#something something trauma related regression

[thecoolersolver]

little doll art needs to exist

like i need it so bad

gimmee

[yourcutelittlegayfriend]

Imagine: Taking the Pennyworth name instead

(just short for now I'll work with this after I finished my deadline)

I'm thinking of a small AU for this but I always thought what could happened if Reader was an Isekai or regressed in a Neglected batfam fic?

Reader knowing what happens to the story or her future life with these people and they just straight up planned something to stay far away from the family without causing them to become yandere or obsessed with them.

If reader think it through and most possible solution is to stay at the mansion and be discreet as possible.

And the most I could think of is just get adopted by Alfred instead, bcs why not? You get to stay at the mansion, you won't have the Wayne name on you for reasons that maybe you resent the thought of being called a Wayne.

And even if for a short while you can feel like you belong, not as a child of a rich asshole who becomes a vigilante that runs around 'his' city to do his nightly fight with criminals that just keep multiplying because god only knows he has more patience and time for them that his neglected child who rots in an old house that makes the child feel it's their own Arkham Asylum.

Not to be related to a bunch of bitchy brothers and sisters who thinks they're far more important or involved in the family and never thought that just because they 'died' multiple times your trauma weights lesser than them, just because yours is far more tame doesn't mean you don't get to deserve a little love too.

(This is just me putting myself in the reader's shoes because that's really what I do to most of the x reader fics I make)

Imagine reader just straight up ask Alfred is they could be his child or grandchild instead.

"Adopt me". Alfred stop himself from tipping the teapot when he heard a small tiny voice below him.

The butler looks down and sees the old yet younger addition to the family stare at him from below holding an- wait a minute is that a real adoption papers??

--- Tune in next time to when will I finished this fic before another sh8y day intercept this again---

ALFRED PENNYWORTH SUPREMACY RISE UUPPPPPPP!!!!!!

(some of you might wonder why I'm fixating on Alfred being reader's grandfather/father, it's very simple I just miss my grandfather and Papa so now u know, I'm pretty sure no one wondered but here you go anyway hahahaha)

[thelunarsystemwrites]

Agere terminology!

Originally posted on QuoteV!

(Please keep in mind, at the roots, Regression is a coping/defense mechanism that many rely on. If it makes you uncomfortable, that is fine, you are entitled to your safe space. But please do not shame us who do it, and understand that it is in no way a kink, or anything sexual. It's always SFW!) 

(Also, mentions of panic attacks, trauma, and the term sexual are used here. But NEVER in detail! It is only for educational purposes.)

Age-regression: Is when someone mentally reverts back to the mindset of a younger age. This can range from a few years younger, to that of an infant. Those who are in the mindset of a child, can not consent to most things they normally could. (Example: Alcohol while regressed.)

Pet-Regression: Is when someone mentally retreats to the mindset of similar to an animal. This allows our wilder sides to be free. Those who are in the mindset of an animal can not consent to most things they normally could. (Example: Alcohol while regressed.)

(Note the difference between Retreats and Reverts. Retreat implies it is a mindset that was not experienced before, but still used. Revert implies that you are going back to an age you once were! :D both are very valid coping mechanisms!!) 

Age-Dreaming: Is when someone acts, and often wants to be treated, as though they are a specific age of their choice. This can be a coping mechanism, or just for fun. But never is it sexual in any way. Those who are Age-Dreaming are still fully or partly in the mindset of their actual Age, and is still 100% valid.

Pet-Dreaming: Is when someone acts, and often wants to be treated, as though they are a specific animal of their choice. This can be a coping mechanism, or just for fun. But never is it sexual in any way. Those who are Pet-Dreaming are still partly or fully in the mindset if their actual species, but is still 100% valid.

Caregiver: Sometimes known as a Caretaker, is someone who is responsible for caring for a regressor and or dreamer. The Regressor/Dreamer that they are caring for may give them a nickname like Papa, Daddy, Mama, Sissy, Bubba, or whatever else makes them happy. (Note: Some chose not to use nicknames, others might use specific names that are a version of their caregivers name, and or a specific nickname that doesn't relate to being parental. There's no right or wrong way to do it! ^^)

Babysitter: A person who isn't the primary Caregiver(s) of a Dreamer/Regressor, but May watch over them for certain periods of time, especially if the Caregiver isn't available.

Flip: Is someone who fluctuates between being a Regressor/Dreamer, or both, and Caregiver/Babysitter.

Agere: An aberration of Age-Regression.

Petre: An aberration of Pet-Regression. 

Agedre: An aberration of Age-Dreaming.

Petdre: An aberration of Pet-Dreaming.

CG: An aberration of Caregiver.

Voluntary regression: Is when someone will purposefully regress into the mindset of an animal/younger age. This can be done for coping, stress relief, fun, etc. And can done by colouring, playing with toys, listening to baby music, or other things that make you feel safe, bring positive emotions out, remind you of your childhood, or the childhood you always wanted. (And hey, some like playing games like destiny, ark, etc! Or like listening to rock, watching shows for older people, it's about what makes YOU feel regressed!)

Involuntary regression: Is when someone will go into the mindset of an animal/younger age. This can be triggered by stress, fear, over or understimulation, or a variety of negative feelings.

Partial-Regression:  Sometimes also uses the term Age-Dreaming. Is when someone is only partially in their headspace. Those who are partially regressed can still not consent to what they normally could, as they may not be fully coherent. 

Full-Regression: Also known as just Regression. Is when someone is fully regressed, and will think and act as the age, or animal, they have regressed to.

Slipping: Somethings also known as regressing, or dropping, is when someone regresses. (Example: "Mary started to slip into the age of a toddler.")

Littles: Are someone who primarily regresses to the age, or around, 8 and under. This may fluctuate.

Middles: Are someone who primarily regresses to the age, or around, 9 and older. This may fluctuate.

Regressors: The general term for someone who regresses/chooses not to label themself!

Dreamers: The general term for someone who dreams.

Littlespace: Sometimes spelled little space or little-space, is the mindset of someone 8 or younger.  (Example: Mary slipped into Littlespace.)

Middlespace: Sometimes spelled middle space or middle-space, is the mindset of someone 9 or older. (Example: Mary slipped into Middlespace.)

Petspace: Sometimes spelled pet space or pet-space, is the mindset of someone who is pet regressed! (Example: Mary slipped into Petspace.)

Headspace: Sometimes spelled head space or head-space, is the general term for Littlespaces, Middlespaces, and Petspaces.

Positive regression: Previously known as Pure regression. Is when regressed, you might feel happy, bubbly. It can involves playing, laughing, and or other things associated with the happier side of regression. (Note: some still chose to use the term Pure Regression, and that's absolutely okay!)

Negative regression: Previously known as Impure regression. Sometimes known as Vent Regression. Is when regressed, you may feel sad, moody, angry. It can involve tantrums, crying, kicking, and or other things associated with the less happy side of regression. (Note: some still chose to use the term Impure Regression, and that's absolutely okay!)

Little gear: Sometimes spelled littlegear or little-gear, is the supplies used while regressed/dreaming, this can include, but not limited to: Pacifiers. Blankies. Bottles. Fidgets. Diapers. And or other things used by Regressors/Dreamers, that fit their age and preferences! (Note: Little gear isn't required to regress! ^^)

Petre gear: Sometimes spelled petregear or petre-gear, is the supplies used while regressed/dreaming, this can include, but not limited to: Chew toys. Teethers. Treats. And or other things used by Regressors/Dreamers, that fit their animal and preferences. (Note: Petre gear isn't required to regress! ^^)

(Often both can be shortened to just Gear if wanted!)

Positive triggers: Are something used to trigger someone into Voluntary regression. (Example: Colouring, Music, Dancing, Etc.)

Negative triggers: Is something that triggers unwanted memories, Involuntary regression, panic attacks, or other things that are unwanted to the regressor.(Example: a Negative trigger caused Mary to have a flashback.)

