#so many things I thought I read this year I actually read last year

[stellamarielu]

sweetheart

declan o'hara x female reader

summary: working late with your boss (who you have a massively embarrassing crush on) was a normal occurrence for you. not a normal occurrence? him finding your favorite smutty romance novel and asking too many questions about it.

content: mutual pining, nsfw themes, age gap i guess, not actual smut but there are implications, teasing, some dirty talk (bc let's be real it's "how would you have liked him to touch you" declan)

author's note: so this is the first writing i've posted on here because this man and his hairy chest have me in a chokehold. the internet deserves more rivals fics!

——————————————————————

It was the third Thursday in a row you found yourself still at work after everyone else had gone home. You were sat across from your boss, the only thing separating you was an office desk. The piece of furniture was obnoxiously oversized, but you were thanking the universe for it because if Declan was sat even an inch closer, he would probably be able to hear your heart pounding. You had such a ridiculous crush on him. You knew it was inappropriate, but you couldn’t seem to care less. So here you were working overtime just to sit and gawk at him. Pathetic.

Sometimes you swore there was some sort of tension between the two of you. The accidental stares that lingered a little too long. The careful touch of his hand on your lower back when he passed behind you. Sure, you were probably reading too far into it, but in the back of your mind you hoped that he saw you as more than a young naïve coworker. 

Your delusions were further fueled by Declan’s constant invitations to join him in his office on Thursday nights. You couldn’t help but wonder if he knew that you would stay late every single night if he asked you to. 

But of course, he knew. 

He knew you thought he was attractive. He knew that his presence made you nervous. He knew that you had an embarrassing schoolgirl crush on him, and he liked it. 

Not only did he like the idea of you wanting him, but Declan reciprocated it. He spent most days with his gaze trained on the work laid out in front of him to avoid eye contact with you. He knew the second your eyes met he wouldn’t be able to control the small smile that tugged at his lips. He would never admit it, but he lived for making you giggle. The sound of your laugh was irresistible. He would crack little jokes throughout the day just to hear it.

Your voice alone was like music to his ears- christ, even the way you said his name drove him insane. He could feel warmth spreading through his chest just thinking about it.

The thoughts he had about you were unbecoming. Thoughts a boss shouldn’t have about their employee let alone an employee that was almost half their age. 

So, he tried his best to suppress his feelings and treat you as he would any other coworker. But it sure as hell didn’t help when you were always so quick to stay late and help him with his work. Granted he knew by asking you to assist him after hours he was just digging himself deeper into this newfound obsession. But he couldn’t help it, he longed to be in your presence even if it was just an extra hour or two once a week. 

These nights were mostly filled with silence but the occasional banter about office drama or a Keats work that you both admired was enough to have him wrapped around your finger day after day.

“What was that article you were tellin’ me about?” His question breaks the silence that had been occupying the room for the last fifteen minutes. 

You look up from your busy work only to be met with his kind eyes. For a man that had no problem showing his angry side, you felt lucky that you so often got to experience a version of Declan that was calm and light-hearted. You sometimes thought he had a sweet spot for you, although you came to terms with it probably being because you reminded him of his daughter who was just a few years younger than you.  

“Oh. Yeah. I forgot about that. Hold on I think I have it in here.” You began the search for an article you had mentioned to him that morning. It was an old gossip piece that you thought would be good for him to use on the show tomorrow night. 

You began taking things out of your bag one by one trying your best to find the paper in your giant unorganized tote. Notepads, books, a handful of pens, and your favorite lipstick that you thought you lost months ago are now strewn across Declan’s desk as you continue digging through your belongings. 

A small chuckle escapes Declan making you stop your search for a split second. Your head snaps up expecting to see him looking at you in irritation for creating such a mess, instead you notice his attention on one of the books you had taken out of your bag. Looking down you realize your copy of Lizzie Vereker’s novel was sat on his desk. A novel that was well known for its extremely erotic contents… and your copy was so worn the spine was barely intact. 

Before you could try to say something to make the situation less mortifying Declan spoke, 

“I see you’ve read Lizzie’s book then.” 

There was no questioning his amusement. He seemed to be enjoying how awkward this was for you. 

“That Lizzie is a quirky gal, but a truly great author.” He finished and picked up the book thumbing through the pages. 

“She gave me a copy after the garden party last month. When she mentioned to me that she was a writer, this-” you said motioning to the book, “wasn’t exactly what I had in mind”

You giggled as you spoke and the second the sound left your lips Declan’s eyes met yours. There was something about his stare now that you couldn’t place. 

“So I take it you’ve read it then?” You asked him, needing to say something to keep yourself from full on passing out in embarrassment. You wish you had asked something else because you desperately needed to change the subject from the smutty pages Declan held in his hands. 

“My-“ He paused, “Maud read it years ago. I remember readin’ a bit of it myself. Absolute filth.” 

He was looking back down at the book while his hands found the worn spine, a smirk plastered on his face. 

Okay, so now he knew you were so miserably horny that you not only read the book, but you enjoyed it so much that you must’ve re-read it multiple times- hence the condition of the novel. 

“You certainly seem to be a fan of her work.”

With this comment your humiliation began turning into irritation. Was he trying to further embarrass you by implying that you’ve clearly enjoyed the book? Can a woman not read exceptionally horny literature in peace? Now you’re becoming annoyed by the whole conversation. Afterall, it’s really none of Declan’s business what you do in your free time.  

