#so many more things rhyme

[abandoned-as-mustard]

Nooo of course it was a good idea to write a song partly in Italian when my last lesson was 4 years ago meaning I have to constantly fight with Google translate and constantly cross reference with grammar sites and then kick myself for not practising and then finish the entire song at 6am as part of an elaborate way of procrastination

[puppyeared]

Gripped with ideas but….. the panelling………….

[this-machine-runs-on-coffee]

"THE BALLAD OF JANE DOE" THIS IS NOT AN EXACT TRANSLATION, THIS IS AN ADAPTATION (AND ONE THAT STILL NEEDS TONS OF FIXING AT THAT)

I started this at the beginning of June, forgot about it, remembered it, that happened like thrice, opened yesterday my notes app, found the beginning of it, ended it, polished it up, kept on polishing it up this morning, didn't give a single fuck about the syllable unless once or twice, tried my best with the rhymes but massively fucked up, so here you have this little shit!

ASK ME FOR PERMISSION BEFORE USING THIS, DO CREDIT ME IF YOU EVER USE THIS (I doubt you will it’s impractical and still needs so much fixing it’s unbelievable) AND TELL ME/LINK WHATEVER YOU USED IT FOR USING REBLOGS (because for some reason Tumblr doesn’t like comments with links and while I do think I understand why I don’t always like it)

(the apostrophes [or however ’ is called] are used to shorten the number of syllables often in poetry so I’m obviously abusing that power.)

Alcuni diran che ne siam fuori Muovendo margherite, dopo che muori Ma i vermi necessitan dei nostri cuori C'è solo una paura ricorrente Qui, l'anima mia, è presente O sta marcendo in trappola tra i miei pori? Anima mia Anima mia Anima mia Anima mia Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh Ah-ah Ahh-ahh-ah Senz'anima mia, corp'innominato Niente storia, che peccato Crudel'esistenza fu sol'una farsa Oh, San Pietro, famm'entrar Saprai dove la mia testa può star Non mi dirai infine chi son io? Chi son io Chi son io Chi son io Chi son io Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh Ah-ahh Ahh-ah-ah E dal terreno, dove vivrai Sento l'angoscia di chi non sai ('N cor che completo è mai) E com'una vecchia dimenticata melodia Una canzone che nessuno sa Dimenticato come fa Solo John ed io Sempr'e per sempre una, Jane Doe E mi chiedo, "Perché, Dio? Se quest'è come muoio, Dio Perché rimaner senza famiglia E amici?" (Ooh) Non'ho avut'una celebrazione Solo 'sta consolazione Crono mangia tutt'i suoi figli alla fine 'Na melodia l'aria'ttraversa Quando cade il silenzio, chi s'interessa? (Chi s'interessa?) 'N'altra triste, dimenticata melodia 'N'altra canzone che nessuno sa Quindi quell'è come fa Solo John ed io Sempr'e per sempre una, Jane Doe E ti chiede, "Perché, Dio?" (Perché, perché, perché, perché?) "Non'è modo di morir, Dio!" (Nessun'a cantar, nessun'a sospirar) Ora che tutt'è dett'e fatto Non c'è nessuno a dirmi chi sono io? Niente canzoni di celebrazione Solo 'sta triste speculazione Come John, sarò eternamente Un nome dimenticato, che qualcun'ha'bbandonato Solo "Jane" Jane Doe ('Na melodia l'aria'ttraversa) (Quando cade il silenzio, chi s'interessa?) (Jane) (Doe)

So, direct translation! (used in this [and in this sometimes!] to specify the meanings and explain certain word choices)

Some might say we're out Moving daisies, after you're dead But we all know the worms need our hearts There's just one reoccurring fear Here, my soul, is it present Or is it rotting trapped within my pores? My soul My soul My soul My soul Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh Ah-ah Ahh-ahh-ah Without my soul, unnamed body Wihout a story, what a shame Cruel existence was only a farce Oh, Saint Peter, let me in You must know where my head could be(/stay/reside) Won't you tell me at last who I am? Who I am Who I am Who I am Who I am Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh Ah-ahh Ahh-ah-ah And from the terrain, where you will live I hear the anguish of who you don't know (A choir that's never complete) And like an old forgotten tune A song that no one knows Forgot how it goes(/does) Just John and I Forever eternally(/Forever and for forever/forever and ever) a, Jane Doe And I'm askin', "Why, Lord? If this is how I die, Lord Why remain with no family And no friends?" (Ooh) I haven't had a celebration Just this (but a "this" you say in a quick way [because 'sta is short for questa, yup you take away one entire syllable], almost angry or if you're without patience or at times simply because it's shorter) consolation Chrono (get it? Because they say time [but for time in italian you'd better use an article (]a, an, the, those ones) or it'll sound weird] and Chrono wasn't the Titan of Time? And didn't he eat his all his children-Zeus? I might be wrong [I doubt though] but I think this works ok) eats all his children in the end A melody passes through (it literally throughs the air how do I say that) the air When silence falls, who's interested (in it)? (Who's interested?) Another sad, forgotten tune Another song that no one knows So that's how it goes(/does) Just John and I (to try to rhyme it []rather uselessly because it wasn't needed but it's alright anyway] with Doe and God [in Italian it's Dio]) Forever eternally(/Forever and for forever/forever and ever) a, Jane Doe And she's askin' you, "Why, Lord?" (Why, why, why, why?) (why not put the "Oh"? Because in Italian Why [Perché] has two syllables and I need to try my best to fit everything [I literally haven't counted the syllables for anything but oh well]) "("This" is implied) is no way to die, Lord!" (No one to sing, no one to sigh) Now that all is said and done Isn't there anyone to tell me who I am? No songs of celebration Just this (the "this" in Italian, just like the last time in a similar verse, is missing a syllable) sorry speculation Like John, I'll be eternally A forgotten name, that someone abandoned Just "Jane" Jane Doe (A melody passes through [is "throughs the air"something you can say?] the air) (When silence falls, who's interested [in it]?) (Jane) (Doe)

OG LYRICS (if you’re seeing this I doubt you don’t know them, but here they are anyway):

Some might say we're released Pushing daisies, deceased But we all know the worms must be fed There's just one lingering fear Oh, my soul, is it here Or is it rotting somewhere with my head? Oh, my soul Oh, my soul Oh, my soul Oh, my soul Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh Ah-ah Ahh-ahh-ah Oh, no soul, and no name And no story, what a shame Cruel existence was only a sham Oh, Saint Peter, let me in You must know where I've been Won't you tell me at last who I am? Who I am Who I am Who I am Who I am Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh Ah-ahh Ahh-ah-ah And from the ground, beneath my feet I hear the anguish of the street (A choir never complete) And like an old forgotten tune A song that no one knows Forgot how it goes Just John and me Forever eternally, Jane Doe And I'm askin', "Why, Lord? If this is how I die, Lord Why be left with no family And no friends?" (Ooh) I've got no celebration Just this consolation Time eats all his children in the end A melody floats through the air When silence falls, does no one care? (Does anyone care?) Another sad, forgotten tune Another song that no one knows So that's how it goes Just John and me Forever eternally, Jane Doe And she's askin', "Why, Lord?" (Why, oh why, oh why, oh why?) "This is no way to die, Lord!" (No one to sing, no one to sigh) Now that all is said and done Isn't there anyone to tell me who I am? No singing songs of celebration Just this sorry speculation Like John, I'll be eternally A forgotten name, some lost refrain Just "Jane" Jane Doe (A melody floats through the air) (When silence falls, does no one care?) (Jane) (Doe)

[stxrryclusterthinks]

AMYAS tossing you in the air like a frisbee /pos (ty ty again ouhg)

WEE??? I take it as a win since Frisbees spin

I'm always happy to get your art out there tho you deserve it <3

[1980ssunflower]

AHEEM.... A HEEM A HEEM........

