#so the ending theme being that omega needs to accept it rather than omega deserves an apology?

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yeah like. its important for omega to understand that change is a necessary part of life but also its important for the writers to remember that she is a ten year in an unstable environment doing dangerous and deadly things without even, it seems, a consistent source of food or a real bed, and in all that tech dismisses her pain at someone she considered family leaving (right before she genuinely thinks theyve lost their home) so for the conclusion of the episode to be "i responded to Echo's leaving the way I did because I am autistic" and not both that and "but that doesnt excuse the way i spoke to you or treated you (or Wrecker) so I apologize" is getting on me and friends nerves more than just a little

[dramioneficrecommendations]

Best Draco/Hermione Fics Dramione Shippers Read in 2020

A few days ago, I asked you what were the best Dramione fics you'd read in 2020. Here's the huge list of your excellent recs (in alphabetical order):

A Creature Most Unusual by JMilz: Draco Malfoy is on a mission. Unfortunately, Hermione Granger catches him in the act. When she sees that he has adopted a rather unusual magical creature, she becomes determined to make sure he takes care of it. Little does she know, the animal may hold her key to eternal glory . . . and a whirlwind romance. M, 9 Chapters, 24,460 Words

A Little More Alive, Far Less Lost by MGL_Dramione_Lover: After Draco's post-war trial, he finds himself attending his 8th year at Hogwarts with Hermione. As remorse and acceptance replace anger and hate, the old enemies begin a friendship that sparks into much more than they ever hoped for. Hermione's goal as Head Girl is to banish old prejudices and unite the school while Draco's only wish is to become a man worthy of her love. M, 22 Chapters, 84,823

A New Light by mithrilstarlight: Draco spent six years doing his best to keep his head down. Then he runs into Hermione Granger. Turns out, they actually have a lot in common.Chapters posted M/W/F. T, 18 Chapters, 33,876 Words

A Second Look by RiverWriter: Her best friend's life was a mess and she would have done anything to make things better for him and his sons. So, when she found her former enemy in a similar situation her heart went out to him as well... and the beautiful blond baby in his arms didn't hurt his case. It was certainly enough for her to give him a second look. M, 30 Chapters, 127,243 Words

All that is Rare by smithandbarrowman: In the wizarding world, it has long been assumed that men are Alphas and women are Omegas. However, when Hermione Granger discovers that assumptions are rarely factual, her status as one of only a handful of female alphas that has ever existed has men falling at her feet.But there’s only one man she wants, and like the male alphas before her, the hunt is on until he bears her mark. E, 31 Chapters, 119,755 Words

All the Wrong Things by LovesBitca8: Sequel to "The Right Thing to Do" - Draco's POV. Part 2 of the "Rights and Wrongs" series. E, 24 Chapters, 160,297 Words

All You Want by senlinyu: Eighth Year at Hogwarts was supposed to be Hermione’s. And it is, just not in the way she expects. Omegaverse fic. E, 36 Chapters, 172,651

apples & cream by LovesBitca8: She could have taken her things and gone through his Floo without a word. She could have ignored him on Monday morning, as though last night had been no more than a fever dream and too much Firewhisky. But she’d come back to bed. Inspired by the lovely NikitaJuice's "apples & cream." E, 1 Chapter, 1,426 Words

Beginning and End by mightbewriting: Years. Broken into months into weeks into days—into hours, minutes, seconds—into moments. Simple at one end, complex at the other. In Draco’s experience, moments, even when simple, had a habit of becoming irretrievable. Moments grew, stretched, multiplied into ages and eras that defined whole stretches of measurable time. Draco regretted several moments in his life, some within his control, some without: all of them irretrievable in nature. At a certain point, wedged between ‘what-ifs’ of his own devising, he’d stopped trying to keep track of those regrettable moments: now and then, pushing and pulling, coming and going, beginning and end. Moments were only moments for just as long. After that, he had no control. A Draco POV prequel to Wait and Hope. E, 48 Chapters, 242,100 Words

Bells on a Hill by HeyJude19: Left by his fiancée a month before the ceremony, Draco never got his dream wedding, so agreeing to assist Granger with her own wedding planning to distract himself from his broken engagement seems like a great idea—though Draco probably shouldn't fall in love with the bride-to-be. Based very (very) loosely on The Wedding Singer. T, WIP

Bending Light by scullymurphy: Draco Malfoy was in exile, though they called it protection. It was the summer after sixth year and he'd taken Dumbledore's offer, defected to the other side and been sent away to a small town in Italy for his troubles. No magic, few rules, and not a lot to do - until Hermione Granger showed up. M, WIP

Break for me by Ada_P_Rix: COMPLETE _______________ "-I told them this wouldn’t work.” He cut in through gritted teeth as he kept his eyes on Hermione, making her pulse quicken and she couldn’t help but clench her thighs together at the rough, husky tone of his voice. He didn’t miss it; his eyes landed on her thighs and they darkened even further. “I can’t help her when all I feel like I want to do is pin her down and fuck her into the mattress.” _______________ Hermione gets into a little accident at work and is infected with a hybrid potion created to cause certain heightened side effects. Draco offers to stick around to give his work partner a little support ... if he can Occlude long enough to resist her... E, 7 Chapters, 45,107 Words

Breath Mints / Battle Scars by Onyx_and_Elm: For a moment, she's almost giddy. Because Draco Malfoy's been ruined by this war and he's as out of place as she is and — yes, he has scars too. He's got an even bigger one. She wonders whether one day they'll compare sizes. E, 51 Chapters, 148,908 Words

Bring Him to His Knees by Musyc: Draco is on the case of a murderer, but to investigate, he needs a fake relationship - and a kink club play partner. When Hermione volunteers to take the role, both do their best to maintain the lie without letting each other know the truth: neither of them are acting. E, WIP

Calendar Boys by anne_ammons, Nadiapolyakova (Rijaya83): She had thrown out the idea on a lark, but now Hermione Granger was tasked with bringing the charity calendar to life. What was one more thing on her list? An art/writing collaboration between nadiapolyakova and anne_ammons - twelve photos and a piece of the story behind them. M, WIP

Cherry Mint by dirtymudblood: "He could smell her. Even multiple train cars away, he could smell her. Except, Draco didn’t know who she was. He ignored his natural instincts to pant like a dog and follow the scent to the omega in the beginning stages of heat. Instead he willed himself to rub his knuckles against the rough wood of the table in front of him." E, 27 Chapters, 58,081 Words

Dark Water and Dying Eyebrights by bexchan: One of them is desperately trying to remember their past while the other is forever trying to escape theirs. It's seven years after the war and Draco has managed to avoid almost everyone from Hogwarts, living a lonely life on a small island, far away from the wizarding community. But a familiar face in a cafe window capsizes his world into chaos. Dramione. EWE. Memory fic. M, WIP

Difficult by provocative envy: COMPLETE: "I should," I repeated. "But I don't want to." And then he smiled, and I was wrecked. HG/DM. M, 30 Chapters, 87,041 Words

Don't Look Back by Onyx_and_Elm: It’s the smell of it. Chemical. Bitter and sharp as a raw edge on metal. Just a hint of it as she passes him at breakfast — but enough to stop her dead, mid-step. There is Wolfsbane in his tea. E, WIP

Don't Threaten Me with a Good Time by monsterleadmehome: She scoffs. “If you must know, he ‘elected’ me because he thinks our shared animosity will keep you in check. He’s also not worried about you trying to shag me as a distraction.” He leans back, stubbing out his cigarette on the banister. His eyes rove over her from crown to toe and back. She lifts her chin and tries not to shiver. “Well, he’s right about that.” Lucius Malfoy hires Hermione Granger to whip his son into shape so he can find a pure-blood bride and receive his inheritance. What could go wrong? E, 10 Chapters, 48,092 Words

Draco's Gift by TriDogMom: Draco gives Hermione a gift because of an instructional YouTube video. M, 1 Chapter, 1,705 Words

Dragon in the Dark by GracefulLioness: The battle is won, Voldemort is dead, but the war is far from over. In the new Death Eater regime, Draco Malfoy does what he must to survive and keep his mother safe. Now a highly trained assassin, Draco has learned to think of his targets as inhuman beings, but when he is tasked with killing someone from his past, he can no longer hide from the horrors of the world around him. E, 31 Chapters, 164,782 Words

For a Present Under the Tree by grace_lou_freebush: When Draco and Hermione eloped, the Wizarding World turned against them. Hermione is stuck in a low level, low paying Ministry job with no hope of upward movement. Draco can't even convince someone to hire him. Now, it's Christmas, and Draco knows Hermione deserves the world - or at the least a Christmas gift. He finds the perfect hair comb to replace the horrid Muggle brush she's been making due with, and he'll do anything to afford the paltry present so he can have something to put under the Christmas tree for his wife. Making a beeline for the jewelry box containing the hair combs, Draco rifled through them, landing on an ivory comb with queen anne rose carvings and gold filigree detailing. He brought it to the startled shopkeeper and set it down gently. Pulling his sixth generation Malfoy heirloom pocket watch from his coat, he shoved it in the wizard's face without second guessing himself. "I would like to make an exchange." E, 1 Chapter, 10,141 Words

