#that this isn’t inherently ship art

[vacantgodling]

aight i Am happy with this one

finella (left) & dwyn (right) — aka the ones i was talking about who are going to Go Through It

[starsandnoodles]

Day 12 of Magomarch! I got a little silly! They are looking at the stars

[kharsagii]

This weekend I sifted through hundreds of screenshots for the OJ fandom bullying report. Made a ton of progress on it, and I hope to release it soon, so that everyone can see the evidence I discuss here! 🫂❤️

One thing I noticed was that a common theme of how fandom bullies justify their hate/cyberbullying is claiming the Throzzy ship, the way I and other contemporary artists draw it (or inherently), is “unhealthy.”

This is fucked up for 2 reasons:

1- This ship isn’t canon. Thus EVERYTHING about the ship is determined by the artists. No 2 artists are the same, thus no 2 depictions of the ship are the same. There is no common “throzzy” ship- everyone has a unique take on it. Without even bothering to read/investigate the source material of each artist’s unique depiction of the ship, the bullies just flat out lie about the content, and project onto the entire ship ideas they got from creators from 10+ years ago that aren’t even active. You’ll see so many of them have “Throzzy DNI” in their bios as if we’re some kind of cohesive political party or some shit LMFAO.

2- Telling women and queers what’s “healthy” for them is wrong and controlling. So many of us are fighting against misogyny/queerphobia in our irl relationships that’s been normalized as “healthy.” Nobody else can tell you what’s healthy- only YOU can decide that.

How I depict Throzzy is literally what I WANT in a relationship- loving your partner for the ways they’re different, healing eachother from trauma, and having loads of nasty kinky sex.

NOBODY can know what’s healthy for you in a relationship more than you do. We’re adults, we decide it for ourselves. And it is ESPECIALLY ridiculous when it’s a fictional ship of two microbes LMFAO.

There is NO one right way to love someone- and anyone that claims YOUR ship is unhealthy needs to stop telling other adults what they should desire and how they should live their lives. Doing so is simply the newest way men/misogynists exert heteronormative forms of control over women and queers.

Queer minorities who enjoy kinks exist. Consensual and healthy age gap relationships between adults exist. Kink shaming + hating on diverse REAL relationships we project onto fictional ones, just because they don’t fit your narrow minded view of what YOU want, is frankly bullshit + sexist.

Women and queers don’t need you to tell us what WE want is wrong. We’ve taken that bullshit from men all our lives. We decide for OURSELVES.

You have a problem with it? That’s fine. Just shut the fuck up and focus on your own relationship, or lack thereof, instead of calling us groomers/pedos/racists/whatever label suits your fancy (or falsified screenshots) because you’re mad that we’re fucking confident, happy, and FLOURISHING doing something you don’t like.

And to my fellow Throzzy artists, NSFW artists, or frankly any artist from any ship that antis get a hardon from targeting- KEEP DOING YOUR THING! This fandom belongs to YOU just as much as anyone else. Your artwork belongs to YOU. Your blog, page, profile is YOURS and no one else’s.

Making art is the greatest form of self love- and no one else can tell you how to love yourself. KEEP MAKING ART!!! ❤️❤️❤️

[izuku-lover15]

˚｡⋆୨♡୧⋆ ˚｡⋆ ⋆ ˚｡⋆୨♡୧⋆ ˚｡⋆ ⋆ ˚｡⋆୨♡୧⋆ ˚｡⋆ ⋆ ˚｡⋆୨♡୧⋆ ˚｡

Creds to @mirkoscats and @bkdkd1glazer on TikTok for the images! ᗢ

I think a very big reason why bkdk is so hated in the western world compared to internationally is because of the English translation for it.

It seems that it’s actually a very popular ship in Japan, but if you mention them in places like America etc you should be prepared for a LOT of backlash. 😭

And obviously a reason for this is the mistranslation! A lot of Japanese words aren’t properly explained, so we’re not actually getting the full idea of what they’re saying. Just a summary.

Along with the multiple arts following romantic traditions over there, it’s obvious why it would be more popular overseas! They get the full idea of what their relationship looks like.

And it’s obvious that even if it’s romantic or not, their relationship is so special and deep. THEY ARE SOULMATES PEOPLE 😭😭

I saw someone say that ‘English mangas need like a separate page to describe Japanese words that cant be directly translated. It’s such valuable info to understand the plot fully’ and I think that’s such a good idea. Because yes it’s annoying not being able to understand everything they’re saying how it’s meant to be understood!

I think that’s just my view on it, but honestly after seeing that analysis it opened my eyes 😭

˚｡⋆୨♡୧⋆ ˚｡⋆ ⋆ ˚｡⋆୨♡୧⋆ ˚｡⋆ ⋆ ˚｡⋆୨♡୧⋆ ˚｡⋆ ⋆ ˚｡⋆୨♡୧⋆ ˚｡

Following romantic traditions?? No wonder they think these mfs gay too. 😭

I think if either of them were a girl, they’d already be canon. And I know horikoshi isn’t afraid of making lgbtq characters, but is he afraid of making them the MAIN characters? Which I can understand to an extent due to the possible backlash it might get.

We find this a lot, two main male best friends with a questionable relationship, wether or not they’re meant to be romantic or not they’re relationship is still questionable and outside of the norm of what you’d consider to be ‘just close friends’ or some people’s favourite term ‘brotherly.’

Time and time again people notice their close relationship, tension builds up and it goes nowhere. And they get called crazy for even thinking they were anything more than friends.

Perhaps coincidence but I think NOT??

This is a big detail that is left out in the anime, which is another reason why I think people are so against this ship. The anime portrays it poorly and leaves out important details, and they don’t bother reading the manga.

Horikoshi also happens to be a big fan of tarot cards!and people have pointed out this looks similar to the three of swords. I’m very clueless on tarot cards so if anyone wants to add their 50 cents into this part I’d appreciated. There’s an explainarion in the image but I’ll put a small one down here too from google.

‘This card depicts a fundamentally sorrowful experience—tarot readers suggest this may be in the form of a lost relationship, an accidental death, or some other form of not just depression or malaise but deeply emotional sorrow.’

‘In the context of love and partnerships, this card can signify the end of a relationship, often marked by betrayal, heartbreak, or a sudden and unexpected loss.’

So sure, it’s not inherently romantic and can be taken as either that or platonic. But I still think it’s a fun detail that the anime left out.

This is definitely a slop of holy yap but I got distracted and obsessed with wolverine for a while and sort of forgot about this account 😭

Would love to see other views on this if it does gain any sort of traction.

