight [riddlebird] - A first foray into the Batwheels variation of the characters.
You Only Live Twice [riddlebird] - A continuation of my Telltale series and continuing to build the relationship.
Bathing the Duke [Resident Evil Village] - Exactly what it says. A second person pov and focusing on the sensual.
Secret Admirer [riddlebird] - A concept I’ve had in mind a while, not one but both secret admirers.
The King Is Dead [riddlebird] - Rather more angst than my usual fare but considers how Ed might react to Oswald’s sudden death.
Western AU [hattercrow] - Jonathan Crane should have a horse is the basic premise and I built a plot around that.
What Is Reality? [riddlebird] - This idea has been on the back burner ages. Looks at the aftermath of the episode of the same name.
Living Doll [riddlebird] - Burton-Schumacher and a hint of Coppélia.
The Hands on Approach [octogoblin] - TSSM. I guess this is porn with plot. A way for two difficult people to admit their feelings anyway.
Suit [octogoblin] - TSSM again and another way for guys who don’t know how to communicate to convey affection.
TSSM dynamic [octogoblin] - How I see them working together. I was wondering why these all ended up sidelined and remembered I never saw season 2.
Are We Friends? [riddlebird] - Gotham and I’m not entirely sure where I saw going with it. General confusion about their relationship status I guess.
Gotham Gazette [riddlebird] - Gotham five times plus one styled like a gossip column. I’d like to finish it but got uncomfortable with this area of fandom.
Now on to some which are decidedly more nebulous:
Fate or something like it [octogoblin] - specifically following No Way Home and how events may play out in the altered timeline from when Norman got dropped back.
Nola Riddler does riddles [riddlebird] - prompted by a comment by the AU creator that he hadn’t delved into his penchance for riddles yet.
Phone Call/Past Midinght [riddlebird] - Two subsequent stories in my Arkhamverse series.
Wrap you round my finger [riddlebird] - A general idea about how Ed expects to deal with Penguin only to be surprised.
Gotta Shape Up [riddlebird] - Post season 2 Harley Quinn series but ignoring season 3.
Late Night, Fast Food [multiple ships] - a regular person’s pov on the late night antics of some of Gotham’s notable regulars.
Siren’s Call 3 [riddlebird] - how does one get along with a genuine siren on board?
Limo prompt [riddlebird] - a miscommunication situation arising in Gotham.
Hand kink [Resident Evil Village] - The Duke has very dextrous hands.
Olga my Queen [riddlebird, Egghead/Olga] - A crossover of sorts between Gotham and ‘66.
Trans Ed [riddlebird] - I’m curious how Arkhamverse Oz would deal with that but writing it requires a careful balance.
pre-criminal meeting [hattercrow] - self explanatory really but what if they knew each other before Arkham and all.
skyscraper [octogoblin] - porn. That’s it.
Batwoman [riddlebird] - I wanted to explore just what happened to our guys and how Enigma fit into that.
Batman vs Dracula [riddlebird] - It was suggested to me to rewrite this film as having Ed involved and I liked that idea.
kids museum meeting [riddlebird] - some comics have shown the young Penguin and Riddler so obviously I ask myself, well what if they met then?
Santa Clause 4 [riddlebird] - Based more on the Krampus. Will I or will I not write this come December.
Pecking Order 2 [riddlebird] - Picking up where part 1 left off and investigating how things proceed.
The Batman [none] - what if a trans Oswald had to give up a kid when he was younger? And what if that kid later found him.
Gamer Oz [riddlebird] - In order to impress Ed, Oswald pretends (badly) to be a gamer.
P.I. Riddler [riddlebird] - sort of turning the femme fatale trope around so Ed falls for the husband.
60s bookshop [riddlebird] - Penguin runs a bookshop and is pursued by Bookworm and Riddler.
Streamer Ed [riddlebird] - he habitually comments on Oswald’s Iceberg Lounge promotional videos.
Rumour Mill [hattercrow] - Jonathan comes to Jervis’ defence when rumours spread.
Pax Penguina 2 [riddlebird] - A continuation where I intended introducing Martin.
Angel!Ed/Demon!Oz [riddlebird] - Another continuation building on my first story.
Circus Crew [riddlebird] - An idea to do something with Nola Oswald’s circus crew.
