#the dialogue is so cryptic and lovely

[parachutingkitten]

Look, I know crystalized sucked. It definitely did. It was like... very bad. And everyone face palms in hindsight at how hopeful we were when the first half came out, but like...

The Call of Home, man. You can't blame ANYONE for thinking this season was going to dominate when episode 2 was already making us cry.

[ddarker-dreams]

sometimes i wonder if i'm making blade's dialogue too unnatural and then i look at his voice lines and go,

ah. no. this fits.

[sharkneto]

we played cairn tonight with the dnd group, and i cannot get over the randomly rolled description for my character. what a rollercoaster, with the punchline of "i am 16 years old" at the end. art.

[cryoweaving]

everyone with their baldur's gate 3 muses and verses. i get more and more tempted to invest more in my bg3 muse idea

[irisintheafterglow]

hi!!! could i request pro hero!bakugo & pro hero!reader where bkgs doing an interview and they ask about relationships and his answer is “I thought you people already knew that im married”

i have no idea how to word things but i hope that was readable🙏🙏

keeping it in the family

wc: 1.6k

cw/tags: swearing, mentions of drinking and alcohol, established relationship, dialogue-driven

note: RAHHH I LOVE HUSBAND BAKUGO. anyways !!! i hope you like this, i did get a little carried away when writing it so hopefully it makes sense. thank you for your ask!!!

likes, reblogs, and replies are always appreciated <3

“And we’re on in five, four, three, two…give ‘em hell.” The roar of excited applause jumbles together with the late-night show’s opening theme and the screams of excited fans can still be heard even as Kirishima flashes a blinding smile to the camera. 

“Good evening, everyone, and welcome to Heroes on Heroes! We’re so glad you’re joining us tonight, seeing as this is the finale of season one!” The audience cheers with fiery passion and it makes the three heroes onstage chuckle nervously. This was going to be a long night, especially if the superfans were crying after every word they spoke. “I’m Red Riot,” he pauses while the cheering erupts once again, “and I’m joined by my fellow pros, Chargebolt and Dynamight.” You wince from your place at sidestage from the sheer wave of noise that slams into your eardrums when the latter is introduced. 

“Thanks for having us tonight, man,” Denki grins. He eagerly drums the armrests of his chair, to the left of Kirishima. “I’ve been looking forward to doing one of these since I saw Deku’s a few weeks back.” 

“It’s a great concept, really. I love being able to just chat with you guys and shoot the shit about hero stuff. It’s so manly.” Kirishima turns expectantly to the other hero sitting to his right, whose hot-headed nature was blatantly obvious by how he was slumped in his chair, squinting slightly at the burning spotlights and clicking cameras. You admire Kirishima’s confidence in forcing Katsuki to say something. “What about you, Bakugo? How’re you feeling tonight?” 

“I’m alright,” he shrugs indifferently. Your breath catches in your throat and you can hear the Dynamight agency’s publicist put his head in his hands. “It’s been a while, so it’s good to see you guys,” he adds with unexpected fondness and you exhale in relief. His eyes meet yours for half a second and he shoots you a wink that makes your knees wobbly. “I saw that save at the bridge collapse last week, Shitty Hair. Pretty decent work.” Kirishima blinks once, twice, and then glances at Denki. Katuski’s blank look narrows into a scowl. “The hell are you looking like that for? I got shit in my teeth or something?”

“No, no. Sorry, man,” Kirishima laughs. “I just wasn’t expecting a compliment from you so early in the show.”

“Yeah, we thought we’d have to booze you up a little more to get you to be nicer,” Denki jokes and he recoils a bit when he’s struck with a molten hot glare from the hero across from him. 

“Whatever you’re about to say, bro, don’t say it,” Kirishima warns and the crackles in Katsuki’s palms gradually dissipate. “But, I’m wondering too. What’s with the good mood?” 

“I guess I feel like playing nice tonight,” he answers cryptically, his gaze flicking over to you again with amusement. You can almost sense the fainting girls falling over each other in the front row. Kirishima’s attention subtly darts over to you and a knowing smirk grows over his face. It was the first time you and Katsuki were at the same press event, since you both thought it was too dangerous to sneak around until now. “But, talk about that bridge save. I don’t think a lot of people know that the guy was wanted by several agencies.”

“Ooh, yeah,” Denki agrees with a quick sip of his drink. He swallows and sets the glass down with a light thud. “He’d been giving us hell for weeks. It's not really the best matchup for a sand villain to be going up against an electric hero.”

“It was the sand villain and his wife, wasn’t it? That chick with the melting Quirk?”

“Yep, they were a nasty couple to deal with,” Kirishima confirms. “I had to keep track of this guy’s damn sand spikes and his wife turning the floor to goop at the same time.”

“Goop is a weird-ass way to put it,” Katsuki points out with obvious distaste. 

“Yeah, but he was a pretty goopy guy.” Chuckles ripple through the audience and you can’t help breaking a smile too at Kirishima’s joke. 

“I think for me, at least,” Denki adds, “the biggest pain was the fact that they were married, and they had, like, marriage telepathy or something.”

“Bro, I thought that was just me! Here I was, thinking that I’d incapacitated one and split them from the other, when bam! Both of them appear in front of me like a damn genie.” 

“You ever have to deal with villain couples, Bakubro?”

“Nah, not recently. We’ve been doing a lot of big raids on all the crime families downtown.” He flexes his right bicep and pulls back the sleeve of his shirt to show a gnarly purple spot growing on his skin. “Got this little beauty three days ago from a neo-Hassaikai asshole.” You're not fazed by the ugly shade of the wound because you were the one who stitched up the...less visible results of the raid.

“Jeez, man,” Denki says in disbelieving awe at his friend’s injury. “If you ever need backup, we’d love to do a team up with you.” 

“I think I’d rather die–”

“My agency would also love to team-up with you,” Kirishima interjects before Katsuki can finish his thought. The heart rate monitor of his publicist begins to rapidly beep behind you. “We can have a threeway team-up! That’d be pretty cool, don’t you guys think?” 

“What if we all just merged into one big super agency? Like a big family?”

“That sounds like the stupidest shit–” Again, Kirishima cuts off Katsuki’s brash protests and saves them from being taken off the air.

"That would be so awesome."

“Would that mean we’d have to get pro-hero partners, too? Keep hero work in the family?”

“I think Salonpas would have heart palpitations if we said we were trying to keep hero work within the family,” Katsuki points out and his friends nod in agreement. “On another fuckin’ note, that Half-and-Half idiot keeps hogging the number two spot and it pisses me off.” Though you didn’t often encounter Todoroki while you were on patrol, you knew that he was adamant about keeping work life and family life separate. It made him even more of a dedicated hero and a recent bust of a notorious crime ring bumped him into the number two spot over Dynamight for that month. You didn’t hear the end of it from Katsuki. 

“He and Deku just work really efficiently, Bakubro.”

“I can efficiently slam both their skulls into a–”

“You know what would solve that problem?” Denki butts in unceremoniously, covering up his harsh words for a third time. Katsuki grunts in response and the lightning-decorated hero gives him enthusiastic finger-guns. “Combining and making a family agency.”

“What are the chances that Sero would want to join too?”

“Probably pretty high,” Kirishima guesses. “He’s at my place every other week, anyway, so he’s basically my brother.”

“Alright, maybe this could actually work, then. I just need to find a smoking hot hero wife.”

“That’ll probably be the hardest part, buddy–”

“What about Bakugo?” You stiffen and the three guys turn their attention to a voice calling out from the audience. Speaking during the interviews was strictly prohibited until the question and answer section, but getting Katsuki’s attention was a surefire way to derail the entire episode.

“The fuck do you mean, what about Bakugo? Who the fuck said that?”

"Dude, just ignore them."

“Can’t be a family agency if Bakugo never gets into relationships,” the same nasally, irritating voice argues and your face feels like it’s been set on fire. Kirishima’s attention jumps to you for a moment and then back to his friend, whose palms are starting to spark like fireworks. “Do you just get no bitches, or something?” The audience gasps and security finally arrives to escort the disturbance out of the building. The director is ready to stop the cameras and jump to a commercial break, but Katsuki speaks before he can order the sound crew to cut the mics. To everyone’s surprise, his voice is nothing but amusement, like the insinuation didn’t bother him in the slightest. 

“You think I don’t get into relationships?”

“Bakugo…”

“It’s alright, Pikachu. I really don’t give a shit about whatever that guy said,” Katsuki reassures his friend with a sly glint in his eye. His friends watch him warily, like a grenade on the verge of exploding. Once again, burning red eyes meet yours with a single question that you answer with a resolute nod. “I’m not gonna blow up, so stop looking like that. Really, I don’t care.”

“Why not?” A tense beat of silence passes, then–

“I thought you people knew that I’m married.” A shit-eating grin spreads across your husband’s face as gasps of shock burst from the audience. Kirishima and Denki both shake their heads in exasperation. They knew already, of course, but they didn’t expect him to reveal his relationship status as a result of a heckler. “Yep, going on a year and a half, now. Around five years together total coming this winter.” More collective cries of jealousy, surprise, and betrayal shake the building’s foundation. "If you don't believe me, ask these guys."

"Yeah, we were at the wedding, too. It's hard to keep it a secret when all of your friends are also high-profile heroes."

“Can you guys believe that he fell in love during the winter?” Denki’s thumb juts out toward his friend, who frowns at the mere mention of cold weather.

“I fucking hate the winter,” he grumbles. 