Fortuitous by MrsRen: Recently divorced Draco doesn't believe in the ideology of having one true love. He certainly doesn't expect to meet his match in a Halloween themed coffee shop, but fate has a peculiar way of giving you just what you need. M, 13 Chapters, 93,695 Words

Fuck, Marry, Avada by Lilian_Silver: Some years after the war, the gang meets up at the Leaky to play a silly game, with very real consequences. E, 1 Chapter, 3,106 Words

Give Me An Hour by RZZMG: As the war continues to rage on around them, Hermione Granger decides to seduce fellow Order Member, Draco Malfoy, one night while at Grimmauld Place... and everything between them changes after that. Fic follows the "five times" trope, and is dedicated to raspberryjukebox. One-shot. A/U-Extended War scenario. Dramione. Drama-Romance-Hot Shag! COMPLETE! M, 1 Chapter, 3,251 Words

Good Girl by arabellaleyes: Hermione is tired of their normal routine in the bedroom. What will happen when she asks Draco to spice things up? One-shot. Complete. M, 1 Chapter, 9,000 Words

Hindsight by floorcoaster: It's a New Year and Hermione decides it's time to make some changes. T, 12 Chapters, 167,694 Words

How to Love Thy Neighbour by WhatSoMalfoy: After her relationship with Ron falls apart, Hermione attempts to juggle a personal muggle life with a professional wizarding one. After encountering her high school nemesis in the most unlikely place, Hermione adds another ball to the juggling mix. M, 14 Chapters, 41,992 Words

How to Move On by longdistance: It's been nearly a decade since the war. A long time since she locked herself away. A long time since he faced his mistakes. She's what he wants. He's what she needs. It's time for both of them to figure out how to move on. M, WIP

Hydrotherapy by eilonwy: Draco finds a trip to the showers after playing Quidditch... enlightening. E, 2 Chapters, 7,163 Words

I Choose You by melanoradrood: At the end of Fifth Year, Hermione finds out why It is that none have approached her with a Marital Contract, the only way she can remain in the Wizarding World after Graduation. It has already been signed by her Magical Guardian, someone she has never met - she is to be the next Lady Malfoy. A year and a half later, she is a married witch, but still, Draco Malfoy, who had chosen her above all others, had not spoken of it. In fact, they barely spoke at all. And when trouble heads their way, Hermione means to change that. Really, she means to change a lot of things. E, 5 Chapters, 24,527 Words

Isolation by Bex-chan: He can't leave the room. Her room. And it's all the Order's fault. Confined to a small space with only the Mudblood for company, something's going to give. Maybe his sanity. Maybe not. "There," she spat. "Now your Blood's filthy too!" DM/HG. PostHBP. Now complete with epilogue. M, 49 Chapters, 284,050 Words

It Happened in Egypt by bionically: Wandless in Egypt: Draco's stranded in Egypt, but luckily, there's a Granger in sight. Now, if only he could be prevented from strangling her. Fun times abroad: It was supposed to be a leisurely solo trip down the Nile. Hermione didn't factor in one blond man from her past and all his drama. Then, of course, there's the fact that everyone's after him. Much hilarity ensues. Maybe. *** A rom-com adventure/mystery featuring two unwilling partners on the run from Lucius Malfoy, alien-hunters, Muggle police, and local wizards engaged in a civil war. T, WIP

Love and Other Misfortunes by senlinyu: Draco Malfoy is dying. He's part-Veela and needs his mate to survive. Post-war, Hermione Granger is a workaholic, up to her eyeballs in legal activism on behalf of Magical Beings, and hasn't yet noticed that Malfoy is the Magical Being who needs her most. “Because I don’t want to be saved by you just because you feel like you have to.” He was properly furious now. “I’m in love with you." Hermione stared at him. She knew but somehow hearing him say it made the air shimmer with magic. "I’m in love with you,” he said again, despairingly. “And that means I want you to be as happy as you possibly can. And you won’t be, not with me.” M, 23 Chapters, 98,584 Words 

Manacled by senlinyu: Harry Potter is dead. In the aftermath of the war, in order to strengthen the might of the magical world, Voldemort enacts a repopulation effort. Hermione Granger has an Order secret, lost but hidden in her mind, so she is sent as an enslaved surrogate to the High Reeve until her mind can be cracked.Now illustrated by Avendell. E, 77 Chapters, 370,473 Words

Measure Of A Man by inadaze22: To truly know someone is to differentiate between who they once were, who they are now, and who they're capable of being. Hermione realises the duality of one man as she rectifies what she knows of the past and begins to understand the pieces of who Draco Malfoy is now: a father, a son, and a man. E, WIP

Meet the Malfoys by raven_maiden: 4 Works, 21, 442 Words

of flavoured names and coloured sounds by Pink Panda (Ejacyeolation): "He doesn’t question it at first, the fact that sounds have colours and words have flavours. He grows up with it, grows up seeing powerful ruptures of colour when his mother plays the piano and softer, translucent bursts when the people around him speak. His father’s voice fills his vision with sombre oranges and lilacs while his mother’s is a pleasant mix of delicate greens, blues, and greys. The word father tastes like wet wood and the word mother tastes like the pumpkin juice the house-elves frequently serve him."In which Draco just wants to know what colour Hermione's moans would be. He also wants to know if her skin would taste as sweet as her surname or maybe as intoxicating as her given name. E, 2 Chapters, 10,351

Once Upon a Night by longdistance: One night will change everything. M, 17 Chapters, 57,444 Words

One and Done by PacificRimbaud: Hermione Granger has a career she loves, friends she can depend on, and a nice set of hand towels for her new flat. She's single and tired of tiresome men, but that doesn't stop her from wearing beautiful lingerie underneath her serious Ministry skirts. Or having pictures taken in naughty knickers. Just once. For herself. Draco Malfoy doesn't get upset at the sight of blood, which is good, because he sees a lot of it. What he doesn't see a lot of is Hermione Granger in her unmentionables. Usually. A series of meetings and mix-ups in which one cannot possibly mean done. E, 4 Chapters, 35,011 Words

Our shared silence by Vofastudum: She wakes up one morning and everyone is just gone, vanished like they never existed at all. Everyone but Him. And in this silent solitude, he's all she has. Hermione and Draco alone in empty castle. Mystery and a plot twist you didn't see coming! EDITED 10/2020 M, 17 Chapters, 40,149 Words

Pinned by bionically: Draco doesn't know what he's expecting when he follows Blaise down a dark alley, but it certainly isn't this. For a man with an addictive personality, this isn't going to turn out well. Assigned trope: Voyeurism *** Or, a chance encounter with a frizzy-haired witch from his misbegotten past in the last place anyone should have expected to see her sets Draco's disordered life on its ear. The path to redemption is truly paved with unexpected surprises. E, 20 Chapters, 110,886 Words

Really Sell It by RoseHarperMaxwell: Draco's having a rough eighth year, and Hermione's going to make it better for him. "Well, it’s clear what needs to happen.” She gripped his chin, tilting his head to make sure she hadn’t missed any injuries, before looking straight into his eyes. “You’re my boyfriend now.” *Featuring fake dating, exhibitionism, and sex-positive Hermione Granger. Submission for Farewell to Summer: The 31 Flavors of Smut Fest. E, 1 Chapters, 7,612 Words

Remain Nameless by HeyJude19: How did it feel? It felt like he was barely holding it together. She, of all people, should shun him. Or yell at him. Curse him. Spit at him. Take out her wand and blast him off the face of the earth. It was crushing guilt and relief and confusion all at once when he looked at Hermione Granger. The monotony of Draco’s daily routine had become both a lifeline and a noose. But this new habit of grabbing coffee with Hermione Granger is quickly becoming a reason to get out of bed and is unfortunately forcing him to re-evaluate his inconsequential existence. Hermione is living her life in fragments, separate pieces scattered about, and she can’t find a way to step back and let the full picture form. Why are morning meetings with Draco Malfoy the only thing that make sense anymore? E, 51 Chapters, 312,315 Words

Remember Us As War (but call us forgiveness) by Anyaparadox: Following the devastation of the Battle of Hogwarts, The Wizarding Population Growth Act is put into effect. All witches and wizards will be matched with their most compatible partner. Failure to comply will not be tolerated. Survival is key. Hermione reminds herself of this. Survival. She can fix this, if only she can survive. The war has made this a task she is equipped for. Marrying Draco Malfoy will hardly be the worst thing she's ever endured. M, WIP

Ring A Ring O' Roses by Gallivant: Dark Magic, Dark Wizards and a mysterious and deadly Dark Flux, which, in the wrong hands, has the terrifying potential to mass-murder Muggles and Muggle-borns ... It’s been fourteen years since the end of the Second Wizarding War and the Wizarding World is settled, stable and seemingly safe… Hermione Weasley has it all: a loving family, a successful career - and happiness… of sorts. But a series of unexpected events is about to turn her life upside-down, threatening those she loves, fatally undermining the peace between worlds that has prevailed for centuries … changing life as she knows it, possibly forever. If working with Draco Malfoy was the last thing Hermione Weasley ever wanted, falling for your enemy was the least expected. A quest to thwart a magical weapon of mass destruction has devastating consequences. A race to save the world, becomes a race to save themselves… M, 65 Chapters, 527,141 Chapters