Rogues go skiing [multiple ships] - Cute piece probably involving the lego version.
Arkham sitcom [multiple ships] - episodic story featuring their lives and antics in Arkham.
If you made it this far, thank you! My ask box is open if you want further info on any of these.
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2, 3, 11, 18 for the 40 Questions for Fic Writers (also, if these are too many, sorry!)
I’d answer the entire fic writer asks list if you sent it to me haha ♥
2. Is there a trope you’ve yet to try your hand at, but really want to?
Smut. Is smut a trope?
All the scenes I want to write play out so well in my head but then I put it into text and it’s a CRINGE FEST 😫
3. Is there a trope you wouldn’t touch with a ten foot pole?
I mean.... probably not any body/gender swap ff tropes. Nor supernatural stuff. And absolutely nothing with horror/gore. I generally just write about things that happen in my life or those closest to me so there’s always a existential realism to my works (hopefully it comes across).
11. Is writing your passion or just a fun hobby?
It’s a hobby I wish I could monetize. If I got paid to sit here and write my silly little stories all day I’d be living a great life 😌
Thank you, Corona, for reminding me how much I love to write.
18. Do you use any tools, like worksheets or outlines?
No 😂 @withbeautyandrage tried to get me to do/use a character outline template once and I gave up after inputting their middle name lmao
Thesaurus.com is basically what I use religiously when I remember.
I do outline my fics though. The first thing I always write is the rough dialogue and then piece the imagery around it.
40. Write an alternative ending to [insert fic title] (or just the summary of one).
Ohhhh I have so many alternate endings! Even when my fics are published they still live rent free in my mind and are editing themselves 😅 So I’ll just summarize the ones that definitely aren’t getting another part:
If there was a Drunk Words Have Sober Consequences Part 3 or extended ending, Ethan would just say “Stop it” and Becca would challenge him with “Say it. You haven’t had any problems the last few weeks, what’s one more time.” The problem is he know this would be the very last time she’d let him this close. He wasn’t ready to lose her even before they’ve started. He’s silent and looking at her like a deer in headlights and she adds “I’ll make it easy for you” and starts to rip herself away. Just as he’s about to plead with her one last time and she’s about to turn away, June comes in; “Am I interrupting something?”. Ethan shoots Hirata daggers a snarl ready to erupt but Becca gets there first, “No. Just arguing about patients again” and leaves. (and patients is a play on words for patience bc that’s what they’re actually fighting about and becca has 0 patience left).
In Hopeless it ends up being Ethan who texted “come home with me” instead of Raf. She meets Ethan in the parking lot and they go back to his place. The whole travelling there bit is full of awkward silence. There’d be no conversation besides asking if she’d like a drink or needs to charge her phone. The most mechanical they’ve ever been. She’s still so emotional and regrets turning up at his office and almost getting caught by Harper. She knows this is a bad idea. So does he. But they don’t care. The warmth of their bodies together makes the entire world disappear. It’s irrational and neither are having any foresight about what’s going to happen next. They’re going to fuck the entire night, and then what? She gets a cab home in the wee hours of the morning, not staying the night ever again because he didn’t deserve her.
In WIADTS after Stuck, Becca doesn’t stay in this alternate ending. They don’t make it to the weekend getaway. She’d checked out of their relationship hours ago and there’s no going back. She does this stealth mission a bit better with giving Ethan a false sense of security. He went to work earlier than she did and in those two hours she packed up everything and left to her friends’ place. She went to work and just avoided him. Avoided him as much as she could to avoid the inevitable fall out coming when he gets home and realizes she’s gone. That afternoon she started looking for other jobs across the country. Boston hurt too much.
In happier events, Miles Apart!
Even though they fell apart and she’s doing amazing across the country and she’s releasing her first book, they’re still on one anothers minds. That’s why she calls him. Somewhere in this conversation she asks him to write the foreward of the book, he accepts with an “of course”; and then he tells her not to be a stranger next time she’s in Boston, and she tells him the same. Then Ethan lies and says he’ll be in California next month and if he could take her out to celebrate. “I’d like that.” The second they hang up Ethan pulls up his airline app and buys a ticket to California for next month.