[cathalbravecog]

i mighrt be autitic. pay Nomind

[becausegoodheroesdeservekidneys]

The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.

Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.

It is not in English.

Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.

...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.

So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.

I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.

Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.

And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.

I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.

[panlyv]

wtv

[wife-of-all-dilfs]

Hii! I love love love all of your finnick fics! Could I please request a fic where reader is also a victor from an earlier game and she is in an established relationship with Finnick. They both get reaped (not the same district) for the 75th games and reader gets critically hurt in the part where the cornucopia spins. Like she falls into the water after maybe being injured and she can’t swim, so Finnick has to risk everything to save her life.

I’m really looking for like a hurt/comfort with a seriously injured reader and Finnick going through hell to save her because he cannot imagine a life without her in it.

Thank you so much if you’re willing to write this or something like it, feel free of course to change anything to your liking!

two souls, one heart | f. odair

masterlist

summary: finnick refuses to lose the love of his life. your inability to swim complicates things, especially when the cornucopia begins spinning.

pairing: finnick odair x fem!reader

warnings: pre-established relationship, heavy angst, drowning, death, bone fracture

notes: thank you so much!!! i really enjoyed writing this, shed a few tears but still enjoyed it lmao. listen to 'beginning of the end movement v' by the newton brothers on repeat for the full experience <3

A quiet nursery rhyme was being sung by the water's edge.

The calm waves around the Cornucopia lapped at the rocks, the blistering sun causing the surface to sparkle. Wiress' voice interrupted Peeta as he mapped out the arena's clock-like wedges in the dirt. Everyone was focused on the map; you should have been too.

Dark blue ripples had your eyes captivated. So tranquil. So hauntingly beautiful. Loving the sea was in your blood, as your District Four was your home. You would think coming from a fishing district would mean your swimming abilities were mastered. In reality, they were practically non-existent. No matter how many times Finnick had attempted to give you lessons, they never stuck.

Neither of you seemed to care though, always too enraptured by simply being in each other's company—feeling Finnick's hands support your body as you floated on the surface...

"Don't you let go of me, Finnick Odair, or I swear to god I'll drown you."

"Will that be before or after you drown first?" he chuckled, though ultimately tightening his grip on your body in an attempt to reassure you.

....hysterically laughing when he got wiped out by a sudden wave...

"No way! I can't—" You broke into a fit of laughter— "I can't believe that just happened!"

"Are you laughing at me, sweetheart?" Finnick asked, trudging through the water towards you, his hair drenched and swept across his forehead.

"Yes!"

You doubled over, knees buckling as you struggled to contain your laughter. Despite trying to put up a serious front, Finnick too let a few chuckles slip at the hysterical sight of you.

"Oh really?"

Just like that, his arms wrapped around your waist and pulled you down into the cold water, earning him a squeal just before you crashed together below the surface.

...and washing up on the sandy shore in each other's arms, salty lips capturing one another.

"I'm covered in sand," you murmured against Finnick's lips.

He gave you another kiss before pulling away. "It's okay," he said, pecking your lips again. "I'll help you wash off in the shower when we get back." And then sent you a stomach-flipping grin.

Even though you wouldn't trade those memories for the world, if you had known your life would soon depend on the ability to swim, you would have paid much more attention to the lessons.

Finnick stood closely beside you, his trident digging into the dirt as he gripped it tightly in case of an attack. He had noticed your drifted attention, observing the way your eyes stared at the rippling water, like death was lurking just beneath the surface waiting to drag you down to the murky depths.

He could protect you from most things in the arena, but fear was something entirely different. A trident couldn't defeat the darkness in your mind.

A hand slid onto your lower back, rubbing gentle strokes to gain your attention. Your gaze tore from the blinding blue and settled onto Finnick's face beside you, watching his mouth curve into a light smile. You knew the silent words he was trying to convey: 'You're okay, sweetheart. I've got you.'

For a fleeting moment, the anxiety had disappeared. How could anything ever go wrong with Finnick by your side? The corners of your mouth quirked, preparing to send him a smile in response. But it never came. Something new had caught your attention. The woman by the water was no longer singing.

Wiress had been murdered.

The second Katniss let her arrow fly into Gloss' chest, everything around you seemed to explode into action. Anything that could go wrong would go wrong—Murphy's Law. And it did.

The Careers had initiated an attack.

Charging forward from the waterside was Cashmere, determined to avenge her brother's death. Instinct quickly kicked in and the spear in your hand was sent barrelling through the air and into her chest. As you watched her body slump to the ground, an enraged yell came from the side.

Finnick was fighting Brutus.

With your only weapon lodged within Cashmere's chest, aiding Finnick was impossible. Enobaria revealed herself beside Brutus, displaying her vicious fangs and throwing a dagger that sliced a small cut across Finnick's shoulder. Though the wound was minor, your heart lurched as he cried out in pain.

Before a single thought in your brain could form, your legs were moving. Not towards Finnick, but after Enobaria. Remember who the real enemy is—screw that. Finnick could have died. Your Finnick. He called out your name, his voice hoarse and frayed, but you continued on, hatred fuelling each step. It seemed Katniss and Johanna had the same idea, following behind you with their weapons bared.

Salt water sprayed onto your face, but you paid it no attention. Nor did you notice as the jungle surrounding the island began to blur into one overwhelming hue of green. Only when your body was thrown to the harsh rocky terrain did you realise what was happening.

The Cornucopia had started to spin.

Nothing could compare to the terror you felt as gravity's merciless force dragged your body toward the violent waves surging against the rocks. Just as your lower legs breached the edge, a hand grabbed onto your own. Katniss. She too was hanging onto Johanna whose only lifeline was an axe buried in the rocks.

A moment—that was all you were given to scan your surroundings. Supplies and sharp-edged weapons were flying everywhere. White water was spraying into the air. Finnick, who was thirty feet away, was gripping onto a rock ledge whilst keeping Beetee from sliding into the furious waves. His head turned to the side and even from a great distance, your eyes met.

It was at that moment you knew, you just knew the odds weren't going to be in your favour. God forbid you lived a simple happy life with the man you loved, days spent together on a calm beach. God forbid the Gamemakers gave you one last chance to be in his arms. God forbid you survived.

And with that sudden realisation, the universe, sick as it was, decided it was time.

Your hand began slipping from Katniss's; an unseen tear fell from your eye, and you smiled. A smile of goodbye sent to the love of your life. His face contorted into one of agony, lips moving but you couldn't hear his voice over the roaring waves. Still, you knew exactly what he was shouting.

"NO! NO!"

There was nothing he could do but watch your body disappear into the waves, repeating over and over "no, no, no," and praying his cruel eyes had deceived him. They hadn't.

Dark blue was in every direction you looked. The undertow tossed and rolled your body like a ragdoll in a washing machine and despite your attempts to swim, the surface only seemed to be slipping further and further out of your reach. Darkness engulfed you, so thick that you couldn't tell which way was up or down. That was when the panic set in.

Your arms and legs thrashed frantically, struggling against the water's force, desperate to reach safety or an air pocket. Cold water flooded your throat as you gasped uncontrollably. You screamed as every attempt at breathing felt like fire burning in your lungs. Finnick. Where was he? Where were you? What was happening? Why wouldn't it stop?

Thoughts submerged your mind in terror, and you were powerless to stop them. All you could do was feel. Pain. Fire. Burning

At some point, the Cornucopia had ceased its spinning and your body came to a rest in the water. An eerie calm suddenly washed over you; a sense of clarity stilled your wild movements. This was the end. There was no future. No hope. The world above wasn't yours to call home anymore. You now belonged to the sea.