“We know, man,” Kirishima says sympathetically, unsuccessfully hiding a chuckle. “You’ve been saying that since high school.”

“Yeah, and shit hasn’t changed,” Katsuki bites back with lighthearted indignance. “Look, they saved my ass when it was cold; how was I not supposed to fall in love with them?” To your delight, his complexion has turned a slightly darker shade of pink. “Yeah, I love them. What about it, asshats?”

“Is this a bad time to bring up the family agency again?”

“Let’s go to commercial before I blow this fucking chair to pieces.”

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[once-upon-an-animation]

Things I would like to see fixed in PJO S2:

- More worldbuilding, but do it in a way that isn’t heavily reliant on dialogue. Show us more of the camp, maybe let us meet some of the other characters.

- More humor. PJO is supposed to be a fun adventure story where the dark and serious elements are balanced out by the humorous moments. S1 felt so somber and cynical, and I feel like that isn’t the right tone for Percy Jackson.

- More whimsy/campiness! Mr. Riordan, your books got really weird and silly sometimes! Let your show be weird and silly sometimes too! Not everything needs to be dark and gritty. It doesn’t have to be super childish, but there needs to be more magic and charm in this world.

- Let the trio be vulnerable to traps. Yes, I know it makes sense for them to know the myths or whatever, but if you want the monsters and traps to feel like they’re a serious threat, you can’t have them be this easy to explain and maneuver. Conceal them better; make them tougher to figure out. In addition, show off more of Percy’s street smarts. We love this character because of his ability to think fast and improvise a bad situation even if he doesn’t know all the details of the relevant myth. Emphasize that more; it’s not everyday that he needs to be a walking encyclopedia.

- Luke and Annabeth’s relationship needs more oomph. Their relationship felt kind of hollow in the first season, and y’all need to tighten that up in future seasons because their relationship is only going to get more integral to the plot. It’s okay if you want to leave out the crush, but man, you should have given them something.

- For a story that was inspired by a boy’s struggles w/ ADHD and dyslexia, the impact of these conditions felt kind of absent during the actual quest itself. I’m not saying that they need to go overboard with this or anything, but if you’re going to do neurodivergent representation, I feel like it should have a stronger presence during the actual quests, yes?

- The action scenes are kind of weak. Sea of Monsters has a lot of action going on, so y’all will have to really think out those action sequences so you can capture the excitement within them. I’ll be disappointed if the action in S2 feels as flat as it mostly felt this season.

- Annabeth is not a stoic character. She’s actually quite expressive; she’s just selective about what she discusses, and sometimes she chooses to convey emotion through action, behavior, or cryptic words instead of explicit words. But she was never stoic, so please allow her to actually show more of this emotion. It’s okay to let her be vulnerable; that’s what endears most people to this character in the first place, and that’s why that chair scene stuck with people. Therefore, this need to make her this mostly unshakeable girl boss should go away. The girl is a sentimental character; let that stay.

- Please fix the dialogue. Less exposition, more characterization.

[fappinreborn]

Hey there! I have an idea for the VR Story. Maybe you have a Date with someone you Just matched. She also didn't know she was pregnant, but Your app shows it to you. You say you're going to the bathroom, but in reality you're controlling her pregnancy. Suddenly she is 43 weeks pregnant and you have set the contractions to never happen (of course you can change that after the date) you make her overdue with twins, then triplets. While she didn't even know she was pregnant until now

First of all, not a VR Story (it's an old DA story of mine). Secondly, this is a really interesting premise to work with. I think overdue and multiples aren't feasible here so I'm going for early singles. Third, I try to stray away from dialogue, so you could fill in the words yourself.

Pregnancy Control 3: Date Gone... Right?

One of my regular activities as a young adult is looking for love on the job dating apps. I had been meeting several girls over the years, some ghosted me after the first date, some went along for a month or two before breaking it off, even had one that lasted almost half a year. All the girls I met were fun and interesting, but turns out this one new girl that I'm meeting tonight pales in comparison to all of them.

When I arrived at the apartment to pick her up, the pregnancy control app, as usual flared up to show some pregnant woman near that apartment.... but it also included the girl that I'm going with. I sort of panicked but quickly read through her file.

Apparently she's just barely 6 weeks pregnant but didn't realize she was pregnant yet and the app offered me to control her pregnancy. The app seems to know me so well and have upgraded itself to even give suggestions to make it cryptic pregnancy and when I should stop growing her pregnancy, presumably to make the cryptic pregnancy plausible for her. 'The girl's been sleeping with other men.' I thought to myself.

I was... hesitant at first, wanting to separate my... normal life with my fetish, so I held it off... for now.

I picked up my date, looking fine with her casual T-shirt and jeans and went to a nice restaurant. We sat down, selected our food and talked for a while, getting to know each other. Things were going well, but in the back of my mind, the temptation kept shouting at me until it was too great to ignore.

I excused myself to the bathroom, sat down at the toilet and began activating her pregnancy, tuning her cryptic pregnancy to ~39 weeks and activating her labor, but reducing her contractions pain to 0. Don't want to distrupt the date, after all.

When I came back, I noticed that her belly had grown slightly but she did not notice anything. The date went back to normal until we've finished our food. We... were starting to play with our phone, so I figured it's time for execute the plan.

I made her go into the bathroom and made her water break subtly and let her have mild cramps afterwards. She voiced out her complaints to me, so I decided to take her home, knowing that the date I'm with is actually laboring and is about to deliver a whole baby soon. I helped her get into the car and then ramp up the labor progression. I started the record on the phone and began driving back to her apartment.

I was lowkey worried about her, as her cramps are getting worse and her legs are slowly spreading wide. The baby is fully dilated at this point and is starting the descend. I can hear her moaning in pain like a laboring mother would until all hell finally breaks loose.

We were around... 10 minutes from her apartment when I noticed her tight jeans began to bulge out. She reached down and told me that she felt something hard and round. Another round of cramps, a push and the bulge became more pronounced. She panicked, realizing that the thing coming out of her was none other than a baby. I acted panic in return as she began pushing hard. I quickly parked my car at the side of the road and then ran around to help her out.

I tried to help her, but the legs were too spread out to even pull the jeans off. I cupped the bulge and felt like the head was fully crowning at this point. She decided to go all in, pushing hard until the head popped out of her. With a bit of breathing room, she closed her legs a bit so I can unbutton her jeans off and pulled the pants down before she pushed again and got the baby out with one single push. She embraced the newborn baby in her arms with a mix of disbelief and joy.

I... offered her a ride to the hospital instead and she accepted, so I made a trip to her preferred hospital and dropped her off at the ER. She thanked me for the help with the birth of her child before I went back home...

I hope she's okay now... and I hope we can get more dates with her after this...

[jin-zixun]

All Ships Ship Week - Beetlebabes Favorite Moments

Previously: Beetlebabes Dossier + Why I Love Them

Masterlist

So... It's the MacArthur Park scene. Just straight up... Do I really need a whole post for that? Not really.

I could say something about it, but what can I really say? Beautiful, beautiful song, really implies a depth of emotion that Beetlejuice has for Lydia that you aren't going to get from his dialogue alone, because that's not the sort of guy he is.

The somewhat cryptic "I love a good dream sequence" line as he and Lydia twirl into the air? Which, by the way, stunning visual, perfect couple. Perfect almost-wedding. Yes, it's fascinating, yes I think there's a downright spoken invitation for theory-crafting.

The bts interviews about like how Lydia secretly wants to marry Beetlejuice, and how that seems at odds with her in-universe reaction? The second wedding being a much deeper, emotional, romantic mirror of the first?

That when Lydia sends Beetlejuice away, she seems more at peace with how easily he goes than anything else? That she has that control over him, and ultimately over her life, and this is the proof of that she needs?

That Beetlejuice singing (or 'singing' I guess) about 'I will take my life into my hands' seems like a message directly for Lydia, in more ways than one. After all, he's not actually the one with a life to continue living.

That Lydia will still be thinking of him and wondering why? And that maybe she'll decide she doesn't want that to be the way her story ends? Maybe next time the wedding will stick?

Yeah, I guess I could mention those things. idk, I'll think about it.

[eluviannaa]

In this week's written Umbral scene, our Ethereal, Zarath'anar, doesn’t have many lines, but I made sure the ones he does have are dialed up to 11. He’s from the Consortium, an Ethereal faction focused on trade and shady deals.

Most of my research is pretty focused but I absolutely loved digging into Ethereal lore. Usually, I dig further than I need to, obviously for context but also, you never know what threads will be useful later on.

For this, while the Consortium wasn’t front-and-center during Legion (the story's timeline), it still felt lore-consistent that he might be in Dalaran as a vendor at my imagined market—especially more so than other Ethereal factions in this context.

Writing Ethereal dialogue is a time—it adds another layer of formality, which feels a little different from the bits of high fantasy and poetry I usually do.

By nature, Ethereals are cryptic, mysterious, detached from mortal concerns, and more focused on broader cosmic forces. Some of my favorite lines from Void Ethereals like Locus-Walker, Saprish, and Ashaal really get at that :

"Our bargain does not require me to wait until you are ready." — Locus-Walker

While these scenes serve more as a script/draft for the comic, visuals being sparse, I'm excited to draw all of it! The scene was a bit long overall but we have a little time before I get to the panels in Act 2. I'd love to do a revision of this but as is, it was nice to finish it.

Excerpt from Act 2, Scene 5: Echoes

At the Ethereal’s stall, Eluvianna found a collection of odd trinkets and crystal fragments. The Ethereal, barely more than a shimmering silhouette, stood quietly behind the array. As a simple stone caught her eye, its surface swirled with colors that seemed to shift.

