#that no one person is inherently better than anyone else | Explore Tumblr posts and blogs

polysyndetonaddictsupportgroup · 1 year ago

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hii 📓

Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.

They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.

The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.

Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.

It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.

They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.

Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.

The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.

And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.

Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.

They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.

And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.

She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.

Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.

One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.

It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.

The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.

It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.

The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.

Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.

The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.

This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.

Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.

She is bad at it.

So fucking bad at it.

But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.

In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.

And oh. They could recognize each other after all.

She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.

Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.

But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—

Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.

Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.

They never make it out the back.

Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.

Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.

She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.

See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.

She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.

The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.

At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.

The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.

Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.

For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.

And as it turns out, her brothers monsters were real all along.

There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.

It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.

They run.

Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.

Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?

The fight goes bad.

Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.

She chucks her shoe at him. The finger goes flying.

Then the monster eats it instead.

Tsumiki: :o

Yuuji: :o

Megumi: fuck

Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.

Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.

Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.

Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant

Gojo: :o go on

Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away

Gojo: *gasp* what no

Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—

Megumi, really trying to have a moment here: we can both hear you

And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”

Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.

Itadori: she hit me in the face with her shoe like five minutes ago

Tsumiki: see???

Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.

And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”

He really didn’t know that Megumi had a sister he wanted to stay with.

And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?

Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.

Gojo:

Megumi:

Tsumiki, softly: dude

There’s more after they make it to jujutsu high but this is already really long so we leave it here

#ask games #jjk #jujutsu kaisen #continuing my streak of becoming obsessed with minor background characters #other highlights include itadori trying to platonically wingman for tsumiki with her brother (because it’s been like a decade and she knows #nothing about him and he knows nothing about her and she’s terrified he won’t like her once they get to know each other again) so that way #itadori can be the one asking the get to know you questions and tsumiki doesn’t have to admit out loud that she and her brother know nothing #about each other only the inherent problem is that her brother is actually unfairly pretty and has a sort of dry wit and is reserved but #when you get to know him he’s such a genuine dude and oh fuck oh no he’s in trouble this is his best friends long lost brother he has to be #violating some kind of code here. Kugisaki stop laughing at him this is a crisis.#gojo basically backed out of teenage fatherhood when he saw Megumi walking around with the divine dogs because it’s one thing to butt heads #with a major clan over an outcast member it’s another to do it for their most sacred technique #he thought that Megumi would be better taken care of than anyone else in the clan as the person with the ten shadows and that he’d probably #be better off than with an emotionally broken seventeen year old who works at least 28 days a month and has no idea how to raise a child #he never realized that Megumi had a sister he wanted to stay with who the Zenin separated him from #he tells himself he would have intervened if he had known because he’s been secretly worried and guilty about not taking in Megumi after all #since Maki showed up and said some worrying things about the clan heir and his standard of living and got the confirmation when he met #tsumiki and realized that he could have kept them together all those years ago and didnt. megumi and tsumiki kind of haunt him with lost #potential because not only could they have grown up a family but they could have grown up his family. megumi doesn’t know why satoru gojo #of all people is being so weirdly helpful and intense about about sponsoring tsumiki and keeping her close to him

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otogariado · 2 years ago

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i get why people would opt to say walter was a terrible person since the beginning, but i think that's like, the most boring takeaway you can get about his character. he was already insecure and prideful from the start, and it's what would hurt him and keep hurting him. but like, being insecure and prideful are regular traits any regular person can have. the actions that he makes because of these traits, which in turn keep fueling his ego more and more, are what makes him an interesting character. and he was already pretty capable of hurting other people, but he wasn't doing it out of malice, but more because of careless selfishness at first. what makes walter terrifying is that the more he does it, the more he becomes aware of what he's doing, and the more he keeps going and keeps being more and more meticulous and deliberate about what he does that hurts people and even to the point when it was specifically to hurt people.

i think the traits were there in walter from the beginning—the pilot did a pretty good job of establishing how powerless he's felt all his life and just how susceptible he is to letting this newfound perceived power get to his head so easily. he even says this explicitly in 5x06 "Buyout" when he tells jesse "i'm not in the money business, i'm in the empire business". but saying he was this monster from the start kind of implies he didn't undergo through a character arc throughout the show when it's quite literally what he did. he got worse. so much worse. through mostly the fault of his own fragility.

#idk if i put it into words right but i'm just musing #was walter a good person when brba started? up in the air. but his family genuinely adored him. despite feeling like a loser teacher #some of his coworkers actually really liked and respected him. he was just as much of a regular person as anyone else was tbh #you know it's interesting that he and gale basically have the same motivations. why jump to meth of all things. why go from 0 to 100 when #it sounds COMPLETELY ridiculous. but they were both very passionate about chemistry who felt like their potentials were wasted and felt #like they were finally putting their skills to good use again. getting to flex their muscles and shit. whenever they cook better purer meth #than most other people. i think it's a really genius idea to have this premise for the show lol #cz as much as walter is motivated by him feeling like he desperately has to take control of his own life he also is a scientist at heart #who desperately needs to apply his knowledge and skills somewhere where it would feel gratifying #seriously dude you could've tried to get a paper published or two or something. djhdidhd #but the academe has its own Politics and whatnot. so one could only speculate why walt didn't get to pursue that any more #(aside from the whole grey matter industries thing)#anyway uhhh i hope i get the post across lol not to sound cheesy cliche but brba is a corruption slash character deterioration arc #quite literally the whole point is that he Didn't Start Off Like This And He Gets Worse #again. he already had some of his bad tendencies and traits but it's like. we all do that's not necessarily inherently make or break #it's what he DOES and KEEPS DOING. CONSCIOUSLY that turns him into the horrifying man he is by the end of it all #so i just think if your biggest takeaway is Walter Was Always A Monster then you're just missing the whole damn point #op #brbaposting

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caffeinatedopossum · 2 years ago

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Not triggering just personal

I really need to vent about being asexual and sex repulsed but I feel like no one will understand and I get how a lot of the things I think will sound but I really just need to for once get these thoughts off my chest without having them being morally appraised because they *aren't* my morals, they're just things I can't change.

And I don't want people to TRY to change it either! Or to try to figure what ~hOrRiBle trAuMas~ could have possibly made me "this way". It's not that I think there's nothing wrong with me, it's just that this thing needs to stay neutral to me if I ever expect to actually understand it. I want people to stop morally appraising and physcoanalyzing my sexuality through the lense of inherent trauma!!

I just want to talk about this without feeling like I need to put a disclaimer before every sentence, explaining why I feel the way that I feel. I don't know ok! I don't know why I feel the way that I feel sometimes. I'm just doing my best and I wish more people would understand that. Maybe you don't get an explanation because this is my identity and doesn't need to be justified. I just want to understand myself.

#anyway that felt good #i hope this helps you guys understand in case i ever post some of the thoughts i was referring to here #i hope this helps you guys understand how big of a deal my asexuality actually is #its not just passively accepted #i have quite literally had to mask my asexuality MORE than my autism #i want to talk more about this but anytime i do at least one person is always there #suggesting im only asexual because of trauma or asking me what the fuck im talking about because i said something about being sex repulsed #or saying 'i used to be asexual too' -_- please just dont say this to me #im trying so hard to be a good person even when my deepest instincts go against some of my morals #i dont know if i can ever change those things either #i dont know whats worse #the idea that i need to be fixed somehow to better fit mine and everyone elses idea of a better and more likeable person #or the thought that this disgust is inherent to who i am and can never be changed #it hurts so much you dont understand #it hurts so much to think that rationally its good to accept people expressing their sexualities in healthy ways #but to be consumed by this contradictory instinct that make me recoil in disgust from even the people i love #it hurts and i just need someone to acknowledge that and that im trying and that it is difficult #and maybe even that its not my fault... though idk if id really go so far as to believe that #i wish i could've chosen to be anyone else sometimes

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cruelsister-moved2 · 2 years ago

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sc below:

i hate this post wheneveri see it sorry lol i can smell the supersessionism. ‘there’s an old jewish story’ yep because judaism is just a quirky abstract reminiscence to help u fix the brokenness of ur own religion and not like a completely different religion with its own theology and philosophy unrelated to urs. there are no people it belongs to or thinkers it produces there is simply an ‘old story’ which you can now insert ur own very specific cultural understandings and theological baggage onto without wondering what the person who said that actually meant by it and if theywould enjoy u using it 2 talk about the guy who invented antisemitism n was forced down their throats for the next 2000 years

#i dont even know which 'old jewish story' its referring to because #thats like a super common mystical idea #if anything it sounds like more at home in islamic mysticism but i guess #something something 'judeo christian' [starts coughing up blood]#im aware imbeing a hater its not that deep btu i feel like that was a final straw for me today #if nothing else in the world i want christians to know that when anyone from literally any other religion uses this word they are not #referring to the same thing you are. call it a semantic coincidence #i increasingly avoid using the word because its like it confuses more than it explains #its better that you approach other religions with a complete blank slate and assume ur learning abt different deities altogether than to #think u have any understanding of what another religious person means when they talk about their god/s #its like when a word meaning something as vague as to do wrong or to disobey etc #gets translated as sin and its like. sin connotes an inherently christian concept that no other religion shares #comparative religion stop ittttt fr just stop #im still laughing from when i was watching this video n it was like. comparative religion dramatic reenactment #andthen it was just the guy trying to shove a square block into a round hole like in one of those childrens toys..#anywya theres more context to this but its not really relevant when this is how its being shared n expressed whatever blows up

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kaijuposting · 1 year ago

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"Saw traps for people with moral OCD" is a phrase that has embedded myself into my brain because, well, Saw traps for people with moral OCD are everywhere.

Stuff that basically amounts to...

"You have to listen to my opinions on [issue], or else you don't care about [issue]. (Constantly talks about how people like you are the absolute worst.)"

Anything that's functionally like, "you have to let me tear you down over things you can't control or you're a bad person."

Anything that's functionally like, "you have to let me vent to you whenever and however I want or else you're a bad person."

"If you enjoy X media/trope, you just hate Y people."

