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dumbkiri · 2 days ago

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A FEAST FOR BIRDS

𝐉𝐚𝐬𝐨𝐧 𝐓𝐨𝐝𝐝 𝐱 𝐅! 𝐑𝐞𝐚𝐝𝐞𝐫

When Jason Todd comes back to earth and faces off with his vigilante family along with villains, he settles his problems as much as he could. He reunited with his family, but still kicked villain ass. As the holidays approach, Jason is struck with a range of emotions. An unexpected visitor makes her way in Wayne manor with a child in her arms. Apparently, the child belongs to him.

[ESTABLISHED RELATIONSHIP]

“I am moving back into Gotham due to some company issues. I wanted to see if Jay can stay at your place for a bit? Maybe spend Thanksgiving with you and the boys? He would love to see his uncles and of course, his grandfathers. It would mean a lot to us if you can do this. If not, I can work around the company with him by my side. One day he will inherit what my father built, and I might as well get him to see his own building. Anyways, please let me know what you think. We miss you and the family a lot, see you soon Bruce.”

Dick leaned back into his chair and listened to the recent voicemail [Name] left for Bruce. Her voice rang with some truth while it felt like she was hiding something. He fiddled around with one of Batman’s batarangs thinking about the woman. They haven’t seen her or Jay in two years. He had to have missed something in her voice message. He knows it.

Dick leaned forward and pressed play on the voicemail, listening to it for the fifth time this afternoon.

“I am moving back into Gotham due to some company issues.”

This part alone made no sense to him. If his memory serves him right, Bruce and [Name] came to an agreement that he would watch over the [L.Name] Industry allowing her to live her life with Jay. Bruce never mentioned any “company issues” that she brought up in the call. Then again Bruce has Lucius to run Wayne Enterprise, so maybe Bruce neglected her company due to his commitment to being Batman. Although, that still made no sense because [F.Name] and Bruce had a great partnership.

[Name]’s dad knew who Bruce truly was in the night thus granting Lucius to work very closely with one another. [F.Name] would create technology that Lucius would then make into gadgets for Batman. After [F.Name] passed away, the plans he had were burned to make sure they didn’t get into the wrong hands. Bruce feared to keep the works [F.Name] worked endlessly on and made sure to get rid of everything he could in his archives.

“Maybe spend Thanksgiving with you and the boys?”

Thanksgiving…that is tomorrow!

“Bruce! Alfred! ” Dick shot up from his chair when the realization hit him. He dressed out of his uniform and into his casual clothing as quickly as he could. Whenever [Name] did drop Jay off for the holidays, she did it the day before so he could spend more time with them.

A million worries were hurdled at his body thinking back to another Wayne that was present in the house. “Jason, if you can hear me from down here!” Dick huffed up the stairs, “Let’s go out for some lunch! I am so hungry!” Was it a lame excuse for his brother-in-arms, yes. But if he had a chance to spare Jason from seeing [Name], he would do it in a heartbeat. Jason doesn’t know he has a kid, let alone a kid with his ex-girlfriend.

When Bruce described the relationship between Jason and [Name], he went on about true love. A happiness he didn’t think would surround him when he watched Jason smile at [Name]. The teasing he would do to the both of them like a real parent. Bruce watched them create a beautiful bond at a young age.

Then when Jason died, Bruce watched the heartbreak crush [Name]’s heart. Dick remembers the conversation between him and Bruce when the news of her pregnancy hit him like a truck.

“She looked at me like I killed him.”

“Bruce, you can’t think like that. [Name] is just hurting, you said so many times. They were meant to be together.”

“She told me that she’s pregnant.”

“W-what? She’s only 16, Jason really- Fuck, what do we do now? We have to support her, you did tell her that right?”

“Of course, I did. She accepted my help and she told me that she wants us to get to know the child. That she still wants to be a part of our family. So I told her that I will send $4000 to her account every month for any expenses she has. She didn’t accept any more and I didn’t agree to any less. I don’t feel right though.”

“What do you mean by that?”

“I mean that we get to live and see the child Jason made with [Name]. We get the luxury of knowing his child while he rots in the ground. If he knew, do you think he would have left? If [Name] got to him before the fake letter, would he have stayed?”

“Maybe, but at least we can do right by him and support his family. That’s all we can do for him now. It’s okay to cry, Bruce. Loss shouldn’t be associated with shame.”

He reached the top of the stairs and cringed at the sound of the doorbell ringing throughout the mansion.

As casually as he could, Dick entered the living room and heard the echo of two voices at the entrance of Wayne Manor. He sneaked around the couches and furniture thinking someone at the door would catch him from so far away.

“Who are you hiding from?”

Dick panicked and spun around to see Jason on the couch reading a book. He heard Alfred welcome [Name] into the manor and he knew the old man would lead her to them. With fast thinking, Dick ran over to Jason and shoved his sunglasses onto his face, “Quick! Wear these and this!” Then he stuffed a black face mask into Jason’s book.

“Dick, what-”

“Jason, please!” Dick pleaded and helped put the sunglasses on while Jason reluctantly put the face mask on. Jason wanted to ask more until Alfred walked in with a woman and a child in her arms. Swiftly, Dick pulled Jason’s red hoodie over his head and turned around to greet the visitors.

“[Name], it’s so nice to see you!” Dick shouted and enunciated her name to get it through Jason’s thick skull. He walked over to the woman and gave her a hug mindful of the sleeping child in her arms…wait, what? Jason squinted behind the sunglasses and observed the child some more which Dick fawned over like some lovesick idiot.

“Wow, he’s grown so much,” Dick awed at the sight of the child and gently touched the unruly black hair that reminded him so much of the Wayne boys.

“I’m sorry for the apparent unexpected visit, I did leave a voicemail for Bruce,” [Name] huffed and shifted her child more comfortably in her arms to which Dick reached his arms out to her. Without hesitation, [Name] smiled gratefully and handed her kid over to Dick. She watched Dick whisper to her sleeping son and told him, “We’ve decided to do a road trip instead of flying. Jay insisted that he wanted to see the ��world”, but there’s only so much adventure he can handle. He’s going to wake up super excited to see his favorite uncle.”

Dick’s mind blew up as his eyes looked from Jay to [Name] who giggled at his reaction. “You’re kidding, he said that? I’m his favorite uncle?”

Well that confirmed to Jason that the kid is definitely not Dick’s. Honestly he’d be pissed if Dick had a child with his ex-girlfriend. There were so many questions running through his head and he wanted to ask them. But the silent glare he got from Alfred in the corner of the room told him to stay put with not a word.

“Yes, it’s always been you, Dick,” [Name] unwrapped her scarf from her neck and shoulders. Finally her eyes spotted the giant man sitting on the couch adjacent to where her family was at. She observed him quietly and looked down at the book in his gloved hands. Dick nor Alfred introduced the stranger to her, so she took it upon herself to be polite.