[ribena59p]

I've seen a lot of people try to paint Orcatstra / Maowzarts as problematic, and I believe much of it stems from misinformation or misunderstandings, often because it's being spread through word of mouth. I'm not making this post because Orcatstra asked me to—because they didn’t. No one is forcing me to write this; I'm doing it of my own free will. I really hope that #orcatstrahaters will take the time to read this carefully before dismissing it just because Orcatstra is my friend. I'm writing this to clear up the misinformation surrounding them, as I’ve seen people unfairly group them with genuinely problematic figures like Mawthe (who, by the way, draws necro art!!!).

Yes, there have been times when Orcatstra could have handled situations better (I'll try to keep my personal opinions on those situations brief), but let’s not forget—they’re 17! Some people seem to think that just because they’ll be 18 in a few months, they’re suddenly supposed to be all-knowing. Meanwhile, others are excusing or even babying older individuals like Criminalx3 and Parsnipling, both of whom, to my knowledge, are in their twenties! THEY should know better.

(Because someone asked) I bring up Parsnipling because they were called out for posting a fanfic where Dave from DSAF had animal genitalia (a cloaca). They then accused me of being the reason people sent them death threats, even though all I did was share a thread showing what they had posted. I didn’t even tell anyone to block them. Parsnipling lied to me, claiming that the tags with "cloaca" were meant as jokes. Afterward, they left Twitter (due to death threats, unfortunately) and went back to Tumblr, where they posted about how fandoms used to be spaces for "freaks." Take that as you will.

(I’m not debating the morality of referring to non-human genitalia with animal terms. Personally, I find it strange, which is why I made the thread in the first place—to draw attention to it. People are free to come to their own conclusions and decide whether to block or avoid interacting with them as they see fit.)

This post isn’t made to say you can’t..not Like orcatstra as a person..cus u can…everyone can dislike anyone for any reason just to reiterate this is just made to clear up misinfo

I exclusively use they/them pronouns for Orcatstra in this post specifically so that people don’t get confused about who I’m referring to, but please keep in mind when discussing them that they use any pronouns (besides from she).

The main points for why people deem orcatstra as problematic (that I’ve seen) are:

* Running a 15 year old off of their own tumblr blog

* Accusing a rape victim of liking and supporting rape + accusing the same person of being a groomer

* Comparing phone x Jack to slave x slave owner

* Blocking people for shipping things that they don’t like

I’ll be going through these one by one and explaining what happened to my knowledge.

Running a 15 year old off of their own tumblr blog

The 15-year-old in question ran a DSAF confessions account, where they posted anonymous confessions from people within the DSAF community. These confessions were typically related to DSAF topics.

I've seen people claim that Orcatstra harassed this person because their blog posted confessions about people disliking Davesport. However, that's completely inaccurate—Orcatstra doesn't, and never did, care if people dislike Davesport, so that part of the accusation is blatantly false.

(This is Orcatstras own words)

“I didn’t like harass them to the point they had to quit at most I made like 2 posts publicly and kept the rest of my disdain of a confessions account private”

“and I only disliked them 1) bc they’re a confess account which is inherently made to post and stir up drama like what. and 2) they DID post stuff that would cause drama so I was like dawg wtf”

“and then ppl from that blog started harassing ME 😭😭😭IN MY ANON ASKS 😭😭”

“Not (the 15 year old) I think but just ppl who followed the blog or were one of the “anons””

I believe some people are upset because Orcatstra was venting about the account on their private account, but I’m not really sure why... They're mad about that? Orcatstra’s private account only has about 50 followers, and most of those are people who follow with both their main and private accounts.

“I also think ppl were mad because I made a (admittedly dramatic) post talking about why I didn’t like the confessions account ,, but again from what I remember the points were just the og mod posting stuff that’s clearly gonna stir the pot YKWIM ..”

“and I only made that post because someone asked & for some reason you can’t comment pictures on tumblr which I think is quite stupid ☝️”

Accusing a rape victim of liking and supporting rape

(I do not know this persons pronouns so I will be referring to them with they/them pronouns, if they do not use these pronouns please tell me and I will edit this section to display the correct pronouns)

I believe the person being referred to is Cr1minalc1minalcr1minal, who has read and bookmarked non-con fanfics on AO3. Non-con stands for non-consensual, which is essentially the definition of rape. Orcatstra believes that if someone regularly consumes this type of content, it’s reasonable to assume they enjoy reading it. However, Orcatstra has never claimed that Criminalx3 supports rape.

“OH WAIT is it ok if i add that when i did point out the fanfic thing i genuinely was not aware at the time that guy was a victim, ..i dont rlly go on his acc bc i blocked him for my well being (i think thats the right way to use the phrase) … and i didnt/dont wanna be super creepy and stalk him. .. U CATCH MY DRIFT ..”

+ accusing the same person of being a groomer

(This is Orcatstras own words)

“So .. criminal ... I got this info from oomf so keep that in mind, but l've been told that he mains posts nsfw and encourages minors to consume nstw media and to my knowledge hangs out with one specific minor who changed ever since they became friends or something like that I NEVER! Explicitly said anyone was a groomer! ☝️ but it is very weird to see someone do that as an adult”

So they’re (minor and criminal) writing together but it’s not smut

“it’s not but like for a brief second we (orcatstra and oomf) were worried it was because. yk. that seems to mainly be what that guy makes 😓😓😓 (from what I’ve gathered)”

“And then I had to delete my replies bc I was replying on main and someone on tumblr (who does not follow (*oomfs) priv) took the links of my replies so I was like ‘erm what the freak this is kinda supposed to be a private convo’ and deleted them”

From what I understand, Orcatstra was having a conversation on their main account with someone on their private account, and they were discussing something about Criminalx3 that they believed to be true. However, it turned out not to be accurate. Unfortunately, someone on Tumblr took this conversation out of context and framed it as if Orcatstra was accusing Criminalx3 of being a groomer.

I don’t believe that Orcatstra ever made a public post stating that criminal was a groomer.

(I tried looking, but I may be wrong, feel free to correct me and I’ll edit this section)

Comparing phone x Jack to slave x slave owner

I believe this was stated in a now private youtube video where Orcatstra ranks dsaf ships, it may also be said in some tweets.

By definition, the DSAF 3 phone guys are slaves, regardless of the route. They are legally owned by Jack and work without pay. I understand that "slave" is a very strong and impactful word, which is why I'm personally hesitant to use it, but by definition, that’s what they are. You literally see Jack buying Harry in the DSAF 3 intro tapes. I've also seen people try to defend this by saying, "Well, Jack can be nice to them!"—as if that somehow erases the fact that he still owns them.

Blocking people for shipping things that they don’t like

There's nothing wrong with blocking people, even for no particular reason. It can be a little upsetting to get blocked over a post about a ship, but try not to take it personally—it’s just the internet. Unless you were doing something genuinely awful, Orcatstra probably blocked you simply because they didn’t want to see a ship they don’t like. They're just curating their online experience, which is totally normal.