As she leaned closer to it, the ethereal inclined his head. “In all things, the Sin’dorei have an impeccable sense of timing,” he murmured, his voice carrying on the wind. Eluvianna glanced up from the wares, momentarily meeting his gaze—or where his eyes should have been.

“Am I… late?” Eluvianna asked, compelled to respond despite the uncertainty.

“Quite the contrary—you are early. And as such, perfectly on time.” He nodded with sincerity. “It seems the past is not doomed to repeat itself entirely.”

From the folds of his fabric, he produced a small, tightly wrapped package, offering it to her with a spectral hand. “As agreed.”

“I don’t recall meeting before. Perhaps you’ve mistaken me for someone else?” Eluvianna protested.

“Promises hold weight across all realities,” he replied, his voice like the air between worlds.

Despite her confusion, something in his words compelled her to accept the package. As she reached for it, he held it a moment longer, his grip firm but not unkind. “Alas, even I cannot glimpse the final patterns of the currents we navigate.”

Eluvianna furrowed her brow. “Currents?”

“Perhaps our paths will cross again when the echoes of this moment return,” his form shimmering faintly.

Somehow the words were familiar. Perhaps the echoes he spoke of were tied to her dreams. They had become more vivid, and last night they felt like a future destined. Though she had shrugged it off as merely a wish, she knew her studies had opened her mind to more. Just not quite any such path of an oracle.

[adracat]

GWitch ep 19 thoughts

Every episode is a kick in the teeth with candy boots. A sweet misery you've known like no other. This episode was no different and I relished today's destruction as Mio and Prospera take center stage

That's a loaded statement if I've ever seen one. Really enjoyed this brief intro segment. We get Guel's thoughts on Kenanji; uninspired and suspicious, which are a vast change from his once admiration of the man. Guel also seems surprisingly chill about returning to Earth, but cryptically comments he wants to check the situation there and aid in negotiations. I like how Mio and him have fallen into this friendly rapport after everything. We'd like to see him apologize formally ofc, but it's not necessary for Mio. She's focused on greater concerns than the petty school days of Asticassia

Meanwhile, Suletta is a wreck. She's completely fallen apart after her mother and sister dumped her in space like hot garbo. She can't even plaster on a smile and lie to herself any longer. Earth House just thinks she's upset about the break up, so she isn't confiding in anyone at all. Suletta.exe has stopped working :(

Hilariously, Counselor Secilia has decided to make Martin her servant after listening to his confessional. It's great they make a distinct parallel to Miorine here, with Martin explaining he thought the best way to protect Earth House was to give up Nika. The show is filled with instances of people taking away another person's agency in the misguided belief they're doing 'what's best'. So good!

Real Elan finally gets more dialogue and he makes an excellent point, for once. The quickest and dirtiest way into Benerit's graces would be to forcefully suppress the earthian protests. A gundam, let alone one like Aerial, is a powerful statement of supremacy after all. Shaddiq is convinced Miorine would never allow it, and he's partly right. She wouldn't if she was the one truly calling the shots.

Feng is so cool for a spook. She successfully preys upon Belmeria's cowardice and gains her begrudging compliance. Really enjoyed the dynamic here at this little tea party. It was almost like a date 😳 Love me two older women with some tension. Is this the newest gwitch ship to take flight?

I love how Mio recognized these are peaceful protesters immediately. It's another instance of her demonstrating empathy on a greater level than she once did. Her initial ignorant comments about Earthians in cour 1 seem a distant memory, and much of it has to do with her exposure to Earth House. If not for them and Suletta, her pov would be just as narrow as every other spacian's.

And it's off to a terrible start lmao. I think Mio expected an uphill battle but those are some steep demands. A worldwide ban on spacians is unfeasible but absolutely warranted considering everything the spacians have done. Mio doesn't quite know how to counter, and it's so funny Guel left her here without help after previously saying he doesn't trust her diplomacy skills. I doubt he'd be much help tbh, but I guess he trusts her more than he said? Which is, uh, somewhat appreciated? It's the thought that counts.

Sad widow moment. Norea grieving Sophie's death and expressing her fear of death explicitly has been a long time coming. 5lan bearing witness as the floodgates open and she reveals they share this core dread? God this hit so good. You can't help but feel for these kids. Nika continues to watch on in bafflement as the drama unfolds. When is she gonna leave this level of purgatory?? Only Okouchi knows...

OMG, I AM SLAIN. Defeated. This sad husk of a girlboss misses her (ex) wife so much. Normal people would just have a wallet photo or a locket, but she's reduced to watching this goofy ass promo wistfully. I would find it hilarious if it wasn't so sad. It does give her the strength to continue negotiations so that's neat

More importantly, it reminds her of GUND's ideals and the people who've banded together because of that dream; Earth House. She cleverly points out that fulfilling their demands would also mean removing earthians from space, but she won't because they're her partners at GUND-ARM. Her showing them the medical achievements they've already made together was smart and tips the scales in her favor

I keep saying I love Mio but I really do. She's inspired to grasp the presidency for her own goals, rather than just as a tool for Prospera. She found a path of peace in spite of everything against her. It's bittersweet to know, in a kinder world, this would be the end of her struggles. But Prospera won't be satisfied with peace.

This shot was gold. Suletta raiding the fridge like an unwashed raccoon is perfect on so many levels. We finally get unbound Suletta too. Ugh she looks so good 😭

LOOK AT HER!! Babygirl. She looks like such a sad scruffy mutt here. I love it 🥹 Adored Earth House supporting her in her hour of need and giving her a boost with goat milk too. Really cements the rebirth imagery they had in the last episode.

Martin decides to slink home too and reveals everything going on with Nika. This bit from Lilique says it all. There are times when you are left with only so many options. While you may not choose the objectively best path, you can only pick what YOU feel is best. Miorine, Martin, Aerial. Even Delling and Prospera (Perhaps DoF and Shaddiq as well) It fits all the way across the cast.

I didn't expect to get the Shaddiq real name drop from this shakedown, but I'll take it. Kenanji may be a cop with blood on his hands, but he's a keen one. We learned that 'Prince' is a longstanding nickname and it implicates Shaddiq wholly in the terrorist attacks. 'Whoopsie, all my nefarious plans undone by one kid's rambling!'

(I also think the implication was Shaddiq or Jeru Ogul rather, is the 'heir apparent' to Ochs Earth virtue of his dead family. Not entirely certain tbh)

Looks like Guel will be Asticassia bound next episode along with Kenanji. No idea why Kenanji had to tag along but I guess Mio has enough of an escort. Let's hope this detour leads to Suletta using the Schwarzette! Fingers crossed

You saw it here, everybody. Prospera shot first! I'll admit I didn't fully expect her to go this route but it makes sense. I anticipated her gaining Mio support somehow, but she just cut the BS and said let's do this dirty. Controlling Earthian artillery to mask her intentions and provide an excuse is devious and brilliant

Destroying DoF's secret stache of gundams even more so. She really cut Shaddiq's plan for a cold war at the knees and Guel/Kenanji are on track to expose his duplicity entirely. He'll be lucky to not be jailed let alone president of anything. It's amazing that everything works out for Prospera no matter how many risks she takes or gambles made. Lady Luck must love her nonsense as much as the audience

Cut back to Bel and Feng, their date did not end as well as I hoped. While Bel spilled some details about Quiet Zero, Prospera's second hunts her down and interrupts this powow. Can't risk QZ leaking to the corpo spooks after all. We did learn that SAL is not as unified or well intentioned as we might have thought. Their high council was revealed to be backing Ochs Earth of all corps. Feng seemed to be an outlier in yet another shady corpo-controlled faction. I'll miss her, but maybe she somehow escaped this dire situation? I won't hold my breath. RIP Feng, you were a real one!

Elan Prime seems so smug to be right, even if it means their horse in this race has some real competition. He really is a little shit just like 5lan. That MS shot though. Damn evocative. War journalists eat your heart out. It's visual reference too, I believe?

This is the funniest thing he could've said. Shaddiq is malding just like a pathetic incel. Remember when everyone thought he pulled mad game because he's surrounded by women? But the sad reality is he's the most maidenless person in the solar system. The best outcome tbh.

Beyond the laughs, this line speaks so much about how he views Miorine. He views her little better than a prize only he's deserving of; a 'pure' princess to match his crusading prince. He repeatedly disregards her agency, seen in episode 9 when he acts like Suletta controls Mio and here when he blames Guel for what's happening on Earth. He's such a salty little worm.

Finally, we're left with Suletta and Earth House as they react to the chaos. Suletta recognizes instantly Miorine's innocence and her mother's culpability. This was why Aerial sent her away. This was what everyone is trying to shield her from. It was a moment of clarity I hadn't expected, but a very welcome one. Hopefully, this means she'll be spurred into action now that Mio is in very real danger. Schwarzette time? We can dream~

That next episode is incredibly ominous though. End of Hope? Considering they have that promo where GUND-ARM/earth house are the ray of hope... yikes. Let's hope I'm just reading into things and it's not that grim

Edit* additional musings:

A segment was deleted somehow so here it is

Miorine... You know, I've seen people having a bit of schadenfreude at her expense. 'she's so stupid, ofc this happened!' - that flavor of criticism. My counter to this is what could she have realistically done? She was strong-armed into this agreement and manipulated onto Earth. She dared to imagine a peaceful solution based on ideals she slowly grew to believe wholeheartedly. This isn't her fault, much as she thinks otherwise. I can see her willfully remaining on earth to try and correct this atrocity. Girl needs a big hug from her wife ;-;

[sloowoorants]

Thoughts After Watching Hannibal

About two months ago, I saw some Hannibal fan art on Twitter. It looked pretty cool, and I just so happened to have some free time, so I thought: why not watch the show? It's just a normal crime thriller, right?