“Hello,” She stepped around Dick and reached her hand out with a courteous smile, “My name is [Name] [L.Name].”

Jason closed his book and stood up from the couch. He towered over her and flashbacks of their time together brought longing in his chest. He remembered everything about her from her smile, to her eyes, to her personality. She hadn’t changed one bit. He reached his hand out and shook hers. His tongue twisted and more questions slammed into him.

“This is my friend, Lazlo,” Dick chimed nervously, internally cringing at the fake name he gave Jason.

This piqued [Name]’s interest and she giggled, “Lazlo, that’s a cool name. Can he hear me or speak to me?” She asked, releasing Jason’s hand and quietly whispered the last part over her shoulder to her friend.

Dick shook his head and said, “He’s actually a mute. Anyways what brings you here to Gotham. Don’t say holiday cheer either.” He walked between Jason and [Name] and took a seat next to Jason's closed book. Meanwhile Alfred dismissed himself knowing that Jason will not be able to say a word.

Jason sat back in his seat while [Name] sat on the couch across from them. She visibly relaxed in comfort and sighed tiredly, “My mother wants to force a marriage onto me and like some teenager, I ran away. Plus there are some things I have to do at the company. I wanted to see if you guys are okay with babysitting Jay while I dust the old mansion down the street. Haven’t been there in years.”

She laughed and Dick joined her. He shifted Jay into his lap and said, “Of course, we would be happy to take care of the little one. I, for one, missed him a lot. Is the marriage the reason why we haven’t seen either of you? It seems like a lot.”

[Name] straightened out her back and looked away from his bright blue eyes. Her smile didn’t reach her eyes as she explained a bit more, “Yes, it’s a reason. The marriage is with a business partner. He’s a bit older than me and has spoken about having a family with me. My mother is ecstatic about more grandchildren, but I am not. There is only one person I truly love and that is Jay’s father. I cannot imagine having children with someone else when Jason is still fresh on my mind. And he gave me a brilliant child to cherish in his memory.”

Dick could see Jason tense up at the revelation and saw from the corner of his eyes Jason look at Jay sleeping in his arms. The atmosphere grew heavier by the second and he had to do something. Something to appease Jason’s longing.

“Do you think Lazlo can hold Jay? He knew Jason before his death and-”

“Of course!” [Name] gestured to Jason, with a kind smile on her face, “I’m sorry for your loss, Lazlo. But I’m going to tell you now, Jay looks exactly like his father.” She giggled and Dick looked at Jason with expecting eyes.

Slowly, Jason sat up and hesitantly opened his arms up. He wasn’t ready to hold his child while keeping his emotions bottled up. “You can do this, Lazlo,” Dick’s voice reassured him, “He won’t break in your arms.”

[Name] laughed from her spot and pointed at Dick, “Hey, you were afraid to hold him the first time too!”

Dick shrugged and argued back, “He was a lot smaller back then.” Then he scooted closer to Jason making the transfer a lot easier for the both of them. In his sleep, Jay immediately snuggled up against Jason’s chest surprising the boy’s mother.

“Oh wow,” [Name] awed at the sight, “He normally doesn’t do that. Jay only snuggles into me, I’m kinda jealous he’s doing it with someone else.” She gave Jason a fake pout with a teasing tone in her gentle voice. But all he could focus on was the peaceful look on the child’s face.

This boy is his son.

Jason pulled Jay closer to his body as his chin touched the crown of the boy’s head. Then he felt a lone tear slide down his cheek. Thankfully he wore a face mask and sunglasses to hide his joy. [Name] spoke the truth when she said Jay looked like him. Jay is his mini-me.

“So how many instruments can he play now?” Dick asked.

“He only plays the piano, Dick,” [Name] rolled her eyes playfully, “but he can speak three languages. Sign language being one of them.”

Sign language? Jason thought and picked his head up with interest. He recalls that they learned sign language for fun to talk behind her mother’s back.

“That’s right, I remember you teaching him. Although, I think he flipped me off once.”

“Don’t say that!” [Name] laughed.

“I’m being serious!” Dick shouted back with a smirk on his face.

Jason leaned back into the couch while Jay fit perfectly in his arms. The boy laid on his chest with his legs being held in a gentle, but protective grip. Jay’s head laid onto his shoulder and Jason could hear the soft breaths that left the boy’s lungs. Soon, the voices of [Name] and Dick dissipated and the breathing of his son lulled him to sleep.

Jason would do anything to keep [Name] and Jay to himself. Even if that means revealing himself to them in the near future. For now, he’s comfortable with blissful ignorance.

……

“Mama, can I stay in Mister Lazlo’s arms a bit longer?”

A tiny voice woke Jason from his sleep and he felt small hands clenching the sides of his hoodie. He blinked his weary eyes open and saw the living room in a dark tint. He forgot he wore sunglasses to hide his face along with the face mask.

“Jay, it’s time for dinner. You and Mister Lazlo have slept long enough. You both need to eat. And you don’t want Grandpa or your uncles waiting for long do you?”

“But he feels safe and warm, mama.” Jay mumbled and Jason slowly rose up from the couch, steadying a startled Jay in his hold. He looked down at the child with a funny bedhead and couldn’t help but chuckle at the surprised look on the boy’s face.

[Name] fixed her son’s hair and looked at him lovingly, “See, Mister Lazlo is ready to eat too. Perhaps you can ask if he wants to sit next to you for dinner?” She looked at her son expectantly and the little boy nodded his head. He raised his arms up and sighed to Jason,

“Mister Lazlo, would you sit next to me, fuck you.”

The ending part took Jason and [Name] completely off guard and the mother reacted quickly pushing her son’s hands down to his sides. With a scolding shout, she said, “JJ, where in the world did you learn that?” She gave Jay a hard look and the little boy obviously seemed confused.

“What do you mean, mama? I asked him nicely.” Jay tilted his head to the side in a questioning manner.

“That last sign, isn’t really- It’s a bad word, JJ!” [Name] huffed and softened her look, “Who taught you that and what did they say it meant?”

What Jay answered made sense to Jason, “Uncle Damian said that it meant ‘please’. He said to only use it for them and not you though.”

“So Dick was right when he mentioned you flipped him off,” She rolled her eyes then focused back on her son, “Please, don’t use that anymore, it’s really rude. Use the sign for me as please from now on, understood?”

Jay nodded his head obediently then looked at Jason with bright silver-blue eyes, “Understood, mama. Sorry Mister Lazlo.”

Jason chuckled and shook his head, signing, “It’s okay, you did great. And yes, I would like to sit by you for dinner. As long as you give me any leftovers you have.”

