#staying strong book

[weirdplutoprince]

The sun and the star review

[stopper-my-heart]

Nothing like Heartstopper S2E8 removing some of Taylor Swift's "seven" lyrics just so that the singing can specifically come back in at "Or hide in the closet" while Isaac is processing difficult emotions related to the book he's reading (i.e., Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen).

Did I mention "Or hide in the closet" hits just as the camera focus finishes shifting away from Isaac?

This is fine

[its0you]

[mj-thrush-gxn]

i might lose my dndads hyperfixation to lord of the flies. you guys im scared save me.

i just love it when a media has a queer coded character who is associated with religion, a bloodthirsty child, a set of twins who are basically one person, and they are cut off from the rest of their world and forced to learn how to live in a place foreign to them.

[thereadmind]

[ovenproofowl]

back on my bullshit but did anyone else notice that the mysterious old lady (or old ruby) in 73 Yards was making the same repetitive hand gestures whenever we see her in frame?

So, from what I can gather, the pattern is:

Shrug, arms straight, palms facing outward

Both hands draw up together to gesture outward

Left hand makes palm down stroking motion over right hand

Both hands clasped towards centre of chest

Left hand placed across the heart

It's easy to miss because we rarely get a shot with the full motions before it cuts away, but I'm pretty sure the pattern never changes.

I haven't been able to find any discussions about it yet, but for the same gestures to be used over and over, you would think it must mean something. Perhaps another clue about the message the mysterious figure was telling everyone that made them run? A hidden detail about Ruby's origins? I'm even wondering if it might fall in line with BSL but I'm not educated enough on hand signs to even know where to start. Unless the gestures are simpler than that, conveying universal meaning?

If anyone wants to jump on this with their thoughts, I'm open to listen!

[cerise-on-top]

Got any Farah, Valeria, & Laswell hcs? Anything, really- I'm dying for my girls 🤲🤲🤲

Hello! Yeah, I was able to come up with a few! I already wrote a few for Valeria here! Somehow, I forgot to put them in my masterlist, though, which I have since fixed! Thank you for making me aware of this, though :-) These are general Headcanons, though, since I had an easier time coming up with those and because you didn't specify, I hope that's okay!

Valeria, Farah and Laswell HCs

Valeria: She’s always had quite the temper, even when she was young. While she may not have been spoiled to hell and back as a child, she usually got what she wanted, as long as it wasn’t something extraordinarily big, her parents always took care of her like that. Valeria loved her mother, they got along very well with each other, and she also took after her, having inherited her personality for the most part. Her father was a bit calmer than the two of them, but that didn’t mean they didn’t get along either. Whereas her mother would encourage her to do most things, her father would try to talk sense into her if it was a bad idea. She often sulked because of it, which is why she didn’t like her father as much as her mother, but as she got older she realized he meant well. Sometimes she still thinks about his advice, but the both of them died a long time ago, so most things they’ve told her are a distant memory by now. Valeria may be successful with what she’s doing and doesn’t like being told what to do, but sometimes she does wish she could still eat some sweets with her parents like she used to.

Joining the military actually wasn’t her first choice of career. She tried many places, but no one would take her, so she opted for the military, which welcomed her with open arms. She got paid. Not well, but she received the money, which was important since her parents couldn’t leave her with too much. They didn’t have very much either, so there wasn’t much to be inherited. Because she’s a woman, a few creeps tried to harass her, but she had none of it and beat all three of them up herself and on her own. Ever since that incident she wasn’t a big fan of the military either, but no other place would take her. However, it showed just how capable she was and earned her a lot of respect. A few other men would try to make advances towards her, but she shot them down every time. However, whenever another female soldier would jokingly flirt with her, that’s when she’d give it her all, making it her goal to fluster her beyond all hell. She’s spent a few evenings and nights with a few female soldiers, but was always willing to rip a male soldier’s dick off if he was being too friendly with her. During her time as a soldier she also realized that she preferred women.

She didn’t always hate Alejandro, actually. Back in the day, they got along very well. He was a man, yes, but he had enough respect for her. It wasn’t a given, even if it should have been, but she appreciated it. Whenever they sparred he gave it his all as well and never looked down on her. In his eyes, the two of them were equals and it showed. Valeria could appreciate that. She liked him, she spent a night with him but realized she hated that sort of stuff with men. He was the final realization for her that Valeria does not like men. It didn’t make her hate him at first, though. Only when he insisted on the two of them being a thing did she develop some form of disdain for him. Once she told him that she could never feel the same way, he stopped. However, he also started treating her a bit differently since he was in love with her. As he rose in ranks, he was a bit harsher on her than the other soldiers, usually dissatisfied with anything she did. He didn’t even notice that, but Valeria did. Therefore he became just another scum to her.

Farah: Before her town got attacked, she actually had a pretty happy childhood. She was sweet and kind as a kid, she got along well with her parents and her brother and she had a few close friends. Farah loved going outside to play, sometimes even inviting her parents to make potions with her in a bucket filled with water, sand and rocks. Her parents were always afraid of the Russians invading and tried to keep their children safe regardless of what happened, but in the end they were unable to. It hit Farah pretty hard, she loved her parents. Even now she misses them dearly since they always took such good care of her and her brother. At least she still had her brother. Farah knew she was the younger one out of the two of them, so she likely should have been the one to be protected, but once her town got attacked she became determined to make sure her brother would stay with her. Drastic times called for drastic measures, so she actually has killed people just so her brother could stay alive. It was around that time that other people realized how she was a very caring person still and could be trusted. Slowly, through that realization, she was able to gather a small force that could help her.