Set Fire to the Rain by HarleyQuinn1317: What happens when the one you're destined for is the last person you should ever be with... When the Ministry of Magic asks for volunteers for their Marriage Initiative, Hermione Granger must come to terms with the one terrible deed she committed during the Second Wizarding War. Can she find it in her heart to forgive herself and finally learn to let love in? E, WIP

Sex and Occlumency by Graendoll: Hermione didn't escape from the war unscathed, and when she finally decides on a solution to her problems she's left to explore it on her own. A chance encounter with Draco Malfoy sets her world on it's head and leads her down a path towards healing that she would never have anticipated. E, 18 Chapters, 65,079 Words

The Art of Seating Etiquette by inadaze22: Hermione believes that every problem has a solution, and that solution can be found in a book. That is, until Draco starts sitting to her right every Friday. She has no answers until help comes in the form of an unlikely source: Ron Weasley. E, 1 Chapter, 9,734 Words

The Auction by LovesBitca8: In the wake of the Dark Lord’s triumph over Harry Potter, the defeated must learn their new place. Hermione Granger, former Golden Girl, has been captured and reduced to human chattel. Sold to the highest bidder as the top prize at an auction of Order members and sympathizers, she is thrust into the rabid, waiting hands of the Death Eaters. But despite the horrors of Voldemort’s new world, help—and hope—seem to arise from the most unlikely of places. PART 3 of the RIGHTS AND WRONGS series. E, 41 Chapters, 325,702 Words

The Binding by Curly_Kay: “Okay, what we know so far.” Hermione listed, "One, our magic is drawing us together. Two, we can use each other’s wands. Three, there were actual sparks when you touched me."After an infant binding ritual magically joins Hermione and Draco to counteract the Black family blood curse, they must navigate the secret binding through their years together at Hogwarts. E, 35 Chapters, 175,451 Words

The Carnal Club by Ada_P_Rix: COMPLETE The Halloween Ball is fast approaching with Hermione at the helm.... What a delightful time to suddenly learn of a centuries old secret sex-game club that is currently ran by a Blonde haired Slytherin. Oh, and it only happens once a year every October, when the winner takes all at the Halloween Ball ...The First Rule of Carnal Club: You do not talk about Carnal Club. E, 8 Chapters, 43,306 Words

The Disappearances of Draco Malfoy by Speechwriter (batmansymbol): The night that Harry and Dumbledore return from the cave, the Death Eaters are delayed from reaching the top of the Astronomy Tower for one more minute. Draco Malfoy lowers his wand. A Deathly Hallows rewrite in which Draco accepts Dumbledore's offer to fake his death and go into hiding with the Order of the Phoenix. T, WIP

The Erised Effect by Ada_P_Rix: Hermione and Pansy work in a shop together. Draco, Harry, Theo and Blaise all work together at the Ministry. They all meet up every Friday at the pub to have drinks. Pansy has a new fantasy potion that she likes to call 'The Erised Effect' that she's keen to try out on willing participants ... Boys are so easy to manipulate when alcohol is involved .... E, 13 Chapters, 88,852 Words

The Fallout by everythursday: Hermione learns about growing up through the redemption of Draco Malfoy. E, 49 Chapters, 310,229 Words

The Figures of Figuring Out by Vofastudum: You were the biggest riddle in my life. You were the one I couldn't figure out. You were the only thing I couldn't find a pattern to. You were something I couldn't look up from any book. Unwritten, with no instructions. And I was used to finding solutions! Post-war eight-year secret romance. Edited 12/2020 M, 13 Chapters, 26,951 Words

The Flat in Bath by Ada_P_Rix: Loosely inspired by 365 Days...-- Malfoy grabbed her chin, forcing her to look directly at him. “Don’t you dare, Granger...” He told her roughly as his intense gaze bored into her own. “I fucking forbid you to come until I’ve had enough of you...” Draco caught her cheeks now between the fingers of his free hand and then snapped her head to the side and licked her earlobe, trailing down to her jawline. “...one flutter of those delicious walls of yours and you’re going to wish you never opened your legs for me.” -- __________________ Hermione is kidnapped during a raid and taken captive by someone who doesn't plan on 'torturing' her in the conventional way... E, WIP

The Gloriana Set by ThebeMoon: The War is won, and Hermione Granger is back at Hogwarts as an “Eighth Year”, feeling reckless and determined to shed her prim bookworm persona. She will do as she pleases, and anyone who doesn’t like it will see the business end of her wand. Also returning is Draco Malfoy, universally hated but determined to restore his family’s name. Hermione’s hopes for a quiet school year are quickly dashed as she contends with mischievous First Years, killer plants, enchanted hair accessories, a totally inappropriate Moaning Myrtle, renegade Death Eaters, a nice vampire, a poorly named study group, a depraved party, and mysterious, threatening blood messages on the castle walls. We have redemption, partial redemption and (sadly or hilariously) no redemption at all. Throw in a snarky, disturbingly attractive Draco with his own secret agenda, and we have a very slow-burn Dramione with a side of who-dun-it. COMPLETE! M, 81 Chapters, 271,830 Words

The Library of Alexandria by senlinyu: The Library of Alexandria is not for just any witch or wizard. Many bookworms may try but few are permitted to pass through its doors. The books residing there are ancient and powerful and, if one happens to make a mistake, the consequences can be rather—novel. E, 6 Chapters, 26,383 Words

The List by AureliaBlack90: After her divorce, Hermione decides to get out of town to recover from the pain of her lost relationship and the miscarriage she suffered a year previously. She arrives in the Cotswolds depressed and aimless but compiles a list of things to do that she hopes will help her get back on her feet. In the midst of her journey to find healing she keeps running into Draco Malfoy, who is nothing like she remembered him. He invites her into his world, and Hermione finds exactly what she was looking for - in the place she least expected it. E, 10 Chapters, 70,526 Words

The Manuscript by alexandra_emerson: Five 1/2 years after the war, in the middle of a big fight with Draco, Hermione finds a manuscript. It’s a retelling of her and Draco’s love story, written by him. She never realized how much he was struggling before she read his words. Snippet: I could spend my whole life apologizing to you Hermione, and it would never be enough. Post-war, angst-filled Dramione with a happy ending. M, 21 Chapters, 154,918 Words

The Memory of You by PotionChemist: Draco Malfoy and Hermione Granger fell in love against all odds, but there was one big problem — he was already married. Pressured, Hermione does something she promised herself she would never do again and erases their affair from his memory. Completely devastated, she avoids seeing Draco or the Malfoys at all costs. But is their love too strong? Are they inevitable? What will happen if he finds out about their previous relationship? E, WIP

The Mountain and The Sea by AlexisDanaan: Hermione Granger was perfectly happy with her life, her job as a Healer Trainee, her ugly cat and her cute little house in the countryside. And then Draco Malfoy had to go and mess that all up, typical git. Post-Hogwarts, EWE, OOC, creature!fic. E, 12 Chapters, 40,441 Words

The Nietzsche Classes by Beringae: The Ministry takes action against the remaining prejudice in the wizarding society and asks Hermione for help. “What do you want? Money? Power? Name your price, Granger. I’m not about to let pride get in my way when an Azkaban sentence is on the line.” M, 15 Chapters, 45,807 Words

The Phoenix Potion by FedonCiadale: Twenty years after the battle of Hogwarts.... Harry is head auror and is worried about cases where Muggleborn children meet with accidents, Ron is a famous Quidditch keeper. Both haven't talked to Hermione for ages and certainly not to her husband, Draco Malfoy. Narcissa Malfoy struggles with a curse, and Neville and Luna try to stay friends with all. The key to solving the problems may lie in the past, a time nobody really wants to revisit and some can't. T, 111 Chapters, 237,745 Words

The Potioneers by omnenomnom: They need each other unfortunately. Hermione has tricked Draco under her tutelage, arrogant attitude and all. But she would be simple to think he would accept it quietly. They have both have secrets to hide, old wounds better left to fester, and a world full of mermaids, dragons, and magic to explore. T, 53 Chapters, 196,559 Words

The Pretense by Colubrina: Voldemort died, but the Death Eaters live on. Hermione Granger traded herself to Draco Malfoy in exchange for safe passage for core Order members. Now he's pretending to love her, Narcissa is pretending to believe that, and Hermione is walking a tightrope behind enemy lines as she figures out what is going on. Unfortunately, people fall off tightropes. (no non-con) T, 50 Chapters, 108,164 Words

The Right Thing To Do by LovesBitca8: Hermione felt the pounding in her ears again. She would see him for the first time since the Great Hall, gaunt and stricken at the Slytherin table with his mother clutching his arm. She hadn't meant to look for him. Not in the corridors, not beneath the white sheets of the fallen, not on the way to the Chamber of Secrets with Ron, but she was a stupid girl. E, 36 Chapters, 174,911 Words

The Seven Year Witch by TheLastLynx: A boy and a girl have been meeting – coincidentally – for seven summers. While they pretty much hate one another most of the year, for those secret summer moments, they manage to see each other in a different light. But will that be enough to bring them together? A Dramione story about growing up and changing perspective, told along - and in-between - the lines of canon. M, WIP