She sends him the address for a vintage coffeeshop that she loves and knows he’ll appreciate. She turns up 10 minutes early to settle in and running over just a few things she practiced saying to him in the mirror the last few days. She didn’t want anything to be too weird or anything to elude to their break up. She’s focused on moving forward. She’s grown a lot in the last year.
But Ethan was already sitting there in the back corner staring out the window.
Becca hung in the doorway and drank him in. needing a few moments to calm the butterflies raging in her stomach. She walked over slowly. As slowly as possible without being suspicious.
Ethan sensed her. Her same old perfume hit his nostrils like a freight train with the first few steps she took, and he looked at her.
They shared a weird greeting. Him getting up but neither moving to shake hands or hug. She took the seat across from him and ordered a coffee and asked how his flight was. Then immediately showed him the book when pleasantries drifted. She made a joke out of never getting his signature and as much as it pained him Ethan let out a small chuckle. Everything about her was still so endearing.
That little joke broke whatever barrier was left between them.
What was carved out to be an hour lunchbreak turned longer as time slipped away from them in their ease of conversation. So easily falling back into one another like the years apart meant nothing at all.
Thank you for these 💕
#imagine the power i could wield in my own personal productivity if i could write smut...#my passion is sociology and business operations... makes me sound like a boring tool huh#a lot of my alternate endings are for the fatl universe#i just wanna give these babes all the chances to get back together😭😭😭#the entire premise of What If universe is rewriting reality so every fic in that series has 2 alternate endings that'll be written#at some point#lmao just realizing my alternate endings all have the same theme of: strong female leaves waffling man who doesn't appreciate her#asked#alwaysmychoices
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what are your opinions on we are robin?
Massively complicated by the fact that DC's writers don't have an ACAB bone in their collective bodies.
Dunno how new to my blog you are and thus how familiar or not you are with my ACAB stance for Dick and my personal tendency to never acknowledge or interact with the specific idea of Dick as a cop...like there's more than enough material for me to work with without ever having to delve into that and I fundamentally believe being a cop is counter to everything I see as Dick's core premise and makes no sense given the specific origins and continuities I view as most 'him' -
But I WOULD have a lot of thoughts about how Dick would feel about this massive city-wide movement that he had no hand in creating and how he would inevitably feel personally responsible for every life to put on a facscimile of his family's costume AND the things they did in those costumes (such as the kid who was manipulated into killing someone while in that guise, per the Court of Owls' agenda).....
AND I would have a ton of thoughts about the fact that it was Alfred who secretly engineered this movement and how he of all people should know how Dick might feel about that, and thus how Dick WOULD feel about that information, but complicated and coupled with the fact that Alfred most certainly was motivated in part by his grief for Dick and seeing this as a kind of legacy, a way to honor his grandson, and able to justify to himself any transgressions towards Dick's feelings here with the idea that Dick wasn't alive TO be hurt by his actions here....
BUT the reason I avoid engaging with We Are Robin content beyond acknowledging it as Duke's origin story in the background of Duke content I write....
Is I absolutely can not - or more to the point - WILL NOT - attempt to justify Dick's decision to get all the kids arrested and locked up for their own safety while he went after the Court alone.
To be clear - I absolutely am of the opinion that Dick was and always will be right and justified in not wanting to see anyone get hurt in the colors and image of his family's legacy. That this has absolutely NOTHING to do with his impression of any such individual's competency, nor is it about trying to restrict their agency. That its wholly a PERSONAL thing for him, its a private instinct that is entirely reasonable and allowable, for him to have a kneejerk need to keep more people from dying or suffering in that specific mantle that he never intended to BE a legacy beyond just himself.
I headcanon that after Jason himself, nobody hated the memorial in the cave more than Dick, because the last image he had of his family was them lying dead on the ground of the circus ring, just broken bodies colored from high above in the classic Grayson colors and covered in blood. That THAT specifically is the image Dick so often saw in his nightmares in his early years in the Manor, that is the SPECIFIC visual Bruce so often comforted him about upon waking....and that it was a massive slap in the face and an indication of Bruce's most unfortunate tunnel-vision tendencies in his own grief, that it never even OCCURRED to Bruce that in memorializing Jason in the specific way he did, he was also subjecting Dick to a constant, ever present visual reminder of one of Dick's personal most traumatic images....the sight and idea of his family, now not just his parents but also his brother....reduced to just broken, bloody costumes he'd never get to see as anything but that again.