“Yeah, well I spend a lot of nights alone in my apartment Declan.” You deadpan. “I’ve found the dating pool in this town to be quite depressing and I’m 99% sure the men in that book are much better than anyone I would meet here anyway.” 

You haven’t been living here long, it’s been maybe three months since you got the job to be a production assistant on Declan’s show. You’ve been working so much that you haven’t had much time to scope out the town’s most eligible bachelors, but from what you’ve seen you’re not interested. Not to mention the inconveniently debilitating crush that you had on your boss keeping you from noticing anyone else at all. 

“Oh and why’s that?” He challenges. This time looking you straight in the eyes, a smirk still playing on his lips.

Alright, he wanted to keep this up so why not. Two could play at this game. 

“For starters, these men” You steal the book out of his hands, “are written by women. Meaning they have empathy, they’re emotionally expressive and socially aware. Seemingly simple character traits but you would be shocked by how many men I’ve met in the last few months who lack the basic complexity of a fictional character.”

His smirk has turned into a full-blown smile making your body feel warm. 

“Not to mention the men in this book are capable of making a woman cum not just once but multiple times in a row. Which seems to be an impossible task for every man I’ve been with.” You continue your rant. Declan’s eyes fixed on you.

“These guys are getting off on a woman’s pleasure” you tap your book, “truly enjoying making their partner feel good. Meanwhile in reality, most men don’t even care if you finish as long as they get theirs.”  The second the words leave your mouth you realize you’re talking about orgasms with your unbelievably handsome boss staring right at you and immediately feel the need to hide underneath the desk in front of you. 

You look at Declan and notice his expression has gone from playful to something more serious. His lips show no evidence of a smile, instead they’re now relaxed and somewhat parted. His deep brown eyes are slightly hooded, and you could’ve sworn you noticed his chest rising and falling at a rather quick pace. He waits a few moments before standing from his chair and slowly making his way to your side of the desk.

“Well sweetheart,” 

Your mouth gapes open at the words. He’s never called you that. But hearing the pet name fall from his lips in such a deep raspy tone sends shivers down your spine. 

“I’ll have you know the kind of men you’re talkin’ about from your book do indeed exist.”

No longer separated by the desk he now stood right next to you, close enough that you could smell his cologne and the cigarette smoke that lingered on his suede blazer. 

“Some men relish in their partner’s pleasure. They can’t get enough of the way their body reacts to their touch. The way they look so needy and desperate for release.” 

He stops for a brief second. His eyes slowly drop to your feet and take their sweet time coming back up to meet your eyes, steadily drinking in the sight of your body underneath him as you sit still in your chair.

“The pretty noises they make as they come undone.”

His Irish accent sounds heavier than normal, and his voice is hushed. Your body is frozen in place and the room suddenly feels ten degrees hotter. His words are stirring something thick and foggy in your head and you can’t think straight. You’re all too aware of how close you are to him. Your face a mere foot away from his crotch. You’re able to make out the intricately braided patterns in his belt and you try to stop yourself from letting your eyes sink lower to what’s beneath it. 

Declan watches your gaze fall, and his mind starts to race. Knowing any second now his attraction to you will be evident by the strain of his pants. He gently takes your chin in his fingertips and pulls your gaze upward so you’re now looking up at him through your lashes. 

Fuck- that sight alone is enough to make him finish in his pants like a teenage boy.

You looking up at him with innocent eyes, your lips parted just inches away from his hips- he thinks he may die right there on the spot. The effect you have on him is intoxicating, clouding his thoughts and almost making him see stars. What he says next comes from a place of carnal desire surprising even him, 

“Unbelievable that the men who’ve had the privilege of bein’ with you don’t even know how to fuck you properly. If I had you in my bed I would take my sweet time makin’ you cum over and over again until you’re beggin’ me to stop.”

As he speaks the hand that was resting underneath your chin gradually makes its way down, his fingertips now ghosting your jawline. 

“You deserve somebody who knows how to make you feel good sweetheart.”

There he goes with that nickname again. This time he says it and you can’t deny the warmth that pools between your thighs.  

Just as you open your mouth to respond, Declan’s phone starts to ring. Your eyes remain locked on one another as the incessant ringing continues. You were beginning to think Declan would ignore the call so he could continue dirty talking you into a puddle, but he stood up straight from his position at the desk and began walking to the other side of the room. Answering the phone, he gazed back at you running a hand through his curls, nothing but lust in his eyes.

You sat up in your chair, blinking slowly and trying to gather your scattered thoughts. You weren’t sure what had just happened, but you did know one thing. 

The next time you found yourself that close to Declan O’hara’s belt you would be undoing it. 

[indierpgnewsletter]

Murder on Arcturus Station

In 1983, Games Designers’ Workshop released an adventure module for Traveller called Murder on Arcturus Station. It’s a straight-up sci-fi murder mystery – an early landmark in Traveller‘s goal of taking play out of the dungeon and zooming off in every direction possible.

There’s lots to like about this little adventure. The dead body is a sleazy capitalist, who in the premise of the adventure has just screwed the players’ characters out of payment for their last job. There’s also labour strife brewing because the aforementioned bossman is screwing everybody on this little mining station. There’s almost a dozen suspects, each of them having some kind of grief with him. It’s the slick neo-noir vibe of Picket Line Tango but done with all the lack-of-flair of 40 years ago.But the best thing about the module is that there’s no canonical murderer. As a part of prep, it asks the GM to decide.

