#sorry guys it is late and i am rambling

[creed-of-cats]

Anyone ever think about how Terry is essentially a failsafe.

He is the worst case scenario. He is the embodiment of the and? At the end of both happy endings and tragedies. He would not exist as Batman if not only Bruce, but the entirety of the batfamily hadn't failed. He would not exist as Batman if Bruce didn't find the last dredge of hope inside him and dragged himself out of the pit he created.

Terry isn't in most universes as Batman because most don't need him. Most have one of the bat kids step up as Batman and the head of the company. He is irrelevant in most. But in at least one, things go wrong, and begins a chain reaction that ends with Terry's father dead on the floor, and a Gotham empty of anyone to turn to, so Terry has to do it his damn self.

While I think Terry does genuinely want to be Batman, I think something else drives his stalwart position. He grew up in a Gotham without heroes, and where the main company decided to suck the city down with it. Everytime anybody ask him to give up the cowl, they are asking for a lot more then just him not wearing the suit. Who else is there? We love Barabara but there must be enough of a conception about her police force that Terry doesn't even considering going to them out of fear of corruption. Who else is there? Nobody. And I don't think he wants to risk that again.

It must be lonely, to be an entire city's last and final chance. To be the universe's attempt at damage control.

[flying-fangirls]

As a music, religion, and literature nerd, the Dies Irae has been one of my favorite go-to pieces of trivia for a long time, which means that this line:

Has been driving me batshit BONKERS since part 42! And also as a semi-professional media analysis yapper, I figured I might as well dive into the exact reasons I jumped up and audibly gasped upon first hearing this line and have subsequently lost my mind since then. So!

Here is why I think that the Dies Irae is the perfect analogy for John and Arthur:

Religion

Let's start with the most straightforward meaning: "Dies Irae" is a Latin term, and it translates to the "Day of Wrath." Or otherwise known as the Judgement Day, the foretold second coming in Catholic canon, when Christ will "come again in glory to judge the living and the dead." It's at this Last Judgement where God will wield perfect justice to send the worthy to everlasting peace and the unworthy to everlasting punishment. (everyone say "thank you" to excessive childhood Catholic lessons for burning this into my brain)

There's a kind of irony to the fact that Arthur so vehemently rejects Christianity and religion as a whole, and that John spends much of his arc trying to distance himself from the role/identity of a god, yet both are given this incredibly religious title, effectively restricting them from ever forgetting the presence/influence of religion in their lives.

This title has a couple layers though, because we have to consider why it's the Day of Wrath specifically that represents Arthur and John. Now, I don't think I have to tell you that those two are bursting with anger 80% of the time. But I am going to tell you that those two are not just angry, but moreso "divine fury" incarnate.

The Day of Wrath, the Final Judgment, is the final and eternal judgment of God on all: "For now before the Judge severe / all hidden things must plain appear; / no crime can pass unpunished here." (Dies Irae, Dies Illa). The final Judge, the all-powerful God, can see the objective morality of every single person, and is thus the sole, rightful determiner of fate.

This assumption of their right to perfectly and single-handedly decide others' worthiness shows up over and over, not just John and Arthur's actions, but also in how they describe these judgments.

When Arthur kills the widow on the island, it's not because she was dangerous, but because she was a cultist who "deserved" to be punished.

When John and Arthur need to get rid of Mr. Scratch's stone, John says they should give it to "criminals" who are "deserving of this curse." Even though, just moments before, Arthur refused to give the stone to Oscar because to do so would be to cursing him to a fate of eternal suffering.

And I can't go into every single detail about the entire Larson plotline because this post would double in size, but it obviously needs to be included here. Possibly the strongest tie between this arc and the idea of the Dies Irae is Arthur's conviction through it all. Arthur vows that he is going to kill Larson in divine retribution not because he wants to, but because he has to. He even goes so far as to admit that killing Larson will be a mistake, a cruel and overly-bloodthirsty action that goes against his compassion. But killing Larson isn't a choice to Arthur, it is the unavoidable punishment for Larson's sins and Arthur is simply the enactor of justice. Just like the Final Judgment, there is no sympathy, no hesitancy— the judgment is absolute, divinely ordained, and cannot be stopped no matter how undeniably horrific it is.

