#so so so so excited to see my boys
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egophiliac · 9 months ago
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queen of diamonds, upright + reversed 💎
I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 8 spoilers#twisted wonderland book 7 part 8 spoilers#coming in well after the fact but that's what happens when the art doesn't cooperate#and i just HAD to draw something for vil's ob (re-ob?) because i loved it so much#legit put my hand over my mouth and went “oh!” when i realized what was happening#i thought it was just going to be an idia thing because. y'know. closing out his character arc from episode 6 and all#so this was like. oh! oh we're going to get ALL the inky boys!!!!!#i wonder if this is why we got a malleus flashback so early...#not to mention everyone's dreams?!#i am braced for 90% of the dreams to be kind of jokey/inconsequential because we have SO many characters to get through#and most of the time will probably be spent on our lads (literally) dropkicking their emotional problems#but i am excited to see everyone regardless!#and also kind of terrified! what on EARTH will floyd be dreaming about. do i want to know.#i do but do i want to.#man. they're probably not going to get back to it but i do wonder what silver's dream was#what was he doing when he was like 'wait a minute' and noped right out of there#lilia: here silver i made dinner :)#silver: oh boy this looks great! ...YOU'RE NOT MY REAL DAD#ouuuagh i'm still deep in the blotsauce guys and i'm loving it#come make snowangels in the ink with me it's great
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zeldalizzy · 2 months ago
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Happy Holidays from the Old Man and the Smithy! 🎄✨Just a simple little thing I threw together lol but I had to do something fun for Christmas!! The thought process behind this was basically that the rest of the boys decided that their oldest member would be a fitting Father Christmas, and the shortest hero would be a fitting Yuletide Elf. After a bit of begrudging, Time and Four finally caved and let Wild take a picture 😂
Anyways, I hope that everyone has a blessed Christmas and a wonderful New Year!! Thank you all for your encouragement and support; I couldn't do this without you! All of you have been such a gift to me, and I am incredibly grateful for that!!
The Merriest of Christmases to you and yours!! 🩵
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As long as this specific line is adapted in the TRC graphic novel it will be a success in my eyes:
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queerdraws · 2 years ago
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projecting on luffy again. get bited.
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jethrowest · 10 months ago
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let me see you stripped down to the bone…
- stripped by depeche mode
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congratulations! you’ve been hired as homelander’s entire glam squad! what an opportunity! now let’s try real hard not to let the fumes get to you, okay?
pairing : homelander/afab reader
word count : 5.6k
warnings : homelander in and of himself, toxic workplace environment, something akin to stockholm syndrome, fingering, smut. 18+, mdni
special thanks to @blindmagdalena @sehtoast @homeb0ys and @clockworkzeppelin for letting me scream at you about this!
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Homelander is an asshole.
That doesn’t bother you much. You’ve dealt with plenty in this field, which means you’ve learned how to make life easier for all parties. That particular learning curve includes when to stand out and blend in, at times concurrently depending on what variety of asshole they happen to be.
As a whole, the makeup artists and hairstylists at Vought take care of The Seven and go where they’re needed. And as a cosmetologist, you were hired to provide both services for Homelander and Homelander only, which you consider to be one of the most prestigious stamps one could add to their professional passport.
Before you became official, you were colorfully threatened by a Ms. Ashley Barrett, who, after the fact, had no qualms throwing you into the lion’s den to figure your own shit out.
In no uncertain terms were you told that if you fucked any part of this up, your sparkling resume would look best as something to sit her smooth, bare ass on while getting fucked on top of her desk. No lube or protection. It would then be tossed exactly like her salad.
Not an image you could have ever predicted crossing your mind. Honestly, you should have stopped her right there and walked your happy little ass out of her office toward pastures that might have not been greener (you were being handsomely compensated), but certainly not as toxic. While the red flags were a color you couldn’t quite ignore, you were also curious about why they stood out so much more than they did regarding previous employers.
None of this is to say you live under a rock. Anyone who has access to the internet is ambushed daily by these Supes’ personal lives. Homelander’s track record as far as choice in partners went hadn’t been ideal, so you understand that made him less popular at the time. That of course has nothing to do with you or your capabilities.
You opt to wear gray-colored glasses, seeing everything with a neutral blend of black and white. As much as possible anyway.
Nevertheless, curiosity killed the cat. But hopefully not your career.
The first day was awkward to say the least. Immediately, you knew you weren’t going to like your coworkers.
Glints of sympathy changed how they perceived you. A target, whether they intended for this to happen or not, was nailed to your forehead, and it made them buzz around you like avid, greedy wasps keen on seeing how rapidly the honeybee will be brutalized. You didn’t much care for going cross-eyed while staring at that target whenever you crossed paths. They didn’t know you, yet because of who you were working under, deemed you helpless. They didn’t give you a chance to establish yourself before branding you a victim.
Why should you respect them?
Small talk wasn’t entertained either, as their judgment tarnished any future encounters. They ostracized you once you showed no interest in engaging with them. That didn’t disappoint you. You weren’t here to make friends.
You do wonder how those before you fared: if they were jaded when they arrived or if they couldn’t help but succumb to the pressures of being at the top rung of a very unstable albeit sought after ladder.
Ms. Barrett quickly introduced you to Homelander, her parting gift before leaving the two of you alone.
You weren’t completely nervous in his presence. He wasn’t any different to you than the other celebrities you’d worked on, except he could rip you in half like a piece of paper if he was so inclined. But he’s the hero of this country’s story, so really, you should have nothing to worry about.
His demeanor, you noted, suggested arrogance, annoyance, and boredom. All things you’re used to. So you offered your hand to shake, which he eyed with a slightly upturned nose before grabbing, told him it was a pleasure to meet him and got straight to business.
Looking back, he was clearly expecting more out of you. Maybe not a display as excessive as getting on your knees and professing your undying love, but close enough. Somewhere in the middle, perhaps.
Part of you believes he might have also counted on fear. To you, he’s not anything or anyone unknown. Another big name in a fancy suit with impossible demands.
You were given a routine to follow and products to use. You did as you were instructed and found the process to be simple and, as Homelander’s expression revealed, uninspiring.
While you were utilizing a face brush to apply powder, he must have decided he was done enduring your lack of enthusiasm, because he suddenly asked, “What are you wearing?”
You stopped for a split second, no longer than, and continued. “The name of my clothing designer, you mean?”
He scoffed, waving his gloved hand at you, almost knocking the applicator you held to the ground. “No, your perfume. What are the top notes?”
You laughed and that seemed to confuse him. “Why, you want a bottle?”
“I don’t like it.” He sniffed sharply and cleared his throat. “Smells like you should be on the corner selling your used body parts.”