In the closet: It is when someone who is part of the Agere/Petre community is still secret. Sometimes, they are also known as Discreet Littles! (Generally, "closeted" means you are secretly, or not directly promoting that you are in a certain community. The term is often associated with it's use in the LGBTQIAP+ community!)

Finally, if you know a term that I don't, do not be afraid to share! And remember, not all regressors/dreamers are the same! One may love Pacifiers, the other may strongly dislike them. That's okay! We're all different and unique in our own ways! 

Remember that Agere is beautiful, all sides of it. Sometimes you have to have negative regression to feel better, it's okay! All sides of it are needed, and rather voluntarily or not, it's your brain trying to help you, and cope! It's a completely healthy coping mechanism, as long as you don't let it become your life 24/7. (That goes for all coping mechanisms, becoming obsessive over something is a big factor in it becoming unhealthy!)

Please try to hydrate! Stay safe! And have a wonderful day/night/evening my friends!

(To confirm: When regressed, you are still valid if you like swearing while regressed. You are still valid if you like playing/watching more mature games or shows or movies while regressed. You are still valid if nobody can tell you're regressed without you telling them. There are no rules to regression, expect that it's never sexual. Cater to how YOU need to regress, not everyone fits into the same box, and that's the beauty of diversity in how we each do it.) 

Remember I'm not an expert! I've been in the community for years, and I'm trying to share my knowledge! :D

Bai!! ❤️🧡💛💚💙💜🩷🩵🤎🖤🩶💛

[thewriteadviceforwriters]

Hey! I was reading on your character arcs and was wondering how you would write character regression over the course of the story :)

Hey there, fellow writer! Thanks so much for your message. Sorry, this response took so long. But, I'm thrilled that you found my posts on character arcs helpful, and I'm excited to dive into the topic of character regression with you. It's a fascinating and complex aspect of storytelling that can add so much depth to our narratives when done well.

What is Character Regression?

Before we dive into the nitty-gritty, let's define what we mean by character regression. In essence, character regression is the opposite of character growth or development. It's when a character moves backwards in terms of their personal growth, beliefs, or behavior. They might lose skills they once had, revert to old, harmful patterns, or abandon positive traits they've developed.

This doesn't mean your character simply becomes "worse" or "evil." Regression is a nuanced process that can happen for various reasons and manifest in different ways. It's about your character losing ground on their personal journey, facing setbacks, or struggling with challenges that push them back towards old habits or mindsets.

Why Use Character Regression?

Now, you might be wondering, "Why would I want my character to regress? Isn't that the opposite of what we usually aim for in storytelling?" Great question! While it's true that we often focus on character growth, regression can be an incredibly powerful tool in your storytelling toolkit. Here's why:

Realism: Let's face it, real life isn't a straight line of constant improvement. We all face setbacks, make mistakes, and sometimes fall back into old patterns. Including regression in your character's journey can make them feel more authentic and relatable.

Conflict and Tension: Regression can create internal conflict for your character and tension in your story. It gives your character something to struggle against, adding depth to their arc.

Emotional Impact: Watching a character we care about struggle or backslide can be incredibly emotional for readers, creating a strong connection to the story.

Set-up for Greater Growth: Sometimes, a character needs to hit rock bottom before they can truly grow. Regression can set the stage for even more significant character development later in the story.

Exploring Complex Themes: Character regression allows you to delve into themes like addiction, trauma, fear of change, or the difficulty of personal growth.

How to Write Character Regression

Alright, now that we've covered the what and why, let's get into the how. Writing character regression requires a delicate touch and careful planning. Here are some steps and tips to help you navigate this tricky terrain:

(Beware Very Long Post!)

Establish a Baseline

Before you can show regression, you need to establish where your character starts. What skills do they have? What are their core beliefs and values? What positive traits define them? This baseline will be crucial for showing how the character changes over time.

For example, let's say we have a character named Alex who starts the story as a confident, outgoing person with a strong sense of right and wrong. This is our baseline. (I will be using "Alex" as an example character for the remainder of the post)

Identify the Catalyst

Regression doesn't happen in a vacuum. There's usually a triggering event or series of events that start the process. This could be a traumatic experience, a significant loss, a series of failures, or even a gradual wearing down of the character's resolve.

In Alex's case, maybe they witness a horrific crime that shakes their faith in humanity and the justice system.

Show Gradual Changes

Regression, like growth, usually happens gradually. Start with small changes in behavior, thought patterns, or reactions to situations. These should be subtle at first, things that the character (and maybe even the reader) might not immediately notice.

Alex might start being a little less friendly to strangers, or hesitate before helping someone in need – small shifts that hint at bigger changes to come.

Internal Conflict

As the character begins to regress, show their internal struggle. They likely won't be happy about these changes and might fight against them. This internal conflict can be a great source of tension and character depth.

Alex might berate themselves for their newfound hesitation, trying to force themselves to be the person they used to be.

External Consequences

The character's regression should have real consequences in their world. How does it affect their relationships? Their job? Their role in the main plot of your story?

Maybe Alex's friends start to notice their withdrawal and become concerned. Or perhaps their hesitation in a crucial moment leads to negative consequences in the main plot.

Escalation

As the story progresses, the regression should become more pronounced. The character might start to rationalize their behavior, or fully embrace their new, regressed self.

Alex might start actively avoiding social situations, or develop a cynical worldview that contrasts sharply with their former optimism.

Rock Bottom

In many stories with character regression, there's a "rock bottom" moment – a point where the regression reaches its peak. This is often a powerful, emotional scene that fully illustrates how far the character has fallen.

For Alex, this might be a moment where they refuse to help someone in danger, fully betraying their former values.

Potential for Redemption

Even if your story ends with the character in a regressed state, it can be powerful to show a glimmer of their former self. This hints at the potential for future growth and can leave the reader with a sense of hope (or tragedy, if that potential is never realized).

Maybe in Alex's darkest moment, they have a flicker of doubt about their new worldview, or a memory of who they used to be.

Tips for Writing Effective Character Regression

Now that we've covered the general process, here are some additional tips to help you write compelling character regression:

Keep it Believable: The reasons for the regression should make sense for the character and the story. Don't have a character completely change overnight without good reason.

Show, Don't Tell: Instead of simply stating that a character has regressed, show it through their actions, thoughts, and dialogue.

Use Supporting Characters: Other characters can serve as mirrors, reflecting the changes in your regressing character and providing commentary on those changes.

Maintain Sympathy: Even as your character regresses, try to maintain reader sympathy. Help the reader understand why the character is making these choices, even if they don't agree with them.

Consider the Pacing: Regression can happen at different speeds. It might be a slow burn throughout the story, or a rapid descent following a major event. Choose the pacing that works best for your narrative.

Don't Forget the Positives: Regression doesn't mean a character loses all their positive traits. They might still show flashes of their old self, adding complexity to their portrayal.

Use Metaphors and Symbolism: Visual cues, recurring motifs, or symbolic elements can help underscore the character's regression in subtle ways.

Explore Different Types of Regression: Regression can be moral, emotional, professional, or related to specific skills or relationships. Mix and match for a nuanced portrayal.

Common Pitfalls to Avoid

As with any writing technique, there are some common pitfalls to watch out for when writing character regression:

Making it Too Sudden: Unless there's a massively traumatic event, regression usually doesn't happen overnight. Be careful not to have your character change too quickly without proper buildup.

Losing Reader Sympathy: If your character's regression makes them completely unlikeable, you risk losing reader investment. Always strive to keep them understandable, even if not always sympathetic.

Inconsistent Motivation: Make sure the reasons for your character's regression remain consistent and logical within the context of your story.

Ignoring the Impact on Plot: Remember that character regression should impact your main story. Don't let it become a subplot that doesn't connect to the main narrative.

Overdoing It: Regression doesn't mean your character has to become a completely different person. Maintain some core aspects of their personality to keep them recognizable.