Thirty Times Lucky by galfoy: "Granger, I can't hire you on any longer," Draco said. Hermione stared at him. Losing her job might actually mean losing the War, and she had to bargain, but there was literally nothing she had that he would want. Or was there? M, 2 Chapters, 7,128 Words

Traditions by raven_maiden: She straddled him slowly, still biting her lip, her hands on his shoulders. He held her hips tightly as he stared up at her. “So beautiful,” he whispered, and she flushed prettily, like she always did from his compliments. “You never need to hide from me.” ** Hermione Granger and Draco Malfoy fell in love during the war. One year later, they're heading home for the holidays so he can finally meet her parents. There's just one teeny little problem: her parents think they're both Muggles. E, 14 Chapters, 68,767 Words

Waifs and Strays by Kyonomiko: War leaves a lot of orphans in its wake. Hermione is one, by her own hand, and she struggles with the realities of her situation. When she finds an orphaned familiar, it seems meant to be, giving and receiving comfort helping to heal her fractured heart. Unfortunately, the animal is actually a wizard, and he has his own issues. M, 31 Chapters, 118,152 Words

What You Think Is Right by icepower55: Six years after the war, Hermione parents are dying and her marriage to Draco is crumbling. Nothing seems logical in her life anymore. Her healer tells her to start writing about it, so she does, as a way to figure things out, and remind herself along the way. Hell is proximity without intimacy -Dante's Inferno M, WIP

When the Bell Tolls by everythursday: As a Dark revival begins to rise four years after the war, Hermione Granger is placed on the assignment of putting an end to them – and her first task is to recruit the Ministry's best hope and last option in the form of Draco Malfoy. E, 20 Chapters, 148,033 Words

Wreck by JMilz: Serving as Minister for Magic, Hermione Granger is finally at the peak of her career. With a beautiful family, a successful book, and the public on her side, her life should be a fairytale. Unfortunately, there is trouble in paradise, and when Draco Malfoy pays her a visit, she begins recalling their history and questioning her marriage. The reality is: every relationship is hard. M, 53 Chapters, 187,992 Words

Thanks to every person who contributed (I hope I've mentioned everyone. If not, let me know. 😊): @certified-arsehole @fedonciadale kiwim22 @really-sad-devil-guy endless-musings @headfullofnargles @pinksunsets-world @rosseliz01 @dramioneden @all-consuming @elricsister @injailoutsoon12 reclusivebird @mariakov81 @notthatchhavi @mordanbooqs @haaatch @hpsassenach @ybaeby @farmgirl-in @coyg-81 @eiramrelyat metterschling-plus-two @a-maidens-fantasy @sansacat @vofastudum @lexayeon @1800-rewrite @aneiria-writes @anonymouslydramione 

It took much longer to compile this list than I thought it would. Hopefully, I didn’t skip anything. 🙈

Happy New Year. May it be better than the previous one and full of great Dramione fics and fanarts! 🥳🥳🥳

And here’s the 2019 list: https://dramioneficrecommendations.tumblr.com/post/190216354767/what-is-the-best-dramione-fic-you-read-in-2019

[crystal-moon-101]

Ben Gen 10 - Live Reaction Review

Right, so since I’ve finally got my hands on the new crossover episodes, and since my favourite show of all time is Generator Rex, I thought I’d watch it and write down things along the way. Mostly just reactions to things happening as they go, and then probably a simple review at the in another post of what I liked, didn’t like, and maybe what other ways this episode could have gone.

Spoilers! Kind of, for those who haven’t seen it yet! But onto the watching!

Should probably mention I haven’t seen a whole lot of the Reboot Ben 10. Not awful from what I’ve seen, some interesting and well-done aspect even, but certainly not my cup of tea. But I’m here for my boi Rex anyway so…

This is actually quite a cute theme song intro, not gonna lie

Ah, yes, a very American opening in a very American location.

Lol, of course they use Heatblast as the first alien in the episode, got the same voice actor as Rex, nice touch.

Evil...trees? Are these actually villains in the show?

Also, that little girl is precious.

Ben, are you trying to start a forest fire in the middle of the park?!

Ha, Gwen gets it!

Ah, yes, more American stuff.

“Don’t wreck the precious monuments” should have seen what you did to Mount Rushmore in your past, Ben.

Sup, Hex.

Music is evil, got it.

So Ben’s aliens are pretty famous already, at least being treated more like celebrities than monster sightings.

“Burn the flute!” A.K.A nearly burn Hex in the process.

And that’s why Ben never passed music class.

And why exactly do you want the world, Hex?

“Hopefully the last one of the summer” Don’t jinx it Max!

Time goes by so fast, doesn’t it Ben? Especially with aliens, villains and timetravel.

Max is secretly an EVO with that kind of growl.

Yes, because as we all know, villains will stop trying to take over the world once summer is over. They must hibernate for the winter.

Also, Max, did you steal those marshmallows?

Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh…….Ben, you good there?....Did Hex do something to your brain?

Who thought this would be great to animate!?

We all have those existential crises and talk to smores.

Jesus, Rex, got ninja skills I see.

Some homeless kid and his monkey stole my food? Time to kick some ass!

My favourite alien, Canonballoon.

I’ve missed my boy and his chimp.

Awwwww they’re sharing! Also just….feel so bad for them already. Homeless and struggling for food, my poor boys.

So EVOs do exist here? Wonder how that will be explained.

Ben out here really trying to beat up some other kid, lol. What a great hero.

Bobo, you are great.

I feel like...Ben’s going through some issues.

Ah yaaaaaaaaaaa, bring on the EVO powers! BFS!

Look ma, no hands!

Rex 1, Ben 0

Ben really wants to commit murder or assault here, wow.

Overboard is the word I’d use, yes.

The life of a background character.

Nanites confirmed! And now they’re in the watch, that ain’t good.

Huh...not what I thought was gonna happen.

The little girl is still precious.

This would be fun to explain to Azmuth.

This ain’t good.

On the run from Providence I see.

Awww, poor Rex. Really doesn’t want to hurt anyone.

I can’t tell if these people are angry because of the DNA affect them, or they’re really just being angry in general.

See ya, Gwen and Max.

Interesting to see that the Providence aircraft looks straight out of the show.

Evening, Six.

Still a badass like normal.

He said Omega, he said the word!

Also, nice blame game there Ben. It’s not like you provoked Rex by, ya know, trying to crush him like a grape.

Um...Six...did you just….try to kill a kid? He didn’t know Ben had powers, that pillar could have easily crushed a normal human.

“This is how you try to convince me you’re not a threat?” Say the dude who just tried to murder a kid!!”

Oh no, he Naruto runs! 

Oh, hello Hex.

Also, what is Providence in this world? What are EVOs and Nanites in this world? None of this has been explained yet.

Ok, so that’s what Providence is...You’d think we would have seen them before based on all the aliens showing up who want to destroy the world.

EVO Generator....I wonder if that means that there aren’t very many EVOs, like maybe there is only a set group from the same lab, and Rex is considered the most dangerous because he can make EVOs.

Ben, do you even know what an EVO is?

Jeez, I know Six is like, the sixth deadliest man on the planet, but he just tackles alien Ben like it’s nothing. This guy should take on Vilgax.

Did he say nib libs?

My boi’s back!

I’m not liking this Six...very much not the character I’ve come to love. Who are you and what have you done with the real Six!

Lol, gotta make sure the kids at home know these aren’t real guns!

Using a net on one kid, and about to beat the crap out of the other, nice.

I do have to ask why Hex was picked to me the main villain, beyond whatever the hell Providence is doing. Why the magic dude and not a tech based villain? Someone who could be both interested in the watch and nanites.

What a covenant spell you have there, Hex.

Again, why do you want to take over the world?

“No, those are my aliens!” I think that’s the least of your concern there, Ben.

Bobo 1, Hex 0

Why is Bobo one of the best-written character’s here? Not that I hate Bobo, but just…

Lol, Rex did you just lay there, the entire time? What was that net made out of?

Ah, right. Let’s attack the children rather the magical manic who clearly stated he wanted to rule the world.

Those nets are fireproof apparently.

Ooof, ah….quite the sore spot there, Ben.

Just let me hug Rex, please…

Are there EVOs are are there not!?

I know this is supposed to connect with older fans, but most of this info would fly over the head of anyone who hasn’t watched Generator Rex. They act like everyone knows what EVOs and nanites are.

Still with the blame game are we, Ben?

Judging by that look, Rex’s parents are also dead in this world. Guess he’s not allowed nice things in this universe either.

That flashback was….so latching in the dramatic department. 

Now ya wanna help, Ben.

He’s so scared of himself, noooo!

Ya, but the different between you and him, Ben, is that he lost his parents, his home, got mutated, his memories became hazy, got locked up and called a monster, and now lives on the streets stealing smores. I think Rex has more of a reason to feel scared at being new with the hero business.

Bobo gets it.

Gotta love they added details on Gwen and Max’s alien forms to make them stick out from the rest. Don’t want to confuse anyone lol.

Thinking of a clever comeback on the spot is hard, not gonna lie.

Yes, Ben, drown him.

Again, with the American music, lol. It ruins the fight scene here.

What is this fight scene?

Original Providence agents would have died on screen rather than ditching the fight.

God, everyone’s made Rex feel like everything is his fault, poor guy.

