#terry crabtree

[alicebeingalice]

I BELIEVE IN TOBEY MAGUIRE'S AUTISTIC RIZZ CHARACTERS SUPREMACY.

Tobey Maguire is the single most comfort person I've ever met, and I'm ever likely to meet again. (Please tell me you got it 😉)

[weirdlookindog]

Fiend Without a Face (1958)

[ozu-teapot]

Fiend Without a Face | Arthur Crabtree | 1958

[alexbrecks]

[randomrichards]

FIEND WITHOUT A FACE:

A town in panic

Invisible creatures kill

Near an army base

[cornyonmains]

So, because I enjoy creating chaos, I want to bestow knowledges dark and sultry on the MCU fandom.

One of my favorite books in this entire world is Wonder Boys by Michael Chabon. When I was in high school it was adapted into a movie. The plot is unimportant to this post, but what is important is that Tobey Maguire played James Leer and Robert Downey Jr. played Terry Crabtree, two characters who end up going to pound town by the end of the movie.

Based on the rules of the MCU's multiverse, that means there's a variant of Tony Stark and Tobey Maguire Spider-Man that have fucked, and if I have to deal with this information, so does everyone else.

[whiteshipnightjar]

Does art make a difference?

Aw, sure. Of course there are degrees of extremity to the potential change that art can effect, depending on how many people are able to engage with it. The Beatles made a huge difference in the world. But Henry Darger, Jeff McKissack, Karen Dalton, Pauline Oliveros, Kenneth Patchen – there are so many folks who have made great art and not gotten massively famous for it, yet I think there are all sorts of ways their work informs and shapes other people’s work, and brains, and decisions.

Should politics and art mix?

Well, everything mixes, the New Statesman! That’s like asking if a knee-reflex hammer and a quadriceps tendon should “mix”.

Is your work for the many or for the few?

That’s for the many/few to say. I just crank out the hot jams.

If you were world leader, what would be your first law?

Gravity. I feel like we need to tighten up the constitutional protections that particular law enjoys. It’s a ticking time bomb, if you ask me.

Who would be your top advisers?

Cute angel on one shoulder, cute devil on the other.

What, if anything, would you censor?

Maybe we could all agree to not bust each other’s chops all cut-dang day.

If you had to banish one public figure, who would it be?

Don’t know, banishment might be a little extreme, but I’d sure like to take that Stephen Hawking dude down a notch or two. Right? Are you with me?

What are the rules that you live by?

Basically, “bros before hos”. I feel like if you stay true to that, everything else just kind of falls into place.

Do you love your country?

I love William Faulkner, Dolly Parton, fried chicken, Van Dyke Parks, the Grand Canyon, Topanga Canyon, bacon cheeseburgers with horseradish, Georgia O’Keeffe, Grand Ole Opry, Gary Snyder, Gilda Radner, Radio City Music Hall, Big Sur, Ponderosa pines, Southern BBQ, Highway One, Kris Kristofferson, National Arts Club in New York, Ruth Crawford Seeger, Joni Mitchell, Ernest Hemingway, Harriet Tubman, Hearst Castle, Ansel Adams, Kenneth Jay Lane, Yuba River, South Yuba River Citizens League, “Alice Doesn’t Live Here Anymore”, “Hired Hand”, “The Jerk”, “The Sting”, “Butch Cassidy and the Sundance Kid”, clambakes, lobster rolls, s’mores, camping in the Sierra Nevadas, land sailing in the Nevada desert, riding horseback in Canyon de Chelly; Walker Percy, Billie Holiday, Drag City, Chez Panisse/Alice Waters/slow food movement, David Crosby, Ralph Lauren,San Francisco Tape Music Center, Albert Brooks, Utah Phillips, Carol Moseley Braun, Bolinas CA, Ashland OR, Lawrence KS, Austin TX, Bainbridge Island WA, Marilyn Monroe, Mills College, Elizabeth Cotton, Carl Sandburg, the Orange Show in Houston, Toni Morrison, Texas Gladden, California College of Ayurvedic Medicine, Louis Comfort Tiffany, Saturday Night Live, Aaron Copland, Barack Obama, Oscar de la Renta, Alan Lomax, Joyce Carol Oates, Fred Neil, Henry Cowell, Barneys New York, Golden Gate Park, Musee Mechanique, Woody Guthrie, Maxfield Parrish, Malibu, Maui, Napa Valley, Terry Riley, drive-in movies, homemade blackberry ice cream from blackberries picked on my property, Lil Wayne, Walt Whitman, Halston, Lavender Ridge Grenache from Lodi CA, Tony Duquette, Julia Morgan, Lotta Crabtree, Empire Mine, North Columbia Schoolhouse, Disneyland, Nevada County Grandmothers for Peace; Roberta Flack, Randy Newman, Mark Helprin, Larry David, Prince; cooking on Thanksgiving; Shel Siverstein, Lee Hazlewood, Lee Radziwill, Jackie Onassis, E.B. White, William Carlos Williams, Jay Z, Ralph Stanley, Allen Ginsberg, Cesar Chavez, Harvey Milk, RFK, Rosa Parks, Arthur Miller, “The Simpsons”, Julia Child, Henry Miller, Arthur Ashe, Anne Bancroft, The Farm Midwifery Center in TN, Martha Graham, Alvin Ailey, Jr., Eleanor Roosevelt, Clark Gable, Harry Nilsson, Woodstock, and some other stuff. Buuuut, the ol’ U S of A can pull some pretty dick moves. I’m hoping it’ll all come out in the wash...