If we look at the Catholic Catechism, principle 2302 states that it is sinful to kill out of desire, but that it is "praiseworthy to impose restitution" and use violence to "maintain justic." So even if Arthur has intent to kill, his actions count as divinely sanctioned. He is acting as the hand of God's punishment.

Over the course of Season 3 and 4, Arthur's fiery rage dies down to a more gentle simmer, but his conviction only seems to grow, and John follows suit. Despite previously reprimanding Arthur for his unquestioning wrath, John eventually becomes just as convinced that Larson "deserves" to face a wrathful reckoning. The "fact" that Larson is wholly unforgivable and is fated to receive eternal punishment becomes more indisputable in their minds, and they both stop questioning the morality of their intentions, entirely convinced of their judgment.

Throughout the story, Arthur and John insist upon the importance of kindness, compassion, and forgiveness, and say that these are the values that guide their every action. Yet, time and time again, they approach certain people with nothing but wrath and resentment. It's a sharp contrast to the benevolent figures they make themselves out to be, and Arthur and John are often blind to the contradiction because, in their eyes, they are still following those values in every action. And in the moments when they do recognize their horrific words or actions, they still cannot let their judgment go, convinced that it is their "duty" either way.

In Part 35, Arthur says "Just because you can't make the hard decision, doesn't mean it's wrong." This is exactly how John and Arthur view themselves. They know that some of their actions are harsh and violent and painful, but they are don't view that violence as wrong, because they are enacting that violence in justice. They move through life with carefully-selected destruction, culling the world of those they view as unforgivable sinners, and punishing them with divine righteousness. Arthur and John carry righteous fury in their every step, bringing the Day of Wrath down upon the world around them.

Now, there's already a ton of meaning just in this religious allusion alone. However, there's another application of the Dies Irae in modern culture, which brings us to the second side of this title:

Music

Back in the 13th century (sounds like a familiar setting...), friar Thomas of Celano wrote a poem for and about the Dies Irae. The poem was recited at Requiem Mass (church services to honor the dead), and it ended up being set to a Gregorian chant tune.

Over time, this melody has been used by a variety of composers, but the one we're focused on is Hector Berlioz. In 1837, Berlioz used the Dies Irae melody as part of his narrative symphony, Grand Messe de morts, in order to communicate that the main character had died. Then a lot of other composers saw that and said "Hey that's a cool idea!", and started also using this melody to represent death in their music. Nowadays, it's a fairly staple part of modern film and musical storytelling. If you've listened to literally any major soundtrack, then there's a good chance you've heard this motif (or a variation of it) used before. It's often subtle, sometimes loud and obvious, but no matter what, it reveals the inevitable presence of death. (essentially, the Dies Irae=death)

Now, obviously there's something tragically ironic about Arthur being likened to a musical motif when he tries so hard to distance himself from it, and there's something tragically ironic about John being associated with such a dark piece of music when he shows so much fascination and joy toward the art. Again, though, we've got some layers here. Yorick doesn't just compare Arthur and John to the Dies Irae, he literally defines them as the Dies Irae, a full embodiment of it.

Even before the story started, Arthur lost both of his parents, his friend and wife, his daughter, and his best friend.

John, when he was part of the King in Yellow, knew only how to harm and attack. In the Dark World, he falls back on this fearful lashing out with violence, harming even more people.

And throughout the story, John and Arthur seem to bring devastation to everyone else around them: Lilly the buopoth, Oscar, Noel, Collins, Daniel, Larson and Yellow.