"Everyone knows that X thing is harmful/hateful; if you engaged in it, it's just because you were fine with perpetuating hate/harm."

"You should have just known better/should know this already!"

This thread over here talks about the inherent issues of putting this kind of stuff out there. The TL;DR is that it really only works on people who are mentally unwell and have poor boundaries, while just pissing off everyone else. It really doesn't matter if you're technically correct; you're still attacking people, and that means they're not wrong to block you.

I think that many of these Saw traps are created when people effectively write posts directed toward people who don't want to help, rather than the ones who do. Like, if you catch yourself writing an angry, shame-laden post, ask yourself: who are you writing it for and what are the odds you're going to change their minds? If your mental image is some smug fuck or angry reactionary, you're writing for the wrong person. Write for the person who's curious, who's willing to learn.

Also? Work on figuring out how to transmute negative feelings into positive, encouraging rhetoric. EG:

"Why is there no X positivity?" -> "Let's hear it for X!"

"No one cares about Y problem!" -> "Hey, we need more recognition of Y problem" or "I haven't seen many people talking about Y problem, so here's some info on what's up."

"If you don't reblog this, you don't care about [group]" -> "Please reblog this, it would mean a lot for us [group]."

And if you're really super duper frustrated and want to vent with a lot of nasty words and sentiments? Consider taking it to a private vent channel or a journal or somewhere that a stranger with moral OCD/scrupulosity isn't likely to run across it.

Remember, most people don't want to hurt anyone. More people are ignorant than malicious. People naturally want to do the right thing, so if you feel like you have to guilt them or shame them into it, there's probably a fundamental communication issue somewhere, or they simply lack the context to understand why what you're saying is so important.

#moral ocd #mental health #mental illness #ableism #scrupulosity #scrupulosity ocd #abuse #emotional abuse #communication

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ashenmind · 4 days ago

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sigh

Expectations

“Masculinity” refers to the traits that are associated with men, are expected of men, and “belong” to men. It ranges from styles of dress, to social practices, to positions in society, to personality traits.

Some of these expectations, including misogyny, homophobia, transmisogyny, and a focus on violence, are labeled “toxic masculinity”. It is expected that men will treat others poorly.

People try to encourage a different view of masculinity, try to change these expectations, try to remove the negative ones.

Why doesn’t it work?

Essentialism

Gender essentialism: it’s not just that men should be violent, it’s the belief that men are inherently violent, that these expectations are based on some biological truth, and thus beyond reproach.

This is nonsense, of course. These expectations are just that: expectations. Men and women are not terribly different.

But this belief, nonsense that it is, is very very prevalent. What better and more vile way to excuse the rapist than claim “they couldn’t control themselves”? What better way to frame an attack against one part of masculinity as an attack on men as a whole? What better way to resist even the most mild criticism?

Be better [than you]

People sometimes talk about the “positive” traits of masculinity: strength, directness, courage, practicality.

But what exactly does that say about everyone else?

Every trait you put in the box of masculinity is one denied to anyone else. If you say men are good at something, you are implying that they are better at it. So don’t.

What’s left

So what is masculinity, really? What’s left after you take away the toxicity, the essentialism, the exclusion?

Not much, really. A style of dress, I suppose.

People trying to frame some image of “wholesome masculinity” are doomed because that doesn’t exist. All you’re doing is advertising a look.

And they are a fine pile of clothes I should add. I don’t disparage anyone who likes wearing them, just as I don’t disparage anyone for feeling the weight of the expectations tied to them.

But you have to remember that these expectations have no substance. Do not fall into thinking the clothes are magic just because they are comfortable. Please.

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wolvietxt · 2 months ago

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💭 thinking about…

𝗅𝗈𝗀𝖺𝗇 𝗁𝗈𝗐𝗅𝖾𝗍𝗍 𝗑 𝗍𝖾𝗅𝖾𝗉𝖺𝗍𝗁𝗂𝖼!𝗋𝖾𝖺𝖽𝖾𝗋

pairing : logan howlett x fem!reader warnings : anxiety, panic, angst, fluff, overstimulation, implied age gap, pet names, budding relationship au wc : 1.5k a/n : i’m thinking about maybe making the odd prompt list, not sure if anyone would be interested? idk i feel like i have so many ideas on what to write but not enough time to actually write them. lmk if it’s something anyone would be interested in😭

you'd always hated crowded spaces, but this - this was something else entirely.

the pounding bass from the club’s speakers seemed to vibrate through your whole body, and the flashing lights made it impossible to focus on anything for too long. it was all too loud, too chaotic. the mission had been simple: blend in, keep an eye on the target, and extract information. easy enough. except no one had accounted for the fact that a telepath like you could hardly stand in the middle of a packed nightclub without being bombarded by the overwhelming flood of thoughts and emotions from every single person around you.

the drinks, the laughter, the flirtations happening at every corner - they were suffocating. you tried to block them out, but your mental shields were already thin, your energy worn down from the mission prep. and now, with the music and flashing lights adding to the noise in your head, everything was starting to blur together. the alcohol from earlier wasn’t helping either.

you stood near the edge of the room, trying to focus on anything other than the mental cacophony around you. the team was scattered throughout the club, everyone doing their part to blend in with the crowd. but for you, it was becoming harder to concentrate on the task at hand. the target’s thoughts were buried under a thousand others, each one screaming for attention inside your mind.

you felt sick, like the world was spinning too fast. the room was closing in. your head pounded, and you could feel a sharp nausea creeping up your throat. you needed to get out of there, away from the noise, the thoughts, the people.

a warm hand suddenly brushed against your arm, pulling you out of the spiral you were falling into. you turned, blinking, and found logan standing beside you. his sharp eyes were locked on you, concern written all over his face. he’d always been able to read you better than anyone else on the team, even without telepathy.

“you alright, kid?” his voice cut through the haze, gruff but steady. it was like an anchor, something real and solid to focus on.

you nodded quickly, though it was a lie. “i’m fine,” you muttered, but the words felt weak, shaky.

logan didn’t buy it for a second. “yeah, bullshit,” he muttered, his hand still resting on your arm, grounding you. “you’re lookin’ pale as hell. c’mon, bub.”

before you could protest, logan gently but firmly led you toward the exit, weaving through the crowd with ease. you followed, grateful for his presence. the second you stepped outside, the cool night air hit you, and you felt like you could finally breathe again.

logan guided you away from the line of people waiting to get in and toward a quieter spot around the corner of the building, far from the pounding music. the noise from inside was muffled now, and without the sea of thoughts crashing into you from all sides, your head began to clear, just a little.

“better?” logan asked, his voice softer now, though still carrying that rough edge that was so inherently him.

you nodded, taking a deep breath. “yeah… yeah, much better. thanks.”

he leaned back against the brick wall, folding his arms across his chest, watching you carefully. he didn’t push, didn’t demand an explanation, but you could tell by the way his eyes narrowed slightly that he knew something was wrong.

“it’s just... the noise in there,” you said after a moment, your voice quiet, almost embarrassed. “not just the music, but the people. their thoughts. it’s... it’s a lot.”

logan’s expression softened, just a little. he might not understand telepathy the way you experienced it, but he got it in his own way. he knew what it was like to have too much going on in your head, to feel overwhelmed by things out of your control.

“should’ve said somethin’,” he muttered, though his tone wasn’t harsh. “i would’ve gotten you outta there sooner.”

you shook your head. “i didn’t want to mess up the mission.”

“the mission doesn’t matter if you’re about to pass out,” he shot back, his eyes flashing with irritation - not at you, but at the situation. “you gotta take care of yourself.”

you sighed, leaning against the wall beside him. “i know. ‘s just... hard. when you’re in a place like that, and everyone’s thinking all at once, it’s like - ” you shrugged, trying to find the right words. “it’s like being underwater. you can hear everything muffled, but it’s all too much at the same time. i couldn’t block them all out.”

logan was quiet for a moment, processing what you said. then he nodded, as if he understood. “well, you’re outta there now. you don’t need to go back in. the rest of us can handle it.”

you frowned, shaking your head. “no, i can’t leave the team like that. we’re supposed to - ”

“hey,” he interrupted, his voice low but firm. “you’ve done enough, kid. let us take it from here.” his gaze softened as he looked down at you. “besides, you ain’t leavin’ us hangin’. you’re just takin’ a breather. nothin’ wrong with that.”

you met his eyes, feeling a little less guilty under his steady gaze. he was right, of course. but it still felt wrong to step back when the rest of the team was inside, working.

“how about this,” logan added, his tone softening. “you stay out here for a bit, get your head straight, and if you’re feelin’ up to it, we’ll go back in together. but only if you’re ready.”

his words made you relax a little more. the pressure to keep pushing through was gone, and the idea of taking a break, even if just for a few minutes, didn’t feel so bad when he framed it like that.

“okay,” you agreed softly. “i think... i think i need a few minutes.”

logan nodded, satisfied with your answer. he pushed away from the wall and motioned toward a nearby bench. “sit down for a sec. no rush.”

you followed him, sinking onto the bench gratefully. the fresh air felt good, like it was clearing away the fog in your mind. logan sat beside you, silent but present, his arm resting on the back of the bench, his fingers grazing your shoulder lightly.

“how do you do it?” you asked after a few minutes, your voice barely above a whisper.

logan glanced at you, eyebrow raised. “do what?”

“stay so calm,” you murmured, staring down at your hands. “you’re always in control. even when everything’s going crazy, you just... keep it together.”

he huffed a quiet laugh, shaking his head. “you think i’m calm?”

you looked at him, a little surprised by his response. “well, yeah. you always seem like you’ve got it under control.”

logan’s gaze softened as he met your eyes. “darlin’, i ain’t always calm. most of the time, i’m just as pissed off or frustrated as the next guy. but i learned a long time ago that lettin’ it take over don’t do any good. doesn’t mean it’s easy, but... you get used to it.”

you frowned slightly, processing what he said. “so... you’re just used to it?”