Jay giggled and jumped up signing back, “It’s a deal!” The little boy ran off towards the direction of the kitchen and the adults were left on their own.

“He gets excited to meet new people,” [Name] spoke softly, her eyes warming up talking about her son. “JJ has a heart of gold and he loves everyone he meets like his own family. Especially the Waynes. When his father passed away, I panicked because he wouldn’t have a father figure to be his mentor. Yet Bruce proved me wrong. JJ instantly grew fond of his grandpa and uncles. They all became his father figure, some better than others in different aspects. Speaking of which, I might have to wrestle Damian for teaching Jay that obscene gesture.”

[Name] laughed at the end and looked at Jason for some approval. He quickly signed to her, “We can jump him together. The demon spawn won’t know what will hit him.”

Just like her son, she smiled and said, “It’s a deal.”

#x reader #x female reader #dc imagine #batman imagine #batman #jason todd imagine #jason todd x reader #jason todd #dick grayson

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jenoslutie · 1 day ago

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bad idea, right? l l.dh

❥ Synopsis: You swear you've moved on, you swear you're happy in your relationship. But why is Donghyuck still on your mind? and why are you in his bed again

❥ Genre: Ex FWB!Donghyuck, Bf!Jeno, angst, smut, ??? with benefits au, she is toxic.

❥ Warnings: disloyalty, blackmailing, suggestive but no actual smut, just a whole lot of shitty behaviour from mc, even more implications to recording during sex jeno x reader, haechan x reader. not a happy ending.

❥ Word count: 3.8K

❥ a/n: hellooo angels <3 so uh, this is part 2 of is it casual!!! i KNOW this is not what u guys wanted but i fear this is how the story went!!! as always, feedback is much appreciated :P !! also THANK U TO @be-my-sunrise and @hanniesbrat for letting me yap to you guys about this odd ass fic LMAO

You hated the fact your boyfriend was roommates with the man that ruined you. You hated walking into your boyfriend’s apartment and seeing his face there, staring back at you as if nothing ever happened. You hated having sex with your boyfriend knowing he could come home at any time and hear you. You hated the fact that he still thought that your boyfriend was your friend and treated him like one.

Jeno, your boyfriend, has been nothing but the best to you. He comforted you through all the late nights you wanted to spend crying, he held you through every moment you spent crying over that fucker until you realized how much you really like him. No man has ever treated you the way Jeno has. No love has ever compared to the love Jeno has given you and you wouldn't trade it for the word.

“Jeno, I really don’t want to see him, can you just come over instead?”

That’s how alot of your nights went,

baby <3: donghyuck told me i need to move out baby <3: he fucking sucks baby <3: he said i need to break up with u or leave because he can't stand seeing u around

you: what the actual fuck you: i'm so sorry you: he actually sucks so bad you: you’re welcome to move in with me in the meantime you: or however long u want you: i'm so sorry for dragging u into this mess jen you: seriously

baby <3: it’s not your fault baby baby <3: we’re in this together.

“You packing up your shit or what, loverboy?” Donghyuck smirked, leaning against Jeno’s door frame.

“Use your eyes, Donghyuck.” Jeno scoffed, not sparing him a glance. He continued to pack his stuff into his boxes.

“Oh, don’t forget to pack your girlfriend’s clothes! In Fact, I might have some in my room too, you want me to bring them to you?”

“Fuck off, Donghyuck.”

One thing you know for sure is Donghyuck fucking sucks. If he didn’t make that clear the first time around. You’d say you wish the worst upon him. However, some nights, you get deep in your thoughts and thoughts about your relationship with Donghyuck and you miss it. But one thing never changed, you always had Jeno by your side, every time, without fail.

“Jeno, what if I never met you?”

“Where’s this coming from?” He chuckled, pulling you in closer and kissing your head for reassurance. “I’m sure i’d find you one way or another, you're my person”

It was little things like this that made you fall for him. You truly believe Jeno was the one for you. No one treated you half as good as he did.

“I never want to leave you, angel. You’re mine forever” You smiled, cuddling closer to Jeno, you smiled to yourself when his scent hit you. He smelled heavenly, like he always did, the same comfort and warmth that drew you into him in the first place making you desire him even more today.

unknown: hey unknown: i'm sure you know who this is unknown: we need to talk unknown: don’t tell jeno.

Your heart sank. Donghyuck? It can’t be.

you: who is this?

unknown: [attachment: 1 video] unknown: remember me?

Your jaw dropped, clicking on the video to see you bent over the sink in a bathroom you could never forget, ever. Your hair a mess, you're deliriously calling yourself ‘his forever’. You fucking hated that he had anything to black mail you with such as this. You hated yourself for giving him that type of power.

you: donghyuck. you: we have nothing to say to each other you: dont try to contact me again

unknown: you’d be fine with me sending this to your boyfriend though, right?

Immediately, you called him. He was sick in the head and only got more and more out of hand.

“Donghyuck, you’re not fucking funny” you spat, venom laced in every word

“Funny? Babe, who said I was trying to be funny?” He chuckled “I’m serious, did you forget your little boyfriend lives right next door?”

You heard him knock on the wall, screaming out your boyfriend’s name. “Jeno!”

“Shut the fuck up!” A faint voice in the back.

“Fuck off, Donghyuck.” And with that you hung up, falling back onto your bed with a sigh.

“Jeno stop! They’ll hear us” You giggled, lightly pushing Jeno’s head away from his spot in between your legs. He’d been trying to get you worked up through your clothes the whole time youve been over at his apartment. This was the last week of him living here before he officially moves in with you and you both were ecstatic. Last week you’d have to see his face, last week you’d have to be in constant fear that he’ll overhear you and Jeno having sex and last week you’d have to even think about him.

“We’re alone, baby” he pinned your arms down with one hand. “Let me eat you out baby, promise you’ll be good?” You gave in, nodding at the promise of Jenos mouth on you.

“I’ll be good.”

Jeno was talented with his tongue. His technique was unlike any other. He knew how to have you arching into his touch, begging for more, cumming within seconds. You’d describe him as a walking sex god. His way of having you craving more was unmatched. And you don’t think you’ve ever had anyone quite like that before. Not even Donghyuck.

“Stop thinking about that fucker” Your boyfriend frowned, he could read you like a book and you genuinely dont know how he does it “He doesnt matter right now, it’s just you and me baby”

‘I love you, Jeno”

“I love you more than you can imagine, baby”

He kissed you hard, taking your mind off anything you’d been thinking of before. All you could think of Jeno’s mouth on yours, kissing you with everything he had. Within a moment, Jeno had you undressed, laying under him in all your naked glory. Smiling your love drunk smile at him. Jeno trailed kisses down your body, all the way down to your pussy.