Are we all doomed?

If we keep our expectations pretty low I think we might be fine. I mean, we’re definitely all dying at some point. There’s no getting around that. But between now and then, things might start looking up!

— Joanna Newsom for The New Statesman, 2008

[drzito]

Las 211 peliculas que he visto en 2022 (parte 1)

En negrita las que os recomiendo:

1. El sexto sentido (Nemesio Manuel Sobrevila, 1929)

2. El pan nuestro de cada día (King Vidor, 1934)

3. Luna Nueva (Howard Hawks, 1940)

4. Un sueño americano (King Vidor, 1944).

5. Breve encuentro (David Lean, 1945)

6. El capitán Kidd (Rowland V. Lee, 1945)

7. Lazos humanos (Elia Kazan, 1945)

8. La bella y la bestia (Jean Cocteau, 1946)

9. Domador de sirenas (Irving Pichel, 1948)

10. La fuerza del destino (Abraham Polonsky, 1948)

11. Nunca la olvidare (George Stevens, 1948)

12. Vida en sombras (Lorenzo Llobet Gracia, 1949)

13. Milagro en Milan (Vittorio de Sica, 1951)

14. Umberto D (Vittorio de Sica, 1952)

15. Valkoinen peura [El reno blanco] (Erik Blomberg, 1952)

16. El salario del miedo (H G Clouzot, 1953)

17. La loba (Alberto Lattuada, 1953)

18. Los apuros de un pequeño tren (Charles Crichton, 1953)

19. Tarantula (Jack Arnold, 1955)

20. El ferroviario (Pietro Germi, 1956).

21. La mala semilla (Mervyn LeRoy, 1956).

22. De dode tjern [El lago de los muertos] (Kåre Bergstrøm, 1958)

23. Cover Girl Killer (Terry Bishop, 1959)

24. Horror en el Museo Negro (Arthur Crabtree, 1959).

25. Beat Girl (Edmond T. Gréville, 1960)

26. El hotel de los horrores (John Moxley, 1960)

27. La sangre seca (Yoshishige Yoshida, 1960)

28. Macario (Robert Gavaldon, 1960)

29. Marea nocturna (Curtis Harrington, 1961)

30. El poder de la mafia (Alberto Lattuada, 1962)

31. Historias de terror (Roger Corman, 1962)

32. Vida para Ruth (Basil Dearden, 1962)

33. El demonio (Brunello Rondi, 1963).

34. El especulador (Vittorio de Sica, 1963)

35. Las tres caras del miedo (Mario Bava, 1963)

36. The small world of Sammy Lee (Ken Hughes, 1963)

37. El extraño viaje (Fernando Fernan-Gomez, 1964)

38. La mujer de la arena (Hiroshi Teshigahara, 1964)

39. Los corceles de fuego (Sergei Parajanov, 1964)

40. España insólita (Javier Aguirre, 1965)

41. El ojo del diablo (J Lee Thompson, 1966)  

42. Kriminal (Umberto Lenzi, 1966)

43. Las Brujas (Cyril Frankel, 1966)

44. El desconocido de Shandigor (Jean-Louis Roy, 1967)

45. Corrupción (Robert Hartford-Davis, 1968)

46. La maldicion del altar rojo (Vernon Sewell, 1968)

47. Mr Freedom (William Klein, 1968)

48. Satanik (Piero Vivarelli, 1968)

49. Un día tranquilo en el campo (Elio Petri, 1968)

50. Queimada! (Gillo Pontecorvo, 1969)

51. Ya soy una mujer (David Greene, 1969)

52. 4 moscas sobre terciopelo gris (Dario Argento, 1970)