Ding ding ding. Alarm bells and red flags galore. You enjoy a challenge, however, and are a bit of a masochist, so you persevere.
“Well, what doesn’t smell like a cheap hooker to you? I’ll start wearing that instead.”
He cocked a brow, studying you. Trying to figure out if you were being serious or mocking him.
“It’s your first day.” A warning. “Are you on your best behavior, or can you do better?” He leaned forward in his chair, forcing you backward. “You should be working harder to prove yourself. Prove your worth.” He sat back again and shrugged. “Or maybe you really are worth as much as that dumpster juice you doused yourself in.”
At this point, he more than likely envisioned your happy little ass getting offended and storming out of the room. Breaking down, sobbing. Questioning why he was being so rude. One of those or, better yet, a nifty combination.
You’ve heard worse, unfortunately for him. Not always directed at you, but that doesn’t matter. You can handle it.
“You’re absolutely right,” you stated calmly, folding your arms across your chest. He looked at you with pretentious, petulant intrigue. “It is my first day, and I want to make a good impression. Which is why I’m asking you what you would like me to wear so I can continue to keep that good impression intact and, as our professional relationship develops, stay on top of it.”
Homelander’s mouth twitched. He sighed deeply and slouched in his seat, staring at the wall to the left of him. Then he deigned to cast his gaze back at you, resting his cheek on his index and middle finger. He tapped the arm rest with his other hand.
“Ugh, fine. Whatever.” A pause followed that lasted longer than necessary. Were you meant to guess? “Just wear something, I dunno, less. If you would have done your homework like a good little peon, you’d know I have super senses. Highly developed. Can you even imagine what that entails?”
Finally, he freed the canvas you were nearly finished with, and you flicked the soft bristles across the bridge of his nose. You smiled, more to yourself than him.
Felt rather on the nose, as the saying goes.
He didn’t comment on your grin. You didn’t give him time to. But he did huff like you were being obtuse on purpose.
“I can try. And my imagination is giving me some less-than-ideal scenarios,” you replied. Another pause. At least he was letting you do your job again.
You don’t know what compelled you to keep going, but something about his lack of a real answer made you carry on. “Do you have a favorite flower or baked good? Maybe a spice?”
Homelander almost glared up at you. You say almost because, for whatever reason, it didn’t seem like he was directing that harshness at you, though former words and actions proved otherwise. Something inside, perhaps. Or outside of this enclosed space.
“I already told you what to wear. Don’t make me repeat myself.”
You took the hint and remained quiet the rest of your session. Soon, you were done.
As you were packing and tidying up your station, he took it upon himself to stand behind you. He lingered over your shoulder, watching the scene play out like he was director and star and you were barely an ant on the sidewalk he acknowledged before squashing.
The heat radiating off of him was impossible to dismiss, a wall of it barricading your backside. He clasped his fingers underneath his cape and inched closer. You thought he was as close to you as he could get without touching you. He was that warm.
When you glanced up, he was staring at you through the mirror. As absurd as it was, you managed to get chills. Goosebumps broke the surface of your skin.
“Fresh chocolate chip cookies. Straight out of the oven. Like mom used to make.” He flashed an unnerving smile before turning to exit.
From there on out, even after you bent to his will and found a gourmand scent that matched what he described, Homelander tested you. Your work ethic, clothing choice, eating habits, and most of all, patience.
Your parents would ask how you were liking your job, how it was working alongside the Supes- not to mention the most famous of all- and you’d lie through your teeth. You felt you had no choice, Ashley’s threat ringing in your ears.
Resume, bare ass, tossed salad...
Oh yeah, it’s going great! They’re all super flexible. I couldn’t be happier!
At least that pun made you feel a little better about hiding the shame of what you’ve allowed yourself to take on.
This was all in the first few weeks. It started to get a little easier after that, which is surprising considering more was added to your to-do list.
You should have moved on before starting. But, for whatever asinine reason, you didn’t.
Every time you go back to your apartment and assess your appearance in the bathroom mirror, you wonder who’s making who up here. He’s changing your looks more than you are his. You’re like his human doll.
You’ve put up with a lot over the years, but this takes the cake and shoves it in your face. As fucked as it is, the flavor is growing on you. Like a fungus. Growing, nonetheless.
You can’t stop thinking about him.
It’s innocent enough, you try convincing yourself. Making sure you have the right outfit laid out the night before, the right lunch (no onions or fish or anything “freaky”!), etc. He is your superior, after all. You shouldn’t be viewing him in any other light.
He’s the most frustrating aspect of your existence these days, but he’s also the one you’re around the most. His penchant for workplace gossip and how unintentionally funny he is tends to make him palatable, which has regrettably become an understatement.
Months go by. You’ve witnessed how alone he truly is. How he has nothing outside of performing his tricks on Vought’s all-encompassing stage. And when he begins asking for your input, starts doing things for you that are so blatant it’s perplexing, you find your stress and vexation melting into cumbersome fascination.
It’s embarrassing. You don’t have the courtesy of enough time to dwell on your feelings toward the situation either, from beginning to whatever end you might be met with. You suppose that could be beneficial in the long run.
It also hits you when you least expect it; when you really don’t want it to.
Your body doesn’t wait until you finally have a moment alone. It decides, while you’re helping Homelander with his skincare routine that he insisted upon because you know more than these vacuous corporate douche-bags, to heat up without warning and slither from your head to your heart until it grasps you unfairly between your legs.
You try not to step into momentary paralysis. You understand to what extent his powers reach. It’s not like he doesn’t go on and on about them. About himself.
Whatever he notices, it’s not right away. A palpable tension fills the air between the two of you eventually. But it takes a more significant amount of time than you would have anticipated to permeate the natural flow of things.
Fuck, you can’t even be safe inside here, where your thoughts, whatever they may be, are yours. You can’t even have yourself. He has every part of you, and you are willingly relinquishing that control.
Your evening, once you can have it, consists of combing over every decision you’ve made leading up to this strange, disorienting space you find yourself occupying. All it does is leave you exasperated in a much different way than before and with an unsettling observation (or hallucination):
Was that the tail end of the American flag outside your window?
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You are unacceptably late.
Rushing around, you throw on the first top and bottoms you see from your closet and spritz some perfume on your neck and wrists. You don’t check your phone. You’re afraid of what will pop up on your screen. And, frankly, you don’t have the time.
Your only option for transportation is the subway, as you’re sure the special vehicle from Vought is long gone. Why would they wait for someone like you, even if you’re practically Homelander’s personal assistant? One of his only friends. You doubt he has more than Black Noir, and that isn’t as perfect as it appears to the casual viewer.