But the best thing about the module is that there’s no canonical murderer. As a part of prep, it asks the GM to decide.

I love this because there’s a lot of discussion these days about games that use Brindlewood Bay‘s mystery system. And while this isn’t the same thing by any means, it’s still mucking around in the same sandbox. Essentially, you could say that games like Brindlewood Bay or Apocalypse Keys are just respecting that time-honoured tradition of storygames and redistributing the role of the GM.

When I read Arcturus Station, I have this lovely premise dripping with potential and I don’t want to puncture it. If I was running this in 2016, I would’ve just used smoke and mirrors – pretended that I knew which suspect did it but really I would just see what my players thought and then use that to decide. (Someone on Bluesky called it “planning behind” rather than “planning ahead” and I find that phrase very funny.) All these new games do as far as I’m concerned is let me be honest about my smoke and mirrors.

But the creativity of Arcturus Station doesn’t stop there, it offers two more ideas, half-baked in that classic old school way but still very endearing: what if the one of the player’s characters did it (makes sense, they have a motive, they just got screwed) and what if instead of playing adventurers, the players took on the role of the NPC suspects and basically larped it.

The designer of this module, J Andrew Keith, doesn’t actually know how to pull either of these two things off. Well, the first one is a bit easier. It just requires planning and collusion between one player and the GM. But the second idea is just tossed in at the very end of the book. All that Keith has got to offer us is: “One other possibility which there was no time to explore in detail here is to dispense with the standard player characters and use the suspects as player characters. Give players the information on Katarin Xuan, Eayukheal, and the others, and have them play those roles; of course, one of them will be the murderer…”

Like with many other art forms, one way to read the history of RPG design is the push and pull of experimentation and consolidation: there are periods of obvious and widespread experimentation and then consolidation as the most popular experiments become the norm. But then people get bored of the norm as it looses the novelty that made it popular in the first place and a new phase of widespread experimentation follows.

It’s never so simple, of course. You can have experimentation in one space and consolidation in the other. But it’s interesting to see the creative overreach of the first decade of RPGs – people imagining possibilities but not really having the tools to implement them. It’s the same spirit that draws me towards the current indie games era (and the Forge era, and so on). It’s excitement for the possibilities of play.

[fuckyeahisawthat]

Re-skimmed through a bunch of Dune Messiah last night because why not and now I am having thoughts:

The thing that sticks with me most is the tone. It's melancholy, it's eerie, it's unsettled and weird. Cannot think of a more pitch-perfect director for it than Denis Villeneuve. He's gonna nail it.

There is...not that much...actual story? Denis has referred to it in interviews as "a small book" and I'm like my guy it is 350 pages. But there are actually not that many plot beats. It's just that every. single. scene. is WILDLY overwritten. The real challenge of adapting Dune is not the giant worms or the dense complicated worldbuilding or the fact that actors have to say the name "Duncan Idaho" repeatedly with a straight face. It's that there are pages and pages and PAGES of internal monologue that have to be externalized somehow for film.

After a re-skim my gut instinct for "how much story goes in a feature film" is that if you just wrote out the dialogue and action that happens in every scene in the book in screenplay format you'd end up with...maybe about an hour of material? Which is great, actually, because it means there is room to add stuff. Like a whole new independent plotline for Chani if they decide to do that.

It may seem insane to add things to an adaptation of what's notoriously one of the wordiest series in classic sci-fi but it's worth remembering that they added quite a bit to Dune Part Two. Most of the first hour of the movie--almost everything before the worm ride except for Jessica drinking the Water of Life--is stuff that isn't in the book. And it's the best part of the movie essential to making the movie work as well as it does. Yes, they also cut elements from both parts (the dinner scene, the whole plotline where Gurney thinks Jessica is a Harkonnen spy, Thufir Hawat's fate, Leto II the Elder, murder toddler Alia) but I understand why each of those elements was cut or changed in the service of cinematic storytelling.

There's an interview (can't remember which one) with Jon Spaihts, the other co-writer of the scripts along with Denis, where he talks about how Dune is like a stage play, with so many of what would be the big action set pieces happening off-page. I kept thinking about that comparison while reviewing Dune Messiah because in addition to the scenes that do exist being wordy and internal as fuck, an absolutely insane list of major events/reveals/emotionally significant moments happen off-page. The list of things that we don't actually see in the main action of the story, that we're only told about after they happen, includes:

Chani finding out Irulan has been secretly dosing her with birth control for YEARS

People trying to capture a sandworm and take it off planet

Chani and Paul finding out Chani is pregnant after 12 years of trying to conceive

Paul flying an ornithopter carrying his extremely-about-to-go-into-labor partner while blind

CHANI DYING (first time reading I did NOT know this was coming and damn near threw my Kindle across the room at the way the information was delivered)

Alia executing a bunch of people including a Bene Gesserit Reverend Mother

Paul walking into the desert at the end

You could add all these moments into a scene-for-scene film adaptation of the book and probably still have room to add more material.