“Jeno?” you called out, looking down at him with big, innocent eyes.

“Yes, baby?” he smiled at you sweetly, starting to trail his tongue along your slit, “Pretty, pretty pussy” he mumbled under his breath.

“Please fuck me already, I cant wait anymore. I need you in me” You pleaded, knowing your boyfriend would do anything but deny you anything.

“God, I love you. Anything for you baby” He took no time before hovering over you again, pressing a soft kiss to your mouth. “My angel, all mine.”

“She’s yours?” A voice suddenly interrupted you, a voice that was all too familiar. Jeno’s body hurriedly covered yours, protecting you from the eyes of the intruder.

“Donghyuck, get the fuck out” Jeno spat.

“No, If i remember correctly, she’s mine”

“I was never yours,” You countered, pulling Jeno onto you closer.

“Oh yeah? You want me to show you the video? As far as i know, your little boyfriend here still hasn’t seen it”

You felt Jeno freeze, “What video?” Jeno asked you, looking at you with nothing but confusion in his eyes.

Donghyuck kissed his teeth, “Oh, guess I shouldn't have brought that up right now. right, Y/N?”

“Donghyuck, just get the fuck out.”

Jeno pulled away from you as soon as Donghyuck left.

“What video?” He repeated, looking into your eyes with the same hurt that you once looked into his with. “Donghyuck recorded a video of us the last time we fucked, it was at his parents house on christmas, remember? Well, basically in the video he made me say I’m his forever. And he wont stop blackmailing me with it”

Jeno sighed. “He's blackmailing you?”

“Yeah, look.” you reached for your phone to find the messages Donghyuck had sent you the other day. You looked away from Jeno, feeling ashamed from the whole situation. Donghyuck apparently lived to humiliate you, never letting you catch a break from his antics.

“Baby, I’m so sorry.” He hugged you, pulling your naked body against his own. “You could’ve told me sooner, I could’ve dealt with him myself” Tears were threatening to slip from your eyes, feeling overwhelmed by Jeno’s loving words and Donghyuck’s bullshit.

“But i couldn’t, Jeno” Full on sobbing now, you let the tears fall freely down your cheeks. “I was too scared, he’s insane Jeno” Jeno just hummed, rubbing your back reassuringly.

“You’re not mad?” You asked

“It’s not fair of me to be mad, this happened before we were dating, it’s not fair for me to hold that against you.” He smiled, pulling away to look at your red, puffy, tear stained face. “My baby. Not his, I promise I’ll get us out of here as soon as i can”

donghyuck: i heard u and ur little bf were on a break donghyuck: i think i have some ways to make your break worthwhile babe

you: i'm not your babe. donghyuck. you: plus, you’re the reason we’re on break in the first place. you: dont contact me again, please.

donghyuck: you know you miss me y/n. donghyuck: don’t you miss the way i made you go crazy? donghyuck: remember the time in my car? after i caught you kissing that fucking loser chenle? donghyuck: you were on me like you needed me to breathe. you can’t even deny it. donghyuck: now open the door baby, i’m outside.

You were quick to open the front door, seeing Donghyuck standing infront of you with that stupid fucking smirk on his face. He knew that was your weakness. He knew he was your weakness.

“Miss me?” You hated his cocky tone. You hated that you actually opened the door for him. You hated that you actually did miss him. He let out a chuckle at your silence, he knew how to read you like none other. Not even Jeno.

“C’mon, let me in. You know you want to” You hated yourself for actually stepping aside and allowing him into your house, into your safe space. Memories of the endless nights you spent crying over him in the safety of your own house all blurry.

“H-Hyuck..”

“Oh? We’re back to Hyuck now?”

“Is it bad that I want you to kiss me right now?” Your words were hushed but loud enough for him.

“Yeah?” You nodded, looking down at your feet, too scared to look at him. “Why don’t you beg for it? Since you like to do that a whole lot hmm?” He smiled when he heard you whimper, inching closer to you slowly until he was close enough to wrap his arms around you.

“Are you gonna beg or are you gonna make me wait longer?” Immediately, a sob left your lips “Hyuck, please kiss me. I missed your lips on mine so much”

And without another word, his lips were pressing onto yours with the same intensity you craved, the same intensity that once drew you into him. You swear you almost fell for him again when he cups your face, tilting your head up and deepening the kiss. He began walking, lips still on yours forcing you to walk backwards blindly until suddenly you were falling back onto your couch where he followed suit.

You pulled away, admiring the honey skinned man above you with a small smile. “I missed this” A soft smile mirrored the one adorning your face.

“I missed you like crazy, no other girl compared to you”

“Why’d it take you so long to realize?” He paused, staring at you blankly.

“Just– took me a minute..” with a sigh, he leaned down and kissed you again, trailing his hands under your shirt. Grazing your warm skin with his cold hands, sending chills through your body.

“You gonna let me fuck you? Remind you how I'm so much better than your little boyfriend?”

“He’s not my boyfriend.”

“Oh? Last time I checked you were smitten over that guy”

You hated where this conversation was going so you tried your best to change the topic, “You’re the one about to fuck me right now no?”

“Shut u–” He was cut off by the sound of your phone ringing.

Jeno.

Jeno has given you space for almost a month now. Only sending you messages to check in on you occasionally. All to which you replied positively, ensuring him that you’ll be ready to get back with him soon. In reality though, you were nowhere near getting back with Jeno. You spent nearly every night of the past month in Donghyuck’s bed, either cuddled into him or you under him. Something about the way Donghyuck made you feel was unmatched and you’ll never get sick of saying that.

You stepped into Donghyuck’s kitchen early in the morning, seeing him in just a pair of grey sweatpants with his back turned towards you. It didn’t take long for the waft of the pancakes he’d been cooking up to reach you.

You gawked, “You’re making breakfast?” He turned to you, an unimpressed look on his face (though you could see him fighting a smile.) “Does that surprise you?” and you fought the urge to affirm that it does truly surprise you to see him doing something nice for you.

Instead, you hummed, “No, not really.” With a small smile on your lips, you walked up to Donghyuck who had switched his attention back to the pancakes he had cooking on the stove, wrapping your arms around his bare torso. His skin was soft and warm under your touch.

“Good morning, angel” He hummed, placing a hand over yours. The two of you swayed in a comfortable silence. This is how times with Donghyuck usually went, quiet and calm until he was suddenly kissing up on you, feeling up on you or begging to be inside you.

“You wanna sit and wait at the table for me?” You chirped a “sure” and detached from him, making your way over to the dining table, sitting down on your favourite chair.

baby <3: good morning angel baby <3: can i see you today? baby <3: i miss you, wanna hear your voice so bad :(

you: of course you can :) you: actually, let me just call you right now. you can still come over later tho :P

It didn't take long for an incoming call from Jeno to come through.

