#so I would not be great at hitman without a gaming controller
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58sei · 6 months ago
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The thoughts ran out of control so here’s more detective yomi
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This one will contain a lot and I mean a LOT of rambling, the demons need to be let out…..
Contains some game spoilers for chap 5
I thought ab how yomi would climb the ranks of the WDO a bit more and I decided it was with the help of shinigami hitman. (Will get back to this later)
Some things to get out of the way first:
- Yomi’s past in this au. Yomi has always seen a lot of death happening around him since childhood so that’s why he doesn’t feel anything when it comes to the matter. I’m also thinking yomi’s childhood involved a lot of kill or be killed situations, so he develops that mentality down the line. Wherever he goes, death follows, and because his fate is so intertwined with death, it eventually leads up to him joining the WDO and finding the book of death.
- As for how he gets to the book of death, I’m honestly not sure how he manages to breach security. That or he was used in some sorta side experiment and given the book as one of the procedures by the UG but then he kinda just killed em and ran
- After he obtains the book of death he forms a contract. Shinigami hitman asks to see yomi’s life through to the end in return for his powers (bc why is this bitch always attracting death??). Also I want to just, make some slight altercations to the game lore here. In this universe the book of death can only be opened by those who are close to dying (less than 5 years left to live). People who have spiritual affinity like vivia can only see the death god inside and feel it’s aura, but cannot open the book. There is a chance they can open it, but only if shinigami hitman chooses to let them.
Ok with that out of the way, back to how yomi climbed the ranks with the help of his shinigami (calling him fake zilch for convenience). He uses fake zilch’s powers to solve mysteries (as well as crush those in his way). In a sense, he has already performed multiple detective deeds all in the span of less than a year, but because the culprits keep dying, there is no way to properly evaluate the things he did. But he DID solve the mystery and bc death has always followed him everywhere so people in the WDO’s just like “yeah checks out”. So with a lot and I mean a LOT of skepticism he gets promoted to a master detective and also earns the title of ‘grim reaper’ (this’ll be important later) in the process bc everywhere he goes someone dies.
I should reiterate that Yomi absolutely does not feel guilty when killing in the mystery labyrinth, in fact, he feels great about using it to find the culprits. 2 reasons. First, he believes the blood is on fake zilch’s hands bc yomi didnt actually reap the culprit’s souls himself. This view is heavily challenged in chap 4. Second, to him, he’s enacting justice on the guilty and he’s not in the wrong for doing that. Like the original yomi, he views justice in a very black and white way. Fake zilch has his own opinions on the matter, but he is far more interested to see Yomi’s story to the end to bother doing anything ab his behaviour. He only opens the mystery labyrinth for yomi if the case is very complicated (except master detectives take on a lot of absurd cases, so you know how that goes)
As for how he became number 1, he probably just murdered the former one like how his original killed Amaterasu’s old ceo. Then after murder he just, took no. 1’s position without anyone knowing. Not much thought put into this part yet sorry lol. Also I’d say the UG’s successful homunculus did not use the world’s brightest mind but rather the man most associated with death, bc they didn’t obtain no 1’s DNA, and while Yomi is intelligent he isn’t even a contender for the spot.
Circling back to the grim reaper title, it comes into play on the Amaterasu express. Yomi was not dispatched to kanai ward, the real trainee Yuma was sent, but Yomi drugged him and put him in the disconnected 5th car early on. He then asks fake zilch to take his memories after he locks himself into one of the toilet stalls in car 1. Wakes up later yali yali yada, the “where am I who am I” panic, sees his letter thing “oh I’m yomi hellsmile!!”, “wait how am I already on the express ??”, “ok whatever ig”, goes into car 2 and sees detectives, then intro scene. Except yomi isn’t a doormat (no hate to Yuma I love him actually) and has an attitude lol he probably starts bickering with aphex and both nearly get physical before shinigami (who’s now the hitman, who disguises as a diff MD) and melami restrain both of them 💀
Then everyone introduces themselves and the moment yomi says his name the other MDs are like hold tf up why is the grim reaper on the Amaterasu express with us?? So now the strange circumstance is the fact that yomi appeared instead of the trainee. Still the same “oh someone who shouldn’t be here is here” type mystery but slightly different. Suspicions rise and people are starting to get riled up in the express, but then shinigami eases it up and the MDs all realize that if the amnesiac before them actually is the WDO’s grim reaper then they’re in deep shit. (They are) cue rest of chap 0.
Also, during the entirety of the introduction up to yomi getting drugged and passing out in the bathroom, fake zilch is actually able to show himself. He just… doesn’t to act like they just formed a contract.
Yeah ok that’s ab it
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heavenlysphere · 4 years ago
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I want to play Sims 3 but if I cannot watch youtube laying down without excruciating pain I do not think that is a great idea
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6blackfilin9 · 3 years ago
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I love your Anko fanart! Tell me, what are your views/headcannons on Anko X Kazuku?
hThank you so much for the ask, finally I can answer it
here is my big thank you for the waitng
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In a nutshell, the shipp was created by accident while me and my buddy were working on our first Naruto AU in 2019, where Kakuzu and Deidara survived their shitty plotholes end eventually ended up in Konoha
Yeah
so, the shipp’s birth date is july the 1, 2019
anything like classy, aristocracy kind of tension-filled passionate gothic romance with playful, psychological games & hurt/comfort vibes with slight scent of rivalry is KakuAnko
Basically, they are: a very, very old man with absolutely horrendous background who’s trying to finally have his mother*cking 10 or 30 years of peace, and a rather young lady with a rocky youth who’s being good & noble yet has very strong antihero tendencies
You know, I think they do have potential, since, in fact, they seem to be very similar, at the core
They are both very pragmatic realists, the people of logic and reason, yet if Kakuzu’s irritability doesn’t affect him a tiny bit due to his ideal self-control, Anko’s can lead her to quite bad places, sometimes. They put their interests in the first place, and even though she tries to attach them to Konoha’s, she still has ‘personal’ things (I’ll write ‘bout it lower*). Their mindsets are so complicatedly organized that, at some point & way, it prevents them from having many close people, and makes them very hard to see through and predict
Both of them are very flexible & adaptive, independent individuals with similar outlooks on plenty of things and high intellectual level. They clearly can find plenty of traits that they would highly respect and adore in each other
Here I will speak mostly for “why and how” kind of things, bc both of them are terribly tricky to accurately figure out. But there will be some headcanons too
So, there are still some odds about them, due to the strong difference in their occupation, like, in plenty of cases they are really tricky to be brought together, because:
- Of the job
In original, Anko is a Konoha’s special jounin, and she is very dedicated to serving the country. Independently of whether she likes her job or not (depends on the plot), she orienteers at the people, at society’s gain from her work. So, accordingly, in any other AU her job is somehow connected to civil service, whether it’s something police-like, connected to science, or something like CCG in Tokyo Ghoul
Kakuzu, on the other hand, is a hitman and a persona non grata in literally all the five big countries, Konoha too (which makes it barely possible to bring them together in the original universe without hard complications or heavy drama. But still possible). He orienteers on his own gain alone, but, depending on the job, it can include others’ gain, too.
This detail makes him a saint once he holds supervising position in some company or any high position in the government (the better the working conditions of the staff now- the more money in the prospective), and the sheer nightmare once he has it on the opposite side of the law. Him as a mob boss is a complete different topic for discussion, but to get the point, in this case, the trouble isn’t him increasing the level of criminality (its rather vice-versa), but taking hold of too much control in the high and underground structures. Even as an ordinary hitman he’s rather tricky, since everything depends on the case
In most of the stories, they come to some sort of compromise, and how hard it is to reach it depends on how shitty his job is and how attached they are to each other at the moment
Like, in the above mentioned Shippuden AU and Harry Potter AU (which I also wrote with my buddy) everything went like clockwork, because there they are both more or less on this side of the law, in Tokyo Ghoul AU (which I also wrote with my buddy) it is a bit more complicated, with her being in-law and him being very much outlaw, in the Avatar AU (which I also figured out with my buddy, but we never happened to write it) it is also pretty smooth, with both of them being outlaws and then jumping out to the glory after all the shit is done, but in another Shippuden AU of mine, this all would be just a motherfucking bloody disaster
- Kakuzu is actually a hard nut to get attached to anyone
He lived too long to be truly afraid of anything, though. Its mostly because he doesn’t really need to get attached to or become close with someone to satisfy his need for communication. The man can get along with anyone once he wishes to, he can have countless acquaintances and plenty of buddies, but he doesn’t have many comrades and barely can call anyone a friend. Because he is used to lose everything and everyone he ever had or happened to have, because of his inhumanly lengthened lifespan.
It requires time for him to get used to the person, and then, eventually, in some cases, spend plenty of it to get attached
Plus, for him, due to his profession, each close connection is a really great responsibility for him. In most cases, he’d think twice of weather he is ready to take it or not
Though it of course has the personal factor, too
In Anko’s case, she has a grand privilege by being a very intelligent and keen woman, not just in cognitive plane, but in emotional, too. High emotional intellect is actually a rare trait, so she automatically stands out of the crowd for him. Even though it won’t guarantee his alliance, it will grant her his high respect and some sort of sympathy
- Kakuzu is, technically, an asshole
He does have his moral compass, which includes a great amount of common social morality, but he also has that “I am working” state
Even though Kakusu has a set of professional principles, and he still acts accordingly to what he thinks is right, one and the very same situation can be solved diametrically different once the context changes from working to casual and vice versa
This, and him being very independent and quite antisocial, makes the degree of assholeness depend on various factors
This can lead to major conflicts of interests, and if they are possible to have any compromise or not is strongly attached to the circumstances. After all, both are very, very prideful and dignified people
- In other words, the only major issue for them would be morality questions. It’s possible to make the case acceptable for Anko, since both of them ain’t truly squeaky clean, along with Kakuzu being willing enough to watch his borders
- She is provident and doesn’t really need a lot of money on a daily basis, which is much of a joy to him lol
- *they both seek for the stable ground, first of all
Taking in consideration the life conditions Kakuzu had in his youth (despite war state, he still stably had family, friends, grand respect from everyone, home, warmth and food) and how terribly he was torn out of his secured social environment, I believe what he seeks through all his bounty hunt and other money-connected manipulations is stability. Sustainability he had back then. The only way to have it in the conditions of our existent world order is to have money (and a very good mind and luck)
Anko has indeed much more altruistic motives, yet it’s still not that simple. It seems to be, on the first sight, yet considering the “Orochimaru related cases” and her very wayward behavior toward them, it’s clear she keeps her own motives and needs in mind oh so well. The service she has is very well payed, it allows her to do what she likes or believes is right, and to have the living conditions she finds comfortable. And only here, relying on the made sustainable basis, she does what she does
- Thus, they both illustrate the principle “first help yourself, next help the other” just right
- She knows she can keep an eye on him, yet it’s clear for her that her influence isn’t borderless, as well as telling him off some stuff is kind of a not wise thing to do. So in the majority of cases, she never interferes
- This is not common, yet he can actually change some plans if the situation is serious and the compromise can’t be found. He is that kind of person who works on a further prospective, and in this context, this would be the relationship with his loved one
- While Kakuzu is quite conflicted and has very reserved controversial persona, Anko is both controversial, conflicted, and sort of two-faced, on top of that
She is a very sincere, cheerful and humbly honest human being, yet she has some darker natural traits of her character that became rather strong with age and traumatic experience. Cunningness, guile, ways-depend-on-the-case and a bit of ruthlessness, that is. Moreover, she has some unsolved personal issues, which makes her even more twisted.
Like, remember the time when she confronted Orochimaru during the exam? And Kabuto, on the war? Getting rid of them is indeed beneficial for Konoha, but it’s clear that for her it is personal vendetta in the first place. She wouldn’t have tried to do this alone, otherwise, because these two are rather dangerous ones, to say the least.
She uses greater good to cover her real motives (even though it is not truly complete bullshit), and seems to have a terrible habit to keep silence about really important things, which makes her quite prone to lying, in some cases
And sometimes it very badly pisses Kakuzu off, since it makes her prone to doing useless but dangerous shit too
Yet this not any kind of separate hidden side, it is integrated into her personality, and coexists with her bright one. That’s where her violent humour comes from, for example.
But Kakuzu, on the other side, is completely monolith individual, yet sometimes his mindset can create contradictions when it comes to something important to him. but it's another topic
And seeing these layered constructions, and motives, they can pretty finely predict each other’s behavior. Not super-neatly, but they for sure see the basis. This is what helps Kakuzu to prevent Anko from doing some stupid shit, sometimes
- Anko has a role of an indicator for the people who don’t understand and see the changes in Kakuzu’s mood sometimes, since she usually reacts quite openly. Yet, when she has the same unreadable mask of cold, or one of guile, it’s a nightmare for them
- They prefer the non-verbal way to show their feelings, even though Anko is obviously the more chatty one
- They don’t say things such as “I love you”, or other sensual stuff like that really often, believing it to be some sort of cherished words that shall not be spelled mindlessly
- Anko isn’t majorly into PDA, but she fancies it much more than Kakuzu does. She has her whole moments of studying something with her hands, whether it’s a hand, scar or face. He’s more into passive display of affection, like wrapping an arm over her waist or leaning to her or something of this kind; they can allow themselves to (not sexually) kiss in public though
- She knows he doesn’t like to walk hand in hand due to considering it a youthful thing, so there are times when she intentionally walks holding on to his sleeve; generally they walk separately in order not to bother each other, but sometimes they walk arm in arm (like an old Victorian couple lol)
- Being older and wiser, Kakuzu eventually upholds some kind of mentoring position, yet he never considers himself any kind of a teacher or master to Anko, believing her to have a good head of her own. He is just insightful enough to break something through to her or give a word of advise
- This, combined with his highly powerful demeanor, also makes him have the leading position in their relationship
- Anko respects him much enough to fortify this, entrusting with plenty of life questions (like organizing the family budget), even though they make the majority of decisions together. Mostly because he is truly wise and highly experienced individual.
- This makes him one of the very few people Anko would actually listen to and take their opinion in consideration
- So basically they have equal relationship with some tendency to patriarchal order
- And it is, really, mostly economically-based disbalance, with him earning much more than she does
- Yet they never have any financial-based issues, since both of them keep in mind and respect the contributions of each
- There is major power play here, too. He has the absolute might, she has seduction. Anko loves how he makes her want to submit to him, let him have all the power, so she likes provoking him. And she knows he adores it, loves the subtle control she has over him
- They don’t have conflicts in their everyday life. Each knows how to avoid pissing one another off
- He cherishes her playful demeanor, her intellect. Combined with her cunningness, it allows her to rival him, in social sphere. The way she constructs her phrases, the way she speaks, mimics, moves, how bewitchingly it suits her feminine snaky features makes his blood boil and heart melt
- Both of them, actually, have rather specific kind of dry, dark humour. Kakuzu’s is very cynical, satirical, quite often menacing and subtly demeaning; Anko’s is very sarcastic and quite dirty, even gruesome and rather violent
- Sometimes they “fight” verbally as a form of a play. In some circumstances they may sound pretty vile, so some unobservant people mistake this for display of hate
- In general, Anko is the one to heat things up with her playful demeanor, which can include provocation and rivalry, and Kakuzu is the one to keep this energy in borders, accumulating it up to much more intense states
- They both put the comfort in the first place when it comes to household. Everything must be cozy, useful, silent and super clean
- Yet they are both very unpretentious and modest, really
- She absolutely adores when he is showing his serious, severe side, or powerful demeanor. She finds it incredibly suitable for him. She also likes how his real age is sliding out in this or that way. Like, even though he has rather young face (that of 37-40 y.o.), his eyes give away that he’ve seen oh so much more than it seems; the grumpy noises and grunts he makes, the lazy attitude in movements and the way how rapidly he finds a comfy pose once he has a chance to take a seat
- They are both rather patriotic, yet while in the most stories Anko’s feelings mostly lay towards the country she lives in, Kakuzu’s more often lay towards some places, so called small motherland.