Examples from Literature and Media

Sometimes, it helps to see how other writers have handled character regression. Here are a few examples you might find inspiring:

Walter White from "Breaking Bad": His transformation from mild-mannered teacher to drug kingpin is a masterclass in character regression.

Daenerys Targaryen from "Game of Thrones": Her descent into ruthlessness in the final season is a controversial but noteworthy example of character regression.

Oscar Wilde's Dorian Gray: His moral decay over the course of the novel is a classic example of character regression in literature.

Michael Corleone in "The Godfather": His transformation from war hero to ruthless mafia boss is a powerful portrayal of moral regression.

Studying these and other examples can give you ideas on how to handle regression in your own writing.

Final Thoughts

Writing character regression can be challenging, but it's also an incredibly rewarding aspect of storytelling. It allows us to explore the complexities of human nature, the fragility of personal growth, and the myriad ways that life can shape and reshape us. When done well, it can create some of the most memorable and impactful characters in literature.

Remember, there's no one "right" way to write character regression. The key is to make it authentic to your character and your story. Let it grow organically from the events of your plot and the unique personality of your character. And most importantly, don't be afraid to dig deep into the messy, complicated aspects of human nature.

As writers, we have the privilege and responsibility of reflecting the full spectrum of human experience in our work. Character regression is a part of that spectrum, and embracing it can lead to richer, more nuanced storytelling.

Balancing Regression and Reader Expectations

One thing to keep in mind as you write character regression is the balance between realistic portrayal and reader expectations. Readers often come to stories expecting character growth, so a character who regresses can be jarring or even frustrating if not handled carefully.

Here are a few strategies to help manage this:

Foreshadowing: Hint at the potential for regression early in the story. This can help prepare readers for what's to come.

Clear Motivation: Make sure the reasons for the regression are clear and understandable, even if not agreeable.

Moments of Hope: Intersperse moments where the character shows glimmers of their former self or potential for growth. This can help maintain reader investment.

Character Self-Awareness: Having the character acknowledge their regression can help readers process it.

Narrative Purpose: Ensure the regression serves a clear purpose in your overall story. If readers can see why it's necessary, they're more likely to accept it.

Character Regression in Different Genres

The way you approach character regression might vary depending on the genre you're writing in. Here's how it might look in different contexts:

In Literary Fiction: Character regression often serves as a deep exploration of human nature and societal influences. It might be subtle and psychological, focusing on internal changes rather than external actions.

In Fantasy or Science Fiction: Regression might be tied to magical or technological elements. Perhaps a character loses special abilities, or technology they relied on fails them, forcing them to regress to a more primitive state.

In Romance: Regression could manifest as a character retreating from emotional vulnerability, perhaps due to heartbreak or fear. The challenge becomes learning to open up again.

In Thrillers or Crime Fiction: A character might regress morally, crossing lines they never thought they would. This can create intense internal conflict and external tension.

In Horror: Regression might take on a more visceral or psychological form, with characters losing their grip on reality or reverting to primal states in the face of terror.

Character Regression and Story Structure

Consider how character regression fits into your overall story structure. It can be a powerful tool at different points in your narrative:

As an Inciting Incident: A character's sudden regression could be the event that kicks off your main plot.

During the Rising Action: Regression can add complications and raise the stakes as your story progresses.

At the Midpoint: A significant regression at the midpoint can dramatically shift the direction of your story.

During the Dark Night of the Soul: This low point in many story structures is a perfect place for a character to experience severe regression.

In the Resolution: Sometimes, a story might end with a character's regression, leaving readers with a sense of tragedy or unresolved tension.

The Role of Regression in Character Ensembles

If you're writing a story with multiple main characters, character regression can play an interesting role in group dynamics. Here are a few ways to use it:

Contrast: Have one character regress while others grow, highlighting the different paths people can take when faced with similar challenges.

Domino Effect: One character's regression might trigger changes in others, either pushing them to grow in response or causing them to regress as well.

Support Systems: Show how a group responds to one member's regression. Do they try to help? Enable the behavior? Distance themselves?

Power Dynamics: Regression can shift the balance of power within a group, creating new conflicts and alliances.

Regression and Theme

Character regression can be a powerful way to explore and reinforce your story's themes. For example:

If your theme is about the corrupting influence of power, showing a character regress morally as they gain more influence can underscore this idea.

For a theme about the importance of human connection, you might show a character regressing into isolation and the negative effects this has.

If you're exploring ideas about identity, having a character regress to an earlier version of themselves can raise interesting questions about who we really are.

A Word of Encouragement

As I wrap up this deep dive into character regression, I want to offer a word of encouragement. Writing regression can be emotionally taxing. It often requires us to delve into dark places, to imagine our characters at their worst, to confront difficult truths about human nature. This can be challenging, even distressing at times.

Remember to take care of yourself as you write. It's okay to step back if things get too intense. Talk to fellow writers about what you're working on. Engage in self-care practices that help you process and separate from the darker elements of your work.

And most importantly, don't lose sight of why you're including regression in your story. Whether it's to create a more realistic character journey, to explore complex themes, or to set up a powerful redemption arc, keep that purpose in mind. Let it guide you through the difficult moments of writing.

Remember, every character's journey is unique. There's no one-size-fits-all approach to writing regression. Trust your instincts, stay true to your character and your story, and don't be afraid to push boundaries and explore uncomfortable truths. That's where the most powerful writing often emerges.

I hope this deep dive into character regression has been helpful! Keep writing, keep exploring, and never stop pushing yourself to grow as a storyteller. Your voices and your stories matter.

Happy writing, - Rin T

Sources:

K.M. Weiland's blog post: "How to Write Character Arcs: The Flat Arc"

K.M. Weiland's "Helping Writers Become Authors" blog: "5 Ways to Write a Negative Character Arc"

TV Tropes: "Fallen Hero" 

[sulkybender]

Just some helpful tips on writing about trauma in hurt/comfort fics.

Periodically I see people writing about trauma as something that turns the character into a child, basically. Speaking in toddler sentences or crying like a baby. I want to emphasize here that I am not talking about any fic in particular. It’s something I’ve seen over time across different fandoms, and that’s why I think it’s worth writing about.

And I know we’re talking about crazy situations here—like “what if this character was locked on a ship and tortured for years! what then?!”—but I think it can both lend an air of realism to a fic and show respect to real trauma survivors when we write about these things in an informed way.

So let’s talk a bit about hurt/comfort as a genre and trauma as it’s presented in fanfic.

Personally the goal of hurt/comfort for me is catharsis and the feeling of recognition, both with the person suffering and the person helping the sufferer. So at least for myself, these fics are about empathy and how we relate to others.

So with that in mind, I want to talk about what trauma can look like.

It can look like anger. It can look like depression. It can look like going catatonic and silent, shutting off from the world.

It doesn’t mean you revert to a child-like state. For an actual child experiencing trauma, they might regress with certain behaviors, like wetting the bed. That happens with adult survivors too.

It can look like drinking, or substance abuse. It can look like profound irritation. And it can also look like being profoundly stubborn.

It can mean nightmares, or it can mean not sleeping at all.

It’s worth looking up PTSD, but also CPTSD.

For specific forms of trauma it’s good to do a little research. Again, I think it’s respectful. This is fanfic for us, but it isn’t fanfic for everyone.

And often readers who have never had similar experiences can recognize people they do know and love and have been confused by in the story, and feel closer to that person, even if they passed a long time ago. I have had readers tell me this about a friend, a relative, an ex. I think about it a lot.

I think fiction in general but fanfic in particular is about feeling with someone. That’s really powerful and it’s also important.

[xxghouliexx]

Something I have noticed within the many social media areas of the community including but not limited to tumblr, discord, reddit, etc is that there seems to be a big obsession on dividing everyone.

-Talking down upon or hating what is seen as the stereotypical regressor (people that like pastels, pretty dresses, feminine etc)

-Talking down upon or hating more masculine regressors whether male, female, trans or otherwise. Because they don't fit into some stupid box.