And yes, people are bringing this up as an actual point against them.

I know that many people who dislike Orcatstra also dislike me for being their friend and sharing similar opinions. However, if you haven’t blocked me, please share this with others who might be misinformed.

There have been additional things added on by other people in reblogs if you would like to hear their side of the story.

I am more than happy to engage in neutral and respectful discussions, but I will not be willing to continue if you begin the conversation by being extremely rude or using offensive language. In any other case, I’m fully open to a constructive exchange of ideas, thank you.

[robinwinged]

escapism in "the boy and the heron"

Interrupting my regularly scheduled programming of Good Omens brainrot for this attempt to process the wonderful, fantastical, and distinctly discombobulating experience of watching Hayao Miyazaki’s “The Boy and the Heron.” 

Miyazaki’s films, at least to me, have never been straightforward to follow. Spirited Away, for example, is a beautiful masterpiece whose meaning is difficult to decipher on a first watch, and is only fully unveiled when you dive headfirst into research of Japan’s context and the movie’s many symbolic themes. The Boy and the Heron takes this typical Miyazaki complexity and ineffability and turns it up to eleven. There are so many elements that seem random, so many narrative arcs and characters all warring for attention (what is the tower? why are the parakeets so goddamn bloodthirsty? why is the blue heron such a creepy old man?), that combine to create a whimsical but overall also very strange landscape. 

I know that art in general does not have to have “meaning” or “a message” to be deserving of our love and attention. Art can be touching, affecting, disturbing, provoking - any number of things that would give it credit - and damn it if The Boy and the Heron isn’t all of these combined. But. 

But.

This is also a Miyazaki movie, and he has proven once and time again why he is the master of hidden meaning, and so here, in no particular order, are my half-formed rambles on what I have personally think each movie detail that I struggled to puzzle out initially is about. 

(spoilers below, so proceed with caution!)

The tower, time, and escapism 

The tower is the central mystery point of the movie - a literal mystical rock that crashed down from the heavens and later lured Mahito’s grand-grand uncle (let’s call him the Tower Master for convenience’s sake) into its depths. Within the tower is a mirage world filled with magic but no real living beings, controlled by the whims of the Tower Master and nothing else that remotely resembles logic or reality. The tower also contains a series of doors that seem to lead to different points in time, if the ending is to go by and how the 13 blocks are meant to be pieces of worlds the Tower Master has visited. So what is this strange and fantastic realm, and what role does it play in the overarching narrative? 

My hypothesis is that the Tower is a pocket free from the influence of time (think like the TVA in Loki) - a separate island running parallel to the fabric of the universe that contains portals to different points of past, present, and future. By itself, the pocket has no life or substance; it must be filled by the imagination - pure imagination, untethered to reality - of its main (human) inhabitant. This is why most of the ships are illusions rather than real objects, why the parakeets are so ridiculously odd and behave nothing like real

birds, why the fish is the size of Kiriko’s damn ship. Anything that is real, has to be brought in from the real world (see: the pelicans, Himi, and Kiriko). This is also why the parakeet king immediately topples the tower: yes, he is not the Tower Master’s descendant, but he is also not inherently a real sentient being, and an imaginary object cannot in itself sustain a further imagination. 

So why does the Tower Master choose to sequester himself in this alternate space, where he can only exist alone with his own mysterious creations? I think the Tower Master represents those of us who wish to escape from reality, to inhabit worlds which we can control, where pain doesn’t have to touch us if we don’t wish for it (whether I’m projecting reallyyyyy hard at this point does not matter ok). He is an insanely avid reader, with books literally piled in small mountains throughout his living quarters, and don’t we readers (i.e me, again) always wish for escapism? The Tower Master, then, is an example of those who would rather become entrapped in our own minds rather than deal with the world beyond us - maybe, even in a way, a little like Miyazaki himself, whose imagination is so powerful but is also extremely singular and all-consuming, anchoring him to his creative work without reprieve of retirement until his reserves run dry (not to imply that the man is a hermit or that I want him to retire, quite the opposite in fact, but parallels, no matter how shaky, can still be drawn). 

This, too, explains why the Tower Master needs Mahito to control the world for him. It is not because he’s grown old, since he cannot be affected by time in the Tower, but it is because his imagination is stagnating - he is no longer capable of finding new ways to balance the tower, he cannot sustain the fantasy any longer. In itself, this can already serve as a message from Miyazaki - we cannot hope to live only within the confines of our minds if we do not interact at all with the real world, because then at some point we will run out of material, of lived experiences to build on top of, and threaten to crumble the fragile imaginary world we have created. 

Himi and her fire powers

Himi is a strange hiccup in the system - a rare occurrence of a living person in this fantasy playland that wasn’t brought into it during Mahito’s own entrance, like Kiriko. This theory is a little bit out there, I can totally appreciate that myself, but remember that one year in which Mahiko disappeared from the real world and then came back completely unchanged? I think she chose to stay there for much longer than a year, knowing that time didn’t work the same in this pocket world and she always had the chance to return to her original timeline through the handy door-portals. I think Himi has stayed there essentially until she met Mahito - so long that she actually grew into a part of the fantasy, developing impossible pyrokinetic powers and becoming a set part of the landscape in exchange for extended youth. But this stay didn’t come without consequences. In the real world, Mahiko passes away in a fire, at a younger age than would be expected. Perhaps this, in itself, is a punishment for cheating time - the universe reclaiming the years that Himi spent in the Tower. It’s also definitely not a coincidence that Himi can control fire in the Tower, and dies by fire in the real world; a form of lethal poetic justice, if you will. Seeing Mahito was the trigger for Himi to leave, to embrace her own destiny, because she could now see and be proud of the outcomes of her life and not have regrets about missing out on the life passing her by. (This interpretation would then necessarily imply a deterministic version of life and time, so it’s probably not everyone’s cup of tea, but I think it makes sense in this version because you see doors way farther down than the present which Mahito steps into.) 

The starving pelicans 

The pelicans are another anomaly because they, too, are not figments of the Tower Master’s imagination, but instead have been brought into this fantasy world, for one reason or another, likely against their will. And this is where the Tower Master’s escape from reality cracks and burns at the foundation - he creates harm rather than good when he brings in the pelicans, because he does not account for the fact that they cannot exist without a source of food, and they then are forced to eat the Warawara to survive. The movie states that the Warawara are like baby souls, who ascend to become new lives, but I think it’s a little more metaphorical than literal rebirth. For me the Warawara are metaphorical ideas or seedlings of inspiration, the only parts of the Tower Master’s creations which aren’t fully formed, but allowed to grow by themselves and escape into the world - like passing the spark of creation to others outside the Tower. And the pelicans, involuntary prisoners of the Tower Master’s fantasy world, must prey on the Warawara before they have the chance to become real. This can be seen (if you squint real hard and do some violent spins so your vision is hella blurry) as the beginning of the end of the Tower Master’s reign - the forceful inclusion of other sentient beings inside his imagination doesn’t help him enrich his internal realm, but rather snuffs out the genuine inspiration that he could be passing onto others, creating pain where the Tower Master hoped to be spared from it. 