“nah,” he corrected, his voice softer now. “i’m used to dealin’ with it. there’s a difference. but i had to figure that out the hard way. you’ll get there, bub. more easily i hope.”

you nodded slowly, letting his words sink in. it wasn’t the same as what you were dealing with, but in a way, it felt like he understood more than anyone else on the team ever could. and the fact that he was here, sitting with you, offering quiet support, meant more than you could express.

“thanks,” you said after a moment, glancing up at him with a small smile. “for getting me out of there. for... everything.”

logan looked at you for a beat, his expression softening. “anytime,” he muttered, his voice gruff but genuine.

for a while, the two of you just sat there in the quiet, the night air cool against your skin. the noise and chaos of the club were distant now, and with logan beside you, the overwhelming thoughts and emotions that had threatened to drown you finally felt manageable.

“you ready to head back in?” logan asked after a few minutes, though his tone wasn’t pushy.

you hesitated for a second, then shook your head. “not yet.”

he smirked slightly, nodding. “good. let’s stay out here a bit longer.”

you smiled, leaning into his shoulder, and he didn’t pull away. instead, his arm settled around you, holding you close as the night stretched on, the two of you finding a moment of peace amidst the chaos.

general taglist : @coocoocachewgotscrewed, @k1t-k4ts, @icurushasfallen, @eddxemxnson, @nickiinator

@chamomile-tea420, @rooroen, @spitfy, @cannon-writes, @platinumblondeedition

@cloudcandyala, @v3lv3tf0x, @california-boys-and-sun, @harleyyquinnsgf, @lemoanaid

@notacleangirl, @jabberwokee, @aetherthetrashpanda, @schrodingersjigsaw, @sylaswrites

@t0mmy-th3-gh0st, @correnz, @fvhs-things, @kallmeweirdhprroe, @dugiioh

@thugbiscuits, @rosiahills22, @cassehtwah, @whxtewolf, @mystcrium,

@bluevclvet, @angellreads, @babey-fruit-bat

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burningdaybreak · 3 months ago

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Aun no Beats & BAD DOGS' Relationship

Hello everyone! Today is August 19, which is a pretty special day, since it's both Aun no Beats' original version's release anniversary, and Akito and Touya's middle birthday (the day in the middle of both of their birth dates, which are May 25 and November 12). Added to the game on June 6, 2022 (JP server), the addition of Aun no Beats has always been quite an interesting case. The song is covered exclusively by Akito and Touya, which is a pretty rare thing; not many songs are exclusively covered by just original characters, and it hasn't happened for a while now; as of writing this, the last one was Amanojaku (released in the JP server on October 1, 2022). Furthermore, the song's original producer, Hanyuu Maigo, prohibits covers of their songs being sold commercially, which is most likely the reason why it was not included in Vivid BAD SQUAD SEKAI ALBUM Vol.2. So, why did Project Sekai go out of their way to add a cover of this song to the game, even though they wouldn't profit from it at all? They must have really wanted it in the game, then... and looking at the lyrics, I think it makes sense; the song represents Akito, Touya, and their relationship and story so well. And so, in this essay, I will talk about Aun no Beats, and look at its lyrics and analyze them, and talk about how they represent Akito and Touya and their characters and story.

1. What is Aun no Beats about, and how does it represent Akito and Touya's relationship?

Aun no Beats is a song about a relationship where both parties understand each other without a need for words, but they'd still like to hear those words.

So, giving and receiving, I never needed to look for the words Even so, I wanted to hear them from you

However, with the We were going to be together forever in the lyrics, the song feels like it's about a relationship with a bad ending, where they're separated for some reason, whether a break up or separated by death... The meaning of the word aun in the title is taken from the Japanese idiom 阿吽の仲 (a-un no naka), a phrase that indicates an inherently harmonious relationship where both parties can understand each other without the need of verbal communication.

When it comes to Akito and Touya, my interpretation of the cover for them, and possibly the most common interpretation, is that it represents them in the main story, and the short break up they went through due to their lack of communication (therefore, the things that weren't said). Aun no Beats represents them pretty well because of the incredibly close bond they have and how they understand each other so well without needing to communicate their feelings... but they both still want to hear how the other really feels. As for the "bad ending" in the song, it represents the miscommunication issue they had in Vivid BAD SQUAD's main story; this conflict arose from the fact that Touya felt like he wasn't good enough about singing to be Akito's partner. Even though Touya kept these feelings to himself for the two years that he had been singing next to Akito, seeing Akito berate An and Kohane and how they aren't serious enough about their dream of surpassing RAD WEEKEND made Touya decide he can't keep going like this. In the end, he decided to claim he didn't want to sing with Akito anymore because he felt he wasn't worthy of being his partner, but avoiding telling him the real reason and riling him up on purpose, because he'd rather lie than disappoint the most important person to him. This culminated in Akito allowing his emotions to overtake him, and punching his partner, and BAD DOGS breaking up temporarily. However, unlike the song, their story has a happy ending, since at the end of Vivid BAD SQUAD's main story, Akito and Touya talk it out, Akito making Touya realize that he actually loves music...

🥞 You love music. You love it like an idiot, you really do. You love it… and I know that better than anyone else!

... And Akito declaring that he'll never team up with anyone other than Touya...

🥞 STOP SAYING THAT!! … Don't you get it! I'm never gonna team up with anyone other than you!

... Which finally makes Touya talk about how he truly feels:

☕ Gh…! Isn't it obvious that I want to…! I've felt that so many times! I wanted to chase that dream with you as far as I could…!

With both of them on the same page, with the same feelings, they can reconcile and be a team, once again. Although Touya is still doubtful if he's truly worthy of singing by Akito's side, Akito shuts him up with the following line:

🥞 Oh, shut up already. Don't go makin' this complicated. I want to be with you, and you want to be with me as well. And after that, our dream will come true. ... Isn't that enough?

They know how they feel. And they now have words they were looking for. This is all they need, to be partners: just knowing that they respect and appreciate each other, and wanting to sign with each other. With this, they can now be together forever. In short, this song would symbolize Akito and Touya's relationship during Vivid BAD SQUAD's main story; most specifically, the period where they temporarily split up (often jokingly called their "divorce arc"). But they come out of it stronger and more determined than before to be with each other, which is why the song doesn't fully represent their relationship, since their story does have a happy ending... they reconciled, and still have a future together. It's not the first time that they get a song that symbolizes their short break up during the main story, as Fragile can also be interpreted that way (among other covers, but Fragile is the one with most similarities to Aun no Beats); however, compared to that, there's a few things that stand out about Aun no Beats. Fragile was added with Project Sekai's release in September 30, 2020, back when the only story content Vivid BAD SQUAD was their main story, so it made sense that have that song available right when the game came out; but Aun no Beats came out over one year and a half after its addition to the game (June 6, 2022), when Vivid BAD SQUAD was well past the main story's events.

Fun fact: Aun no Beats' addition to the game was announced in the 20th Wondershow Channel stream, which took place on May 25, 2022 — the same day as Touya's birthday. Quite a coincidence, huh?

Another curious thing, which I mentioned back in the introduction, is that the release anniversary of the original version of Aun no Beats (August 19) is the very same date as Akito and Touya's middle birthday. It could most definitely be a coincidence, but considering how well the song represents them and their characters, one starts thinking... could it have been on purpose? Fragile also represents them really well, and it makes you wonder the same thing, and if perhaps they wrote these characters when considering the song's lyrics, but Aun no Beats' case is even more intriguing because of all these odd facts. To add on, both are songs where Akito and Touya sing by themselves, with no accompanying Virtual Singer. These two songs are the only Vivid BAD SQUAD covers with this trait (along with Odo, covered by An and Kohane), making them stand out among the other duets (which all have at least one Virtual Singer); and considering both can be interpreted as representing their relationship, this makes them even more special. They are the BAD DOGS songs. Taking into account the situation with the original producer and their rules regarding commercialization, there genuinely wasn't much to gain from adding this song to the game as a cover, but since it represents BAD DOGS so well, along with the other reasons I've mentioned, I feel like the Project Sekai team really wanted to do this.

2. Song Analysis

I've talked about how the song represents the events of the main story, but I feel like the lyrics symbolize not just that; I would say they also represent Akito and Touya, how they feel about each other, and their personal relationship. And so, here I will look into Aun no Beats' lyrics, and talk about what I feel they represent: (Note that I'll be posting all the Aun no Beats lyrics, for the sake of putting everything here, but I won't analyze all of them!)

🥞♪ Everyone has gone somewhere and became nothing 🥞♪ They had it coming ☕️♪ I wanted to believe it, so I stopped voicing it out

Everyone has gone somewhere and became nothing // They had it coming, lines sung by Akito, would represent how Touya left him, leaving him alone once again. The became nothing part can be viewed as Akito expressing his frustration at how they're nothing by themselves (both him and Touya). And the They had it coming could be about Akito's reaction to their break up, with Akito punching Touya. He "deserved" it, he believes; therefore, this part of the song would be Akito expressing his frustration at how everything went down, anger at his partner, and anger at himself. On the other hand, though, this line can also be considered from Akito's point of view, singing about himself — They had it coming being how he deserved this, because of his reaction, because of something he must have done wrong, because he didn't notice his partner's feelings... Akito is a character who is very harsh on himself, he regrets that they ended up like this, that he reacted like that, and so, he believes he had this coming. Then, I wanted to believe it, so I stopped voicing it out, sung by Touya, is about how he feels about himself: believing he's not a worthy partner for Akito, with half-hearted feelings, but keeping it to himself... deep down, he enjoyed singing with Akito, and wanted to keep doing it, but due to his insecurities, he pretended he was just singing with him because it was better than nothing. Therefore, he wanted to believe it was fine to sing with Akito, even though he thought he didn't deserve it. He didn't talk about how he truly felt, and even when he faced Akito when his insecurities peaked, he lied; he avoided telling the truth, he avoided voicing it out, because, for Touya, disappointing Akito would be worse than losing him.