Of course, your water-logged mind had forgotten that home was where the heart was, and your heart was still beating... above the surface, in the aching chest of another.

Tendrils of hair floated around your face like fronds of seaweed. Rays of sunlight penetrated the surface, turning the surroundings a vibrant sparkly blue. As you sank further down, the water, now a comfortable lukewarm, cradled you in its embrace. It felt safe, like being in Finnick's arms again. Like home.

You gazed at the sun's rays; they looked beautiful. You felt beautiful. But time was running out and the bright light soon began shrouding your entire vision, though not before you witnessed a dark figure dive beneath the waves.

**********

Finnick loved the ocean. He spent most days in District Four down by the beach, swimming, spearfishing, and watching the sun rise and set on the blue horizon. If he believed in reincarnation, he would have imagined himself to be a lionfish or dolphin in his past life, living in an underwater world, free from tyranny and oppression. He loved the ocean.

But that love was incomparable to what he felt for you. So, when he dove into the rocky waters to save you and felt the currents fighting against him, he determined there was nothing he hated more than the ocean. Not as he watched its strong grip drag your motionless body further down below him.

Your back had just touched the soft seabed when he swam far enough down to envelope you in his embrace. He should have swum you back to the surface immediately, but in his distressed state, he couldn't help but foolishly stare at your lifeless appearance. Your skin was blue. It's just the water's colour, he told himself. Your eyes were closed. She's just asleep. Your neck didn't pulse under his touch. She's... She's...

He had no justification for that. Feet planted firmly on the sandy floor, he propelled both himself and you back up to the surface. As Finnick paddled back to the Cornucopia, the others reached down and helped lift your limp body onto the rocks.

"Is she...?"

"Peeta," Katniss quietly reprimanded him.

Finnick paid them no attention. He said nothing but trauma screamed in his eyes. His breathing was ragged and his hands were trembling as he frantically checked your pulse again—in both your wrists and your neck; he even pressed his ear to your chest. All he heard was the waves lapping against the rocks.

"No," he whispered again.

It seemed to be all he could say anymore. No. No, this couldn't be happening. You were just standing beside him a few minutes ago; your eyes were just looking into his. However much he tried to deny reality, it didn't seem to make it any less true. You were gone.

He choked out a rough determined breath, interlocked his hands over your chest, and began pressing repeatedly over your heart. Wet strands of tangled hair were strewn across the rocks like dead seaweed. The usual soft pink accompanying your cheeks was nowhere to be seen, devoid of any life.

"Come on, sweetheart," he muttered before pulling down your chin to blow air into your lungs. The kiss of life. And when nothing happened as he pulled away, he restarted the chest compressions. "Oh, don't do this to me," he begged, voice breaking. "Don't do this. Breathe."

Any moment now. Any moment, your eyes would flutter open, the colour would return to your glowing skin, and your heart would beat with life beneath his hands. Your lips would whisper his name and he would pull you into his arms, where he would keep you safe until the end of time.

"Breathe."

Thirty compressions. Two breaths. Nothing. He did it again. Thirty compressions. Two breaths. Silence. Maybe he should've just ripped his heart out and replaced yours with his own. Death would come for him within seconds but hearing something beating inside your chest would've made the sacrifice worth it.

Life would flash before his eyes and your beaming smile would be the last thing he'd get to see. His last thought would be of relief that you were alive.

Johanna rested a tentative hand on Finnick's shoulder. "Finnick, she's—"

"No, she's not!" he exclaimed, continuing his movements. "She's fine. Aren't you, baby? You're fine." He cupped your jaw, his thumb stroking your soft skin before he pressed his lips to yours and blew twice. "You're fine."

The golden bangle around his wrist glimmered in the sunshine as he pressed on your ribcage. All he had to do was keep you alive until Plutarch rescued everyone. One simple task and he failed.

"Finnick, we have to go," someone said. Who? He didn't know nor care.

Leave me, he wanted to say. Leave me here to die. Let the Careers mutilate my body, take my life, my last breath, but let it be by her side.

Something cracked beneath his palms and he knew one of your ribs had fractured. His arms stilled, half-expecting you to cry out in pain but then he remembered. And with that sickening crack came a devastating realisation—you really were gone.

A sob erupted from his throat and his head fell to your chest, drenching your already-soaked wetsuit with hot tears. Everything else seemed to disappear. The arena, the Careers who could attack again at any moment, the spectators who were avidly watching. Everything.

It was just him and you. He didn't care that his screams and deafening sobs could bring unwanted attention or jeopardise the group's safety. Any tribute with half a mind would know crossing him in such a state would be a fatal flaw. Even if they did, it wouldn't matter. Nothing mattered. Life no longer had meaning.

Finnick pulled your lifeless body onto his lap and cradled you protectively in his arms, lightly rocking back and forth. His forehead rested against your own, cold and damp. You always were the cold one, needing his touch to light a fire beneath your skin. He loved having you rely on him for warmth, but not like this.

"Come back to me, baby, please," he begged almost inaudibly. Tears were running down his cheeks as he brushed pieces of hair away from your face. His lips were on yours once more, heartbroken and painfully delicate; not to fill your lungs with air, but to fill your heart with his love in the hopes it would be enough to bring it back to life. "Don't leave me."

Pleas, prayers, begs, and wishes flew past his lips, over and over. And then they stopped and Finnick simply stared. Silence fell across the entire arena. The birds didn't chirp, the other tributes remained quiet, and the trees stood still. Even the water had calmed, resembling a perfectly flat mirror.

Finnick only had three words left on his tongue. Three final words to give you, wherever it was that you were. He slowly leaned down, squeezed his stinging eyes shut, and pressed a long farewell kiss to your forehead. His eyes remained closed as he parted from your skin, unable to take another look as he whispered his final goodbye.

"I love you."

And then, for the first time since he had rescued you from the blue depths, he felt his heart beating again. Just like yours was.

**********

There was a voice, distant yet reassuring—a lifeline to consciousness. Black was all there was. Coldness was all that was felt. It was desolate. But that voice... that voice was so anguished yet so familiar and encouraging that it lit a fire inside your chest, warming you from the inside out.

In the distance of the dark void was a figure, their body made entirely out of a pulsating golden light. Each word the voice spoke enhanced the light's brightness. "Come... me, please..." Brighter. "Don't leave..." And brighter.

The light was warm and comforting, just like the voice attached to it. Whoever's voice it was that brought the light resonated deep in your mind, tugging at the strings within your heart.

Your heart.

The thumping in your chest was weak, almost non-existent, but it was still there. Though it seemed time was running out. Pitch-black darkness outweighed the golden light ten-to-one; you could feel its cold breath creeping onto your back. So, you started running towards the figure. Sprinting. Until all that surrounded you was golden.

"I love you."

Water. At first, it came trickling out in two fluid streams from the sides of your mouth. Then suddenly, it was spraying into the air as choked coughs forced the liquid from your burning lungs. Light flooded your vision—not golden and inviting, but vivid and overwhelming.

There was something warm beneath your legs, against your arm, rubbing at your back, holding you in an upright position. While you heaved, dry-retched, and gasped, that soothing warmth remained.

As your airways began to clear and the expulsion of water ceased, your half-lidded eyes rolled around the area. Still dazed and disoriented, you struggled to make out what surrounded you. There was immense rippling blue, vibrant hues of green in the distance, dark rough grey beneath you, and elongated blobs of colour that stood a few feet away.

"Just–just keep breathing, sweetheart." That voice. The one belonging to the figure of light that brought you back. It was madly repeating the same words over and over. "You're okay", "Deep breaths", and "You're alive."

Shaky fingers brushed the stray wet strands of hair from your face. So warm. With the little energy you had, your head turned to seek out the golden light again. And you found it.