Mahito’s rejection of the Tower

So with this central “Tower as escapism” theory, what does Mahito’s rejection to take over for the Tower Master mean? There is a moment that was so subtly powerful in that final exchange between the two, when Mahito stops denying the truth by telling everyone that he got his scar from falling, and instead admits that self-harm was the actual cause. At the beginning of the movie, I viewed that moment of very painful self-harm as Mahito’s wish to withdraw from the challenges of life - to live in isolation away from the grief over losing his mother, the challenges of being the rich new kid in town, the overwhelming discomfort of seeing his father shack up with his aunt. His reality is agonizing for him, and the fantasy land is so beautiful in its strange way that it could become a safe haven away from his trauma. But when Mahito says “no”, he is choosing reality; he is choosing to do the hard work, to face all the hardships life can throw at him, because he feels finally strong enough to not need to use imagination as an escapist crutch. In those final moments, Mahito is choosing to live in a world that he cannot control, because no matter how tough things get, he doesn’t have to do it alone - and that’s what I think Miyazaki is telling us too. 

Of course, the movie also deals with themes of class conflict and war profiteering; grief and acceptance; continuing your ancestors’ legacies versus paving your own path, which many have already discussed and I don’t particularly have anything new to add to. Regardless, these themes are masterfully woven into the plot, as per usual, and serve to elevate the movie’s emotional impact into something heart-twisting and truly unforgettable. 

Alright, ramble over - back to fandom lurking! 

[ambiguous-semicircle]

⚠️BEWARE: ZOUTIG/SALTY PUPPY⚠️

TW: GROOMING, CSA,  PEDOPHILIA, NECROPHILIA, BESTIALITY, LOLICON, HARASSMENT

Viewer discretion is advised. DO NOT harass this person, please.

If you’ve been in the Cyborg 009, Tezuka, or Showa era anime community, it’s inevitable that you’ve encountered Zoutig(he/they)- even if you didn’t realize it. They own the majority of Cyborg-009 related fan blogs on Tumblr and a discord server. This is a problem because they are the most active member of an extremely small fanbase, making others that want to participate in enjoying Cyborg 009 inevitably interact with them without knowing, and it can also make people that know about their behavior avoid the fandom entirely just because of them. They do not explicitly state who they are on most of their accounts and many have interacted with them by accident. This can also risk putting others in danger of being accused of being friends with a bad person. 

The purpose of this document is not to send harassment or threats their way, or even to deplatform them- but to bring awareness to their behavior which includes underage NSFW art, harassment, and grooming. This is not a doxx and we do not hope to find anything about who Zoutig really is, and neither should you. Everything is publicly available information. If you have had a bad experience with Zoutig, please DM us and we will update our document.

Zoutig, also known as Salty Puppy, Salty pupcake, or Prince Sorao, is an artist that focuses on showa-era anime and manga (showa meaning japanese cultural goods from the 50’s-80’s mostly). They are a shotacon, babycon, and toddlercon* and identify as a proshipper*. They particularly focus on the Cyborg 009 ship “47” (ship between Albert Heinrich [004] and Great Britain[007]) , which isn’t inherently strange, but they prefer using 007’s child design in their ship art. They can usually be easily recognized from their art style, obsession with Cyborg 009 and Fujio Akatsuka, and they occasionally speak in the Dutch language. 

Before we dive into their history, we will list all the accounts they own so you can block them. We will NOT link their nsfw accounts, since we do not want to distribute possibly illegal material (although it is not real CSAM). 

*Shotacon - male equivalent to Lolicon, attraction to young boys. Babycon and toddlercon - pretty self explanatory. 

*proshipper is usually vaguely defined as someone that people shouldn’t be harassed for what ships they like in fandoms, however it usually means someone that thinks any form of ships or nsfw content is okay including content that sexualizes minors or incestuous or abusive ships in a (usually) fictional setting. Not all proshippers are the same or agree on the last part, but the majority do.

Accounts

Tumblrs

Main: Salty Puppy https://www.tumblr.com/salty-puppy 

Personal: Salty Pupcake https://www.tumblr.com/salty-pupcake 

70s-cyborg-009-caps: https://www.tumblr.com/70s-cyborg-009-caps 

2001-cyborg-009-caps: https://www.tumblr.com/2001-cyborg-009-caps/ 

Just-cyborg-009-screencaps: https://www.tumblr.com/just-cyborg-009-screencaps/ 

The-wunderkind-cyborg: https://www.tumblr.com/the-wunderkind-cyborg 

Twitters:

Personal: Saltypupcake https://x.com/saltypupcake 

Art: ZoutigeKunsten https://x.com/ZoutigeKunsten 

Old username (deleted): Prince_Sorao https://x.com/Prince_Sorao 

Old art username (deleted): SoraoDoesArt https://twitter.com/SoraodoesArt 

Deviantart:

Prince-Sorao (old url) / Salty-Pupcake https://www.deviantart.com/salty-pupcake 

Instagram:

Prince Sorao (inactive) https://www.instagram.com/prince.sorao/ 

Pixiv

Zoutig (ID:29912163) https://www.pixiv.net/en/users/29912163 

(there is also a possible old Pixiv account besides the nsfw one mentioned later that is now inactive that I can’t find anymore. It’s pretty obvious to spot their art style so you’ll know when you see it.) 

Colors Live 

(no clue what this is, a drawing app i think?)

Anilist

Teirlist

Retrospring

(not linking as it could lead to harassment via anon asks.)

Discord Server

(no link provided for obvious reasons, just be sure not to join this and leave if you're in it)

To read the rest of this document, please click the link that goes to the full Google Doc. It goes into NSFW territory and grooming accusations, but nothing explicit is shown, viewer discretion is advised.

Full Document

[sh5]

it’s been said 1mil times but this site’s obsession with treating fanfic as revolutionary praxis and as literature of its own merit is going to drive me neurodivergent. i enjoy writing fanfic myself, which is partly why this sentiment is so frustrating, bc like…I’m lurking in those damn tags, I am the author that people are choosing over real literature—and I know damn well we are not producing works of art.

yelling, “read real books!!!” obviously isn’t effective and just makes people defensive, but at some point…you’ve got to pick up a classic. you’ve got to pick up something from the english canon, even the loosest of canons, and you have to read a real book and struggle with real concepts and grow in real ways. there’s only so much a fanfic centered around a yaoi ship can do for you. it’s inherently derivative, inherently limited, inherently dependent on its source. like…read real books for the betterment of yourself. and so you’re less annoying on tumblr. thankies.