The arrival of Dies Irae musical motif in a film always indicates that death is approaching or that is has already struck— a host carrying its blight to spread onto others. Just like the musical motif, the arrival of Arthur and John foretells the near-arrival of death. They play a duet together— John and Arthur, and death— always singing and dancing around and with each other.

These two never succumb to death, always finding a way to slip through its fingers and survive every situation. But they cannot escape death's presence because they are death's partner— singing the melody to death's subtle harmony. They cannot escape death because they are its host— destined to carry and spread devastation to death's victims. From the moment you meet John and Arthur, you know that death is inevitably approaching just a step behind, waiting to strike you down.

Whether it's the religious or musical side, we can see that John and Arthur are the literal embodiment of these allusions. They carry these powers and ideas in their every action and word, in their every step, in their very breath and blood.

Arthur and John. The hands of God's justice. The enactors of divine fury.

Arthur and John. The hosts of blight and destruction. The partner of death's song.

The man himself. The voice inside his head.

The Day of Wrath. The Dies Irae.

[sabrondabrainrot]

Just finished "Dark Sun CONFRONTS SUN in VRchat" SO

it's late and I need to go to bed for the weekend plans but I HAVE TO WRITE THIS I think D!Sun isn't doing this for OUR SUN I think he's doing things for the CONCEPT of Sun. He just showed Sun all the worlds where Sun dies, mostly because of Moon.

I usually don't believe what villains say, but here's the thing. This is Sun to Sun. D!Sun is one of those villain's who won't share all the things he wants to do. He trickles out just enough to raise more questions but never give anything of importance away.

Neptor, in the last episode I just finished, did implode. He warned Neptor that is what would happen. He didn't lie to Neptor. He hasn't lied about Nexus. He still sees Nexus as a Moon but hasn't lied about any of his actions. Nexus has done all the things D!Sun warned Sun and Moon about.

So I'm taking what he says to Sun as the truth. I think he's telling Sun this information because it's the most opportune time. He told Sun all the things he CAN do. He fully believes Sun can kill his baby dragon WitherStorm.

He told Sun that he is capable.

D!Sun wants Sun to gain his own independence because I think D!Sun sees our Sun as his HOPE.

Dark Sun wants to SAVE all Suns. He wants to save the future ones from dying. Not just from Moon's (that's the main reason though) but also from other things.

We haven't heard of a Sun council, but I think what we're witnessing in the show is the lead up to one being finally formed.

It's canon in the show that Eclipse's tried to work together and ultimately fail.

I don't remember if Moon's were ever stated to try to make councils but it seems most go crazy beyond the point of return far too soon to form one.

Creator is the only person who made a working council and that's due to their own shared delusions. They, however, did not have strength in numbers due to their own shortcomings and egos. They thought they could be uncontested while they 'researched' WitherStorms.

Ruin, a singular amalgam, killed off the entire Creator council in one fell swoop.

ANYWAYS

I think that D!Sun wants to make a council with our Sun, because he's been watching their dimension for a long time. I think he was watching since before Moon even reset and created N!Moon.

I made a silly haha joke about the council of Suns a few weeks ago but now I'm actually seeing character motivation and proof on it.

D!Sun is a villain who's not really done villainous stuff...he's been a schemer and he can't be trusted...but he's not done anything horribly evil yet (besides Neptor, that was so sad, but compared to literally everyone else in the show he did the same thing that Old Moon did to that one Moon robot he built that went rogue in one day. Old Moon blowing that bot up was treated for laughs but what D!Sun did was treated serious, food for thought). He does cherry pick what information he gives but the strange thing is, he hasn't lied. Not once. Early on he flat out told Eclipse and Ruin what he was going to do to them when he put something in their heads. He just didn't tell them what it was. He also grabbed N!Moon and told him he'd scan his head and he did just that, then sent him home. We know he also took a chance to secretly move his dimension and save it during Ruin's revenge scheme. (It's unclear if Ruin's statement that 'Dark Sun killed another Dimension' is valid or not)

I think D!Sun picked N!Moon as the catalyst to making our Sun independent from all Moons.