“Good morning angel” You could hear his smile through the phone. A smile creeping up on your own face just from picturing the beautiful smile adorning his face. “Good morning, handsome” He chuckled, “You sleep well?”

“You could say that..” You trailed off, thinking of the way you were cuddled into Hyuck last night, the warmth of his body keeping your own body warm. You slept better than you have in a while.

“I miss sleeping with you” Jeno admits, the pout in his voice too obvious. You frowned, feeling the guilt take over you.

“You can stay the night tonight if you want” You lowered your voice, hoping Hyuck wouldn’t hear all the way in the kitchen.

“Oh, no, I still want to give you space! I think i’d be impeding a little if I were to stay the night”

“I don't think so, you’re welcome to stay”

You heard him sigh in relief, “Okay then, I’ll come by in a bit.”

“See you soon, angel.”

You bid your farewells and that's when you noticed Hyuck walking into the room. “Who was that?” He questioned, setting the two plates of pancakes down. You broke eye contact with him, focusing your attention onto the pancakes in front of you.

“I asked you something, you know?”

“It was Jeno.”

He hummed, wordlessly digging into his own plate of pancakes. You felt so guilty. This isn’t where you belonged. You belong next to Jeno, in his arms, under him, near him. You belong with Jeno. Someone who treats you like a proper human. But you found yourself running back to Donghyuck and you hated it. Worst part of it all? Donghyuck didn’t even know you and Jeno aren’t officially broken up. You’d been too scared to tell him, too scared of the possibility of losing Donghyuck in your life. So you’d decide it’s best if he doesn’t know your relationship with Jeno. It’s not even like it matters, right?

“What the actual fuck” Jeno gawked, looking down on his phone screen. He’d originally planned for today to be a rest day after the hell of a day he had at work yesterday but his peace was disrupted when suddenly he got a text from his ex roommate.

donghyuck: hey jeno donghyuck: its me donghyuck donghyuck: i know you might hate me right now but you might wanna see this. donghyuck: [attachment: 1 video] donghyuck: before you come for me, i had no clue you guys weren’t officially broken up at the time of this donghyuck: im sorry jeno.

Attached was a video of a girl, naked body on all fours as the person behind the camera (presumingly Donghyuck) pounded into her from behind. The problem? The problem was the girl had the same hair as you, the same body, the same everything as you. Even that little tattoo on your shoulder that read “delicate” in a beautiful cursive font that Jeno had helped pick out. Everything was you.

jeno: donghyuck. jeno: thanks for this… i genuinely can't believe it.

Within a heartbeat, Jeno was pulling up your contact.

baby <3: hi angel baby <3: can i come over? i left my hoodie at ur house and i need it

you: sureeee thing! you: let me know when ur abt to reach <3

Jeno, furious, hurriedly grabbed his keys and got in his car. He thought after what you’d been through, you’d know how it feels to get your heartbroken like this. He’d expected you of all people to be better than this but no, you had to be the absolute worst of them all. He thought maybe you of all people would keep his heart safe but no, you clearly gave no fucks about him or his heart.

He managed to calm down by the time he got to your apartment. Breathing in and out before ringing the doorbell.

“Hi Jen!” You chirped, allowing him in. You were wearing an oversized shirt that exposed your newly tattooed shoulder. The same tattoo that was visible in the video. Jeno’s heart sank the more he looked at you. The girl he once gave his heart, his love, his everything to, is the one who he’s currently dreading speaking to. In other words, he hates you right now. Hate was one word he would’ve never imagined using with you.

“You okay, love?” you frowned, wrapping your arms around him tightly, pulling him close into you. He hated the innocent look on your face as you peered up into his own. He had a soulless look in his eyes. “I’m fine,” He forced a tight lipped smile, peeling your arms off him. “I’m gonna– uh, grab my clothes.”

You watched as he walked into your room and went straight for your closet, rummaging through to find his hoodie.

“Jeno” You started, walking into the room behind him. “What’s wrong? Talk to me baby,”

Jeno sneered, turning around to look at you with narrowed eyes. “What's wrong Y/N?” His voice raised, he wasn't yelling but it was clear that he was upset. “What’s wrong is while I gave you space to figure out your shit with Donghyuck, you went out and were fucking him. While continuing to lead me on. Isn’t that wrong, Y/N? Don’t you think I deserve any loyalty? Any love in return? While I sat here, impatiently waiting for you to come back to me, you were taking advantage of it and fucking the reason we were on break. Don’t you remember how we met in the first place? All those nights I spent being a shoulder for you to cry on, being there for you every step of the way. Don’t you think I deserve anything?” The hurt in his eyes was more than evident. You looked dumbfounded, eyes wide in shock as you stood frozen.

“Jeno–” You cut yourself off, at a loss for words. Sighing in defeat, you gave him an apologetic look. “I’m sorry. I felt so incredibly guilty everytime, but something in me just couldn't stop. I hate myself for doing it and you deserve to hate me for it too but I’m so sorry.”

“I loved you, Y/N. How do you think it feels when your girlfriend’s ex fling– or whatever he was, texts you randomly, telling you that your girlfriend had been fucking him the whole time you’d been on break? It’s not a great feeling, I’ll tell you that. Oh, and having to see a video of it? Even worse. I’m sorry Y/N but I don’t deserve this. I gave you my everything and you couldn’t even spare me an ounce of loyalty.”

“Jeno, a-are you leaving me?” He felt like laughing in your face, do you seriously think he’ll stay after this?

“Genuinely, do you think I’d wanna stay after the fact, Y/N? Honestly, I want nothing to do with you anymore. Consider us done.” He gave you that same, tight lipped smile, gathered his belongings and walked out your bedroom door.

“Jeno!” You called out, he stopped in his steps, turning to look at you one last time “I’m so sorry, I love you.” Tears were threatening to spill from your eyes.

“No, you really don't. Goodbye Y/N, don’t contact me again, please, for my sake.” And with that, he walked out your door, leaving you broken and in tears. You had no one to blame but yourself. If you hadn’t let Donghyuck in that day, you would have saved yourself from this mess, you would've still have Jeno in your life and you wouldn't be here, crying in your doorway.

Filled with rage, you dialled Donghyuck’s number, he picked up on the second ring.

“Why the fuck wouldn’t you tell me, Y/N?” He spat, you could tell he was angry. “You had me thinking this whole time, you’d broken up but in reality, you were leading on poor Jeno and still fucking me? How do you think that makes either of us feel? I know I did something wrong the first time around but this time? You fucked up, Y/N.”

“Hyuck liste–”

“Don’t call me, Y/N.”