You dread what kind of explosion you’re without a doubt walking into once you show your miserable ass up. You’re going to smell like everyone on this train. He’s going to go ballistic.
The question remains: why are you continuing to put yourself through this? It’s not your circus, yet somehow, the monkeys have become your liability.
You know, deep down, what keeps you going back. It’s simply too ridiculous to admit aloud.
Making your way past security, hurriedly presenting your badge, you realize you forgot to brush your teeth, or at the very least, gargle some mouthwash. You thank your lucky stars when you open your purse to a pack of gum tucked away in one of the compartments.
It will have to do.
When you open the door to Homelander’s dressing room, you see a couple of employees standing near the counter where the bag of supplies has been opened and rifled through, looking like they might soil themselves, a frantic Ashley, and an extremely pissed off Homelander in the middle of it all.
Reflexively, you cringe. You attempt to wipe any trace from your features, but it’s too late. Ashley is glaring daggers at you and Homelander can hardly bring himself to look in your direction. The others don’t matter to you. They never did.
“I’m so sorry I’m late. I know there’s no excuse-”
“You’re goddamned right, there’s no excuse! I don’t give a shit if god and his whole fucking choir of angels came down from heaven and divinely called you to give them a makeover! What were you thinking?!”
You’re about to answer, though you comprehend her query is more or less rhetorical. She interrupts your slightly open mouth while gesturing wildly, proving your point.
“Oh, that’s right! You weren’t thinking at all, were you?! But I do believe you’ve thought long and hard about what’s at stake here. And you know damn well we at Vought don’t tolerate this kind of sloppy behavior. Not to mention the way you’re dressed! It’s adding insult to injury!” Her hand swipes at the air, the length of your outfit, and you glance down, recognizing how comically mismatched you are. Her correct observation affects you more than it would have months prior, stinging your ego- one of the many things that’s been shelved in order to accommodate the person who won’t even grace you with a glance.
A dramatic groan cuts short any further commentary from the redhead, perpetually stretched thin between her absurd duties.
“Jesus Christ, Ashley, why are your big fucking horse gums still flapping?” Homelander’s booming voice slices through your mind like a jarring, dense migraine. He pinches his brow between middle finger and thumb, eyes closed. “I want you and Tweedledee and Tweedledum t’get the fuck out. Now.”
Ashley is plainly dumbfounded, struggling to see where she went wrong (a pattern when it comes to dealing with the volatile leader of The Seven), mouth agape. She shakes her head. “But sir, are you-?”
“You don’t know what the fuck you’re talking about or doing. Clearly.”
Ms. Barrett turns a shade paler, staring at Homelander and blinking owlishly before snapping herself out of her stupor. She hurries her lackeys out of the room, shooing them along like a pair of misbehaving toddlers. She doesn’t give a final look, no further warning. She merely shuts the door behind her.
You also hear it lock.
What the hell does she think is going to happen?
You should have stopped this while you had the chance. You should have never taken this job. You should have stood up for yourself and walked out. You should have you should have you should-
“Who the fuck do you think you are?”
His caustic tone sends shivers down your spine. It’s unlike anything you’ve heard come out of him. And you’ve heard enough.
Again, you open your mouth. It fills with blood, thick and metallic and more potent than the mint from your gum. You’re silenced by it.
He stalks toward you and grabs you hastily by the shoulders, swiveling you around so you’re face-to-face with the choices you’ve made. Your mirrored image is reflected back at you, exhausted and searching for any last shred of who you might be beneath his heavy palms.
“Look at yourself! Do you even recognize who’s staring back at you?” No.
“What kind of game are you playing, hmmm? Is this… humiliating spectacle you’re putting on for the money? Your pathetic career? Like it’s goddamned rocket science to pick up a can of hairspray and use it. Monkeys have hands.” He makes a noise that’s akin to a snorting horse, exhaling forcefully past his nostrils. “I mean, did you really think you could pull a fast one on me?” He clutches your jaw, squeezing it between middle and thumb. Every muscle in your body tenses, your heart picking up rhythm.
“Spit that fucking gum out. Don’t think I can’t hear you grinding it between your molars like a dumb animal. You aren’t a mama bird, are you? Y’don’t have cute little baby birds t’force-feed your regurgitated leftovers, do you? Eugh, gross.”
You take a deep breath and exhale through your nose. It presents you with a false sense of security. You do as you’re told, and it lands on the floor in front of your shoe, saliva dangling on a thread as withered as your sanity.
Suddenly fresh breath seems like the most insignificant issue, when Homelander himself once made it out to be something earth-shattering.
You’re such a fool.
He leans in and sniffs your throat. Your fingers lengthen and bend.
You’re so many things at once. Confused, angry, nervous, scared. And, to your dismay, warm. God you’re so fucking warm. He’s heating you up from the inside out. You clench your jaw, still held in place by a firm bind.
“Get rid of those ugly clothes. I don’t care what you have to do. I can’t stand the sight or smell of them.”
You shut your eyes. When you open them, all you see is red. The other emotions are smothered in favor of that brand of heat. What happens next is a blur. You temporarily leave yourself.
“Fine. Have it your way, Homelander. You always do.”
Breaking free of his fluctuating hold, you start tearing at what you’re wearing, tossing everything- including your bra and underwear- to the ground. Your shirt winds up with the gum sticking to its loose fabric. You even take your shoes and socks off, not paying any heed to where your belongings go. Just that they’re gone.
You don’t process the glaring fact that you made yourself naked in front of your boss. In front of the most powerful man this country, and possibly world, has known. You don’t care that things have escalated this far. That they shouldn’t have. They shouldn’t have. But guess what? They did. And these are the consequences you both have to deal with.
“You wanna know what game I’m playing?” You turn around, forcing him backward. “It’s funny, I thought you’d be able to answer that for me, considering all the hoops I’ve had to jump through to not only save my ass, but make sure you had someone to talk to at the end of the day! Who on your team can you say goes above and beyond like that for you?!” He blinks at you now, eyes wide. Features fall to the floor where your clothes reside. You have his full and undivided attention.
An impressively dangerous thing to have.
“What more do you want from me, Homelander? I practically live with you without any of the benefits that usually includes! You’re really going to stand here and berate me like I haven’t given you fucking everything you’ve ever asked me for? Because I made one mistake? I gave up my entire world, which I know doesn’t mean shit to you. But it does to me.”
You fold your arms over your chest. Nothing covers it. You have to know before you lose all dignity. So you ask once more, hoping it won’t get lost in this bizarre mess.
“What do you want from me?”
Nothing. He can’t stop staring at you. You aren’t aware enough to be ashamed, but you are aware enough to be upset.