Rock 1, Ben 0

This message and heartfelt moment falls flat, the build-up wasn’t there and it just...kind of happens. It lacks a lot of flavour and impact, and it doesn’t help with how most of these characters are written.

Old people jokes.

Now we shift the blame to Kevin.

Is Fourarms Gwen bigger? Because if so, nice touch, since we know female Tetramands are stronger/bigger than the men.

Ok, so attempted murder is fine when Six and Ben try to do it, but not Rex, got it.

Get in line Hex, you’re not the first who wants to ‘recruit’ Rex. You’ve got Providence, Van Kleiss, Quarry, Black Knight, that one band, and so on so fourth.

Why is this heartfelt moment suddenly happening now? This feels like it could have been placed back when Rex refused to fix the watch.

Ben…”I’ve already tried that!” Bruh, you tried beating him up, telling Six and Providence you saw him, basically acted like he wasn’t a good hero because he refuses to get over his trauma, and reached out your hand once because it benefited you....I get what they’re trying to do, but it just makes Ben look like a jerk. I get he’s ten, but still…

Just...slap him Bobo, please…

Why are we so nervous about Rex’s sword? Ben you have aliens that can burn, cut, smash and so on, and you barely care what you do. Remember how you nearly started that forest fire at the start?...

Yo, what!? What kind of logic is that, Providence? “Whelp, guess earth is screwed, might as well burn it”

Ya, remember that time when EVOs infected the whole world, and Providence decided to just burn everything down with lasers? 

Extendo blade.

Huh, so Six’s blades can break down Rex’s builds.

Salamander...don’t you mean...Skalamander?

One ship? What is Providence packing!?

Yasss, Punk Busters!

Rex is crying, how dare you!

Now we got Smack Hands, you’re in for it, Hex!

Ooooooooooooooonnnnn iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitttttttttttttttttttttt!

Ah yes, the sixth most beautiful man on the planet.

Again...what is with the nuking?

Magical cloth fixing, just what I need.

Pure chaos with my boy.

Cracking his neck made me cringe.

Also why the sudden change in heart, Six? This feels out of character for the character who is out of character.

Look, Rex, you’re either gonna fix the watch, or you’re gonna start the self destruct countdown. Everything is going to hell, so might as well take that 50/50.

And it worked!

Ah ya, about that missile.

See’s missile inbound “I can handle it!”

Iron Giant vibes around here.

Screw ruling the world, I’m gonna murder this one child!

My cat’s the same.

REX, DID YOU JUST KICK A MISSILE!?

So that’s his full name?

I think you need to work on those vacation days with your boss, Six.

You are not Six, I will never accept you.

So the episode starts with Rex being alone, homeless and being chased by Providence, and ends with him being alone, homeless and being chased by Providence. What was the improvement here? Self Confident?

Ben even just lets him go, doesn’t even offer him to stay with his family.

Rex deserves better.

Another heartfelt moment that just...falls flat…

“Always be family and be there for you, Ben” Until you go to college without telling him before hand

So!...That was the crossover. Not...amazing sadly. I didn’t have high hopes to begin with, and mostly was just happy enough to have Gen Rex be acknowledged. But this Crossover missed a lot of points, and fumbles quite a bit. It reminds me a lot of the Secret Saturdays Crossover and what was wrong there. But I’m tired and will do a break down/proper review another day, if people are keen for that. Thanks for reading this if you did, it was a rollercoster!

[crusherthedoctor]

Crusher Elaborations #1: Thoughts on the Aesthetic of Sonic’s World

If someone came up to me and asked “Which do you prefer, Classic Sonic or Modern Sonic?”, my answer would start off with “Well, technically Classic Sonic because...”, and then I'd get cut off by the other person immediately lecturing me on why I'm wrong and why I'm the worst kind of fan imaginable. Should they finish their rant, I would then explain to them in the midst of them basking in their flock of easy Twitter likes that I didn't necessarily mean it in the way they predicted.

If we were talking about the games, the characters, or the character design, I'd be fairly neutral, since I like both halves equally for the most part. In fact, when it comes to characters, Modern might actually have the edge believe it or not, since the sheer number of characters introduced from SA1 onwards naturally means a lot of my favourites were introduced from that point on, such as Tikal, Rouge, Gamma, Omega, Blaze... But then again, Classic introduced Eggman and Tails, and the Hard-Boiled Heavies are technically Classic as well despite being relatively new...

Anyway, the point is, I'm not talking about any of that today. I'm talking about the world that Sonic and his multicolored chums live in. Or rather, the aesthetic of it.

NOTE: This is purely about the game universe. While I do have my thoughts on Sonic’s world as presented in other continuities, that won’t be the focus here.

If you're familiar with my blog, you'll know that as a general rule of thumb, I much prefer colorful and creative worlds in my Sonic universe, and that rings true for my reasoning here. And I know what you're gonna say: “But Crusher, isn't there plenty of that in the Modern games as well?” Yes, there is, and I appreciate them very much. But this is why I feel the need to make a post of this sort to begin with, because I'm NOT saying “Classic cool, Modern boring” and calling it a day. There's a little more nuance to my tastes here.

When I say I prefer the Classic aesthetic for Sonic's world, I don't mean it in the literal sense of disregarding everything about the Modern aesthetic. Let's put it like this: when you're asked to paint a picture of these two sides of Sonic's universe in your head, a specific image will likely come to mind. When you think of Classic, you'll probably think of Green Hill first and foremost, whereas with Modern, you'll probably think of something like City Escape or Rooftop Run before anything else. In other words, when you think Modern Sonic, you're probably imagining the more realistic kind of locations first. And between the two mental images that come to mind, I personally prefer the Classic image. Shock, horror.

I wish I could swim in a sea that’s probably radioactive.

Now keep in mind, I'm not saying that City Escape, Rooftop Run, and all similar environments in the series look bad, because they don't. Unless they're painted with the '06 brush, they generally look fine, and the locations in Unleashed in particular are undeniably beautiful from an graphical standpoint. The problem is that although I can picture this as a world that Sonic could be in, I can't necessarily picture it as Sonic's world specifically. Because when it comes to the more realistic environments, I feel there's not much of an attempt to let it branch out as its own thing.

I know that might seem harsh, especially for Unleashed, since the real world angle was the deliberate theme of that game. And Sonic taking cues from real places is a fine concept, there's no issue there. I'm not gonna complain if there's a France Zone with an Eiffel Tower in the background. In fact, Sandopolis Act 1 has one of my favourite aesthetics in a Classic zone (mainly because the background is really pleasant to look at), and that zone is essentially Egypt Zone. But if you're making a Real World Zone, there needs to be more to it than that, otherwise you don't truly get a Sonic interpretation of our world... you instead have our world as it is with Sonic characters awkwardly stapled on.

When I look at City Escape, it may not be completely unfitting for Sonic (the posters and billboards in particular are actually a really nice touch), but when I look at it, I don't see Sonic's interpretation of San Francisco. I see San Francisco with Sonic shoved in. When they morph these places to Sonic's liking, they'll add rings, loops... and that's it. They rarely take the concept any further, which is a huge shame, particularly in the case of Rooftop Run, where I otherwise do like its visuals a lot, but it just doesn't go far enough with the concept for my liking.

At least you get to murder car owners, and give G.U.N. a legitimate reason to arrest you.

So which Modern games do I feel did the best job at making Sonic's world... er, Sonic's world? Well the truth is, most of them actually do a decent job in this area, regardless of the level design quality or the game’s quality period. SA2 has Pumpkin Hill, Eggman's Pyramid Base, and... SOME levels aboard the A.R.K (mainly the “outside” ones, like Final Rush). Shadow the Hedgehog, a game that reveled in how brown and gritty it was, still had highlights like Circus Park and Digital Circuit. Even '06 of all games had Aquatic Base, which was pretty cool from a conceptual standpoint. And although Unleashed as a whole might be a touch too vanilla in the creativity scale, it still had the glorious Eggmanland at the very end. But if I had to say which of the Modern installments did the best job overall...

- For starters, I'm gonna give a shoutout to SA1, because even though it was the first Modern game, and thus it was technically responsible for the more focused angle of realism in Sonic's world in the first place, it didn't take it quite as far as later games would, and although it may not be a perfect 1-to-1 representation of the world we saw in the Classic games, it does well enough with what it brings to the table that I can still accept it without any issue at all. Some of that has to do with the fact that you still have wilder areas like Windy Valley and Red Mountain to balance things out, but even with the other half, the game's use of colour is enough for it to go a long way, oddly enough. Take the At Dawn section of Speed Highway for instance:

From innocent times, when the radar wasn’t a piece of shit.

Technically, it's really not that different to the urban environments you see in SA2 or Unleashed. But something about the sleepy morning approach gives it a subtle, almost dream-like edge to it that I really dig, and despite it being pretty similar to the likes of City Escape, somehow I have an easier time buying into the idea of this place being part of the same world as zones like Sky Sanctuary.