- Kakuzu actually could be a source of deep, strong admiration and delight for her, despite all of his bullshit. The unbreakable will he has, mighty burning heart, all the wisdom, talents and mind. Being sent to fight god damn Hashirama, clearly a genius of his times, financial & management genius at the least. And, still, after all the hard times he’ve been through, he maintained the very strong sense of dignity and nobility, even though slightly twisted due to the profession and abnormal lifespan
- And the very same things can serve as the source for her chagrin: with all those traits, he could have been so much more rather than a criminal. With all the gifts he’ve got, he could have been of great use to society. He’s much easier about this, since his prospective is much wider and embraces decades (and in some universes even centuries) instead of months & years, and he knows that he’d be switching sides throughout his life, being on this and that side of the law, yet he still is a bit uncomfortable once it’s brought up
- They are deeply into science, which makes them atheists. He’s into medicine and human biology, she’s into chemistry and reptilian biology; both of them are nuts for physics, history and psychology
- They solve complicated physical and mathematical problems together time to time. She is the first one to have tea-breaks due to losing her temper over it, he tries to figure things out right until you can sense the smoke coming off his head
- Actually, they do have a stumbling stone aside from job & morality complications. And this is Anko’s attitude towards Orochimaru
What she does is basically ruins her life very-very slowly, maintaining the issues she has and planning to make him pay for all he’s done
Kakuzu knows exactly what is really going on with this attitude and why, but he can’t really do anything about it. Like, he knows he can’t make her change her mind or put something into her head
All he can do is really nothing but try to explain how those things are working, and even this option is basically a landmine field for him. At some level she does understand that he could probably be right, yet she just refuses to go back on her mind. And this is actually really dangerous, so at some moments they can fight quite badly about it
- He’s scared shitless to lose her, though; especially like that, even though he knows clearly that he will, anyway, sooner or later
- he knows that losing loved ones ends up with sheer disaster for him, yet he isn’t afraid to pay such a high price for those six, five or four decades of being with her. Because these decades are that of a paradise ones for him. Wife and family, as well as stable job, incomes and life conditions, are some sort of physical definitions of sustainability he craves. Especially family, yet it’s far ahead to plan
- The fact that he will have to bury her one day makes her rather depressed, as well as the knowledge that the only thing she can really do about it is to try to bring him as much happiness and comfort as possible before she dies
thank you, i'd say more, but it's too much already
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megalony · 4 years ago
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Met his match
This is a new Murderer! Ben Hardy imagine that should have a follow-up imagine soon when I can get round to it, I hope you will all enjoy this one feedback is always lovely to have.
Taglist: @lunaticspoem @butlegendsneverdie @langdonzvoid @jennyggggrrr @rogmeddows @radiob-l-a-hblah @rogertaylorsbitontheside @chlobo6 @rogertaylors-lipgloss @sj-thefan @omgitsearly @luckytrashgooprebel @scarsout @deaky-with-a-c @killer-queen-ofrhye @bluutac @vousmemanqueez @jonesyaddiction @ambi-and-sunflowers @milanosaurus @httpfandxms @saint-hardy @7-seas-of-fat-bottomed-girls @mrsalwayswritex @rogerina-owns-me @hellsdragon @im-an-adult-ish @crazylittlethingg @allauraleigh @onceuponadetectivedemigod​
Murderer! Ben masterlist
Summary: Ben is a hitman tracking his latest target, and he is getting ready to kill them but things get tricky when his conscience gets the better of him. And the situation unravels when soulmates are involved.
Enjoy.
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Reaching his calloused hand into his back pocket, Ben pulled out the phone that was vibrating to show someone was calling. Taking a scan of the phone case, he sighed at seeing it was his personal phone which he couldn't be bothered to answer right now.
He'd been in the game for a two years now and had managed to pick up many tricks of the trade. Rule number one was to have seperate phones so if he got caught, he could give the police his normal phone that was just for friends and family. The innocent phone. All the implicating and cryptic messages were on his work phone so he could keep things separate and in order. His normal phone was white and his work phone was black as a teasing reminder of his life like day and night.
Switching the rather annoying item off, Ben slipped it back into his pocket before turning his attention down to the glass resting on the shining polished wooden surface in front of him.
This was a very different experience for Ben considering that for the past three months he had been in hiding.
Laying low wasn't all it was cracked up to be and Ben hated it. He hated having to disappear underground, to go to dingy, disgusting bars for a drink and to make sure no one would find him. He hated having to scan the bars to make sure they were the kind that didn't have CCTV so he could stretch the truth about how long he was there if an alibi was needed. He hated being around the cringy, loud-mouthed people that bustled about and spilt their drinks on one another.
Ben couldn't abide by the hotels and the small B&B's that he had to go to when he was out of town and needed to go unseen.
Laying low was the part of being a hitman that he despised because in order to keep the job he had so graceously decided to take, he had to cover his tracks and give himself alibi's. He had to make sure his face was never in papers or on websites. He had to make sure only the right kind of people knew who he was so he wasn't known to the posh people or the ones in contact with the police so he wouldn't be caught. He had to make sure the people who knew what he did weren't informants for the police or traitors.
But his job was something he found great pride and achievement with, even though he knew he shouldn't. Killing people wasn't the kind of job that someone should be proud to have and yet Ben was. He had pride that he had been doing this for two years and no one had caught him yet. He was proud that people respected him in the underworld and that people paid a high price for the job that he did. People went to the trouble of finding him to get his help, they risked a lot to find him with the knowledge that he could turn them down.
The thrill that it gave him, the planning that he got to put into it and the risks he took made laying low all that much better.
But to finally be out of his hiding and back in the world of the living was something that he enjoyed immensely. Ben enjoyed being able to come to the bars and restaurants that were more appealing to the eye and soul. To be able to act as if he fit in with the higher society when really, despite how he hated to lay low, that was where he belonged.
The thin black button-up shirt he was wearing was rather itchy around the collar and he had to refrain from scratching his neck every ten seconds but he had to act formal since he was technically at work right now.
Turning his head to the left, Ben locked his bored eyes onto the man he had seen wandering around the restaurant for the past hour. He went around hitting on any girl that walked in and every time he had got rejected which wasn't surprising given that this wasn't the most high class place but it certainly wasn't of low standards. The women here were more refined and didn't take to a drunk man wandering the bar asking them if they wanted to go home with him for a 'night-cap'.
The drunk man seemed to get more riled up and annoyed with every rejection he got until he was starting to get aggressive. If the guy would take each rejection with his chin up then Ben would have said good on him for taking it in his stride but the hitman was getting fed up of the idiot's persistence with anyone in sight.
Hunching his shoulders forward, Ben leaned his head down but let his eyes lean around the idiot a few feet at his side, trying to get a look at the poor victim the man was now pestering.
Ben had to refrain himself from growling in sheer annoyance when he realised that the victim this drunk idiot was pestering was Ben's next target. Rubbing his hand over his face, Ben scratched at the corner of his eye with the pad of his thumb as he tried to stay calm and unnoticed.
It was always a surprise to Ben when he found out that his victims were women because eighty percent of the people he was told to snuff out were usually middle aged business men. With the odd exception of a young inexperienced boy who had taken something he shouldn't or who was simply in the wrong place at the wrong time. But killing a woman was never hard for Ben, a hit was a hit and it didn't matter who it was as long as the job was done and Ben got paid at the end of it.
The only times he ever refused to do a job was if he himself deemed the hit unnecessary. Maybe there was a young boy who just didn't need to be killed or a woman who was only wanted dead because her rich husband wanted her out of the way.
Other than things like that, Ben usually didn't care the reason even though he always asked. It was part of his invisible policy that Ben was to be given all the details, the reason and half the payment up front before he went through with a hit.
For the past two weeks Ben had followed his victim, got to know her routine and what she did and he knew that tonight was the one opportunity that he had to get the job over and done with.
Tonight was a night where she was most vulnerable because she was alone, away from home and her family and friends thought she would be away for another week so the timeline for her disappearance would be vague at best. Ben had already disabled her phone signal from afar and he had ensured that he wasn't on any security tapes.
All he had to do was find her after she left the restaurant and he could pounce.
Ben knew the reason why he had to kill this girl.
She had smuggled a lot of money from her father's account and placed it into a lot of other accounts ranging from her own to her father's victims who he had complete control over. What she had done was completely legal since she had access to the account and had unsuspectingly gotten her father to sign the documents allowing the transactions. He had lost out and now his daughter was a threat to his rather secretative dodgy dealings.
She was a threat he wanted rid of and the police couldn't do anything, nor could they get rid of her in the sense that her father wanted.
But Ben could.
He applauded his victim's reasons and what she had managed to do but at the end of the day, she was a hit and Ben had taken the job.
Turning his head to the left, Ben glanced his eyes over at his victim as if making sure that she hadn't disappeared without him knowing.
His victim had her rather long hair folded and pinned to her lower head just at the top of her neck but she had two short strands of hair hanging loose framing both sides of her face. And her vibrant eyes were shining for everyone to see. Her head was tilted to the side and the distant look in her eyes made her seem as if she was in a world of her own. She had one arm resting on the circular wooden table and her other hand circled around the half empty glass of red wine in front of her.
She looked as if she fitted in so well here with her baggy button-up shirt tucked into her high-waisted trousers that skimmed over the top of her ankle boots. Her appearance and her smile and the way she held herself made her fit in so well with the upper class people in the restaurant. But there was just something about her that made Ben feel like she was an outcast. Someone desperately trying to fit in when really, she didn't belong anywhere at all.
Just like him.
The pick up line that the drunken man used on Ben's victim washed over Ben's head just like it did the girl's head because she didn't spare him a glance. She seemed to be used to people trying to gain her attention and she seemed very good at choosing who deserved her attention and who didn't.
When the man didn't persist anymore and left in a huff, Ben felt like doing the exact same thing. He had been in this restaurant for two hours now and had had no interaction or conversation with anyone but the bartender who simply kept refilling Ben's glass the moment Ben pointed at it.
As much as Ben enjoyed being at places like this, it did get boring when he had no one to talk to because talking to people could potentially ruin an alibi if he needed one. They could say the exact time he left, who he had been looking at, what exactly he had told them. Ben would never say anything to incriminate himself or make himself seem untrustworthy but interactions were just as harmful as doing the job he did.
As bad as it was that he sat and talked to no one, it was safer.
"Any good?"
The new voice broke Ben out of his consuming thoughts, much to his relief, but when his head turned to his left he felt a spark of adrenaline bursting through his stomach when he saw who it was talking to him.
"The whiskey here, is it any good?" (Y/n) pointed her finger towards the circular glass of whiskey resting in front of Ben that he was holding with a vice grip in his left hand. It was the only thing she could think of to spark up a conversation with the one person here who seemed to feel like an outcast here the same as she did.
It seemed to take him a while to respond, she could see his eyes studying her as if he didn't exactly know what to make of her or how to take her question.
Ben observed the way that (Y/n) leaned her elbows on the counter with one arm outstretched like she was trying to reach behind the bar and grab one of the bottles. Whilst her other hand was resting against her neck like she was trying to prop her head up. Ben couldn't help but let his eyes wander over her, noticing how her hips were pushing against the bottom of the bar counter and her knees were straight like she was trying to make herself look a bit taller than she really was.
"Better than most places I've been to."
Ben didn't usually talk to his victims.
In theory, Ben could tell his victims anything. He could tell them his bank details, his name and address, his age, his national security number. He could tell them anything and everything about him because his victims always ended up in the same place; a grave. And dead men tell no tales.
But this was different, Ben talked to his victims when he was about to force a bullet into their skulls or make their deaths drag out. He didn't normally jave a chat with them before they knew that he was their personal grim reaper about to steal their life and soul. He never talked to his victims like he was trying to make a new acquaintance or even a friend.
Talking to his victims could often make him feel sorry for them or make him regret killing them. Ben didn't need them haunting him in the dead of night disturbing his sleep or making him think over his life choices and his choice of jobs.
"That's enough for me." (Y/n) didn't even get chance to speak when the bartender approached them both before her new acquaintance pointed to his glass before holding up two fingers indicating he wanted two glasses this time. It always fascinated (Y/n) how people like him were willingly in places like this when they clearly didn't want or need social interaction.
It would clearly be a lot easier and cheaper for him to just buy a bottle of whiskey and take it back to wherever he resided. But then again, if he liked to be around people he wouldn't get that if he lived on his own. Some people like to be surrounded but not interacted with, they liked to people-watch but not be watched themselves. (Y/n) didn't know him or why he was here and she wasn't usually one to judge a book by its cover.
"Thank you." (Y/n) generously took the drink placed in front of her, a curious but appreciative look in her eyes to which the stranger nodded in understanding before downing his drink.
It was her last night after all, the least he could do was buy her a drink.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Breathe.
The one thought rattling through (Y/n)'s mind was telling her to do something that she normally never had to think about. Such an automatic process that happened thousands of times every day was something that (Y/n) was now having to remind herself to do in case she suddenly forgot or held her breathe for so long that she endangered herself even more by fainting.
Breathing was the only thing that (Y/n) was certain of right now, everything else was an illusion that she couldn't see past and it was frightening to say the least.
But even breathing was becoming hard when (Y/n) could feel her lungs pushing uncomfortably against her ribs ten times faster than usual. Her chest was heaving, her body was aching and none of her muscles were back under her control yet.
(Y/n) didn't even know where she was and the more she thought about what had happened, the worse her head started to ache because she didn't understand it. One moment she had been walking down the street aiming to get back to her hotel, the next moment an arm had secured around her waist and a cloth was smothered to her lips. When she awoke, every part of her was aching and she seemed to be laid on a sofa if she had guessed right. Unsure where she was, what was going to happen or why she was even taken in the first place.
She could tell that none of her limbs were tied up, her kidnapper had relied solely on the medication on the cloth that had knocked her out and the blindfold wrapped around her head to stop her from seeing anything if she woke too early. But (Y/n) couldn't move, her body was still asleep even if her mind was now awake meaning getting away was impossible right now.