Not to mention then captioning this memorial with "a good soldier" and thus in the process of disrespecting Jason's true bond with Bruce, simply because Bruce couldn't handle that at the time and was trying to literally DISTANCE himself from that view of his loss, the loss of a son, of family....Bruce simultaneously disrespected Dick's legacy of his family and everything he'd created Robin to be, and envisioned Jason-as-Robin to be from the moment Dick gave Jason his own old costume and embraced him as the new Robin and by extension, HIS family as much as Bruce's.....like, no matter what Bruce intended for HIMSELF and his feelings about Jason's death with that caption, he literally reduced Dick's tribute to his parents and expression of brotherhood to his brother to.....nothing more than the uniform of a child soldier, a subordinate of the Batman in HIS personal crusade. Something that Jason never actually was, and Dick CERTAINLY had never created - or gave Jason his blessing as - Robin to be.
So on that front, I have no problem with Dick WANTING to keep all the Robins, every child who called themselves one, safe - and to take on the Court of Owls alone, by himself, because like it or not, that will ALWAYS be personal for him. That is about HIS family in a way that it will never be about the family, the heritage, of anyone else, even his adopted siblings. The Court were after HIM, specifically, and always were and always would be. I don't see anything hypocritical about Dick's desire to keep kids out of that fight when he himself would have never been okay with Bruce benching him as Robin in some random fight....because this fight is deeply personal for Dick in a way that's not transferable, and to be honest, I see his desire to keep anyone else from dying as a Robin, in a fight against the Court ESPECIALLY....I see it as an inherently selfish want of Dick's.
A selfishness that I think he's entirely justified in having. Its not about anyone but him. Its about HIM not having to deal with the burden of any more deaths in his family's colors, his family's name, when he in all likelihood originally created Robin in that particular guise because he figured he'd likely die as Robin at some point, and thus he'd never have to see anyone die in the image of his family's costume and colors ever again because the only person left TO die in them, at the time, was he himself.....thus kinda ensuring for Dick that when he did die, he'd go out just as his parents did, which in his youth at least was likely a weirdly kinda comforting idea for him.
So on the one hand, Dick's desire to keep the kids out of harm's way was ultimately a selfish - but justifiably so - desire to not see anyone else dead or injured in a literal WAR of CHILDREN being fought in his personal family colors and image....especially when 99% of them had literally no idea what the colors they were fighting in signified and meant for the mantle's original creator.
BUT.
BUT BUT BUT BUT BUT.
Where this all falls apart for me, and why I don't just go with this take and instead just kinda sidestep around the whole story itself and don't engage with it....
Is there's absolutely no way to 'fix' the story as is.....without coming up with an entirely different middle climax, in which Dick finds some way to sideline the kids without getting them all arrested.
Cuz see, what I'm NOT gonna ever do, is try and argue from an in story perspective, that Dick would ever be stupid enough, or try to justify, getting kids - many of them marginalized, and people of color specifically - arrested in the name of keeping them SAFE.
That's just stupid to the nth degree, and unilaterally the fault of DC's writers being oblivious to the real-world realities of police brutality and the interactions and dynamic people of color have with the actual police.
It was DC's fuck-up there, but I - especially as a white writer and fan - am not going to try and fix or transform that fuck up short of entirely rewriting the whole second half of We Are Robin's plot, which to be honest, I don't see as likely to ever be a priority for me as there's so much other content in Dick's narratives I'd rather get to first. Its just way too far down the list, the premise itself doesn't interest or engage me enough to make me WANT to invest in that particular story heavily enough to create a whole other direction for it, that navigates around the issue I have with it here.
So again, I mostly just....don't engage with it. Because I can't see Dick's stance on the issue of his family's legacy ever being other than what I always see it as, and thus see it as here, but I'm definitely never going to find it appropriate to write Dick trying to justify his decision to ENGINEER the police arresting all these kids for their PROTECTION....to a black character like Duke in specific.
Because its not. But again, this wasn't Dick's decision at the end of the day, because he's a fictional character who can only make the decisions he's written making. And thus it was the decision of writers who wrote these characters in situations that contained analogues to real world issues without keeping centered an awareness of how those issues intersect with people of different identities, particularly people of color and black people in specific.
