#some of those will come up in arc 2

[tangents-within-tangents]

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

[selunesfavouriteprincess]

I can’t even lie over time this pathetic little elf has grown on me and now I really like her as a character. she’s SUCH a loser. and someone said that she should’ve been recruitable instead of Halsin after uncovering the Shadow Druid plot and she could’ve had a redemption arc and now I can’t stop thinking about that alternate reality

[5eyed]

some recent sprites for "on the flip side" characters (or rather the dimensional doubles of existing characters lol). ive posted characters from this universe a lot over the years, as its my oldest story that i still work on/think about, but ive never really explained who they are! if youd like to explore the setting and characters of "on the flip side" a bit, i made a carrd for it here (its still a wip but im trying to get it all finished within the month! main characters have fully written out bios & backstories, some side characters still just have basic info.) (also this all takes place in a fictional californian city and if you read this and go "wow that is definitely not how things are in california or the us" sorry i dont know shit im french.)

[liquidstar]

I'm working on my next oc set rn (as always) and this one is going to be the first, like, trinary guild to have more than 8 characters on account of twins sharing a spot lol

[reploidbuddy]

You ever get that feeling where you itch about posting a new fic but you’re not that far into it and you don’t want to leave your readers hanging because of your slowness so you keep the few chapters you got tucked in but it also makes you go crazy?

Extra strong when you're like me aka the type of writer to finish everything before posting.

[blushinggoku]

Recently I went into the DBS fandom wiki to read about the Goku Black/Future Trunks arc, because I haven't watched DBS past the Tournament of Power and the concept of Goku Black intrigued me so much. I'm so glad I didn't waste my time watching the episodes because Jesus

[a-b-riddle]

Part 2

Can't stop thinking about reader finally cutting them loose.

For three days there was nothing but radio silence. In those three days you had told yourself that it was a grace period. Time for Simon to cool off and realize how much of a bastard he was for saying all those things he obviously didn't mean. Johnny coming back over with a bouquet of flowers and endless apologies and cuddles.

Simon didn't apologize for his harsh words.

Johnny didn't call you later, as promised.

For three days you jumped at every single notification, silently hoping it was one of them. Any of them.

But it wasn't.

And you, unfortunately, got the answer to the question you had been asking yourself for months.

Did they still want this?

The answer was clear.

You didn't let their unofficial dismissal get to you. You still had shit to do. A life to get on to. A book signing to go to.

Jesus.

A book signing. A book you wrote. A book that was being published and released the day of the expo. You weren't expecting a huge line because this was your debut novel, but with the help of some ARC readers who had took to social media, there had been a bit of a storm brewing.

You had listened to John when he had mentioned writing under an alias. Don't know how crazy people are out there. They'd do anything to get close to you, Dove. Just better to protect yourself where you can. You almost hated yourself for listening to him now. Now you would just have to keep writing under your pen name.

You were getting ready to close up shop early when your phone finally pinged.

Kyle.

Fuck.

Of course it was Kyle. The one who hadn't treated you like you were constantly bothering him. Not the one who made you feel guilty for agreeing to your arrangement. Nor was he the one who fucked you and left you. No. He was just the one who just wasn't there.

Maybe that was just as bad.

What are you up to today?

That was it. Almost two weeks of radio silence and that's all he had to say? It just added more evidence that you were making the right call in ending this now. It had already carried on for too long.

You had two things on your to-do list and you wouldn't let Kyle's sudden reappearance deter you.

E-mail the publisher back.

Change the locks.

You didn't have the strength to face them again. If they groveled, it would be too easy to take them back. One against four wasn't much of a fair fight. And if they didn't care to fight for you... you don't know if you could survive it. Coming face-to-face with the proof that it didn't bother them to give you up even though it was killing you.

No. Cutting it off completely was the best thing to do.

So you didn't respond.

You left Kyle's text unanswered as you e-mailed the publisher back that everything was set for your flight on tomorrow morning. You would spend Thursday adjusting to the time difference and Friday you would rest up before the expo this weekend. She assured you that you would need to rest up your writing hand. Whatever that means.

You left Kyle read as you closed up shop several hours earlier than usual. You needed to drop off the bank deposit before you started on task number two.

You didn't bothering responding to Johnny when he had texted you when you were leaving the hardware store, purchase in hand. Asking if you were free Friday. Promising dinner. 'In or out. Your choice.'