Farah is a pretty good leader. The people she works with adore her because, under that rough exterior, she’s still a good person. All her brothers and sisters know she can be trusted with just about anything. She rarely ever says no upon hearing a request of one of her people, knowing fully well what it’s like to need something. As she’s been through a lot herself, she always has an open ear for her brothers and sisters. While there’s not always time to listen to everyone’s concerns, if she does have time she’ll listen to you intently. Farah knows a lot more about her people than she lets on, that ranges from how the latest battle has gone to how her sister’s family is doing. She’s never one to turn down someone in need, always offering food and shelter. I know she may seem stern, because she has to be in order to be a good leader, but deep down she’s still the same kind girl that she’s always been. Her people would give up just about anything for her, and they do. One day, Farah dreams, Urzikstan will be free, it will be safe and it will prosper, its people won’t have anything to fear anymore. Trade will continue, the people will be happy and she can finally lay down her weary head and rest for a bit. But until then, she swore she’ll fight and fight until everything is finally over.

She’s never actually been in love. When she had the chance to develop a crush she was too young. Now that she’s older she doesn’t have time for anything lovey dovey in the slightest. Alex was the first person she ever developed a crush on. He may have seemed like an enemy at first, but it quickly enough became evident that that couldn’t be further from the truth. He was a good man, someone who could be trusted no matter what. He was loyal to a fault as well, which Farah could appreciate. However, she never told him, swallowing her feelings down instead no matter how intense they became. Yet, she sort of did always look forward to his small gestures of affection. Alex is a physically affectionate guy, so he’d sometimes pat her shoulder, put a hand on her shoulder or gently bump her arm to show he liked her. Farah is severely touch starved, so it made for a good combination. One time, he asked if she would like a hug, to which she said yes. To this day, Farah thinks about that hug since it was the first one she had received in seven or eight years. It may not have seemed like she was swayed at the time, but she was very content afterwards.

Laswell: Laswell’s parents didn’t really care too much for her. Don’t get me wrong, they provided for her physical needs, but they barely looked after her in any other regard, thinking she was happy because she had everything she could ever need. Laswell may have been strong because of it, even then, but she did wish her parents had cared more about other things as well, such as how she was doing emotionally. There were quite a few things that hurt her during her childhood, but she barely had anyone who would support her during her rough times. Her parents only ever wanted to see her happy and content, but barely made any effort to actually keep her as such. Laswell knew fairly early on that she was a lesbian and did come out to her parents, but that’s all that happened. It was never discussed again afterwards, even if her father would sometimes say that she would “find the right guy eventually” while talking to other people. Laswell has called him out on it numerous times, but he always made it about him and how he was the victim for saying something that made his daughter uncomfortable. Laswell didn’t stay in contact with her parents for very long once she moved out.

Even back when she was a child, Laswell knew she wanted to do something more exciting than be a hairdresser, waitress or cook. She wanted to do something with plenty of action, but at the same time she wanted to study and go to university. And thus she combined her wishes and started going to university at first. Afterwards, sometime in her twenties, she started to work for the CIA. She wasn’t treated with very much respect there at first, being a woman working there and all. But she didn’t let that disrespect get her down. In fact, on the outside, she stayed professional, but on the inside she took mental notes on who treated her badly and who didn’t. It soon enough became evident that Laswell knew what she was doing, even if her master’s degree should have been proof enough that there was some intelligence in that noggin of hers. However, soon enough she was transferred. In fact, she was transferred many times before she became a station chief, but it only showed just how competent she was in her field. Laswell has since saved thousands of lives and is proud of it. To her, such a thing is her calling and she wants to continue doing so for as long as she can, all the dangers be damned.

Laswell adores her wife. In fact, “Laswell” isn’t her original last name, she took that of her wife. At first they played with the idea of combining their names, but Laswell wanted fairly little to do with her parents at that point. Plus she wanted to show her father that she never “found the right guy”. So her being named Laswell is purely out of spite. While she may not be at home all the time, or very often, for that matter, she makes sure to bring her wife a gift every time she comes home. It can be something small, such as a souvenir she found while she was abroad, or it could be something along the lines of a golden ring that unfolds into an astronomical sphere. She needs to pamper her wife like that and make sure she knows Laswell loves her to the moon and back. Money isn’t an issue for her, she gets paid very well. Even if the biggest reward for her doing what she does is seeing her wife smile. Every time she sees her give her a big smile she’s reminded of why she does what she does, and that’s the most wonderful thing for her. Even so, not many people know about Laswell’s wife, only a select few do. It’s a safety measure since she knows people will target her. Although she’s a diplomatic kind of person, if anyone ever were to hurt her wife, then that person can be certain they’ll never walk freely among the sunlight again.

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[weirdplutoprince]

Reading mdzs and having the slow realization that a lot of this book has been Mr Lan Zhan being knuckle white gripping with his lust over a guy whose initial take on their relationship was 'idk we weren't close' despite playing the long game of insane insufferable guy flirting since they were both around 15 years old. unknowingly.

[abirddogmoment]

Rory's first session with steadiness training and she's crushing it!

[robotlcangel]

How it feels waiting for ANY AMOUNT earthspark news that isn’t just another shitty book where the illustrations are just tracings of the 3d models, and taking place during some inexplicable limbo between the events of the season 1

[its0you]

[bayofwolves]

i should make a spirit animals characters as wings of fire dragons au. even though i'm not into wof anymore

[foidolite]

Protection

[jazzandpizazz]

[bookwyrminspiration]

sometimes I remember how the magisterium series ended and get so angry i can't even think straight