#that one person is very tired

[stereo-nightmare-neli]

Snow-Fall (an original short story)

So this is a short story I wrote for school a few years ago, and now for school I have turned it into a comic! I hope you enjoyed it I worked very hard on it, and now that I'm done with that back to Gravity Falls! Don't worry I will finish that project even once the Book of Bill comes out so enjoy this while it lasts!

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[lazylittledragon]

it’s being normal about dad gale hours again

[multiversal-pudding]

A fun Danny Phantom idea:

One of those “mediums tormented by the fact they can’t turn Off the ability to see ghosts” types moves to Amity, and for the most part, it’s great! Like yeah maybe there’s still ghosts everywhere, but now they can react normally, because finally for once in their life everyone else sees the ghosts too. Granted, judging from what everyone else says it sounds like they’re seeing significantly tamer humanoid proper-manifestations than the near-incomprehensible masses of emotion, spectral energy, and whatever that particular spirit’s associated with they’re used to seeing, but eh- between how jaded they are to seeing stuff like that after all these years and the fact that in practice the response of “GTFO” tends to be applicable regardless of whether you’re dealing with a poltergheist in overalls who likes hucking boxes at people, a giant robot guy who’s yelling about world domination, or reality breaking fever dream vomit, it’s not too big a deal

…There’s just ooooone little problem

Which is that when people look at the Fenton’s youngest kid and when people see local town hero/cryptid The Phantom, clearly everyone ELSE is seeing two different people/entities, but in their case, all they see is the same wild plasma-lightning living tear in reality either way, and they’re afraid if they mix the two “identities” up they’re either A) gonna fuck up some poor kid’s life/put him and those around him in danger, B) piss off a very powerful spirit whose repeatedly proven why that’s a very bad idea, or C) both-

(Bonus points if it’s some completely mundane guy like Ted the Bus Driver/ the county deputy in training/ some poor janitor who’d be reasonably expected to come in contact with either one fairly frequently-)

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[dukeofthomas]

"Jason just needs to see things from his family's perspective and understand how much they love him (despite them never actually communicating or showing him through their actions)" is out. "The batfamily putting a single bit of effort into understanding Jason and reconciling with him on his own terms" is in.

[dupasko]

8:11 DOODLE DUMP!!!!!!!!!!!!!!

[ricky-mortis]

Hatchetfield @femslashfortnight Day 6: Protect

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[vileidol]

Hello again, friend of a friend

matrix can have a little evil ex breakup song, as a treat

(OC from Infamous by @infamous-if)

[seraphsfire]

im obsessed with neil newbon the Just Some Guy / Fey Creature energy he has, he dresses like a genderfluid cybergoth pajama model, has the body language of a tiny cat in the form of a 6'2 very large man, the bubbly energy of a middle school girl, the athletic skill of a stuntman, will say the smartest and sweetest and most heartbreaking shit and then 10 minutes later while he's gaming he'll accidentally take off a companion characters undies and flash everybody, wildshape his character into a cat, meow intermittently for 15 minutes and ur not quite sure if he realizes he's still doing it? Then he'll spin the strangest little story flirting with himself of two characters he made up and talking in the voices the whole time, remind you his half wood-elf is VERY stupid and very pansexual, and then leave? The minute i saw his first stream i was like FUCK i guess i'm keeping this guy huh. 10/10

[lycandrophile]

i love you testosterone i love you voice cracks i love you bass notes i love you loud laugh i love you fuzzy mustache i love you whispy patchy beard i love you bushy eyebrows i love you hairy stomach i love you knuckle and hand hair i love you boy smell i love you bottom growth i love you new orgasms i love you big nose i love you square jaw i love you squishy stomach i love you thighs that touch i love you stretch marks i love you acne i love you acne scars i love you body heat i love you appetite i love you mood stability i love you balanced hormone cycle i love you puberty awkwardness i love you uncertainty i love you adjustment i love you transformation i love you change i love you maturation i love you growth i love you freedom i love you euphoria i love you comfort i love you familiarity i love you recognition i love you second chances i love you masculinization i love you embodied manhood i love you testosterone

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[heartless-aro]

Does anyone else find it sort of upsetting how widely popular House M.D. has seemingly become in online queer spaces with how violently acephobic and intersexist it is? Like, I don’t want to pretend that it’s only queerphobic towards aces and intersex people, because the show definitely engages in its fair share of early-2000s-typical casual transphobic and homophobic language, and I do think it’s pretty biphobic that, from what I remember of the show, they made 13 (the one canonically bisexual character) a promiscuous party girl tm.

But the show is extremely vitriolic towards intersex and asexual people, and I wish that the people who treat it like a haha funny toxic yaoi show would at least fucking acknowledge that. The show actively reinforces the ideas about intersex bodies which are used to justify the nonconsensual mutilation of intersex children. And the way the show treats asexuality is abysmal. I saw someone on here once say that it’s “funny” that House is canonically aphobic, as if it’s just a joke that the House episode about asexuality actively supports the idea that asexuals are all either liars or medically unwell and in need of “fixing”. Why is pro-conversion therapy rhetoric suddenly funny when it’s directed towards us?

I’m not saying that no one is allowed to enjoy the show at all. Hell, I used to really enjoy it too, at least before I got to the asexuality episode (shortly after finding out I’m ace and before I had ever seen even a single other representation of asexuality in mainstream media). But like. Can people at least stop outright ignoring the absolutely detrimental effects this show had on the ace community and the intersex community?

[canisalbus]

you post so many pieces like this, but your newest is the latest in the line of your vaschete art that rewrites my brain in the best possible way. I struggle a lot with shame and self loathing and neuroticism in general, and seeing in every expressive bit of gesture how much Vasco just... *sits* with Machete and loves him *while* he's upset. Loves the upset version of him and will be there loving him until he's ready to be calm and open again! this sounds hyperbolic but it literally makes it easier for me to love myself and be patient with myself when my nastier inner voices are really active. so thank you for your gay catholic dogs they are sincerely improving my life.

.

[blackhholes]

teen wolf meme: [1/5] motifs -> fire

You find the girl wearing that necklace, she's your arsonist. Murderer. Excuse me? Arson happens to property. This girl's a murderer.