It was almost second nature when you got home to pull up your phone. Ready to text one of them to see which one of them could come over and help.

Fixing a leaky sink? Nothing Johnny hasn't seen before. Need help moving furniture? John won't mind when you change your several times on what should go where. Kyle would always come in with take out the moment you mentioned you were hungry and whenever you felt like going for a walk when it was a bit too late in the evening, Simon was the first to volunteer as your personal guard dog.

But asking them to come and change the very lock you planned on using to keep them out seemed... counter productive, if not downright petty.

You were almost done with the lock when your phone sounded off. Only this time it wasn't a text. Someone was calling you.

You almost faltered when John's name came on your screen.

Fuck.

That almost got you.

You almost answered it.

Almost.

You clicked on the 'Sorry, I can't talk right now. Options, before finishing up your work.

And just like that, you were done. No help needed. You had changed the lock. Even adding on a deadbolt. Replacing the flimsy chain Simon had taunted you about. If someone wanted to get in here, that wouldn't stop them.

Well, now you didn't need to hear it anymore.

Not that you would really hear it again...

Your flight was in twelve hours. Although that seemed an ample amount of time you hadn't even begun to pack. You had luckily narrowed your outfits down, but now was the task of folding it nicely into your suitcase rather than just stuffing it in there.

On my way. We need to talk.

It was too late for talking. Three days too late. Several months too late.

The last message sent was four weeks ago. A new Thai place had opened up close to your apartment that you were wanting to try. All of them had given you excuses.

Not my taste, Dove.

Cannae do it tonight. Next weekend? Next weekend didn't happen either.

I can do tomorrow. Kyle ended up bailing. You forget the excuse he used.

Simon hadn't even bothered to reply.

The final nail in the coffin of your relationship. Almost two years wasted with nothing, but a broken heart to show for it. And the worst part is, they had all chipped away at your heart, leaving you to deal with the final blow that would shatter it.

Im sorry. I can’t do this with you anymore. wish you all the best.

Your fingers made quick work in blocking their numbers. It was best. If they wanted to reach you, they couldn't. On the other side of the coin, if they didn't care to reply, you wouldn't spend countless hours crying over the fact that none of them had been affected the same way you had.

You would deal with getting them their belongings that they had left behind another time. You had big things, great things happening for you. You were cutting your loses. You were cutting them loose.

You just hoped you didn’t regret it.

[asidian]

A little heartbroken by the news, not going to lie.

But I'm going to keep creating for this fandom, because the characters have made a place in my heart, and I suspect they'll stay there for a good long while. This show and the fandom have been such a joy to partake in during a really rough time in my life, and I appreciate that more than I can say. I appreciate all of you who make the fandom what it is, too.

I guess in the end, Season 2 gets to be whatever we make it. So you know what? Let's all share our Season 2s. Nobody's going to stop us or tell us we're wrong.

So here we go. The Season 2 in my heart, in no particular order:

Desire shows up and puts Charles Rowland through the absolute wringer. He is losing his entire mind, he wants Edwin so bad. This boy has 17 different crises and finally a realization that he has been head over heels for some decades and he is just an idiot, actually

Payneland confession and a first kiss

They get Niko back from the Neitherlands. She's some flavor of undead, and she is having a grand old time, actually

Jenny sets up a butcher shop in London and goes on a date that doesn't try to kill her. With the Night Nurse

Crystal has a corruption arc with David buried in her soul-tree soil and at first they don't realize what's going on, but in the end the boys find a way to go into her heart-space and help her resolve the problem

The boys dance on-screen with some of those skeleton choreography dances

Mick mysteriously also has a shop in London. It straddles time-space and also realms. The characters are all ????? but no one ever figures out wtf is going on with that

Tragic Mick saves the day like a big damn hero with a bazooka like in the comics

The Cat King is around, generally being his trickster self, causing problems for funsies. He dies again and comes back as a fluffy white cat with glam white fur clothes

Charles gets kidnapped somewhere and Edwin has to go and save him. It's very dramatic and parallels S1 Ep7

Monty makes a showing in crow form. He has so many cute bird mannerisms. He gets fluffy in the London cold

The boys return to St. Hilarion's. They find their respective remains and come to terms with their deaths. They decide that, however tragic their deaths were, it led them to the only place they'd want to be: together

Crystal and Niko lay the boys to rest side by side, under the same headstone

[deoidesign]

What if I.

when your main characters start dating after years of writing so they finally get to be like this

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[ffxivtranslations]

Why did Haurchefant have to die? Interview Translation

I translated part of an interview with Yoshi-P and the two main scenario writers of HW, Ishikawa and Oda. It's about Haurchefant's character arc and why he had to be sacrificed. At least Oda tried to save him, bless his heart!