The blinding sun shining down reflected off his bronze hair, turning it a divine golden hue. His brows were raised and scrunched together as though he couldn't possibly believe what he was seeing. Deep lines were etched into his tear-streaked skin, evidence of his previous turmoil. Those sea-green eyes stared at you, afraid that if he so much as blinked, you would fall lifeless in his arms once more.

"You're here," he whispered.

Finnick. YourFinnick. Your light.

When your eyes met, a splitting grin lit up his face, made up of an inconceivable amount of raw emotion. You weren't sure what to do—smile, laugh, cry, kiss him? Your mind was scrambled, overwhelmed with love for the beautiful golden-haired man in front of you.

Without warning, your face scrunched up and the tears began flowing. You weren't sure why you were crying. Maybe it was because you had just been brought back from the brink of death; maybe it was because you couldn't believe someone actually cared so deeply about you.

Finnick cradled your face in his hand. "It's okay," his voice trembled, tears now cascading down his cheeks. His smile, however, never disappeared. "You're okay. You're safe now. I'm not letting you go."

He took your face into two large hands, brought you to his lips, and pressed a tender kiss to each tear that rolled over your skin. One of your hands rested over his; the other was placed against his chest, feeling it rise and fall so you could synchronise your breaths.

His arms moved to pull you tightly against him, almost like he was trying to merge your body with his. Or perhaps, it was your soul. You didn't care about the pain aching in one of your ribs. You wanted to tell him that his soul was already intertwined with your own, but words couldn't describe the sentiment as profoundly as you felt it.

In the simplest of terms your water-logged brain could muster, you whispered, "You're my light, Finnick."

Brows scrunched together, he looked down at you, fighting back the urge to start sobbing in your arms. If he had been anywhere else, if there wasn't an entire country watching, he would've gone on for hours, explaining how stupidly, selfishly, and incredibly in love with you he was.

But he couldn't do that. Not now. So, he placed his hand over the one you had resting on his chest and readjusted its position. He could feel the thumping, even through your palm.

Your eyes were full of emotion as you stared up into his. You already knew what his next words were going to be and for the first time since you were thrown into the water from the Cornucopia, you smiled.

Rhythmically, your hand and his pulsed together. Finnick's gaze flickered across your face and he grinned. "You're my heart."

[yara-family]

Please, this is important. We are drowning in Gaza🚨📣.

So today I beg you after we lost hope in this world to help us and stand by us before winter comes and we drown again. We want to buy a tent or nylon so we can control the situation, and you know that a person in Gaza needs the minimum which is $1000. We are a family of 9, my mother is sick and has an infection in her chest. Two days ago my aunt suffered a broken hand and burns to her foot about two weeks ago in the last massacre on the Rafah Road

On the 353rd day of the war on Gaza, with the approach of winter for the second time during the war. Today we went through the worst day of rain since dawn. It began to fall on us and flooded our tent, our food, our clothes, and even our bed. Sand and water became everywhere. Not only do we suffer from missiles, there are many things we suffer from that are a million times more difficult

Every contribution, big or small, saves them and helps them before it is too late.* Please donate today and help my family find the peace and security they deserve. And protect ourselves from the cold of winter, rain and drowning.

@el-shab-hussein @commissions4aid-international @90-ghost @appsa @turian @journalsforpalestine @mansbutchery @palestinegenocide @palistani123-blog @buttercuparry @burtlebabe @baguetttee @magnus-rhymes-with-swagness @divinefeline28 @riding-with-the-wild-hunt @komsomolk @schoolhater @gayorc @neptunerings @omegomagnit @heritageposts @feluka @feluart @drangues @afro-elf @transmutationisms @triviallytrue @jezior0 @think-queer @lune-tic @imjustheretotrytohelp @watermelllonarchive @papsl @velvetys @visual-poetry @gothhabiba @joshpeck @kuuhaiyu @valtsv @moringmark @qrowpilled @soracities @cyberianpunks

My campaign has been vetted by: @irhabiya @sayruq @el-shab-hussein

@gaza-evacuation-funds

[yeoldenews]

While we’re on the subject of names, is there an explanation for how traditional nicknames came about that are seemingly unrelated to, or have little in common with, the original name?

ie- John/Jack, Richard/Dick, Henry/Harry/Hank, Charles/Chuck, Margaret/Peggy/Daisy, Sarah/Sally, Mary/Molly, Anne/Nan, etc

I am actually over a week into researching a huge follow-up post (probably more than one if I’m being honest) about the history of nickname usage, so I will be going into this in much, much more detail at a hopefully not-so-later date - if I have not lost my mind. (Two days ago I spent three hours chasing down a source lead that turned out to be a typographical error from 1727 that was then quoted in source after source for the next 150 years.)

As a preview though, here’s some info about the names you mentioned:

The origins of a good portion of common English nicknames come down to the simple fact that people really, really like rhyming things. Will 🠞Bill, Rob🠞Bob, Rick🠞Dick, Meg🠞Peg.

It may seem like a weird reason, but how many of you have known an Anna/Hannah-Banana? I exclusively refer to my Mom’s cat as Toes even though her name is Moe (Moesie-Toesies 🠞 Toesies 🠞 Toes).

Jack likely evolved from the use of the Middle English diminutive suffix “-chen” - pronounced (and often spelled) “-kyn” or “kin”. The use of -chen as a diminutive suffix still endures in modern German - as in “liebchen” = sweetheart (lieb “love” + -chen).

John (Jan) 🠞 Jankin 🠞 Jackin 🠞 Jack.

Hank was also originally a nickname for John from the same source. I and J were not distinct letters in English until the 17th Century. “Iankin” would have been nearly indistinguishable in pronunciation from “Hankin” due to H-dropping. It’s believed to have switched over to being a nickname for Henry in early Colonial America due to the English being exposed to the Dutch nickname for Henrik - “Henk”.

Harry is thought to be a remnant of how Henry was pronounced up until the early modern era. The name was introduced to England during the Norman conquest as the French Henri (On-REE). The already muted nasal n was dropped in the English pronunciation. With a lack of standardized spelling, the two names were used interchangeably in records throughout the middle ages. So all the early English King Henrys would have written their name Henry and pronounced it Harry.

Sally and Molly likely developed simply because little kids can’t say R’s or L’s. Mary 🠞 Mawy 🠞 Molly. Sary 🠞 Sawy 🠞 Sally.

Daisy became a nickname for Margaret because in French garden daisies are called marguerites.

Nan for Anne is an example of a very cool linguistic process called rebracketing, where two words that are often said/written together transfer letters/morphemes over time. The English use of “an” instead of “a” before words beginning with vowels is a common cause of rebracketing. For example: the Middle English “an eute” became “a newt”, and “a napron” became “an apron”. In the case of nicknames the use of the archaic possessive “mine” is often the culprit. “Mine Anne” over time became “My Nan” as “mine” fell out of use. Ned and Nell have the same origin.

Oddly enough the word “nickname” is itself a result of rebracketing, from the Middle English “an eke (meaning additional) name”.

I realized earlier this week that my cat (Toe’s sister) also has a rebracketing nickname. Her name is Mina, but I call her Nom Nom - formed by me being very annoying and saying her name a bunch of time in a row - miNAMiNAMiNAM.

Chuck is a very modern (20th century) nickname which I’ll have to get back to you on as I started my research in the 16th century and am only up to the 1810s so far lol.

[this-machine-runs-on-coffee]

"FREEZE YOUR BRAIN" THIS IS NOT AN EXACT TRANSLATION, THIS IS AN ADAPTATION (AND ONE THAT STILL NEEDS TONS OF FIXING AT THAT)

I regret my life choices of not being able to actually start studying. Here's "Freeze Your Brain" adapted in Italian!