Nexus is a Moon who started off completely differently from any other Moon. As far as Nexus was aware they were never merged, they never had to fight for dominance. He had the ever present shadow of Old Moon....but that's it.

He got to be a gentle sweet and loving brother to Sun and the rest of his growing family. He wasn't perfect, but with time he would have been a great family member. It was growing to be that way.

I think D!Sun was waiting and hoping Nexus would also go crazy. Like every other Moon he's ever watched. He called him 'a dead one'. We have no privy to how other reset Moons are. The chances are they all are doomed by their own narrative to kill their Sun or just go insane.

While he didn't cause Nexus' to go crazy...he was fully banking on it to happen.

After all, Sun is willing to forgive Old Moon for hurting him over and over because he can excuse it away. "Moon was trapped in my head so it is justifiable why he was mad and lashing out." "Moon had the kill code so it makes sense why he hurt me and flew into blind murderous rage." "I call Moon brother and that means something to me." Sun has always found SOME WAY to justify why he should forgive Old Moon. It's his greatest strength and his greatest weakness.

D!Sun I think wants to show our Sun that forgiveness can run out. There's also the added bonus N!Moon/Nexus promised to never hurt Sun or be like Old Moon.

He broke that promise.

This is also D!Sun's evidence that Moons are going to always be 'evil' or in the wrong.

D!Sun is also studying things that were thought to be impossible. He's taming WitherStorms and learning how to communicate with them. He's figured out how to make multidimensional star energy work. He's done the impossible over and over. He, like our Sun, has the uncanny ability to affect and change fate.

My entire theory is just this, I think D!Sun is trying to rewrite the universal fate of all Sun's and he's starting with ours. The one we know, because he hopes that he can break other Sun's free.

Free from Moons. Free from suffering. Free from death.

He states he just "wants to be left alone." but he's ALWAYS interfering. Even visiting Puppet's original world to go to the grave-site of the Sun and Moon that tore themselves apart.

D!Sun can't sit by because he knows too much. He knows too much on the suffering that occurs to every innocent Sun out there. He's still a Sun. He's just the Sun that loves other Suns.

It explains so much. It explains why he's bothering to do any of this. Explains why he went and killed Lord Eclipse/witness his downfall personally. It explains why he told Puppet to not hesitate with BloodMoon (the entity that's tortured Sun from day 1 with the July incident). It also explains why he's kind to Earth and Lunar, even joking with them while subtly hinting how to catch Goliath. Explains why he kissed Sun on the mo-

I mean....

Anyways that's my late night rambles typed this up 30 mins before bed hope it's coherent. I couldn't sleep unless I wrote this down. That was such a good episode.

I also want to go in to how D!Sun is super wrong and I think Nexus is going to subvert the expectation by snapping out of it but idk about that one. I have to wait and see. I would want nothing more then for D!Sun to be wrong about all Moons.

[smilebug]

alright call me crazy but. how do folks feel about an android wall-e jesskas au

[crybaby-bkg]

wanna bug Toji soooo bad while he’s on the phone. his ass doesn’t have a job so it’s not like he’s discussing important business, but he likes to make it look that way. phone tucked between his shoulder and ear as he uses one hand to rub circles on your exposed thigh, the other flipping through the tv channels. he’s speaking in a low tone, his eyebrows mused together in agitation as he calls the guy on the other line a barrage of insulting names.

and you’re just a simple person—the man looks hot as fuck like that and you just have to bother him. so you do, despite the side eye he gives you when you swing your leg over, foot in the air, right in his face. he swats you away gently before going back to his phone call, bites at your toes when you still try to wiggle them in his face.