Interviewer: In 2.x, Haurchefant appeared to be a cheerful character, but in 3.0 his role takes a serious turn. What was the reason for this change?

Ishikawa: In the 2.x series I was in charge of his dialogue as the Character Concept designer, but in 2.55 I felt I had properly written down his important points and position in society, so I could hand him over to Oda and Maehiro for 3.0. Because of this I don’t think anything changed about him from the start; how he cares about his friend, or his essence as a knight.

Oda: I agonised over Haurchefant’s fate right until the very end… over and over I suggested plots in which he might somehow survive.

Yoshi-P: Those plots were too contrived; I couldn’t approve them! LOL In depicting this war between humans and dragons, I thought it was wrong to only have the dragons’ side experience loss after loss and not have the humans make any sacrifices. So that’s why I told them to properly decide the fate of every character. The fate of every character should have been decided early in the development phase of Patch 2.3. So Haurchefant’s fate was decided by then too, right?

Oda: Yes, that’s right. That’s why in Patch 2.4 and 2.5, when I wrote all his un-voiced lines, I was already doing so conscious of the fact that he would die later on.

Yoshi-P: Haurchefant is a character that is not just loved by players, but also loved by the development team. But since we decided on the plot twist where he would become the Warrior of Light's shield, we were prepared for the worst. Because of that we were able to write the Patch 2.5 scene, in the Falling Snows, where he reaches out to the Warrior of Light in his time of need. I think that such a long build-up led to the deep emotional impact of Haurchefant’s final moments. In that way, I think the deciding his fate early on was connected to how much importance he had to the story.

Oda: However, seeing how warmly players reacted to him, I feared that having Haurchefant lose his life would cause some players to quit the game forever, and fought desperately against it to the end…

Yoshi-P: He kept giving me re-takes of the plot where Haurchefant is able to come back to life, and eventually I remember getting quite mad at him. At one point, the 3.0 ending ceremony scene had Haurchefant appear in a wheelchair and I yelled “Hey, isn’t that the same as Thancred in ARR?!”. I’m pretty sure I shouted at him LOL

[literallyd34d]

”

Hawk 1: What's 2+2? Hawk 2: uhhhhhh Those who know: 💀" Those who actually know 👇💀

hawk 1: whats 2+2?

hawk 2: natural selction

those who know : 💀

those who know : 💀 💀 💀 (only in columbine highschool)

know who those: 💀

those know who: 💀

those: 😱

evil eric who manipulated baby dylan: why so serious?🏫🔫

(only in littleton)

💀💀THOSE WHO fail to make bombs in they school and place them in the cafeteria💀💀💀💀💯respect 1000%

skibidi dylan: why so skibidi?👽🚽

THOSE WHO ARE A JEW: 👿😈👺 👹 😡 (dylan)

Actually good dylan(n): Dylann Roof 🥣 (his bowlcut)

those who are a skbidi toilet gyat: brr skibidi dop dop dop yes yes 🚽🚽🪠 🤑 💯💀💀💀

those who are natural born killers: 🏳️‍🌈👨‍❤️‍💋‍👨🏳️‍🌈

hawk 1: wrath

hawk 2: natural selection

THOSE WHO ARE STUDENT: 💀

those who dont know: 😃

THOSE WHO ARE THE ARMY OF TWO: ✈️🏢🏢

THOSE WHO SUE GUN MANUFACTURERS: 🤑🤑🤑🤑✅ 💸 💰 💹 🪙 💳 💱 💵 💶 💷 💴 💲 🥇

those who are dead: 💀💀🪦🥀 (american school children)

THOSE who are SUS: 😼🔫 💀💀

those who are cold: 🥶 🧊 🌨️ ❄️ ⛄ ☃️ 😰 💧 🏔️ 🎿 ⛷️ 🌫️ 💀💀 (elephant movie shower scene)

ENGLISH OR GERMAN 😈 mah bois: *frozen* 🥶 sussy eric: *moves* CAN I GET A HOYAAAA? me: AYOO- 😳 Jonkler: Why so serious 👽 those who know:💀(only in littleton) "I love flesh . . . weisses fleisch! Dein weisses fleisch erregt mich so, Ich bin doch nur ein Gigolo!"

