#thank ahaha))

[ecrireverie]

my new favorite piece of charles lore is that back in his sauber days he was known to randomly stick his head into office doorways only to go "it is i, leclerc" and walk away laughing like a maniac...

[blindmagdalena]

honestly i love imagining the reader trying to ride homelander for the first time and him moaning/being overstimulated when she sits on him and her forgetting who he is for a second and going 'shit, did i hurt you?' and him just. being so conflicted by that phrase. of course a human can't ever hurt him and you should watch your tone but also... it's nice you care so much for him. makes him feel cared for, in a way

18+! Given the sounds he makes, no one could blame you for mistaking one for pain. That sharp gasp and the breathless keening moan that follows it.

"Oh fuck," you breathe, hand braced on his bare chest, legs tightly bracketing his hips. He's sweltering beneath you, holding your hips in trembling hands. "Are you okay? Did I hurt you?"

He opens his pleasure-bleary eyes, confused.

It'd be laughable if he wasn't so delirious. You? Hurt him? No, it's another matter entirely. He's accustomed to his gloves and his padded suit acting as a barrier to the world, to the overwhelm of sensation, but he has none of that when he's beneath you.

He's completely at the mercy of the wet, clenching heat of you. It's a betrayal of his stamina that he becomes too sensitive to continue long before he's finished with you.

"What? No, nngh, it's... y'just... y'just feel really fucking good," he says, nearly chokes on that last word. "Too good. So much. It's so much."

"Do you want to stop?" You ask, touching his jaw. Your thumb strokes his cheek and he moans for the tenderness of it. For the care. He'd begun to think there wasn't anyone who could witness what he's capable of and still think to treat him gently.

"No! No, just... just stay... Stay like this," he says, holds you still while he recovers.

You oblige him—you always do—and bend over to kiss him. Your lips are slow and loving against his, coaxing. You cup his face with both hands and sit with him inside you, feeling you, tasting you. It's torturous bliss. He slips his tongue into your mouth, greedy for as much as he can get despite the magnitude of it all, and you lick right back into his.

With a smile, you sink down until your chests are pressed together. His hands slide up your back and he wraps his arms around you, embracing you, needing you more than he's never needed anything in his life. Your lips are like velvet against his, slick with spit and kiss swollen. It's so much more than he's ever had, so much more than he knows how to handle.

He comes just like that, without having to move a muscle, his cry swallowed up by your dreamy kisses.

[somerandomdudelmao]

Someone probably pointed this out by now but

F A M I T Y

Oh no his famity…

[aimasup]

i'm back

[birdsong-warriors]

Spoilery request here, but good gracious, I hope I made the foreshadowing in these pages clear enough, given I've been building up to it for ages now.

First | Previous | Next (May 3rd)

Part 1: Friend and Family

See up to thirty pages ahead, with timelapses, on Patreon!

Backgrounds, brushes, timelapses, and other assets for sale on my Ko-Fi!

[iridescentscarecrow]

what frustrates me about fandom interpretations of makima as a one note Source of evil, apart from the fact that the manga itself refutes this, is that her character haunts and ties together so much of part two that it's impossible to fully understand without understanding her.

makima isn't ever a unilateral antagonistic force. she's an agent of the institutional evil that looms over all of CSM. she's in as much a commentary on gender and performance of gender as denji is.

and fjmt in part two enacts the "haunting the narrative" trope in such an interesting manner because you see flashes of makima in every female character. you see elements of her diluted into, most visibly, the characters of asa, nayuta and fumiko.

in asa, i see makima in that yearning for connection. i see her in the way that asa herself is fundamentally unable to approach the relationship of equals that she so desperately desires, partly due to her own social awkwardness but also because of yoru's threat: everyone she gets close to turns into a weapon. the fundamental inequality to human relationships that makima is unable to overcome.

during the aquarium date, you see asa echo makima again and again in lines that evoke makima's purposing of denji. that weaponising. "i'll grant you any request / save me chainsaw man! / you don't have to think about a thing."

and her connection with denji also founds itself upon this. yoshida talks to asa about parasocial relationships -- rerendering makima's idealisation of the CSM in how asa sees denji as a love interest. asa and denji parallel each other so organically in their gendered suppression and portrusion of desire. it's a punctuation of denji's search for intimacy that's mirrored by makima's in part one. exploring how asa is different from makima is perhaps the most intriguing part of this reflection though: an example being the way asa overthinks her outfit for her date with denji while makima seamlessly models herself into an Effortless woman.