ASK ME FOR PERMISSION BEFORE USING THIS, DO CREDIT ME IF YOU EVER USE THIS (I doubt you will it’s impractical and still needs so much fixing it’s unbelievable) AND TELL ME/LINK WHATEVER YOU USED IT FOR USING REBLOGS (because for some reason Tumblr doesn’t like comments with links and while I do think I understand why I don’t always like it)

(the apostrophes [or however ’ is called] are used to shorten the number of syllables often in poetry so I’m obviously abusing that power.)

[J.D.] Sono stato in dieci superiori Tutte la stessa scenetta Inutile abituarsi Perché ce ne andiamo di fretta Mio padre tiene nel baule pronti due bagagli Quindi è solo una questione di ricaricarli I nomi non imparo Che faccia è di chi non m'è chiaro La fiducia in questa oasi di cemento riparo Sembra che ogni volta che sto per disperarmi C'è un 7-Eleven ad aspettarmi Ogni negozio è lo stesso Da Las Vegas all'Ohio Corsie di linoleum che adoro Vagare io Prego al mio altare di granita; Sì, adoro quella dolce botta di vita...

Congela il cervello Succhia dalla cannuccia Meglio di un coltello Arriva la felicità Quando tutto se ne va A chi serve uno spinello? Congela il cervello Congela il cervello

[J.D., parlato] Ti va un tiro?

[VERONICA, parlato] La tua mammina sa che mangi tutta quella merda?

[J.D., parlato] Non più

(cantato) Quando mamma era viva Vivevamo quasi normalmente Ora siamo solo io e mio padre Stiamo meno formalmente Ho imparato a cucinare Le tasse a pagare; Imparato che'l mondo Nemmeno un cent ti vorrà dare Il tuo futuro hai pianificato Veronica Sawyer Andrai a qualche college E sposerai un avvocato Ma il cielo farà male Quando su di te sarà demolito Quindi è meglio se Il tuo muro l'avrai già costruito...

Congela il cervello Nuota nel ghiaccio Perditi nel suo doloroso bello Chiudi bene i tuoi occhi Fino a che non ti vedran quegli sciocchi Non diventare uno zimbello

Congela il cervello Distruggiti il teschio Combatti il dolore con uno più bello Dimentica chi sei Liberati da quel peso Dimentica in un mese e mezzo Riavrai lo stesso frainteso Quando la voce nella tua testa Dice ch'uno come te è meglio se non resta Non ascoltare a quello

Solo congela il cervello Congela il cervello Vai avanti e congela il cervello...

(parlato) Provaci So, direct translation! (used in this to specify the meanings and explain certain word choices)

[J.D.] I've been through ten high schools They're all the same little scene (but little in this case is meant in a negative light) No point getting used to it 'Cause we're gone in a hurry My dad keeps two suitcases ready in the den So it's only a matter of refilling(/repacking) them I don't learn the names Whose faces is whose isn't clear to me My trust resides in this concrete oasis Seems every time I'm about to despair There's a 7-Eleven waiting for me Each store is the same From Las Vegas to Ohio Linoleum aisles that I love To walk around in I pray at my altar of slush; Yeah, I live for sweet hit of life (or however you call that, basically gives life force again but something that gives you life force not in a literal sense)...

Freeze your brain Suck from that straw Better than a knife Happiness comes When everything goes Who needs a joint? Freeze your brain Freeze your brain

[J.D., spoken] You want a hit?

[VERONICA, spoken] Does your mommy know you eat all that crap?

[J.D., spoken] Not anymore

(sung) When mom was alive We lived almost normally But now it's just me and my dad We live less formally I learned to cook pasta To pay taxes; Learned the world Won't want to give you even a cent You've planned your future Veronica Sawyer You'll go to some college And marry a lawyer But the sky's gonna hurt When it'll be demolished on you So it'll be better if You'll have already built your wall

Freeze your brain Swim in the ice Get lost in its beautiful pain Shut your eyes tight(/well) Till those fools (sorry I had to use this for the rhyme) won't see you Don't become a laughingstock

Freeze your brain Destroy your skull Fight pain with a more beautiful one Forget who you are Free yourself from that weight Forget in a month and a half You'll have the same misunderstanding again When the voice in your head Says someone like you is better off gone Don't listen to that guy(/him)

Just freeze your brain Freeze your brain Go on and freeze your brain...

(spoken) Try it OG LYRICS (if you’re seeing this I doubt you don’t know them, but here they are anyway):

[J.D.] I've been through ten high schools They start to get blurry No point planting roots 'Cause you're gone in a hurry My dad keeps two suitcases packed in the den So it's only a matter of when I don't learn the names Don't bother with faces All I can trust is this concrete oasis Seems every time I'm about to despair There's a 7-Eleven right there Each store is the same From Las Vegas to Boston Linoleum aisles that I love To get lost in I pray at my altar of slush; Yeah, I live for that sweet frozen rush...

Freeze your brain Suck on that straw Get lost in the pain Happiness comes When everything numbs Who needs cocaine? Freeze your brain Freeze your brain See upcoming pop shows Get tickets for your favorite artists

[J.D., spoken] Care for a hit?

[VERONICA, spoken] Does your mommy know you eat all that crap?

[J.D., spoken] Not anymore

(sung) When mom was alive We lived halfway normal But now it's just me and my dad We're less formal I learned to cook pasta I learned to pay rent; Learned the world Doesn't owe you a cent You're planning your future Veronica Sawyer You'll go to some college And marry a lawyer But the sky's gonna hurt When it falls So you better start Building some walls...

Freeze your brain Swim in the ice Get lost in the pain Shut your eyes tight Till you vanish from sight Let nothing remain

Freeze your brain Shatter your skull Fight pain with more pain Forget who you are Unburden your load Forget in six weeks You'll be back on the road When the voice in your head Says you're better off dead Don't open a vein

Just freeze your brain Freeze your brain Go on and freeze your brain...

(spoken) Try it

[bilal-salah0]

The story of Ahmed Al-Saidi

My name is Ahmed AlSaidi, I currently live in Gaza Strip under this horrifying war with my wife, 3 children, my elderly parents and my brothers Osama, Moatasim, and Mohammed with their families.

We once lived in safety and peace, each having their own home which provided us with happiness, warmth, and love. I was working as a dental technician and supporting my family.

But after the war started on the 7th of October, we were under bombing, dead bodies were every where, so we were forced to leave our house a night before it was under bombing, it was a miracle that we remained alive. We were forced to be displaced many times and now we live in tents in Deir al-Balah. Our conditions now are miserable and unhuman without any income and thus we are unable to provide life essentials to our families such as medicine, clothing, cleaning products and food for our children. Every thing becomes more expensive. The lack of hygiene, water and living in tents with sand and insects caused a lot of diseases, like skin rash, hepatitis b, fever, and cold.

This horrific war destroyed our lives, taking away our homes, jobs, safety, and tragically claiming many of our relatives. So we created this campaign to:

1_Provide medical care for my eldery parents who are suffering from many chronic diseases, high blood pressure, and heart problems.

2. Provide urgent health treatment to Qusay, a 4 years old child who has speech problem and need psychological and speech therapy.

3. Provide essential living needs to survive, like food, clothes, water to drink, and medicine.

4. Winter is coming and we urgently need to move from the tents and rent a house to protect our children from cold.

£127 raised of £30,000 goal 

@supportmyfamily1

The campaign has been verified by me.