those who are fat: 🎅 🫄 🍽️ 🍲 🍝 🥘 🥣 💀💀💀 (payton gendron)

Eric Harris: Cookie dough!

respect 1000% sigma rizzler colorado balkans littleton 8276 S. Reed Street, Littleton, Colorado, 80120 rizz (impossible zero day respect) 💯💯💯🙏🙏

THOSE WHO SEEK DYLRIC WITH THEY "DAMN ERIC THAT BOYPUSSY TIGHT ASF 😂😂😂" 💀💀💀💯 🔟00000000 RESPECT SENTENCE TO RIZZLER SCHOLL

those who are full of hate: 💀💀

hate of full are who those: 💀💀

AND LOVE IT: 🏳️‍🌈🏳️‍🌈💀💀🏳️‍🌈🏳️‍🌈💀💀🏳️‍🌈🏳️‍🌈💀💀🏳️‍🌈🏳️‍🌈

THOSE WHO ARE KMFDM: 😭😭😭 (it aint cool to shoot up your school)

some randoms tryna rob me* the robber: run yo pockets G !! me with infinite aura: my horny ass could not be in a school shooting 🏫🔫 robber: BOI 😂🫲🏻 me say: english or german *me walk like a natural hawk tuah

those who are a gun in there hand and a throw and there pipebomb at a and people 💀💀💀1 billion respect 💯💯💸

those who are a sue klebold: 👵🏻 -> 💀

💀💀those who those and they and a throw it at people💀💀💀💀💯respect 1000%

those who are in columbine:💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀🪦🥀

those who are in virginia tech:💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀🪦🥀

those who are in sandy hook:💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀🪦🥀

THOSE WHO JAMES GAMBLE 🎰 🎲 💵 💰 🤑 🍀 💀💀

420 spring arc coming bro ENGLISH OR GERMAN BLUD 😈

mah bois: frozen 🥶

sus eric harris: moves CAN I GET A HOYAAAA? We ........ have ...... GUNS! we fucking got them you sons of bitches! HA! HA 😆😆 HA HA! Neener! Booga Booga.

Heh, get this. KMFDM’s new album’s entitled “Adios” and its release date is in April. How fuckin appropriate 🤑👿🤑👿🤑

dylan and eric: 🏳️‍🌈

arlene: 🔫

those who know:💀(only in littleton)

HAWKTUAH

cal gabriel at the tik tok rizz party:

me: gooning or edging ?

skibidi andre: IMAGINE IF OUR SCHOOL GOT A LOW TAPER FADE 🔫🔫🔫

me:Albania flicker goons𔑘𔒦 hawk tuah fucker

And no 😣 don’t ❌ fucking say 😦 “well 👤 that’s 😐 your fault” 👿 because 👄 it isn’t, 👏❌🗺️ you people had my phone ☎ #, and I asked and all, 😰🏼 but 💪😤 no. no ❌ no 😣😣😣 no don’t 🚫 let the weird ⛎ looking Eric KID 👦 come 🤣 along, ooh fucking nooo. 😩

fucker should be shot

[pinks-wizards]

One day I'll share with the class

i need everyone that has a wizard101 oc to tell me about them in the notes. like now. im so infatuated give me every thought

[oh-no-its-bird]

Team 7 gets zapped into the warring states era but it's like, team 7 either mid or directly after wave-arc.

They're babies!! They're untrained little babies!!! None of them have gotten that good good character development yet!! Kakashi is still actively desperately wanting to not teach them!! (tho he may have just gotten his "ahh fuck. I actually have to teach them, huh." Moment)

Sasuke looks like a carbon copy of a younger Izuna and it's going to cause problems

Naruto thankfully doesn't look much like an Uzumaki, but his tendency to very loudly introduce himself is going to get him into trouble

Going w my usual flavor of "the Hatake are a very small but very famous clan known for being fucking insane", people are seeing Kakashi and going "oh god oh fuck what are one of THOSE guys doing here oh sage preserve us please don't eat me" as Kakashi just kinda stands there like 🧍‍♂️

Sakura is the only one safe from not being fucked up and over her clan, good for her!

-> back to the Hatake thing.

The kids still know virtually nothing about their sensei so they're learning all this stuff about his clan and believing every word of it, from the believable rumors to the insane.