"I can tell you're awake."
A small maon escaped (Y/n)'s lips as she tried to get her body to come back under her control, but the moment those words registered in her ears she could feel her blood running cold.
She knew that voice.
"W-whiskey." (Y/n)'s voice shook and her head spun as she felt waves of horror creeping up her spine causing her muscles to shiver. It was the man who had bought her a drink at the bar. The man she had spoken very few words to and shared a drink with before heading back to her table. The man who had left the restaurant way before she herself had done.
What on Earth had she done to him to make him want to kidnap her?
"I'm honoured you remember me, love."
(Y/n) could feel the whiskey man getting closer, she could feel the way he cut through the air ever so slowly like he was slowly piercing the atmosphere with a knife. And when she felt him leering over her a whimper escaped her lips that were numb from whatever had been pressed against them earlier to knock her out. He hadn't looked the most harmless man in the bar but he didn't give off the vibes of a kidnapper. (Y/n) didn't know him, she'd never seen him before in her life, what did he want with her?
When his fingers slowly trailed against her cheek and up to her hair (Y/n) wanted to cower back in fear but the most she could do was shift her shoulders a little.
She could feel his hand slowly brushing the loose strand of hair behind her ear before he slowly grabbed the material covering her eyes, pulling it away to reveal her tired eyes that were blinking rapidly to adjust to the dim light. (Y/n) almost jumped when her vision cleared enough for her to realise that the whiskey man was crouched down on his knees in front of her. A serene yet almost intrigued look on his face as he stared at her with his lips turned up at the corners.
(Y/n) tried to move her uncoordinated limbs and managed to press her right hand down on the sofa before pressing the back of her left hand down against the cushion to try and lift herself up. The whiskey man had laid her down on the sofa as if she had just fallen asleep and he had carried her here- wherever here was. He didn't tie her up or lock her somewhere or even dump her somewhere, he had taken time and care with her. And when (Y/n) tried to manoeuvre herself up, he even leaned and placed his arm under hers with his hand resting on her back to guide her up.
Ben didn't miss the way that (Y/n) flinched when he touched her and he didn't exactly know why he had let her live so long.
He brought her to a hotel that he knew had no security in the reception or in the corridors so he couldn't be seen or caught on camera. He had the room already set up and paid for in advance and simply told the man on reception that his wife had gotten drunk and he was carrying her back. The young man believed him, who wouldn't?
But Ben could have killed her by now.
He could have put a bullet in her or even a knife if he wanted to get creative and he could have left through the fire escape without anyone knowing. No one knew she was in this hotel, it wasn't booked in her name so they wouldn't know who she was and Ben had taken her purse and phone. It would be a mystery and he could have given her some peace by killing her whilst she was asleep. It would have been kinder.
But Ben just couldn't do it.
He brought her in here, laid her down, locked the door and closed the curtains. But when he thought about just killing her and leaving, something stopped him. He had spent at least twenty minutes or so just watching her sleep, wondering what was going through her mind and when she was going to wake up and beg him for mercy.
He didn't have a problem with killing her, there just seemed to be something about her that made him want to talk to her and make her beg before he eventually took her life from her.
"What... why am I here? I don't know you..." (Y/n)'s speech was slow and her words were slightly slurred from how delirious her mind seemed to be after being drugged. She didn't know where she was but she didn't even know why she was where she was, let alone why a stranger had taken her.
"No, but I know how you are, love. We're both here on business and very soon, that business will be finished."
(Y/n) couldn't help but whimper, unsure what kind of business this man wanted with her but she had a few grave ideas. But the moment her eyes set on his right hand, she felt like she was going to be sick. He had a gun in his hand with a silencer on the end. If she tried to scream he could shoot her and no one would be any the wiser. If she tried to escape then he could shoot her before she even got off the sofa and by the looks of things, he was going to shoot her regardless of whether she tried to get away or not.
She was dead no matter what she did.
"No... no p-please... why would you kill me?"
A pang of pain struck Ben in his heart as he watched the way her lips couldn't help but pull down at the corners and when the tears fell from her eyes Ben almost felt bad. But this wasn't personal, he didn't have a vendetta against her or hate her or want to hurt her just because he randomly picked her to be his next victim. This was calculated and decided by someone else, Ben was just the paid method to get rid of her. This had nothing to do with him.
"This isn't personal, darlin'. I'm afraid this is what I'm paid to do, your daddy decided it. Don't worry, you won't have to feel anything unless of course, you want to."
He could see it in her eyes. She was desperate to beg him to spare her, to lie to her father and tell him she was dead but secretly let her live. She would disappear, she would go far away if he would spare her life. But it was clear in his eyes that he wasn't going to let that happen. As he said, this wasn't personal, this was clearly a job for him and he seemed like the kind of man that didn't stop until the job was done. The whiskey man didn't care for her and therefore her pleas were going to fall on deaf ears because he wouldn't be fazed by her begs for mercy or he wouldn't have agreed to do this in the first place.
Ben watched in curiosity as (Y/n) moved her hands to rub her arms like she was trying to give herself a comforting hug before she died, knowing it was inevitable.
She wasn't like the rest of his victims, begging, pleading and sobbing loudly or trying to attack him and make their escape. Most of the time Ben killed from afar, he stalked like a predator then suddenly shot them in a dark alley or stabbed them. Some of the worse ones were the ones he dragged out, he tortured them before leaving them to die somewhere. But just recently he started talking to a few victims or letting them wake up like now before he killed them.
But none of his victims seemed to sit and accept their fate like she was. This one was special, she was smart.
Ben let his eyes wander down to the gun in his hands as he slowly stretched up until he was hovering over her, looming like the grim reaper ready to snatch her soul. He checked the bullets left in the gun knowing full well he had five rounds though he only needed one or two at the most if he felt cruel. He then twisted the end of the silencer to make sure it was properly fitted, not wanting to make a surprising sound and let anyone know what he was up to in here.
(Y/n) needed him to do it now and get it over with.
She couldn't handle waiting and watching like this, death was always something that scared her but she always thought it would be unexpected or hoped she would pass in her sleep. Knowing it was about to happen now made her skin crawl and sent her mind reeling and this whiskey man was just prolonging it even more.
But as she watched him click the safety off the gun, her heart rocketed in her chest and started to spasm achingly when he began to whistle a quiet tune like he was preparing himself for an audition rather than a killing.
Oh God no.
(Y/n) knew that tune, she knew that tune all too well. It was the tune she had had in her head since she could remember, it was her song. That tune was the song that belonged to (Y/n).
Everyone in the world had a soulmate somewhere out there. People say that they know their soulmate from the first glance or just by looking or talking to them. But the one definitive way of knowing your soulmate is the song. Everyone has a song in their mind that is their own, not a song from the radio that they choose, but a certain rhythm, a humming or a whistling song in their head that they share with one other person in the world. Their soulmate. They are the only two that know the tune.
The whiskey man was whistling (Y/n)'s tune.
The only way that he could know that tune was if he was her soulmate. But he was trying to kill her, why would he whistle that tune if he was trying to kill her? Who whistled or even thought of their song when killing someone? She was going to be murdered by her soulmate and no one was going to come to her aid or her rescue.
Did this man even believe in soulmates?
Ben's lips curved up into a rather sinister grin that made (Y/n)'s skin crawl but she whimpered when he turned the barell of the gun towards her, aiming it at her temple. He could feel a small wave of guilt washing over him but he knew it would be taken away with the tide soon enough. His whistling grew louder as he got ready to pull the trigger, knowing he would have a lot of cleaning and tidying up to do very soon.
"It won't hurt, love. I promise."
But Ben's hand shook and his arm suddenly recoiled to his chest in horror when he heard her response.
His eyes blew wide in his sockets when he heard the rhythm she was shakily humming against her chapped lips. Her wild, rabid eyes locked with his own as she started to hum a bit louder, showing how uneven and timid her voice actually was because this was her only chance at survival. Humming his own song back at him.
"How do you know that tune? How?!"
The words bellowed around the room, resonating back at Ben as he suddenly jerked his arm out and pushed the barell of the gun against (Y/n)'s temple. Hating the way she cried out and cowered back at the feeling but still tried to hum the tune to prove she wasn't copying him, she knew what tune he had started to whistle.
"I- it's my s-song." Her chest quaked and her whole body trembled like she was undergoing an electric current before she tried humming the ending of the tune to keep herself alive, at least for now.
What the Hell was he supposed to do?
Ben's job was to murder people for cash and get away with it. He had no morals or code or rules he lived by and he certainly had no partner or wife waiting at home for him because he couldn't have any weaknesses or strings attached to him.
But that was his tune. He recalled his mother telling him about how she met his father and despite what Ben did for a living, his home life had been a good one. He knew his parents had been in love and he knew that soulmates existed purely because of the way his parents had been when he was growing up. No one had loved or appreciated his mother more than his father did.
A soulmate was not what Ben was looking for, he simply assumed that whoever out there shared his song was someone that he would never find. He wasn't looking for them and he didn't need a soulmate in his life, his life was perfect as it was right now.
But she was here right in front of him, cowering away because he was about to snatch her life from her.
But he couldn't.
If he took her life right now, all Ben could think about was what he would have done if his father had taken his mother's life. What would have happened if his father had killed his mother at any one point in their relationship?
(Y/n) didn't ask to be his soulmate, maybe she wasn't even looking for her soulmate either. Ben couldn't do it. The one thing in life that he wanted to believe in and abide by was a soulmate, he didn't necessarily want his soulmate right now but he knew it was real and he believed it happened. He couldn't ruin that by killing his soulmate, (Y/n) did not choose to have her fate be entwined with a murderer. She didn't choose to have her soulmate be a brute who was about to kill her.
"You... fuck! Fuck!" His voice suddenly rocketed around the room before the gun was launched out of his hand and violently hit the wall opposite him. "Why?! Why did you have to have my song? Why did you have to fucking hum it? I could have killed you by now- I should have killed you by now!"
"Y-you would rather kill me... not knowing you killed your soulmate? You could have killed me i-if you hadn't of whistled our song."
It wasn't just his song, it was their song. They both shared it and (Y/n) didn't know if it would have been better if he killed her because he would have gone through the rest of his life wondering why he never met his soulmate. People didn't always end up with their soulmates, they got tired of waiting around and just settled with someone else or settled on their own and made a new life for themselves. Some people chose not to believe in it and others met their soulmate and were too stubborn to want to be with them. But everyone met them at one point in their lives and knew about it.
Ben would have been more confused if he went through the rest of his life and didn't meet his soulmate.
"But I can't fucking do it now! I can't... for fuck's sake! I can't tell my client I haven't killed you because it turns out your my shitting soulmate!"
"Then kill me!"
"I can't!"
Ben all but screamed the words back at (Y/n), knitting his hands into his shortened hair before he turned his back on her so he could try and gather himself and think it through. Ben couldn't bring himself to kill her now, not now he knew there actually was someone out there for him. A soulmate was different than just finding someone and falling in love. (Y/n) was his match, she was someone that would love him and take him as he was. She was his soulmate and therefore their fates were entwined, it meant that she would love him despite him being a hitman and murdering people for a living.
He didn't deserve love but now he had a chance at it and this was his one and only moral. He couldn't bring himself to kill her, it had been hard enough to convince himself to do it before but now it was impossible.
"I can't kill you now... as weird as it seems, I just can't do it. I've failed this job and now you'll go and leave me because I've tried to hurt you." Ben smoothed his hand over the back of his head and neck before he bent down on his knees in front of (Y/n). He didn't know how else to explain it and he was desperate for her to see this from his point of view but it was virtually impossible. He had kidnapped her, told her he was going to kill her and now he couldn't because their fates were entwined.
Ben could see it now that if he didn't kill her he would have to let her go and then he would lose her because he couldn't follow and stalk her for the rest of his life. It wouldn't be right. She would leave him and he would lose her all because he couldn't kill her.
"I don't- I can't leave you... I mean, your my soulmate too."
(Y/n) had her proof that this man wasn't going to kill her, he didn't have the mind-set or the courage or the will to do that. The worst he could do was be rude because he clearly didn't intend to hurt his soulmate which meant he had some very warped morals. (Y/n) believed in soulmates, she had been waiting for him and now he was here, albeit in the worst of circumstances. She wasn't just going to walk away from him yet.
"What do we do now?" As bad as this situation was, (Y/n) couldn't quite see where they went from here.
"Isn't it obvious? I was supposed to kill you but I can't do that... now I need to protect you instead."
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headoverjojo · 4 years ago
Note
Hi. I wasn't sure if your still doing any request. But I was hoping to get something with Ghiaccio. His crush askes him out on a date to the carnival. He's nervous at first because he wasn't expecting this to actually happen. But they both have a really good time. Going on rides, playing games, even seeing Ghiaccio win a cute prize for his crush. 💙❄
Desiree, hello! :3 And sure thing! What a tender scenario, thank you for the prompt :,) And here we gooo! I hope you’ll like it :3
Ghiaccio and his crush’s first date at the carnival
(Under the cut for length!)
Melone tilted his head, looking at Ghiaccio with critical eyes for long moments, before nodding in approval. One last fix at the light blue shirt’s collar, and he was finally satisfied with his work. Ignoring Ghiaccio’s frown and grumblings, he dragged him in front of a mirror, with a satisfied smile. Ghiaccio grumbled again, at his limit, but he had to admit that Melone had done a good job… he was finally ready, for real, for his date! At least in appearance…
“C’mon, it will be fine. We’ve talked about it, right? It’s normal to be nervous, and maybe the first minutes will be… awkward, but you’ll eventually relax and everything will be smoother. Just be yourself, alright? And don’t you dare to start with the “but I am a shit” discourse, hm?- he said, anticipating Ghiaccio’s words, -if they have accepted to go out with you, it means that they like you as you are. Maybe… try to control a bit your temper, but do not change yourself. They like the you you already are.” Melone said, while still dancing around him to fix the smallest details. It was the first date his friend had in ages; he wanted everything to be perfect!
“Oh! And do not forget the flowers. Now go, or you’ll be late!” Melone pushed him out of the HQ, still giving advices and wishing him good luck. Ghiaccio sighed, when silence finally fell, as he walked to his destination: your house. He stopped a little at a flower shop to buy a nice bouquet of your favourite flowers, and then marched to your place, determined to make you live the best evening of your life. He will have tried his best!
He rang your bell door, swallowing, nervous. What if you had changed your mind? What if it was all… a prank? What if he was just making himself ridiculous? Would you have thought bad of him? Made fun of him? His mind was still racing wildly when you came to open the door, with a big and relieved smile on your face. Yes, you were the one who asked him out, and yes, he accepted, but still… you feared he would have changed his mind last minute. But seeing him at your doorsteps, so gorgeous in his casual but fitting outfit, an adorable pout that was slowly melting into a more relaxed expression, with a beautiful bouquet in his hands finally tamed all your fears. Now it was time for fun!