-Tall, short, skinny, fat, black, Asian, European etc whatever it is some part of the community will say that isn't the 'true' way to regress.

I've seen posts of people complaining that there is an oversaturation of whatever group of regressors. I've seen people complaining about minors that regress, I've seen people complaining that adults regress. There's constant streams of drama going on.

There's just so much drama. And I feel bad. I feel bad for the pastel girly regressors that people are mad at because they're the known regressor 'aethestic'. As if those individuals are not allowed to post so that others don't feel bad for not looking or being like them. As if they are the route cause of every issue within the community. I personally feel like that's an unfair expectation on them to have to hide who they are just to appease random strangers.

That sentiment goes out to every different 'type' of regressor. No one should have to explain or hide away themselves just because someone else is mad that they portray their regression in a way that does not conform to what they want regression to look like.

It feels like people seem to forget that out of the many things that make us different there is one thing that unites us.

We regress for whatever reason. Whether it's trauma related, a way to relieve stress or simply for fun. Regression is something we all have in common.

Everyone is valid.

Whether you're a girl,boy, trans or other gender.

Whether you're white, black, Asian or any other nationality, or colour of skin.

Whether you like bugs, cars and dirt, or pretty dresses, bows, barbie and pastels. Or if you're like myself and prefer more darker, macabre things.

I could go on and on about differences, but I'd be here all day.

I would like to see everyone being able to be friendly and if that's not possible then civil to each other at least.

To uplift EVERYONE and ANYONE within the community.

Enjoy what makes everyone unique and the same.

I know this isn't going to fix everything and I understand that there will be people that think I'm chatting out my butt.

But for the people that agree, please share to show that you are here for every type of regressor and your blog is a safe place.

[iftrashcouldsparkle]

Hey does anyone wanna hear my thoughts about how Madarame and Fujieda's routes are essentially the same thing but in a different font????? Huge spoilers for the true route of Slow Damage.

Once I started playing Fujieda's route it struck me how it pretty much followed the same story beats as Madarame's:

Towa is confronted with a relic from his past > Something about it nags at him so he starts poking around > He remembers something from his past > He comes to terms with some aspect of his identity > Confrontation with the Takasato asshole that's been causing issues

But aside from that, both Madarame and Fujieda reflect different aspects of Towa's character. Both of their routes revolve around the idea of meeting someone so similar to you that they might as well be a mirror and the understanding that's born from that. The main difference is what they reflect and the traits they bring out in each other.

Madarame essentially reflects all of the things that Maya made Towa into. When they're together, they reflect and amplify the rougher edges of each of their personalities. Towa's apathy, his recklessness, his impulsivity, and his masochism are the things Madarame considers to be Towa's "true self". They're the parts of Towa that he sees reflected in himself; the parts of them that operate on instinct rather than the norms of society. Madarame loves Towa in his own way, and accepts the "roughest" version of himself, but these aspects of his character are things that Towa became because of Maya's abuse. It ultimately works for them and they find their version of happiness, but the more instinctual Towa that Madarame sought out is a version of Towa who is ruled by his coping mechanisms and survival instincts. To find this happiness (a happiness found in pain and danger), Towa must first be broken and regress back into his trauma. Madarame and Towa reflect each other in a way that enables the worst of their behavior.

Fujieda, on the other hand, reflects everything that Towa is DESPITE Maya's influence. (There is still that aspect of mirroring each other through their trauma and their shared scars is one of the big reasons they begin to connect, but it's more than that.) They reflect each other in their resilience in the way they choose to keep living and their refusal to let their trauma further define them. Both Towa and Fujieda suffer from survivor's guilt and consider suicide, and yet both of them make the difficult choice to keep living to some degree because of the other's influence. They reflect each other in the memory of the girl who gives them both the strength to carry on; someone they loved and lost. They reflect the ugliest and truest parts of themselves, showcased in their negative first interactions early in the game and the literal/metaphorical scars they share. Yet, despite how scared they both are at being confronted with someone so similar, they see the beauty and humanity in each other where they struggle to see it in themselves. Because Fujieda's character mirrors Towa's so closely, he's able to relate deeply to Towa and understand how much of his behavior is an attempt to regain his autonomy and recognizes that he could have very easily ended up the same way. Fujieda loves Towa for who he's managed to become despite Maya's abuse, and it's this mutual understanding that allows them to support each other so thoroughly. Fujieda and Towa reflect each other in a way that ultimately supports a journey to healing and recovery.

Anyway, if you actually read all of that I would love to hear your thoughts because it's been rattling around in my brain for too long!

[rei-ismyname]

EXCEPTIONAL X-MEN #3 FTA

After a pretty disappointing week of X-Men comics it's a delight to read and analyse Eve Ewing's Exceptional X-Men. The repeated issues I have with the other titles are just not present here and after three consistent bangers Ewing and co have my trust.

Emma is right

We pick up exactly where issue #2 left off, and this opening scene of all the main characters makes me realise how tightly the execution is. We know where each of them is at and (at least broadly what they want) - we're getting to know the kids organically. Where the other two books feel like action figures isolated from each other for no good reason, Kate Pryde's need to get away from the X-Men was established before the title even began. She just wants a normal life, to date girls and process her trauma. Emma Frost showing up to answer the call she refused throws her off immediately and they briefly scrap. The kids aren't just saying nothing because they didn't get a script today (hi Jubilee) - they're frozen by Emma. It's a small thing, but it's purposeful and flows elegantly.

Priti, Kate's housemate/friend from school, breaks up the fight for the most relatable reason - she doesn't want to lose the security deposit. Perhaps a sign that Kate doesn't fit into the 'norma'l world as much as she wants...or Emma just really knows how to push her buttons. I think Emma is hurting too, though she hides it under her usual scene-stealing exterior. I can't wait for more of their dynamic. Yeah, they'll almost certainly figure out a working relationship but their pain isn't being dismissed either. I feel like the pair are a successful version of what Gail Simone is doing with Rogue.

They stop fighting and have a little tea party, then Axo asks the question I'd been dreading the answer to - 'do you trust Emma or not?' Kate grew up being terrified of Emma with good reason and never let her forget why she did not trust her. Emma spent decades earning that trust and proving herself a hero, leader and teacher - but the First Krakoan Age had them grow closer than ever before. They worked well together and became friends, they were a force for good on Krakoa (mostly.) It's a shame that this is a metric, but two thumbs up for not rolling any of that back. These feel like the members of the resistance who were there for each other in Fall of X. Kate herself is regressing a little, but it's believable as a trauma response.

Kate doesn't want to train young mutants and Emma does. Prito even has a space they can use and the kids are keen! Everyone is happy then, right? Well, I think that's going to be the core tension for a while. Everyone except Kate wants this, but I think Kate needs this.

This 'getting to know you' circle does a lot of work in centering the young mutants, reminding us they're here to stay while showing us who they are and the beginning of their social dynamic. I haven't been a teen for a long time but their voices sound authentic, even to the point of highlighting that Bronze/Trista is a bit younger than the other two.

Agreed, do not read the comments.

They want to be doing this! One of the most challenging parts of being a teen is navigating peer groups. Solidarity in experiencing the same kind of otherness plus scary body changes is healthy, and it's lovely to chalk up a W despite the fact that 'people hate us.'

This issue also asks the question Rogue did in Uncanny #1, but as organic dialectic. It introduces the tension between self defense and being a superhero when you have powers - the difference between Emma and Kate externalised. Kate is excited despite herself until Emma shows up with costumes, and I think she's right to push back or at least be wary. But is this about her or the kids? It's not the most admirable contradiction but it's very human. They're both right that the old ways were flawed and they need to try something new.

Is she talking about Colossus? MF is not that gentle. Their costumes look amazing.

Unsurprisingly, Emma and Kate are a great team. There's tension underneath there, but they wouldn't be doing this if their friendship didn't run deep. New kids in relaunches past have often had their powers explained by Cerebro or a nosy telepath. Learning about it from their mouths as they're starting to use them in a controlled environment achieves the wiki entry, shows them learning to use them, and importantly gives us more of their personality.