And seeing how I already mentioned Red Mountain, let me compare it to Flame Core:

Yes, I know bringing '06 into this discussion at all is inherently and hilariously unfair, but let's put aside the game that Flame Core comes from for a moment. Aside from maybe the purple crystal caves indoors (and that's assuming you can even see where the fuck you're going in there), Flame Core is pretty boring to look at as far as Sonic levels go. Red Mountain is vastly more interesting, even though it's basically the exact same concept, and a lot of that has to do with - you guessed it - colour. Sure, it's day time, that's one thing, but you'll also notice that for a lava/mountain stage, it surprisingly has a few grassier sections, sort of like Hill Top in that regard. A little bit of green among the brown and red, and a great contrast to the volcanic nightmare you'll experience when you head inside.

Now this might seem like a fairly minor detail... and yeah, it is, but the thing that SA1 does so well is that it combines so many of those small details to make a complete, well-rounded package. This is why SA1 meshes well with the Classic style despite not being an exact replica, because just as the Classics excelled at, it wasn't afraid to use colour in interesting ways. It understood that a fire level could have more than just red and orange, in the same way that a grassy level could have more than just green and blue.

But of course, as I mentioned, SA1 is not an exception. There are other Modern games that did a great job on the whole...

- Heroes is an obvious answer, since it's translation of Genesis-style environments to 3D is probably one of the most recurring praises the game receives, and rightly so. Not much to say here, except that Hang Castle is still cool as hell.

And plenty of opportunity to admire the not-broken-in-half moon.

- Colours is another obvious one, though something of an ironic one given that the premise of the game involved going to other worlds, and those worlds were all converted against their will by Eggman. Yet, they did an equally superb job at creating fun, unique locales, and Aquarium Park in particular remains a favourite of mine.

Gotta love that red/blue contrast.

- The Riders series has a more futuristic bend compared to the rest of the series, but even when it's not all high-tech, it's got some pretty cool environments of its own, and I feel they even do well at mixing the real world side of things on top of that. Gigan Rocks comes to mind, as does Aquatic Capital.

Reminds me of when Perfect Chaos peacefully protested against Station Square.

- Regardless of my thoughts on the game itself, Secret Rings had some undeniable winners in this depertment. You tell me with a straight face that Night Palace doesn't look amazing.

A wonderful palace for a domestic abuser.

- And lastly, they might have had an early advantage since they're already 2D, but the Advance trilogy and Rush duology deserve a mention. They had some fantastic ideas for zones, like Planet Sonata Music Plant, and they did great with the colours as well. Hell, throughout these five games, the sky was practically every shade of the rainbow at one point or another.

Oh look, another completely whole moon.

Also, quick shoutout to another minor detail akin to the grassy sections of Red Mountain: these pink tunnel sections in Ice Mountain. No elaborate point to make here, just another perfect example of how much I adore these games' use of colour and contrast.

Seriously, I could go on for hours about good contrast.

Although I do bring up these small details for another reason, and in turn, another layer to my more nuanced take on Sonic aesthetics. By this point, we get the basic jist: Crusher likey when Sonic levels unique and pretty. But this can - and has - lead to a couple of misconceptions, so I'd like to address those and then laugh at them.

“So you want Sonic's world to be exactly like Mario?”

A common complaint that Lost World received was that it was too much like Mario, in more ways than one, and part of this was to do with the game's visual style. The zones may have been upbeat, but they often consisted of a bunch of things floating in the air and not much else, ala 2D Mario. While I didn't outright hate it, it’s definitely not what I have in mind for Sonic.

Of course, all complaints about being too much like Mario suddenly turn into praise when Eggette gets brought up...

And why is that? Because yes, I like my Sonic locations to be fun and lively... but I also want them to be firmly established within the context of this universe. The Lost World approach is fine with Special Stages and the sort, but outside of that... well, Studiopolis is a perfect example of what I'm talking about:

On one hand, it's very unique when compared to other cities in this franchise, and it's full of quirkiness, great use of colour, and all that good stuff I've went on about. But at the same time, it's grounded just enough so that it still feels like an actual city that the people of Sonic's world could feasibly live in, rather than a basic and empty video game level with a tacked on city background. Studiopolis may be a level from a video game, but you can totally believe it's a fully fleshed out place from its own perspective.

Naturally, this praise also rings true with the Modern games I listed earlier, and is yet another reason for why I approve of their settings.

“So you think Sonic can't have darker locations?”

It might be easy to take my compliments at face value, and assume that I'm immediately opposed to a zone that's not brightly colored. This is... very obviously false, as even the Classic games have their share of less-than-cheery areas, such as Scrap Brain and the Bad Futures in Sonic CD.

However, when you're making a grittier location in Sonic's world, regardless of the context, it still needs to be interesting. The problem with a lot of them in Modern installments is that they're boring. Crisis City is a generic city on fire. Westopolis is a generic city with aliens firing lasers from above. The prison levels in SA2 - and the indoor ARK levels not named Cannon's Core - are just grey hallways for the most part. That shit isn't exciting, and it doesn't get my mind speculating. It just makes me want to move on.

Let the eggsperts take care of this.

By contrast, Eggmanland is a prime example of how to do it right. Eggmanland is a magnificent theme park as envisioned by the good doctor, but it's also, at its core, a giant metal hellscape fueled by the energy of a dark entity, and it only gets more ominous the further you go through it or try to before you give up because it’s too fucking long and you died at the end. So it sets the mood to be sure, but it's still visually compelling to look at, and interesting to think about.

And since Eggman is apparently the only one who can show us how it's done, here's a shoutout to Titanic Monarch as well:

Like Heavy King, but Heavier and Kingier.

When comparing the final zones in Sonic games, I especially love this zone's visual approach, because it manages to be dark and colorful at the same time, and in a strangly organic way. It's got a spooky atmosphere, with a moody moonlight backdrop to match, and the titular robot is foreboding as hell as you climb up it and traverse through it... all the while having red floors, green and yellow wires, blue and pink buildings, and stained glass windows of Eggman and the Heavies for you to marvel at. So even putting aside the unique scenario of climbing up and then through a Kaiju-sized mech, the mood of the zone alone manages to be extremely memorable.

So what have we learned from all this? Aside from the fact that I’m way too interested in this subject? We now know that when I say I prefer the Classic “style” over Modern when it comes to the way that Sonic's world is presented:

- I don't mean that literally.

- There are certain qualities that although both of them possess, they tend to be more immediately associated with Classic in the collective consciousness, even within the fandom.

- The environments that I love the most in Modern games are often the ones that would also fit perfectly in the Classic style.

So whenever I express the basic nature of this opinion in the future... just imagine a small asterisk at the end of my sentence.

[jordan202]

15x10 Review

At your demand, here it is!  Since you guys have flooded my inbox with requests, and I am now going to flood your timeline by replying to each one muahaha.

I have to say, I didn’t have many expectations going into the episode, which turned out to be great, because I was very positively surprised, especially with the finale(s). Let’s go through that.

Ok so, there is an established tendency in Grey’s to center subplots of an episode around the same common theme. For me, this episode was entirely focused on choices.

Catherine dealt with her choice to hide her cancer from her family and loved ones.

Meredith continued with her saga and her unavoidable upcoming choice between DeLuca and DeLink.

Bailey and Webber chose not to allow their mental health issues to dictate who they are.

Glasses chose to be Lenses.

Owen chose Amelia.

And I made my choice too.

 I will explain that better! Click on the expand button and join me on the ride!

The episode picks up in the immediate aftermath of the last installment. Tom is asking for Amelia’s help in coming up with a treatment plan for Catherine’s tumor, but it’s her mind isn’t very focused. She is tearing up, clearly distressed by the (IMO) very mature decision she and Owen just made to give each other time to process what’s going on. It’s not necessarily a breakup, more like a timeout to get your head out of the water and see things in a different perspective.

What I really liked about this scene was how obviously affected Amelia was. None of us like to see her suffering, of course, but it was a remarkable display of affection and longing for the man she loves, and the relationship she is so invested in. I remember last season one of my main criticisms about the way they were writing Amelia was that they gave a lot of focus to the repercussions of her post-tumor status at the workplace, but gave little room to her personal life. We saw how the tumor affected Amelia’s work skills, but we rarely got to see how her emotions were in her journey to figure out who was sans tumor.

This season however we are getting a full plate of Amelia’s feelings and thoughts, and so far I like this feast. I like that her vulnerable side is again at the table, because this is a character we can absolutely relate to.

Meanwhile, we see Teddy pursuing a job, so she of course, went to Bailey. Bailey is someone I used to admire a lot in the first seasons, but have come to quite dislike as the seasons progressed. I have to say though, she absolutely nailed it with her reaction to Teddy’s pregnancy. To me, her body language was saying “Oh, so you got yourself in this complicated situation, moved here at your own will without even bothering to check if you’d be welcome first, and now you’re acting like you’re a victim to your own demise? Yeah, I am not interested in hearing about that. Go find someone else to whine to.”

Bailey walking out of the situation is exactly what I felt like doing when I first learned about this storyline. It just seems excessively contrived, unnecessary, avoidable and absolutely unwelcome. No one needed that drama. No one.

But since the writers apparently weren’t done making Teddy even more of a pity case than she already has become, we had to witness her insulting both Maggie and Karev (probably the two people more like to back Amelia after Owen).

What bothered me about this moment isn’t the fact that Teddy was dumb enough to change her entire life without checking first. It wasn’t even the fact that she quit her job and changed continents to pursue a guy who clearly doesn’t want to be with her, and now acts like she is being demonized because she can’t get what she wants. It’s rather the way she arrogantly puts herself above others and talks down on people she doesn’t even know.