“For you.” he grumbled, handing you the flowers, looking anywhere but at you while, you noticed with a silent gasp, a light blush creeped on his cheeks. You smiled, softened, taking gently the flowers, brushing his hands with the tips of your fingers. The blush on his cheeks became redder, but you didn’t notice it, as you were busy sniffing the flowers, happy. Your favourite…
“Thank you so much… I put them in a vase and I’ll be here in a second, ok? Don’t run!” you said, daring to wink at him, vanishing inside your house again. Ghiaccio slowly let out his breath, now that your beautiful eyes weren’t on him. Oh god, it would have been more complicated than what he had thought…
Your arrival saved him again from more panicked thoughts. You smiled at him again, and his heart raced; how could he feel so… so good, so happy just seeing you smile? Was it even possible?
He tried to relax, like Melone had suggested him. He wanted everything to be fine… so, he tried to chat a little, feeling relieved when you answered with a smile. It was going well, it seemed… you seemed to enjoy the time you were spending together. You even laughed a couple of times… it was making him feel good and comfortable. He was finally starting to loosen up, to your immense joy. It was incredibly warming to see him with a relaxed expression… he even seemed younger!
When you arrived at the carnival, your ultimate destination, you felt him tense again. He didn’t like crowds… you searched for his hand, and held it tight, when you found it. He turned to you, surprised and again red on his cheeks, and you just smiled at him, even if a blush was spreading on your face too.
“We’ll not get separated, in this way.” you simply said, finally entering with him in a world made of fun, lights, food and joyous screams. Ghiaccio swallowed, clinging at your hand, but, the more he wandered around without being attacked or bothered, the more he started to relax, and he went back to chit chat with you, without letting go of your hand, to your joy.
When you saw him relaxed enough, you proposed him to try some of the rides, and you beamed in joy and surprise when, after the first roller coaster ride, you saw him laugh for real, as tension seemed to finally leave his body. There was nothing better to release all the tension than a good adrenaline rush! You never saw him so… so normal. Like a young man who was, for once, enjoying a good and funny evening with… his crush. You hid a smile, when you remembered that you were out on a date and not as friends…
“Oh, oh, Ghiaccio, look! The clay pigeon shooting! They always have such cute prizes…” you sighed, with a smile, looking at the little stand where a lively little man was calling and inciting the crowd to try to win “wonderful, incredible, fantastic prizes!”. Ghiaccio turned to you, looking at you for long seconds, before turning again to the stand.
“What prize do you want?” he asked, quiet. You blinked, surprised, and turned at him. Was he serious?
“C’mon, G/N. What prize do you like the most?” he asked again, looking at you with a small pout. You gulped down the surprise, looking again at the prizes neatly exposed. The ones you always liked always required a great shooting accuracy…
“The white cat. I like that.” you finally said, with a sigh. No way you would have ever won it, not even in a century…
“Good. Let’s go, then.” he pulled you to the stand, already studying the timing of the small targets. Nothing difficult… at least, not for him. He was a hitman, after all and, even if he wasn’t a sniper, he was required to be a good shooter. He was sure he could do it!
“One try, please.” you looked at the small gun the man handed to Ghiaccio, while cheerfully inciting him. Ghiaccio looked at you again, and a small smile bent his lips, making you blush again. Was he really going to do it for you…?
“You’ll have your white cat.” he promised, with a small nod, before pointing at the moving targets and shooting. One, two, four, six: with a lethal precision, all the blank bullets hit the targets. A small bell madly rang, loud and cheerful, and the man handed him the deserved prize, with a big smile and screamed congratulations. Ghiaccio grumbled a thanks, picking up the giant plushie, and, when the two of you were a little far from the chaos, he looked at you, blushing again. Oh, this was awkward…
“Err… for you.” he murmured, handing you the plushie. You huffed a laugh, hugging the enormous and soft plushie, with a happy sigh. You still couldn’t believe it… you looked at him, with a smile, and got on your tiptoes, giving him a peck on the cheek. When you drew back, he was blushing again like crazy, and your cheeks too felt warmer than usual.
“Thank you, Ghiaccio, for the plushie… and this incredible evening. I loved it.” you said, suddenly shy. Was it too much…? You wanted so much to invite him again, to have another date with him, but… would have it been too daring to ask him so…?
“I… I had fun too. Maybe we… we could do it again, if you want to…?” you gasped, incredulous. Oh… you dared to look at him, and your heart melted when he saw his cute pout, his red cheeks and the way he was trying to keep it cool. How dared he to be so adorable…!
“Yes… I’d love it.” you murmured, with a sweet smile mirrored in his face a moment later. As your first date slowly sided over, you couldn’t help but to smile and giggle in total bliss.
That first date had been a real success, and you couldn’t wait to go on a date again with him.
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meganshinsou-tm · 5 years ago
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Crimson|Ink. (m)
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↳ chapter twenty-one: dream in a dream
❧ genre:  tattoo-shop/hitmen au | tattoo artist/hitman kirishima
❧ fic warning: major character(s) death; happy ending
❧ chapter warnings:  n/a
❧ chapter song: Dream in A Dream by Ten
♬crimson|ink playlist | ♧ character profiles
[multi-chap masterlist] [previous chapter - next chapter]
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Cheesy Christmas music and buzzed laughter rang out through the shop. Sero, Deku, Hitoshi and Denki were all occupied with a game of cards. So far Sero was really racking up on wins and crumpled up bills while Denki whined into Hitoshi’s shoulder, a very dramatic pout on his face because out of them all he was the one losing the most. 
Hitoshi chuckled and ruffled his blonde hair before kissing the top of his head. That made the pout melt away and Denki looked up at him with a blinding smile. The two were unaware of Deku and Sero rolling their eyes and sticking their tongues out in disgust at the display of affection before both taking sips of their beers and averting their attention back to their cards. 
“Get through this last game, win or lose, and you can have your present. Deal?” Hitoshi spoke quietly against Denki’s temple. 
An excited gasp left his lips and he nodded eagerly.
“Deal!”
So far the night was going really fucking great for everyone! 
Not like these Christmas parties weren’t always a blast but with the addition of you and Hitoshi being there this year just made it that much more wonderful. There was way too much food, games were played, karaoke even happened and there were also gifts passed around from everyone. 
The whole night Kirishima was happy to see how much you smiled and enjoyed the party. Knowing that you never celebrated the holiday like this before with anyone let alone a family; he was thrilled being able to change that for you. All of the guys were! 
They went so far as making Deku dress up as Santa at one point. When he strolled in after disappearing during presents in the full getup, even the fake beard and a hat, you lit up brighter than any of the lights hanging on the shops tree. Shouto made sure to get pictures of you sitting on Santa Deku’s lap and of course everyone else had to get one as well. Soon that whole fiasco ended up being about how many people Deku could even fit on his lap.
To your shock he was able to hold everyone without even breaking a sweat.
After that, things started to settle down and everyone fell into quiet talking among each other before Shouto, Bakugou and Kirishima went outside to smoke. Leaving you with the others until you felt like going back for another plate of dessert and sneaking off to eat it in silence. When you shut the door to one of the studio’s behind you, Shouto and Bakugou came back inside through the back, having a hushed heated argument with each other.
Bakugou had returned from a hit the night before, more banged up than usual. It wasn’t like he couldn’t handle it of course, but still Shouto didn’t like when anyone came back hurt - especially Bakugou.
The two paused in the dim hallway and Bakugou snorted at how pissed Shouto was becoming.
“That face of yours looks pretty cute when you’re mad IcyHot,” Bakugou tried teasing but it only seemed to make Shouto glare even harder. “Tch, chill the fuck out okay? I’m perfectly fine, you know it takes a hell of a lot more to put me out of commission. Besides, we’ve got our own little healer now and she fixed me up. Get your panties out of a wad!”
Shouto growled quietly and the next thing Bakugou knew he was being shoved against the wall. Grey and blue eyes burned into him and mismatched brows furrowed. Literal steam escaped from between Shouto’s lips when he exhaled and the warm air fanned across Bakugou’s cheek making him smirk. Shouto had him practically pinned, invading every inch of his space and not giving him even the slightest chance of moving.
“You shouldn’t rely on her so fucking much Katsuki,” he hissed through his teeth.
Oh he was mad and Bakugou was thrilled.
“She can heal minor wounds, some stitches and relieve a little bit of pain but she can’t bring your cocky ass back from the grave! She’s a healer not a necromancer! Get your shit together Kats or else!”
A feral grin grew on Bakugou’s face and he tilted his head to the side while leaning in closer. His wild red eyes staying locked on Shouto’s and refusing to break contact.
“Or else what pretty boy? Huh - you gonna punish me?”
“Right now is not the time to be a brat and fucking push me, I’m being serious.”
Yeah, Shouto was definitely pissed off. 
He cursed here and there but very rarely did it ever hold the grit and sheer animosity that it did right now. Bakugou only heard this tone from Shouto when one of three things was happening. One, he was occupied with his ‘job’. Two, someone was threatening his loved ones. Or three, when he was on the precipice of losing his control with Bakugou. 
Bakugou liked to believe it was the latter and that only fueled his want to push that one last button. And so he did.
In a blur Shouto suddenly found himself being the one against the wall. A small ‘oof’ filled the air from the force Bakugou used in pinning him. Warm palms were pressing his wrists against the surface and cinnamon scented breath danced across his lips.
“Brat huh? Last time I checked I was the oldest here so you need to respect your elders - boy.” Bakugou whispered before capturing Shouto’s lips with his own.
Shouto growled into the kiss, his fingers clenching into fists. His blood was boiling; whether because Bakugou was playing dirty at trying to change the subject by pissing him off further or that he was just extremely horny, he didn’t really know. 
A rough bite to Bakugou’s bottom lip managed to break the bruising kiss and Shouto panted.
“Maybe if you stopped acting so fucking reckless out there then I would.”
Bakugou rolled his eyes and went back to kissing Shouto, easing his grip on him and allowing Shouto to push him back. They broke long enough to scan the hallway they were in before escaping into Shouto’s studio and locking the door behind them. 
Quickly, Shouto went back to kissing Bakugou, wanting more of the taste of eggnog and nicotine on his lips. His hands found narrow hips before picking Bakugou up with ease and carrying him to the tattoo chair. He dropped him without any gentleness, earning a chuckle from the blonde.
“I take back what I said earlier about you being cute when you’re mad,” Bakugou grinned with a rough tug of Shouto’s shirt, “You’re fucking hot.”
Shouto shook his head and placed himself between Bakugou’s knees. His fingers gripped his chin roughly and Bakugou growled when his face was forced to look up at Shouto.
“Sucking up to me now isn’t going to make things better for you. I said we aren’t done talking and I mean it. When we’re done here, we’re having a serious talk at my place.” 
Bakugou went to spew out his usual profanities but Shouto’s hand firmly wrapping around his throat while the other rubbed teasingly at his inner thigh cut that off quick.
“And depending on how good you can be for me right now will decide how long that talk lasts. So it’s your choice - be a good boy and I can fuck you longer later or keep being a fucking brat and I bitch at you for hours before I finally fuck you and more than likely not you let cum.”
The obvious gulp and twitch of Bakugou’s eye was all the surrender Shouto was going to get and he would take it. With that, the two went back to devouring each other’s mouths, hands grasping and pulling at each other desperately like starved men. And they were starved, for each other. 
For years now Shouto and Bakugou had been hooking up on and off and it had been just a couple of weeks since the last time they touched like this. It wasn’t because they didn’t want to, there were missions and also the twenty-four hour security on you that occupied most of their waking hours. Neither of them would ever complain about that of course, your safety was priority over their need to get their dicks wet. 
Why neither of them ever fought for more than just being fuck buddies was beyond them. They both very obviously cared for and maybe even loved the other but neither Bakugou nor Shouto said anything to possibly change that. In between this weird relationship Shouto never sought out the touch of anyone else, he didn’t care for it. Bakugou fooled around here and there but never went as far as small sexual favors with anyone other than Shouto.
But more and more lately, especially since you and Kirishima finally became an item and Hitoshi and Denki started to pretty much date, they both wondered to themselves if maybe they should give this a shot at being something more.
It wasn’t odd for them to cuddle and spend the night with each other. Shouto called Bakugou by cheesy pet names and Bakugou maybe blushed and secretly loved it. When they were going through one of their flings you would think the two were boyfriends but they weren’t. And the only reason there was no label between them was simply because neither of them asked. They were both aware of their feelings. In fact, it all came out one night after fucking each other’s brains out and snuggling but it was simply left at that. 
No one but Sero knew about any of this and that was only because he walked in on them once.
“Hey,” Bakugou managed to say between their heated kisses.
Shouto pulled back enough to look at Bakugou in the dim light and lightly brushed his knuckles along his cheek.
“Something wrong, did I hurt you?”
“Jesus fuck, no Shouto, I’m fine. I just … it’s stupid but … maybe later at your place we can revist that one conversation, you know - uh.”
Bakugou hated how he couldn’t find the words he was searching for. Hated how nervous he was all of a sudden. And he hated how Shouto was always the only one who could literally make him speechless and dumbfounded.
“I know and yes, I’d love to revisit that talk. I’ve been wanting to for a while now.”
A sigh left Bakugou and he nodded before putting back on a cocky grin and pulling Shouto in for another kiss. It was all Shouto needed to know that Bakugou was done talking and wanted to get back to the task at hand. After giving a playful bite and lick to Bakugou’s lip that earned a soft moan, Shouto went about palming over the bulge that was straining in the blonde’s jeans while he sucked a pretty bruise onto his collarbone.
“F-Fucker,” Bakugou breathed out, arching his back and pressing his chest to Shouto’s. “Jumping my ass for coming back looking all busted up only to bruise me even more huh?”
Shouto kissed at the mark he made and squeezed Bakugou’s erection hard enough to make him moan louder and squirm on the chair. He couldn’t help but grind his own crotch against Bakugou’s, pressing his forehead against his shoulder and biting off a groan while Bakugou let out another moan.
“Shh, be quiet Kat, do you want the others to know just how much of a little slut you are?”
The threat did nothing to help Bakugou from losing his fucking mind and his hips bucked up to feel more friction between the two of them because at this point he didn’t care and he was prepared to let the entire god damn world know how gone he was for Shouto if it meant more. But before he could respond there was a strangled choke that didn’t come from either of them. 
Shouto and Bakugou both froze and held their breath, looking at the other before turning their heads in the direction the sound came from. When two sets of eyes landed on you pounding your chest with a piece of half eaten cheesecake on a small plate, you let out a weak nervous laugh.
“I uh - was just trying to hog the last piece for myself. Didn’t think I’d get dessert and a show.”
Never in the entire time of knowing him had you seen Bakugou so red all over. A crazed look washed over his face and you knew he was getting ready to blow, no pun intended. Shouto on the other hand was trying not to make the situation worse by laughing and rested a hand on Bakugou’s shoulder to try and calm him but any hope of that was ruined with your next choice of words.
“Mind if I stay and watch?”