Emma conjures up some Brood-like baddies and everyone freaks out but some growth is evident. It's Axo that figures out they're not real. Kate is not impressed. I doubt they'll throw down, but her sending the kids away feels like an extreme reaction. Good, she's got shit to say and hurts that need to be spoken. The kids don't leave, but we're left with all this tension in the air to be resolved next issue.

I LOVE that the three kids cuddle/huddle in the background.

Who better to break the ice (sorry) than Bobby Drake? Having him just fly in the window and cooling down the tension (sorry again) could feel random and silly but it works. These two have a lot of history and it makes sense that he'd seek her out. Kate has been turning her back on anyone X-related - will she freeze Bobby out too? The kids are awed by him and it's half the Marauders back together, so I don't think he'll get the cold shoulder.

I feel very confident in calling Exceptional X-Men the best X-Men book in From The Ashes. It's got an honesty and sincerity to it while remixing the hits of first arcs and adding plenty of new. The art style is colourful and emotive which adds so much to a book taking people's feelings seriously. If you pick up nothing else, this is the one.

[dysfunctionalupsidedown]

Mike Wheeler: Trauma, Insecurity, and "STurn" (Analysis)

In "From the Hair Chair: Finn Wolfhard | Stranger Things", which is available on the official Stranger Things YouTube channel, Finn Wolfhard addresses the question, "What's going on with Mike Wheeler in Season 4?"

Mike Wheeler’s behavior in S4 has confused many, especially general audiences. However, if you look at the bigger picture, his progression (or regression) into the Mike Wheeler we know from S4 does make sense. To get a clear idea of what’s going on with him, we must look at the four seasons sequentially and with a more subtextual eye. We have a few physical puzzle pieces, and for now, we need to fill in the rest with our imagination based on evidence. A Mike point of view isn’t particularly needed to fully understand this, although it would be helpful for the GA and is something I want from S5.

In relation to this particular interview, I’ll examine Stranger Things (2016) for the past and present and “STurn” for the possible future. “STurn” actually does tell us a bit about how Mike’s self-identity arc will potentially continue in S5 and wrap up.

Also, I understand that “STurn” isn’t factual and is not even confirmed to be related to ST5. Though I don’t believe this entire analysis is instantly negated by my use of the playlist, as its only purpose here is to assume a hypothetical future. Aside from the Finn interview, everything else comes straight from the show and holds a reasonable explanation for Mike’s behavior up until the end of S4.

Remember, this post is for fun and speculation, and "STurn" is the best we have right now. Just keep in mind that I’m going into this analysis assuming it’s related to Mike Wheeler in S5. I could be entirely incorrect. Similarly, this interview isn’t wholly factual either, as it’s not what’s in the show, but it relates enough to what we’ve been shown of Mike for me to comment on.

This might be a lengthier post. Be warned.

If you’re still here and interested, I’ll get right into it.

Trauma

Finn first addresses how each of the characters are dealing with their past trauma, and that is a perfect way to describe Mike’s behavior in S4. I think a lot of people, especially the general audience, forget that, yes, while these are all characters, trauma does have the ability to affect them and change their behavior. There was an entire “Your original character before trauma vs. after trauma” trend on TikTok a minute back, and that wasn’t for nothing. 

Mike, just in S1, witnessed one of his best friends go missing, watched this best friend turn up apparently dead (as well as see his “body”), went to his funeral, jumped off of a ledge, saw his other newfound friend disappear, and so much more. Don't even get me started on the following seasons.

Mike is afraid of losing. That’s what happened to him in S1. He lost. First Will, then El. 

His fear of loss and determination to keep things in his life are significant parts of his character and have been since S1. That’s why he was so intent on finding Will. That's why he checked his walkie for El every night. That’s why he acts out in S3-S4. This isn’t an excuse for his behavior, but an explanation. It’s part of his trauma, and we see this in S4 with his fear of losing Will and El again: “Maybe I feel like I lost you or something,” and “I can't lose you,” respectively. I theorize that he fears being out of control regarding these things.

A lack of control also explains why he was so volatile to Will and El during and after Rink-O-Mania. For Will, Mike addresses this directly to him when he apologizes. It’s made evident to the audience that he acted cold in part because he thought Will was slipping away, but truthfully, he wasn’t aloof. He noticed everything about Will’s behavior and even managed to make the tragedy of that day about their friendship. Now, back to the apology, “About the last few days… You didn’t deserve anything… The truth is, the last year has been weird… Maybe I was worrying too much about El… And, I don’t know, maybe I feel like I lost you or something.” His defensiveness during the argument at the rink seems more like a trauma response than straight-up disinterest, which some people apparently think.

For El, I think this translates into him wanting her to need him. If El needs him, then there’s no way he can lose her, right? We know from the show that she doesn’t need him anymore. Mike also acknowledges this multiple times, and that thought terrifies him. In the last episode, he explains this to her, “... The truth is, El, I don’t know how to live without you… I can’t lose you, okay?”

Before Will shows Mike the painting in the van, Mike explains his dilemma. Will tries reassuring Mike, telling him that El will be fine, and Mike says he understands that. Mike then explains his true concern, “But what if after all this is over, she doesn’t need me anymore?... The truth is, when I stumbled on her in the woods, she just needed someone. It’s not fate, it’s not destiny, it’s just simple dumb luck. And one day, she's gonna realize that I’m just some random nerd that got lucky that Superman landed on his doorstep. I mean, at least Lois Lane is an ace reporter for The Daily Planet.” 

Will continues to comfort him, focusing more on the loss aspect of Mike’s trauma, which is made evident here. But those lines also make it clear that Mike is afraid El will realize his inferiority to her and abandon him. This is a good transition into Mike’s insecurity.

Insecurity

I’ve seen people argue against what Finn says here because Mike is part of the somewhat “outcast” group at school. I don’t think trying to argue that takes away from the fact that Mike did, does, and will continue to try and lead a “normal” lifestyle. He’s a teenage boy with a girlfriend and a friend group he fits into. That’s normal. He’s trying to get by. 

It was the same in S3. Mike was a kid with friends, a girlfriend, and a new want for maturity. It’s not unrealistic that the character is aging out of or into specific behaviors, especially ones that he’s previously exhibited. That leads us to his insecurity. 

We’ve had hints of it starting as far back as S1E3, when Troy injures Mike, and he initially lies about it to El so that he doesn’t seem like a loser. Similarly, these themes pick up with Will in S3E3 during their fight in the rain, “...We’re not kids anymore. I mean, what did you think, really? That we were never gonna get girlfriends? That we were just gonna sit in my basement all day and play games for the rest of our lives?”

Curiously, Mike is shown to be especially “normal” in California. He dresses differently than he does in Hawkins and acts more aloof. As Argyle says, “It’s a shitty knock-off.” Skipping forward to the “... She's gonna realize that I’m just some random nerd that got lucky that Superman landed on his doorstep… at least Lois Lane is an ace reporter for The Daily Planet” line, and we have a good enough view of Mike’s internal conflict.

He is deeply insecure, and it seems particularly so around El. I don’t know if this was addressed in the show, and I wish we had seen some of Mike’s letters, but does El even know about the Hellfire Club? I don’t believe we’re given any indication that she does, which could imply that Mike kept it hidden from her. It wouldn’t be surprising, considering his complete attitude change in California. Also keeping in mind that Mike stopped playing D&D when he was with her in S3 and only continued to play in S4 while El was away.

Mike also displays this insecurity by choosing to distance Will. For what reason, I can’t say for sure, but it’s probably something “abnormal.” 

Regardless, his insecurity ties into his fear of loss. The more normal he is, the more things he can maintain in life and the less he has to lose. Especially when it comes to El. It all stems back to his fear, not genuine malintent, and I see too many viewers misunderstand this. 