His infuriating silence compels you to bend down and gather what was a barrier between the two of you. You are no longer needed if he can’t do what he does best, which is spout off, leaking bottled words everywhere like a broken faucet. It’s a pretty simple question, you think.
That’s when the glass behind you shatters.
You flinch, pause what you’re doing and slowly stand. Cautious in whatever your next approach will be.
Surveying the aftermath, you’re relieved to find that you’re far enough away from the mirror so no injuries were inflicted.
When you finally lock eyes with the source, you see red. The atmosphere surrounding you heaves like the distended belly of a rotting corpse; hisses like an overflowing tea kettle; pierces you like lightning.
Homelander’s expression is rigid. His jaw quivers. Irises are a bright, shining scarlet. If you try anything rash, you might be next. But, having been around him for so long, you’re more inclined to believe he’s having trouble processing his own emotions. And that might have been one of the only ways to release them.
You drop the top and pants you managed to reclaim. Your brain hasn’t fully recovered from the constant devastating hit it’s taken, so you don’t want to put a name to what’s pushing you forward. You don’t stop until you’re directly in his line of vision.
Swallowing, you carefully extend your hand. The ruby color begins to crumble and give way to the vast ocean you might have drowned in one too many times. You lost track, blocking what you could out. Too real and intimate to accept for a realm that thrives off of inauthenticity and misfortune.
Homelander inhales harshly and you retreat, pupils hooking themselves to his. Searching for any sign you shouldn’t be right where you are.
Of course there are several; unfortunately, you are currently blind to them. Blind to everything but him.
That’s how it’s been for awhile, hasn’t it?
He has a habit of not granting you the luxury of time.
Quickly, he snatches your wrist and brings your palm flat against his cheek. He exhales, eyelids fluttering, nuzzling into you.
It’s so simple, yet it disarms you in ways you aren’t accustomed to.
Homelander basks in this chaste display of affection, and so do you, in awe of how enraptured he appears. Soaking you inside of his pores.
In turn, your cognizance reappears. You nearly topple over, realization infiltrating every part of you.
You’re not wearing a stitch.
A knock at the door startles you both. You glance over in that general direction and hear from the other side, “You’re on in fifteen, Homelander, sir!”
Gazing back up at him, you witness that same fire expand at a rapid rate. You use your other hand to bring him back down to reality, to ground him. It rests against his chest, delving into and cracking his ribs, flaying him open.
What strikes you is how vigorously his heart is beating. How you can feel it through his uniform.
This is how much you affect him. (Can you fathom that you’re only privy to a fraction?) Having evidence of the tiniest reciprocation drains you of any unwanted discomfort.
His fury subsides. You breathe out. He does, too.
“Go sit in your chair. I came here to do my job, after all.” The tenderness with which you speak seems to ease him further, his shoulders deflating with each word.
That aside, you’re playing with a lit match. You’re unsure who’s going to set who ablaze, but you’re willing to go down with this entire building to find out.
He does as he’s told, watching you the whole way like a mutilated mixture of a snarling cornered animal and a man fervently in love. He almost trips into his seat, not an ounce of grace in his gait.
Sacrificing his entire image just to get a glimpse of you.
Whipping his cape to the side, he sinks into the cushion. You get things ready as you typically do, your movements a bit jittery from the adrenaline sending haphazard jolts to your limbs. Despite this, you’re focused. You are more focused than you remember ever being.
You work efficiently, keeping in mind the limit that’s been put on your time.
Homelander bores holes through you. He doesn’t need lasers for that. You’re exposed and vulnerable and he pries what he fostered apart until it’s distinguishable by no one else but him.
You relearn his perfectly manufactured features. Different lights shape shadows you either haven’t seen before or feigned ignorance of. You commit to memory how he looks, smells, feels, the side of your hand grazing his cheek and hanging on.
He’s invigorating, your excitement building to a crescendo you can’t neglect. The heat in your core disperses, most of it congregating low in your belly and behind your expanding rib cage. His pupils drink you in, urgently and violently.
Your arousal is heady. He licks his lips. A hint of a whine caresses your ears and it makes you dizzy.
How could you have ever denied yourself?
You decide to take further control, testing the waters to a greater extent.
It’s your turn to watch him the whole way down. You straddle him, easing yourself atop his taut thighs.
After a few moments of humoring yourself, of pretending to concentrate on your work, dusting his nose with powder, you straighten. Eye contact has not been severed.
You motion toward his hands, balled into tense, repressed fists at his sides.
“Take off your gloves.”
Initially, it feels like maybe you said the wrong thing, or said it the wrong way. He doesn’t budge. You’re patient, however, so you wait like you’ve always done, the warmth from your cunt mingling with the hardness beneath you. Your mouth waters.
At last, Homelander nods and removes his gloves, tugging on the index of each. He places them on the armrests and transfixes himself to you once more.
“Do you want to touch me?” you ask, voice and body staying impossibly still in spite of your nerves.
Immediately, he shakes his head, “Yes,” the first time he’s spoken since your outburst, and without hesitation, reaches for your chest. You close your eyes, falling into his snooping lifts and tugs and squeezes, giving yourself permission to become possessed by the inhibited imaginations of how selfish, how rapacious his touches might be. How smooth his bare hands are, how ardent each digit is.
Leaning into you, he sucks one nipple into his mouth and palms the other, moaning and vibrating against your flesh. He digs his fingers into the pliant softness of your hip, steadying you with disciplined pressure. You squirm, attuned to every minuscule shift.
The lit match is tilted toward you now, swift and stunning. Your fingers release the brush you’ve been holding. It aligns with the slit of the cushion, forgotten and purposeless.
You wrap your digits around the hand on your curves and guide him toward your throbbing center. He doesn’t fight you. Doesn’t stop your movements. Doesn’t scold or challenge you. Instead, he curls his fingers in a way that makes you unabashedly moan, cupping your folds and pinning his thumb to your clit, adapting to your anatomy.
Your wants.
It seems like breaking away from you is a daunting task, but he does for a moment, brow furrowed, more engrossed and invested than you’ve ever witnessed.
“Fuck.” The curse sounds downright edible, your new favorite flavor. Your name tumbles from his lips like he’s been practicing, a sweet, rich icing on top. You gasp, his tongue adhering to you again, swirling around your peak before lightly biting it.
Rocking your hips back and forth, side-to-side, you grind hard into his palm. He strokes you like he’s studied what pace you prefer, how much friction you crave. You’re so wet, even you’re thrown off by it.
Once he’s finished with your chest, he’s back against the seat, unable to peel his gaze from you. Your full, swollen, glistening breasts.