[specialagentartemis]

see. here’s what’s going to happen if they ever make a Murderbot tv adaptation:

- they will cast a white man as Murderbot

- (they will also cast a white man as Gurathin, and either a white man or white woman as ART.  Probably a man though)

- Murderbot/Gurathin as a ship will explode in popularity.  This will be what the majority of the fanworks are about

- Murderbot/Mensah will also be extremely popular.  Murderbot/ART only somewhat, unless they give ART a like hologram human form and that human form looks like a white man, in which case Murderbot/ART will possibly take the top spot.  My money is still on Murderbot/Gurathin though

- people will argue that you are racist if you don’t ship Murderbot/Mensah, homophobic if you don’t ship Murderbot/Gurathin, and ableist if you don’t ship Murderbot/ART.

- people will argue that you are all three of these things if you interpret Murderbot as not having any interest in romance or pairing up whatsoever, as it is depicted on the show

- people will call the show queerbaiting and say it should have had a more explicitly romantic arc in it and if you like the fact that there isn’t any romance then you are wrong and homophobic and ableist

- people will start saying that interpreting any character as aro or ace is inherently homophobic

- people will start saying that being aro or ace is inherently homophobic

- I will stop participating in any version of the fandom

[natureboy96]

SJM, ACOTAR, Authorial Intent and what's "fair" to criticize/validate

So, the title of this post is, while accurate, a bit vague. I decided to put my two cents out on this because, since I joined the ACOTAR fandom a few months ago, I've found a lot of very harsh words being flung one way or another, largely based around the characters of the book or the direction people believe SJM has taken/will take the narrative. There's also been a lot of rather nasty attacks on people for their takes, their ships, and their criticism. I'm not an expert on writing, but I thought it worth having a proper, fleshed out discussion on these topics.

Author's Intent vs Reader's Interpretation

When it comes to understanding a text and gaining meaning from it, Author's Intent and Reader's Interpretation are generally the two fields which are subscribed to. Authorial Intent argues that the meaning of a text should be derived by what the author wanted the reader to take from it, and that a text is inherently connected to the intent of the author; for example, because SJM doesn't put as much emphasis on certain side characters, the reader shouldn't consider them important. Or, that SJM and the narrative intend and clearly state that the IC and Rhysand are the good guys, it only makes sense to view them as such. Reader's Interpretation posits that texts are meant to be interacted with, and that the meaning people can derive from them is subjective, because individuals have different life experiences and perspectives which can lead them to understand a text in different ways; A reader can see Rhysand's actions as hypocritical based on their interpretations of what he did and how in ACOSF. Or, coming at the text with a different understanding on trauma or sexuality, a reader can come away from a text finding Tamlin to be a more sympathetic character than hateful one. Both of these arguments have existed for decades, if not longer. And the thing is...

Neither of these are wrong or right ways to read a text

There is no "one right way" to engage with or criticize a text! If you believe that SJM is a bad writer because she uses characters as plot points rather than giving them actual growth/retcons things as needed for her narrative, or that Tam’s actions have earned him his redemption, that is a valid assessment based on what you read in a text. If you think Lucien and Elain have no chance because Elain has on multiple times been shown being friendly, even intimate (not romantic intimate, just close) with Azriel and that the author seems to hint towards a rejected mating bond, that is a valid assessment too. Anything in a text, written, implied or intended, is a valid avenue of criticism.

At the same time, people are fully allowed to have their own head cannons and fanfics about characters outside the written narrative. Just because SJM wants you to ship Feysand, doesn’t mean you can’t write or ship TamlinxRhysand, or Gwynriel or Rhysta. Art, including text, is open to interpretation and you are allowed to make it your own too, even if the text itself makes it clear it’ll never happen. Hell, shipping Elain and Tamlin because they both like flowers is entirely valid! Fan fiction and ships don’t have to be defended by the text/author’s intent, they are your own creation and can be based on whatever you want! Have fun, go crazy with em.

What isn’t ok for criticism

You can criticize the actions and choices and motivations of a book character all you want, using whichever method of critique you want. If you want to call Rhysand a pedo because he came to a pic of his child, you can make that take. If you call Tamlin a serial abuser who brought everything on himself, you can make that take.

What isn’t ok, is using your takes to criticize the people who disagree with you.

(These are just a few examples I’ve seen in the last few days, but I’m pretty sure everyone in this fandom has seen personal attacks along these lines, some far worse than the ones I grabbed. It’s also not a matter of degrees of bad faith criticism, all of these are of the same vein and one isn’t more ‘valid’ than others because it wasn’t as harsh.) Believing Rhysand is a pedo doesn’t make it ok to call people who like him the same. Believing Lucien is a terrible person doesn’t make someone who likes him a person of questionable morals. Having a different method of criticizing a text doesn’t make someone else’s different way of approaching the text wrong.

At the end of the day, these characters, this world, this narrative are all constructs, not people. You are not Feyre, you are not Tamlin, you are not Rhysand or a Valkyrie or Elain or Cassian. You do not deserve to be judged for the actions of fictional characters, and you should not be judged for your opinions on these characters either. And you need to let others have differing opinions on characters, even ones you dislike intensely.

Let people like the characters they want to like, let people criticize the characters they don’t like (or the ones they do) and for fuck’s sake, don’t take it or make it personal.

[babybells123]

Oh. My. God! You’re always whining about people not liking jonsa! Like seriously who cares. Just be happy and ship your jonsa why do you care if others like it or not.

Hi anon.

Tbh, this fandom talks more about how much they hate Jonsa more than I talk about the unjustified hatred myself…. Often the arguments against it are very shallow and inherently vitriolic and it often plays into fandom psychology i.e following the grain, which is again - intriguing to note in comparison to other fan theories.

But in any case, there is something wonderful called the block button, and I really urge you to use it. It’s what I do when I’m made privy to an account / content I don’t like or agree with, I don’t waste my time reading through any of it . The posts which address the antis largely stem from anon messages that I receive (and delete), and other social media forums where I may come across hateful content. I don’t go actively searching for it because as I stated, they’re often extremely weak arguments that can be countered and don’t come from a place of critical thinking or nuance ; simply a matter of “nah that could never happen because I said so.”

And here’s the thing, Jonsa shippers don’t actually venture to pro other ships tumblr. We all have that content filtered/blocked most likely. But there is certainly a strange pattern when it comes to antis who usually ship other pairings loving to invade the Jonsa tag and send hate upon hate, reblog, write numerous essays as well.