I expected the type of show that's relatively light yet still intriguing, filled with sarcastic humor, starring a typical grumpy-but-genius protagonist. (This is vaguely the type of show that I’m generally into: Inside Job, Sherlock, House, Suits, Mr. Robot….)

I was so, so wrong.

Nothing, and I mean nothing, could have prepared me for the bat-shit crazy fever dream of a show that Hannibal is: bizarrely artistic gore, incessant cannibalism puns, completely unpredictable romantic subplots, torturous sex scenes that feel like angry acid trips, a multitude of absolutely unhinged psychiatric conduct, esoteric cryptic dialogue which require five google searches and a whole thesaurus to understand, two lesbian murderers "milking" a guy for his sperm to inherent his family heirloom, long scenes of intense and unabashed eye-sex, clumps of dog fur sticking to sweaty bed sheets…and a literal fucking social worker crawling out of a horse, alive and breathing and everything, covered in whatever acrid substances come from a horse uterus.

I ended up watching all of Hannibal in a week, hastily devouring it in just a few sittings.

In no way am I a professional film analyst or critic, but after having stayed up for nights on end, every single one of them spent under my blanket binging episodes until devilish hours of dawn (and barely comprehending the plot from the sheer speed I was consuming the show at, but also from sleep deprivation), I have cultivated a skull full of thoughts on this blessed masterpiece, and I need to rant about it. Which is exactly what this post is.

I am going to separate this ranty-meta-ish thing (I think a “meta” is what it’s called? I’m not sure, I don’t use Tumblr a lot) into two parts: one, about the representation of morality in the show, and two, about the intimacy between Will and Hannibal. It’s not super well written, my grammar is a bit iffy, but I hope you still enjoy reading this, and remember to take everything I say with a grain of salt. After all, I am just some guy with unrestricted internet access, a keyboard, and a little too much passion for the media I love :)

Part One: Hannibal Lecter’s Morality

Hannibal loves art. There is no episode in the entire show where he doesn’t reference some artistic thing—He plays the piano, he plays the theremin, he frequents the opera, he draws, and he finds peace at the birthplace of the Renaissance, Florence. His love for art is why he kills, he transforms people he considers to be “inferior” and “ugly” and elevates them into art. He is acting out his own sense of justice, creating meaning from the meaningless.

In a way, he must have a certain degree of respect for his victims to do what he does. He could have just killed people and disposed of their body in a dumpster, but that’s not his style. Even if he doesn’t “care” about his victims in a traditional sense, there’s this unique honesty and attentive in his murders. Hannibal cares enough about his victims to make them art. And I’m not just talking about the way he displays their bodies, I’m also talking about his cooking, because a big part of art is also cuisine.

He follows a strict code of his own ethics, it’s almost like he’s acting out his “duty” to kill, to eradicate and transform the lesser “scum” of the world. To be killed by Hannibal is almost an honor, like being killed by God personally, skin to skin. Wouldn’t you feel a sense of divinity and fulfillment if God killed you with his own hands, knowing that he respects you enough to choke you himself, then turn you into an elegant display? Every kill of Hannibal’s is filled with passion – Which poses the question, does he kill out of hatred or not? When I think of violence fueled by hate, I think of sex or race based violence. But that’s not Hannibal. He kills victims he considers to be rude, yes, but is it a humiliation? Is it degradation?

This whole "elevate-swine-into-art" thing is also shown through the way that gore is generally portrayed throughout the show, and not just Hannibal’s murderers. It’s very interesting the way gore pretty in Hannibal. It’s often meticulous. It’s meaningful.

These murders are all aesthetically pleasing. For me, it creates a cognitive dissonance: on one hand, I know that these are painful, brutal murders, one the other, they’re kind of nice to look at, which makes me think—Have I ever for a second, while watching Hannibal, considered the crime scene to be beautiful? Have I ever viewed one of those scenes as art rather than gore? As an artist myself, do I understand Hannibal’s obsession with beauty? And if so, what type of person does that make me?

And I love the way this show makes us really think in Hannibal’s shoes, because of how unconventionally it portrays him as a villain. Usually, shows will provide villains with a backstory, but that doesn’t extend beyond just creating sympathy. In Hannibal, the villain is humanized. We understand him. We empathize. And what does that make of us?

Have I ever, in all seriousness, rooted for Hannibal instead of Jack Crawford? Have I ever thought someone deserved to die in the show? Have I ever looked at what Hannibal was cooking, and thought it looked delicious, despite knowing that its human flesh? Have I ever been annoyed at innocent patients of Hannibal, like Franklyn, because I viewed them from Hannibal’s perspective?

On top of that, Hannibal’s philosophy makes sense. I find myself agreeing to a lot of the things he says.

For example, this dialogue from S2e12 "Tome-Wan", when Will finds Mason Verger and Hannibal in his house, and Hannibal asks Will if he should kill or spare Mason Verger:

HANNIBAL: Murder or mercy?

WILL: There is no mercy. We make mercy, manufacture it in parts that have overgrown our basic reptile brain.

HANNIBAL: Then there is no murder. We make murder, too, it matters only to us. You know too well that you possess all the elements to make murder. Perhaps mercy, too. But murder you understand uncomfortably well.

Does Will only have the capacity for mercy because he has the capacity for murder? Does mercy only have meaning in the context of murder? Is our own compassion a reflection of our violence?

With that said, are the things that I believe to be evil still evil when I throw away my moral believes? Is morality only meaningful in my own perception? And if so, how much am I contributing to evil if I am the one judging it? Do I create the evil that I so adamantly detest? Does deciding what is murder and isn’t not murder require the ability to, and intrinsic understanding of, murder? Can the morality of life and death be so clear cut, separated into different categories?

These are the types of questions that the show makes me ask, which is part of the reason I love the show so much.

I also love how the show puts a dark turn on empathy. Empathy is way too often portrayed as one of the best traits of all time, many claim it to be the most important aspect of mankind, but Will’s empathy is what ends up making him go on a downwards spiral: He is drawn to the darkness because he can understand it. He chose to teach at the FBI academy because he gets to feel like a killer without actually killing.

It made Will miserable, being able to understand killers. It gave him all sorts of guilt and self-hatred and confliction, which was why he was so damn miserable at the start of the show. And on top of that, no one really cared about him, Alana only had a whole “professional curiosity” thing going on (yes, I know that Alana’s character is one-dimensional because Hannibal’s female characters are poorly written, but even with that in mind, I still think that a huge part of Alana’s affection towards Will was in fact just curiosity), Jack was constantly pushing Will past his limits, so the poor dude didn’t have any connections to anyone until he met Hannibal.

And after Hannibal clocks him immediately when they first meet with the whole “your  values and decency are present yet shocked at your associations” situation, Will experiences his first kill: Shooting Garet Jacob Hobbs. Ten. Times. Then he confesses to Hannibal that he liked the feeling of killing him.

But Will can’t let go of his morality, it’s the only thing he’s been able to hold on to this entire time. It’s his lifeline. He holds onto it so dearly because he needs to convince himself that he’s a good person, that he’s not a killer, and that he’s doing the right thing. Yet, he knows that letting that morality go would be so freeing. He wants to. Hannibal helps him let go of it, and we as viewers can’t help but be on Hannibal’s side, because Will’s corruption arc is so gratifying. We like it, deep down we root for it. And what does that say about our relationship with our own morality? Does our morality tie us down? Do we crave to be free?

Will’s killing style is different from Hannibal’s, though. He’s passionate, reactive, and he doesn’t care about the process of killing, or the display body (before you say “the firefly man”, I believe he was imitating Hannibal’s style instead of curating his own), as long as the person is dead. He kills them from a sense of righteousness, like a vigilante justice. Was it wrong for him to find a sense of pleasure in killing Garett Jacob Hobbs? Does finding pleasure in killing corrupt his righteousness? Is it worse to kill out of passion, or kill meticulously? Is Hannibal’s style of killing more respectful? Is Will brutal? Just because Will kills out of a more conventional moral judgement and Hannibal doesn’t, does that make him better than Hannibal?

Another way the show convolutes the concepts of good and evil is using religious symbolism.

For example, from S1e02, “Amuse-Bouche”:

HANNIBAL: Killing must feel good to God too. He does it all the time, and are we not created in His image?

WILL: Did God feel good about killing?

HANNIBAL: He felt powerful.

(Shocking that this line was from the literal second episode. This show got intense so fast.)

And Will’s quote from S3e02, “Primavera”:

WILL: God can't save any of us because it's...inelegant. Elegance is more important than suffering. That's his design.

Is God an artist? Does that justify what He does? Are we only creating taboo out of His works to comfort ourselves? What does it mean to view the world with a purely aesthetic vision?

It’s these quotes that really allow me to see from Hannibal’s perspective: To him, there is no ultimate purpose of the world, there is no end goal to achieve, just the creation of beauty, and that’s terrifying to think about. Even as an atheist, it’s hard to digest the belief that there is no purpose to anything. We spend our entire human lives looking for meaning. But Hannibal doesn’t see it that way. Life and death are just futile processes to create art, and there’s no bigger point behind it. The cycle of life is supposed to be art. In a way, he’s like the God (sounding like Hannibal here), giving people meaning by making them into art, just like how God designates meaning onto every creature he makes.

