#so much talk of morality

[shushmal]

tw: for implied past emotional abuse, im in my feels today

"What the fuck were you thinking?" Hopper growls. He's not quite shouting, but he's still loud, raised voice echoing through the living room. "She's not ready to drive yet, I forbade it, and what? You two decided that you knew better?"

Eddie rolls his eyes, but gamely keeps quiet. He knows Hopper's less upset with Ellie taking a spin through the parking lot and more upset about the property damage. Eddie's on her side though, that phone pole came out of nowhere. Must have been pretty rotted out too, to fall over that easily after a little love tap.

Ellie had done a damn good job fixing the huge dent in the bumper.

But if Hopper wants to be dramatic and chew everyone involved out, Eddie's not going to stop him. Whatever gets the guy's blood pressure back down.

"You're supposed to be responsible adults! Especially you, Steve!"

Rolling his eyes again, Eddie glances over, hoping to share a commiserating look with Steve.

Except Steve isn't looking anywhere but down, shoulders and spine ruler straight. Eddie stalls there, stuck on the way Steve's standing, tense from jaw down to his ankles, his hands balled into tight fists flat at his side, knuckles white. Hopper keeps ranting, pacing a wide circle in front of them, but Steve doesn't flinch, doesn't look up, doesn't react. It's like all the color has washed from him.

"Are you even listening?!"

"Yes, sir," Steve says tightly. He doesn't look up. Hopper keeps going.

Eddie watches as Steve's throat works to swallow, like he's choking. Like he can't breathe.

"Hopper," Eddie snaps. "Shut the fuck up."

Hopper whirls on him, livid, but Eddie's not looking at him, fixed on Steve as he reaches out. Tries to take Steve's hand, just holds his wrist when Steve can't unclench his fist, gentle as he touches him. Steve is tightly wound and trembling under his fingers.

When he looks, Eddie finds Hopper with deep regret on his face, struck silent. He doesn't say anything when Eddie leads Steve away, back out onto the porch. They sit on the swing, Eddie's arm around Steve's shoulders, rocking back and forth until the muscles loosen and Steve slumps, strings cut, into Eddie's side. They'll sit like that for a while more, watching the woods as the sun sets and listening to the dusk settle, crickets and cicadas and chats calling the moon up, filling their silence with nighttime music.

Later, Hopper will come out, temper cooled, and sit on Steve's other side. Will ruffle Steve's hair when Steve starts to stiffen. Will apologize when Steve eyes him warily.

Later, Eddie will scowl and glare, but ultimately keep quiet, unwilling to make the whole thing worse for Steve, another fight, another shouting match. Will stiltedly tell Hopper good night and take Steve home, wait patiently until Steve finally speaks, when he finally tells Eddie a little more and a little more, until Eddie's holding him tight.

That's later though. For now, he digs his heel into the porch, rocking them back and forth, and waits for Steve to breathe.

[0fps]

JANE DOE ❖ undercover r&b

The big bad daddy who cussed you out every day is gone and yet you still miss him. What are you, a bunch of daddy's boys?

[divorcedfiddleford]

and you may say to yourself: "my god! what have i done?" and you may tell yourself: "this is not my beautiful wife!" and you may tell yourself: "this is not my beautiful house!" and you may ask yourself: "well, how did i get here?"

time isn't holding up, time isn't after us, time is a pony ride! (images described in alt text)

[secretly-a-catamount]

tim drake would rather die than kill innocent people and tim drake killed hundreds of supervillain henchpeople with long-range detonation explosives that one time are two separate headcanons that, contrary to what the fandom discourse would have you believe, can actually coexist at the same time.

there’s even a psychologist term for it.

it’s called compartmentalization!