There’s a lot more anti content towards Jonsa than there is for people calling out the antis. And it’s not just a matter of people “not liking it,” since that’s really not what it boils down to. It’s really not that tame nor simple. I don’t care if someone dislikes Jonsa, if it isn’t your cup of tea then I have no qualms. I take issue with people who are consistently bothered/offended by it’s mere existence and have participated in online bullying such as creating anti blogs and hate accounts, doxing people, forcing people to delete their art/edits, and sending death and rape threats over a *checks notes* ship. That’s very uncalled for and very unhinged.

Anyway, I find the way that this fandom collectively responds to Jonsa so mind boggling. I can only laugh at the blatant hypocrisy. See, you’re clearly unaware as to how deranged people get because you’re on the other side, so you think it’s just a matter of people disliking a ship. In my many years across multiple fandoms I’ve never seen such a level of vitriol! And that is saying something. But I’m confident in what I’ve analysed/written. I have faith in the metas and theories and at the end of the day, it’s really all just fiction.

And you know what anon, I reckon I’ll increase how much I post about Jonsa hate, just to piss you off ;). You’ll probably lurk on here, and you’re free to - but I really urge you to block if you’re so riled up and go back to your side of the fandom with like-minded people.

Have a blessed day !

[spopsalt]

More miscellaneous She-Ra pins I found while sorting through Pinterest that made me want to die and my commentary on them. Pt. 3 Fanart Edition.

Something about the vice like grip Catra is using while writing on Adora’s ass is making me feel gross. Listen, if people are into that, it’s cool. It’s just that specifically Catra doing that to specifically Adora makes me sick, especially with that smile Adora is giving. Also, idk if that’s what the artist was going for, but all that combined with the writing ‘C//A Canon’, the ass smack, and Catra having that one dark spot on the dead center of her face that anime characters get when they’re being threatening… It all gives off the air of someone rubbing it in the face and being a douche about it. Like, “Look Catra is about to tear Adora’s stupid ass up because she can and out ship is canon so you can fucking suck it! Haha, you must feel so fucking stupid right now!”

Oh look, seems like someone took inspiration form that one post Nate did with Catra wearing Adora’s shirt because she tore it up so Adora couldn’t wear it anymore. Giving off some weird ‘property’ vibes. Again, I know this can be viewed as something people are into, and it’s okay if someone is. It’s just really creepy for C//A specifically.

Me too, Shadow Weaver, the fuck. I know SW is a shitty mom. No one’s gonna argue that point. But it takes a special kind of shitty parenting when you screw up so bad your children/teenage daughters are making out with eachother. That’s a joke btw, kind of. I think SW is to blame for some things, but C//A isn’t one of them. Hell, she seemed to be wholly against it. Not that I blame her for not wanting that.

Eh. Not the worst one. It’s a funny joke based on a funny gif. But I’m getting real tired of the same jokes over and over. “Adora dumb” “Dumb jock lesbian” And it’s a soccer thing, so there were probably “dumb lesbian” and “useless lesbian” jokes already. I’m not even a lesbian, but I’m getting tired of it. I’m not saying it’s on the level of those outdated “wife bad” jokes. But it’s getting old. People gotta stop treating Adora like a total moron. Also, the gif this is based if isn’t inherently romantic, but the artist just had to add the blushes to make it a C//A thing. God forbid two people exist near eachother without it being a ship thing.

Oh god this fanart...is interesting.

More sexualizing! I'm going to assume they aren't minors in the art for my own sainty and faith in humanity. But still, why are Catradora fans so sexual? I do not get it, can't they just like a ship without making it sexual every 2 seconds?

Ugh. That just feels gross. Why do they think it's cute when Catra messes with Adora's propety? Is it supposed to be some cute thing? I don't get it

Honestly I'd have the same reactions if my daughters started dating. Yes Shadow Weaver was a shitty mom, but they both got raised together and have the same mother figure, they. are. s i b l i n g s

4. Why does everyone try to make Adora seem dumb? She's really smart, Catra's the one who calls her dumb, braindead, and idiot. Which Adora interlized! How cute is that?

[hellsbeenbettersincehesplit]

The latest oneshot is finally here! Inspired by replies to this post by @sky-marbles !

In this, Vaggie learns pole dancing from Angel Dust in an effort by him to convince her to let him teach the hotel in a group bonding session. Featuring dancer!vaggie, no romance beyond one or two background ships, no actual sexual content (just references and a couple jokes), and unexpected friendship :)

I'd prefer if you read this on Ao3, but my works are archive-locked, so if you don't have an Ao3 account and thus can't read it on there it's also under the cut!

No Bonding Like *checks notes* Pole Dancing

Vaggie crossed her arms, barely suppressing a sigh. “We’re not stripping as a group activity. That’s final. I don’t have anything against stripping itself, but Charlie’s group bonding sessions aren’t supposed to be sexual.”

Angel huffed. “I didn’t say stripping, I said pole dancing. There’s a difference.”

Vaggie raised an eyebrow.

“There is! Pole dancing is an art. Stripping is also an art when it’s done right, and strippers were the ones who created pole, but pole dance itself isn’t inherently about sex.”

“You’re not exactly convincing me here.”

“Look, I know it can be. Why do you think I learned?” He sighed. “But it doesn’t have to be. It’s like…” He thought for a second. “It’s like how art of naked people can be for anatomy shit, or for porn, or for both.”

Vaggie remained unconvinced.

“How about this.” Angel stretched as he stood from the hotel couch. “I spend an afternoon teaching you a bit of pole, and you approach it with an open mind. If you still think it’s ‘just sex,’ I’ll never bring it up again. But if you do change your mind, we have that group bonding session.”

“Why should I take you up on that when I can just say no as-is?”

“I’d just ask Charlie. We both know she’s easier to convince.”

Vaggie groaned. Why did he have to be right? “Fine. Look, I can’t promise we’ll allow it even if you can convince me. But you can try.”

And so, that was how Vaggie had found herself in a room with Angel Dust and a pole-dancing pole. It occurred to her that she was likely the only person in Hell to have ever had that sentence apply to her without it being sexual in some way. She shifted her weight from one foot to the other awkwardly. Honestly, she’d kind of been dreading this.

Angel Dust looked her up and down. “You’re going to need skin-to-skin contact with the pole. The jacket has to go. The bike shorts should be fine, though.”

Reluctantly, Vaggie took off the jacket. Angel seemed to approve of the loose t-shirt (most likely Charlie’s) that Vaggie had on.

“Alright,” Angel said decisively. “Let’s get started.”