There was no warning to Bakugou lunging off the tattoo chair, not giving a single fuck that he was sporting a very obvious boner. You and Shouto both laughed and you ran like hell from the studio, just barely closing the door in Bakugou’s face and holding the doorknob to keep it from turning. On the other side you could hear Shouto doing his best to calm his secret lover while Bakugou made numerous empty threats to obliterate you. 
You were in a fit a giggles when Kirishima rounded the corner and sighed before walking your way.
“There you are little one, I’ve been looking for you. What the hell is he going off about now?”
Turning around to face Kirishima, you shook your head with a smile and leaned against the door with your arms crossed. “Nothing, just giving Katsuki a very hard time as usual.”
Kirishima shrugged and moved to stand before you. He leaned in closer and kissed your lips sweetly before unfolding your arms and taking your hands in his.
“Well if you aren’t busy, I need you to come with me now. There’s something I need to show you.”
Without another word, you happily went along with Kirishima to his studio. Once inside he shut the door and locked it. Being the mountain of a man that he was, it only took three long strides for him to be before you again, picking you up by the hips with ease. You squealed at the sudden lift and found yourself being placed on his tattoo chair. After sharing a quick kiss and rubbing your noses together, Kirishima stepped away and went towards the cabinets. You watched closely while he opened one and pulled out a medium sized box that was wrapped in red paper with a gold bow.
“Ei, we said not until in the morning! I don’t have any of your presents here,” you whined and pouted from your spot on the chair.
Kirishima chuckled and gave an apologetic smile, making his way back over to you and holding the box between your bodies. 
“I know, I know. I’m sorry little one … I just couldn’t wait for this one. You see, I wanted to give it to you in the exact spot where we met for the first time.”
You offered up a smile to Kirishima and lifted a hand to stroke his cheek.
“Aww, you mean when you were a total asshole to me? Man, those were the days!”
“You’re still as much of a pain in my ass as you were then you know that?” Kirishima teased and nipped at your cheek.
You snapped your teeth back at him when he pulled away and took your hand from his face in exchange for holding it. Together you looked at how small your palm was inside of his and how much space was left between your fingers even when they laced together. It always made your heart flutter when you saw just how much Kirishima’s hand covered yours. 
“Would you believe me if I told you I fell in love with you the moment I laid eyes on you, standing there next to me while I tattooed that stupid hand on Denki?”
You giggled and looked up at Kirishima, tilting your head and chewing on your lip.
“Hmm, at the time I wouldn’t believe it but knowing what I do now - one hundred percent. Answer me this though and be honest,” you smirked and tried to sit up as tall as you could to be face level. “Were you jealous that Denki got my number first?”
Kirishima grinned and kissed you with a sense of possession that made your skin feel like it was on fire. Sharp teeth bit at your bottom lip before he broke away and brought you back from the short lived sinful desires and you smiled on each others lips.
“Fucking livid.”
The briefly forgotten box was then being offered to you along with one of Kirishima’s famous sharp toothed smiles that made you melt. You decided that trying to deny the gift would be pointless right now and took a deep breath in and out before letting go of his hand and took the box from him.
“Go ahead little one, open it.”
Not needing to be told twice, your hands started to eagerly unwrap the box. Kirishima chuckled and made sure to take the paper and bow once you discarded them and watched nervously when you started to remove the lid from the box. Your smile slowly started to fall and curiosity took over when you began digging into it. 
Inside was what looked like a very worn and well used small tattoo machine. The paint on it was dull in some spots, the metallic sheen of it not as bright and vibrant as what a newer one would be. There were a few knicks and scratches on it but it still looked to be in great condition. It was obviously very loved and taken care of. 
Sitting beneath it was another worn object, a sketchbook. On the front of it in bold Japanese letters was a name and it made you gasp quietly before taking your bottom lip between your teeth to chew on nervously. 
Yagi Toshinori.
You swallowed the lump in your throat before looking up at Kirishima. He was smiling fondly at you before looking down at the contents of the box.
“They both belonged to him before they were passed on to me when I joined the shop,” Kirishima took the machine out of the box and weighed it in his hand with a grin. “I remember when this thing felt like it weighed fifty pounds and now it feels like a feather.”
The corner of your mouth turned up and you snorted quietly.
“You mean you haven’t always been freakishly large?”
“Compared to Yagi? Nah. I was a dwarf next to him back in the day but damn did I always want to be like him! Out of him and Enji, Yagi was the one that took me and Bakugou under his wing but Bakugou was stronger than I was, always has been, so he didn’t really cling to Yagi as much as I did when we first got here,” a small easy smile dressed Kirishima’s face and he chuckled.
“He also just didn’t have the patience for tattooing. So that meant me and Yagi grew real close, he became my mentor for tattooing and just - in life. I never had a father figure and when he showed up and showed all this interest and pride in me, I just wanted to make him proud. He was my hero.”
You looked down at the machine and the sketchbook in the box, suddenly feeling guilt consume you. The weight of it suddenly felt like a thousand pounds in your lap and you squirmed slightly. You knew how much Yagi meant to everyone, to Kirishima. And no matter how many times they reminded you that what happened wasn’t your fault, it still could never stop those nagging thoughts. The thoughts of what if … what if you tried to stay behind, to help.
Maybe you could’ve changed the outcome of his fate. 
“E-Ei … I … I don’t think I should take this. Despite what you say, I already feel like I’ve taken enough of him from you … I can’t take this one last thing -”
Kirishima cut you off quickly by placing the small machine in your hands. You tried to pull them away, to shift it back into his but he was too strong, too big. They fucking caged your own around the machine and he was right. 
It did feel heavy, it felt like the weight of the entire fucking world was literally in your hands.
“You didn’t take anything from me, from us. I know it’s going to take some time for you to believe that but baby, I promise it’s true. If Yagi could see you now, see the potential, the skills you have that keep growing, he would literally yank these from my own hands and place them into yours, just like I’m doing now.” 
Not once did you take your eyes off of your hands being held by Kirishima’s, not even to try and hide the tears that pricked in the corners of your eyes. But they were disposed of anyway when Kirishima leaned forward to kiss them away before bringing your conjoined hands up to his lips and kissed them.
“Yagi would want you to have them. I want you to have them,” he smiled and pressed his forehead to yours, “So please little one, take them, they’re yours now.”
You nodded slowly, bringing yours and his hands holding the machine close to your chest.
“Okay, I will. Thank you Eijirou - thank you so much, for everything.”
At the same time you both smiled at each other, Kirishima freed your hands in order to let you place the tattoo machine gently back into the box before closing and setting it to the side on the chair. When you looked at him again, he cupped your cheeks and pulled you in close for a long and sweet kiss. You melted into him like you always did, hands bracing his stomach and eyes fluttering shut while your heart fluttered in your chest. 
Without a doubt, this Christmas was the most amazing one you’ve had in years. 
When the sweet kisses finally broke, Kirishima pulled away and smirked.
“You wanna do it?”
A knowing smile grew on your lips and with excited eyes you nodded. 
Not even fifteen minutes later Yagi’s tattoo machine was wrapped and put together with a fresh needle. Two ink cups full of red color sat on the rolling tray along with the rest of the setup for a tattoo. Kirishima sat proudly on the tattoo chair now, watching as you pulled a pair of black latex gloves from the box. You put together the setup all on your own with only his words of guidance to help here and there. When you turned around to face him you smiled wide and snapped the bottom of one glove.
“Alright - strip!”
Kirishima smirked at the jog in memory he had from those words and briefly thought back to the day when he told you the exact same thing. It felt like it was years ago now but it still made both of you chuckle. He then sat back on his palms and tilted his head up at you, a sly look in his red eyes and a pointed tooth puncturing his bottom lip.
“You wanna smash now, while everyone is here? I’m not complaining or anything, but we aren’t exactly quiet, don’t wanna make everyone jealous little one.”
“Eijirou!”
At that Kirishima teased a flash of his stomach by pulling up the hem of his shirt, giving you a playful wink. “That’s right baby, say my name!”
Rolling your eyes, you grabbed for an empty ink cup and tossed it at the red-head. 
“I hope you get a fucking infection from this!”
A hearty laugh erupted from Kirishima and he finally did as instructed. While he shrugged off his shirt, you quickly printed up the small stencils needed and made your way over to him. Both of you smiled and a comfortable silence settled as you applied the stencil onto the skin of his left pectoral, as close as possible to being over his heart. Your gloved hand smoothed over the paper before slowly peeling it off to reveal the outline of the small tattoo.
“You sure you want it here? It’s right smack dab in the middle of your oni.”
Kirishima smiled, hands moving to rest on your hips and pulled you closer between his legs so he could kiss your cheek.
“It's right where it should be.”
You let out a relieved breath and giggled when he started to pepper your face with more kisses. Kirishima hadn’t even received the tattoo yet but he was so full of pride. 
“Okay you overgrown pup, you ready?”
“Let’s get it!”
You pulled away enough to take Yagi’s machine in your hand. Kirishima helped you get the hang of how to hold it correctly and placed his hands back on your hips, letting you take over from there. 
You had watched him and the others enough to know how to make the machine buzz to life, practiced on fake pieces of flesh before with their own machines. But when this machine powered up and vibrated in your hand you couldn’t help the surprised sound that fell out of your mouth. It made Kirishima chuckle and kiss your forehead.
“I know little one. Just take a breath and go slow, I know you’ve got this.”
Nodding, you did as he said and took a deep breath, dipped the end of the needle into the dark red ink and brought it up to the purple outline of the stencil. On the exhale out, the needle touched already tattooed skin and Kirishima let out a content breath. His thumbs rubbed gently on your hips and he angled his head enough to watch you work, even if it was uncomfortable as fuck. 
“There you go, I told you, you got it,” he praised softly, making you smile and blush.
It didn’t take long for the ink to work into his skin and for the script to take its shape. The tattoo was small so it wasn’t taking you long at all to do and it was simple, perfect for your first time tattooing real human skin. And no matter how small and simple it was, Kirishima couldn’t help but overflow with happiness, with pride and love. It made him grin so big to see you tattooing him and without barely any help needed from him and in no time you were done, cutting off the buzzing noise and setting the machine down on the tray.
“That’s my girl.”
You smiled from ear to ear while applying green soap to a paper towel and wiping it across the small tattoo. When it was fully cleaned, you took off the latex gloves and placed a palm over the fresh tattoo. Heat radiated from it and you could feel the rise of it like braille. Kirishima placed his hand over it and you looked at him.
A warm glow bathed the lower half of his face, making his eyes shimmer when you activated your quirk and healed the tattoo. Kirishima hummed and squeezed your hand gently before you both removed them and looked at the permanent red ink that graced his skin.
Kirishima felt a warmth blossom all throughout his body when he looked upon the Japanese symbols for ‘'little one’ that marked his body. 
“How’d I do for my first one?” You asked, placing your finger onto the tattoo to trace it softly.
Your body was pulled closer to Kirishima and he took your chin between his fingers to tilt your face up. A chaste sweet kiss was placed on your lips and you giggled.
“Fucking perfect,” he cooed against your cheek before pulling away to look you over. “Now it’s my turn. You know the drill little one, strip.”
With a cheeky smile, you placed a kiss to the tip of Kirishima’s nose and pushed at his chest in order to gain distance between the two of you. His red eyes watched closely as you took a few steps back, hands gripping the edge of the chair and torso leaning forward like a predator eyeing its prey. 
All night Kirishima would steal glances, known and also unknown to you. He couldn’t get enough of you in the red velvet dress you wore. The sleeves and neckline were lace, giving subtle peeks of the pieces of skin he loved to smother in kisses and bites. It was tight in the right places and the hem stopped mid-thigh. 
Your hands ran along the spanse of your stomach and to your hips, sliding down to map out the shape of them until your finger-tips gripped at the hem and started to slowly pull the dress up. Kirishima bit at his bottom lip and went to move further but you stopped him with a teasing ‘uh-uh’. 
His red eyes had gone from lustful to pissed so fast it made you laugh. 
“Patience puppy. Since you gave me a gift early, I guess I can go ahead and give you one of yours that I was planning for later.” 
More impatience grew in Kirishima’s eyes and you smirked and continued to pull the dress up your body, over your head and fully off before dropping it on the floor. Kirishima remained where he sat, taking in the red lingerie that remained on your body. The soft lacey edges of it and how it stood out against the bold black ink of your tattoos. His fingers gripped the chair tighter, making the leather squeak and he looked like he was ready to crawl out of his skin.
“Do you like it Ei?”
The balls of his feet touched the floor. 
“Yes.”
“Do you want to touch me Ei?”
He slowly stood from the chair. Hands staying put on it.
“Please.”
You smiled and walked closer to stand before Kirishima. He towered over you and you felt like you were staring up at a beast. Not wanting to deny him or yourself any longer, you raised a hand and brushed the back of your knuckles down his cheek.
“You’re such a good boy Eijirou. Go ahead then, you can have me.”
Not needing to be told twice, Kirishima immediately had his hands on you. Your feet left the floor so fast and your legs wrapped around a broad waist. Before you could even process that, you were being placed on the tattoo chair with a desperate massive redhead between your legs, capturing your mouth with his. 
Just as you were about to pound on Kirishima’s chest to let him know you needed air, he pulled away and started to kiss down your throat to the tattoo on your sternum. You gasped, a hand running through his spiked red hair and tugged when sharp teeth grazed down the black octopus. Giant hands caged your ribs and you whined looking down at how much skin they covered. 
It wasn’t exactly a secret to either of you that the sheer size of Kirishima made you melt.
Kirishima smiled against your skin, tugging at the front of the bra with his teeth then shifting your torso enough to give him your right side. You smiled down at him, petting at his hair when Kirishima pushed the band up to expose the very first tattoo that started it all. 
“I’ve been waiting to put my mark on you again little one,” he spoke and kissed the small tattoo.
“Well then, stop drooling on me and get to it!”
Kirishima chuckled and stood straight, stole one last kiss and turned to the tray next to him. While he replaced the needle on the machine and got himself ready, you occupied yourself by running your hands all over his chest and stomach. Placing kisses and nips to his collarbones and pecs. Making sure to be careful, Kirishima would play along and kiss and bite back in-between placing the stencil on the same area of your skin that his tattoo was on. 
You gasped and forced down a shiver from the coldness of it, making Kirishima chuckle. You only stopped your playing long enough for him to pull the stencil off and approve of its positioning. He smiled and picked up the machine that he hadn’t used in years, the weight of it feeling familiar and like home. Looking at the stencil and back to your face, Kirishima felt a rush of adrenaline course through him from the thought of being able to brand you once again.
And this time it would mean so much more and would bond the two of you together forever.
“Alright baby, I need you to stay still for me now, okay? You can do that right, be a good girl for me?”
You smirked and let your fingers hang along the waist of Kirshima’s jeans, thumbs brushing along his cut line. It would be a distraction but he told himself mentally that he could do this!
“Yes daddy.”
Shit. He hoped he could do this.
Shaking his head, Kirishima pet your cheek with his gloved free hand and made the machine in his opposite buzz two times. “That’s my little one.”