The other thing that jumps out is that Paul doesn't really...govern...much. Like there's this whole subgenre of post-Dune/Dune Messiah-era fic that's just some combination of Paul, Chani, Irulan and sometimes Feyd traipsing around the palace having feelings while vague politics happens in the background, but I forgot that Dune Messiah is actually kinda like that??

There is a whole thread of Paul feeling kind of abstractly bad about being Space Hitler but he does not, in fact, actually do anything about it. And like yes both bureaucracies and religious movements can grow to have a life of their own that seems beyond the control of any one person. But also my dude you are the Emperor of the Known Universe. Someone is signing those space checks for the Endless War budget. You are not powerless here.

The one thing that really, clearly drives Paul to actively do things in the plot is not feeling guilty about having unleashed catastrophic religious war on the universe. It is protecting his family. Chani, Alia, his unborn children, and you could probably throw in Duncan by the end. That is what motivates him to act at key moments, and to want to hold on to power. And hey, y'know, if I'd experienced almost everyone I'd ever known getting murdered in a single night, I would probably get a bit intense about that too! It makes sense from a character point of view!

I'm very curious to see how these threads interweave with each other in the film, because the Villeneuve films put a lot of emphasis on Paul's agency and the fact that he may be constrained by shitty circumstances thousands of years in the making, but he still makes choices within that context. I can't see the narrative allowing film!Paul to get away with the same Poor Little Dictator routine as in the book. There are a few ways they could play this but I think the most interesting one is kinda the way they started going at the end of Part Two. Which is that as soon as you start reaching for that kind of power, then power becomes its own end and you will end up doing increasingly horrific things to maintain it. I think it would be quite interesting if the film shows us Paul not just being like "woe is me" but actively choosing to make the world worse because his trauma-driven fear of losing the people he loves makes him cling ever more desperately to power for its own sake.

If they went this route I think it would make Paul's decision at the end hit even harder. FWIW I actually really like Paul walking off into the desert at the end of the book. I think it brings things full circle with his relationship to the Fremen and creates this beautiful arc going back to the duel with Jamis. He first won a place among the Fremen through respecting their customs even though he really did not want to fight and kill someone he had no beef with. And by respecting the Fremen custom of the blind walking off into the desert, he proves himself to be fully Fremen and protects his children not by making them heirs to the throne but by making them Fremen.

And yeah, to a modern audience here on Earth it can look like "Paul conveniently fucks off and doesn't have to raise his newly-motherless children." And we can have a whole discussion about the unexamined ableism of the idea of someone who's gone blind voluntarily choosing death so as to "not be a burden" on their community. But neither of those readings is really the point here. Within the logic of Fremen cultural values, where the survival of the group as a whole is more important than the life of any one individual ("your water belongs to the tribe" etc.) Paul's choice is a willing and intentional self-sacrifice (see also: fedaykin) that wins him huge respect. There's a line in the book about Paul that's like "He would be one of them forever now" and damn if that didn't give me shivers. Like!! The political-symbolic implications!!! Which maybe I'm particularly attuned to because I just wrote a whole fic about what does it mean for an outsider to become Fremen but hmm something something Paul's final* act not being an exercise of Imperial power but an expression of kinship with an oppressed group and that being the thing that's needed to keep his family safe even if he is not physically present with them...IT IS RICH SYMBOLIC TERRITORY.

(*Yes yes I know about events in the next book. Shush.)

This kind of stuff is why I tend to think Chani may start out in a very different place in the story but the end will still be pretty close to what's in the book. It's too thematically powerful and tragic to go any other way.

But also...if they change things around enough that she is still alive at the end of the movie...I won't be sad about it.

[aamy2100982]

VENOM WAR #5 Just some of my thoughts, big Spoiler Alert for those who haven't read it yet

I actually read it yesterday the 27th, but decided to post today because I needed to think a bit. Not my favorite Venom comic by far.

☆ So finally we have desidated piss-colored Venom, wohooo *low tone

I still think the design is mediocre. But at least I have a better answer as to why it's yellow. Also, I'm glad the first host to try it was Dylan. I was afraid they introduced the new host too quickly, because I've already felt like these last few comics are jumping from point to point like a machine gun.

☆ This whole panel is so sad

Dylan not wanting to hurt his father and Symby not wanting to hurt their lover.

It hurts my heart Symby admitting that they loves Eddie in all his forms even in Meridius one.

Even worse Meridius mocking xd

☆

Just say you hate yourself, dude. it's easier

☆ Can my man take a break? For ONCE?

He got shot, his son stab him, and now he stab himself. Who's left to stab Eddie? Flash? Sleeper? Toxin? Holy crap...

Not even Maridius saved! Anyway he's dead now, I was expecting something more dramatic, but whatever, man, okay I guess.

At least the panel looks cool. Dylan always taking his enemies by surprise, never turn your back on him.

☆ And Lee is there

I have to look up again what his deal was in all this, because I don't remember if he's alive or dead.

Now that the symbiotes are dying is he going to die too? Or is he finally going to do something interesting after all this time?

I've always felt that they wasted Lee's potential and could do something interesting with him. So I hope he doesn't just die... again...

☆ At least Flash is okay now. At this point I'm wondering if Anti Venom has a conscience or is just a permanent part of Flash. Also technically part of Eddie... gay.

I hate how cute Sleeper looks, it's not like you just witnessed the death of two gods, nah. Now you can go back to loaf like a lazy cat.