Sakura, in a hushed, worried voice: "Sensei,, is it true ur clan eats people??"

Kakashi, who's father died before he could tell him almost anything about their clan and genuinely doesn't know but at this point is starting to get a little worried about it:

Kakashi, who also never passes up the opportunity to fuck with someone: "only stupid little students who ask stupid little questions <3"

Sakura and Sasuke: *worriedly look at a confused Naruto*

For convoluted reasons they run into the Hatake of the era and after introductions they look at the kids and are like,

"Oh!!! Ok, so this is your kid, right? :)" pointing at Sakura.

And Kakashi is like. ",,no."

"Ohhh, ok. So this one is your kid then?" *points at Naruto*

",,,,,,,,no."

They look at him confused then nod at Sasuke. "So then that one's your kid, right?"

"None of them are my children."

*visibly disapproving / disbelieving side eye*

One big difference between this and the team ro time travel one is how much less trustworthy Kakashi comes off to literally everyone who looks at him.

He's a trained adult shinobi, probable bloodline thief (with no way to prove his innocence), and he has 3 children from 3 different clans (2 of which are indirectly enemies bc the Uzumaki is a Senju ally) (1 of which might have a direct relation to the Uchiha main house) and comes from an infamously volatile "wild clan" from another country entirely (Iron country)

He is NOT getting out of this with talk no jutsu bullshit. He has a target on his back from day 1 and it will take a minor miracle to get even a single person hear him out

Anyways uhh—

Saying Tajima and Butsuma are still alive but due to die in some months (till team 7 accidentally interfere and somehow accidentally save Tajima, maybe also Butsuma but I'm more biased towards Tajima so I'm thinking just him actually)

Kakashi sees baby Kagami and feels like he's been hit by a truck bc he looks just like a miniature Shisui and he has hang-ups about his "suicide"

Half-Hatake Tobirama is catching HEAT from Kakashi's antics. Why does one of ur cousins have a sharingan. Where did he get those children. Do you know anything about this. Is it your duty to help hunt him down bc hes your blood. If not yours then it's definatley the Hatake's, call them immediately and tell them to clean up their mess.

Bloodline theft is like THE ultimate no-no for all shinobi, especially in this era. To the point that even ancient enemies will sometimes temporarily set aside grudges to kill bloodline theives. Kakashi is so fucked, someone get him out of there

Mmmm there are like still bits and pieces of thoughts floating around in my head for this but I can feel myself getting distracted and want to get back to art fight so I'll leave it here for now

[hedgehog-moss]

Do you know much of the history of the town you live near? I noticed some very old-looking stone buildings in your photos from the cow parade - does much of the town look like that or were those heritage buildings?

Unfortunately almost every town has some Ugly Modern Houses, but they're usually in the outskirts, while the centre is quite preserved. It's mostly ~200yo houses though, with the occasional very old house (like, 17th century). The towns that used to have a castle often still have a mediaeval layout, with a cluster of houses and narrow streets; sometimes (remains of) ramparts. And every village worthy of the name has the mandatory mediaeval church in the plaza (except mine which has a modern Victorian Gothic church that's like 150yo, but we have the ruins of a mediaeval monastery to make up for it)

One little local history fact I know is that this town that had the cow parade was named after a Central Asian tribe that invaded the region ~1,600 years ago and later helped fight off Attila when the Huns were invading! The cows don't know that. I love knowing where place names come from (unless they mean stuff like "by the river" which is boring.) I went to visit a Gallo-Roman site recently and there was a sign displaying some text by Julius Caesar in which he listed all the Celtic tribes he defeated here, and I thought it was so cool that some of these names are still familiar because they are preserved in place names. The Roman invasion days, two millennia ago, already feel quite faraway but by then the Celts had already lived here for centuries—I wish the specific Gallic tribe that started farming around here in the Iron Age could know that 2,500 years later people are still farming in this place that's still named after their tribe.