🥞♪ Why do I want to be loved? ☕️♪ Why do I want to love? ☕️♪ I dressed it up and shared it

(cracks knuckles) I've already talked about these lines in the past, multiple times, and also love as a theme in Vivid BAD SQUAD; but I really like it, so I will do it again. While I think these lines can be associated to the events of their "divorce arc", Akito's Why do I want to be loved? and Touya's Why do I want to love? are, pretty much, the core of their characters, and a very significant part of their characterization and personalities. Akito is a character with a lot of love to give: love for music and his goal, love for the town, love for those he admires, love for his partner... however, that love is often not reciprocated. People make fun of him, they don't take him seriously; the town doesn't love him back at first. Why do I want to be loved? symbolizes Akito's desire to be loved back, how he wants people to respect him and to take him seriously. Akito wants the love he receives to match the love he provides. This line would represent, too, how he loves and appreciates Touya: the guy he met who he found interesting and immediately knew that he wanted to share his dream with; that person who had been singing next to him the previous two years, practicing endlessly with him; always listening to him, taking him seriously, respecting him; always by his side... and Akito wants that love to be reciprocated. And even though he knows Touya feels the same, he wants to hear those words. On the other hand, Touya is a character with a lack of love in his life: trapped since he was young in a home where his family barely provided him love, only really caring about his musical skills, Touya grew up away from a life where he could be free and express himself properly, attempting to meet his parents' expectations and his love for music diminishing as time passed. Ultimately, he ran away from that life, but after meeting Akito, he could enjoy music, once again, even though he's not aware of it at first. Why do I want to love? symbolizes Touya's inexperience with love; not used to being loved, having forgotten how to enjoy music, and not knowing what it's like to have someone close to him — a friend that cares about him, he didn't really know what "love" is like... furthermore, this line also symbolizes his desire to give back to Akito and to everyone else who has supported and watched over him, grateful for their support and for pushing him forward, helping Touya find himself and learning what it's like to be loved. In the past, Touya believed that Akito could do better, that he wasn't worthy of being by his side, that he was singing with him because "it's not classical music"... but he didn't realize that Akito truly cares about him, and wanted to have him as partner, above anybody else; and that, even if he ran away from classical music, even after all the pain he went through because of it, he still loves music, and he realizes that thanks to Akito.

🥞 You love music. You love it like an idiot, you really do. You love it… and I know that better than anyone else!

Touya thought that he'd disappoint Akito by telling him how he feels... but, besides the fact that Akito knew those feelings are not true, he would never be disappointed in Touya — because he loves his partner above anybody else. Touya is the one and only partner he could ask for; and Touya's so grateful to Akito for that, for making him realize that he's loved, appreciated, and that he still loves music, after everything. And thanks to Akito's words, and all the love he provided, the current Touya is so much happier with his life, able to express his emotions better, and no longer bound back by a miserable life of unrealistic expectations. He can now be his own person; and so, the reason why he wants to love is because he wants to repay everyone's kindness, supporting his partner and teammates, and helping everyone in any way he can — Touya wants to reciprocate the love of the people that allowed him to find a place where he can laugh. Love is a very central theme for Akito and Touya as characters (and for Vivid BAD SQUAD as a whole), not just for music and everything that surrounds them, but also for each other, with it being a very prominent part of their relationship: Akito giving lots of love, always caring for his partner and having helped him find himself and learn about a whole new world, surrounded by people that actually care about and love him; and Touya learning to love, grateful for everything that his partner did for him, wanting to repay his kindness, and a desire for Akito to rely on him more — he wants to give all that love back. Which is why the lines of Why do I want to be loved? and Why do I want to love? fit them so well; because it's what they're missing, and what they want from the other. In short, these two lines are very significant to their relationship and how they feel about each other, and I really like it a lot.

☕️♪ I— 🥞☕️♪ My sympathy is due to vagueness 🥞☕️♪ And my fearless sensory 🥞♪ Don't worry, don't worry, it's okay 🥞♪ I will make you smile

Despite the briefness of the line, I believe that the I- is pretty significant; it being a Touya line, it represents his hesitation to speak up his feelings up until then, and keeping them hidden rather than voicing out what he wants to say. Don't worry, don't worry, it's okay // I will make you smile, lines sung by Akito, are quite nice, as they symbolize multiple things: first, Don't worry, don't worry, it's okay is about how Akito wants to reassure Touya that voicing out his feelings is fine, he'll accept Touya no matter what. He wants to hear how his partner feels, and he'd never be disappointed in him. Then, I will make you smile is how Akito wants the best for Touya; to make him feel happy, loved, accepted. It shows all the love Akito holds for his partner, and his genuine wish to be by his side, and make him smile. No matter what, Akito will always be with Touya.

☕️♪ So, giving and receiving, ☕️♪ Stay here so you won't disappear 🥞♪ Then, 🥞♪ "Please reply to me, too"

So, giving and receiving, // Stay here so you won't disappear, both lines sung by Touya, are really good and pretty significant. First, So, giving and receiving, is also a core part of Akito and Touya's relationship, closely tied with what I talked about love in the Why do I want to be loved? // Why do I want to love? section.

Their relationship can really be boiled down to giving and receiving, a mutual exchange of love, respect, help, feelings, dreams... they share everything, they give and receive things from each other, and this allows them to grow as people, together. They make each other whole, and that's what makes them inseparable partners — they're each other's one and only partner. Following that, Stay here so you won't disappear, it represents Touya's yearning for Akito, not wanting him to leave him, despite these insecure feelings he has, these feelings he thinks will disappoint Akito. No matter what, he wants Akito with him... and he'd rather lie than disappoint the one he loves. And then we have Akito's, Then, // Please reply to me, too. This is a direct response to Touya's Stay here so you won't disappear, which symbolizes Akito wanting to hear how Touya truly feels, so they'll stay together; representing that moment during their dispute where Akito tells Touya to voice out how he really feels, but Touya keeping his feelings to himself. Akito wants to hear how Touya truly feels, to hear what's wrong. He doesn't want to let go of Touya the same way Touya doesn't want Akito to leave him.

☕️♪ I held up my heart to you, ☕️♪ Give it back someday, be gentle, okay? 🥞♪ I really wanted to go back 🥞♪ Going back after this is fine, too

Then we have these lines, which I think symbolizes them right after their break up and how they feel. I held up my heart to you // Give it back someday, be gentle, okay?, sung by Touya. This line would represent how Touya trusted Akito, how he enjoyed their time together, even if he never expressed it, and deep down regretting what he said, hoping his partner will forgive him. Akito then sings I really wanted to go back // Going back after this is fine, too; the first one showing his regret towards their fight, and the second line showing that he still wants to be with his partner, after all. He won't accept it, he won't give up on his partner and leave it like this. He'll fight for his partner. This part is interesting since their lines have a similar structure, with the first one showing "regret" or wanting what they had before their break up (I held up my heart to you and I really wanted to go back), while the second line symbolizes their hope to be reunited again eventually (Give it back someday, be gentle, okay? and Going back after this is fine, too).

🥞♪ We... 🥞☕️♪ We— 🥞☕️♪ We were going to be together forever 🥞☕️♪ We were going to be together forever ☕️♪ Don't worry, don't worry ☕️♪ It's a wonderful end for us both

Akito's solo We... is really good, as it comes right after his Going back after this is fine, too; he still talks about himself and Touya in plural. He wants to be with him, after all; to be partners, once again, because there's nobody else he'd rather be with. Comparing Akito's We... with Touya's previous I— is interesting; Touya's earlier line is about hesitating to speak up, unconfident about being by Akito's side, while Akito's line, on the other hand, shows confidence in wanting to be together and still thinking of them as a duo, even if they're currently apart. Which is, frankly, quite a nice contrast, since later on, it's Akito who's more unconfident (in his skill and himself), while Touya's confident in wanting to be by Akito's side. Akito and Touya are very contrasting characters, and even here it shows; these contrasts really make them fit to be together, like they're made to be with each other — they make up for the other's faults, and that allows them to push each other ahead and grow together. Following that, there's another We—, this time being a shared line, showing how they still want to be with each other; and two We were going to be together forever afterwards, also sung by both of them, show that they both feel the same: regretting what happened between them, and yearning to be together. However, these lines are followed by Touya's Don't worry, don't worry // It's a wonderful end for us both; these symbolize Touya thinking that no longer being Akito's partner is the best outcome for both of them, and how he believes that Akito's better off without a half-hearted guy like him and that he can find someone better than him — someone who actually takes music seriously the same way Akito does.

🥞♪ So, giving and receiving, 🥞♪ I never needed to look for the words 🥞☕️♪ Even so, 🥞☕️♪ I wanted to hear them from you

Once again, the line So, giving and receiving, appears, this time sung by Akito. As mentioned before, this is a core part of Akito and Touya's relationship, and with both of them singing the same line, we know that their relationship is one of mutual exchange, that is, giving and receiving; providing to each other what they're looking for, and making each other whole in the process. I never needed to look for the words, sung by Akito, is also an important aspect of Akito and Touya's relationship; as long time partners, by now they know each other really well, and as time passes and they grow together and experience more things alongside the other, their bond will become even more inseparable, not needing to put into words how they truly feel — individually, and about each other. By the point of the main story, their relationship is still relatively early (even though they had been singing for two years together already by then), and they hadn't experienced any major setbacks, simply singing together and enjoying themselves, so they weren't truly close yet — but still, they knew, deep down, how the other felt... which is why Akito thinks that he never needed to look for the words; no matter what Touya said, he knew Touya still loved music, and that he enjoyed singing by Akito's side, and that he wanted to be with him. Even if he never truly expressed himself, Akito knew how his partner felt, which is what makes their bond so strong. ... However, as the next lines say: Even so, // I wanted to hear them from you, lines sung by both of them, they both still wanted to hear those words from each other. They want to hear how each other feels; Touya wanting to be reassured that Akito wants to be with him, and Akito wanting Touya to open himself up. As partners... they want the other to rely on them, to help them and to guide them; so they can become the best partners, and reach their goal together. And for that, they need to communicate; even if it may not be necessary at one point, as they'll know each other without a need for words, voicing out their feelings is necessary to get through this setback — to reach each other.