His mouth hangs open, obscene, desperate whimpers slipping from it. Pupils are like whirlpools that drive you under. Drive you mad.
Homelander adeptly slips two, three digits inside your sopping cunt, unrelenting in his intentions to make up for lost time. The voracity of his actions propels you forward, balancing against his chest. He grasps and pulls at your other hip, groaning loudly in your ear, confirming his approval of how close you are to him.
It’s still not enough.
Pulling you even tighter to his blinding sun of a body, he encloses his free arm around you and desperately bucks his waist. “I want… I want… I want…” he chants. Your nails drag up his neck and along his scalp, overwhelmed by his warmth, his scent, him. Your lips ghost the sliver of skin above his collar, making him growl.
You anticipate and dread and yearn for what’s been building for so long. You clench and release, clench and release, clench and release, body chanting with him.
You’re intuitively thankful for the chair’s sturdiness; however, if it would have collapsed, you’re honestly not sure you would have noticed. Or cared.
You hear him come first. Feel the temperature rise temporarily. It’s so sudden and all-consuming that you naturally follow, his name an instinct you can’t help but divulge. You haven’t come down from the turbulent emotions rushing through you earlier, and that combination catapults you over the edge.
Your orgasm draws more deliberate, vehement grunts and sighs of satisfaction from him, as if your pleasure is inexplicably the same or worth more than his.
You can’t crumple into a boneless heap like you want to. You just can’t. You have to look at him. Look at his bliss; the glazed, barren-yet-so-full-of-you expression, of what these months of working in close quarters have done to him.
What you uncover is not what you were picturing. There’s a mixture of that haze with something almost apologetic below the teeming surface. Clouds of red to skies of blue. Destructive in and of themselves.
Sliding his fingers from your wetness, he wraps his lips around each one that was inside of you and spreads them apart. Your slick sticks to his glossy skin and stretches between digits, a generous amount. You whimper at the loss- the emptying, hollow feeling- and watch, mesmerized and delirious as he savors you.
Swallowing you whole, Homelander sweeps his knuckles across the apple of your cheek and presses his lips hard against yours. He wastes no time inhaling your gasps and moans, licking your mouth and the faint taste of mint, stealing it from you. You ingest what you can of him as well, exploring what was open to you longer than you realized.
He then seizes your wrists. It’s a rough gesture that evaporates into gentle circles along your pulse points. Still, you know you’re going to bruise where he turned the key and locked you into place: wherever he is.
A visible sheen coats his lips.
“I want you to tell me I’m good. Great. The best.”
His breathing is labored. So is yours.
He kisses the inside of the wrist smeared with perfume, your fluids, his saliva; ends with your hand and rests his cheek against the slope of it.
“I want you to be mine. All mine. Mine alone.”
You’re shaking. He moves forward and pets your hair, twirls it; grabs your nape and holds his thumb to the front of your throat. Securing you. Keeping you there.
“You have to stay. Be mine and stay.”
You thrum with an ache he forced upon you. He’ll claim you were starving and he was the only one who could satiate.
You nod. You were never going to leave to begin with.
Homelander made you his. And you thanked him for it.
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angelofdumpsterfires · 5 months ago
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good to see Zerxus got a hobby over the centuries
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bakuhatsufallinlove · 17 days ago
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here’s the OTHER leaker translation I would explode out of existence
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listen.
I know, okay?
I know everyone loves this. I know everyone lost their shit for it. But I hate it.
I will admit honestly that it is 70% abject fury over the misuse of one word. Another 20% is frustration over how the fandom reacted to the official translation with such vitriol and how the leaker fueled it with their smug comments. That final 10% amounts to what some might consider pedantic or nitpicky. But I don't care.
This translation sucks. It doesn't sound cool, it doesn't sound threatening, and the leaker's rookie mistakes ruin what makes this moment great for me.
Allow me to elaborate.
The emphasis is on the wrong part
I’ve talked about some of the pronoun differences in this line before, but did you know Katsuki also changes the particles every time?
‘Cause I sure don’t think the leaker noticed. Grammar particles are what determine the relationship between words in a sentence. They pack a lot of punch, denoting subject, object, indirect object, purpose, location, time, origin point, direction of movement, means or method—and a bunch more shit that can be hard to describe.
Word order and particles work together to direct our attention to specific parts of a sentence, emphasizing the importance of what is being said. They are some of the most difficult parts of Japanese for learners to grasp and use with the same ease that native speakers do. I’m acutely aware of this weakness, so I often pay particular attention to them. Let’s break down how each iteration shifts the meaning and emphasis of the base sentence.
First time
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Chapter 322 おまえが拭えねぇもんは俺たちが拭う omae ga nuguenee mon wa oretachi ga nuguu
Katsuki uses ga with both the second person pronoun for Izuku and the first person plural pronoun for himself and Class 1-A. Ga emphasizes the word that comes directly before it, so this focuses not on the verb itself, but the persons doing the verb. Katsuki's first person plural pronoun oretachi of course means "we," but if you wanted to highlight his literal meaning, he's saying: "the things you cannot handle, me and the people with me will handle."
Second time
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Chapter 323 てめーが拭えねーもんはこっちで拭う temee ga nuguenee mon wa kocchi de nuguu
Here, Katsuki retains ga for Izuku’s second person pronoun, but changes both his first person pronoun and its particle, giving us kocchi de. This shifts the implication of who is doing the act—the first time, Katsuki's "we" pronoun highlighted the classmates who accompanied him and acted with him to help save Izuku. But by the time he says this line again, a number of people outside their class have stepped forward to defend Izuku’s return to UA.
Unlike distinctly singular pronouns like ore, kocchi both refers to oneself and something greater than oneself. By switching to this, Katsuki expands that narrow “me and the people with me” into “our side,” presenting the people who support Izuku as a unified force.
You see, kocchi de subtly shifts the verb to being executed by subject(s) defined by a specific characteristic or condition.
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Explanations of particle de from Mainichi Nonbiri. The heading and explanation read, "Subject: 'De' is used to denote the subject who deals with or engages in the action expressed by the predicate."
The first example uses jibun de (by oneself) to describe the conditions under which the listener is asked to execute the verb. The third uses gikai de (in the parliament or by the parliament, as a governing body representing many people) to explain the plurality and nature of the subject executing the verb.
The second example uses socchi de, which is the second person "you" version of kocchi, meaning your side. With this, you can see the purpose is to highlight division: "you did that over there on your side of things without any input from me."
Kocchi de as Katsuki uses it likewise creates "sides" by highlighting connection.
These details emphasize Izuku as the person who cannot handle these things and the relationship he has with the people supporting him, a collective Katsuki aligns himself with.