53. El martillo de las brujas (Otakar Vavra, 1970)

54. Lokis. Rekopis profesora Wittembacha [Lokis. El manuscrito del Profesor Wittembach] (Janusz Majewski, 1970)

55. Valerie y su semana de las maravillas (Jaromil Jireš, 1970)

56. Bahía de sangre (Mario Bava, 1971).

57. La maldición de los Bishop (John D Hancock, 1971)

58. Angustia de silencio (Lucio Fulci, 1972)

59. Lejos de los arboles (Jacinto Esteva, 1972).

60. San Francisco, ciudad desnuda (Stuart Rosenberg, 1973)

61. Torso: Violencia Carnal (Sergio Martino, 1973)

62. Sintomas (Jose Ramon Larraz, 1974)

63. Trastornado (Alan Ormsby y Jeff Gillen, 1974)

64. Blue Moon (Louis Malle, 1975)

65. El quimérico inquilino (Roman Polanski, 1976)

66. God told me to (Larry Cohen, 1976)

67. Foes (John Coats, 1977)

68. La centinela (Michael Winner, 1977)

69. La ultima ola (Peter Weir, 1977)

70. El dinero de los demás (Christian de Chalonge, 1978)

71. Cristo se paro en Eboli (Francesco Rosi, 1979)

72. La hipótesis de un cuadro robado (Raul Ruiz, 1979)

73. Profecía maldita (John Frankenheimer, 1979)

74. Impacto (Brian de Palma, 1981)

75. Vida/Perra (Javier Aguirre, 1982)

76. Los jueces de la ley (Peter Hyams, 1983)

77. Ojos de fuego (Avery Crounse, 1983)

78. 1,2,3... Splash (Ron Howard, 1984)

79. Los santos inocentes (Mario Camus, 1984).

80. Repo Man (Alex Cox, 1984)

81. Re-Animator (Stuart Gordon, 1985)

82. 007: Alta tensión (John Glen, 1987)

83. El príncipe de las tinieblas (John Carpenter, 1987)

84. Walker (Alex Cox, 1987)

85. La tumba de las luciérnagas (Isao Takahata, 1988)

86. The Dreaming (Mario Andreacchio, 1988)

87. Un lugar llamado Milagro (Robert Redford, 1988)

88. Celia (Ann Turner, 1989)

89. Cuando fuimos brujas (Nietzchka Keene, 1990)

90. Temblores (Ron Underwood, 1990)

91. Clearcut (Ryszard Bugajski, 1991)

92. Mississippi Masala (Mira Nair, 1991)

93. Un lugar en el mundo (Adolfo Aristarain, 1992)

94. Anchoress (Chris Newby, 1993)

95. Dark Waters (Mariano Baino, 1993)

96. Lo que queda del día (James Ivory, 1993)

97. Lazos Ardientes (The Wachowskis, 1996)

98. Nubes pasajeras (Aki Kaurismaki, 1996)

99. Una gran noche (Stanley Tucci, Campbell Scott, 1996)

100. Salvar al soldado Ryan, (Steven Spielberg, 1998).

101. CQ (Roman Coppola, 2001)

102. Funny ha ha (Andrew Bujalski, 2002)

103. Hotel (Jessica Hausner, 2004)

104. Noroi (Kôji Shiraishi, 2005)

105. The Dark (John Fawcett, 2005)

[agendaculturaldelima]

#ProyeccionDeVida

📣 Kino Cat / Cine Tulipán, presenta:

🎬 “EL REGRESO DE LOS MUERTOS VIVIENTES” [The Return of the Living Dead]

🔎 Género: Terror / Comedia / Ciencia Ficción / Fantástico / Parodia / Zombis / Película de Culto / Cine independiente USA

⌛️ Duración: 90 minutos

✍️ Guion: Dan O'Bannon.