☕️♪ "We were going to be together forever" 🥞♪ "We were going to be together forever" ☕️♪ Even so... 🥞♪ Even so... 🥞☕️♪ Even so... 🥞☕️♪ "I want you to say it to me"

And with this, we reach the finale of the song, with both of them saying "We were going to be together forever" and Even so... once, before saying Even so... together, and ending it with "I want you to say it to me". All of these have appeared before, with "We were going to be together forever" expressing, once again, their regrets of having ended up like this, and the multiple Even so... expressing that, even though they're like this, they want to fix their relationship... they want to hear how the other feels. They have a desire to communicate to be with each other, yet again; as they complete each other. They're the best partner the other could ask for, and they want to keep being together. Forever.

3. Conclusion

And that's it for Aun no Beats' lyrics! Pretty much all the lyrics can be somehow related to Akito and Touya's story and the events of the main story, and their relationship, which is so great. The fact it fits them so well makes all the aforementioned facts, such as their middle birthday happening to coincide with the same day as Aun no Beats' original version's anniversary day, and how the Sekai team went out of their way to add this song to the game even though they wouldn't benefit financially from it, very interesting. Could it truly be a coincidence? Oh I am so curious... Aun no Beats is a song that can be interpreted as a couple with a close bond that has been separated, a song with a sad ending; and this plot sounds very much like Akito and Touya's "divorce arc" during the main story. Fortunately, their relationship was fixed and now they're a stronger couple than ever. As I've explained in past essays, even though their relationship may not be inherently romantic, because Vivid BAD SQUAD's "partner" (aibou) does not have the romantic meaning that the western partner does, their relationship is very reminiscent of a romantic couple: as of current story events, Akito and Touya are very much like an old married couple, experienced in relationships and being together (as partners), and everything they go through and how they interact with each other really can give off romantic vibes sometimes (look at Let It Ring! Beautiful Sound!'s Touya's card's side stories, for example; the way Akito reacted at Touya was so... unusual of a regular pair of friends); while An and Kohane are a newly formed couple that is still learning to be together and how to be partners, with Akito and Touya guiding them through this new experience as an experienced couple. Although the previous paragraph was slightly unrelated to the essay, the point I am trying to make is that Aun no Beats is often interpreted as a couple that has broken up or that has been separated by death, so the romantic associations for Akito and Touya's relationship are existent. This is definitely up to interpretation, of course, but I believe Akito and Touya are one of the pairs with most chemistry in the game, due to how they're pretty much made to be together, as they complement each other so much, between their contrasts and their personalities. Their break up during the main story was quite similar to how an actual couple would fight, due to their mistakes and lack of communication leading to an argument and split up. However, they manage to make up, and they become partners once again, and their bond has been inseparable since, growing further as they keep singing by the other's side. Their relationship, in the end, is all about giving and receiving; relying on each other, loving and learning to love back, and supporting each other by making up for the other's shortcomings. They grow and learn together, they desire to sing together, and they yearn to be by each other's side. This is, after all, what it means to be partners. And together, they can surpass anything. They're fated to be together, and there's nothing that can separate them anymore. They're each other's best partner they could ask for.

4. Afterword

And with this, the essay is done. Truthfully, I've struggled a bit to write since my last essay, and I am still halfway through Part 4 of the Freedom and Captivity series essay; I may have stressed myself by putting on unrealistic deadlines, first meant for August 1, then for August 19. It wasn't necessary at all to release it on August 1, and it was more of continuing the joke, but I did want to get something out for August 19 because it's a very special day. Fortunately, I got a bit inspired, and I had the idea of writing this... and I wrote it in like, 2 days? (lol) And I'm glad I did because it's a very fitting essay for this day, talking about both Akito and Touya's relationship (since August 19 is their middle birthday) and Aun no Beats (song originally released on this day, too). I'm satisfied, and I'm relieved I can take my time to finish the next essay, since there's no deadlines now... from now on I won't set deadlines so close to the actual thing, haha. To finish off, I'd like to thank my friend Dainn for supporting me as I wrote, both this and the previous essay that I failed to finish in time; I appreciate it a lot!! Also thanks for proofreading my essays as always. And thanks to artemis for proofreading it, too; consider this my gift to you for getting T100 in Let It Ring! Beautiful Sound! Congratulations! Anyways, thanks for reading, and I hope you enjoyed this essay! See you next time!

#prsk analysis #pjsekai #project sekai #akito shinonome #toya aoyagi #touya aoyagi #vivid bad squad #vbs #bad dogs #aibou #aiboulove #aibouyaoi #might as well i guess #happy akitouya middle birthday btw #its akitouya day #and happy anniversary to aun no beats

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eroguron0nsense · 1 year ago

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Garp, Fascism, and Parental Failure

Garp is truly one of the most interesting One Piece characters for me because of the extent to which his dogged, relentless devotion to a fascist system–and the supposed "order" it promises to uphold in the face of anarchy or rebellion–perseveres no matter how many times it fails him and his son and his grandsons. He's fully aware of the deep-seated corruption and atrocity, and feels some kind of moral obligation to bend its rules to protect the innocent (as we can see with his attempts to protect Rouge and Ace), but when faced with widespread femicide and infanticide, genocide, slavery and endless examples of egregious cruelty, he is unable to comprehend the notion that the system is indefensible, or that the only moral choice he can possibly make when faced with that level of atrocity is to leave and resist it. His son recognizing the inherent, inexcusable failures of the World Government and its armed enforcers–literally quitting the force to start a revolution– changes nothing. The order to slaughter pregnant people and infants at Baterilla can't convince him otherwise. The countless instances of bribery, the tolerance of atrocity from state-sanctioned privateers, everything about the history of the Valley of the Gods are all things he's aware of, and takes issue with, but never comes to the conclusion that he cannot affect positive change within a system designed for oppression. The public execution of his grandson–a prime example of the marine's fundamentally irrational, arrogant, vindictive cruelty clearly bound to blow up in all of their faces even before their Pyrrhic victory at the summit war–makes him waver, but even when confronted with this obvious, indefensible injustice against a child he raised and rescued by people seeking to murder him on live TV and desecrate his corpse as a show of power, he cannot bring himself to act against it in any meaningful way no matter how much it hurts him to leave his grandson to die. If he can't veto it, he'll stay Vice Admiral and suffer through Ace being sacrificed on the altar of fascist state control, and functionally leave Luffy for dead in the process while he's at it. He fails every single person he wanted to love–Ace, Luffy, and almost certainly Dragon–and allows himself to be reluctantly complicit in countless crimes against humanity again and again and again because he's so deeply steeped in this notion of preservation of order through state control that he convinces himself that even this disgusting, atrocious, fundamentally flawed and untenable excuse for a government is better than abolition, better than revolution, or just the act of expecting accountability or literally anything better from the systems that issue false promises to protect you. Dadan beating the living shit out of him and calling him a failure as a grandfather, as a self proclaimed defender of the people, is one of the most important scenes in the Postwar Arc because a lesser series might frame Garp as a tragic, helpless figure suffering more than anyone else due to conflict of love and duty, but One Piece refuses to whitewash his actions/inaction or allow the grief and suffering caused by systems he's complicit in to take precedence over its real victims: the D brothers.

There's so much I could say about statism and anarchism and the ways people have internalized the supposed necessity of state violence to the extent they can't oppose that violence even when it ruins them or their loved ones, but that horrible indoctrination and its devastating consequences for both him and his family are what makes Garp so fascinating to watch and so thematically/politically important to One Piece as a whole.

#monkey d garp #monkey d. luffy #monkey d dragon #portgas d ace #one piece #curly dadan #marineford #one piece text posts #portgas d rouge #one piece marines #garp one piece #garp the fist #vice admiral garp #crocodile did more to try and help ace than garp #fucking crocodile

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saturnsbabyboii · 2 years ago

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The Black Moon Lilith in the signs and houses (Our core fear, inner saboteur, healing and transformation)

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Note: I heavily use the work of Laura Walker’s book that I will reference. I used her wording and point of view from the book because she worded better than I could. So don’t come for me with any plagiarism crap. Thank you.

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"power comes from strife"

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Black Moon Lilith operates on unseen levels. It pertains to hidden information, exposes secrets, and brings our core and primary fears to light. Fears from our shadow side cause us to undermine ourselves, and even others. Black Moon Lilith is the lingering feeling that stabs your consciousness and triggers you; If you don't listen to it, you'll grow vicious and paranoid of others and yourself.

My interpretation of the shadow is that it is the home of our primal fear. A fear that has significant power in our lives. It is based on primal, instinctual levels and operates on survival principles. The primary fear is a primary motivator for many of our life decisions.

In the book "The Astrology of the Black Moon: A Guide to Healing the Shadow Side" (Walker, 2011)

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The writer identified the twelve signs and their innate and core fears:

ARIES: fear of unworthiness

Theme: The Shadow of Success

Primary Fear: fear of unworthiness

Self-judgment: how well one performs or measures up

Issues: success; identity; questions about inherent value, self-esteem, and merit

Projection: others‟ success and worthiness are based on what they have attained or accomplished

Goals: to not compare yourself to others; to not measure personal success by anyone else standards, to value yourself as a unique expression of the Creator, therefore, creating self-esteem

Manifestation: The Black Moon in Aries manifests in the intense quest to be valued and feel worthy. However, a deep-seated feeling of unworthiness is in conflict with this quest, often causing beneficial opportunities to be passed up. In life, we are only able to receive what we think we deserve, and when we feel undeserving, we will avoid or reject people, jobs, or options that we feel are too good for us. Self-sabotaging behavior often occurs with the Black Moon in Aries. There can also be a need to prove ones worthiness to others, even in the form of subtle bragging. The Black Moon in Aries staunchly defends itself and rejects anything that does not fall in line with its ideas and beliefs.

Healing and Transcending:

With the Black Moon in Aries, the belief in inherent unworthiness must be faced. Simply by virtue of being born, we are entitled to and worthy of the joys of life. If All is One, then none are less than others. Each of us carries a spark of the Divine - none are excluded. Healing occurs when we are able to see ourselves as successful and worthy because we are a child of the Universe. When we recognize this, we understand that all other gauges are external and superficial. By holding ourselves in high regard, we naturally align with our highest and best.

