#that scene and another that I can't find

[sharper-than-a-serpents-tooth]

spoon's advertisment reminds me of a particular scene in On Drakon between Princess Miroslava and Arman. I wonder if spoon drew inspiration from that film, because it became so popular in Asia.

[royalarchivist]

Tubbo: What was wrong with the timing?!

Pac: You did it in the worst possible timing! Everything was–

Bagi: I think we ruined the kiss.

Everyone:

Pac: It– it wasn't the kiss, more– you know? It was– *mumbles*

Tubbo: IT WAS MORE?! IT WAS MORE?! ON THE FIRST DATE?!

Bagi: WE DON'T NEED THE DETAILS!

Fit: That's not what he meant!

[poorly-drawn-mdzs]

Market based mistakes.

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[mayahawkins]

#someone help these two idiots

[sivvan]

@userdramas event 11: inspiration

↳ oh yoon-seo + insp

[schmweed]

[sisterdivinium]

Now is the time to place your bets on whether or not this hyper self-indulgent doctor superion Vampire the Masquerade AU fic will or won't get to 100 handwritten pages...

[tecchous-thicc-buttocks]

someone remind me, is it canon that the terrorist sadists turned whores for good gossip about their little gremlins' war crimes while taking the munchkins for their nature walk???

[nikki-handholder]

[recitedemise]

𝗚𝗮𝗹𝗲 𝗼𝗳𝘁𝗲𝗻 𝘃𝗶𝗲𝘄𝘀 𝗹𝗼𝘃𝗲 𝗮𝗻𝗱 𝗰𝗼𝗺𝗺𝗶𝘁𝗺𝗲𝗻𝘁 𝗶𝗻 𝘁𝗵𝗲 𝗹𝗲𝗻𝘀 𝗼𝗳 𝗳𝗮𝗶𝘁𝗵. That said, when speaking of his paramour with the mention of Mystra, it is not a slight. After all, Mystra, the goddess, wasn't just his lover; she, as she'll remain, controls the Weave.

As a scholar of magic for all his life, Gale is thoroughly enamored with it. He's always had the Weave, casting spells and enchantments for as far as his long memory goes, and there's no power on earth that can pale that devotion. When Gale says Mystra's name, in love, it is never with yearning. When he tells his lover that he forgets his goddess when he stands beside them, he means quite literally that he foregoes his faith. He doesn't mention her like a quality benchmark with which they've somehow surpassed, but to punctuate how wholly he has fallen for them. With a new, honest love, he is turned entirely from Mystra. In fact, so utterly bewitched, he's like a born again man. He isn't besotted by his goddess, held stalwart in her sway and seemingly, abundantly, and frustratingly stubborn. After that disastrous relationship, I promise you, Gale spares not a single thought toward her. She might have control of the Weave, and as such, stands still his only patron deity, but his new, doting lover? They become something of a new religion for him; he is most devoted, taken by, and so loyal to them.

He does not see Mystra. Do not assume he still feels for her.

He's a man of one love, and they will have all of him.

[kandicon]

*writes the same exact headcannons in slightly different scenarios over and over again*

[tentacleplains]

more scenes that basically everyone sees but pointing out a specific detail i find interesting: "though i hope you don't cause a scene this time" does avery regularly cause scenes at parties?? lmao

[cienie-isengardu]

[britneyshakespeare]

i'm very interested what ppl find to be the harder shakespeare plays and which they found to be easier. bc i was googling out of curiosity and i found a sparknotes article (link if you're curious) that ranked ten of the most commonly-read plays on difficulty and it put king lear kinda down low whereas it put julius caesar pretty high because of the politics/complicated conflicts. that kind of baffled me because julius caesar was the first tragedy i read outside of the classroom and i found it very approachable; it's one i often recommend to people trying to get into shakespeare because the plot is already familiar to most ppl and you can just enjoy the poetry and how shakespeare chooses to characterize these figures. on the other hand i read king lear a few years later in my shakespeare journey, and to be honest i still kind of have a hard time with lear. maybe i just don't connect with it on some level; i'm not sure. it's not a very tightly-organized play where the action is as centered as in the other tragedies like hamlet or macbeth. that's certainly a me thing and maybe that'll change with age. but i'm always a little surprised when i find someone's experience with the plays so much different than mine.

anyway if you're reading this feel free to reblog and tag or comment which shakespeare plays you found yourself falling into most naturally and which worlds you felt like you had to force yourself into. i'm interested in what ppl feel on this subject

[impatentpending]

[awakens from my thousand year slumber] pseudo-tangled au inspired by Crowley insisting Gabriel can't go outside — Beelzebub, knowing that Gabriel is somewhere in the bookshop, goes to scope things out before Shax's invasion, and runs into Jim, Aziraphale's clueless, idiotic, cute human (?) assistant.

Jim, wanting to see The Outside, but scared from Crowley and Aziraphale's warnings, promises Beez that he'll help them find Gabriel (he probably thinks Gabriel is a type of book, especially since Beelzebub never seems to hear him when he tells them people call him Gabriel) if they can safely show him The Outside.

After eluding a frantic Crowley and Aziraphale, running from the police (how was Jim supposed to know he couldn't just walk out of places with Shiny Things??), seeing the strange and wonderful things The Outside has to offer, dancing at a Human Music Festival, getting Jim better clothes, and Jim somehow saving Beelzebub from being tracked down by heaven, Beelzebub finds themself reluctantly charmed by the silly, strange human (??)

Especially since something about him seems so familiar...

[sysig]

Just a bit indulgent, no harm in it, surely (Patreon)