You smiled at the praise and soon the silence was filled once again with the buzzing of the tattoo machine. The smile on your face didn’t leave when the needle touched down on your skin but it did become a little pained. Kirishima glanced at you and smirked, appreciating how strong you were trying to be through the sting of the tattoo. And thankfully for you, the process didn’t last as long as his did and before you knew it Kirishima was placing the machine back onto the tray and wiping the small piece clean.
For a moment, Kirishima stood there and stared at the permanent ink. His focus broke when you placed your palm over the tattoo and grabbed one of his hands with your opposite one to rest it over yours on your chest. 
That familiar golden glow that Kirishima loved appeared under your palm and his red eyes watched in amazement. He always loved the sight of your quirk in use, it was so beautiful to him. After a few times of seeing it work, he realized that if he looked at your eyes, they seemed to faintly glimmer a golden hue as well. 
Kirishima could feel thrumming and warmth under your hand while the tattoo healed. You both took a deep breath and pulled both hands away and looked down. 
In red ink, his name was now on your skin forever.
After removing his gloves, Kirishima tossed them onto and rolled the tray away from his side. You grinned up at him when his hands came up and held your face. Kirishima didn’t need to pull you in, you were already leaning into him and seeking out his kiss. Your hands moved to hang from his wrists and you hummed happily when he pulled away.
“Now its permanent little one, you belong to me.”
You bit at his cheek and hooked your fingers around the waist of his jeans, tugging him close between your legs with a small grunt.
“And you Eijirou, belong to me.”
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“Toshi, please! I was good! Please can I have it!” 
Hitoshi grinned smugly, dangling a small box above Denki’s head where they both sat cuddled on the couch. 
“Ah but I like when you beg. Maybe I’ll keep it a little longer.”
Denki smirked and playfully punched Hitoshi's chest, “Or give it to me now and we can sneak out of here sooner and go to your place where I’ll beg even prettier for you.”
Now that Hitoshi couldn’t deny. 
The box dropped into Denki’s lap and Hitoshi leaned over to kiss his cheek. Denki squealed happily and wasted no time in ripping the wrapping paper off. He pulled a small switchblade from his coat pocket in order to cut the taped sides and Hitoshi snorted. 
“You’re fucking adorable with those things.”
Denki skillfully twirled the blade in his fingers before closing and putting it away with a chipper ‘thanks’. His focus went back to opening the box to find a small framed piece of artwork inside of it. 
It looked like a tarot card, two characters in suits that were kissing with cloths covering their faces. There were flowers on either side of them and simple stars floated above their heads. At the base of the card there were bold letters.
‘The Lovers’.
Denki examined the piece for a few more moments, letting its meaning saturate him. 
Him and Hitoshi truly were polar opposites - light and dark, the sun and the moon. 
That's why they worked so well together and balanced each other out. Denki could go on and on explaining it, he does all the time to Hitoshi because he’s just so smitten and god damn in love with him but when it came down to it - they just work. 
Hitoshi made this, just for him, it took him time to make and it was priceless. Denki knew Hitoshi wasn’t as direct or forward as he was but he knew that with this piece, it wasHitoshi’s own way of acknowledging what they were. Partners. A couple.
Lovers.
Denki didn’t even realize he had shed a tear or two until he felt a cool knuckle wiping the corner of his eye. 
“Is it that terrible?” Hitoshi teased.
Denki shook his head and laughed, wiping the tear from his opposite eye before he tossed himself into Hitoshi’s chest and hugged him. Despite the frame being between them and making the hug somewhat uncomfortable, Hitoshi smiled and wrapped his arms around the smaller male.
“It’s amazing Toshi, really. I - I love it so much!”
Hitoshi hummed and kissed the top of Denki’s head, his hand rubbing his back firmly. 
Golden eyes looked up at him with that unconditional adoration that they always held and Hitoshi couldn’t deny how they always made his heart flip. And if you were to tell him that this erratic, very chaotic electric blonde would somehow become the very bane of his existence in every amazing way possible without any fucking warning a few weeks ago, he would’ve laughed. It wasn’t like Hitoshi to fall in love, to fall at all for anyone in such a short amount of time but - Denki Kaminari wasn’t just anyone. 
“... I uh, I love you so much.”
The moment the words came out of his mouth Hitoshi felt relieved and terrified at the same time. But that terror was quickly washed away when Denki took his face in his hands and kissed him with a massive smile. Hitoshi melted, removed the frame from between them to sit to the side and pulled him closer into his lap to kiss him back.
Sero and Deku, both still in the same room as the two lovebirds making out, groaned in disgust together as they got up from their seats and went to get more beers. Sero shook his head and patted his friend on the back while they walked away.
After a few more minutes, the need to pee became more obvious to Hitoshi from Denki being in his lap. He placed his hands on his thighs and squeezed them gently, teeth softly biting at his bottom lip before pulling away with a grin.
“Alright cutie, let me up for a sec, I gotta piss.”
Denki pouted and whined but rolled off of Hitoshi and back onto the couch. Hitoshi smirked and playfully tickled his side as he stood up, earning a soft kick to his ass from Denki. 
After coming out of the bathroom, Hitoshi decided to go to the kitchen first before returning to Denki to get himself something else to eat. As he was searching through the food, his phone chimed in his pocket and he pulled it out to check it with a roll shoved between his teeth. The text message he received made him still and quirk a brow.
➥Kage: Was in town and decided to stop by the shop to give you something real quick. Come outside. 
It stumped Hitoshi as to why or how Kage even knew he was at the shop. Why he was even in town when he knew Kage to live a couple hours away. Before Hitoshi could text back questioning him, another message came in.
➥Kage: NOW!
“What the fuck,” Hitoshi groaned. He walked from the kitchen and back to the front, catching Denki’s attention, “Hey I’m gonna step outside real quick, my buddy Kage is here with something, it’ll only be a sec.”
Denki nodded and smiled. “Alright handsome, also I just realized that I didn’t respond a while ago.”
Hitoshi tilted his head, confusion on his face.
“I love you too Toshi.”
A smile grew on Hitoshi’s face and he rubbed the back of his neck, giving Denki a shrug and waving his hand with a casual ‘yeah, yeah,’ and made his way down the hall. On the walk out Hitoshi ran into Bakugou and Shouto coming out of a room, both looking like a hot mess. He didn’t bother asking any questions, wanting to live through the night and just grinned at them both and walked out the back door. 
Sure enough once he was out in the cold, Hitoshi spotted Kage leaning against a van that in all honestly was a little creepy looking. Shaking his head, Hitoshi pulled the hood of his jacket closer around his neck and crossed his arms and walked over to Kage.
“Hey man, uh, what exactly are you doing way the hell out here?”
Kage smirked, “Sorry to crash your party Shinsou but I got orders.”
Hitoshi narrowed his eyes, “What are you -”
With a glimmer of Kage’s silver eyes, Hitoshi suddenly froze.
“Go inside, tell the girl that you found a cat and she needs to come see it then bring her out here to me.”
Acting on its own, Hitoshi’s body turned and he began to walk back inside the shop. Things seemed normal to him, he felt normal. Except his mind felt fuzzy and there was a sense of disassociation floating in his head. His mouth moved and words came out but they felt so foreign to him.
Then you walked out of one of the studios with Kirishima, talking among yourselves, and his focus sharpened quickly on you.
“There you are kitten,” Hitoshi spoke out automatically.
You turned in his direction and smiled before turning back to Kirishima.
“Hey, I’ll meet you up front,” you said to the red-head with a kiss to his cheek.
He nodded and kissed you back, letting go of your hand and turning to walk away from you. Once he was gone and you were before Hitoshi, he pet the top of your head, earning a giggle.
“What’s up Toshi?”
“There’s this, well kitten, that I found outside and I figured you’d wanna see it, maybe sneak it back home in your coat or something.”
Immediately your eyes widened with interest and a giant smile grew on your face. Hitoshi couldn’t help but grin back and feel his heart skip a beat. He always loved your smiles.
“Come on, lets go,” he stage whispered and took your hand in his. 
Happily you went along with him, wrapping yourself around his arm and bracing for the cold. Right when the two of you stepped outside of the door, Denki happened to walk down the hall and caught the sound of you giggling together. Piquing his interests, he decided to quietly follow behind with a smile of his own. 
Abruptly though those giggles stopped and he swore he could’ve heard a yell, then it was cut off.
He didn’t know why but Denki knew something wasn’t right. 
He felt cold all over suddenly and picked up his walking pace towards the door. Once he got closer, Denki could make out the sound of multiple voices. Voices he didn’t recognize. And it wasn’t until he could clearly make out a muffled scream and Hitoshi’s strained ‘let her go,’ that he bolted out of the door and felt his heart drop. 
The noise around him suddenly went out and all Denki could hear was ringing. Fear and shock started to grow from the tips of his toes and up to his head. 
Through the falling snow Denki watched as you and Hitoshi were both dragged into the back of a white van. Kicking and fighting against your captors. For some reason Denki could only manage moving one foot at a time.
They felt like fucking lead. 
When your tearfilled eyes landed on his along with a set of ice blue ones, Denki finally found his voice.
“(Y-Y/N)! Toshi! - wait,” he screamed out, finally moving his feet faster after the van that started to pull out of the area, “Give them back you fucking - g-give them back!”
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maydaymemer · 4 years ago
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IO Blackout
I just beat the worst featured contract in Hitman 3 and wanted to talk about it and IO’s handling of the “live” aspect of the new game
It feels to me that this is the Hitman game least necessary to have this live model: 1 & 2 offered pretty regular live stuff, 2016 most of all had 26 ETs (limited time missions set in the main levels but with new voice acting and other changes), a couple of challenge packs (basically themed achievements that unlocked an item) and I wanna say 40+ escalations (multi stage missions set in the levels with little modification). Plus the levels were released monthly. WoA2 had less, six ETs and 30+ escalations. I think it had way more challenge packs tho weirdly. Two per location rather than one. It was still pretty steady. Now it feels like IO don’t want to do more Hitman, they feel like they’re done but there’s sort of an obligation there for them to do it and they don’t want to have no defence for the always online so they’re still doing it
Escalations are now being locked behind paywalls. Thirteen of them to be precise, almost half of Hitman 2’s output. And they’re now treated as like main events since challenge packs are now gone, which isn’t a big loss but considering how difficult it is now to level up a location to 20 mastery we could’ve done with some. In Hitman 1 & 2 we got these holiday themed bonus missions with their own challenges. For Easter we got an escalation, I like escalations a lot and this one was good but they’re 20 minute distractions
And because I feel like there’s a drought of newly released stuff to do there’s a bigger chance of burnout. The levels themselves are great and replayable but this side stuff helps recontextualise the maps but also learn them more for playing thru the main missions. So because of this I’ve actually started playing the featured contracts as they released, whereas with Hitman 2 I only played them occasionally usually after building a backlog of them
Featured Contracts are player made missions in the main levels. You kill someone with a knife in a plumber outfit, then publish it only where other people have to kill someone in a plumber outfit and get the best score. Featured Contracts is where IO picks ten fan-made Contracts per month that they like and puts them on the front menu of the game and makes them multi platform, playable to everyone
However there’s two problems with featured contracts in Hitman 3: they not made by fans and curated by IO. They’re made by “influencers” and curated by those same influencers. Number two is there’s barely any of them. The featured contracts are in batches of five instead of ten and they’re made with a more limited map pool. One month in Hitman 2 could have ten contracts in ten different locations, whereas most featured contracts so far are five contracts in Dubai, then five in Dartmoor, etc. There hasn’t been a single contract in Berlin yet, the best one
The influencers thing is the big problem however because it’s so obvious that it’s just a cross promotion and very few of the people making the contracts care for Hitman. Because the contracts are really bad, usually
When Easy Allies did a batch they ended up making the worst contract ever, called Media Blackout. It seems simple, kill five people with an SMG as a guard without knocking anybody out. There’s a silenced SMG in the Chongqing level, all the targets are close together, but there’s no way to get a guard disguise without knocking out or killing a guard. People found a glitch where if you fire a guard and wait ten minutes for him to commit suicide you can bump into him and “kill” him without losing silent assassin. The actual kill portion of the contract is five minutes, but it takes ten to 20 to get a disguise. It’s pretty obvious someone from Easy Allies just made a contract where they shot a bunch of people, randomly picked their targets and then decided to shove on “no knockouts” at the end of making it
I heard there was a livestream Easy Allies did where they played their own contracts and just Ramboed everything, so none of their contracts were probably SAed to start with, and this lack of quality control could be fixed by IO just saying “make sure your contracts in this stealth game can actually be completed with stealth first”
Another example of amusing incompetence is when one of the sites had “don’t get recorded by a camera” as a modifier in Dartmoor. Dartmoor is the only main level of the trilogy without any security cameras
I think it’s kind of ironic that a feature that’s meant to encourage fan engagement is now being used to promote websites like EuroGamer, Easy Allies and Kinda Funny. Basically the opposite of the kind of people Hitman fans follow. Just a shame, and now Achievement Hunter is doing a batch. I’m sure that’ll go well and not be unplayably disastrous
The game itself is excellent, and I understand Covid has impacted the team a lot but I don’t agree with the decisions that aren’t impacted by the pandemic like relying on journos/unrelated youtubers for Contracts rather than the fans. All in all it proves the theory that every IO game itself is excellent BUT they’re really bad at maintaining goodwill with them. A good game is usually followed with a ton of shite business practices
I feel like with Hitman 1 & 2 being released in parts (Season one was episodic, while the sequel had two whole DLC levels released a year later which continued the story) but Hitman III being released who it’ll be level wise forever, there’s no reason to have this always online live model. Because the live model isn’t really alive, it’s just one new ET and one new escalation rn where you could just add those two in the monthly patch. It’s not like the previous two where there would be two to four escalations, a challenge pack and an ET every month. Not that this episodic always online BS was ever justified, but now it’s pretty nakedly pointless
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slamsams-blog · 4 years ago
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The Man With The Golden Gun - #24WeeksofBond
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Roger Moore is back for his follow up outing after “Live and Let Die”, and this time...IT’S PERSONAL.  “The Man With The Golden Gun” quite surprised me tonight.  I usually come into these Mondays with a pre conceived notion about the Bond movie I’m about to watch.  For whatever reason, I came into tonight with the notion that this movie was on the dull side and that I might be in for a bit of a snooze fest.  Well my notion was wrong, and I have to say that I enjoyed this movie.  It’s not perfect by any means, there are some moments that leave me scratching my head, the plot with the energy crisis is a tad confusing, and we have a Roger Moore that is extremely short on patience - but it’s a good thrill ride, with a few laughs, cool stunts, kung-fu, and nipples.
Yes, nipples.
This is a story of a skilled hitman who kills for pleasure, and gets paid very well for doing so.  Francisco Scaramanga, played by the great Christopher Lee, is portrayed as Bond’s equal in terms of marksmanship.  He carries an unusual 4.7 millimeter gun, made out of gold, that is assembled with a lighter and a pen that shoots bullets that flatten on impact; making them untraceable.  There is no photo of him and nobody knows where he is, making him the most sought after hitman who will kill anybody for the price of (cue Dr. Evil voice) ONE MIILLLION DOLLARS...go ahead, put your pinky to your mouth, I’ll wait.  