Examine where you have settled for less than you wished.

Ask yourself what you would do if somehow, magically, a wand was waved and you were deemed worthy. Strive to connect with this vision.

Ask yourself how much the appearance of success plays in your life.

Ask yourself what you are always trying to win. When you discover the answer, decide if you really want it. Is it worth the effort? By practicing the awareness that you do not have to be the best in every situation, you will come to a natural state of internal balance.

Black Moon in Aries: Johnny Cash, Kurt Cobain, Albert Einstein, Elizabeth I, Mahatma Gandhi, Michael Jackson, Prince, Vladimir Lenin, Mary Queen of Scots, Justin Bieber, Katy Perry, Mark Zuckerberg

Black Moon in the 1st House

Challenges: The greatest challenges of the shadow are deeply related to how we feel about ourselves. The shadow side is ingrained in how we use our personal energy, what motivates us and our sense of overall wellbeing. Personal appearance or the way we appear to others is often a major concern. If the shadow is heavily in control, our behavior patterns will strongly reflect it. This placement of the Black Moon is intensely personal and our shadow issues will have a dramatic impact on our lives.

Gift: The gift of the shadow is the vast amount of personal energy at our disposal. This level of energy can produce fantastic healers and immensely creative individuals. We can accomplish monumental feats and have an uncanny ability to turn “negatives” into “positives.”

TAURUS: fear of scarcity

Theme: The Shadow of Security

Primary Fear: fear of scarcity

Self-judgment: how secure/safe one is by the level of comfort

Issues: having enough to feel safe; compulsive consumption; insecurities

Projection: the tendency to criticize others for being lazy, irresponsible (especially with money), or unconventional

Goals: to not fill the void with “things,” to stretch beyond your comfort zone

Manifestation: With Black Moon in Taurus, the more we have, the more comfortable we feel. In turn, the more comfortable we feel, the safer we think we are. With this placement, there is an intense need to feel comfortable because there is a generalized feeling of being unsafe in the world. The Black Moon in Taurus manifests in an almost insatiable desire to consume and accumulate possessions, money, or anything that makes us feel safe and secure. However, no matter how much we acquire, it will never be enough because the void that we are trying to fill cannot be filled in this way. It may be filled momentarily, but the core feeling of insecurity will soon return. Oftentimes, the end result of this constant attempt to satisfy the fear of not having enough is the accumulation of debt, weight, or responsibilities – usually the exact things we are trying to avoid. With this placement of the Black Moon, there is an intense need to feel satisfied. Insecurities are held very deeply and there is tremendous fear of others knowing those insecurities.

Healing and Transcending:

The belief that the world is unsafe must be confronted. Integrating the idea that we have all that we need inside is what heals this shadow. When we build on who we really are inside, we no longer need to accumulate possessions to feel secure. When we accept that all is going according to a divine plan, we no longer need to fear the events of the world. No matter what, each of us always returns to our Source. This is the security that Black Moon in Taurus seeks.

Cut back on whatever is filling the void. This will bring immediate discomfort and it will leave you with time on your hands. It is important to learn how to “not do” – to become comfortable with stillness. The next time you feel the need to take on more, buy more, or eat more, go and sit by yourself and put on some music, read, practice yoga or throttle down in some way. By practicing being still when you are most uncomfortable, you will be feeding your inner world and requiring less from the outer world.

Black Moon in Taurus: J.S. Bach, Patsy Cline, Howard Hughes, Abraham Lincoln, Wolfgang Amadeus Mozart, Wilhelm Reich, Henry David Thoreau, Vincent van Gogh, Lady Gaga, Kanye West, Lana Del Rey, Bruce Lee, Celine Dion, Joseph Stalin

Black Moon in the 2nd House

Challenges: The greatest challenges of the shadow are deeply related to how secure we feel. Financial considerations seem to plague us. The shadow side blurs the lines between emotional needs and material/financial needs; attitudes toward partners can hinge on security issues. The shadow side is ingrained in our value systems, which can at times seem at odds with our behavior.

Gift: The gift of the shadow is the generous, comfortable feeling we engender in others, resulting in many meaningful, lasting interpersonal relationships. People truly enjoy being with us, finding us not only charming but disarming.

GEMINI: fear of rejection

Theme: The Shadow of Acceptance

Primary Fear: fear of rejection

Self-judgment: how one compares to others

Issues: whether others approve or disapprove

Projection: labeling others as selfish; distaste for people who fail to do “the right thing”

Goals: to not care if people like or want you, to not compare yourself to others, to express your individuality

Manifestation:

Those with the Black Moon in Gemini are morbidly afraid of rejection. They are people pleasers, which often leaves them wondering “what it is we ourselves like and dislike”. This shadow manifests as a need to make decisions or act in accordance with whatever gains acceptance from others. It is damaging to the soul to pursue a life that others wish for us, as it comes at the expense of the expression of individual talents. Actions based on or motivated by another leads to a suppression of the true self. It is a great disservice not to explore who we really are. It is also dangerous to “over-do” for others in hopes that they will like us; ultimately it leads to burn out. At the other end of the spectrum, this placement causes sudden and severe reactions to anything that hints at potential rejection, often causing serious challenges with relationships because we will reject someone before they can reject us. The Black Moon in Gemini will bail out too early or stay way too long.

Healing and Transcending:

With the Black Moon in Gemini, it is necessary to face the need for others‟ approval. Each of us has something special to offer the world. What is important is not if others approve of us, but if we approve of ourselves. That sounds very cliché, but with Black Moon in Gemini we need to provide our own approval. When you are able to consciously put yourself on the line to be rejected, intending that the outcome will not hinder your spirit, you will have regained the power that is trapped in the shadow side. When the shadow is healed, rejection ceases to be an issue because inner acceptance has been achieved - creating a wealth of talent that is available to the world.

Examine where you are not being self-“ish” or operating from your true self.

When making decisions and planning your time and resources, ask yourself who you are doing it for. The answer should always be “for myself – for my highest and best which in turn serves the highest and best of everyone.” This doesn‟t mean you are supposed to forget about others; it means that you put yourself into the equation. Healing this shadow requires vigilant monitoring of your time, energy, and money and how you spend them. It will quickly become apparent when your energy is scattered and whose approval you are seeking. By practicing making little decisions based on your own needs, you will integrate and balance you in relation to others.

Black Moon in Gemini: Marlon Brando, Karl Marx, Frank Sinatra, Mark Twain, Mariah Carey, Joe Biden, Muhammed Ali, Frida Kahlo, Harrison Ford, Stephen Hawking, Shia LeBeouf, Kendrick Lamar, Yoko Ono

Black Moon in the 3rd House

Challenges: The greatest challenges of the shadow are deeply related to self- expression. The shadow side is ingrained in rigid attitudes and strong opinions that can cause us an endless amount of trouble. At times there is overwhelming confusion about the direction we want to take in life. Early life has a more pronounced effect on us than others. The outgrowths of childhood weave their way through later life in the most resolute ways. Issues with siblings can linger throughout adulthood.

Gift: The gift of the shadow is our uncanny, exacting powers of observation and communication. These talents can be applied in a multitude of ways. Also, our accuracy in perceiving situations gives us a definite advantage in life.

CANCER: fear of abandonment

Theme: The Shadow of Support

Primary Fear: fear of abandonment

Self-Judgment: how well one is supported; how much others do or give

Issues: dependency; co-dependency

Projection: tendency to dislike those we deem “needy”

Goals: to do things for ourselves, to not be dependent or “clingy”

Manifestation:

Black Moon in Cancer carries a pervasive feeling of being unable to take care of oneself. This shadow manifests in the need to manipulate situations so that one is dependent on others. In this way we are assured of not being alone. This distorted sense of support wreaks havoc on relationships, as others feel burdened or smothered. Many times with the Black Moon in Cancer we feel unappreciated for the things we do for others. The chronic feeling of not being supported halts personal growth, as personal needs are met by others, not by ourselves.

Healing and Transcending:

The dependence on others for support must be faced. We must provide our own support by not abandoning ourselves. This means taking care of and addressing our own needs. Action that is in favor of self-sufficiency is in order. Action that is undertaken for others should be unconditional. When the concept of Oneness is integrated, the idea of abandonment is no longer valid and relationships naturally equalize to a state of balance.

Begin doing the things that you want others to do for you all by yourself. The next time you need something that you would normally ask another to provide for you, go ahead and get it yourself. Begin with small things but work your way up to major ones.

Do something that you never would have done on your own. By practicing doing more for yourself you will balance the shadow that depends too heavily on others.

Set up individual systems of support such as retirement funds or other accounts.

Black Moon in Cancer: Jimi Hendrix, Henry VIII, Janice Joplin, John F. Kennedy, Jr., Malcolm X, Princess Diana, Jennifer Aniston, Elvis Presley, Jay Z, Robin Williams, Paul McCartney, Charles Manson, Naomi Campbell, Kobe Bryant, Rupaul, Paul Newman, Al Capone

Black Moon in the 4th House

Challenges: The greatest challenges of the shadow are related to our foundation and sense of home. The shadow is ingrained with an overidentification with home and much effort is devoted to cultivating a feeling of belonging. With this placement, relationships with parents (particularly the mother) are often difficult, especially if our parents did not provide a strong home. There is a tendency to be stuck in the past and/or unable to forgive and forget.

Gift: The gift of the shadow is the ability to not only be sensitive to, but accommodate other people needs. If we truly trust someone, we will provide whatever is necessary to make that person happy, making us exceptional partners.

LEO: fear of change

Theme: The Shadow of Order

Primary Fear: fear of change

Self-judgment: the level or station one has achieved

Issues: order; position; arrogance; self-centeredness; jealousy

Projection: distaste for or identification with overbearing, vain, or “selfish” people

Goals: to identify and vocalize others‟ talents and strengths, to identify the opportunities presented by changes, to eliminate feeling jealous

Manifestation:

The Black Moon in Leo assaults the ego. It manifests in egocentricity and arrogance. With this placement we are frequently accused of being selfish. This is because our attention is naturally attracted to whatever reinforces our position in life. Any ideas to the contrary are quickly dismissed. The fear of change morphs into the fear of losing face or losing position. Rigid attempts to maintain the existing order, framework, or mindset are common and can lead to exhaustion.