Sorry if I bothered you in the mention

@mangocheesecakes @kyra45-helping-others

@7bitter @tortiefrancis

@toiletpotato @fromjannah @vague-humanoid @criptochecca

@aristotels @komsomolka @xinakwans @heritageposts @nibeul

@ot3 @amygdalae @ankle-beez @communistchilchuck @dykesbat

@watermotif@stuckinapril@mavigator @lacecap @yugiohz

@socalgal @chilewithcarnage @ghelgheli @sayruq

@northgazaupdates2

@vakarians-babe @wayneradiotv

@psychotic-gerard @mavigator @communistkenobi @socalgal @chilewithcarnage

@ghelgheli @determinate-negation @papasmoke @omegaversereloaded

@xinakwans @givemearmstopraywith @loombreaking

@killy @deathlonging

@palms-upturned @blackpearlblast @littlegermanboy @loveaankilaq @sar-soor

@fridgebride @27-moons @tamarrud @familyabolisher @fleshdyk3

@neptunerings @claudiasescapesubmarine @northgazaupdates2 @gaza-evacuation-funds @rhubarbspring @flower-tea-fairies @postanagramgenerator@chronicschmonic

@blackgoliath @sharingresourcestorpalestine @60309 @malcriada @jeziorO @retvolution @raydiantgarden @emathyst9 @mothblossoms @pile-of-anxiety @brutaliakhoa @alm3v@magnus-rhymes-with-swagness @schoolhater @lesbiandardevil @devilofthepit @lizlives @transmutationisms @kit-today @appsa @hametsukaishi @vetted-gaza-funds @gazagmboost @heritageposts @timetravellingkitty @a-shade-of-blue @lovewontfindherwayhome @ohwarnette @nightowlssleep

@pretendingtobeaperson @laurapalmerss @im-living-under-your-basement @komsomolka @dvanaestmrva @lonniemachin @heliopixels @zigcarnivorous @turtletoria @opencommunion @wellwaterhysteria @queerstudiesnatural @grapejuicedragoon

[clockwayswrites]

Bird NOPE, no thank you. Part 12

masterpost

“So, what’s the verdict, doc?” Danny asked. He was trying really hard to keep his tone light and not fidget. Mostly because when he fidgeted the wings moved and then he remembered that he had wings.

He really, really wanted an answer to the wings thing.

“Well, Phantom,” Frostbite said as he continued to look at the data, “your status as a halfa continues to bring about most interesting developments at the most interesting pacing!”

Danny groaned. He didn’t want to be interesting. There had been enough of being interesting in his lifetime already. Couldn’t he just have a calm rest of his life? Couldn’t this all of these ‘interesting developments’ wait until he was properly dead?

Danny took a deep breath so that he didn’t end up snapping at Frostbite. “Okay, right. What sort of developments are we talking about here? Because wings seem pretty unusual to me, even among ghosts.”

“Oh, yes, certainly. Fundamentally such a change, if one is to change, shouldn’t come so early and certainly not before other more common physical developments,” Frostbite said, rubbing at his chin with his icy claws. “At least not based on what we know of human ghosts.”

Danny rubbed at his face. The wings shifted. “Frostbite, I get that this is all very interesting to you, but I need you to explain things, please.”

Frostbite gave a little huff of air. “If you had attended the lectures as I recommended—”

“I can do that when I’m dead.” It was an old discussion between them at this point.

“Phantom,” Frostbite said kindly, “you are already dead.”

“And I am still alive!” Danny snapped, his patience frayed. The wings flaring out The tips brushed the edges of the walls. “I am still alive! I have eternity to learn about being dead but I only have one life. I only have one life, Frostbite, and I’m already spending half of it dead. Just… just let me try and live it as much as I can, please?”

“… of course, Phantom. I am sorry, friend. I forget what it’s like to have things be… fleeting.”

“I know, Frostbite,” Danny said, deflating as his anger extinguished. The wings folded tight against his back, a heavy weight pulling his shoulders down. “I know. Just, break it down for me, okay? I’ll sit in on all the lectures you want when I’m fully dead, I promise. Just for right now, explain to me what you can? I need to know why I have these things on my back.”

Frostbite gave a solemn nod and pulled up a stool to sit down on. “Human ghosts especially are very mutable. This is little surprise, really, with how mutable living humans are. Even though as dead we are largely stagnant, humans still often find their way to change. Personally I suspect that even as ghost, humans need the change to avoid Fading. You’ve seen these features in many of your friends and rivals: colored skin, fiery hair, exaggerated features. These are all things that you halfas seem to lack. My assumption has always been that it is your living half that keeps your features grounded in, while not reality, a more fixed visage.”

“Plasmius’ hair smolders some these days,” Danny pointed out.

“It does. The hair is often one of the first changes and Plasmius is both an older ghost than you, but also a much older human.” Frostbite paused before adding with a wry smile. “He is also much more fiery in nature than you are.”

That made Danny give a soft snort of amusement. “Okay so changes are expected, got it. I guess some go further? Like Skulker?”

“He is certainly an example of that. Spectra another. By all reason these changes can range from wish fulfillment to the effects of one’s insecurities. The longer one has been dead and the larger part those feelings play in someone’s making, the more likely changes are,” Frostbite explained. “Though there has yet to be any clear rhyme or reason to much of it. I personally believe the less fulfilled a ghost is, the more that they will change in an attempt to bring that part of themselves to peace.”

“Skulker needing to kill big game to soothe over feeling little and insignificant made him actually tiny and at the same time into a literal killing machine, right, got it,” Danny said. “And I guess that’s why Plasmius still looks like he’s just brushing forty. He was always vain. But Frostbite, I don’t want wings.”

“No, but you have always been… exceptional, Danny Phantom,” Frostbite said somberly. “Other ghosts master one or two skills, you master any you are exposed to. Other ghosts grow slowly, you grow by leaps and bounds. At first I thought this might be part of being a halfa, but we do not see the same growth in Plasmius and Dani. Plasmius is changing at a relatively normal rate and Dani, while advanced at first due to her creation, has stagnated quickly.”

Danny kept his eyes on his hands. He felt like he was fourteen again, scared and uncertain. “Why am I different?”

“I do not have the why, but I believe that the because is that you are destined, in time, to become an Ancient, or at least something akin to one.”

It was good that Danny didn’t need to breathe right then, as he was very sure he couldn’t if he tried.

“…an Ancient?”

Frostbite nodded. “Or something akin to one.”

Danny bowed over and buried his face in his hands. The wings responded and came up to curl around him as if trying to shield him from the world behind the oil slick feathers.

It made Danny want to rip them off.

“If nothing else, Ghosts are beholden to symbolism,” Frostbite said, his words a grounding rumble. “Ancients more so than the rest. The wings mean something, Phantom, even if you are unsure what. Answers will come.”

“I hate waiting,” Danny said, mostly just to be pedantic. He was allowed. He’d grown new limbs for fuck’s sake.

Frostbite rested a gentle hand on Danny’s back, right between the wings.

---

AN: Danny is having a hard time of it this post! Things will get better though. I am also having a bit of a hard time of it, so I'm sure there are many mistakes, but that's okay.

Stay delightful, darlings!

[inky-duchess]

Fantasy Guide to Royal Children - Heirs and Spares

The lives of Princesses and Princes are of interest to most fantasy writers, it's where many of our heroes, side characters and antagonists hail from. But what is there life like? Is it always ballgrowns and servants? Or something more?

A Strict Order of Precedence

The first thing to know about royal children and siblings is that there's a very strict precedence of importance. Is it fair? No. But this is a system, it doesn't have to be fair. The heir comes first without argument. They are the most important child, they are always greeted first, they are the one to stand next to the monarch or their parents at occasions, they literally go first - and this doesn't change with age, if the heir is the youngest, they still have precedence over their siblings. After the heir, order of predence goes by age and the order effects the life of the children. For example, the older sister will marry begore any of her sisters. This order of deference will be so engrained in your character's life that they will believe it the norm and rarely question it, it probably won't spark any in-fighting.