I find Toxin's face funny :|

☆ Goodbye old Dylan :(

you did well, i'm going to miss you

I don't think many people really liked him that much, and he was actually a bit of a confusing character at times, but I loved his design.

A little in disbelief that this is the end for him. I'd like to assume there's a little more.

☆ But good things don't last. I guess the symbiote is toxic for Dylan now? Is the symbiote toxic to all the other symbiotes now? If anything, the symbiote thinks it's going to die now and that's why it decided to leave?

I'm just going to put the biggest and louder

SIGH

I can... I knew they weren't going to stay together because Symby is getting a new host now, but damn. Does anyone else feel like the unions feel anti-climactic in this comic? I guess they were just in a bit of a rush to wrap things up.

Which is... understandable. They've been doing this crap for like 3 years now, it was time to let it die. But it makes me so sad that Dylan is alone again

The only good thing I can take away from it is that at least the comics are more self-aware that Symby is Dylan's father.

Which means Dylan is going to try to commit patricide again.

Understandable. My poor baby is 14 years old and has no one to turn to.

His brother I guess (Sleeper), I don't know if Flash could take him under his care, anyway Dylan is almost as stubborn as his father to simply get a tutor and go back to his normal life. Probably and technically, we know that now he is going to dedicate himself to hunting the All New Venom

☆ The fact that the symbiote is now toxic to other symbiotes is just an excuse for it to not rejoin Dylan? Because that sounds like bullshit.

And yes, I GET THE POINT. If Dylan joins the symbiote it creates this apocalyptic future that Old!Dylan is trying to prevent... I know, but it still seems unfair to me.

☆ Funny how all this was happening next to a church. Let's not lose good customs

I wasn't understanding what Carnage meant by "Partner".

I think is referring to Meridius or Cletus. So now they're both single, lonely, and hurt.

(My bad! He doesn't say partner, he says parent! Silly me, sorry xd)

Does this mean Eddie thinks the symbiote is dead?

Nice Father-Son reunion, I'm honestly excited to see what nonsense they're going to do!!

[lemongogo]

college … wasted on the youth (me)

[non-un-topo]

I realize I've been so flaky with responding to asks, finishing my drawings or fics I promised, etc. I've kind of been drifting in and out of tumblr without interacting much. Real life just finally started, and I need to build up a ton of motivation and find time before I can work on a fandom project. Just wanted to say that I'm still here and still working on stuff, just slowly.

[that-foul-legacy-lover]

today just will not let me rest huh. reasons are in the tags but i get very emotional just be warned

[unintentionalgenius]

ok I have a problem and could never choose just one

which is also not to say that the below are all the fics I've read this year that haunt me; they're just the ones that I remember haunting me and could match to that memory upon browsing through my bookmarks for this year

but without further ado:

The Striking Complication by @aurevell (Teen Wolf, Peter/Stiles)

I'm obsessed with how well the title works as a title, as a series of words with great mouthfeel, and as an actual thing that is not just part of a pocket watch but is a relevant part to the plot. Obsessed.

Ring Them Bells by @kiraziwrites (Game of Thrones, Jaime/Brienne)

Another title I'm obsessed with, but also a perfectly paced redemption fic with some achingly romantic moments thrown in. I am a sucker for postwar King's Landing and also for postwar returns to Tarth.

Wait and Hope by @mightbewriting (Harry Potter, Dramione)

@ragequilt got me into Dramione this year, even if only a little bit. I read this back in the spring and I still think about it intermittently because the premise makes my chest hurt in sympathy and Draco is so relatable. This is the kind of Draco I think you have to write for Dramione to work - he knows he got exactly one shot at this, he's not sure how he really made it work in the first place, he's still a dick because he's Draco, but also he thinks she hung the moon. idk man it's just really good what else do you want from me

A Matter of Choice by Twisted_Mind (Teen Wolf, Peter/Stiles)

This one is on the list purely because of the way it haunted me for days after I read it. It's so short and I could have read ten times as much. In just a few thousand words it encapsulates something so true and authentic about grief that it took my breath away.

Royal Flush by @astolat (Game of Thrones, multi)

So I'm not ashamed to admit I'm subscribed to astolat on AO3 and thus my first introduction to this fic was in the form of its (very brief) summary, with no real clue as to what it could be about. I trust astolat with my life, though, so once it was done I dove in and boy howdy am I glad I did. It's one of the few fics I've read that successfully makes Cersei sympathetic and even lovable to a certain extent without neutering her or declawing her at all. I'm a little bit of a Jaime/Brienne OTP kind of person but even the threesome here was a pleasure to read and so much fun! One thing I will say about astolat in general is that her fics set the standard of rich, robust plots that engage with the world around them in a way that rivals the source material (GRRM owes me financial compensation for a number of things but overarching plot he does well). Seriously, I want to be able to keep that many balls in the air when I'm a grown-up writer, fic or original. I've picked one specific fic here but honestly go read anything astolat has written for Game of Thrones and it will be well worth your time.

ao3 wrapped/year in review: share one fic that absolutely changed your life this year

[sugarsnappeases]

thank you for the tag @fxreflyes this is so cute, except the format is trying to hinder my propensity to ramble, so i’ve rectified this in the tags lmao

i’m over 5'5 / i wear glasses or contacts / i have blonde hair / i often wear sweatshirts / i prefer loose clothing over tight clothes / i have one or two piercings / i have at least one tattoo / i have blue eyes / i have dyed or highlighted my hair / i have or have had braces / i have freckles / i paint my nails / i typically wear makeup / i don’t often smile / resting bitch face / i play sports / i play an instrument / i know more than one language / i can cook or bake / i like writing / i like to read / i can multitask / i’ve never dated anyone / i have a best friend i’ve known for over five years / i am an only child

no pressure tags for @static-radio-ao3 @inevitablestars @itsjaywalkers @carniferous @orbitfalls @transsexualpriest @futurequibblerjournalist <333

[necrotic-nephilim]

Any ships you don’t like in the batfam fandom that is popular?