"If you think you can lowball me like that, then you're stupider than I thought." Toji grunts to the other man on the phone, distracted once more. a little peeved that his attention isn't on you much anymore, you do what any little conniving imp would do.

you sit on his lap. backwards, facing the TV, looking over your shoulder at him with such an evil little grin that it makes his eyes squint to you in warning. but you've never listened much, especially when you know you'll be rewarded so plentifully in the end.

so you rock your hips, just slightly the first few times. your legs sat on either side of him, hands resting in the space between his legs on the bed, leaning your weight back on his hips that you sit against. instantly, you can feel the swell of him beneath his sweats, feel the thickness that you love to fill you up start to twitch when you circle your hips, grinding them oh so slowly against his covered cock.

when you look over your shoulder again, Toji only stares, the slightest lilt of his lip turning up at the corners. he tries to act unbothered, one arm bent back to rest his head against, the other holding the phone to his ear. but you can see through him, and feel just how bothered he really is.

so you up the ante; start to lift and drop your hips slow, slow, slow at first before the pace begins to build. you lean forward on your elbows, pull your underwear up until the curve of your ass is exposed, gasping from the friction, from the feeling of his cock rubbing so sweetly at your slit through the thin cotton.

you look over your shoulder once more, grinning, biting at your lip as you grind against him, close to completion. he can see it all in your eyes.

"Gonna call you back later. Got some important shit to take care of right now." Toji hangs up without preamble, gaze distant as he focuses on the ever growing spot of your arousal that starts to leak onto his own sweats.

but you're a little minx, with the way you scramble from his grasp before he can catch you, laughing when he snags your ankle to drag you back down. he's suddenly kneeling over you, grin sharp and ferocious, the straining of his cock through his sweats hanging so intimidatingly low, that if you lift your hips just a little, his tip would kiss your clit in the sweetest kiss.

"And where do you think you're going, you little brat?" Toji growls, dropping down to nip at the base of your neck, licking over your pulse point.

"Not letting me off the hook that easy, huh?" you tease, hands splayed beside your head in surrender, just wanting a little bit of the chase before the devouring. and by the look in his eyes, you know you'll only be bones by morning.

"Not in a million years." he promises right before the inevitable pounce.

[homkamiro]

I just want to say, your speeding bullet fanart is just *chefs kiss* delicious. I love it and your artsyle!

AHHHHHH THANK YOU SO MUCH!!! i appreciate it!!🥹🥹🩷💕💕

[kayak-lmao]

I tried :']

[mako-doodles101]

Yo got any of your own bootheng/henghill hcs to share with the class? 👀

WAH- HELLO YES I DO???? WHDBNE

BUT BEFORE ANYTHING

(these headcanons are all purely platonic cause I genuinely prefer to think of them like that ngl :))

N E WAYS BOOTHILL AND DAN HENG HCS:

Yes I know I made a whole art about how boothill carries dh whenever he could but like lemme emphasize that this is only a Boothill Privilege™

Dh showing him something in his book: "so you see bla bla bla-"

Boothill who couldn't be bothered to kneel to Dan Heng's level: *scoops him up*

Dan heng:....

Dan Heng: you know you could hold the book if you want

Boothill: nah

Dan Heng: ...fine

On the other hand Dan Heng would absolutely deck any other person who tries to carry him in anyway shape or form (caelus he is looking at you)

Alright listen Boothill used to be a dad and Dan Heng grew up in the shackling prison with no contact whatsoever so what I am saying is boothill found out Dan Heng likes dad jokes and uses that knowledge WHENEVER

*boothill and Dan Heng investigating something and boothill sees stairs*

Boothill: Ya know.... I never trust stairs....

Dan Heng: ....what?