Accommodation & Staff

Royal children are usually raised one of two ways. Either they are raised at court, in the same Palace as their parents or they are raised away from court under the care of trusted servants. Being raised away from their parents isn't a sign of remoteness or dislike or terrible parenting, it was a way of break a child into the constraints of royal life while giving them freedom of scrunity or danger. Usually these children are raised in the countryside for their health, as cities are usually cesspits for disease. Their parents would come to visit them or allow them to visit them at court. Children raised at court are raised with a higher level of scrunity and attention. They will be in the public eye.

Royal children will always be surrounded by staff. There will be nurses to wash and dress them, nannies to discipline and direct them, guards to protect them and usually, a guardian known as a governess to run their household and care for their needs. Staff are not allowed to hit royal children and must obey their commands. Some royal children were very close to their staff:

Kat Ashley and Elizabeth I

Baroness Lehzen and Queen Victoria

Klementy Grigorievich Nagorny and the Tsarevich Alexei Nikolaevich

Lala Bill and Prince John

However, some royal children faced neglect from their staff. George VI was abused by his nanny, who would pinch him during important occasions, openly favour his elder brother over him and deny him food, which many have been a cause of his speech impediment. After the Russian Revolution, another of the Tsarevich's nannies proved less loyal than the other. Andrei Yeremeyevich Derevenko abandoned his charge, but not before ordering the boy around and insulting him.

Day to Day Life

Royal children would be educated withing their home by tutors. They would usually take lessons all together (the heir may take other lessons). A royal child would recieve an education in languages, arithmetic, geography, etiquette, dancing, music, sports such as riding and literature. Sometimes they would even share lessons with the children of trusted nobles or their cousins. Only the heir will be taught statecraft and how to reign. There is no rhyme nor reason a spare would learn how to rule.

Some royal children are taught the value of their position. Many royal children will be raised strictly to adhere to their social standing and their place in it. Some children may be raised in isolation, kept from mingling and raised to think of themselves as higher than those around them. Some royal families preferred to raise their children as "normal" as possible. The last Romanov children slept in camp beds, with no pillows and we're expected to tidy their own rooms and help the servants. They didn't even use their proper titles, they were called by their names and given a tight monthly allowance to spend. Alexandra of Denmark and her sisters used to make their own clothes. Some royal children could even be encouraged to play with the children of servants and staff as well as nobility (Kolya Derevenko and Tsarevich Alexei Nikolaevich, Winifred Thomas and Prince John). Companionship was a great honour for noble and common child alike as sometimes, they would be invited to live or be educated alongside by the royal children.

Royal children will not undertake royal duties until they are of age. Younger children be be present for large scale events such as jubilees but would not be expected to partake in any duties themselves. When they are of age, they will usually be granted an annual allowance, be invited to social events, invited to be patrons of charities and participate in royal duties.

Heir Vs Spare

Heirs have more responsibility, all the prestige, more power but they have less freedom, less room to explore their own lives and be expected to always be the epitome of perfect. Heirs will be given responsibilities in government, sitting in on state meetings or undertaking state duties.

Spares have little in the way of real power but have the ability to live less regimental lives and gave more agency in their personal lives. Spares may act as ambassadors to other nations or undertake state visits on behalf of the monarchy or even take positions in the army. Spares are encouraged to find positions to support themselves outside the family, either in a marriage or undertaking some service to the country. Spares who stay in the country, tend to act as unofficial advisers to their sibling when they become monarch.

All Grown Up

When royal children grow up, there are usually certain expectations and limitations.

Heirs will be married quickly, the lineage must be secure. Heirs will usually marry either as part of a political alliance or marry somebody suitable - from a good family, the right background, and able to fit into a certain mould (i.e malleable, amiable and loyal). They will be expected to focus on the country, it's needs and support the monarch at all times. Their social circles will be scruntised, their every move will be noted and remarked upon. Heirs will never gave to worry about funding their lifestyle, the Crown is their job and it supports them.

Spares can marry or remain single if they choose, (but if the monarch instructs them go marry they must). Spares can travel, they can be idle, they can even persue amusements not permitted for the heir. Spares can win glory on the battlefield and mix with all sorts of people. That isn't to say spares are useless, spares often occupy very important spaces in society and government. Spares will usually take these positions not for just status but also for the pay. This is why spares are granted royal titles such as dukedoms (they can make money off the lands, be able to build a dynasty for themselves and their heirs and gain status).

[yanderenightmare]

your vocab is really rich, what's ur secret

oh! uhm... excellent question!

Read! And every time you stumble upon a word you've never noticed before or know but don't often use, put it in a list, write down its meanings, and try using it the next time you write! (I'll put my list after the cut)

Read different things! Different authors and different styles, especially poetry! I mean, if you're looking to fatten your vocab, reading poetry is one of the best ways to do it. Poetic writers must search far and wide for the perfect words to create rhymes and rhythms and audibly pleasing sentences---they practically do all the work for you! Honestly, I am so serious about this. One of the best things you can do is buy a fat compendium of poetry with all different authors and eras. Get you some Edgar Allen Poe, Sylvia Plath, Emily Dickinson, and Shakespeare if you want to hurt your head. Also! The same goes for music! Try listening to the lyrics---you'll probably hear some words you've never thought of using in your writing.

Here's a cheap trick for bilinguals---write something in your own language and put it through Google Translate. Honestly, I've found so many words just by doing this.

Every time you feel you've used a word too much, or anytime a word bores you to read, search up its synonyms and try using something you've never used before---don't stop the search until you're satisfied. Sometimes, it takes me more time to find just one word than it takes to write an entire post. Not only does this enrich your vocab, but you've probably just written a whole other sentence with newer meanings and more nuance!

Make your own synonym lists! Seriously! Because you can only find that many creative synonyms by searching up "word+synonyms."

Additionally! Think outside the box! Often, the best synonyms are those words that aren't actual synonyms at all. If you read poetry, you'll see poets use unorthodox words in place of something all the time---it's called a metaphor. Take flesh, for example---you can use fat, meat, muscle, brawn, beef---but you can also use cake, down, plume, pillow, softness, etc... I find this one especially useful for writing erotica, as you have to describe a lot of the same actions and body parts over and over and still make it interesting. (I'll add my synonyms list after the cut)

Also! This one is trickier, but instead of using words and synonyms, try making sentences that can replace the word instead---such as longer metaphors and fuller descriptions! This aligns with the literary device of "showing vs. telling." Of course, outright telling has its uses too and should not be disbarred entirely from writing, but often, it's showing that persuades the reader more. For example, instead of saying nervous, make sentences that describe how the character in question showcases nervousness---does their throat close up, do they sweat, do their eyes go wide, do they stutter, do they fiddle with their fingers, pick their nails, bite their lip, kick the ground, hunch their shoulders, look away, blush, flush, cry, run away or do they feel stuck? Describing these things helps the reader better understand the type of nervousness the character is experiencing. Hence, it makes for not only more interesting writing but also clearer writing!