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This is a fun storyline especially with the wild and wacky funhouse that Scaramanga has at his estate for his human target practice.  What also makes this movie memorable is Scaramanga’s personal butler Knick Knack (Hervé Villechaize) who helps Scaramanga with his game.  In the pre-title sequence we see this play out with a man coming to the island, no idea why, but its apparent that he is there to kill Scaramanga for a chunk of cash.  Knick Knack has a vested interest in this, in the fact that IF Scaramanga DOES meet his match, and is killed, he receives everything.  So it’s a game between friends, Knick Knack makes it challenging for Scaramanga to get the kill, because Knick Knack kinda wants him to get killed, and because Scaramanga gets off on the thrill.  Healthy relationship wouldn’t you say?
Scaramanga picks up the W (albeit unfairly with mirrors and such), and before we head into the title sequence, we see a wax figure of James Bond himself.  This is just odd to me.  Why go out of your way to make something like that?  What purpose does it serve other than to establish that Scaramanga has his eyes on Bond?  Silly things like this bother me.  So it is set, we are about to witness Bond vs. Scaramanga, kill or be killed.
This brings us to my LEAST favorite Bond theme. I think they were kinda going for a hard “Goldfinger” thing here, but Lulu’s performance is just so obnoxious and the lyrics are so plain and straight forward...”He has a gun, he will shoot you, and you will die”, that could’ve been a lyric here.  So points docked against the movie here for the song.  
What they start to make us think in the beginning is that Scaramanga has sent a warning to Bond with a golden Bullet with “007″ engraved on it - signaling that Bond is next on his list.  Therefor, M relieves Bond of his current mission, gives him a sabatical, and indiscreetly hints that Bond should use his time to hunt Scaramanga down before he pops up and puts a bullet in him.  But what we come to find out later is that the plot is way more than what we think.  Bond is tracking where the bullets were made and follows the scent until he comes across Ms. Anders (Maud Adams), Scaramanga’s mistress, who is picking up the bullets.  She tells the most overtly aggressive Roger Moore Bond ever where he will be, and this is where the plot thickens.
Bond is where he thinks Scaramanga is gonna be, but Scaramanga shoots another man even though Bond was in plain sight.  The man shot was the guy Bond was looking for in the mission he was let go from.  This leaves Bond to question that if he is the target at all.  Turns out, Ms. Anders sent the bullet to MI6 because Bond is the only man who can kill him, and she wants him dead because he is a creep who rubs his gun on her...not even being facetious, I mean literally.  So Bond has been put into a hit job without him or Scaramanga knowing.  But Bond comes to find out that Scaramanga has been paid by a Chinese 1%er named Hai Fat who has control over a Solex Aggitater.  
Now I’m not going to begin to pretend that I understood any of the solar energy storyline, so I’ll spare you my wikipedia research and just leave you with this - there’s a Solex Aggitater and Bond wants it. 
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So we are led on this wild chase for the Solex, and along the way we meet characters like Mary Goodnight (Britt Ekland) who is a staffer for MI6 who has been working with Bond for a couple years now.  Although, at the time, this character was intended to be humorous and light hearted...It just comes off very sexist.  The dumb blonde trying to help Bond but keeps mucking things up because she’s a woman...did not age well, that’s for sure.  We also run in to JW Pepper again, the foul mouth, racial stereotype spewing cop from the Bayou.  He must have been a huge hit after “Live and Let Die” enough for them to bring him back for a second time.  It’s rare that the Bond franchise brings back characters, so he must’ve made a good impression on the audience the first time around.
We also witness one of the more incredible stunts in the series with the corkscrew car flip over the river.  This stunt was apparently done in one take and it’s still such a cool scene.  One of the things that make the Bond movies so great is their heavy emphasis on real stunts, rather than relying on computer graphics.  And this stunt is just an example of that.
Another amusing part of this movie is that Bond wants to go see Hai Fat, so he asks Q to make him a sticky rubber nipple.  Scaramanga had one distinct characteristic, he had three nipples.  So obviously a fake nipple stuck to your chest means you are now Scaramanga.  I just find the thought of Q making a nipple amongst all the cars and gadgets he’s making hilarious.
Bond finally tracks Scaramanga down and flies to his island where Scaramanga is waiting for him with lunch.  As usual, the villain treats Bond to a meal, explains his plans in detail, before he tries to kill him.  They dine on some mushrooms, and have an awkward exchange in words that would make any dinner guest get up and pretend to go to the bathroom.  During this conversation, it is decided that they will duel.  Fun.  But it’s all a ploy to lure Bond into his wacky funhouse for another game.  But unfortunately for Scaramanga, he is dealing with the Yogi Bear of British Agents - smarter than the average.
Bond goes underneath the platform and hides in the scaffolding, away from all the cameras, putting Knick Knack in the weeds (a restaurant staff term for overwhelmed).  Scaramanga notices that something is not right so as he is walking around, we see that Bond mannequin from the beginning, but Bond has replaced himself with it, puts a bullet in him, and picks up the W on Scaramanga.  Then after retrieving the Solex, Bond has completed his mission.  Now off to get steamy with Mary Goodnight on a boat.  Fortunately for us, the film is not yet over.  We get one last fight scene between Bond and Knick Knack that is just entertaining.
While this film is riddled with short comings and uncomfortable social norms that are not okay in this day and age, “The Man With The Golden Gun” is such a fun movie, and Roger Moore is beginning to hit his stride with the character.  Not a huge box office smash however, it is one of the lowest grossing Bond movies in the series and almost put the franchise in jeopardy.  It also gets pretty mixed reviews, but I have to admit that I enjoyed it more than I thought I would. 
That does it for me this week, sound off!  Let me hear you, what did you think?
Reviews from Friends:
Andrew Albertsen
Honestly hate this theme song...I appreciate they were going for a different tone.. it’s just that the results were poop
Jake Benrud
This song also gets stuck in my head, but I agree. The lyrics are dumb. Here's another one where if the Villain would have just killed Bond when he had the chance, he might have succeeded in his evil plan, but what fun would that be?
24 Weeks of Bond will return next Monday with - 
Skyfall
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randomkposts · 5 years ago
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Stalker with a crush
K: E, crack idea. Kyoto hitman reborn crossover with Yandere simulator
How the crack crossover would go, depends on who Yandere has a crush on.
The easiest would be Tsuna, who pre-reborn invokes protective feelings in Yandere, and makes them want to go after his bullies. They even had a kidnapping plan prepared, only for Reborn to show up, and all these guys to start surrounding him, like bodyguards.
Though it would be hilarious if Yandere crushed on Hayato, or Hibiri, for different reasons
E:Ong Plus its very norm for Tsuna to straight up tun into someone. And he's a sweetie.
The only time a girl ever liked him first and she's nuts.
K: It would be very Tsuna, wouldn't it
E: It would and it's hilarious for us. Now he can also pressured vy reborn to take the delinquents as a "Decimo" should uphold *something somthing reborn would say*"
Gokudera would probably jump the bomb on that one already goes on the delinquents.
Hibari would be suuuuuuper hard to get to even come to this place and honestly Yan-chan would find him as a t he eat *i mean as long as she ain't breaking rule she good*
K: That one opens up the most scenarios. Like a possible spinoff, where Yandere did go through with the kidnapping earlier, Nana tells her husband, and a crazy struggle opens up to find Tsuna. The Mafia, VS yandare's family, would be quite a battle.
E: Hibiri and Megami teeth clenched teamwork.
K: Yamato has so many fangirls (and boys) that it would probably start up some rivalry's, if Yan's attention is on him.
E:A long line of Yandere? Already implied to have some hands in the underworld. They're pretty damn great at tying up loose ends.
They haaaaate eachother so much. Well maybe Megami does, Hibari doesn't give a fuck.
K: Meanwhile, Tsuna and his future fiancee are in a different town, where nobody's bullying him, and it's a bIt weird, not terrible.
E: Yamato fanclub totally. You know I think Budo knows kendo I believe.
K: "Join the boxing club"
"I have formed my own club"
E: He would try that!!!! Someone would even explain to him you can join the other two clubs but nope!!
JOIN HIS BOXING CLUB
K: The other way it could swing, is Yandere becoming a Guardian. What kind of flame do you think they would have?
E: Yandere I always see to have either a cloud flame. Or malleable en9ugh to have storms.
K: I wonder if an argument could be made for lightning flame. Lightning's property is hardening, right? Except, rather than physical hardening being it's first use in the household, it's emotional hardening. We don't question it as much in the show, but Lambo is a 5 year old Hitman. And otherwise seems to be a normalish kid, demanding attention.
What if he hardened himself towards killing, in a bid for parental attention.
Or perhaps, he demands so much attention, because his parents are absentee
E: He was also sent out basically on a death mission by his own family.
Kids gotta be emotionally strong enough to be in a household like that. We never did find out what the hell his parents are even doing.
Not even Fuutas.
K:Yandere, uses hardening properties to achieve a different emotional effect. Hardening against them. Their dad is a kidnapped victim, living with his murderous kidnapping wife who is obsessed with him first and foremost, and teaching the kid to be like her. Social skills were not taught particularly well as a small child, which led to further isolation from peers. They didn't even notice they were doing it, just shut It all out.
E: True. Even Yan mother even see her as a threat. Imagine being on the side of a murderous intentions from your own mother.
Yan has to be emotionally hardened at this point. She is pretty good to have as a mafia ally. I mean it's not far fetched for them to try to control her . I mean they have Mukuro with them. The Yakuza ending also pretty much stated she would join them. She kidnaps a lot of girls and boys without getting caught.
K: Tsuna, catches their attention. This boy, who the school calls no good, who is failing his classes, who is ruthlessly picked on. He keeps coming. And they start to get mad at the people who keep picking on this sweetie, and then he talks to them one day, and that's it. They feel a lot for him & are determined to put a smile on his face.
And while just talking to him would probably do that , Yandere is too shy to do that, and resorts to other things.
And they are unhardening, and finding emotion can be brought to the forefront to do things for him, and he must be Sempi.
Hayato gets kidnaped a few times (and rescued by Bianchi and others), before Yandere realized they both are here to protect Tsuna
Like, before they bond over that, Hayato is out smoking or something, and just gets nabbed.
He has conspiracy theories over who is kidnapping him.
He kind of just wakes up in these random houses.
One time Hibiri rescues him, and goes after Yandere for disturbing the peace, with kidnapping. And Hayato gets rescued from the truck by kusakabe.
The Yakuza are doing the kidnapping, because that would cut into time with Senpai.
E: Other things like leaving encouraging note to him in his locker or small gifts he would like *honestly Tsuna would be so touched if someone even remembers to include him in something. And it is canon option for Senpai*
Would Yandere be more lax in them? If he is also interested in protecting Senpai, then ally?
Omg.
Stop cutting into time with Senpai, she makes sure he gets home safe!
K: Eventually, they decide, with all the problems that come after Sempai, more people on the job may not be a bad thing.
How would Reborn react to all of this? Would he be dropping cryptic hints.
K: He totally would.
He's probably not liking how much attention Yan would bring if she isn't careful. Impressed with her skills, but honestly who is he to judge in his own profession. Utilize her skills. He would have already gone through her background even her parents. Ryoba history is the most surprising so far.
K:How would Mukuro becoming Sempai possibly come about? As a what if, I mean. It's pretty unlikely, given he's in prison, as is most of the Varia, but this is a crack premise, so it's a possibility, I guess.
If she's the most surprising so far, then he has not gotten far into the family history.
E:Well can it be possible for Chrom to be senpai? She's quiet and sweet. Kind and Senpai can be a girl or boy either way doki doki.
Ahaha yeah, true. He hasn't gona so far cause he wasn't expecting her parents to be ...well a boy who went missing and a girl who was on trial of a decade for murder.
He probably started looking into Yan history if he noticed her skulking around Tsuna.
K: That's a good point.
Operation: find Sempai organs is a go
A family history reading that disturbs Reborn the more he reads it.
E:FIND HER MATCHING ORGANS
The more he goes, the more fucking questions he has. How big is this family even?
He would start looking in local Yakuza history or the underworld to see if Aishi family has connections to it.
K: With Yandere unhardening, through friendship, operation organs may happen anyway How long has this been happening, and why was it none of the reports!!?
E: If senpai cares for his friends and wants them happy, if that makes Senpaj happy she would do it.
CAUSE AISHI'S ARE HELLA DETAILED IN THEIR WORK
They slip under the radar as they please. Reborns a bit chilled at how long this has been going on and no one seems to notice
It happened in literally thousands of people watching and she still was acquitted innocent
Reborn can see Yan as a blessing in a really messed up disguise as she has talking a liking towards Tsuna. Maybe this can work in his favor
K: Who else is in this investigation ?
E: *lol Yan is pretty pissed at how much trouble Reborn puts Senpai in*
WAIT WE FORGOT ABOUT THE REPORTER. (C :Part of reborns investigation? Maybe Info?)
K: Idk, isn't he worried she might kidnapping him?
E: Maybe, but is she did Reborn would be getting kinda loose in his abilities as a hitman if that happens
K: what about info and the rivals?
E:With the right manipulation he can make it work. Yan may be a dangerous girl but she's still too young and is still learning. Rivals? Depends on how they react with Tsuna?
If Yan find out about Kyoko, she a dead girl. Nah jk, Ryohei wouldn't let that happen and IF TSUNA EVER FOUND OUT.
K:It could happen in the future. Just one day, the demecio dissapes.
Does he still have a crush on Kyoko, in this world? It's middle school, and another rival may have caught his interest. maybe Ami?
E: Well I kept thinking back to One day Decimo disappears and honestly i really like that idea he just vanishes
K: Did his lightning grab him, or was it someone else? Can you see Tsuna having a crush on any of the Yansim rivals instead of Kyoko?
E: Yan i wanna say to most. Dedication and honestly it can be the long game. Everyone thinks they're finally as normal as they can get. But one day maybe during a siege, **i wanna say Yan helped it start but that would be redundant maybe take opportunity of it happening to do it* they Tsuna.
Hmmm definitely Ami
Osana is like "ehhh" why she keep going tsuntsun on him
Mida/and the Nurse is obvious no
He might blush *i would too what the hell is the dress code in Akademi???*
Osoro would scare him
Hanako would probably like him to be honest,
K: Would Kokona show up?
E: He think sport club leader Asu is pretty cool
K: and Oka? Osoro?
E: Kokona is fucking sweetie too. OKA IS TOO PRECIOUS. BUT SHE WOULD KINDA SCARE HIM WITH THE OCCULT STUFF. She would remind him of Chrome
K:they should meet!!
E:Osoro would scare him. Like a female Hibari just more hnnn i dunno i say sane to
THEY SHOULD OMG I WOULD DIE FROM HAPPINESS.
K: Osoro and Hibari fight a lot due to disturbing the peace. Are they both clouds you think?
E:Uekiya would also be a great choice too!