So its not a decision that made me like, dislike Dick, because its one that I don't think he should have ever been written making, but its not a decision I care to justify in universe.
And that's about all I think I ever intend to - or even could - expand on that subject, I'm pretty sure. *Shrugs*
Oh wait, no, I lied!
Quick thought for white fans in particular....because I HAVE seen this subject tackled at least once or twice in fiction, from an ACAB standpoint that had Duke reaming out Dick for his decision here, for the same reasons I'm outlining above.....
This isn't an attempt to gatekeep or police anybody as like, I'm not actually ever trying to do that, I'd have to know every fic writer's personal identity and marginalizations TO do that, and I'm not pretending to know that or asking to, like, its just not on the menu for me so please don't get me wrong, this is purely aimed at a plea for white writers in particular to exercise personal accountability and good, sincere judgment in this regard:
No matter your personal feelings about Dick Grayson, the subject of Robin, or any of this in general, PLEASE keep in mind before utilizing Duke as a mouthpiece for giving Dick shit for this in the name of smearing the latter's character or making him look bad, like.....
Dick is of Romani descent. In the New 52 continuity as well as pre-Flashpoint. That's been made explicitly clear, and as such......there is no substitute in our current real world zeitgeist for the interactions the police have with black people, but please keep in mind that Romani people have a very, VERY long history of being subject to police brutality and persecution in a wide range of countries. Its a big part of why so many people are so uncomfortable with cop!Dick in the first place, and as such, it makes treating him as this naive, privileged white guy when having the realities of police brutality explained to him by another character, like.....not look exactly like you might intend there, because the reality is he's not SUPPOSED to be that character, but too few people at DC, and ESPECIALLY the people writing the We Are Robin stories, like, completely fail to ever extend the idea of Dick being Romani to any kind of examination of what kinds of lived experiences, perspective or perceptions this results in him having specifically.
And that's a failure on DC's part, but you don't need to go making it your failure as well, so for those of us who are white like, this really is something that should be kept centered before we decide to engage with story elements like the above one from We Are Robin, and like, if we do, then HOW we go about that specifically.
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Fic updates & timeline 🥰
Here is my current prompt list and potential timeline.
I’m currently participating in the @t100fic-for-blm initiative, and I am working through those prompts in the order I’ve received them. I appreciate all of you guys being patient (especially with my WIPs that have taken a backseat for the initiative), and I’m excited for what’s coming down the pipeline! At the moment, I am not accepting new prompts until I can work through this list. <3
The rest is under the cut, but here is an up-to-date look at my fic list:
Current ongoing projects
Upcoming fics
WIPS I swear I haven’t abandoned
Current ongoing projects
Wreck Jroth Club Fic Collab
Would you choose the end of war and suffering in your own lifetime if it meant the end of every other universe, too—including ones where you, your friends, and your family are happy and at peace?
Or, the S7 finale rewrite where Clarke experiences some of these other lifetimes and makes the ultimate choice of whether or not the end of suffering in her own reality is worth sacrificing infinite others where things might have gone differently.
An angsty fic collab where different writers from the Bellarke fandom write different chapters as part of an overarching story. Each intro is written by me, as well as the first chapter, last chapter, and a few sprinkled in the middle. Follow @wreck-jroth-club for updates!
Bellarke Big Bang - Find me in the light
While I can’t unveil the premise just yet, I am a writer, creator, and mod alongside @animmortalist for Bellarke Big Bang 2021! First chapter will publish in June, but I’ll be working on this fic in my spare time between now and then. Y’all, get ready for some ANGST. I haven’t been this excited about a fic in a long time.
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Upcoming fics
Linctavia prompt — official title TBD
Prompted by @1munequita
Linctavia as sexually frustrated parents whose daughter continually interrupts them.
Cross my heart - official title TBD
Prompted by @thecspenciskillingme
Gallagher Girls AU!
Normal 18-year-old girls graduate high school and then go off to college with their friends. Maybe they join a sorority. Hell, maybe they get a boyfriend or girlfriend and fall in love. They sleep in and skip class and stay up late with their equally normal friends.
But Clarke Griffin has never been normal.
It comes with the territory of being the daughter of two renowned spies for the CIA. Clarke had been raised to speak seven languages and be able to change her entire appearance with nothing but a pair of nail clippers and some shoe polish. She wasn't built for normal.