With that, he hung up. Your heart dropped, you felt as if you’d lost it all in the span of under an hour. All that you cared about in life had been ripped out of your hands with no one to blame but yourself. You hated what you’d done, hated what you’d done to these two poor men. Neither of them deserved it, especially Jeno and you had no way of going back in time and fixing it.

#nct smut #jeno smut #nct dream smut #haechan smut #donghyuck smut #nct 127 smut

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only-lonely-star · 12 hours ago

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can you do dallas winston x soc reader where she invites him over to her house and it’s super pink and girly and he wants to look at every little thing! love you’re work btw!

. ݁₊ ⊹ . ݁˖ . ݁ Pretty in Pink . ݁₊ ⊹ . ݁˖ . ݁

Warnings - Pure fluff. Established relationship between a soc!fem!reader and Dallas Winston.

Summary - If it were up to him, he would never leave your room ᯓ ᡣ𐭩

Author’s Note - Thank you so much for this request!!! I’m truly so happy to hear you love my writings, it means the world to me 🫶🏼. I sort of took ‘house’ and turned it into bedroom, so I hope this is still okay skhfhsjjs 😭. I had a lot of fun with this one, I hope you all enjoy it as much as I do!! 🩷🩷

Word Count - 1.1k.

. ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁

Applying a thin layer of tinted gloss, you puckered up and smiled upon the reflection in your vanity mirror. The white, wooden piece blended with the rest of your room perfectly as it leaned against the floral wallpaper adorned in patterns of pink peonies. Pink - you were certain there wasn’t a color as perfect as the pastel hue that flooded your room. As a finishing touch, you doused the sides of your neck in a fancy perfume, one that cost a fortune. The bottle was, of course, a baby-pink heart with a white ribbon tied around it. You felt ready to take on the world.

Leaned against the windowsill of your bedroom, your eyes longed to catch a glimpse of that rusted, old Thunderbird that Dallas typically took you around the city in. You could hear it a mile away, the noisy vroom of the vehicle, and the screeching shrill of its breaks. The stars cast a beam of light against the pavement to your driveway, ensuring he’d find his way there eventually.

Although you loved him to death, this boy had never spent a second in this house past your doorway. Tonight was different - he wasn’t dropping off flowers, knocking on your door to shower you in drunken kisses, or even luring you into his car to sneak out for the night. He was staying over. In your bed. Staying in your girly bedroom. Just at first glance, it was clear Dallas was no softie. He didn’t care for frilly pink bows or dainty jewelry, he was as masculine as they came. A hint of nervousness formed at the pit of your stomach as your brain worked double-time to map out every negative outcome possible. Maybe he wouldn’t like it, it would be too overwhelming - the possibilities were endless.

Just as these thoughts began to overwhelm you, the repetitive ring of your doorbell brought you back to reality. He was here. You raced for the front door without a second thought, leaping down the staircase, taking two steps at a time. Once you had reached the door, you flung it open with excitement, only to wrap your arms around his figure. He wore a cocky grin, a classic expression he often used in moments like these. You felt the jerk of his body as he stifled a laugh. “I saw you yesterday,” he commented wittily, slowly running a hand up and down your back.

You stood on the tip of your toes, planting a kiss on his cheek. Without waiting a second longer, you snatched the boy inside with a simple yank to his arm. “Come on, get out the cold, Dal,” you teased.

Dallas glanced down at his boots, giving them a quick stomp or two before taking a look around. “So this is your little mansion, huh?”

“Mansion,” you scoffed in reply. “This ain’t even the best part! Come on upstairs with me, I’ll show you my room.” You ran a hand up and down his sleeve as a signal for him to follow your lead.

Dallas let out a low whistle, slowly making his way up the staircase. His eyes darted in every which way, gliding his hand the entire way up the wooden railing of the staircase. “Shoot - I’d sure like to live in someplace like this.”

“Yeah? Well, you’re living in my room tonight,” you responded cheekily, biting back a smile. As you reached the final step, you guided him down the hallway which led to a number of bedrooms, each decorated in their own unique way. Dallas poked his head in each one, furrowing his eyebrows in confusion as to which was yours. “Dal, it’s this one.”

He whipped his head around, stuffing his hands in his pockets. Continuing to follow your lead, he carefully took in the new environment. Pink, flowers, ribbons, lace, hearts, dolls - it all hit Dallas like a tidal wave. His dull eyes were now filled with excitement at the sight of it all. “Jesus Christ,” he scoffed, “l think you might like the color pink.”

Letting out a burst of laughter, you ushered him inside. “Who would’ve thought, right?”

Dallas’s attention was immediately drawn to the white jewelry box with flowers painted along the side. He curiously stepped closer. He traced his finger along the woodwork, whistling lowly, “This a dollhouse or something? Looks like it would be for a-.” His attention diverted quickly, just before you could correct him. Dallas smiled in fascination as he caught sight of a small ballerina placed on a shelf near the closet doors. He inspected its fine details, running his fingers along the figure.

Before his interest was sparked again, you decided some commentary was needed. “That’s actually a music box, if you look at the bottom there’s a little knob.”

Dallas had his fingers twisting relentlessly around the knob before you even finished that sentence. He set it back down on the shelf, watching the little dancer spin around as the steel comb inside produced a delightful sound. “No fuckin’ way…” his voice trailed off in awe.

“You like that?” you chuckled, standing beside him to observe the figurine. It felt strangely comforting seeing Dallas with such youthful wonder in his eyes.

“That’s so cool, man, I want one,” he shifted his gaze from the music box back to you with a genuine smile.

“I have to show you this doll, I’ve had it since I was…five? I don’t know,” you spoke excitedly, dragging him towards your bed.

Kneeling beside the bed frame, you reached underneath it to retrieve a box. This box was worn out, each crease and wrinkle in the cardboard, a sign that it was well-loved over the years. Out came a porcelain doll, dressed in a white, ruffled dress with a lacey bodice that was colored in a soft shade of pink. Her hair was blonde and curled to perfection, a small bow added to accessorize her faux hair. Dallas stood over you, his thumbs in his jeans pockets. “She’s gorgeous, I bet that thing is worth more than my life.”

You gently stroked the back of her hair, admiring the delicate fabric of the miniature dress. “Hell- who knows?” You began to pack the doll up once more, hearing the shuffling of Dallas’s feet along your carpet. You paid no mind to this at first, assuming he was checking out more of your belongings. It was only then, that you stood up to find Dallas cozied up in your bed underneath a heap of fluffy pink and white blankets, holding a teddy bear against his arm. He had thrown on a satin sleeping mask adorned with small red hearts. Dallas had truly made himself at home, despite standing out more than any unique decoration in your room. He had a field day in your dollhouse of a room.