A similar literary device is "focus and expanding," which slows down the reading or puts focus on certain aspects of the text by describing something to a great extent. If, say, this nervousness the example character is experiencing is of great significance, then that's what the readers' takeaway should be. But the reader won't think too much of it if the text simply states that they're nervous without underlining it. Luckily, there are plenty of ways of doing that, firstly through showing vs. telling, such as in the examples above, then metaphorically, such as "the ground seemed to swallow him up, down the guzzle of a monster with an appetite for disaster---darkness ensued like a storm cloud, cold and clawing with a weight heavy enough to nail him to the spot---all eyes were on him, unblinking and all-seeing, no matter what, he couldn't escape, he was stuck, glued to the ground by the soles of his shoes." I mean, the options are truly endless. These metaphors piled together are also a form of focusing and expanding, but you can take it even further than that by focusing on a small detail and giving it significance. For example, say the character is sweating because he's so nervous---you might focus on a single droplet of sweat instead of everything else, "A chill ran down his back. No, not a chill--sweat. Cold and creepily tracing the rigid bones of his spine. He can't move--if he moves, then they'll see. The sweat will seep into his shirt, and everyone will know what a sweaty and pathetic wreck he is. So, he can't move. No, yes, leave it alone. The droplet continues, running down the cold skin of his clammy back, sliding undeterred until meeting the band of his boxers and disappearing in the fibers. He swallows thickly and sighs with relief--only for another to pill at his nape, tracking the same course as the former. A vicious cycle is forming. He needs to get out of there!" And that's focus and expanding, folks! Focusing on something minuscule and expanding it by using it to describe what the character is feeling. It's a way to have a fresh take on something that's been written a thousand times before, such as "he was nervous."

Anyway, I might have gone a little above and beyond, but really, all these literary devices are ways of "expanding vocabulary" or at least giving an impression of it.

NEW WORDS

Manically---like a maniac

Despotic---like a dictator, having unlimited power over someone, often using it unfairly and cruelly

Chasm---a deep fissure, like a ravine, wound, or metaphorical rupture

Shunts---track-change basically, scoots to the side

Dearth---a scarcity or lack of something, a shortage

Raucous---making a harsh or loud noise

Innocuous---not harmful or offensive---harmless and safe, but also bland and unremarkable, maybe even a little boring

Lanyard---the woven necklace of a festival pass

Gossamer---fine spiderwebs, almost mesh

Cossetted---care for and protect in an overindulgent way

Beribboned---decorated with many ribbons

pupil-fat---cool way of saying enlarged pupils

Chitters---snickers, like a bird

Decadent---corrupt, depraved

Blotting---either soak up and absorb, or stain, or obscure

Barbell---a bar “pole” with attachments on each side

Bunting---of animals, when they butt or rub their head against you

Garnet---red

Cherubic---angelic, plump cuteness, quality of a child

Haunches---hips

Sodden---soaking

Waxing poetic---speaking in a flowery or poetical fashion

Inkwell---a container for ink---a dark well

Rend---tear in two, or more pieces

Ebb---recede, go back, like a tide wave

Webbed---like a duck's feet

Cloying---sickly sweet

Saccharine---oversweet

Apple of your cheek

Swathes---wrap, swaddle

Shroud---obscure something

Moonstone---to describe something grey and dusty, but pretty

Kinked---tangled, messy

Leaden---heavy, dull, slow or the colour of lead, grey

Stygian---devoid of light and brightness, hellish

Flaxen---of hair, champagne colored---ashy blonde

Tepid---lukewarm

SYNONYMS

Related to sucking cock:

Swallow

Glug

Drink

Eat

Guzzle

Receive

Take

Suck

Suckle

Slobber

Gargle

Gurgle

Drool

Gulp

Gobble

Stuff

Glut

Choke

Gag

Lap

Lick

Kitten-lick

Slurp 

Allow entry

Related to kissing:

Kiss

Lock/brush lips

Tongue-feed

Suck faces

Smooch

Peck

Snog

Canoodle

Related to biting:

Bite

Graze

Nip

Nibble

Sink teeth into

Chomp

Related to crying:

Whimpering

Mewling

Bleating

Whining

Snivel

Sniffle

Cry

Sob

Bawl

Hiccup

Spluttering

Blubbering

Coughing

Croaking

Related to pre-cum:

Ooze

Leak

Weep

Well

Drip

Dribble

Flow

Drain

Bleed

Sweat

Seep

Pill

Pearl

Cry

Related to fear and panic:

Hysterical

Wild

Manic

Uncontrolled

Unrestrained

Frantic

Frenzied

Restless

Hectic

Sporadic

Swivel-eyed

Related to screaming:

Scream

Yell

Wail

Yelp

Yip

Yammer

Squawk

Howl

Squeal

Shriek

Related to moaning:

Moan

Whine

Yelp

Purr

Hum

Croon

Related to overstimulated moaning:

Mumble

Croon

Warble

Quaver

Burble

Bumble

Hum

Slur

Ramble

Mutter

Whisper

Stammer

Stutter

Scramble

Jumble

Muddled

Babble

Blubbered

Splutter

Blurt

Related to groaning:

Groan

Grunt

Growl

Grumble

Grouch

Hiss

Guttural

Feral

Rusty 

Throaty

Wet

Sloppy

Related to angry noises:

Howl

Roar

Bark

Grizzle

Grump

Related to surprise or fear:

Gasp

Gulp

Choke

Suck in a sharp breath

Flinch

Jump

Jostle

Wince

Hiss

Pull back

Related to comforting:

Coo

Fuss

Comfort

Hush

Shush

Tsk

Mollycoddle

Nurse

Cuddle

Babying

Consoling

Soothe

Loving

Smothering

Hug

Hug tight

Cocoon

Snuggling

Swaddling

Rock back and forth with

Cosseting

Petting

Overwhelm

Related to begging:

Beg

Pleading

Pray

Bargain

Related to soreness and pain:

Ache

Sore

Throb

Swollen

Fattened

Welted

Related to taking cock inside entrance:

Swallow

Receive

Take

Suck inside

Stuff

Fill

Allow entry

Submit to

Ease inside

Bully inside

Squeeze inside

Force inside

Push

Pry

Related to how the hole squeezes:

Kissing

Fluttering

Hugging

Pressing

Squishing

Squeezing

Tightening

Pulsing

Related to a wet hole:

Slush

Squelch

Squishy

Creamy

Sloppy

Wet

Soaked

Slosh

Sop

Cry

Slick

Weep

Drool

Gush

Swollen

Velvety

Gummy

Cotton

Silken

Satiny

Related to thrusting:

Squeeze into

Pound

Jam

Ram

Rut

Loll

Rock

Thrust

Stuff

Bottom out

Fill

Fit

Nestle

Cram

Prodding

Poking

Kissing

Hammering

Jack-hammer

Smack

Slap

Ream

Related to pleasure:

Ecstatic

Opium-eyed

Euphoric

Elated

Thrilled

Blissed-out

Rapturous

High

Cloudy

Numb

Related to overstimulation:

Overstimulated

Outdone

Aching

Burning

Sweating

Feverish

Delirious

Febrile

Numb

Immobile

Dazed

Dull

Related to being dumb, high, or overstimulated:

Ditzy

Dumb

Clumsy

Silly

Foolish

Giddy

Brainless

Dizzy

Fuzzy

Dopey

Whimsical

Fickle

Featherbrained

Daft

Hare-brained

Awkward

Graceless

Blundering

Bumbling

Klutzy

Clueless

Cloddish

Dense

Related to the body and the flesh:

Tender

Supple

Soft

Creamy

Plush

Doughy

Cakey

Downy

Pillowy

Malleable

Squeezable

Biteable

Pliable

Touchable

Putty

Plume

Related to cuteness:

Cute

Cherubic

Adorable

Sweet

Soft

Precious

Darling

Lovable

Endearing

Baby

Related to weak or smallness:

Breakable

Brittle

Weak

Fragile

Dainty

Delicate

Frail

Flimsy

Vulnerable

Petite

Small

Little

Tiny

Feeble

Defenseless

Powerless

Helpless

Worthless

Hopeless

Related to struggling:

Struggle

Winding

Striving

Straining

Toiling

Playing

Wriggle

Wiggle

Twist

Shake

Tremor

Shiver

Quake

Related to men:

Vulgar

Loud

Oafish

Rough

Rude

Rustic

Gruff

Gross

Doltish

Barbaric

Bearish

Beastly

Churlish

Coarse

Swinish