If we maintain this emphasis and the conditions in a literal way, we have: "The things you cannot handle, our side will handle for you."
Third time
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Chapter 405 OFA(あいつ)に拭えねーもんはこっちで拭うってなあぁああ!!! OFA (aitsu) ni nuguenee mon wa kocchi de nuguutte naaaa!!!
I want you to look really close at the particle ni.
Then look at the way the first word balloon ends with the particle wa.
And hear me when I say that this does not emphasize Izuku.
Ni is not a particle for emphasis. If Izuku's personal inability to handle AFO were being highlighted, Katsuki could have used には, which I talk about briefly in this post:
The combination of the two particles ni and wa are used to emphasize, compare, and contrast. This is extremely telling just on its own. Izuku is emphasizing the fact that, compared to everyone he could possibly tell, he cannot tell Katsuki this. He might be able to tell other people, but when it comes to Katsuki, he cannot. Ienai does not specify where the limitation stems from, but ni wa sure implies it.
If Katsuki wanted to disparage Izuku in comparison to himself, like "that guy obviously can't handle you, so I'll do it," he would have said something like this. He even could have slapped his own singular pronoun and ga in there (俺が拭う) to emphasize himself as an individual actor. But that's not what he did.
The particle wa tells us what the topic is. Neither Katsuki nor Izuku are the topic in any iteration of this line; they are subjects engaging with the verbs. The topic is "the things OFA (that guy) can't handle."
Now, because every other time Katsuki said this line had ga in it too, wa wasn't quite as strong as it is this third time. If ga emphasizes what comes before it, then wa emphasizes what comes after. It tells us, "this is the topic, now hold onto your seats."
Katsuki is emphasizing the predicate and the verb. What's gonna happen and how it's gonna happen.
He's saying, "our side is gonna fucking crush you."
The wa particle and the separate balloons build tension, suspense, and excitement—which the leaker instantly deflates. By front-loading Katsuki as both topic and subject ("I'm the guy"), the emphasis is no longer on the promise of destruction he will deliver on.
The emphasis is indisputably on the part after the balloon break, so the mention of Izuku ("when that nerd can't handle it all on his own") reads weirdly like an insult. Hell, most of the words the leaker uses are about Izuku's inability to handle the situation, which bloat the second half of the line and effectively kill the momentum.
Fumbling the flow of a line is a common mistake for amateur translators. Sometimes, it's hard to avoid because Japanese grammar is often the inverse of English grammar; maintaining the original order may render it awkward or even unintelligible.
But that is not the case here.
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pikahlua's literal translation
There's no reason to reorder the clauses. You can spruce up the wording, but the lines are perfectly understandable and effective in this order even at their most literal.
The leaker chose to reorder the lines this way, and their translation is worse for it.
Viz Comparison
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Official translation by Viz
After what I've said about particles, pacing, and emphasis, I think you can plainly see that the official translator understood these details and made his own choices to highlight them.
Any time you get text with furigana (explained here), you have to decide how to incorporate those dual pieces of information into the text. He could have translated this as "that guy couldn't keep you in the ground," but instead he prioritized the reference to OFA.
By doing this, Viz's translation avoids the implication of insult towards Izuku that the leaker falls prey to.
He also made the choice to translate kocchi as "we."
First, I’m bringing this post back around to remind people that kocchi is a pronoun of ambiguous plurality. This means that an interpretation of “we” is just as correct as an interpretation of “I.” Readers may interpret it differently, but on simply linguistic grounds, they are of equal validity. You will often see this kind of ambiguous language used in Japanese, even with characters that are forthright. The reason is one part cultural expectation that the listener will read between the lines, and one part a willingness to accept two things as simultaneously true. This exists and is frequently found in English as well, there just isn’t a direct parallel for kocchi itself.
A number of people were infuriated by this, because they felt some sort of bkdk moment was erased by Katsuki saying "we" rather than "I."
Yet it seemed like these same people were also mad one week prior when the leaker and the official translator worded Katsuki's rallying cry slightly differently.
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Chapter 404. Leaker, left. Official, right.
The claim there was apparently that the official translator was ignoring Katsuki's character development.
And like, which is it, guys? Do you want him centering the collective or himself?
The fact is that the official translation's characterization of Katsuki in the final battle is internally consistent with itself, while the leaker's is all over the goddamn place. Let us never forget that the leaker was just straight up WRONG here while the official got it exactly right.
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Chapter 408. Leaker, left. Official, right.
People were losing their shit that Viz made Katsuki "insult himself" and "expect failure" as though he's never used temee to refer to himself self-deprecatingly before.
And then the leaker just had to pretend that didn't happen in the next fucking chapter, while the official got to correctly reiterate their interpretation like they were taking a victory lap.
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Chapter 409. Leaker, left. Official, right.
All of this makes it unbelievably rich for the leaker to go and say shit like this:
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The leaker is an amateur translator. They spent ages stealing an artist's work and releasing it illegally for a profit with shoddy translations and misleading, even outright false "summaries."
Based on the nature of their translation mistakes, it is obvious to me that they are not fluent in Japanese, yet here they are bragging about their inability to understand how kocchi could mean "we."
Right before the line in question, Katsuki emphasizes himself as an individual in declaring himself to be the final boss.
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Chapter 405 俺がラスボスだ AFO!! ore ga rasu bosu da AFO!!
And then, by using ってな, Katsuki is basically quoting himself.
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"I said we were gonna handle what that guy couldn't, didn't I!?"
This suggests he is repeating the established meaning for emphasis, not changing it. If kocchi was plural when he said it in chapter 323, it's reasonable for it to still be plural here. Katsuki is not ignoring himself as an individual by doing this; he is rubbing it in AFO's face that neither he nor Izuku are solitary actors fighting this battle alone, they both belong to something greater than themselves.
I'm gonna step up on a soapbox for a bit.
I am kinda tired of people calling Japanese vague. I often see it used to imply Japanese is inherently hard to understand or that it doesn't have the capacity for specificity. Like any language, Japanese can be used to express specific, clear, and direct information. While it is true Japanese culture values indirectness as a way to maintain harmony, I would like to challenge the ethnocentricism I feel sometimes goes unaddressed in this topic.
Japanese is less tolerant of repetition and verbal excess than English is; information that has been established should only be repeated for a purpose. Japanese speakers expect their conversation partners to maintain awareness of context, social expectations, and specific interpersonal information to grasp the intended meaning of their words. Specificity is doled out when it is warranted or desired.
Specificity divides one thing from another, drawing lines in the sand and saying "this is this, and that is that." English often requires repetitive specificity to even be grammatically comprehensible. And while this might not be directly related, many English-speaking countries tend to have a more individualistic outlook on society than collectivist countries like Japan.