“How do I look?” he asked playfully, adding a hint of sass to his voice.

In adoration of a softer side you’d never seen before, you pounced onto him as you let out a giggle, wrapping yourselves in the plush blanket. “You look so pretty in pink.”

THANK YOU ALL FOR READING!! I HOPE YOU ENJOYED THIS ONE!!! 💋

- Sophia 🫶🏼

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corvusblackk · 12 hours ago

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MWAH MWAH MWAH MWAH i shifted last night!!!!

i js wanted to say that in the past (specifically after shifttok), i overcomplicated it WAYYYYY too much. like, drinking 9 cups of water and making sure my room was spotless, and laying in a starfish position all night and counting down from 300 until i got to my dr type stuff.

and i AM NOT saying WHATSOEVERRR that people can’t do it like that because you can shift any way! just personally, whenever i did a hundred step method, i would focus more on the act of shifting rather than the fact that i was already there.

after a very long break, your account helped me simplify it again so thank you, because i actually most likely would have given up otherwise.

This one almost made me emotional…

I’m SO proud of you, I hope you’ll get the best out of your experiences and have fun, remember you’re limitless.

I’m truly glad I was able to help you in some way or another, that is a big goal of mine, so hearing that you appreciate my words and got help to succeed really makes me happy.

So thank you for telling me,

have fun in this new chapter!

#reality shifting #shifting #shifting realities #desired reality #shiftblr #shifted #success story

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silverynight · 2 days ago

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The roommate

<---Previous

Part XXVI

"What's your ideal date, Izuku?"

Perhaps it's just an innocent question, but Izuku is so tense because of the mission, he immediately has a bad feeling about the whole situation. Besides, even though he's usually friendly towards anyone, the way Toga is grabbing his arm is making him want to put some distance between them as soon as possible.

"Uhh... it used to be going to the park or maybe a fair and share a crepe with the person I like–"

"Are you hungry, Izuku? Do you want a crepe?" Toga asks, blushing even more.

"No, thanks... I actually have to go."

"Why?" Kana cuts in, the moment she notices that Toga looks disappointed. For the most part, she left them alone; she seemed happier walking right behind the two and not engaging in their conversation at all.

"My boyfriends are waiting for me," Izuku blurts out, not knowing if it's the right thing to do at the moment. He knows he should be trying to pretend things aren't going that great in his relationship, but right now there's nothing he wants more than to see them again.

The grip Toga has around his arm tightens and it becomes slightly painful.

"You're hurting me," he points out and Toga squeezes him even tighter against her before she lets him go.

Izuku doesn't like Toga at all. She makes him feel uncomfortable and nervous.

"They'll eventually hurt you," Toga narrows her eyes. "They don't deserve you."

Izuku starts wondering if Toga is one of those people who started sympathizing with the heroes' haters after Kana was released and shared the villain's ideals with the world or if she was always like that due to personal experiences.

"They love me and they try their best," Izuku argues; the need to defend them is stronger than anything else. "I can't ask for more. Besides, I make mistakes too. Nobody is perfect."

"Pro heroes certainly aren't," Toga huffs, getting more irritated with Izuku's response. "But people seem to think they are."

"Some of them do," he agrees. "But not all of them. It's truly a mistake to idealize people, not only pro heroes. They are human too and although they shouldn't get away with crimes just because of their position, we shouldn't judge them too hard when they make harmless mistakes."

Toga shakes her head, but doesn't argue with Izuku because she doesn't have anything to say to that.

"I don't trust pro heroes and you shouldn't either."

"I trust Kacchan and Shoto."

She hisses and Kana doesn't look happy either, but Izuku stays calm, mostly because there's a lot of people around. Although he shouldn't feel like this; they're just two girls with strong opinions.

"I must go. It was a pleasure to meet you," Izuku tells Toga, before waving at Kana.

It looks like Kana wants to say something else, but Toga stops her; Izuku has never been that relieved to leave a shopping center before.

As he walks away and into a street nearby, he finally has the time to read Hagakure's texts; she apparently didn't like Toga at all and decided to ask Yaoyorozu to find out more about her.

"Izuku."

He hears Shoto's voice and he definitely bumps into a broad chest and a hero suit that looks exactly like his, but as soon as Izuku looks up and stares into familiar mismatched eyes he is completely sure this is not his Shoto.

He knows Hagakure is still following him because it's part of the deal, but he wonders that now that she's seen his "boyfriend" she would go back to the agency immediately.

"Hi," he mumbles nervously before he takes his phone to text her quickly, but a pair of hands snatch it off his as they also take Izuku's groceries.

"Let me help you with that."

"You know what?" Izuku smiles, trying to look as calm as possible. "I forgot something, I need to go back to the mall."

"I know you're really smart, Izuku and I'm sure you know this is not your stupid boyfriend. But you'll have to come with me–"

"Hagakure!" He screams. "This is not Shoto!"

The villain makes such a disgusted expression that looks so foreign on Shoto's features that it makes Izuku to instinctively take a couple of steps back. He's ready to run.

"There's a pro hero here?" The fake Shoto hisses. "I should've known!"

Then he takes a knife out and Izuku has the sudden feeling (maybe because of his nightmares or the way Toga approached him earlier) that he has finally solved a complex puzzle.

"Toga?"

"I told you to call me Himiko!" She hisses again with Shoto's face before stabbing him.

Izuku screams in pain.

"What are you doing? You told me you weren't going to hurt him!" Is that Kana's voice? She doesn't sound happy anymore.

"I won't kill him. He just needs to learn a lesson!"

Izuku wishes she stopped using his boyfriend's face and voice because it hurts to see Shoto trying to harm him, even though Izuku knows it's not the real one.

Then, she removes the knife, which is even more painful; he knows it'll also make him bleed profusely. Then, something collides with Toga, and she begins to turn back into her original form.

A blond, naked, but wild young woman willing to do anything for what she wants.

Although Izuku is not sure what she wants at the moment, the only thing he knows is that he's bleeding, feels dizzy and his knees can't support him anymore.

He falls to the ground as he realizes Hagakure is the one fighting Toga.

There are a couple of people in that area now and some of them are calling an ambulance and others the police and asking to be transferred to a hero agency.

A couple of them are taking videos of what's going on. At least they have Toga's transformation on their phones now.

Everything's confusing.

"I'm sorry! I didn't know she was going to hurt you!" Kana is at his side now, although Izuku can't be that sure; his vision has become blurry out of the sudden.

He's going to pass out.

"She's confused, but she means well..."

There's a scream, but this time it comes from Toga.

"What did you do? You blinded me!"

Izuku nerd's heart would have loved to see how Hagakure managed to do that with her quirk; he has seen her on YouTube videos a couple of times... does she reflect light to the point–

His vision turns completely black for a second.