It also works the opposite way, to a different and lesser extent. If he’s out of Hellfire Club, he loses his “normal teenage clique.” Aside from losing El completely as someone he profoundly cares about, if he loses El as a partner, he loses his girlfriend. That’s a blow to his normality. 

Will is confusing to me. If he “loses” Will, just like he felt he did at the beginning of S4, he falls more into the pattern of trying to be normal. There’s no impact on his normality. By keeping Will at arms-length, Mike gravitated more towards his “shitty knock-off” version of himself. Something about Will brings out what Mike feels is abnormal in him, so by distancing himself, he could avoid it altogether. That’s likely in part what caused such a conflict at the beginning of S4: Mike’s inability to be “normal” while fully keeping Will in his life and vice versa, his inability to lose Will just to maintain normalcy.

"STurn"

We’ve focused on trauma and insecurity. Now, it’s time for self-identity. I think that's a theme in store for the future. I'll refer back to the “STurn” analysis I previously did.

Many of the songs on this playlist contain themes of a false identity. I’ll start with “Angst In My Pants” first. To quote my "STurn" analysis:

This song is about a person attempting to be someone they're not, suppressing who they really are, and it ultimately leading to dissatisfaction. The lyrics, "You can dress nautical / Learn to tie knots / Take lots of Dramamine / Out on your yacht" describe a faux lifestyle one lives that only serves to hurt them in the end: The idea of putting on a self-harming persona. This could be what Mike is going through in S5.

Next, we have "Substitute":

This track is about an idealized version of someone being put in place of their true self. The narrator describes a scenario in which their partner sees a version of them, "I'm a substitute for another guy / I look pretty tall but my heels are high / The simple things you see are all complicated / I look bloody young, but I'm just back-dated, yeah", that is unrealistic and put on, as seen in the lyrics "Substitute your lies for fact / I see right through your plastic mac / I look all white, but my dad was black / My fine-looking suit is really made out of sack"... The concept of a guise applies well to Mike, as referenced in Angst In My Pants. A recurring theme of hiding oneself really makes me think Mike is going to completely abandon his interests for a different lifestyle. I believe Finn has also mentioned that Mike wants to be as "normal" as possible, so I can't wait to see [how far] they take that idea. It could also be him realizing how he's been acting, and admitting that this "romanticized" version isn't true to him.

Finally, "The Rebel Kind":

Like The Better Side, I couldn't find any lyrics, so I'm doing it by ear. Though, I'm happy to say that this song is about a desire to embrace differences and rebellion. "We'll be free to run with the rebel kind" and "It's not easy, but I don't mind / I just want to run with the rebel kind" establish that. The track appears to tie into Mike's insecurity struggles throughout the playlist. It could be the narrator's struggle to keep up with societal norms before finally giving in to their truth instead of trying to conform, read as "they call us rebels but don't get how hard it is to for us to keep up." On the other hand, it could be the narrator commenting on how society doesn't understand people like them, and, by embracing their true selves, it proves more about who they are than conforming ever would; read as, "you think we're the rebellious ones, but you don't understand that we're more self-secure and strong than you'll ever be." I can see both of these interpretations working for Mike and his connection to the Party. The progression of insecurity in Angst In My Pants and potential realization of this guise in Substitute is wrapped up by Mike's self-acceptance here. I really hope this is how it plays out in S5.

Conclusion

Mike's brewing insecurity, paired with his trauma of loss, seems like it may boil over in S5. I theorize that he’ll drift even more into his “shitty knock-off” self, even if just on the surface, and do whatever he can to maintain normalcy in his life. Whether this leads to more conflict with Will, we’ll have to wait and see.

Besides that, Mike might eventually accept his "differences." He also may be willing to cope with loss for what it is, even if it’s the loss of the normalcy he tries so hard to maintain in certain situations. I can see Mike having a heavy emphasis on self-identity in S5, and as I said earlier, I can’t wait to see where they take that.

Thank you for reading; I hope you enjoyed!

As is customary with all my posts, if anything here is incorrect or you believe there’s something I should add, feel free to let me know. I’d love to have more conversations about Mike and read all the predictions for S5 I can.

[vimook]

first thoughts are about how really comfortable and warmed up rak has become to mut's innate affection. he quite literally scootches closer and closer to mut, the more he feels the consistent tender care radiating from him like a moth is attracted to light (and this is not derogatory at all, i love moths). mut is quite literally the star that rak orbits around and is drawn to. the fact that we're able to witness the gradual development of that shift is top tier writing and directing.

i also want to highlight how mut keeps letting him know that he can indeed lean on him and rak does like it's the most natural thing in the world, in his world at that. as someone who has always had to rely on solemnly himself, it is quite a feat how easily he allowed himself to break that mold.

he says it himself,

just like the characters that will end up being each other's shelter in one way or another, and that last part is very important for me because rak is beginning to realize that the love he thought was only in his imagination, in the very same characters he now relates to, might actually be a reality. what he doesn't realize yet is that the moment that he's in right now, is one of the many calms before a storm. and that he's going to have to choose that shelter, that safe place, that strength every single day. just like he did that night when, in the face of his greatest terror, he chose to give that coldness, a strong embrace and warmth, rather than feed it. he chose to stay. he chose that some things can be held. he chose that he doesn't have to be alone.

sidenote: the color grading and lighting in the bed scene are excellence because the warmth and the cold meet all at once

that he doesn't have to leave.

that he can be and is loved.

that he matters.

that he isn't taken for granted.

that his presence in people's lives has meaning and is cherished.

and that he must and can hold that in.

that he knows how to love better than he thinks, and that will be the challenge. entering mahasamut, who wants to be helpful. who worries. who wants to love. who stays. who is the calm before the storm but who will soon start to feel like the most terrifying and beautiful storm in rak's life. that often means regressing to self-sabotage and old habits. freeze in your fears. be hesitant about being surprised and unfolding something new.

i think i have spoken a lot on how i feel about mut's selflessness and each time he chooses to love someone, there is a little boy still hoping he can receive an ounce of what he gives, though he never really asks for anything back. but he's human. you can work on your trauma all your life and there will still be moments where you're the one who needs to be chosen and embraced. you can be love and still want to feel loved. sometimes you just would like to take some for yourself. so, question is whether you can love in chaos. because for me, mahasamut is so used to navigating other people's chaos that he doesn't give space for his own so each time he asks something of tongrak, reminds him of something. he might want an actual answer back. he might want to be asked about how much he holds on to people, about how much he doesn't want to disappoint them, about how much he doesn't want someone to leave. how much he doesn't like to not find someone he loves next to him in bed after holding them.

[proudfreakmetarusonikku]

sorry before I go to bed I’m thinking bout the different ways Evangelion portrays csa.

asuka's (metaphorical) rape is done by a stranger. someone she doesn’t know. a literal monster. as someone who’s always prided herself on being able to fight, being able to always win, this shatters asuka, who feels such a thing makes her weak. she responds to her trauma by regressing, playing video games at her friends house and speaking to her like a young child, before shutting down entirely to the point of attempted suicide. she’s later sexually abused by shinji, taking his own trauma out on her, and while we don’t see as much of how that effects her, we see the tragedy of the cycles of abuse play out.

shinji's sexual abuse is done by a friend. he doesn’t realise it’s wrong, and misato thinks she’s helping, because he’s a boy and boys like that right? but misato not realising the harm of her actions do not make her any less harmful. there’s a lot of complicated feelings and emotions there, and it very much deals heavily with the complexities of abuse- not all abusers realise what they’re doing. not all abusers even have sexual intent (misato absolutely doesn’t see shinji in a romantic light at all, she's not attracted to him). not all victims hate their abusers, and not all victims fully realise how inappropriate their abusers actions are. yet, the abuse still has impacts- as seen with shinji's complete lack of sexual boundaries, to the point of assaulting asuka for a desperate sense of control. he recognises that it’s awful- it’s something familiar to him to a degree- but as a severely traumatised child, he lashes out and inflicts his own pain on others. which is not acceptable, obviously, but it’s tragic, and shows how abuse makes people worse.