To me, "vague" often smacks of a value judgment: "there should be division here, and there isn't."
I said earlier that kocchi creates division by highlighting sides, us vs. them, but when people press on and ask, "but did he say we or I? which did he REALLY mean?" I just want to say that really? truly? he meant both. all of the above.
I think it is unproductive to think of Japanese as vague just because it doesn't exclude possibilities as often or as strongly as English does. I think it is a lot more useful and interesting to think of Japanese as expansive.
Why should there be division between Katsuki and the people fighting by his side? Why should he separate himself from the people who saved his life and risked their own in relentless pursuit of their common, heroic goal?
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Why is it unacceptable to imagine an "I" belonging so sincerely and wholly to a "we" that their voices are one?
Katsuki's words reflect the fact that this fight being fought by a collective, a team.
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In this context, OFA is a weapon in their arsenal, just as Katsuki himself is.
He is a force of nature, an agent of their willpower.
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Chapter 404
He rode upon the winds of their prayers, ushered on by Izuku's hopes
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and his own regrets,
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to change the course of fate itself.
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For much of the series, Katsuki is our beacon of individualism, of defiant refusal to bend to the will and expectations of others.
But Katsuki is also our image of victory. He shows us how to face our failures and change our hearts. He is our proof that rejecting others only hurts us in the end—his love for Izuku and Izuku's love for him is the story's greatest proof that as human beings, we are not better alone, we are better with each other. Other people change us, inspire us, and we do the same for them.
We need each other. We belong to each other.
It is in this final battle where Katsuki becomes his truest self, overcoming every obstacle in his path, making up for every painful regret in his heart, and utilizing every single thing in his grasp to save and win.
If Katsuki ever truly belonged to something bigger than himself, it is in this moment right here.
English divides the one from the many, and while that has its benefits, I think there is real, honest beauty to be found in a word that smooths those lines in the sand until there is no distinction at all.
That's who the fucking "we" is, rukasu.
Now onto my next gripe.
Katsuki is supposed to sound badass here
Frankly, the fan fury surrounding Viz's use of "we" completely overshadowed the fact that the phrase "One For All couldn't keep you in the ground" is fucking metal.
It rules. I'm fucking jealous I didn't write those words. It is such a good translation and it packs so much punch and I wouldn't have thought of it in a thousand years.
The official translator focuses his efforts on genre-specific tone translation, and sometimes he really nails it. I will freely admit that I find his style grating or overwrought at times, and indeed, one of his key weaknesses is that the flavor of comic-book dialogue he pulls from can sound one generation too old to be cool.
One of the most damning examples of this is him having Katsuki utter the word "bub"—
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Chapter 406
—which I think no English-speaker under the age of 30 had actually heard before Deadpool & Wolverine came out.
Honestly, if you just read Wolverine comics from the 80s, 90s, and early 2000s, you can see the character archetype he leans into for Katsuki's dialogue. 405's tagged-on "—and then some!!" is straight out of American action movies.
But the main point here is that Katsuki is taunting AFO and threatening him. He blows up AFO's face, announces himself as the final boss, then vows to kick his ass to death on behalf of everyone. It's amazing.
The line sounds cool as fuck in Japanese. The "naaaa" flourish at the end is nearly untranslatable in any direct way that still captures the appeal and impact of it.
I tend to think of sentence enders like this as flavor text or tone tags. To properly convey them in English, you may have to add a bunch of words, and you have to choose them carefully.
All of this is to say, the official translation tries pretty hard to make Katsuki sound cool. Do they succeed? I think to an extent, they do.
I actually think it's possible the translator did recognize the callback, but wasn't satisfied with the effect of repeating it. You can see that "finish the job" is supposed to link Izuku's actions to theirs, while also sounding grandiose and final.
The Viz translator might've simply prioritized showcasing the cool-guy threat while maintaining the collectivist angle, rather than matching the callback word for word. I don't really think that's the best choice, but I can see why it might be made.
The leaker's translation doesn't make any real effort to up the ante. Maybe this line is cool to somebody, but it ain't me.
In fact, are we ever gonna acknowledge that the leaker's translation just scoops up most of its wording from the official release of chapters 322 and 323?
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"I'm the guy who steps in when that nerd can't handle it all on his own!!"
The leaker was not responsible for these translations, but just look at how other people tried to grapple with Katsuki's metaphor.
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In fact, the only person whose choice of words prophetically matched Viz was pikahlua, four days before the official release:
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And even then, you can see that "step in when" is unique to Viz.
I'm not saying that similarities in translation are unacceptable or that directly referencing the official release is bad, but I do find it truly incredible they had the gall to shit-talk the official translator after cheating off his damn homework.
The leaker basically contributed six words: "I'm the guy who" and "that nerd." I personally disagree with "the guy who" as a translation addition, just because I think it too strongly isolates him in a way that using "I" and "I'm" by themselves do not, but it wouldn't have been terrible if they had also maintained the original clause order: "One For All couldn't handle you... but I'm the guy who—", something like that.
This brings us to my final gripe.
Katsuki did not say “that nerd.”
The leaker made that shit up, they inserted it for no reason and ignored the two pronouns the original text actually provides, OFA and aitsu (that guy).
In the manga, Katsuki has never called Izuku a nerd to villains, not once. It is rare for him to use it while speaking to someone other than Izuku, period. It’s an insulting pet name he uses towards Izuku or while muttering angrily to himself about Izuku.
To be clear, the narrator who uses "shitty nerd" is not Katsuki, they merely validate the accuracy of his nickname for Izuku. Yes, I just linked to my tag for the whole damn 348 chapter, because I've argued against this theory a lot, just read 'em all, it's a good time.
By my count, he only uses it once while talking to Todoroki in chapter 42 and once to Ochako in a 5-page bonus chapter for the first character guide, set shortly after chapter 65. Both take place very early in the series and both are examples of his intense grudge against Izuku.
Did you know that the last time Katsuki uses "nerd" towards Izuku directly is in chapter 320?
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Who's ignoring Katsuki's character development again?
The fact is the word doesn't exist in 405's text, and there just isn't precedent for him to say it to All For One.
Trash-talk doesn’t work if your opponent has no clue what the hell you’re talking about. AFO would have no idea who “that nerd” is even supposed to be, because they were not already discussing Izuku, unlike both canon instances of Katsuki using it in conversation with others. The audibly-pronounced aitsu just means "that guy over there (physically near neither you nor me)" and you could argue that is unclear, too, but it's relatively neutral and context clues everyone in to the fact that he means Izuku, with whom he just did an explosive, flying duo move.