Maybe it's not the time for hero combat analysis.

"Die!"

The familiar, absolutely rude yell comforts Izuku immediately and even the explosion that follows it.

"Izuku, love, are you alright?"

For a second, he flinches at the sight of Shoto, but one look tells him this is his boyfriend, the real one.

"It's alright, Izuku. It's me, please..."

He feels safe now, despite the pain and the amount of blood that's coming from his open wound; Izuku had been trying to stop it with his hands, but he's too weak to put pressure on it.

His vision is turning black again.

"Izuku, don't close your eyes," Shoto pleads, desperate, worried; Izuku is almost sure he's about to cry. "Stay with me. The paramedics are here–Izuku!"

"IZUKU!"

His Katsuki is getting closer now, but he can't stay awake anymore.

At least he's with them again.

***

He wakes up a couple of times; the first one he's inside an ambulance and the paramedic is asking a few questions to Katsuki.

"Izuku?"

His eyes can't stay open for too long.

The next time he's on a bed, in a room that smells too clean and covered on light blue sheets.

"Are you alright, baby?"

Izuku beams as he looks up at Katsuki; he's being extremely soft and gentle with him because he's worried. He also looks tired and like he's about to break.

"Love?"

Shoto is there too, which makes Izuku feel better immediately; he's still dizzy, but there's no pain now, although Izuku suspects they gave him a couple of painkillers for that.

Suddenly, his boyfriends take his hands and lean closer to him.

"I'm glad you're here," he manages to say.

"Don't you dare scare us like that again!" Katsuki huffs, trying to hide his own concern, but he intertwines his fingers with Izuku's. His eyes are red; he must've been crying. Shoto doesn't look any better.

"I was scared." The man with mismatched eyes admits.

"It's okay," Izuku smiles, pulling them closer (one at a time) to give them both a kiss on the forehead. "I'm here."

***

You can read Part XXVII, Part XXVIII and Part XXIX on my patreon already.

Patreon

#mha #bnha #my hero academia #bkdk #tddk #bakugou katsuki #izuku midoriya #bakudeku #shouto todoroki #tododeku

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mbg159 · 2 days ago

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One belief I've recently come to with regards to Crow is based on a video I saw once, which discussed a character who faced very similar circumstances... that is to say, Scrappy-Doo. (Bear with me, this is going somewhere.)

Now, usually, when people hear the name "Scrappy-Doo", they think "boy, I hate that little shit." But the thing was, that wasn't what people thought initially. When you watch those early episodes where he appears, there's really nothing particularly wrong with Scrappy in a vacuum. Yes, he can be annoying, but so can Scooby and Shaggy, and he's intentionally written as such. He changed up the formula somewhat, but the formula had gotten so stale that the writers were happy for it (Mark Evanier has a story about how they had to go over various monster ideas and sigh when they realized they'd already used them). If anything, ratings saw a very noticeable uptick when he showed up, to the point that he's credited as saving the show from cancellation.

The thing was, the executives looked at that ratings uptick, and decided to make a number of moves with the objective of trying to shake up the formula as much as possible in favor of what they thought people liked and what would save money. Six main characters? How about we cut it down to three main characters, two of whom are voiced by the same guy? Solving mysteries and always finding out it's a guy under the mask? That's boring; instead they should meet real monsters and fight them. Half-hour-long episodes? Too expensive. Make seven-minute shorts instead and lash them together into three segments.

Now, obviously these changes aren't necessarily Scrappy's fault, but the fact was, within a single year of his introduction, the show had turned into something almost unrecognizable as its former self. What was more, while other characters suffered as a result of these changes (most obviously, Fred, Velma, and Daphne being written out altogether), Scrappy was the character who outright reaped benefits from them. With those three gone, Scrappy was now the only person in the group who wasn't a bumbling coward, which resulted in him becoming, if you'll forgive me, a bit of a Mary Sue. Scooby and Shaggy became his idiot sidekicks while he set up traps and defeated monsters all by himself. Some episodes didn't even feature Scooby and Shaggy at all, and had Scrappy off on his own with his other uncle, Yabba-Doo, taking part in generic Western-themed adventures.

Essentially, Scrappy was a harbinger of an era where the series completely lost its identity, and during that era, he was front-and-center, and many decisions seemed to be made to give him primacy. He wasn't necessarily a bad character at any point (even at worst, it would be hard to call him a low point in whatever he was in), but it becomes difficult to separate him from the constant barrage of bad decisions that surrounded him. And it's equally hard to ignore that the series had truly gone all-in on Scrappy: if you weren't a fan of Scrappy when he first showed up, you certainly weren't a fan when you saw an episode about Scrappy and Scooby's hick brother meeting space aliens.

And nearly everything that I said of Scrappy is also true of Crow. (I don't know if he saved his series, but I've argued before that he was part of an attempt to do so.) It's not that he's a truly bad character at any point. I don't like him, but I can't deny that there are people who do, and I would say that any critique I can make of his writing is something I could probably make about characters that I do like. Johan in GX does a lot of the same things Crow does, and I mostly like him. But the thing is, it's impossible to extricate Crow from the fact that his prime years happened to be when the show became a bit of a mess--and really, that's by design, when the series spent that period going out of its way to broadcast his presence.

What is more, I said with Scrappy that the bad writing decisions of his era harmed other characters but benefited him. Crow is the same way. When you think about bad writing surrounding characters like Aki, Carly, the twins, and most other pre-Road to Freedom characters, you think of decisions that made them less important, less competent, and overall marginal. For Crow, meanwhile, most of the decisions people call "bad writing" (his abrupt introduction, the fridge thing, becoming a Signer, Black-Winged Dragon, the WRGP structure) were seemingly intended to push him into the spotlight.

The final duel with Sherry is a great example: I don't think it's a stretch to say that it's bad writing for a show to try to build an epic character conflict around two characters who have nothing in common and have never interacted. However, the alternative would be him having no investment or arc whatsoever in what's effectively going to be his final story. And for other characters (i.e. Ruka), the writers would probably be fine with that--but not Crow. And so Crow gets the internal struggle and the finishing blow and the big handshake at the end, and none of it really means anything, because the writers didn't really plan things out beyond "well, he has to do something, because he's our third main character," and treated that as an end unto itself.

Crow is a character where it would be silly to say it's his fault that the show started to come apart at the seams. There was a thousand reasons for that, and he honestly wasn't even that important, as you've pointed out. If you removed Crow, then the other characters would probably have suffered a similar fate of dwindling in the background as the writers struggled to find things for them to do. But at the same time, if there was a single character you could point to who represented that era... it would kind of have to be him.

Anyway, look forward to twenty years from now, when he gets turned into a villain in a weirdly adult film adaptation.

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

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