OOOH this is such a fun question because I have quite a few

StephCass - i'll be honest this is one of those ships where the fandom ruined it for me. because 2000s StephCass is an elite dynamic, they care for each other so deeply. but the fandom has been intent on defanging and purifying this ship. i don't know *why* but StephCass seems most popular with the anti-Batcest crowd who get very mad if you compare it to ships they deem Batcest. i have an entire meta commentary on this in my drafts I'll likely never post discussing why the only reason StephCass gets the pass for not being Batcest ties directly into misogyny (because the women of the Batfam need to exist as love interests first, not family members so Steph was never going to truly get to exist as a "full" Batfam member so long as she could remain a viable love interest for Tim, and the same can apply to Babs, Helena, and even Cass in some cases) and that just sours me to it. like if i want yuri in Batfam i think there are far more interesting/fucked up ships for Steph like Babs/Steph or Helena/Steph. and when it comes to what i'd actually like to see in canon, i don't want to see Steph relegated to love interest of a Batfamily member, even if it's queer. let her date and exist outside of Gotham the way every other Batfam member gets to, DC *please*.

Bruce/Selina - i can't fully articulate why this ship isn't my thing, it just isn't. i think i just can't conceivably agree with Selina letting go of so many of her fundamental morals and beliefs for the sake of a man, even one she loves such as Bruce. ironically, i think that's one of the few things Gotham War got right about these two. the only canon love interest i like for Bruce is Zatanna and i mourn we'll never get much of that.

JayRoy - i will admit when i was newer to DC the first comics i picked up for Jason were all New-52 and i shipped this. but now that i'm a pre-Flashpoint truther and i've actually read well-written Roy Harper comics, i only see the flaws in this ship. ngl if ppl were actually fun and interesting with it, playing with the idea of Roy knowing Jason as Robin and still seeing him as just Dick's little brother who's gone a little mental, it *could* be fun. but this Red Hood & the Outlaws (2011) and Red Hood/Arsenal (2015) dynamic *butchers* the fuck out of Roy and strips him of everything interesting. and even as a Batfamily stan, my number one pet peeve is when other DC characters get *butchered* in a Batfamily character's book just for the sake of propping up the Bat as some kind of savior. free Roy Harper from this mans.

Bruce/Oliver - we could be here all day if i listed all the Bruce ships i don't like, but i figure this one has to be included. because oh my god either the people shipping this *really* don't understand Oliver Queen or they just hate his ass because why would you subject Oliver to this man. he can't *stand* Bruce. i really hate the popular BruOliie shipping dynamic of like "oh they were boarding school besties" because if you want that, you *should* like Bruce/Zatanna, not these two. Oliver just always gets butchered in these fics and i won't stand for it.

Tim/Bernard - the ESSAYS i could write on this ship and why i dislike it. the fucking *fear* DC (and most popular media tbh) has with depicting queer relationships as anything other than totally perfect and cute for fear of accusations of homophobia has stripped this ship of *any* real grit. Bernard is a non-character in Tim Drake: Robin, he exists to cheer Tim on and prop him up and just be The Boyfriend. we occasionally get glimpses of an interesting character with really interesting trauma and nothing is *done* with it bc at the end of the day, Tim and Bernard must be perfect and cute. what's fun about Tim is he is the *worst* boyfriend alive. that boy is *ass* at dating. all of his relationships are rich with conflict and yet the moment he dates a guy suddenly all of his flaws vanish? i hate it. i mourn what this could've been if we kept messy Tim Drake and had a Bernard who was actually informed by his trauma. DC please let gays be messy again. also of all of Tim's 90s/00s friends to bring back as a love interest, Bernard Dowd was just a *bizarre* fucking choice. Sebastian Ives was *right* there come on now.

Any Crossover Ship - look if crossovers are your cup of tea i'm happy for you but oh my god if i have to see that little green ghost boy or that ladybug girl in the Batfam one more time i think i may explode. i have a lot of thoughts on *why* i think specifically Danny Phantom and Miraculous Ladybug get crossed over as often as they do with the Batfam, but i don't think anyone wants to year that. my only exception to this is Jason/Bucky Barnes, but it *has* to be comics!Bucky. like. Judd Winick's Jason and Ed Brubaker's Bucky would hatefuck and that i wish to see it. any other crossover ship (especially the Peter Parker ones that seem to be rising in popularity) just do *not* do it for me.

honestly besides that i don't think i dislike many ships. (aside from being super opinionated on Bruce ships, but that's mostly bc ppl will use him to butcher the character they ship him with) there are some ships i'm neutral to because i simply do not know enough to have an opinion (like Dick/Wally). i guess the only Batcest ship i'm not particular to is Bruce/Damian, but I wouldn't say that one is popular nor would i say i dislike it, just that it's not my cup of tea. most Batcest ships click for me in one way or another because i like their Weird dnyamics. i guess i could also say i dislike most ships that have come out of Young Justice (tv) because. oh my *god* why were those group of characters put together on a team. it's baffling. but even then it's not disliking those ships, it's moreso disliking that show's depiction of those characters so. everything is really dependant on the canon context for me!