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[inoreuct]

punkflower where hobie loves the morales family, loves how they’re becoming HIS family.

still, the first time jeff calls him “son”, he has such a visceral reaction.

he knows it’s coming from a good place and he knows he should be touched, but he’s only ever been called son in a condescending way. in a “know your place beneath me and stay in it” way. he feels so sick all of a sudden, nausea roiling in his gut, and his knee bangs against the underside of the table as he screeches his chair back and mutters a shaky “’scuse me”.

he hears rio’s concerned call of his name, sees the confusion and dread on jeff’s face right before he turns and leaves. he doesn’t stop until he’s up on the roof, ducking into the bottom of the water tower and collapsing into a corner.

stupid. it’s so stupid, and it pisses him off how tears are burning down his cheeks.

hobie scrubs them away with the back of his wrist even as he hears the door to the roof creak open, hears the familiar gait that he knows belongs to miles. he keeps his face turned away as his boyfriend appears in his line of sight, stepping gingerly like if he moved too fast hobie would break.

the punk sniffs angrily, the spikes on his cuff poking his cheek as he wipes his tears again. a hand brushes his against the ground as miles sits down beside him, close enough to touch but not quite.

he waits. for miles to say something, anything; to ask for an explanation, or offer words of comfort that will ultimately only make him feel worse.

in the end, it’s him that breaks the silence.

“i’m sorry,” he offers, and cringes. his voice is thick like rusted metal, scratchy in his throat. it’s scraping up against old wounds that never really healed, pulling at scabs to draw fresh blood, and it stings. “m’sorry, i just— he’s—” it feels damning to even say these words, but it’s the truth, and hobie’s never been a good liar.

doesn’t mean it’s not eating him alive, though.

“he’s still a cop, miles,” he chokes out, guilt winching around his lungs like a parasite, “and the last time a cop called me son—” hobie’s breath shudders out of his lungs as miles crawls into his space, ducking his head beneath hobie’s arm to press the punk’s face to his chest.

“i know,” miles murmurs, wrapping his fingers around hobie’s nape as hobie scrunches a desperate fist into the back of his shirt. “i know. i understand.”

hobie doesn’t think he really does, but that’s okay. if hobie has any say in it, miles will never have to go through what he did and understand what it’s like.

his voice is meek as he asks, “are they mad?”

“‘course not.” miles clicks his tongue, gently admonishing, like it’s a fact hobie should know by now; his fingers trace gentle circles into hobie’s skin. “just worried. hope you know my mama’s gonna feed you thrice the usual serving of tres leches when we get back.”

that gets a chuckle out of him at least, but the look on jeff’s face still haunts him, burned front and centre into his mind’s eye like an afterimage. “and your dad?” he feels miles go still, doesn’t resist as his boyfriend pulls back to look hobie in the eye. his voice is terribly gentle.

“he understands. it’s okay.”

hobie doesn’t think it’s okay. it doesn’t feel very okay. jeff had disliked him at first and reasonably so; he’s nothing like a person anyone would want their kid to be with.

and yet the captain had let him into their home, accepted him as miles’s person, given him a place at the table. of course rio would have sat him down and shoved food into his hands regardless, but still—

“hobie.”

miles calls his attention back, and he looks up into wide, dark eyes. his heart burns.

“he knows what you’ve been through. he knows how much you’ve grown.” miles huffs a soft laugh, rubbing his thumb against hobie’s hairline. “do you remember that time we went to your concert?”

hobie nods; he doesn’t think he can speak just yet.

“you were so nervous about what he would think, but he was stressing about looking like an old man in front of your friends. he literally said that as your boyfriend’s dad he had to out-hip all the other guys his age.”

something twists in hobie’s chest. “he’s the coolest old man i know.” he pauses, frowning. “maybe after peter b.”

miles laughs again, quietly. “he cares about you.”

hobie doesn’t doubt that. he’d let jeff and rio learn about him piece by piece, and with every sliver of information jeff had softened more; he might be the captain of the PDNY, but he was also a father.

hobie’s never really had a father.

not until he was asked about whether he preferred waffles or pancakes. until he was consulted for advice on what to wear to a pride parade. until jeff only looked at his blue laces with a tentative expression and he was hesitantly slipped a phone number to call if he ever got into trouble in this dimension that he couldn’t get himself out of, a helpline should he ever need it.

so he gets up, takes a deep breath and hauls miles to his feet. his boots clomp down the stairs; he takes care not to fling open the door and when he sees jeff and rio hovering in the living room, he holds out his arms.

rio reaches him first. she’s shorter but fierce, pulling hobie down to hug him tight, and he feels like crying again.

miles slips close to cling to his back, arms sliding around his waist, and hobie watches jeff meet his eyes with something almost anxious.

hobie’s lips twist in a smile. an i’m sorry and an it’s okay wrapped in one.

and maybe it really is okay, because when jeff comes around to squeeze them all together, hobie can’t help his relieved sigh as he thinks, this is what family’s supposed to feel like, certain as the next deep breath he takes and comforting like the broad hand that squeezes his shoulder.

fin.