And the show has a lot of art parallels, not just with Hannibal’s murders. Here are some that I’ve noticed:

(Parallels, in order from left to right, top to bottom: Nude From Back by Picabia compared to a shot of Bedelia from the back, The Persistence of Memory by Dali compared to Will’s clock drawing, Le Double Secret by Magritte compared to how Will saw Hannibal after visual overload from light therapy, Ophelia by Millais compared to Bedelia sinking into the bathtub, Portrait of Pablo Picasso by Juan Gris compared to Will’s hallucination of himself falling apart in a mirror, Ivan the Terrible and His Son Ivan by Ilya Repin compared to the cliff scene.)

I’m not the only one that has noticed these. Here is cool blog that focuses on artistic references in Hannibal, they’ve also noticed some of the ones I noticed: The Art of Hannibal.

Bryan Fuller probably didn’t do these on purpose while directing. But it still unintentionally solidified this theme artistic divinity. So I think Bryan must, to some extent, understand Hannibal’s obsession with making art out of death, because of the way art is subconsciously woven into the show. I don’t know though, just food for thought.

Anyways. Will, at the end of the show, while being cradled in Hannibal’s arms, both of them covered in blood that appears black in the moonlight, says to Hannibal: “It’s beautiful.”

And all that morality fleets and becomes insignificant in the face of aesthetics.

To Hannibal, beauty is moral. To Will, morality is beautiful. Have the lines begun to blur?

Part Two: Hannibal and Wills intimacy

“For [Hannibal and Will], two people who have been wandering their whole lives through a world in which they have not really experienced any viable form of connection with another human being—because they’re two extremely unusual people—and then they meet.”

-Hugh Dancy quote from SDCC 2013

Hannibal loves will. He drew him and Will as Patroclus and Achilles. He was ready to run away with Will in S2. He surrendered himself in S3 just because Will rejected him. And lets not forget the little twitch in his face when Francis attacks will. And when this dialogue happened (S3e12, “The Number of the Beast is 666”):

WILL: Is Hannibal in love with me?

BEDELIA : Could he daily feel a stab of hunger for you and find nourishment at the very sight of you? Yes. But do you... ache for him?

It is my belief that Will also loves Hannibal, although I understand that it’s not as agreed upon in the fandom as Hannibal’s love is. I think Will is just a little bit more reserved with affection, but that doesn’t mean he doesn’t love Hannibal.

But one thing is for sure—there is a lot of homoeroticism in the show:

So, whether you think the love is reciprocal or not, the show is still, to put it lightly, really gay.

Hannibal’s love for Will is dark, possessive, powerful. Will is the only one that is capable of understanding Hannibal, and Hannibal was willing to risk literally everything just for Will to connect with him. He goes to extraordinary lengths just to make Will a murderer.

But even throughout Hannibal’s ruthless manipulation, which Will eventually becomes aware of, Will still stays for Hannibal. Because deep down, Will was willing to give up his own innocence to have that connection. Because Hannibal was the only person that could really understand Will too, no one else would be able to accept his dark tendencies.

S2e02, “Sakizuke”:

WILL: I don’t know which is worse. Believing I did it, or believing that you did it and did this to me.

(I remember reading a really good post by endlessly fascinated on how Will was actually being manipulative by saying this quote. I can’t find it though. If someone finds it, please tag me!)

Will eventually grows just as obsessed with Hannibal, as Hannibal is obsessed with him. Proof: telling Jack that he wanted to run away with Hannibal, telling Hannibal that he can’t get him out of his head, and that his inner voice is starting to sound like him him, and the “where would I go?” when Hannibal tells him not to leave his side, and the “one could argue, intimately” when Chiyoh asks him how he knows Hannibal, and the “before you and after you” when Hannibal asked him where the difference between the past and the future come from…I could go on forever. Will has never felt so grounded before, not in the way when he’s with Hannibal, with him, Will can see his own reflection, and he’s never been able to see that before.

And oh, the love language between them is violence. Will tries to kill Hannibal (someone tell me how many times, I forgot), and Hannibal tries to eat Will and a plethora of other fucked up shit. But in my eyes, none of those were out of hatred. Both of them trying to murder each other is out of love, out of acceptance, and out of forgiveness.

S3e06, “Dolce”:

HANNIBAL: You dropped your forgiveness, Will.

HANNIBAL: You forgive how God forgives.

And, S3e03, “Secondo”:

BEDELIA: Betrayal and forgiveness are best seen as something akin to falling in love.

HANNIBAL: You cannot control with respect to whom you fall in love.

No one can control who they love, or who they forgive, which is why Hannibal forgives Will and stabs him in the same breath. He is forgiving, not letting go.

Will forgives Hannibal too. He forgives Hannibal way too many times, throughout all the manipulation of Hannibal. Think about just how much insanity he’s endured: drugged, gutted, encephalitis abused, hypnotized, framed for murder, a serial killer was sent after his family, had his brain literally almost eaten, and despite all that, Will still forgives Hannibal—it was not a conscious decision. We cannot control who we forgive.

If Hannibal is a fallen angel, then Will is God to him. And God is indifferent, sometimes even cruel. Like Hannibal said himself, good and evil has nothing to do with God. Will forgives Hannibal, but that doesn’t mean he still doesn’t want to hurt Hannibal; just like how Hannibal forgave Will, but still gutted him. In that moment, Will forgave indifferently, so he could get back to revenge. They both forgive like blades, they both forgive with pain.

Doesn’t God forgive through punishment? God will forgive you for your sins but you still have to go to hell, right?

Violence is a pillar of stability in their relationship, it’s how they understand each other, an eye for an eye, a tooth for a tooth, the smile on Will’s gut a permanent reminder of Hannibal’s hurt, and all of Hannibal’s scars a reminder of Will’s hurt.

I see all of their trying to kill each other is affection. Hannibal doesn’t try to eat Will because he hates Will, he tries to eat to immortalize him, to keep Will as part of him forever.

And through that violence, Hannibal helped Will let go of his morality. Will had spent forever trying to repress himself—Molly was a failed attempt to escape into normalcy. Will definitely thought about Hannibal those years Hannibal was in prison.

S3e13, “The Wrath of the Lamb”:

HANNIBAL: When life becomes maddeningly police, think about me. Think about me, Will.

Will definitely missed the hunger, the violence. We can see this though the passionate way he killed the Red Dragon. He probably held Molly’s gentle hands and desperately wanted to feel something more. To feel something dangerous. Something that could simultaneously revive and ruin him. Molly never understood him the way Hannibal did, and he will never love her the way he loves Hannibal.

He did think about Hannibal when life became maddeningly polite. He probably fantasized about what they’ve done, what they could’ve done, and the feeling of freedom when he’s with Hannibal.

And Hannibal waited for him patiently, staying exactly where he was three years ago. And when Will eventually pushed them off a cliff together, Hannibal showed no sign of resistance, and just let them fall.

“I think [Hannibal]’s feeling that embrace and that’s the first thing that he’s feeling, and even as he’s plunging into the Atlantic, he’s first and foremost thinking about the man he’s holding onto and the man who’s holding onto him.”

–Mads Mikkelsen on Hannibal’s thoughts during the final scene

Their violence is something that we as viewers may never comprehend, but we can all understand their intimacy. Isn’t it what we all want, after all, to be seen?

Anyways...

Hannibal is a great show! 10/10, would recommend. Although, the lighting kind of sucks. Bryan, if there is a season four, please make the show brighter, for the love of God.

Thanks for reading this! :)

[screemnch]

The Pathologic Russian and English analysis: Artemy Burakh the Haruspex.

On this episode of “I am definitely not okay and dedicate my time to sillygoofy things” - we look at the Haruspex in the Bachelor's campaign. This alone took me a whole month, because there is a lot of funk happening in my life, so the Changeling will have to wait a little more. Anyway. Y’all maybe don’t know the drill quite yet, so let’s start at the beginning.

What is the Haruspex like in the English version? Well, discarding the “sweet but tired dad” persona that the entire fandom has assigned the poor guy, the impression I got while watching people playing through the game is that he is first and foremost a very impulsive person, and that, in a way, carries over to his speech. He’s also very cryptic to the other healers, in that ominous “you shouldn’t have done that” way. If I hadn’t read at least a bit of his dialogue lines for the previous analysis, I would have assumed that he’d be the one to use all those “rough” words every other sentence, since that’s how people from outside of the capital cities are usually portrayed. In the Bachelor’s campaign, he is almost like a goddamn cryptid, that tells you he doesn’t know what antibodies are and then presents you with a panacea on the very next day - he speaks very little and does not bother with niceties besides the honorary title. In the Changeling campaign, all those factors seem to be even more emphasised. Overall he acts even more distant, even more ominous and is even more threatening, since it’s seen through the eyes of a scared little girl (she’s also a miracle worker but we won’t talk about it now). Both of the campaigns are, of course, drastically different from what we have in the Haruspex campaign - which is where we get to see the whole “guided by the heart” thing in action. From the other two’s perspective, he is an ominous, potentially volatile, but still helpful figure. And his speech matches that exactly. So let’s get cracking.