🗣 Historia: Rudy Ricci y Russell Streiner

📕 Libro: John A. Russo

🎼 Música: Matt Clifford

📷 Fotografía: Jules Brenner

🗯 Argumento: Frank y su aprendiz Freddy terminan su turno en un almacén de productos sanitarios. Charlando, Frank cuenta al joven que los hechos narrados en la película "La noche de los muertos vivientes" fueron reales, pero han sido ocultados por las autoridades. Para convencer al chico de que no miente, le lleva al sótano, donde le enseña un barril que contiene a uno de los zombies, y el gas que en su momento le devolvió la vida. Accidentalmente abren el barril, liberando tanto al muerto viviente como el gas, que alcanza un cementerio cercano. Sin saberlo, un grupo de jóvenes que han ido a pasar la noche al cementerio serán testigos del despertar de los muertos... Debut en la dirección de Dan O'Bannon, guionista de la serie de "Alien", "Desafío Total" y "Lifeforce".

👥 Reparto: Thom Matthews (Freddy), James Karen (Frank), Clu Gulager (Burt), Linnea Quigley (Trash), Don Calfa (Ernie), Brian Peck (Scuz), Beverly Randolph (Tina), Allan Trautman (Tarman Zombie), Jonathan Terry (Colonel Glover), Jewel Shepard (Casey), Miguel A. Núñez, Jr. (Spider), John Philbin (Chuck), Mark Venturini (Suicide), William Stout, Cherry Davis, Drew Deighan (Paramedic #1), James Dalesandro (Paramedic #2), Larry Odien, Donna Leigh Drake (Dispatcher), Robert Craighead (Cop #1), Cathleen Cordell (Colonel's Wife), David Bond (Radio Corpse #2), John Durbin (Radio Corpse #1), Derrick Brice (Gunnery Sergeant), Ed Krieger (Riot Cop #3), Terrence Houlihan (Yellow Cadaver Zombie), John Stuart West (Riot Cop #1), Michael Crabtree (Riot Cop #2) y Jerome Coleman (Legless Corpse Zombie).

📢 Dirección: Dan O'Bannon

© Productoras: Hemdale, Fox Films & Cinema '84.

📼 Distribuidora: Warner Bros. Home Entertainment

🌎 País: Estados Unidos

📅 Año: 1985

📽 Proyección:

📆 Martes 22 de Octubre

🕖 7:30pm. 

🐈‍ El Gato Tulipán (Bajada de Baños 350 – Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

[moviereviews101web]

Fiend Without a Face (1958) Movie Review

Fiend Without a Face – ABC Film Challenge – Horror – F – Fiend Without a Face – Movie Review  Director: Arthur Crabtree Writer: Herbert J Leder, Amelia Reynolds Long (Screenplay) Cast Marshall Thompson (It! The Terror from Beyond Space) Terry Kilburn (Lolita) Michael Balfour (Batman) Gil Winfield (The Depraved) Kim Parker (Stock Car)   Plot: A scientist’s thoughts materialize as an army…

[docrotten]

FIEND WITHOUT A FACE (1958) – Episode 166 – Decades Of Horror: The Classic Era

“I’m a doctor, colonel, not a detective! There’s nothing like this in the books!” No, this isn’t Star Trek’s Bones talking, but it is from a 50s sci-fi/horror classic. Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr along with guest host Dave Dreher – as they try to keep their brains from being sucked out by the Fiend Without A Face (1958).

Decades of Horror: The Classic Era Episode 166 – Fiend Without A Face (1958)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

A scientist’s thoughts materialize as an army of invisible brain-shaped monsters – complete with spinal cord tails – terrorize an American military base.