Owen appears and somehow, he looks hot and manly even when wiping his runny nose. Typical Owen to work even when he has the flu (as a pediatric intesivist, I wonder who gave them the flu in the first place?) That’s right, I am looking at you, you daycare virus carrying little monster.

Owen then learns that while Seattle has many hospitals, Teddy has chosen to work at the exact place he is in. Because that won’t make everything even more complicated, right? But apparently, as every other decision that Teddy makes that affects him too, he is not consulted and is the last one to find out. And whereas Owen has no say in where Teddy decides to work or not, her lack of courtesy and consideration for the way her decisions are affecting his life becomes quite highlighted here.

“Do you know that Alex Karev is interim chief?”

Uh, no Teddy, he doesn’t. He’s only been running a department at the hospital for a decade now, but has no idea who is in charge and who he should report to. HEHEHEHE 

Teddy is upset that Owen is angry with her, and she tells him that the only reason why she changed her entire life was FOR HIM. That’s right, FOR HIM. She immediately follows it with a “so that you could be a part of the baby’s life”. And I know this was not intentional, but talk about a Freudian slip. I will explain.

Never since this entire thing began (and this is one of the main reasons why I have a beef with this arc and the hypocrisy of the writers by saying they are not “making a triangle”, “putting woman against woman”, etc) Teddy has never really made it about the child. Instead, this is all about herself. About the sacrifices she’s done, what she wants, what’s better for herself. I didn’t see her making one decision based on what’s best for the baby. Initially, she was worried about how Owen would receive the news, worried that he might “claim her” for the wrong reasons, worried that she might be vilanized, etc. Aside from the first moment we found out she was pregnant, I haven’t seen Teddy expressing joy or taking comfort in the fact she is having a baby, or making it about the baby. By saying she “the entire reason I upended my entire life was for you,” to Owen, she is confirming with words what we’ve seen her doing with actions, which is pursuing Owen despite the fact he was horrible to her in Germany, pretty much ignored her presence ever since she arrived in Seattle, chosen Amelia over her repeatedly, and hasn’t done anything to deserve her consideration. Teddy’s lack of self respect added to her ulterior motives have turned her into someone quite hard to root for.

I mean, she was the one who had a steady job in Germany. According to herself, she had a good social life, a great job, friends, a system that supports mothers. If that was so great, why did she even move? By her description, life in Germany was better for her and for the baby, so how come Owen’s needs and wishes were placed before her own, at the point that she moved to Seattle for him?

Grey’s writers, you are doing a terrible job inspiring people out there who are in similar positions.

Anyway, the conversation ends with Owen pointing out that had Teddy not taken that long to inform him of the consequences of their action (and let me point out that not once Owen has even considered not taking responsibility for them, as he should), things might have not escalated so much. He used the words “Crap Situation.”  It really is a crap situation, because Owen is getting to have something that he has always longed for, but in the worst possible conditions. He’s always wanted a family, but having a baby with someone other than the woman he loves wasn’t what he had in mind and we all know it.  

Amelia shows up just in time to hear the last bit of the conversation, and without the context, she has every reason to be upset, especially considering we’ve seen how much she’s hurting over this. We’ve seen passive aggressive Amelia before, but passive aggressive vulnerable Amelia has got to be a fan favorite.

Casting Teddy aside, Owen is quick on his heels to chase her.

In the following scene, we see Owen trying his best to communicate and apologize, but Amelia is not going to make it easy for him. When I first watched this scene, my first thought was “great, now we’re back to season 13 and Amelia is pushing Owen away and torturing him and we’re gonna have to endure long weeks of that.”Thankfully, that was not the case. Sarcasm can be a real outlet to deal with hurt feelings, but it’s not funny when it’s a character’s (or person’s) only resource.

Tom is quick to meddle in the conversation and while at it, he is quick to pester Owen about his “flu”. “We’re busy. Way too busy to catch whatever it is that you’re losing a fight against, so…” It might seem Tom doesn’t care about what’s going on, but I see it as him taking Amelia’s side and helping her avoid dealing with a situation she is not exactly in a condition to confront right now.

After unsuccessfully trying to get Amelia to talk to him (Owen actually volunteering to talk about his feelings, what a nice change!), Owen accepts that it’s not happening and retreats. I honestly expect to witness many more of these little battles between Tom and Owen in the future, because the dynamics this can potentially have is very exciting.  It’s a nice clash of the Alpha Male versus the Omega Male and it’s a huge turn on. I need more of that in my screen instead of having to put up with Jackson Soy Boy Avery as the representation of masculinity on the show. 

Teddy then resorts to Maggie, but the conversation doesn’t go very well. As the current chief updates her on how the department is run, Teddy’s primary response is to make sure Maggie knew she was responsible for making improvements when she was in charge. Teddy preaches an honest exchange, and the hypocrisy of her claim added to the resentful way she made her remark lead Maggie to (rightfully) question her logic.

And instead of simply admitting that hiding her pregnancy for so long wasn’t right, which would have put an end to the conversation and probably embarrassed Maggie to bring out a personal issue during that professional conversation, Teddy just infuriates us even more by somehow trying to justify herself. 

I mean, I am not saying Teddy owes Maggie any kind of explanation, but she is the one who went to Maggie in the first place. If she wants to be considered as a candidate, and if she wants to work under Maggie, the least she can do is try to make a good impression. But nope, not gonna happen. Teddy might as well just keep playing her victim card.

Meanwhile, Amelia and Tom are still trying to figure out a way to approach Catherine’s tumor and he drops one of the best lines in the episode. “Don’t take your baby daddy drama out on our tumor baby”. Tom is just becoming a fan favorite at this point. My favorite thing about the guy is that, while he is very supportive of Amelia and her feelings, he doesn’t put up with any bullshit and doesn’t care for drama. I really can relate to how practical he is about things, and while the “suck it up”approach  isn’t the best or healthiest motto to live by, there are moments in our lives (and I can personally attest it) where we have to put our feelings aside and just focus on work, because at this job, a poor performance can lead to immeasurable consequences.

Another good sequence comes in, in which Tom asks Amelia where is that neurosurgeon who operated on Nicole Herman’s tumor, to which Amelia replies “that was brain tumor Amelia. Non-Brain Tumor Amelia is a reasonable surgeon, who asks reasonable questions.” I think the situation with Catherine’s tumor and this important, complicated surgery is a perfect moment for Amelia to sort of regain some of her confidence. I disagree that the Amelia who operated on Herman was inconsequent and unreasonable. She was bold, driven, she took a leap of faith. Yes. But we also saw a lot of Amelia questioning herself, overthinking her plan, carefully considering each little detail. That’s why I say this tumor arc was a total retcon, because back on season 11 it was not at all obvious that Amelia had anything pathological going on (unlike for example the moments in the s14 premiere, when she acted like a crazy person who wasn’t considering any risk when she set out to operate on that boy’s face against Jackson’s advice - that was a forced, artificial moment). The Herman arc served to establish her as neurosurgeon just as talented and skilled as Derek (or perhaps even better). It wasn’t out of character and inconsequent at all. 

I think even if this upcoming operation turns out not to save Catherine, there can still be success at some level, or even some kind of breakthrough for Amelia (and Tom). Amelia has always been a brilliant, determined surgeon, but unlike Derek, she always humble. She always respected her enemy (the tumors) and the rules of the game . Right now, even if she takes on a more conservative approach and needs more time to carefully go through everything, it doesn’t mean that her brilliance and resourcefulness went away with the tumor. Impulsiveness has nothing to do with talent and vocation. The tumor was causing the first, not enhancing the latter. And I am glad that they are pointing out the fact Amelia is more reasonable now, not only with words but also with actions.

As Amelia and Jo exchange a conversation about a technology that can potentially help the neurosurgeons in their quest to beat the tumor, Tom steals the scene by making the most hilarious faces. Greg Germann is a gem, and he is so charismatic that his version of Dr. House (also known as Tom Koracick) came out better than the original. I also love how unimpressed Amelia is about Tom’s whoreness. I imagine that she’s had to put up with him acting like that around women a million times while she was studying under him. Just priceless.

At the same time that is going on, Owen is apparently really sick. In reality, it looks like he was just done performing at a Rocky Horror play, but we are meant to buy that he was perfectly healthy the day (or night?) before but then developed some nasty flu symptoms in a spam of a few hours that actually required intravenous rehydration. 

But when Owen got accidentally injected with propofol, I understood the purpose. Sadly, we are not getting to see him sing Touch-a, Touch-a, Touch-a, Touch Me. What a pity. I was getting hyped about this.

When Owen is knocked down and can’t breathe, he is intubated and taken into a room, and that’s where the vomit-inducing part of the episode came, because we had to put up with Teddy acting all wife-y over him.

It doesn’t take long before she points out how much of a victim she is again, this time asking for Owen’s sympathy. Teddy is even bold to say that she didn’t do anything against Amelia, which I absolutely disagree with. She might not have attacked Amelia directly, but by withholding the information she should have disclosed a lot sooner, Teddy invariably brought Amelia into a situation she could have chosen not to be a part of had Teddy spoken sooner.