It was very different from what Vaggie expected. The moves Angel had started her out with were very beginner, and Vaggie actually did feel herself starting to understand it after a few tries. It was difficult in the way that learning anything new was, but Vaggie was also familiar with rhythm and dance. That familiarity led to her picking up moves faster than she’d thought she would. She was surprised to find herself genuinely enjoying the dance. She didn’t even fall half as often as she thought she would.

Likewise, being with Angel one-on-one wasn’t awful. He was a little different here than he was around others- maybe because he wasn’t flirting with Husk or Alastor or anyone, maybe because he was confident in what he was doing, maybe just because he was trying to convince her that this wasn’t sexual and making innuendos wouldn’t help him. In any case, she kind of liked this side of him.

“Convinced yet?” He’d asked her on their third break.

“Not quite,” Vaggie responded. “I mean- this hasn’t been what I thought. I’ll admit that you were right and pole dance is an art form, and it's more than I thought it was. But I have other concerns about the group setting. Namely, I think it might turn into something sexual.”

Angel rolled his eyes and offered her a hand up. “I get where you're coming from, but that could happen with literally anything. Now, you wanna practice that move a couple more times?”

Vaggie sighed and slowly stood, as something occurred to her. “Why do you only use one set of arms?” Wouldn’t extra hands make something like this easier?

“Same reason you’re not using your wings yet. I normally do, but you’re on the basics, so you learn the fundamentals that humans can do and build from there. As your teacher, I need to model that.” He raised an eyebrow. “Also, did you think I’d teach you moves that use limbs you don’t have?”

Vaggie shrugged. Honestly, she had expected that.

They were back to the dancing part. Vaggie had to admit, Angel was really fucking good at this. Vaggie herself wasn’t bad for a beginner, but every movement looked so effortless from Angel. It was almost like he was moving in a tank of water, or like his frame rate would be double hers in an animation. She was the one that could fly, but she couldn’t help but think the way Angel defied gravity was just as impressive.

“Do you do any other types of dance?” She asked after he showed her a beginner move she’d attempted 20 times look unreasonably fucking fluid. 

“No?” he replied, audibly confused. “I learned this because of Val. I’m good because I’ve been doing it for half a century, but I’m not really a dancer.”

That actually got a chuckle out of Vaggie. “Not really a dancer my ass. That shit was smoother than half the ballerinas I’ve worked with. Seriously, you’d be great at another form if you do decide to try one.”

Wait. Why did he look so confused at that?

“You do ballet?”

“A bit. Also salsa and cumbia. Maybe modern dance someday.” She was pretty damn good at perreo, but she wasn’t about to tell Angel Dust that.

Now he was the one gaping. There was no way she’d forgotten to tell the others about that. Right?

“Since when are you a fucking dancer?”

She shrugged. “A year or two, I guess.”

“And you didn’t tell us?”

“It never really came up.”

“Because you never mentioned it! How’d you end up doing it in the first place?”

“Running got boring.”

“Come on, there’s gotta be more than that.”

Vaggie didn’t want to go on some long monologue, but Angel seemed genuinely curious, so it seemed to be time for the long answer.

“Exterminators are the most birdlike angels on a biological level, because we’re the ones who have to fly outside of the atmosphere of Heaven. Flying normally burns a lot of energy. When I lost my wings, that change was really hard on me. I started running to get some cardio back, and I saw an ad so I signed up for a few dance classes to get some variety. I went to one a nd… I don’t know, something clicked. Before I fell, my entire life was training. I still like running and sparring, but they’ll always be tied to all the baggage from...” her voice trailed off. “Dance is… it’s fun, you know? I’m not doing it for violence or for Lute or anyone. I’m doing it for me, and I can just lose myself in the music and moving and pursuing excellence and get that rush of endorphins in something that’s just mine.”

Angel somehow looked even more shocked. Fuck, was that oversharing?

“Shit, you’re right. I should absolutely take some classes.”

That was a strange reaction. “What?”

“Like I said, I learned this shit because of Val,” Angel pointed out. “I mean, we’ve got different tragic backstories, but I feel like I could get something similar from it, you know? As long as he doesn’t find out.”

Vaggie grinned. “Can you imagine everyone else’s faces if they see us performing as dance partners?”

That got an actual laugh out of Angel Dust. “Sir Pentious would probably think we’re dating,” he choked out. “That’s it, I’m signing up, we have to make that a reality.”

After a few hours that felt so much shorter, they wrapped up the lesson. Angel had Vaggie combine the building blocks he’d taught her into something of a short dance. She slipped up a couple times and she knew her movements were a little forced and choppy, but he looked so proud of her after that she couldn’t help but be proud too.

“So…” he asked. “What’s the decision?”

On one hand, she still thought that while pole could be not sexual, it might turn into that in a larger group. On the other hand, she had to hand it to him- this really was an art. Charlie’s rules for the hotel weren’t meant to be limiting, and Angel’s idea could be fun.

“I guess it’d be ok,” Vaggie decided. “As long as Charlie agrees with me.” She caught the little fist pump Angel did and added, “Also, we should totally do this again.”

“You want to learn for real?” There was disbelief in Angel’s voice.

“Yeah! This… was kind of nice.”

There was an excited gleam in his eyes as he responded, “Alright, but you had better make good on the salsa lessons.”

“Deal.”

Angel had honestly surprised her today. She’d known he was doing better, but she still wouldn’t have described herself as close to him. That energy of his personality being almost a performance, which Husk had loved to complain about, had given Vaggie a vibe to stay away- which she felt bad about in retrospect. Angel was more considerate than she’d expected and a shockingly good teacher.

“Hey, you better let me know how Charlie feels about all this tomorrow morning,” he told Vaggie with a suggestive wink.

Never mind, she took back all that sweet shit. She flipped him off, and smiled as she set a reminder on her phone for the date and time of the next lesson.

[motleyfolk]

Becoming sustainable is a journey that takes a long time. You can not and will not change your lifestyle to fully sustainable in a month. Changing your entire lifestyle in a way that directly clashes with how society is currently functioning (consumerism/capitalism) is not as easy as the tiktokers doing partnerships with bamboo toothbrushes make you believe.

Start small. Repurpose things you already have, even if they aren’t recyclable. Scrape the last of your moisturizer into a tub if it won’t come out the bottle any more. Use the cut open bottle as a pin holder. Use old dvd cases as letter storage, for arts and crafts, to protect your post. Donate things you can’t reuse to your local charity shops or shelters.

You’re also inherently going to have to learn new skills. Learning to stitch clothing to repair clothes, and learning how to sew to re-use clothes that can’t be salvaged. Learning some basic carpentry and upholstery skills for furniture, learning how to compost properly, learning to cook in unusual ways like canning and bulk cooking, gardening and farming. You’ll need to learn how to navigate shopping sustainably by researching the brands you consume, the shops you buy at, the local economy.