[stuck-in-the-ghost-zone]

oh my GOD i just finished network effect. what if i cried.

[cherrysnax]

trying not to post too much during the strike to keep focus on Everything but I need to get out of my head a lil

[miesozernacma]

how can one go about a friend breakup?

asking for a friend

[caelum-in-the-avatarverse]

Fandom can do a little gatekeeping. As a treat.

So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.

Lurkers really are great, tho

I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.

Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.

The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.

Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.

There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.

I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available. 

I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.

I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.

So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.

But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.

I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.

Should we gatekeep fandom?

I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--

A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.

That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.

See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.

So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.

The entire world is here now. That gate has been demolished.

And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”

Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.

Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.

And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.

However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community. 

I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.

And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company? 

And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)

But aside from that third example, the thing is…as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.

Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.

Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.

Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists. 

While reading through the initial Reddit thread on the lore.fm situation, I found this comment:

[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom 

OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]

-

“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.

I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.

It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits. 

So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.

And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.

So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.

Think of it like a garden gate

When I interact with commenters on my fic, I have this sense of hospitality.

The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people. 

Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it. 

Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.

My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.

But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.

I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.

Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.

And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.

Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.

Do you leave comments? Congrats, you're a community member.

Do you curate reclists? Congrats, you're a community member.

Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.

Do you provide a space for other fans to convene in? Congrats, you're a community member.

Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.

Do you have fandom friends who you interact with? Congrats, you're a community member.

There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.

[bookishdiplodocus]

The Neurodivergent Writer’s Guide to Fun and Productivity

(Even when life beats you down)

Look, I’m a mom, I have ADHD, I’m a spoonie. To say that I don’t have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldn’t manage to keep up with habits I built and deadlines I set.

So fuck neurodivergent guides on building habits, fuck “eat the frog first”, fuck “it’s all in the grind”, and fuck “you just need time management”—here is how I manage to write often and a lot.

Focus on having fun, not on the outcome

This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: “If you push yourself and meet your goals, and you publish your book, but you haven’t enjoyed the process… What’s the point?” and hoo boy, that question hit me like a truck.

I was so caught up in the narrative of “You’ve got to show up for what’s important” and “Push through if you really want to get it done”. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.

But your brain doesn’t like to grind. No-one’s brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brain’s going to say: “Huh. Writing gives us stress, we’re going to try to avoid it in the future.”

So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like “fun” and “flow”.

Rewire my brain: writing is fun and I’m good at it

I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didn’t need these strategies anymore, although I sometimes go back to them when necessary.

I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.

Not setting any goals didn’t work for me—I still nurtured unwanted expectations. So I did set goals, but made them non-countable, like “have fun”, “get in the flow”, or “write”. Did I write? Yes. Success! Your brain doesn’t actually care about how high the goal is, it cares about meeting whatever goal you set.

I didn’t even track how many words I wrote. Not relevant.

I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.

Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.

I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I don’t muddle it with other associations.

Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candle… Pick your stimulus and stick with it.

Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I don’t think these techniques above would have worked as well if I had applied them on writing my novel.

It wasn’t until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.

I lowered my definition for success

When I say that nowadays I write every day, that’s literally it. I don’t set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)—the only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes “naaahhh”. On those days, it suffices to send myself a text with a few keywords or a snippet. It’s not “success on a technicality (derogatory)”, because most of those snippets and ideas get used in actual stories later. And if they don’t, they don’t. It’s still writing. No writing is ever wasted.

A side note on high expectations, imposter syndrome, and perfectionism

Obviously, “Setting a ridiculously low goal” isn’t something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: “It’s okay if I don’t write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, that’s a bonus.” Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didn’t know how to set a goal so low and believe it.

I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe I’m a writer, because I prove it to myself every day. Every success I hit reinforces the idea that I’m a writer. It’s an extra ward against imposter syndrome.

Knowing that I can still come up with a few lines of dialogue on the Really Bad Days—days when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a car—teaches me that I can write on the mere Bad-ish Days.

The more I do it, the more I do it

The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.

Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.

Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasn’t a bad writer to begin with.

The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didn’t set out to write more, it’s just a nice perk.

Look, I’m not saying you should write every day if it doesn’t work for you. My point is: the more often you write, the easier it will be.

No pressure

Yes, I’m still working on my novel, but I’m not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when I’m trying to sleep. I might as well write them down, right?

These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I don’t intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because there’s no pressure, it’s pure fun.

Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldn’t it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I haven’t found it yet. The short stories don’t cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldn’t produce more chapters. (I tried. Maybe in the future? Fingers crossed.)

Don’t wait for inspiration to hit

There’s a quote by Picasso: “Inspiration hits, but it has to find you working.” I strongly agree. Writing is not some mystical, muse-y gift, it’s a skill and inspiration does exist, but usually it’s brought on by doing the work. So just get started and inspiration will come to you.