and as for rei, she's abused by her own father. the signs are there, but they don't entirely click at first, and neither do they click to the adults who should be looking out for her. the sexual abuse she faces is overlooked even when it’s right under everyone’s noses. and when someone does put the dots together, they blame her for it. rei's abuse, like a lot of familial abuse, is either ignored or something she’s considered at fault for, despite being sheltered and groomed all her life, and, y’know, fourteen. rei's arc also focuses heavily on her conflicted feelings about her abuser, but in a different way to shinji. she, at first, idolises gendo. she's been groomed her whole life, and is incredibly isolated. what happens is normal to her, she doesn’t see it as wrong because she’s never been told it’s wrong. the idea of not having faith in gendo is alien to her. but as time goes on, she realises what happens isn’t special, it isn’t okay. by the time she dies and another version of her takes her place (the rei's share a soul, so they’re the same person even if rei iii can’t remember everything) she’s quietly furious at the idea of being a doll, and realises she can be more. when her abuser touches her, she literally tears off his hand. and she attains agency! that’s the final part of her storyline. she has agency, for the first time in her life. and she might have chose to listen to shinji on what to do, but she chose for the first time, it’s a massive step and honestly it really struck me as a beautiful ending to her character arc.

idk man. i just like how this mecha anime interrogates a sensitive subject from multiple angles and has genuinely suprisingly good depictions of even abuse that’s not recognised as abuse by most still. it’s nice! it’s refreshing. honestly, they committed to exploring abuse and never trying to apologise for it, and it’s fucking great. i'm personally not a csa victim, but i did go through sexual trauma at around the same ages of these characters, and i found myself relating a lot to their arcs around this due to that even if our experiences are pretty different. i felt aspects of how i dealt with things, especially in rei and shinji but to a degree asuka as well, and it made me feel more confident in myself. if shinji ikari can choose to live, so can I :)

[howlsofbloodhounds]

You ever thought about the fact that, if Killer retains his SAVE, LOAD, and RESET abilities he's, like, basically a necromancer but for whole ass universes?

Like, he could genuinely go into any universe, reset it to Frisk's fall, kill them for good (aka convince the Player that their game is bugged by spawn killing them until they give up), and voila! The universe is fixed!

Like, I don't think he'd actually do it (especially considering the fact that to him Players are basically gods and he doesn't seem to want to challenge them) but I do think that if this possibility is ever revealed to others there are quite a few people who'd try to pressure him into it.

Perhaps not, like, Dust. 'Cause he's already too far gone to think there's any fixing his universe. But what about Horror or Cross? (It probably wouldn't work with Cross since there is some far greater bullshittery going on there, but he'd definitely nag at Killer until he at least tries).

I'm firmly of the belief that Color would never pressure him into it. But what if word spreads? What if it reaches Dream? He definitely could use something like that, and it would be for the greater good. I don't even think the pressure from him would be malicious, but Killer's not in the mental state to take it well.

And if the rumor spreads to someone like Error, he may be incentivized to get rid of him. As for Nightmare, he'd probably double his efforts to yoink him back.

I also don't think that Killer would be a fan of using any of those powers since they're heavily related to Chara and his trauma. Like, no matter how this goes, no matter if he agrees to help or not, he's gonna have a shit time.

Holy hell, no matter where this guy goes, someone just always wants to use him as their weapon, huh. Can’t he ever just catch a break.

And id imagine both the idea of going against Players, saying no to saving universes (because he’s trying to be “good” now and “good” people would save universes right?), and actually saving universes which actively goes against what he was made for would create an absolute shitstorm of psychological, mental, emotional and behavioral regression in killer.

color is definitely gonna have to step up and defend killer against being used again. killer is already struggling to think of himself as a person let alone a “good” person, it’d be so easy to guilt trip him when he’s in stage 1–knowingly and intentionally or not. And it’d be so easy to take advantage of him once he’s in Stage 2 and too apathetic to care about his own well being.

Because yes it would definitely improve his standing in the eyes of the multiverse and it could do a lot of good, but not only would it draw in more people who want to use him, and would once again set him back to viewing himself as a weapon. Different from a killing machine, but still nonetheless someone’s machine.

He’s already struggling under Nightmare to not kill, because the Boss needed people alive for negativity and yet killing is Stage 4’s first instincts.

And putting him in a similar situation as the one with Chara and Nightmare is just asking for his soul to tip over into Stage 4 permanently and completely losing himself. Perhaps this is the situation that sends him mentally regressing back to the early days with Chara even.

{ @stellocchia }

[the-dame-of-endos]

Trigger warning: syscourse For my first post, I want to share our experience. We first discovered the endogenic community in early 2021 through Discord. Back then there were a lot of large and active endo-safe servers. We were never good at understanding new things, but somehow, plurality- something that's supposed to be so complex- just clicked for us. We've never understood something so quickly, related to it even. And there began our syscovery. Origins, roles, introjects. They helped us figure ourselves out, we'd never felt so cared for. The community was nothing but welcoming and educational. It was not perfect, of course, there were servers and people we avoided because we deemed them unsafe to ourselves or others. But, no community is perfect, bad apples are everywhere. Through the endogenic community, we discovered neopronouns, xenogenders, regression, alterhumanity; all things that now play apart in our identity. We would not be who we are today without this community. So, when the endo community began to become dead on discord, we were distraught. Missing a community that made us, that kept us sane in the horrible environment we were living in. Eventually, we joined an anti server. We felt like traitors, but we thought that as long as they did bring up endos much, we should be fine, right? In theory, that should have been right. They, indeed, didn't talk about endos as much as we thought they would, but they did something worse. Trauma olympics were the main problem, comparing and judging trauma. Deeming what counted and what didn't. And even in some cases prying for people's trauma. You weren't a system, or were at least less of a system, if you didn't fit their requirements. They dictated what roles you could use, what alters fit their criteria, how your alters can act, what relationships they can have, what introjects you can have, how you should treat your alters, what experiences aren't real. It was a tight box. Our mental health had never been worse trying to cram ourselves onto their checklist for the sack of community. And they gatekept a bunch of other absurd things that weren't even plural related. And this wasn't just one server, it was every single one we came across, and even most antis we see on Tumblr now. For two-ish years we were trapped like this, no courage to leave until syscord started to finally die out itself. That led us here, our first time exploring a new social platform. We've never been more relieved, it was like discovering the endo community all over again. The kindness, the acceptance, the support. We were home. It's been a few months now, but we still can't fully be ourselves, confined to the walls the antis built, but we're slowly breaking them down. One brick at a time. Seeing antis doing the same thing to other endos enrages me. I don't understand why they can't understand that we exist, we are real, we are valid, and we have feelings too. I want to dedicate myself to being that safe space that we were lost without for so long. Endos, I love you. Endos, I am here for you. Endos, don't give up.

[fluffygiraffe]

I really like your Puzzles au! and I was wondering, is his story/lore the same in the original show? Like him wanting to create an amusment park before his love for movies?? I was kinda curious abt that ever since the recent episodes, especially WOTFI 2024.

I assume you're talking about PJ, so I suppose I'll lore dump lol!

Short answer? Yeah, mostly! Long answer? Read More!

CW for Mr. Puzzles's story arc spoilers!

PJ DEFINITELY wanted to make an amusement park, but I can imagine his coping mechanism for being shut down was way different.

Being shut down so many times by his father probably shut him off from wanting to talk and interact. Keeping everything bottled up inside and watching TV in his room for who knows how long, specifically all the children's channels! Unrelated Lore: This probably stunted PJ's mental growth, let's not lie to ourselves. Especially at a young age, watching too much TV can definitely cause problems with speech and social relationships as well as attention span deficiencies (Flipping through channels at a constant probably caused this. If you want more information about this kind of stuff, look into the science behind children with Cocomelon and/or Tiktok! It's really interesting). Not to mention PJ's iffy relationship with his father can cause childhood trauma, causing an inability to regulate emotions and regressive traits. All of which PJ shows in daily life! Somebody get him therapy.