As the Bachelor: the vibes are pretty consistent between the English and Russian version. The Haruspex is just as cryptic and curt in both of them, and doesn’t talk in the manner usually given to all these “rough and dangerous” types in Russian fiction. In all honesty, I think it’s the fact that his manner of speech is so simple and short that made translating it to English so much easier (or at least I think it was). Sadly, there is so little dialogue, that it also meant I barely get to talk about anything interesting, since what little there is to look at, is mostly accurate. But, when there ARE differences… Oh boy are those differences. So, you’ll see a little bit of other characters in this analysis as well because these interactions in the Bachelor campaign felt almost like an afterthought. Like, the writers knew how the wanted them to meet and part, so in the middle, they just used Burakh to be a tool for exposition, and not much else. Additionally, the “fairytale-like” way of speech that Artemy has in his own campaign seems to be gone here, and I can’t wait to see what happens to it with the Changeling. With all that being said, here is the more fun stuff: aka the snippets and screenshots! Once again, the chronological order is dubious at best, and most of this was written at two am in the morning, so I hope this isn’t completely insane.

Very interesting choices made in the translation here. First and foremost - instead of relying on his heart to guide him, the Haruspex specifically says that he is guided by “his love” which, depending on how consistent this change is, might strengthen the connection between several different themes. Now to the fun part - “it’s a shame we aren’t standing together.” I need you people to understand that I am trying to remain as impartial as possible when I write these, without inserting my own opinions of the story or anything. But, the much more word-for-word translation of that line would be “Pity, that we aren’t together.” And yes, people being “together” does also have the same connotation in Russian as it does in English. And while I understand that it’s mostly likely supposed to imply “allyship,” I think it could be worded a lot better, had the writers wanted to avoid misunderstandings.

Let’s focus on the last sentence here: in English, the Haruspex says he admires Rubin’s determination to help people. In the original version however, the sentence is “He deserves respect.” See, the interesting thing here is the difference between “I” and “everyone.” Where in the English version Burakh voices his personal approval of Rubin, in Russian it’s an unspecified, but general statement, which bears the implications that others should respect him as well. And while the difference itself isn’t too significant on its own, when paired with the fact that Rubin is someone who’s on the run from half of the town, it hits a bit different. 

Also, and I didn’t really know where to stick this, and maybe this could’ve waited until we actually got to Rubin as a character, but yeah. I wanted to point out specifically that the word “master” in Russian doesn’t have a dual meaning. Cuz, correct me if I’m wrong, in English this can both refer to a master of a certain activity (ie martial arts master) as well as a proprietor of something (ie master of the house). In Russian, however, the word “master” refers exclusively to a “master of their craft” type of people. A master of a property is referred to as an “owner”. The “Mistresses” in Pathologic are also referred to as “owners” (with a suffix that indicates female). This creates a bit of a confusion, because the word exists in both of the languages, but only shares some of the meanings. And uh… This is related to this quote because uh… Something-something recognition of expertise.

I’m personally a big fan of the themes of freedom, and how different people react to losing their freedom of choice, or dealing with the information that they were never free to choose to begin with. And that brings us to this little line, which I find particularly interesting. In the original Russian dialogue, Burakh says that he had already “lost” his freedom, in the way one loses something in a game. I feel this shines a different light on both how he eventually reacts to being told that he’s just a toy in a child’s game (he’s had to deal with disempowerment this whole time, it’s nothing new to him) but also with how he views his loss of freedom. Not something that some higher power has revoked from him, but rather something that he himselfs basically “gambled away.” In that sense, I can see the eventual reveal that everyone is simply a toy in a sandbox being a relief. In the way that it wasn’t his fault after all, that everything was predetermined, and that he couldn’t have carelessly lost something he didn’t have in the first place. Makes me wonder what the dialogue between these two would’ve been like if they’d met on the first day in this campaign.

I have a shamefully small amount of notes as I go through these, so I’m literally latching on to anything to talk about. I pointed out how dry and laconic the Haruspex is, but god DAMN if that doesn’t make for text that’s easy to translate - and that gives me less things to work with. For example this - a simple word difference in the last sentence that you couldn’t possibly translate properly without sounding illiterate. Because as it is - the translation is accurate in the last sentence. But that’s because “evil” in English is both a noun and an adjective. In Russian, however, the adjective for “evil” also makes for a synonym to “angry” and that doesn’t fit with the meaning conveyed here. Burakh calls Clara “evil itself” the embodiment of evil, all that shabang. It’s something that is recurrent in people talking about her, from what I’ve seen - people address her as a concept, and link her to more generalised ideas, rather than specific characteristics. Either way, it’s a fun thing to think about.

Hi, confused, I’m dad. I did a thing where I tried to read the English dialogue in its entirety first, because I wanted to avoid talking about information that was already accessible in English, and I remember being confused at this line, because… The cattle grounds were on the other side of the Gorkhon? Since when???? It didn’t make sense with the rest of the dialogue either, and the Russian version says “on this side of the Gorkhon” so… What gives? Assuming that the website is accurate (cuz if not, then I’d have to go and check in the actual game which would take hours to get to) does this then just mean it was a simple translation error? Or did the writers decide to change the lore as they were translating? It confuses me so much, because overall the game is well translated, so I don’t get how no one noticed that the meaning of the sentence becomes completely flipped here. Anyways, if you’re like me and that confused the hell out of you in English, just know that it makes sense in Russian and you can sleep soundly. Also, on the more chill note, there is no reference to a kraken in the Russian version, the deposits are compared to octopus tendrils.

I know this isn’t Bachelor time again, but I wanted to point out that there’s a switch back to the formal “you” here, and I feel like it throws a wrench into my previous theory. Or maybe it supports it. Let’s try to be objective here. The simplest explanation could be simply that this is a continuity break, that this was completely unintentional from the writers, and that I am trying to figure out why the curtains are blue in a situation where they are, indeed, just blue. But we like fun here, so let’s assume the curtains are blue for a reason. The real problem is whether this works with my previously established theory, or if it's for a completely different reason.

If we are going with the supposition that the Bachelor switches to formal “you” when he is uncomfortable (which some people found strange when I brought it up, but it’s a legit thing in Russian. Like, I do that sometimes when I want to place a little bit of professional distance between myself and whoever I’m speaking to, though sometimes the person might get upset if you do that) then one possible explanation would be that he is uncomfortable with the implications that this new knowledge has brought to light - a huge residential part of the town is sorta kinda maybe doomed. It could also be the overall dread of what the other piece of news would be.

On the opposing side of this argument is a somewhat mundane explanation that would bypass my theory completely. The idea that the switch to a more formal language was either an attempt to keep the conversation civil and “professional” at a spot where a conflict of interests could potentially emerge, or the possibility that it simply happened because sometimes a person doesn’t know where they stand, or what would be more appropriate in this situation, and opt for the safe formal version.

I do want to apologise, in case y’all don’t wanna hear these hypotheses of mine, I just thought it would be unfair to pretend like my explanations are the only ones out there, so yeah.

Welcome back to “mom pick me up, the translations are being weird again” this time - "my confidants are alive. Are you sure they’re alive? I see no problems." Perfect, flawless logic, I love. And while I understand that the original Russian version uses a very “ye olde” version of “if,” I still assume that the translating team spoke Russian and understood the meaning of the sentence. For context - the modern version of “if” in Russian is “если” (yesli). However, in this line, the Haruspex uses an older word “коль” (kol’), which implies a condition, or an “if” scenario. But the word itself isn’t extinct, people still understand what it implies, the same way native English speakers would know that “thou” means “you.” Like, I can’t imagine how the meaning got flipped in here, it just confuses me. Either way, the “I see no problems with that” is also kinda wonky, because it makes it sound like Burakh has no problem with the “my bound are alive - so I’ll be at the meeting” logic. In Russian, he specifically says “-I’ll come. I see no obstacles.” As in - there is nothing to stop me from doing so. Anyway, translation wonky, let’s see how the rest of it goes.

Now that’s an interesting difference. And a morbid one at that. This is the line where the Haruspex talks about his bound “rebuilding the settlement and turning their lives to become the angels of its foundation.” Which I interpreted more in the sense of - becoming the highly revered figures of the town, with lots of authority and responsibility - like angels. And I’m curious to see how y’all interpreted this, because I did not anticipate the Russian version in the slightest. And it’s this: “... my bound, that are destined to bring this town back to life and lay down their lives under its new cornerstones.” For one, I find it curious that both in English and Russian there is such a similar turn of phrase - because “lay down their lives” could have been translated almost word for word. But also… I am so confused. Is the sacrifice in this sense a literal one? Or does he simply mean a dedication to the town so strong that it could count as giving up one’s life? Either way, this is definitely a curious difference in translation, and I’m not sure what to make of it.

The interesting thing is… For the most part the “Are you aware that we turned out to be toys” dialogue starts the same in both the Haruspex and the Bachelor runs, only diverging in a few character-specific moments. This is one of them and… I don’t even know where to begin with this bit of dialogue, and not because it’s bad. I think it’s translated well, but there are about a hundred tiny little differences that change the vibe a little to the left, make some phrases more bitter and others more candid. For one the whole “take a closer look” in Russian is a direct invitation to compare the two healers, not an implied one. Secondly, instead of not being “a toy to keep” Burakh says that he (in a literal translation) “isn’t to be pitied.” But because Russian is a funky language, what this phrase actually means is - he doesn’t see himself as worth being concerned over, someone who, if sacrificed or given up, wouldn’t be seen as that big of a loss by others. Someone who others would readily discard, without feeling guilt, pity or sorrow. And I have big feelings about that. Additionally, the line about the Bachelor being “an entirely different thing” is kinda funny to me, because it’s a pretty long sentence in English, but in Russian it’s just… Four words, two of which are only two letters long. It definitely carries a different vibe, simply because of how laconic it is, it comes across as much more of an exclamation. In the closest to a literal translation while still remaining coherent, he says “You’re a different case!” which in turn conveys the vibe of “But look at you!” and while I think the translation does a great job at communicating both of them, they also lose the abruptness of the exclamation, which I think adds to the line.