[moeblob]

A lil guy !

[eggwishing]

More !!! Im really fond of the two stitched looking things on the right. I want to design more of them. I’m feeling super inspired by Kanotynes …..

[youngpettyqueen]

I know the decision to have Julian's parents have him augmented was made on the fly but imo its pretty obvious from early on that Julian has Family Issues because he avoids talking about his family like the plague and I think they should've incorporated this into the Julian and Sisko dynamic right from early on because I think it would've made for some really compelling stories and moments and could've set up a REALLY interesting Julian and Jake dynamic which they kinda started to do but never fully went for

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[eerna]

The amount of discourse Cait is generating in the Arcane tag is so JUICY man. I love it when women are evil and make people mad. It feels like we're back to the good old Catra days...........

I've missed this <3

I know!! I can't help but be a little proud that a show did something so bold that there is now a bunch of people online fighting over politics while talking about it. Caitlyn was, by all means, primed to be "one of the good ones". She was a rookie Enforcer who has been kept away from the action, idealistic, disliked her family's power and influence, and preached about breaking the cycle of violence. And then the MOMENT those beliefs were put to the test, when she personally felt the consequences of the cycle of violence, it all broke down and she became a regular oppressor. Instead of a savior, she is a cautionary tale. I know some people will be upset about it, but what a discussion generating plot twist!!!!! Bro!!!!!!!!!

[naggingatlas]

'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.

[offshore-brinicle]

Objectively funny that through so much of Canto IV Yi Sang is critical of K Corp and completely off-put and disgusted by Dongrang's callous behavior to the point that animosity is everywhere in their actions until the end of the dungeon but then with Dongbaek and the Technology Liberation Alliance he has zero reaction to them bombing and killing beyond speculating about how she convinced all of these people to join her in the observation logs and instead blames K Corp basically

Like literally everyone else are the ones pointing out how the TLA it's fucked up and arguing with them but dude has nothing to say and doesn't really criticize Dongbaek for what she does other than point out things and even lowkey goes "if I was in her place I'd probably do that too" in his logs. Yi Sang is a devout advocate for Women's Wrongs

[insomnya777]

hate the siblingification of joel and gems relationship .. no they are not brother and sister they are in LOVE.

[nandorsrelentless]

there seems to be far too many fans who can't seem to wrap their head around the fact that no relationship in the Vampire Chronicles is healthy. every relationship includes an element of abuse/power imbalance by normal standards. literally every single one.

they are all monsters who are no longer constrained by societal rules. so I don't think it's too crazy to expect them to do mosntorus things. the genre is Gothic HORROR. the show really prioritizes the HORROR element more so than other adaptaions, which i love.

i don't need louis to be a liar to enjoy lestat. if louis lied or misremebered things about the fight in episode 5, i literally do not care because it's never gonna make me hate louis. the baseline of what constitutes "evil" or "bad" is so different in iwtv because of the fact that they are NOT HUMAN. Claudia is literally a serial killer and she's still mother to me. ykwim?

the nature of vampirism is they have to kill to survive. so it would be really cool if people could accept louis, armand, and claudia as complex characters who are fundamentally not good people (because they aren't people!) without being racist about it. THEY ARE ALL KILLERS

im more interested in this exploration of the complexities of memory and seeing how the show integrates the other books into this story in a way that hasn't been done before than I am in discoursing about whether louis is a liar or not. who gives a shit???? grow up and realize that there are no good guys here and that's OKAY

[aninonimosstuff-blog]

Ok so like lmao

This user stole my art and then blocked me YAAAYYYYY

I hope this was a silly joke...

And if not-

Then report that girly yayyy

I don't mind if my art is stole by someone else, after all I post my art and I'm at the risk of it being available for someone else to use

So like, if u want guys, do justice for me or something :)

Seems like a little kid that got their way to Tumblr, so please if you reach to talk to her be respectful and nice :)))