Your question made me realise that what I associate with "appreciating local history" is like, going to see the ruins of some 2nd century Roman thermal baths or temples or learning that a town was named after a guy who owned the place in 847 AD, and I don't pay enough attention to the 16th century houses near my dentist's office or the 12th century church in front of the vet clinic. I should appreciate these time periods more! I do love the look of mediaeval towns with their tiny tortuous streets that make life difficult for people who drive stupidly big cars. And I love mediaeval castles, though I've only visited 2 of the 150-or-so castles (not counting the ruins) this region boasts (I use 'boasts' ironically, there's another region nicknamed "the 1001 castles" so our score is pitiful.) (They don't actually have 1001 castles, they're lying, it's like 600, plus some glorified manor houses that don't count)

Last-minute addition: I drafted this reply last weekend and today I saw some ruins in a town where I went to have my spring water analysed, and decided to pop by the town hall to learn more. I learnt that the ruins are what remains of the town's castle, which "successfully resisted many English attacks" (that's what they always say) and was then offered by the King to a courtier in the 1450s, and the courtier hated it because it was 400 years-old and cold and draughty and falling apart so he never lived here. The town hall lady was so unimpressed by her town's attractions it was funny—I imagine if I'd been a tourist she would have tried to sell it to me more but knowing I live nearby she was like, well our town has a 13th century church like everyone else and here's our "castle" that's a ruin now and that was already a ruin in Joan of Arc times. To add some fun fact about their castle she said that a Valois Queen had slept there for a few nights at some point and I said eagerly "Queen Margot?" and the woman said "... no it was in the 1300s. Queen Margot went to [better castle farther North]", in such a humble tone that I felt bad for accidentally pointing out that unlike [Rival Town] they got one of those obscure Valois queens no one cares about.

[deramin2]

A Quick Guide To Getting Caught Up On Critical Role Fast

This guide is for people who want the fastest way official to get caught up on all 3 Critical Role campaigns without seeing the full actual play episodes. They're all made so that the AP will still be enjoyable later even if you know what happens. There's no "right" way to get into the series, and already having an idea of what happens can even help make the APs more enjoyable and easier to understand.

Summary:

The Legend of Vox Machina

Crit Recap Animated

Exandria: An Intimate History

Critical Role Abridged

Guide:

Campaign 1:

The Legend of Vox Machina on Amazon Prime is the animated adaptation of C1 by the same creators. Sam Riegel said the creative approach is this was the version in av later play. All the important bits are there, but they get to those moments differently.

The Legend of Vox Machina has 3 seasons out now that cover events up through at least episode 85. A 4th season is in the works and will probably cover the final arc.

Campaign 2:

An animated adaptation for Amazon Prime called "Mighty Nein" is in the works, but not out yet.

Crit Role Animated is an older comedic summary series presented by their Lore Keeper that covers the whole campaign in 10 videos. Great if you want the gist.

It's like a history crash course history video meant to get you curious to learn the full story later. Great way to get a sense of who people are and what they've done. Available on YouTube and their streaming platform Beacon.

Exandrian History Review:

Exandria: An Intimate History is a timeline review of key events in world history, starting from the creation.

It was released before Campaign 3 as bonus content. It represents what the average person in Exandria knows about world history up to that point.

Campaign 3:

Critical Role Abridged is the Campaign 3 AP condensed down into 1 to 1.5 hours. It mostly cuts down combat to the narrated results and reduces table chatter and indecisiveness. It's a great way to experience the full campaign.

Critical Role Abridged is coming out 1 a week at a time on YouTube and 2 a week on Beacon. YouTube is currently up to episode 25. Beacon is up to episode 47. The AP is at episode 109. At some point you'll have to switch to full episodes to catch up.

Wiki:

There's also 2 world-class wikis where's you can look up extensive and meticulously cited information about anything you need. I prefer The Encyclopedia Exandria.

Viewing Notes:

An important thing to know about "continuity" in Critical Role is that it takes a more realistic view of how history is passed down through the ages and even dedicated academics will never know the full story or be fully correct. They know versions colored by in-world biases and lost knowledge.

Which is great for you the viewer because any campaign you comes into, the characters don't know most of what happened in past games. What they actually know will come up in game. The players have above table reactions and some subtle in jokes, but try not to act on meta knowledge.

It's structured a lot like reading one history book and then wanting to go back and read more about past events that set the stage for all those things to happen. They've tried to make it easier to come into the story happening now.

I certainly enjoyed watching the full APs from the beginning, and I think you can get a deeper understanding of the story from them, but it takes thousands of hours to catch up on the story that way and it isn't realistic for everyone. Each series builds on the consequences of past events more than they rely on unexpected twists, so already knowing what happens just helps you notice all the little things that led to them. Similar to how Shakespeare's plays are often more enjoyable to watch unfold if you already know the basic plot points going into them.

Happy viewing, and I hope this helps you or someone you know get into this very rich and interesting story!