Still not Bachelor hours anymore, but I wanted to point out that the “You’re having fun… Somehow I fail to join in” is a line that sounds sombre and distant, but the Russian version is “You’re laughing… But I don’t find this funny at all” and it has the wording of a child entering their “sulking mode” because someone made a lighthearted joke that they don’t get. Ok, maybe not that extreme, but there’s definitely a lot of bitterness to it, because the idea of being dolls clearly affects the Bachelor very heavily, and then he sees the Haruspex just being like “yeah we might be dolls. So what? You only care cuz you’re made of better materials anyway, lol.” And I imagine that’s pretty hurtful.

Reading this in English, I could practically feel the “there was supposed to be an idiom here, but it’s one of the ridiculous ones, so we had to translate the meaning instead” coming from this line - particularly the “not a single weak spot anywhere” part. And sure enough, the original Russian version says “...everything was done cleanly - a mosquito won’t sharpen its nose” (the nose, obviously being the proboscis). And while I am a big fan of Russian idioms, and was a proud owner of not one, not two, but three books on them as a kid, I’ve never actually heard of this one. The phrase itself means a job perfectly and flawlessly done, to the point where it can’t be improved upon. The leading interpretation to its origin is the idea that a mosquito’s proboscis is a perfect tool for its purpose - long enough to reach blood and thin enough that a person usually doesn’t even feel a mosquito bite until it’s too late. A mosquito’s “nose” could not be any thinner or sharper - therefore a mosquito won’t sharpen its nose.

God, how is it that in the series of dialogues that are the most dry and direct, in the few places where discrepancies are present, the discrepancies are the most confounding and meaning-altering ones? This is still from the dialogue in which the Haruspex and the Bachelor discuss Aglaya on the final day, and the choices in the translation are kind of confusing to me. The original line is “As far as I understand, in the orders given to her, the Powers That Be have concealed (or kept from her) the fact that they want to save the town specifically alongside the Polyhedron.” And while you can still get that implication from the surrounding dialogue, with the whole talk of “she would’ve caught on to the scent of foul play,” it’s still weird that this line was translated so differently. Because as it is, it creates the feeling that it was more of a “technicality” scenario. You know the trope: “I never said anything about so and so, therefore this little inconsistency is going to screw you over, should’ve read the fine print” etc. Almost gives this dialogue a sense of snark, while it’s the exact opposite. The English version weighs in more on the Powers That Be being cold and inconsiderate, while the Russian version is specifically aimed towards emphasising the idea that Aglaya is not to blame. You know. What this whole dialogue is about - Burakh “painting Aglaya as the victim.”

And that’s about all I’ve got for the Haruspex from the Bachelor’s point of view. There are a few things here that shine a new light on some of the themes, or specifically the relationship between Burakh and his sense of fate and control. The overall theme that there is always something higher up that is either in charge or to blame for the things happening, and that Artemy usually takes on as much responsibility as possible because there are only a few things that are truly up to him. Like, that’s why he doesn’t blame Aglaya for her spite or deception, and why he isn’t hostile to the Bachelor in this run - he sees both of them become disillusioned and spiteful, when they find out that all the decisions have been made for them. But as someone who’s never felt much freedom, from responsibilities and choices made and imposed on him by his father, to him being able to see the Lines and where they lead, he’s had to learn to be grateful and accepting of the little choices that he is allowed to make.

And while these closing remarks aren’t exactly exclusive to the Russian version, it just makes me understand the Haruspex ending better. Like, it took me a while to figure out why he’s the character who’s seen as the one “capable of being actually free” or whatever it is that the devs say to Clara (you). It’s because everyone else who is aware of their nature (except Clara, maybe, I’m not sure yet) is someone to whom this is a disheartening and devastating revelation - they become blinded with this knowledge and end up “acting out” exactly the way they were supposed to. Aglaya doesn’t manage to disobey or defy the Powers That Be, nor does Daniil. Yulia too - though she doesn’t know this is all a children’s game, her theory about the “tripwires of fate” is what ultimately traps her in the path chosen for her. The Haruspex on the other hand, not only had to grow up with the idea that he’s fated to become the Warden - serving the purpose of the Kin, but quite literally could see the way things are predetermined. The fact that they’re all dolls, to him, is just a different way of seeing the Lines. So it makes sense that the best ending in the Haruspex run isn't the Termite ending, but the ending of any of the other healers - because then he actually makes a choice. Exercises the little bit of freedom that he has. It's a very interesting progression, where as the Bachelor you , the player, can claim responsibility for his choices, as the Haruspex you can make a choice despite the game's predetermined nature, and then as Clara you get to do both. Throughout these campaigns, you are gradually gaining freedom from the constrictions of the game.

Either way, who knows how long it will be until Clara's point of view on the Haruspex, I certainly don't. But if there is any feedback or stuff, I'm always open to hearing it.

[crypticmillipede]

OK EXTREMELY NICHE CROSSOVER but hear me out !! Stardew Valley Characters x TMA?

(oh yea spoilers for some Magnus Archives concepts/lore? but nothing plot-related)

the 12 Stardew Valley dateable characters as TMA Avatars:

Abigail: Could see either the Vast or the Stranger. The Vast because she adores exploring, asks existential questions, gets lost in things. The Stranger because of her character arc as an odd one out, someone who just doesn’t fit in with the rest of the town, unnatural, an outsider. Also because of her potential connection to the Wizard.

Alex: Likely the Flesh, as a sort of Jared Hopworth situation. He’s always talking about his bodybuilding, it’s pretty Flesh-aligned. I could also see him as the Hunt? His obsession with going pro, reaching his goal, something that never really happens but he’s always chasing. Maybe he begins to hear the blood?

Elliott: The Lonely. Relatively new to town, all isolated on that beach, I bet it gets quite foggy. Or potentially the Eye? I could see his fervor for writing as a thirst for knowledge, in a way?

Emily: The Spiral. Strange, bizarre, cryptic, a manic pixie dream girl (and i mean this with love), she’s gotta be the Spiral. I could also see the stranger, but she has a certain level of approachability that’s more Spiral to me.

Haley: This is tough for me. Maybe the Flesh, as someone concerned with their appearance, but that feels kinda surface-level to me. This is a stretch, but what about a Dark alignment? The way she sort of refuses to intake information sometimes (ignoring you), bores easily, she could be compensating for an insecurity by presenting a certain way? In the dark, she wouldn’t have to worry about any of it. Besides, she does have that Dark Room… (i admit this one doesn’t really fit, does anyone have a better idea? spider maybe? or even corruption?)

Harvey: The whole weight of the town’s expectation’s for their only doctor, his stagnant dreams of piloting, Harvey’s got to be affiliated with the Buried. Possiblyyy the Flesh, simply due to his profession, but the Buried makes far more sense for his character to me.

Leah: Hear me out on this one—the Extinction. She’s got a couple dialogue lines focusing on environmental destruction and humanity as a harmful species, she’s newly moved out of the city and into nature, radically replacing her environment. She’s so isolated in the forest, it might sometimes feel like she’s the only one left. If not, then the Vast, most likely. Or maybe Stranger or Lonely? She’s got options.

Maru: If anyone in this group is Eye-affiliated, it’s got to be Maru. She has this thirst for knowledge, always building, always looking up into the unknown of the cosmos.

Penny: She’s got to be the Lonely to me. How many times has she sat under that tree, picking at the grass and looking out into the river? She’s so isolated, despite being around so many people. If not the Lonely, then certainly the Corruption, with its themes of finally finding endless love and community, a hive who truly understands.

Sam: This is another tricky one to me, but probably the Vast? He’s so easy-going and carefree, for the most part, it fits in quite well with the Vast mentality of ultimate insignificance and the freedom that comes with it.

Sebastian: Although the Lonely is probably the easy answer, I could also see him as the Buried, honestly? Burdened by the weight of all the expectations pressing down on him, by his stagnation in a town he wants nothing to do with, by his lack of freedom and desire for escape. He has friends, close friends! It seems to be more of his general circumstances that haunt him, rather than isolation, necessarily.

Shane: While i know the Web is primarily associated with addiction, I don’t really feel that Shane fits with the Web in any other way? I honestly see him more as affiliated with the Desolation, given his often self-destructive tendencies, and the way he lashes out at others. Shane seems to resort to alcohol as a harmful coping mechanism. Of course, I could also see him as the End, given some of his cut scenes, but the qualities of the End don’t seem to match him as well as the Desolation.

Those are my takes!! Sorry I couldn’t narrow it down more, but there’re so many potentials, it’s hard to choose a single option for each person! These are superrrr subjective and up to interpretation, so I welcome any additional speculations or suggestions !! I kinda wanna know how other people would categorize these guys tbh? anyways yeah sorry about the long post, my brain is rotten. perchance.

[sexylinoleum]

SNOWGRAVE

Time for some snowgrave analysis. Kinda embarrassed it took my dumb ass almost a year to realize this but nevertheless today I will examine a few lines of Spamton Neo's dialogue.

So these lines seem to directly imply that Spamton believes the end result of whatever the weird route leads to will be Kris' freedom from us, rather than us breaking things because we can or us attempting to gain further control over their world.