  Director: Arthur Crabtree

Writers: Herbert J. Leder (screenplay); Amelia Reynolds Long (original story: “The Thought Monster;” Weird Tales, March 1930)

Executive Producers: Richard Gordon, Charles F. Vetter

Special Effects by:

Peter Neilson (special effects)

Flo Nordhoff (special effects: Ruppel & Nordhoff) (uncredited)

Karl-Ludwig Ruppel (special effects: Ruppel & Nordhoff) (uncredited)

Selected Cast:

Marshall Thompson as Major Cummings

Terry Kilburn as Capt. Chester (as Terence Kilburn)

Michael Balfour as Serg. Kasper

Gil Winfield as Dr. Warren

Shane Cordell as Nurse

Stanley Maxted as Col. Butler

James Dyrenforth as Mayor

Kim Parker as Barbara Griselle

E. Kerrigan Prescott as Atomic Engineer (as Kerrigan Prescott)

Kynaston Reeves as Prof. Walgate

Peter Madden as Dr. Bradley

Meadows White as Ben Adams (as R. Meadows White)

Lala Lloyd as Amelia Adams

Robert MacKenzie as Const. Gibbons

Launce Maraschal as Melville

The Grue Crew welcome Dave Dreher as guest-host to review the sci-fi/horror 50’s monster flick, Fiend Without a Face (1958). The tagline promises “New Horrors! Mad Science Spawns Evil Fiends!” and the stop-motion animation of the fiends – a brain with antennae and a spine – delivers the goods. The script is based on Amelia Reynolds Long’s 1930s short story, “The Thought Monster,” originally published in Weird Tales magazine. A modern remake has been promised in recent times but remains as invisible as the fiends in the first two-thirds of this British B-movie classic. 

At the time of this writing, Fiend Without a Face is available for streaming from the Criterion Channel, AMC+, and PPV on Amazon and AppleTV. It is also available on physical media as a DVD from the Criterion Collection. 

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Jeff, is The Frozen Dead (1966), written and directed by Herbert J. Leder and starring Dana Andrews and iced Nazis. Yes, it’s back-to-back Leder!

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com

To each of you from each of them, “Thank you so much for watching and listening!” 

Check out this episode!

[weirdlookindog]

Fiend Without a Face (1958)

[nbmsports]

Strike Prevents Actors From Promoting Films at Premieres or Festivals

It has already been a difficult year for movie theaters, with the North American box office down roughly 20 percent from last year. And that was when actors could promote their films.With SAG-AFTRA, the actors’ union, on strike as of Friday, its 160,000 members are officially barred not only from acting in projects involving the major Hollywood studios but also from engaging in any publicity efforts for films and TV shows that have already been completed.That means no appearances, either online or in person, including at the Comic-Con International next week in San Diego, many of the fall film festivals, and any movie premieres or television promotional events. SAG-AFTRA officials convened conference calls with Hollywood’s top agencies and publicists this week to explain the strike rules for both the production and the promotion of coming projects. And on Thursday, after announcing the strike, the union released its rules for its membership.“It’s going to be expensive, because the only other way to compensate for the lack of publicity is to buy more noise,” Terry Press, a top Hollywood marketer, said. “When you don’t have any form of publicity, which is free to a certain extent, you have to try to make up that noise.“Ultimately, that’s expensive,” he continued, “especially in the summer, where there’s very little advertising that you can actually buy that’s going to capture large groups of people.”It’s also going to be awkward. That was apparent even before the actors’ union announced on Thursday that it had approved a strike. A few hours earlier, the director Christopher Nolan’s starry “Oppenheimer” was premiering in London.“Oppenheimer” is one of the summer’s most anticipated films, a movie that theater owners have been pointing to — along with Greta Gerwig’s “Barbie” and the latest “Mission: Impossible” chapter with Tom Cruise — as one that could pump some life into a struggling business.But at the premiere at the Odeon Theater in Leicester Square, it was clear that the strike would have an impact. First the event was moved up an hour, so that the cast full of boldface names — including Matt Damon, Emily Blunt, Robert Downey Jr., Florence Pugh and Cillian Murphy — would be able to walk the red carpet. Then they all left before the screening started, in solidarity with the union.“They are off to write their picket signs,” Mr. Nolan quipped to the crowd of 800 people.Universal Pictures said that it would still hold its New York premiere of “Oppenheimer” on Monday but that none of the actors would attend.The lack of buzzy premieres and the usual round of publicity for films is troubling for a movie theater industry that has been hoping business would increase in the second half of the year.The strike is also concerning for the fall film festival circuit, which counts on actors appearing in person to promote their prestige films geared toward the awards season. “The whole festival circuit, those movies are nothing but publicity driven,” Ms. Press said.Normally actors on the hunt for Oscar gold make the pilgrimage to Italy for the Venice International Film Festival at the end of August, then head to Colorado for the Telluride Film Festival and then Canada for the Toronto International Film Festival — the three early stops on the campaign trail.“The grammar of releasing those movies requires the festival circuit,” Ms. Press said. “That is when, I think, you’re going to start to run into serious repercussions.”Television is also affected. Despite the Emmy nominations announced on Wednesday, none of the actors nominated will be able to promote their work. When asked how the awards show — which is scheduled for September but likely to be postponed if the walkout is prolonged — will be affected by the strike, Duncan Crabtree-Ireland, the union’s chief negotiator, said: “Our strike rules will not allow any form of promotion for television series, or streaming series that have been produced under these contracts. My expectation is that it will bring any actor participation in Emmy campaigning to a close.” Source link Read the full article