Accountability and community

Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and it’s such a nice thing to share my successes with people who truly understand how hard it can be.

The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.

Your toolbox

The idea is to have several techniques at your disposal to help you stay consistent. Don’t put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesn’t inspire you today, pivot and pick another one.

After a while, most “tools” run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with don’t require any energy, and they still remain hugely beneficial.

Do you have any other techniques? I’d love to hear about them!

I hope this was useful. Happy writing!

[terrestrialnoob]

Harley crawled into the apartment. It was organized, but it looked like the occupant didn't have a lot of time for cleaning. She walked softly through it, taking it in. There were photos of her target and what had to be her family, but no friends or romantic partners. Some had a pair of older adults, matching traits meant bio-parents. More of the photos were of the target and a younger boy - a little brother, the highest likelihood of becoming another target if things go bad.

Harley continued forward, following the light to where her target was. She stood in the doorway, looking in.

Dr. Jasmine Fenton, Arkham Asylum's newest psychologist, just got her degree and everything. She did what most newbies do, actually thinking she could get through to the Joker. Harley didn't want to say it was impossible, but everyone who tried ended up in a new job or dead. Harley would try and make sure it was the former and not the later.

Harley watched as the redhead read over a file as she ate from a takeout box. She didn't want to scare the girl, yet. The scaring her away from Joker came later. So, she had to wait for the perfect moment to-

"I know you're there." Jasmine didn't look up from her file, but held out the last box of Chinese food in Harley's direction. "There's plenty if you want some."

"Awe, you ruined the surprise." Harley walked out of the shadows of the hallway into the girl's home office. She snatched the offered box of food and took a few bites as she jumped to sit on the desk.

"I'm hard to sneak up on." Jasmine said, closing her file and finally looking at Harley. "So, Dr. Quinzel, to what do I owe the pleasure of your visit this evening?"

"Oh, call me Harley!" She laughed, she wasn't called Dr. all that often any more. She tapped her chop sticks on the file Jasmine just closed. "I thought you'd like a consult on your new patient, Dr. Fenton. I've got a lot of experience with him."

"I prefer to go by Jazz." She said with a smile, "While I appreciate the offer, I'd like to see how far I can get on my own. And, sorry, but I'm pretty sure your license was revoked."

Harley nodded as she swallowed to get the noodles out of her mouth. "I get it! You're new, fresh outta school, gotta prove yourself. But Joker ain't the guy to do that with. He eats people like us for breakfast, and in all the years he's been in Arkham, no one's been able to get anywhere with him."

Jazz sighed, "I don't like to believe people are lost causes. There's always something we can do to help."

"You can't help everyone, especially when they don't want it. And it's not just a question if whether or not he can be saved or whatever." Harley set down the now empty box, Jazz pointed to another one that still had food in it, but Harley declined. "If you keep it up, he'll think you're worth his time to torment. There's no telling what he'll do when he inevitably gets himself out again."

"I'll be fine." Jazz said, but Harley had to cut her off before she said something stupid.

"It's not just you! You've got family out there he can target, your parents. Your Brother! Anyone you date will become a target! He'll do everything in his power to make your life miserable!"

Jazz chuckled. "If he wants to target my family, his funeral. My parents are - were supervillains. They've really only become less- well, hyper-focused on eradicating an entire race of being- in the past few years. And my brother - I'm pretty sure he's conditionally immortal. So that's nothing to worry about."

"If it's conditional, Joker will find a way around it." Harley said, but she had to admit, this might have been an unnecessary trip. "You sure y'ain't got nothing to worry about? What about you? How conditional is your mortality?"

Jazz smiled. Her mouth seemed too wide and with too many teeth. "Oh, I am nowhere near immortal. But..."

She stood up and the room was suddenly a black void. Toxic green eyes and mouths filled with glowing white teeth opened around them. "I doubt anyone could get close enough to test it."

The room was suddenly back to normal, but whatever that thing was was still there. Harley could see its eyes watching her with amusement from inside Jazz's oversized cardigan.

"Well, I guess this really was a wasted trip. You've clearly got it covered."

"Not entirely." Jazz said, her hand wend up to her neck to rub nervously, "Well, you see... I don't really have a lot of friends. People tend to get - uh, creeped out, you know? Or chased off by my parents or brother or whatever..."

"You wanna be friends?" Harley laughed so hard she almost fell over.

Jazz's face turned bright red and the shadow eyes looked way less amused. "Yeah, stupid question. You've clearly got your own things going on."

"No! No, no." Harley had to take several deep breaths before she could look Jazz in the face again. "I 100% wanna hang out with you!"

"Really?"

"Oh yeah." She took another deep breath, "I mean, I really should have made a support system before trying to take on the Joker back when I worked for Arkham. This" she pointed between them "can only end well."

Jazz's face turned brighter than the sun. "Oh my gosh! This is amazing! We should - I have Thursday's and weekends off - What - what kind of things should we-"

Oh man, Jazz was like an excited kid. She must have had a really lonely childhood... they can psychoanalyze each other later. "Come over for girl's night next week. I'll tell my gf and bff to expect an extra person... Does the-" she motioned to the cardigan creature "-go everywhere you go? Does it need food?"

"Oh, don't worry about Jet, they only eat who I tell them to."

Harley barked out more laughter. "You're going to fit right in!"

Now featuring a Part 2