The thing is Spamton doesn't just believe that the path of LOVE and murder will break Kris' chains, he seems absolutely certain of it.

Spamton, with his practically eldritch knowledge can, in my opinion, sometimes be taken as a reliable source of information, if you can peel past the layers of his cryptic vernacular. It may be the case that any players who, by the end of Deltarune's story, desperately want Kris to be free to live their own life, may have to venture down a dark path in order to achieve it.

There is a debate to be had as to whether Kris can even survive without the players intervention, I suspect this dialogue from Spamton may be serving as particularly heinous foreshadowing. If I may propose a hypothetical, Kris may require the players soul to live, the only way they can escape that is by growing sufficiently strong in the traditional UT/DR manner, Kris, more likely preferring death for themselves, would have to be forced down such a path presumably by ourselves.

And while I made all of that up, call it speculation, I may not be far off...

Cause for one reason or another, Spamton also seems to believe that in the event that Kris wins their own freedom, they will, for one reason or another, become suicidal.

Crying in a broken home being an obvious reference to Kris' divorced parents and and "WISHING YOU LET YOUR OLD PAL SPAMTON [Kill You]" being a polite and antagonist centric way of saying "Wishing you were dead one way or the other."

There are probably many other ways you could read any of this text but in my opinion, if Spamton is to be taken as an even remotely reliable source of information, this dialogue has severely foreboding implications on the future of Deltarune's morality, and on our own moral integrity as we continue to play it, with the paths before us seemingly being, one, use Kris as a meat puppet to "save" their world and possibly discard them at the end of our adventure or, two, fight for Kris' freedom, ruining their life and destroying their sanity in the process.

But hey, we've only got two chapters so I suppose we'll just have to wait and see.

[orchidsandtulips]

Rewriting Descendants 4

*Contains spoilers for Descendants: Rise of Red*

*Also this is rather long-ish*

Mostly, I’m just tweaking plot details because the movie felt bland, and the plot points that my sister and I came up with while trying to predict the movie feel like a much more exciting story.

Exposition can stay more or less the same. The only problems with the exposition were the dialogue execution and a heavy reliance on telling backstory rather than showing.

The main change is that, rather than the young villains being the ones to prank Bridgette, it’s Ella. As in Cinderella. Why would Cinderella dismiss the Queen of Hearts’ backstory as a “stupid prank” if she wasn’t a part of it? Why would she be cryptic about the prank to her daughter if she didn’t do it? This was the logic going through my mind during the exposition, it would give Chloe more character-developing trauma to work through, and it gives Cinderella a reason to be the second main character’s parent.

Why does Cinderella prank Bridgette? Well, Castlecoming is coming up. Despite what she may say about princesses and princes, Cinderella has a crush on Prince Charming. However, Charming is more charmed by Bridgette and her peppy, cupcake-baking, outgoing personality (because there’s no way Ella is Bridgette’s only friend when Bridgette is the living embodiment of kindness, generosity, and sunshine). In “Get Your Hands Dirty,” Ella says she would do anything for someone she loves. That is SO easy to turn into a twist villain song. Ella wants to find some way to prevent Bridgette from wooing the prince, and figures a little magic can’t hurt too badly. She didn’t intend for the prank to go that far, but the damage was done anyway. Betrayal from her best friend affects Bridgette much more than the bullies doing bully things. Red and Chloe don’t stick around to see this after stealing the cookbook (which they do much earlier in the movie for climax purposes), and only find out about this event when nothing changes upon first returning to the beginning-of-movie ceremony.

Chloe is heartbroken upon hearing that her mother did such a horrible thing. Red consoles her, and the girls bond over not wanting to follow in their mothers’ footsteps. Then they actually fix the timeline, exposing Ella’s deception and preserving Bridgette’s faith in humanity.

When they return at the end of the movie, one of the girls is erased from existence due to their meddling with the past. I personally think that girl would be Chloe, given Cinderella’s villainy, meaning she doesn’t have to face her mother again after learning stuff. My sister thinks that girl would be Red, since Bridgette would have a totally different life after the event. All I know is one of them needs the whole time-travel-erased-my-best-friend’s-existence-but-I-still-remember-them trope for a bittersweet ending.

Basically, nothing bad can come from actively breaking characters’ and audiences’ hearts to drive the story and make it engaging.

[trashcanwithsprinkles]

hii i recently started reading your work, cyanide narwhal, and am honestly really hooked! i love your characterization so much and find the story you built around the lore really, really interesting!

i’m not deeply familiar with the intricacies of the lore in genshin impact, but i’ve been fascinated by it for a while—and reading your story made me realize how much depth i was missing out on…is there any sources or ways you can reccomend as a primer/introductory to genshin lore? i really want to learn more and understand the theories better! thank youuu

aaa thank you! and this is actually a really interesting question

obviously my first thought was just play the world quests and pay attention, but not only is the info in the world quests sometimes incomplete, but i understand perfectly that some people just skimmed the dialogue at best and now cannot replay them but the fact of the matter is that the best way to get into some parts of the lore is via the world quests

still, there's plenty of people on youtube who do timeline and lore recaps without theories - as in, just telling you the lore that one can learn from the quests in a more streamlined manner. they're always a great choice!

there's also the artifact and material lore, which does usually contain a lot of info, but is usually kinda cryptic. the good thing about those is that you're not locked out of reading them, so as long as you have the necesary pieces, you can just go into the in-game archives and read up there. as with the world quests, though, there's also plenty of people on youtube doing full analyses on the lore of those

i think once you have a rough idea of some of the relevant names and lorebits, that while daunting at first, the wiki's timeline page is rather helpful when it comes to trying to get the bigger picture of when exactly everything happened in relation to other things. reading the little annotations and notes they put on where they got their info and when they've had to make extra calculations for some things' placements also goes a long way.

once you've started to understand more of the out-of-the-way lore, going to theorists is also a great way to catch the more interesting ways this game is built. as in- real-world references and inspirations.

because telling you 'oh you can find it on youtube' still sort of leaves you having to figure out how to even look for it, here's a little list of the youtubers whose videos i've watched at least once for these things. not a comprehensive list of course, but from there some of them shout each other out and you can navigate the recommended section for more videos, so!

as with all things lore-related in this game, keep in mind when the videos were made in relation to the game's patch version. the ones that are more just strict lore read-throughs are less vulnerable to later patches sort of- changing some of the context? (looking at you remuria) but still. and obviously theory videos are even more dependant on that. so:

for lore analysis (most of these are strictly just the lore with little speculation, but there's probably some extrapolation here anyway): - Ashikai has a great beginner's guide series on region lore, but it only covers up to sumeru so far. still, might be a great place to start! there's also some quest recaps and lore details here and here - Francis Lee Arthur has a great series of very concise videos of world quest recaps, though they sadly don't have mondstadt and liyue quests, and only a handful of inazuma quests. still, they're great videos, and there's a ton of sumeru and fontaine quests (and one chenyu vale quest i think) - SiliconOneFour has a bunch of videos on artifact and weapon lore, and some recent ones on stuff like the remuria timeline, mondstadt's aristocracy, the history of the temple of silence, etc - KlemenTime has a bunch of videos on pieces of lore that aren't really laid out explicitly on world quests, but that you sort of learn through exploration? idk how to describe it. they also have artifact lore, and while not in the playlist, if you go to their profile they also have some more borad sumeru and natlan timeline videos - Minsleif has archon quest and world quest recaps, along with other lorebits. there's also their massive 1-min reel lorebit video collection on much shorter things

for theories (some of these have a mix of lore+theory videos so i'm putting them here bc i wanted ot keep the 'just the facts' videos to the section above): - Ashikai is my favorite theory nerd in the community so forgive the bias, but there's the incredible project:teyvat series and the world structure series, which are two massive theories about the way teyvat as a world functions. i think you might want to save these ones for after you've familiarized yourself with the lore. other than that, there's plenty of other theories to sift through (though bear in mind these are ALL the theories, so there's project:teyvat and world structure stuff here? but the titles will help you know which they are if you want to save them for later) - The Laughing Man has a ton of videos on lore and theory/speculation on like- a ton of stuff, along with character analyses - roozevelt has a bunch of videos on lore and theories, mostly revolving around the traveler and khaenri'ah, but there's plenty of other stuff there also - My Name For Now has a very interesting massive khaenri'ah theory, theories on the descenders, on the elemental system, and a bunch of other lore theory videos - Minsleif does have theories also (but i personally can't remeber if i've ever watched one. still, they're there if you want to check them out!) - Wei has theory videos that look like shitposts and sometimes feel like shitposts, but god, there's some interesting stuff there. i wouldn't know how to even describe it though, most of it is traveler related but still (also this is a general theories playlist, but like all their theories are from genshin with the exception of one jjk theory so like- i mean yeah, just letting you know why that's there lmao)

And here's the wiki's timeline page

so uhhhh yeah! hope you have fun if you decide to watch any of the videos from anyone there. of course there's probably a lot of other theorists and recap channels, but these are the ones i've watched at least once, so, pick and choose which ones you like best. have fun!

TL;DR: you can still access a bunch of lore in-game via the artifacts, weapons, and weapon materials, and any world quests you might not have played yet. but since i recognize that's a daunting task and the info is scattered and incomplete and confusing, watching video recaps might be the way to go. Ashikai's beginners guides are great introductions and refreshers, and there's plenty of videos to catch up on world quests or to have someone explain artifact and weapon lore to you