[cabaretcapricho]

Festival Corpus Comediantes from clauno dromo on Vimeo.

Festival Corpus Comediantes - Locura Pura Realizado para celebrar el 50 aniversario del Estudio Búsqueda de Pantomima-Teatro del 10 al 13 de noviembre de 2022

Por la organización del Estudio Búsqueda de Pantomima-Teatro A.C. Sigfrido Aguilar Sergio Langarica Janet M. Izzo

Registro, edición y realización audiovisual Michel Alzaga-Studio Inútil Cámara 2- Lars Uribe

Con profundo agradecimiento a La familia Villalpando Navarro Lars Uribe Estrella Labrada Michel Alzaga Cuauhtémoc Trejo Blú Azcué Ángela Olivia Vela Pavón

Y a las compañías de artistas participantes: Nahuales Callejeros - alumnos del Estudio Búsqueda, Cía. Tiatro de Chihuahua Jorge Mendoza y Joshua Franco. Cía. Escena Cuerda Floja de Chihuahua Cristina Córdova y José Sandoval Cía. Circonciente de Oaxaca Jorge Reza Cía. Impulsus Comediantes Pantomima-Teatro de Guanajuato Sergio Langarica y Lars Uribe Cía. Cabaret Capricho de Guadalajara Erandeni Nava, Violeta Castro, César Omar Barrios, Fernando Mánica.

Fue posible con el valioso apoyo de Kim Bancroft Gilles Ste-Croix Sereno Aguilar-Izzo Gail Tilmont Amy Oppenheimer Joyce Hartvigson Kim Bouchard Alan Craig Terri Rasmussen Shana Carroll Beth Binns Schoellkopf Yasko Endo Janet M. Izzo Stefan Grimberg Susan Duff Drew Richardson James R Moore Laurent Sallard Cheryl Lewis Lauren Stringer Chloe Walier Isaura Contreras Ríos Eva Bennati Vera Hoar Jessica Hentoff Audrey Crabtree Terry Lorant Joanna Sherman Joel Foisy Jenny McAvoy Zita Bettig Francisco Sentíes Avi Pryntz-Nadworny

Este festival fue producido en el territorio ancestral de la Confederación Guamare, en una tierra que ha sido protegida y honrada también por las naciones Otomís, Purépechas y otros pueblos originarios.

[tspoe-pods]

Believe it or not, a 1st time watch!

Good little monster movie. Great sound design and some adequately gross visuals. (Bit of a head scratching solution though.)

[showmethesneer]

I can't believe I've been shipping Tobey Maguire and Robert Downey Jr characters for 20 years and when Tobey's Spiderman finally joins the mcu, Tony Stark is fucking dead lol