Healing and Transcending:

With the Black Moon in Leo, the need for classification and designation must be faced. In truth, there is no hierarchy – All is One. Change is the nature of the Universe and change brings the opportunity for growth. We each have roles that we slip in and out of; the key is to fluidly take on positions and situations where we both lead and follow so that nothing remains static. It is also important to remember that, by definition, Divine Order is never threatened.

Give to others. Black Moon in Leo has a tremendous capacity to uplift. ø When you encounter new situations, consider how you could empower someone else who is involved. How could you make them feel more important? Think about how you could give something of yourself to someone else.

When you are with others, practice trying to discover something very special about them in that moment and then casually mention it.

Try new things. By practicing changing the order of things, you are healing your shadow.

Black Moon in Leo: Charles de Gaulle, Ernest Hemingway, Elizabeth II, Lyndon B. Johnson, John F. Kennedy, Robert F. Kennedy, Marilyn Monroe, Vladimir Putin, Jim Morrison, Pablo Picasso, Christopher Reeve, Franklin D. Roosevelt, Leo Tolstoy, Barack Obama, Rihanna, Adele

Black Moon in the 5th House

Challenges: The greatest challenges of the shadow are related to the ability to truly enjoy life. This shadow is ingrained in pursuing, but having difficulty finding, pleasure. We are prone to take risks in order to feel stimulated. Issues with the father are found with this placement. The father may have been absent or neglectful, especially if Saturn is prominent. This shadow side may also center on children, either wanting children and not having them or not taking care of ones children.

Gift: The gift of the shadow is resiliency. No matter how disappointed we become, we are rarely down for long. We are excellent problem solvers and leaders. We adapt well to changes and can fluidly change course in mid-stride.

VIRGO: fear of failure

Theme: The Shadow of Ability

Primary Fear: fear of failure

Self-judgment: how much one works, progresses, improves, or fixes

Issues: feelings of being inherently flawed; self-criticism

Projection: feeling that others are not performing well enough or are incompetent

Goals: to not focus on flaws or failures, to not do things to excess, to not feel responsible to fix everything

Manifestation:

Black Moon in Virgo finds flaws and then internalizes them. This shadow manifests in chronic dissatisfaction, particularly with oneself. With this placement, we often find it difficult to feel positive about ourselves for great lengths of time. All too soon, a generalized feeling of being “not good enough” creeps back in to maintain internal disequilibrium. Black Moon in Virgo constantly challenges our abilities and, in an effort to prove ourselves, we tend to maintain a very full schedule. We work very hard but can have trouble seeing the forest for the trees, as we operate under the spell of having to do more and more to prove to ourselves and others that we are not flawed. This shadow is the most adept at self punishment.

Healing and Transcending:

With the Black Moon in Virgo, the need to find fault must be faced. A healthier state of mind is achieved when we recognize that nothing is absolute – there is no absolute right or wrong. All levels of ability have something to contribute. Healing this shadow requires understanding that flaws are an illusion. The crucial thing to understand is that when we have the Black Moon in Virgo, we interpret the feeling of separation from Spirit as somehow our fault. Everyone has the feeling of spiritual disconnection, but Black Moon in Virgo personalizes it. This is the root cause of why we feel flawed. To heal the shadow, we must accept that to some degree, this feeling is merely a by-product of the physical experience of life.

Examine where you feel you have failed. Upon closer inspection, what caused the “failure?” Was it really your fault? Was there really more you could have done or was it just not meant to be? Can you forgive yourself and others for not doing better?

Can you walk away from “failures” and feel enriched simply by having had the experience? Time is the true test of what is, at the time, perceived to be a failure. By focusing on the experience as opposed to the outcome, the shadow of ability is healed.

Black Moon in Virgo: Alexander Graham Bell, Benazir Bhutto, Sigmund Freud, Galileo, George Washington, 14th Dalai Lama, William Shakespeare, Jon Bon Jovi

Black Moon in the 6th House

Challenges: The greatest challenges of the shadow are related to health and work. At times there can be problems with co-workers, particularly regarding perceptions of our work performance. The shadow side is ingrained in the level of self-discipline we have. We may be accused of being disorganized. There is also a tendency to vacillate between ignoring our body and focusing too much on it, leading to concerns over health.

Gift: The gift of the shadow is a keen insight into the interrelatedness of things. We often hold a warehouse of information that others find helpful.

LIBRA: fear of loneliness

Theme: The Shadow of Perfection

Primary Fear: fear of loneliness/isolation

Self-judgment: personal “flaws” are harshly judged

Issues: perfection; unrealistic expectations; boundary issues

Projection: criticism of others, particularly the criticism of how things appear

Goals: to not have to have things be perfect, to be comfortable being alone, to see gray - not just black and white, to not be judgmental

Manifestation:

Black Moon in Libra values impeccability and holds everything and everyone to a high standard, especially oneself. This shadow involves pursuit of the “ideal” and keenly feels the separation from spirit. The Black Moon in Libra manifests in intense self-judgment and fragmentation of the self into pieces that are either acceptable or unacceptable. This shadow breaches boundaries and sorts through everything in an attempt to perfect it. It seeks excellence. This results in an unending series of disappointments and can form schisms in relationships. Maintaining any semblance of perfection is exhausting for anyone, but with the Black Moon in Libra, we often find ourselves complaining about being tired or not having enough time. Indecisiveness and self-deprivation are also characteristic of this shadow.

Healing and Transcending:

With the Black Moon in Libra, the need to judge must be faced. This shadow is strongly connected to the journey through the judgment of the Underworld and subsequent rebirth in a whole new way (see Chapter Five on the transits of the Black Moon). It is actually a journey to find what is truly of value. When we are able to see that love is truly the only thing of value, we find inclusion instead of separation. We begin to love all of the parts, not just some of them. When we understand that everything is connected, we see that the fear of separation is an illusion. Healing the shadow of perfection is about seeing our own (and others‟) inner perfection by allowing the “ideals” of the outer, material world to fall away.

Assess your values. When you find yourself being critical of others, ask yourself if you dislike that same thing in yourself. Examine how you separate yourself from other people. Is there a need to keep some part of you distinct from others?

When you find yourself being critical, find something valuable about the situation. You might not feel like certain things about you or others are perfect in appearance, but you may find that they are highly valuable in functionality. By practicing finding value, the shadow that believes in the idea of perfection is healed.

Black Moon in Libra: Ralph Waldo Emerson, Benito Mussolini, Tupac Shakur, Nikola Tesla

Black Moon in the 7th House

Challenges: The greatest challenges of the shadow are related to partnerships and commitment. This shadow side is urgently motivated to seek mutually-fulfilling relationships, which are often elusive. Also, other people find ways to take advantage of us, sometimes to the point of betrayal. Many times life seems unfair to us and others would probably agree. In the midst of this, there can also be issues of dependence or neediness.

Gift: The gift of the shadow is our ability to perceive and create beauty from the smallest things. Innately tuned toward balance, we easily see what is missing and then endeavor to rectify the situation. This is a very valuable skill that can be translated into many different applications.

SCORPIO: fear of loss

Theme: The Shadow of Death

Primary Fear: fear of loss

Self-judgment: based on what one has won

Issues: winning vs. losing; issues with death/endings

Projection: rescuing others

Goals: to not always have to win, to learn how to have closure, to not have to rescue, to not struggle so hard

Manifestation:

Black Moon in Scorpio will go to extreme lengths to save, assist, rescue, or win. This shadows favorite prize is something that was hard won. The Black Moon in Scorpio manifests as a deep well of despair with desperate attempts to climb out. We cling or attach to anything that stems the feeling of free-falling through life. Daily life is frequently viewed as a battle to win in order to stave off deepening feelings of loss. Sometimes even casual encounters are judged according to what was won or lost in the exchange. Black Moon in Scorpio is very strong energy that can cause intense levels of anxiety. We are especially attracted to people who are in need of assistance or who are “persecuted” in some way, as this is the preferred method to vicariously save ourselves.

Healing and Transcending:

With the Black Moon in Scorpio, the need to struggle must be faced. Nothing is ever really lost because there really is no death – only transformation into a new form. There is no need to plunge to the depths just to prove that we can win or to try to keep things from ending. Practicing the arts of gratitude and surrender is what facilitates the shift from the perspective of loss to the perspective of love. Material things fall away, but love endures forever.

Become comfortable with losing. It is essential to let go of anything that you are overly attached to.

Examine where you have invested most of your energy. Is it a losing battle? Instead of dealing with loss in an indirect way, consciously take action to give up. Imagine how relieved you would feel.

Take steps to practice ending the smallest things (like phone calls) and work up to being able to step away from situations that cannot be saved (like dead end relationships). You may be surprised to find that something else was waiting all along - you just couldn’t see it while you were busy running away from it. This is the nature of death or endings. They always precede rebirth and beginnings.

Black Moon in Scorpio: Alexander the Great, Winston Churchill, Nostredame, Steve Jobs, Emily Dickinson, Pope Francis, Walt Disney, Jeff Bezos, John D. Rockefeller, Albert Schweitzer, Mother Teresa, Eminem, Taylor Swift, Johnny Depp, Beyoncé, Dwayne Johnson, Notorious B.I.G

Black Moon in the 8th House

Challenges: The greatest challenges of the shadow are related to death, inheritance, investments, and sex. This is the most difficult house placement for the Black Moon. The shadow side is ingrained in loss; in fact, we may feel that our lives lead only to loss. With Black Moon in the eighth house, chronic anxiety may be present.

Gift: The gift of the shadow is our great depth of compassion and ability to see beyond the surface. We quickly ascertain people true motivations. Our wisdom and insight is a great benefit to those with whom we are close.