I think some bkdk fans were keen to see him use the tsundere insult we all love so much, but it just doesn't read right to me. Writing an insult towards Izuku into this kind of line, even an affectionate one, misdirects the aggression and fails to highlight how Katsuki makes a mockery of AFO during their fight.
I really do think it undercuts how, in his big moment of taunting the greatest villain in history, Katsuki brings up making good on a vow he made to Izuku.
And let's not forget that there is a definitive moment where Katsuki references his relationship with Izuku while taunting AFO:
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Chapter 406
To roast the villain for his stupidity in misidentifying him, Katsuki loudly announces himself to be Bakugou no Kacchan.
Katsuki proudly identifies himself with the cutesy nickname his childhood friend has used for him their whole damn lives. That's a far cry from somebody who'd insult Izuku just to hype himself up.
So, no, I don't accept "that nerd." I think the leaker just added it to make their translation sound cooler, but they did so at the expense of Katsuki's character. It's tacky, cheap, and not based in any honest reading of the text.
Put the nickname in your fanworks however brings you joy. Really, go for it, I know I sure do!
But let's not pretend Katsuki said it here.
In conclusion
Katsuki's dialogue offers a unique array of challenges to translators. I would never argue that he is easy to translate, and so much of his characterization is expressed in the minutiae of what he says. Much of his dialogue contains layers of meaning, and any translator is going to have to make a call about how to interpret those layers and what to highlight.
I made this post to say my piece about a translation tons of English-speaking fans love. In the process of dissecting what frustrated me about it, I researched and studied and learned so much.
And to be honest with you, I don't know that I have a solution for this line. I thought of a ton of options:
One For All couldn't keep you in the ground... but we're here to step in and finish the job once and for all!!
I promised we'd step in when that guy couldn't handle it on his own... and I fucking meant it!!
After all, what One For All can't handle... he's got us here to handle for him!!
One For All couldn't stop you… so it's a good thing that guy's got us here to step in and finish the job!!
If the guy with One For All can't get it done alone... then we're here to take you down for him!!
Maybe One For All couldn't handle the job alone... but our side is still gonna kick your ass!!
Some of them are very fun, and each highlights a different set of priorities: collectivism, connection, coolness, intimidation, and so on.
But you could pick apart my words the same way I picked apart the leaker's and Viz's.
There will never be a one true translation. There can't be. For as many readers as there are, there are just as many interpretations to what Katsuki's words mean and what is important about them.
In every translation, you face loss—loss of information, loss of specificity, loss of ambiguity, loss of emotionality, loss of cultural meaning. Your job as a translator is to lose as little as possible, and to make sure you can stomach the things you do lose.
You also gain things in translation. New meanings, new layers, new cultural implications. By showing the audience what you see and choosing how you say it to them, you add something of yourself to the work. You can't not.
As a translator, I want to keep learning and trying and going beyond. I want to do right by the things I translate. I want to share the things I love with other people and figure out, as best I can, how to make them see what is beautiful about it.
Unlike Bakugou Katsuki, we translators can never achieve a perfect victory.
But it's always worth trying.
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jinikaris · 6 days ago
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FELIX ❅ SKZ CODE: SNOW KIDS WORLD #1
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claypigeonpottery · 2 months ago
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Icarus 💫
he’s been a challenge, I’ll admit, but I’m very pleased with how he turned out
he should end up these colours
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luuxxart · 2 months ago
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🏁𝕥𝕨𝕠 𝕥𝕚𝕔𝕜𝕖𝕥𝕤 𝕗𝕠𝕣 𝕊𝕠𝕟𝕚𝕔 𝟛 𝕡𝕝𝕖𝕒𝕤𝕖🏁
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jirachuuu · 7 months ago
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Bro got that drip on!!! 😤💯🙌🏼🔥
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egophiliac · 5 months ago
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time for skeleman
with the lack of any other info yet, all I can focus on are those Charles Lloyd-looking sunglasses. they are absolutely sending me. I feel like we're gonna fall through a tree or whatever and this stitched-up boney gentleman is gonna pop out from behind a gravestone and start serenading us with some smooth jazz on the saxophone.
or should I say...the saxoBONE???????
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paper-starz · 1 year ago
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I think he sees you!
(AGHHHHH OMGGGG FINALLLY!!! ART!! I haven’t drawn Wally in ohhhh so very long. And I think this is by far the best Wally I ever drew. Holy shit I’m so proud of this piece!)
(Extras under the cut!)
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Without text + noise effect.
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Closeups!! (You all know how much I love TEXTUREEEEEEEEEEE)
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babybells123 · 4 months ago
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Noorhelm Nation (if you’re still alive) how are we feeling?!!
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1071png · 8 months ago
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Drow books sketch pile (I'm never gonna color these anyway)
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i dunno how accurate the last 1 is but entreri looked cute on it
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ghouly-boiiiii · 10 months ago
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The potential for Ghoulcy to be canon may be more likely than y'all think...
Honestly, if it were any other IP I would say there's no way, but this is Fallout we're talking about. A franchise which prides itself on indulging in the ridiculous and absurd scenarios it can come up with.
They've already done it in the games. Hancock is a romance candidate for your character in Fallout 4 and he's a ghoul, so like, the idea of pairing a human with a ghoul is not a new idea in the franchise.
Plus, I feel like there has been some potential actual foreshadowing for it in the show. Not just Norms husband talk in the beginning, but the fact that Lucy is a very frisky lady and not squeamish in the slightest both lend itself to the possibility. Now, that could all just be for the funny, but they do seem like very oddly specific choices on the writers part.
As for Max, I think the line the doctor says, "Will you still want the same things when you've become a whole other animal all together?" is gonna be pretty relevant here. Lucy thought she was gonna find her dad, then go back to her vault and live happily ever after with her LITERAL knight in shining armor. But now that she knows the truth... that probably doesn't seem as appealing as it used to be anymore.
So yeah... probably still unlikely BUT I don't think it's at all out of the realm of possibility. I can definitely see the creators going in that direction just to be funny and shock people, but maybe even more so if they find out there are fans who are actually into it... 😅 I mean who knows? I can dream...
But yes, I know. Maybe this is just all wishful thinking, but I don't care. I'm gonna ride this train til it crashes and burns!! Ghoulcy forever, baby!!
EDIT: I just wanted to quickly add that Walton Goggins also talked about how he and the creators deliberately set out to try and make the Ghoul "kind of hot" (which they obviously succeeded at, because here we are lol). And while, sure, that may have just been for freaky fans like us, there could be another reason if their intention from the beginning was to have a romantic arc with The Ghoul. Gonna give us that whole Beauty and the Beast trope, Fallout edition y'all haha 😃
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