Boothill: ....cause they're always up to something

Dan Heng:

Dan Heng: *snort*-

It makes boothill always proud whenever he can pull one if these

Boothill actually knows a lot about machines and stuff (cause... Y'know) and sometimes yaps about them to Dan Heng

Dan Heng actually took interest in this sunject and records whatever boothil says if it wasn't already recorded in the data bank

(Dan Heng fell asleep once hile boothill was talking about them but only because he was too sleep deprived and hasn't slept in days and boothill is nice company)

(boothill wasn't mad, in fact he was quite pleased the guy finally slept he looked dead on his feet)

After boothill leaves Dan Heng sometimes even goes to welt to ask him about stuff he doesn't understand concerning machines and welt happily explains them which causes some bonding moments cause found family stuff is my JAM u-u

Boothill knows how to play a lot of instruments (guitar/ harmonica/ ukulele/ etc-) (i don't know most instruments forgive me 😔)

He taught Dan Heng how to play ukulele at some point

Whenever boothill visits he just grabs Dan Heng and leaves and no one is phased at this point

*boothill visiting the express and tb greets him*

Tb: are you gonna stay here for a while?

Boothill: I'd love yo, mate but I gotta get something real quick from the express and then maybe I'll stay for a whole

Boothill: *gets into the parlor car*

Boothill: *gets into the archives and rumages a bit*

Boothill: *gets out of the archives with Dan Heng on his shoulders like a sack of potatoes* Well, I'll be right back!

Tb, hemiko and welt who got used to this: sure!

Pompom, also used to this: BRING HIM BEFORE DINNER!

March, who still DIDN'T get used to this: .....

March doesn't get payed enough for this

Dan Heng actually doesn't KNOW a lot of swear words (he knows the basics lol) so sometimes boothill says a swear that doesn't fit into what Dan heng knows so he goes the data bank to look up for what boothill meant

Hemiko found out about this one day and she gave boothill A Discussion™ about how to not use so much colorful language around the others

Boothill shudders everytime he remembers said Discussion™

Aight I think that's actually all I have for now teehee~

[knight-princess]

Do the Tir Asleen and Galladoorn monarchies stay on after Elora becomes Empress like they just become another tier of nobility or do they just disappear in light of Her Royal Highness the Sacred Princess popping up out of the woodwork to assume her magical duties

[i-ran-into-a-lampost]

Have you heard of ultraman mebius

Me preparing to rewatch mebius for the 3rd time in 2 months instead of finishing the other 8 ultra shows I started:

Jokes aside, yes I very much have and I've made it very VERY clear to any and all gc and discord servers I'm somewhat active in that I love that show. Started it when I was honestly feeling like absolute crap I have genuinely felt so much happier after finishing this. I have also never cried so often by simply thinking about the characters.

(is this the hyperfixation or is that the positive messages of the show LET'S FLIP THE COIN)

I guarantee every 5 of my mebius related reblogs will have me yapping on and on about how much I love mirai he's just so AAGSJAHSGAJ I WILL DEFEND HIM WITH MY LIFE. All the characters here are so loveable.... except a few I will not name cough cough hirukawa cough. Heavily recommended if you're feeling a bit down.

[kijosakka]

au where through training for the,,, fuckin skate olympics or whatever alejandro did he realizes how shitty his family is and manages to leave the situation (probably getting disowned,, living off of money won through skate competitions or smth idk) and years later reunites with josé on ridonculous race to try and rekindle a real family relationship

[tacit-semantics]

Many beautiful women are charmed by my lack of social graces actually they’re always like wow you’re so. Prone to leaving out vital info and accidentally misrepresenting yourself

[nervocat]

man.

[lopsidedtreetrunks]

Happy 10th birthday to The Song Ever

[bismuthburnsblue]

one of the things im sorta struggling with in getting back into cosplay is finding time to work on fashion projects. i love making clothes so much, but ive wanted to have some costumes im really proud of & those just take. so much time to work on. and by the time im done, often its healthiest to take a little break- then the thing that gets me started again is working on an exciting costume i want to show off!

im having fun, i really am, but i think in 2025 im going to make a conscious effort to make more fashion pieces, to use more of my stash. ultimately i get more wear out of them anyway so its totally worth my time to do. ive got a lot of plans & i lot of mending & rehashing of old projects... it should be a good time :)

[silverselfshippingchaos]

husband... he's so cute...