SAGITTARIUS: fear of meaninglessness

Theme: The Shadow of Truth

Primary Fear: fear of meaninglessness

Self-judgment: based on intentions and motivations

Issues: issues related to truth and honesty

Projection: distaste for people who lie or people who are naïve

Goals: to not have to have the ultimate answers, to tolerate the ordinary, to not always need “proof”

Manifestation:

The Black Moon in Sagittarius manifests in an intense relationship with the concept of “truth.” There is a great need to discern the superlative truth in all things, which causes a never ending sequence of questioning. More importantly, we need to feel like people are telling us the truth, as we do not automatically believe anything simply because it was said. Relationships can become stressed if our partners feel that they always have to prove that they are telling the truth. Themes of deception often play a role in our lives, perhaps as a victim of deception. Ongoing questions about not only our purpose in life, but the purpose of life characterize this shadow. Feelings of stagnation are not tolerated well.

Healing and Transcending:

With the Black Moon in Sagittarius, the need to continue searching must be faced. At some point, one must simply believe. Ultimately, all searching for the truth leads back to the truth that All is One. What is meaningful? Whatever we choose as meaningful is meaningful. This shadow is healed when we see that each of us has an interpretation of truth, which eliminates the need to find one superlative truth.

Take up the mantle of responsibility for creating meaning in life. Meaningfulness is found by assessing what is truly important. What is meaningful to you? When you know the answers to this question, you will have created truth – the truth according to you. Devotion of your life to your own truth heals the shadow that never believes that truth really exists.

Black Moon in Sagittarius: Helena Blavatsky, Napoleon Bonaparte, Thomas Jefferson, Carl Jung, Martin Luther King, Jr., Jack London, Claude Monet, Ronald Reagan

Black Moon in the 9th House

Challenges: The greatest challenges of the shadow are related to our outlook or philosophy in life, religion, spirituality, higher learning, the law, and the world at large. This shadow is deeply concerned with issues of morality. We hold strong opinions, often leading to conflicts with others. There is a tendency to feel disconnected from others or from ourselves. We may even feel compelled to isolate ourselves from the world around us.

Gift: The gift of the shadow is a keen intellect that we are able to translate into many fields of interest. Our knowledge encompasses a wide spectrum, affording us the ability to relate to many different people, should we so desire.

CAPRICORN: fear of neglect

Theme: The Shadow of Control

Primary Fear: fear of neglect/ not being acknowledged

Self-judgment: how well one stands out or apart

Issues: control issues; attention-seeking behavior

Projection: negative reaction to bossy, showy, or attention-seeking people; rebellion against being told what to do

Goals: to be comfortable when not in control, to stand up for yourself

Manifestation:

The Black Moon in Capricorn manifests as a need to control the course of events. When this shadow dominates, we have a tendency to be demanding. We can go to extreme efforts to gain attention. We have definite ideas about the way things should be and others often succumb to the force of our will. Frequently we refuse to give up until someone – anyone - acknowledges what we have to offer or agrees with what we think is best. A little bit of recognition goes a long way with us, but so does a little bit of neglect, and Black Moon in Capricorn has a long memory. But interpersonal relationships suffer when we wear down another free will to come into compliance with our own. This results in lackluster relationships where the joyful spark of life becomes extinguished. We are very hard workers, but we can also expect a lot from others.

Healing and Transcending:

With the Black Moon in Capricorn, we need to examine what we are trying to control. We also need to give ourselves the recognition we seek. When we are able to do this, there is no longer a drive to ensure that others follow our wishes because we already have what we need.

Examine where you need to have your way. Observe yourself carefully. Are you telling someone how, when, or what to do? Practice allowing others to go about tasks in their own way.

Ask others what they would like to do and then do it. Enjoy the feeling of not being responsible for everything. Freedom, spontaneity, and a joyful feeling for life will return when the pressure to be a certain way is removed.

Black Moon in Capricorn: Leonardo da Vinci, Farrah Fawcett, Jacqueline Kennedy Onassis, Machiavelli

Black Moon in the 10th House

Challenges: The greatest challenges of the shadow are related to ambition, authority, social status, and responsibility. Tradition and family obligations are important us. This shadow is ingrained in a sense of duty and high aspirations, and we closely monitor our progress in the world as compared to others. We hold high standards and expectations, which can cause interpersonal difficulties if we demand too much from others.

Gift: The gift of the shadow is our ability to persevere. We are hard workers who take more than our share of any load. When we give our word, we do everything in our power to keep it.

AQUARIUS: fear of powerlessness

Theme: The Shadow of Power

Primary Fear: fear of powerlessness

Self-judgment: based on the impact/power one has to get what one wants or needs

Issues: power issues; power struggles

Projection: distaste for weak or undisciplined people

Goals: to learn to ask for help, to not overpower others

Manifestation:

The Black Moon in Aquarius often manifests in a powerful sense of loneliness. Usually we are keenly aware of our intense personal power and are somewhat frightened by it. Our skills and aptitudes can border on genius, often giving us an air of considerable authority. We have strong faculties and diverse talents that can be used to uplift or to crush others. Black Moon in Aquarius is a force rivaled by few, and the temptation to dominate others can become an ongoing battle. It is simply all too easy to emotionally and intellectually overpower others. Ethical concerns can arise, as we are prone to test our limitations. In situations where we feel powerless, we tend to isolate ourselves so no one will see our “weakness.” This self-imposed prison is rife with internal brutality, as we tend to unleash cruel criticism on ourselves for not being stronger.

Healing and Transcending:

With the Black Moon in Aquarius, the tendency to overpower others must be faced. When we recognize that we are all connected, there is no need for anyone to overpower another. Everyone has strengths and weaknesses that fluctuate and change over time. The extra boost of power that accompanies Black Moon in Aquarius can be re-routed back into the collective of humanity in the form of brilliant ideas and creations that uplift the whole. A channel or outlet for this power is what is needed to keep it from blowing up. When the focus shifts to sharing power, all benefit.

Examine if you abuse your power by neglecting or criticizing others. Do you take advantage of others, however unwittingly? Or do you neglect, criticize, or overextend yourself?

Ask yourself what you would do with all of your power. It is very important for you to answer this question. Are you more afraid of your power or your powerlessness? Discerning the parameters of personal power is what heals this shadow.

Black Moon in Aquarius: Robert Oppenheimer, Genghis Khan, Ludwig van Beethoven, James Dean, Jacki Kennedy, Salvador Dali, O.J Simpson, Amy Winehouse, Kid Cudi

Black Moon in the 11th House

Challenges: The greatest challenges of the shadow are related to our hopes, wishes, and dreams. The shadow is concerned with how we fit into the collective of humanity. Issues of the “self versus others” follow us and we may find that we are often accused of being selfish or self centered. Change is usually difficult for us to handle.

Gift: The gift of the shadow is the ability to bring people together. We are natural networkers. We are also interesting people to be around and are true innovators.

PISCES: fear of vulnerability/harm

Theme: The Shadow of Trust

Primary Fear: fear of vulnerability

Self-judgment: based on how stable ones emotions are

Issues: trust issues

Projection: distrust of people who are “too nice” because they must want something

Goals: to let down your walls with the appropriate people, to be able to discern who is appropriate for you, to focus on self as much as others

Manifestation:

The Black Moon in Pisces is tender-hearted. We are afraid that if others discover this, they will use it against us. There is a tendency to judge people and situations based on the potential of being hurt. We may find it difficult to be open or fully intimate with others. It is often hard to trust others and we test them until we feel safe. This shadow can show up overtly (in unmistakable emotional walls) but it can also show up subtly (appearing on the surface to be very open, but upon closer inspection having definite commitment issues). On the flip side, we can also make commitments before trust is gained. By prematurely trusting, we face betrayal or disappointment. In this way, a vague sense of safety is maintained since a deeper sense of intimacy is never attained. The sense of being separated from Spirit is acute with Black Moon in Pisces and the intense desire to not be present in the “here and now” can lead to emotional addictions, addiction to substances, or escaping our own issues through focusing on others.

Healing and Transcending:

With the Black Moon in Pisces, the need to put up a wall of protection must be faced. The truth is, life can be painful and people hurt us whether they intend to or not. We need to learn to trust the people we know we can trust. Usually this is the person we are with the most, but proportionately open up to the least. We tend to hold ourselves back, but this is a crime against our souls because we are naturally closest to Spirit and have much to share with others. Our shadow is healed when we trust that we are strong enough to withstand any offense.

Ask yourself when you feel most vulnerable. In what situations do you cross your arms and cover your chest? How do you cover up or cover over who you really are?

Consider who you physically, intellectually, spiritually, and emotionally open up to the most? It is important to look at the level of trust you have in the people around you and honestly assess if your trust is well-placed. Balancing the shadow of trust is just as much about not placing trust in the people that you know you shouldn’t as it is about allowing someone else see who you really are.

Black Moon in Pisces: Jesus Christ (allegedly), Prince Charles, John Lennon, Gerald Ford, Judy Garland, Angelina Jolie, Mike Tyson, Madonna, Harry Styles, Miley Cyrus, Ariana Grande, Leonardo DiCaprio, Al Pacino, Elizabeth Taylor

Black Moon in the 12th House

Challenges: The greatest challenges of the shadow are related to unconscious motivations, addictions, institutions, and enemies. The shadow is deeply ingrained in anything that is hidden. By its very nature, the Black Moon is hidden, making this placement difficult to understand. There is often a side to us that is unknown to most people. We may have a degree of emotional suffering that is not evident to others until they get to know us.

Gift: The gift of the shadow is our ability to empathize with others. We seem to easily give to others that which we may not be able to give to ourselves. We are complex people who can handle complex tasks and material with aplomb.

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"Primary fears subvert our personal growth and feelings of happiness. Oftentimes they impede our success because fear is what stops us cold in our tracks when we are venturing into unknown territory. Our choices and actions are directly proportional to the level of control our shadow exerts over us. When the fear that is contained in the shadow side is dominant, we feel unfulfilled and unsatisfied." - (Walker, 2011)

Reference:

Walker, L., 2011. The Astrology of the Black Moon: A Guide to Healing the Shadow Side. Austin, Texas: The Dog Publishing.

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