There's also the emotional toll of it. Learning new skills and leading a sustainable lifestyle will be very rewarding and fulfilling, but the journey there will be difficult. Researching it all will likely depress you, you’ll come across how shit nestle is, how deep-rooted consumerism is, how it impacts the ocean and humanity. You’ll find there's almost nothing, no brand, no item, no store that hasn’t been touched by consumerism and problematic practices, and it will get absolutely exhausting. You’ll find YouTubers and bloggers who have been doing this longer than you and finally help you navigate everything, and then they’re a terf. It’s going to be a challenging journey.

You will also realize becoming fully 100% sustainable is impossible to you and gated to rich people. You will need to accept this. Not everyone has access to local shops that provide sustainable items, and online shipping itself is usually not eco-friendly. Having a pet might be a roadblock, unless you can build your own house it's probably not built sustainably, if you live with family or roommates they might dampen your lifestyle. You’ll learn that being sustainable isn’t going the whole solution to saving the planet. You cannot strive for perfection here, you can only make an effort.

But making the effort is the point. Living sustainably makes you part of a positive cycle that supports local businesses, promotes a healthier and more fulfilling life, helps your local ecosystem and community. That makes the effort worth it.

[storytellering]

Love your art and I'm generally curious as to what the appeal of Dante/Vergil is to you? Do you have any hc that you're drawing from or is it just personal preference? I struggle to imagine the right conditions for them to be involved in that way and would like to know what inspires you.

I will premise this by saying, that I’m actually not a MASSIVE fan of just DV for its own sake, if Nero isn’t also included (or like, with the assumption he will, 100%, be included once he’s in the picture). To me it’s kind of a baseline pairing?

As in, I don’t even have to think about it. Of course they’re in love, of course they’re together, of course they’re fucking. It’s almost an afterthought to me, the way the married parent couple of the protagonist in a story inherently are. It doesn’t necessarily interest me by itself, that fact, it’s just a certainty, it just is. I guess, for me, the interest in DV specifically comes more out of what other people make of it, because for me I’m almost always approaching first from the perspective of Nero being there also, haha.

There’s also the fact that I have a lot of hc about just like, the way demons function as a species, I guess. I took a lot of things dmc canon gave me and went like, “alright, time to project this into the most self indulgent, non-human society but humanoid looking species I can think up in my brainhead”. To me a lot of the appeal comes from it being not necessarily a predestined thing as much as like, a biological inevitability - (going to speak in definitives about my own hc from here on, so not making any statement about canon dmc lol) demons mate with their kin, and with whoever deems worthy - and twins from the same litter would inevitably end up being the other’s first partner, their first choice, their other half. In a sense, to me, they’re soulmates - though honestly I prefer to think of it more as two halves of the same soul, following the implications in 3 and the 3 manga that them being twins comes from the spawn of Sparda being too powerful to just be born in one body. That might sound like I’m just saying they’re soulmates in a different way, but not really - to me, if I had to go the soulmate route, Nero would be both of their soulmate - because the two of them make one single soul, and the match to that would be Nero’s.

I kind of just go off of the assumption that they are in love and have been since they were in the womb, you know?

That colors the way I see their every interaction. To me, in their fighting, their squabbles and their feuds, there’s always love at the source. Familial, yes, but romantic and sexual as well - and to me, when I think about them, it’s all one and the same. To love each other like family is to be intwined, is to be mated, is to be a pack and is to be one.

That’s the more deep thoughts I have about it, I have more shallow/surface thoughts (and specifically ship dynamic thoughts about like, what appeals to me about them sexually lol) but if I had to quickly sum it up that’s what I would say, I think. 

[adracat]

yes, hello. I’d like to attack you with unrelenting happiness for the next few minutes of your time. it’s a feedback loop originating from and re-projecting back to you.

first of all, seeing your deconstructions after stumbling upon your ao3 makes me regret missing out on the live updates from you and the community here (aniwave comments are dogshit)

thank you for your posts. they let me think critically about and appreciate g-witch that much more from novel analysis perspectives. reading back a bit, especially to your take on scenes such as ep10’s communication clear up, and seeing these pieces given the gravity and respect they deserve, is taking the bite off of the series’ conclusion.

speaking of treating the sulemio shaped hole in the networks from now on, a red tempest is the kind of fic one wishes they could distill and take intravenously at maximum drip.

it won’t be for everyone, and you think law of causality is your best (haven’t read it yet), but it feels like you’re writing professional grade work just for me with how it seemingly doesn’t miss or waste a line. you present a tight ship regardless of whether that’s how you run it. the story feels compact and layer woven yet flows along seamlessly and with that wonderful sense of OC unlimited potential, dropping shadows here and there but keeping me fully on my toes. still in the rising action, but hopefully multiple full arcs…? (worth!)

the spots of canon that you spun into a universe feel weighted, alive with the way your voice gives an inherent gravitas even to small supporting details, and nothing is more alive than your characters.

you do them so well, it’s impossible to stress enough. regardless of where they’re going in the future, where you’ve had them come from and be is so genuine and, in most cases, compliant/paying close homage in their personalities. your dialogue is a breath of life. eri and chuchu particularly, and prospera especially.

there are small things that are subtle like suletta being a bit less anxious at the start, and there are larger things that are less subtle like all of prospera— yours of whom I love— but everything’s working believably and in sync as you craft this beautiful story. my only complaint is that I think the next release is gonna be a sulemio heavy chapter during the job’s sudden distress, and it isn’t this weekend’s release date yet.

there’s a lot else, like the many juxtapositions, the slow burn, and other emotional/literary devices, but while I’ve already spent too long trying to put just this much of a review/praise bomb together, I’ve gotta jaw on a bit more about your fantastic perspective work with clear voices for each heroine. it’s so exciting getting into the younger couple’s heads when it comes to each other. you’re probably going to slaughter me with elnora and notrette, but ch11’s suletta and mio are already doing it with their pining.

thank you. it’s a joy and a pleasure. I hope to read you for a long time to come. I’d ask to share some of your brain chemicals, but reading the product makes mine just as happy. I hope that means we share a brain cell; then I could rise and meet the caliber. o7

That’s so sweet of you! And absolutely; sending you spiritual braincells 🤗 I put a wealth of thought into all my works but something about Sulemio and Prospera✨ sends my brain into overdrive. Law of Causality and A Red Tempest are passion driven works that I’m happy to share with likeminded people. If you ever do decide to give AASB and its sister works a try you may find interesting connections. ART is a bit of a spiritual sequel in a way. Though admittedly ART Prospera may be a rascally devil but is intentionally more likable than LoC ‘Prospera’. I decided to make her pathetic in ART for funsies 👏

Thanks so much for the kind words ❤️Encouragement gives me wings to confidently move forward—just like our merry cast!