Teddy says she doesn’t understand why she is the only one who has to sacrifice anything (which she was never asked to do, by anyone), and then suggests that Owen moves to Germany (because again, she doesn’t want to do anything to Amelia lol). Forget Amelia, let’s us be reminded that Owen has Leo, a foster child whose custody he doesn’t have, which means if he leaves to Germany, he’d have to leave Leo behind, alongside Amelia and Betty.

Yeah, Teddy, you’re being such an inspiration.

This nonsense idea ends when Owen suggests that Teddy takes his job and runs the trauma department (because in Grey’s Anatomy, it doesn’t matter if you’re a thoracic surgeon, you can run trauma; and if you are a trauma surgeon, you can run general. I think I’ll quit the Peds ICU and ask for a job in the Ophthalmology department, I heard the hours are good).

What I love about this decision is how zero f***s Owen gives about his job, his status, his position. While Teddy has been whining during the entire episode, complaining about “working under a twenty something”, Owen takes the more practical route and simply offers her the job, if it means so much to her to have a power position. He doesn’t care. Owen is the kind of person who doesn’t need to have a formal position to be a leader. He’s always been one. And while Teddy is running in circles trying to get validation out of a job, he can simply forfeit his because to him, the baby and the people he loves matter a lot more.  In two episodes, Owen has acted a lot more like a parent than Teddy has for 16 weeks, but who’s counting, right?  He is able to acknowledge the sacrifices Teddy has done (even if she hasn’t done them for the right reasons lol) and his motivation isn’t egoistical, he is just trying to make a crap situation a little better to everyone involved. That’s my man!

And to make it even tastier, Owen goes on and makes the best choice of the day. I confess that I expected the show to drag this out a while longer, to toy with the idea of the “triangle”, but I am very glad things got resolved really quickly.

A while ago, I mentioned that Amelia needed to be sure Owen was sure about his decision to carry on with their relationship during this messy situation and I think that last scene was a perfect portrayal of that. It’s the third time Owen looks for her (first in the stairwell, then in the neuro lab, and now outside the hospital) to try to salvage their relationship. He’s determined, he’s not giving up. And more importantly, he is proving what he is saying with his actions.

Owen informs Amelia that he gave Teddy his job. He wants them to stay and the honesty with which he says that really affects Amelia, because she is obviously linking those wishes to Owen having conflicted feelings. But then comes my favorite part of that dialogue (and that was a really hard pick because Owen said wonderful things!): “It’s the truth, Amelia, and I have to be able to tell you the truth. I have to be able to make mistakes, because there is no clear path here.” The only thing Owen knows for sure is that he’s having a baby with Teddy, but the real family he has is with her. Amelia is his family, she has been for a long time. And none of the good things coming his way are going to be that good if she’s not in it with him. Owen misses her and them. He doesn’t need time, he needs her.

And that’s how Amelia is sure Owen is sure.

As if our hearts hadn’t skipped many beats, Amelia gets very emotional. It’s clear on her face that she’s deeply moved by what he says. For a moment, we hold our breaths in fear that she might reject his words, but once her hands run on his chest and they exchange that classic, loving, emotional Omelia glance, I know it even before she drops the line.

That’s the confirmation (to us and to Owen) that she is also on board with this, that she also misses what they have and doesn’t want to give up their relationship. It’s Amelia agreeing that yes, they have to be able to make mistakes and tell each other the truth. It’s perhaps the most important step in their relationship so far, and it’s crowned by the cutest little twirl in the history of the show.

Everything about that scene is absolutely adorable, from the cute looks and the touching, to Amelia sneakily getting inside Owen’s embrace.

And since I roasted Teddy enough, I thought I should say that while I knew she and Tom would hit it off, I was quite surprised by how much I enjoyed watching them together. For the first time, Teddy wasn’t acting all defensive and making wrong decisions, instead she seemed to be taking on what’s coming ahead for her. I sense this is going to be a friendship who will later develop into something more.

Alright, bonus notes about the episode:

1)    Catherine and her tumor: Catherine is someone who I don’t like, can’t relate, feel like is excessively arrogant and standoff-ish. She is very good at patronizing everyone around her while treating everyone’s feelings with disregard, and that’s not being a leader, that’s being a tyrant. Her way of functioning is basically she gets to dictate all the rules (and change them when it suits her), make all the mistakes she wants and disregard the consequences, and when things get bad, she doesn’t need to deal with any of it, because she can simply change her last name or play the cancer card. I don’t care for people like her because she might seem like she’s strong and empowered acting as if she is immune to everything and everyone but in reality, she is weak and very fragile. Deep down, she is terrified of her feelings, can’t deal with them and that’s not at all a sign of strength. A high IQs doesn’t necessarily make up for high emotional intelligence, and walls don’t keep people out, they lock you in. Catherine is the living proof of those. The outcome of her plot is only interesting because Amelia is involved and might play a role in it, but other than that, I have tried really hard but honestly can’t feel any kind of sympathy for her (probably because of the way she treats the people in her life – I would hate being related to her).

2)    DeLuca or DeLink? While I don’t care if Meredith ends up with one, both or none, I confess I enjoyed learning a little more about DeLink’s background. The whole childhood cancer thing felt a little contrived, I admit, but I think it’s a nice explanation to why he sees the glass half full. I like his optimism and how upbeat he is, and I sincerely hope we get more of the guy in the future episodes.

3)    Kid Bailey is officially the worst actor ever. I know I shouldn’t be saying these things because he is a kid and all, but I am.

4)    I was very happy that for once, Omelia’s plot wasn’t about Leo and Betty.

5)    Glasses is that awkward friend we all have that gets inspired by the most unbelievable things, and then goes and embarrasses himself by doing something impulsive or inappropriate. But rarely, very rarely, that leap of faith pays off and when it does, it’s really cool to watch.

6)    I have decided we are not getting enough Jo, or Alex, or Jolex.

7)    Why does Maggie’s life revolved entirely around Jackson now? Did I miss something?

And now a personal bonus. This is entirely un-related to the developments of the characters, but it does involve Grey’s Anatomy and like I said, a choice I made.

To make it short and simple: for a few weeks now I have been getting to know two different guys – one works in the same hospital as me, and the other trains in the same place I do. They are very, very different people. One is a well-bred, delightful, ambitious, sophisticated and funny guy who understands my work hours, is absolutely responsible, driven and cultured, and knows damn well what he wants. The other is a carefree, laidback, family oriented, energetic, boyish business owner who is a hardworker, makes me laugh and thinks the idea of a good time is to dispute who can spit the farthest.

As you can imagine, making a choice between the two guys was incredibly hard, especially because I wasn’t really focusing on relationships at the moment. So I have tried not to place too many expectations on anything and simply took it lightly just to see where things went.

To my surprise, despite us working in the same place, things kind of got cold with the doctor, but the cuckoo head who works down my street makes more time to see me than the other does, and he brings food whenever he comes over. 

Last Thursday, I was coming home from a long, strenuous double shift and all I wanted was to come home and watch the new episodes of Grey’s and Suits before I went to bed. But he called and came over, saying he didn’t mind staying in and watching the episodes with me if I was too tired to go out.

May I point out, this is someone who up until last week thought Grey’s Anatomy and ER were the same show, doesn’t watch anything other than sports competitions, formula 1 races and superhero movies, and asked me if he can come over to my hospital to “pretend he is a doctor and play with my 3D Glasses Simulator” when Tom and Amelia were trying to work up a plan to approach Catherine’s tumor. He was very disappointed when I told him my work does not involve any kind of 3D simulations.

He also stated that “there were more people in the OR gallery than in (his football team’s rival)’s stadium”,  asked me if “Future Medicine Fellow is a fancy name for researcher”, decided on his own that “the skinny blond woman (Teddy) looks more lost than Sandra Bullock with a blindfold on Birdbox” and ultimately, said that “That guy (Tom) is the real hero because he gets to play videogames and chill while everyone else is working”. And to my delighted surprised, he came up on his own with the conclusion that “the guy you like (Owen) made the right choice to go for the brunette because they are the most good looking couple in the show.” Not exactly the reason I would go for, but I agree with it!

The point is that, in an episode about choices, everything worked out as it should. And from there on, there is no more triangle.  Owen made his. I’ve made mine. Even if after looking over my shoulder, he focused on the Super Mario on my screensaver instead of the absolutely adorable things I wrote about him.

So, Owen and Amelia are together. Now what?

I think moving forward, we are going to see these two dealing with things as a couple and navigating this unprecedented situation of having a family, while Owen is going to father someone else’s child. I think the Teddy drama will be put on hold for now, at least while Owen and Amelia deal with their own domestic situation. From the synopsis, we can assume that Betty (and perhaps even Leo) are at a high risk for leaving the show, and I confess I am very interested to see Owen and Amelia dealing with an empty nest if that turns out to happen. It would be a challenging situation for sure, considering that these kids were how they initially got closer again, but aren’t the real reason why they are together. I think there’s a lot of ground to explore there, but since I’ve spent too much time dissecting the events of the past episode, I will leave the speculation to the following posts.

I hope everyone has a lovely week, and thanks for making all the way here! See you soon!

*all uncredited gifs go to @bafy-usy