Angsty. Spy shit. Multi-chapter.
I see a monster’s eyes in the mirror - official title TBD
Prompted by @constellationbellamy
S6/7 AU — Bellamy got nightblood in S6 when Josie took him prisoner, and Bellamy is who Slim Sheidy "takes over" in S7. Fulfilling all of our void!Bellamy dreams without the religious indoctrination ala Steve and Etherea. Also, there will finally be a reason why no one killed Slim Sheidy as soon as they realized he was back.
Is this potentially the angstiest idea I’ve ever had? 120% But don’t worry, it’ll have a happy ending. My name is not Jason.
Criminal Minds AU - official title TBD
Prompted by @constellationbellamy
A Bellarke Criminal Minds AU.
Song prompt: Let You Down by NF
Prompted by @edgelessness
Everyone thinks Clarke has the perfect life, including her best friend's older brother Bellamy. But that's far from the truth.
Angsty AF.
Bear Grylls AU - official title TBD
Prompted by @slyth-princess
A collab between myself and @writetheniteaway for Beardcave.
Don’t expect me to fall in love with her, too - official title TBD
Prompted by @writetheniteaway
Against all odds, Steve Doucette fell in love with Bellamy Blake. And Bellamy fell for him, too. But once they start rebuilding back on Earth after the "the last war” and transcendence turns out to be a myth, Steve starts to realize exactly what Bellamy meant in the cave when he said Octavia and Clarke were the most important people in his life.
As he gets to know the blonde, he can see the deep connection that exists between her and Bellamy. They are part of each other’s souls, and Steve can’t help but admire the way they are together. He’s not going to stand in the way of their relationship, whatever it is — after all, he was raised believing you could love more than one person equally. He knows Bell loves him, and he’s okay with the knowledge that Bellamy loves Clarke, too. But just because he understands why his boyfriend loves her doesn’t mean he has plans to fall in love with her himself.
Then again, you know what they say about well-laid plans.
Angsty. Sappy. <3 The OT3 we deserve. Multi-chapter.
Two sides of a coin — official title TBD
Prompted by @sparklyfairymira
Bellarke/Jeresa crossfic for all you QotS fans! Teresa and James are trying to establish themselves in the Dallas market, but DEA agents Clarke and Bellamy are determined to not make it easy. Throughout the fic, both sides will start to understand the other a little more and learn how to coexist without sacrificing their livelihoods or their integrity.
Angsty AF. Multi-chapter.
WIPs I swear I haven’t abandoned
Since joining the BLM initiative, my focus has shifted away from WIP updates and toward completing prompts as they come in. To be honest, I was not expecting to receive as many prompts as I have (which is amazing on so many levels), so I apologize for how long it’s been since some of my fics have been updated.
I appreciate you all being patient, but here are the WIPs I swear I haven’t abandoned! If anyone wants to prompt chapter updates for the BLM initiative, that will help get these on the prios list sooner. But otherwise, these bad boys will still get done. Albeit more slowly.
I'm gonna get myself back home to you
S4/5 AU where Bellarke gets together before he goes to the Ring, and he never believes she’s really dead. Told from multiple POVs before, during, and after the Ring.
Next update: Ch. 6 — March 2021
Intertwining Your Soul
Arranged marriage grounder fic.
Next update: Ch. 12 - March 2021
Amor vincit onmia
S7 rewrite to spite Jason.
Next update: Ch. 2 — March 2021
There are some things written in the stars
Timeless AU
Next update: Ch. 4 - April 2021
Choices We Make
Greys Anatomy AU.
Next update: Ch. 9 - April 2021
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If you’ve made it to the end of this long-ass update post, I commend you. lol But hopefully for those of you wondering when certain things will be published or what upcoming fics you can expect from me, this provides some clarity!
You may have noticed I took off the expected publish dates. I’m trying like hell to stick to a schedule, but I can’t make any promises and I hated letting anyone down if something didn’t get published on the expected date.
Shoutout to my BAHSA babes for keeping me sane, thebellarkes Discord for enabling my angsty-ass fic ideas (and for prompting me for BLM to write a ton of said ideas). Forever grateful for a community of people who support my writing!
Come hang out with me on AO3 @stealing-jasons-job or Twitter @stealjasonsjob!
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