[it's not like asa borrows just from makima. for example, there are things to be said about the way she views her Body (as compared with reze and quanxi) but examining how mkm's character bleeds into asaden is quite compelling.]

nayuta being the most visible remnant of what makima was is also interesting because makima herself appears so little in nayuta beyond the surface. nayuta's role as the control devil is hinted at frequently as is her appearance resembling makima's

but her and denji's dynamic more often echoes the hayakawa family and pochita than anything else. consider: aki giving up his goal (his 'easy revenge' that he finally sees for what it is) for the sake of his family, that warmth of blood and platonic bodily intimacy that power embodies--

it's all referenced to again with nayuta and denji, in direct panel callbacks and the plot itself! nayuta is The Family that makima constructs for denji in part one to pull him along the plot she prepares. i'm thinking about how makima is an allegory for capitalism. and what the family unit means in a capitalistic structure. the propagation of an ideal that hinges on birth and descendancy, about narrative and reproduction of narrative, about how nayuta births herself from makima and denji's relationship.

and this is also why nayuta herself exerts so much control over denji in the plot, as well as why she's used as a piece to control him. in part one, family was used to create the Chainsaw Man from denji. in part two, it's used to make denji abandon the Chainsaw Man, this icon that the church and the public now take possession of. [something something alienation of the worker from the product. from the collective. from the self.]

fumiko is perhaps the hardest to pin down here because her role evolves as the fandomisation of the Chainsaw Man evolves too. in fact, as a denji fan, she represents not just makima but multiple people who see something in and want something from denji! (think of how she references reze in her highlighting how denji is just a child; how reze uses her commentary on denji to engage with her Self. it's fandomisation,,, and what is makima but Chainsaw Man's fan?)

fumiko most obviously calls back to these wants and their conceptualisation of denji in the raw sexual violence that the events in the theater scene moving into the karaoke scene embody. the undercurrent of sa that runs through p1 and p2 is brought to the forefront in this scene -- denji falling back into these cycles of abuse, him slipping into habitating the wants of others (his initial horrified expression and then his grin during the fight. his initial inner monologue and then the cut to him licking the tentacle.)

so much of CSM rests on this fandom of denji, this theme of what production and idealisation means, one you can trace through fjmt's body of work. and this fandom reaches its crescendo in p2. what's even more interesting about fumiko is her pathos under this layer. her seeing denji as denji at some level but in the end, her handling of him is so selfish. her echoing makima's uninhibited laughter at the horror of denji's situation, her predatory cruelty. denji simultaneously humanised and dehumanised through her fandom.

fjmt's characters exist as foils, as parallels and ideas. makima's character has such a stranglehold over part one and these ideas run over into part two naturally -- as a consequence of denji being a reciever of these themes, but also deliberately in fjmt evoking the Thing that is makima repetitively -- to underscore the forever re emerging structure that denji and now asa are trapped in. the same structure that makima produced and was simultaneously caged by.

[timethehobo]

Rook is checking for a soft tummy.

[forrpercyy]

always looking on pinterest to see who steals my art and I kinda just wanted to post a little thank you to everyone who gives me credit under posts that don’t

I do see it and I do really appreciate it!! thank you guys ❤️

[datcravat]

I saw your Teto print pop up on the shop and I swooped so fast to get it alongside Gumi so I can have the trio on my wall all together. Your art is absolutely fantastic please keep doing what you do!!

WAUGH... THANK YOU!!!!!!!!!!!!!!!! FROM ME AND TETO!!!!!

[spacebubblehomebase]

Is there anything else we should know about Lilian (Lilith) in your Stargazers AU? Such as: What was she like as a mother? Why do you think she had postpartum depression? What was her postpartum depression like? How was her relationship with Lucius (Lucifer) like before they divorced? What does she think of Lucius (Lucifer) and Charlie now?

All really amazing questions that I wonder why people don't ask more often XD But rest assured, EVERYTHING you ask about got answers to them! I kid you not when I say this AU is jam packed in lore! With hints of future story arcs sprinkled through almost every related post as all major characters WILL have their chance at development (whether they want it or not). Unfortunately, due to plot reasons, I can't answer most of these questions YET. But I can tell you they were very much drawn to each other when Lucius and Lilian first started going out and she still keeps in touch with the father and daughter dynamic duo! Even if getting a hold of her now is quite difficult. In any case, I'm grateful for your interest and I apologize for the long wait! I had my first owned art booth experience and it coincided with Midterms. So you can just imagine the schedule I've been following recently. 😅 Still, look forward to more because the next update is all about Alastor's motivations! ^v^ -Bubbly💙

SNEAK PEEK BELOW!!!

(Note this draft is subject to change.)

[krysmcscience]

Hi, I woke up to this yesterday, and my brain is still exploding.

I don't even know how they came across my Ko-fi with how little traffic I got, but they did and were wonderful and I am so unbelievably grateful???

I can't even remember the last time I felt truly hopeful, but here I am. Feeling hopeful.

Wow.

What a world.

[h3lian]

༝ Sketch commission for @monsonata 𓋼𖤣𖥧

[achirding]

SATBK2024: Hero

A hero comes in all shapes and sizes- just because Galahad is too little and too young to be a squire doesn't mean he can't lend a helping hand to little water sprites in need!

[booplesnotts-art]

hi! could you maybe draw micheal and/or dagon?

Hello hello! Of course🖤

So I’ve literally never drawn Dagon before in my life and this was a STRUGGLE so I am sorry if it doesn’t really look like them I tried😭😭

I planned on answering this request with a drawing of them actually interacting but this is what I have for now

I plan on drawing them kissing though I mean what

Bonus cause I thought I was funny with this one

[shannonsketches]

me 🤝 toriyama

💕 Boycut Femmes 💕

[ronkeyroo]

📝 MEGA BUNCH of my recent Ko-Fi Commissions! LOOK AT ALL THOSE WONDERFUL OCS!!!!!!!! ✨