And it wasn't exactly movies he wanted to make in this AU, it was kids' entertainment! Something safe for children to watch so there are no worries about kids seeing anything their parents disapprove of! As I imagine Little PJ definitely saw some unsavory things with unlimited access to TV.

Also, PJ's very open about his goals of making friends and has deemed all of the SMG4 crew his only friends! Cough, cough, parasocial relationship allegory cough. He's getting back on track with all those missing years of childhood relations he should have had!

So TL;DR, PJ did want to make an amusement park, yes! Movies? No, it was Kids' Entertainment! Not to mention making friends is a big goal of his!

[multi-fandom-agereg]

omg omg fellow omori agere enjoyer,, may I request a sunny age regressor headcanons??

☀ Agereg!Sunny HCS

☀| hc count : 12

☀| cws: sunny regressing because of stress, trauma and negative emotions /hc

☀| othr: enjoy:D!!

🍀: Sunny is a quiet regressor. He rarely talks or interact with anyone while he believes himself as vulnerable. His verbal status can be counted as Nonverbal, but he does talk when he really wants to. At most, he is semiverbal.

🍀: he regresses either very young or is a teen. He can range from being 1-3 to being 13-14. Either way he always uses his gear no matter the age he regresses to

🍀: he is also a sleepy regressor. When little he is almost always in a sleepy mood. He doesn't mind being put down for naps whenever he gets the chance to

🍀: has everything frog related. (Headbands, plushies, pillows, blankets, backpack, etc!) He always carries around a frog stuffie. If you attempt to take it away he'll bite. Oh, he is also a temporary tattoo baby. He'll cover himself in temporary tattoos if left unsupervised.

🍀: regresses due to mostly negative reasons. Mostly stress and whenever he experiences heavy negative emotions. But his trauma also has a major factor on why he regresses

🍀: he's muteral on playdates. He doesn't mind hanging around other Littles while regressed— but pet regressors? That's who he'd get along with most. Especially puppy/dog regressors.

🍀: will use a sharpie and draw over his sibbies/playmates/friendsies. Usually it's all fun and games but most of the time the sharpie will be hard to get off. So better keep markers and stuff like that from his reach

🍀: he always cries at some point when he's regressing. Sometimes (most of the time) he does it for no reason. He let's all his frustration out so he ends up crying and throwing a tantrum until he tires himself out

🍀: hand eater hand eater hand eater— he eats with his hands

🍀: he gets embarrassed whenever he is taken care of when little. So he doesn't have a caregiver. The only people he trusts with his little side is his friends. But trusts Basil a bit more because he was the first one to be informed and understands Sunny more than the others

🍀: is the type of little to spread "drama" around his stuffies or little friends. So they will have gossip to always talk about (mostly a drama surrounding who drank the last juice box). Something mysterious like that

🍀: as a little he is quiet, very introverted and deadpan. But he can also be bratty, fussy and rarely, hyper

[dadzawa-abc]

Hii, I really hope I'm not bothering you with asking this. But I've gotten to see quite a bit of post about age-regression? Is that how I'm supposed to type it?? Sorry if I typed that wrong, especially if that made you uncomfortable. English is not my first language. Anyway, I was wondering, I guess, what age-regression is? Cause like I said, I saw I lot of it, both recently and in the past. But I've also gotten told in the past, well, not any good things about the people who age-regress? I'm not saying I agree with those things I got told. Those weren't any nice things, so yeah. However, if others aren't hurting me, themselves, or other people, then I usually leave most people alone. But in short, I'm curious and want to know more? Cause, well good sources are good. If that's okay? If not, you can just delete and forget about this. Sorry if I made you uncomfortable. Have a good day or night!

☁️ what is age regression? ☁️

(long post); a TLDR at the bottom

Hey anon! Thank you so much for stopping by to ask your question. I'll be answering it for you today -🧸 Hawks.

first of all, I'd like to say that yes, you did type it right! English isn't our first language either, so we understand! People also may spell "age regression" as "agere" which is just a shorter version of it. So when someone spells it that way, they're the same thing./information

-Now, what is age regression? What's it used for? :

age regression is, in short, a coping mechanism where people may mentally regress to a younger age than themselves physically. Example, let's say person A is an age regressor. They are 20 years old. But regress to a much younger age. Like 3-6 years old. Age regression is very different with every person who does it, so that doesn't mean a single person has to regress the same age. Someone could regress to be a newborn, another can regress to be a middle (which is around 10-teenager age) if I'm not wrong. Anyone can regress to any age, depending the person. Age regression is a healthy way to cope. Age regression is a professional therapist recommended coping mechanism, and it does not hurt the user who does it, or anyone around them. Age regression can also be for fun. Some, if not, majority regressors do regress due to trauma. To restore their childhood that they never had. Or to relive a childhood they wish they had. Whiles others who may do it for fun, doesn't have to use their regression as a coping mechanism. Hey can age regression because hey, it's fun to do! And so it's isn't something that you can only do if you have trauma. Everyone can do it. Trauma related or not

- is age regression harmful/bad?

⚠️ Tw/CW: ageplay talk ⚠️

Not at all! People whom may tell you that "regression is bad because ___!" Is usually the ones who don't do research. Age regression is a safe-for-work coping mechanism. Which means it's never sexual, or a kink. Alot of people who aren't in the community will assume age regression is just a kink thing, and that is untrue! Many people will get "ageplay/ddlg" mixed with age regression. While age regression is never inappropriate, and is appropriate for all ages to do, ageplay is a kink to.. hopefully just something adults do. Ageplay, is a BDSM kink where someone will pretend to be a younger child while their partner, whom they'd usually call: daddy/mommy/whatever title, they will do inappropriate things with them.

Meanwhile, age regression is a lot different. Like I said, agere is a safe for work coping mechanism. And NO little, (which is whom we call someone who age regresses) will pretend to be a child for sexual reasons. When someone age regresses, they mentally revert back to a much younger age and sometimes can't even do things they'd normally do when big (which is what we call them when they aren't in a regressed state anymore). They physically (mentally physically,) regress to an age of a child. And the difference between that and ageplay, someone who participates in ageplay will never mentally regress to a younger age. They pretend to be, for sexual desires and kinks. They do it on purpose for sexual pleasure, while people who age regress can't consent at all when they're little. Since they actually do regress mentally to mostly 10 and under. (But even if they regressed around being in their teens), they still can't consent.

-some popular titles (that you may want to know)

What is a caregiver?: A caregiver, is someone who will take care of the little when they're regressed. A caregiver can take on a father role, mother role, sister, brother, etc. (Solely depending how the little sees them/and how the cg would like to be called)

What is a little?: A little is someone who age regresses

What is a flip?: A flip, is someone who regresses, AND is a caregiver.

what is a pet?: While I'm not saying pets are the same as age regression, it does exist. An age regressor may regress, but may also be a pet regressor (or) someone isn't a little but be a pet regressor instead. pet regressors has very similar concept with age regression. While age regressors regress to a younger age mentally, pet regressors will regress to an animal. (Ex; cat, dog, bird, deer, dragon, fawn, list goes on) and just like age regression, is SFW

TLDR; Age regression is a SFW coping mechanism that is therapist recommended and is not at all harmful to them, or others. Age regression can also be used for fun and doesn't have to be trauma based to regress. All ages, genders, sexualities, races can regress. Age regress is for everyone and isn't something only feminine, petite or hot pink lovers can enjoy. Everyone can regress no matter what anyone says about it.

I don't know alot of resources to direct you to, but I wouldn't really recommend google either. Google is a "trust me bro" and "he said she said" deal. It'll tell you false things and it'll mix age regression with something completely different. But I find # agere resources tag a very helpful place to scroll in. So I'd recommend checking there if anything answers anymore questions you have. Hope this answers your question, anon. Feedback is amazing so if you have any more questions or anything, let me know