HIbari would fight her cause of her delinquents. Hibiri isn't going to have that.
I wanna see her delinquents vs the disciplinary committee.
MY YANKEE HAIRED ELVIS BOIS ARE GONNA WIN.
K: Just imagine the students desensitised to Hibiri and Osoro fighting.
"Oh this happens whenever she comes back from suspension"
Reborn is a bit perplexed to find two strong clouds having a frequent battle is normal, and hasn't destroyed the area yet
E: The delinquents from Akademi were former bullied student’s which is why Genka is so lenient on them. She feel guilty on how it went so faR.
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fcarher · 5 years ago
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THE POSITIVE & NEGATIVE; Mun & Muse - Meme.
fill out & repost ♥ This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm.
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My muse is:   canon / oc / au / canon-divergent / fandomless /
Is your character popular in the fandom?  YES / NO.
Is your character considered hot™ in the fandom?  YES / NO / IDK.
Is your character considered strong in the fandom?  YES / NO / IDK.
Are they underrated?  YES / NO.
Were they relevant for the main story?  YES / NO.
Were they relevant for the main character?  YES / NO / THEY’RE THE PROTAG.
Are they widely known in their world?  YES / NO.
How’s their reputation?  GOOD / BAD / NEUTRAL.
How strictly do you follow canon?  — with yuna being a fandomless original character; it is rather hard to strictly follow canon; first of all, one has to define what canon means & that would be, in yuna’s case, the story that i have previously written before writing on Tumblr with her as my muse. i do try to stick to it, however, i always leave enough room for her to develop, otherwise, it would be just plain boring, wouldn’t it ? with that said; she already has developed a few characteristics that might be deemed out of character within the canon material
SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.  —  she is a character with several layers; meaning, you will always get to know a different side of her, the more you interact. yuna is an outcast, though, you might not notice it at first. she’s really strong & her species is still rather unknown; many abilities might have not been uncovered yet. her mission is to destroy humanity, though, will she do it ? she works as a hitman within a secret organization that is more than meets the eye. she is ACTUALLY not a true descendant of lilith. she is old & has seen & experiences MANY things. 
Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?).  —  She is way too stubborn & it takes AGES to form a real relationship with her; so petty & weak-willed when it comes to her own desires; way too set on her own belief; the whole humanity-is-bad stick gets old quick; her being paranoid about every SINGLE thing; her whole concept is less about her own power but more about the control of said power & how she deals with her being pressured into the position she is
What inspired you to rp your muse?  —  i love mythology & the lore within Christianity (mainly the characters, stories; def more a fan of the “evil” stuff )  i love horror; i love paranormal stuff & if you combine everything, you have yunaeisha & her sisters. the lore ( which is massive & yuna’s story plays within present-day while most of it plays in the past) is something i hold dear to my heart; i worked on it for many years, since approx. 2014-2015. yuna embodies a lot of the pain of my previous characters; not knowing her place in the universe while KNOWING that you have to function within this society that deems you’re not a part of them, either. she’s honest & a bad bitch with a very soft side; i love her a lot & she’s grown so much. my love for her inspired me & how much more i wanted to flesh her out. 
What keeps your inspiration going?  —  I constantly find new stuff that i could implement within yuna; i dream A LOT about my characters, actually, & i always try to put some material of those dreams into her. i love russia as a land; the language, the clothes, the cities. i love mythology; i love her aesthetic & i always find something that could be of use. simply going outside & watching people interact makes me think instantly; how would yuna react ? how would she talk ? i try to keep her as real possible & thus, i constantly think about her.
Some more personal questions for the mun.
Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.
Do you think you give your character justice?  YES / NO.
Do you frequently write headcanons?  YES / NO.
Do you sometimes write drabbles?  YES / NO.
Do you think a lot about your Muse during the day?  YES / NO.
Are you confident in your portrayal?   YES / NO.
Are you confident in your writing?  YES / NO.
Are you a sensitive person?  YES / NO.
Do you accept criticism well about your portrayal?  — I am quite the sensitive person when it comes to HARSH criticism; when someone just comes to me to talk about how badly i portray yuna, then i’m gonna be sad about it. however, i do accept people that give me constructive ideas like; maybe it could be better if you did ... instead of .... ? i have NOTHING against it. i never received it, though, so i’m not 100 percent sure about it. though, i’d love to think that i’d be even more motivated to better her. 
Do you like questions, which help you explore your character?  —  I rarely get question but i’d love if some more flew in; LET THEM BE IC QUESTIONS EVEN !! i had some muses be invested in yuna, but the more the merrier so OF COURSE !!! 
If someone disagrees to a headcanon of yours, do you want to know why?  —  yes, please !! if you think a headcanon might clash with another or you think, it might be really out of character or just generally unfitting for yuna; TELL ME !! i sometimes forget some minor headcanons, though, they can play a MAJOR role sometimes; if you become aware of that, please tell me. also, if you just generally don’t agree with it, PLEASE also tell me; i’m a really open-minded person & i’d love to hear your point of view. 
If someone disagrees with your portrayal, how would you take it?  —  if someone disagrees; alright, then so be it. all people think differently; you can’t please everyone. yuna is my characters, however, her concept, of being half-demon, half-goddess, the child of lilith, has been done before & thus, i know some might not agree how i portray yuna within that concept & that’s okay; though, if you outright HATE on it; why ? if you think you can do it better; make your own lore & character but don’t hate on anyone. with that said, i personally don't have anything gainst people disagreeing; that’s just how life works; we can’t agree on everything. 
If someone really hates your character, how do you take it?  —  i’d be taken aback at first because of course, as the creator of yuna, i love her dearly. though, i could understand why; she does MANY things that are considered problematic & has no remorse, whatsoever; she seems very self-centered & almost toxic to some & i GET that’s not everyone’s cup of tea; however, she’s not ONLY that but it takes times to get through that layer; i understand not everyone likes such muses. it’s okay, i don’t mind it but don’t HATE on her, aggressively ?? telling me how shitty she is or how much she sucks, is not really nice, & i know she often sucks, you don’t have to tell me twice. 
Are you okay with people pointing out your grammatical errors?  — YES PLEASE !! i’m human, english is actually my third-language & i still make a lot of errors; probably did some in this post as well lmao. but seriously, if you see it & you feel like correcting it; PLEASE DO !! or just shoot me a quick message, saying that you have noticed that i OFTEN make a specific error. it helps a lot !! thank you. 
Do you think you are easy going as a mun?   —  no, definitely not! i hyperfixate a lot, meaning that i have this uncontrollable urge to just do one thing; or speak to one person or play a certain game; it messes up my social life a lot because i sometimes go months without talking to my best friends, though, they don’t mind because they’re used to me “ignoring” them. i also dislike convos that lead to nothing, even within real life; i like topic-related conversations & not just the plain “hey” & “how are you”’s. though, let me state one thing; if we have talked before & i was very open with you; I LOVE YOU! i’m not “ignoring” you on purpose or because i stopped liking you or something; it’s just me being dumb. so, if you want to talk, plot, have an idea, want to ship, ANYTHING !! shoot me a message, please, I BEG YOU !!! i hardly reach out first & that makes me seem unapproachable; i’m aware of that & i’m so sorry, i’m working on it! but other than that; i’m a person that you can talk to about everything ! politics; anime; mythology; pop-culture; roleplaying; i love it all !! i may not know the topic at first but i love learning & i’m willing to listen at all times !! also i love listening to people gush about their characters or just plotting stuff; ITS GREAT !! so, this is an invitation for you to come plot with me 8^)
That’s about it, congrats for filling out!
Tagged by:  @skyvar ; i loved the nasty questions ! 8^)  Tagging: @dvojakyvlk, @thevvolf, @childrenxfthemoon, @hensetsu, @talonness, @shikkotsunin​, @aemiliiu​, @nezumi-vc-103221​ & everyone who feels like stealing !!
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metalgearkong · 5 years ago
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Hitman 2 - Review (PS4)
3/3/20
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Developed by IO Interactive, released 2018
Hitman has always been my second favorite stealth-action series, second only to Metal Gear Solid. I’ve always been at awe with each game I’ve played (since Hitman 2: Silent Assassin) of the sheer amount ways to kill your targets and freedom presented in each level. The only game in the series I’ve outright disliked is the failed reboot Hitman: Absolution, which changed some of the core fundamentals for the sake of a fresh take on the franchise. The series was more successfully rebooted in 2016 with the simply titled “Hitman,” and I enjoyed that game much more, as it was a return to form of the entries from the PS2/Xbox generation.
Hitman 2 is almost the same exact game as Hitman 2016 in terms of graphics, mechanics, and design. Some people see this as a bad thing, but it’s usually exactly what I want from a sequel if I loved the former title. Hitman 2 only has 6 levels and a prologue; a fancy beach home, a slum in India, a racetrack in Malibu, a cartel base in the jungle, a Vermont suburb, and a castle hosting an elite party of affluent cultists. The quantity may seem small, but each level holds just as much personality as any of the best levels in the entire franchise. Plus, each mission is so deeply detailed and has so many ways to complete your mission, every level could be replayed 3 or so times without you repeating the same route or techniques of killing your targets.
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I can’t stress enough how intimidated I was at the beginning of each and every map seeing how intricate and elegantly they were made. The possibilities always seemed endless. Each location is such a clockwork honeycomb of freedom I could see myself replaying this game many many times in order to appreciate all of its detail. The AI and gameplay mechanics rarely let me down and I could do pretty much everything I wanted to without barriers from the controls or issues with NPCs. I believe one of the only new abilities in Hitman 2 is being able to hide in foliage or among crowds of people, not unlike the Assassin’s Creed series. It’s a natural addition to the series and it only adds to the tactical possibilities in each level. 
Something that I didn’t like about Hitman 2 is how it’s always trying to get you online, and if you’re not online, it passive aggressively keeps reminding you. Many of basic modes and features can only be used if you have an internet connection, and living where I do, it’s something I don’t have. Stuck playing offline, I could never customize my loadout before a mission, choose different starting locations, or even get the rating system after every level is completed. It takes out some of the fun not being able to see yourself achieving a high rank after doing so well. I found myself having to accomplish self-imposed challenges, such as never being witnessed, only killing the targets, not using a gun, and things like that. I also don’t know why the series never brought back how you could read a newspaper article about your exploits, and the details in the reports were completely customized by exactly how you played (a la Hitman: Blood Money).
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Another issue is this game’s lack of a good story, as cinematics between missions are quite literally presented as voice-over slide shows. I’ve never cared much for the story in the Hitman series, and I don’t think IO Interactive has either. It’s too the point where I don’t think they should even try anymore, and simply start each level with a little background on the location and your target. I did what I rarely do in games, and that’s skipping cinematics. Maybe if people really paid attention it would add to the experience, but for me I would recommend the developers revamp their storytelling, or drop it completely. The core game is so damned good, however, the fact that the game has a bad story hardly bothers me at all.
Hitman 2 comes the closest to all of the Hitman games to reaching the epic heights of Hitman: Blood Money, one of my favorite games of all time. The detail, player agency, detail, and size found in every single level is deeply impressive and lends to tons of replay value. The campy personality maintains as well, often seeing Agent 47 dawning some truly ridiculous disguises, and hearing the same satirical chatter between NPCs the series has always had. Everything that has made the series unique and great is all here, and I love constantly discovering new ways to approach each mission. I really want more from IO Interactive and hope they haven’t planned on stopping making Hitman games in this style with this much quality.
9/10
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gamersonthego · 5 years ago
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Matt Giguere’s Top 10 Handheld Games of 2019
Handheld gaming is in a weird spot. Beyond the plethora of mobile devices running iOS or Android and the app store fronts they offer; the handheld market has now been distilled down to one major device in 2019. Lo and behold, Nintendo, once again sits alone on the hill. While the Switch has seen great gains in maintaining a constant flow of software on its platform, the vast majority of their releases are either mobile ports or older games from generations past. It is amazing on how much has been released so far, but what makes a handheld game a “handheld game” now anyway? When your choice can be a small bite sized game like BOXBOY! + BOXGIRL! or a massive single player game like Tales of Vesperia, there really isn’t much of a difference what a handheld platform can offer compared to the home consoles for the types of games that can be played. As the Nintendo 3DS and Sony PlayStation Vita sunset into their legacy years, there seems to be a wider line on what can be considered a handheld game.
Nintendo did release a portable only version of the Switch this year, dubbed the SwitchLite. Considering that most of my playtime has been in handheld mode, I picked one up shortly after release. After a few months of playtesting, I think this will be my go-to system for the foreseeable future. I adore the form factor size. The original Switch still works great for quick pick up and play in my home, but I find the new model easier to hold in my hands and store away when I’m travelling. The dedicated directional pad, as opposed to separate buttons because of the nature of the detachable joy-cons, is a big selling point for the myriad of 2D platformers now on the system. I sometimes miss the “HD Rumble” feedback that had to be cut, but that is a small gripe. If you don’t care for playing games on the big screen in a higher resolution and varying framerate, I highly recommend picking this dedicated handheld up.
Admittedly, a lot on my best of 2019 list are games that can be enjoyed on the big screen, especially with the convenience of the Switch’s hardware. Of the games I played this year, I think this smattering represents a healthy dose of what managed to present a case that gaming on the go is still well alive and ever changing.
Top 10 of 2019 or the Hollow Knight Memorial List*
*Sometimes when making a top list our favorite thing came out in a different year or is so clearly ahead it is a lock of number 1 across every critic. This year Hollow Knight from Team Cherry captivated me like nothing else that released this year. Alas, this game came out in 2017. So instead of placing it on my official list for 2019, it takes the honor of being my list’s name. This Metroidvania style exploration platformer is full of surprises, sometimes subverting my expectations when I thought there wasn’t anything left to uncover. If you have a Switch, I highly recommend checking out one of my favorite games in the genre since Metroid: Fusion.
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10. My Friend Pedro (Switch, Xbox One, PC)
An action, score-based shooter that I’ve had my eye on for years since seeing the gif put out by publisher Devolver Digital and developer Dead Toast Entertainment. The nature of this very tricky to pull off and even harder to master game lies in its focus on style. Moving across short levels on a 2-D plane, you must, roll, spin, flip, kick, skate, and, of course, kill combo as many enemies to place a high score and a top rank. While there is a story to keep the drive of the game moving forward, I wouldn’t say that should be the guiding factor to check this out. Rather, I found the quick get up and quick play of a level or two perfect for on the go gaming. Once the controls click, this game really delivers on its promised “Bananas” style.
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9. Untitled Goose Game (Switch, Xbox One, PS4, PC)
“What if Hitman, but a Goose?” is probably the most quoted pitch heard for this small, but very charming game by developer House House. In it you play as, well, a goose who terrorizes a small town from every front. From untying shoes so people trip to locking helpless victims in garages, no one is safe from this feathered menace! Okay, so the Hitman comparison is apt, minus the extreme brutality, for this sandbox-lite adventure. The best I can compare it to is an interactive toy; one that is unique in how the player can approach a situation and explore the possibilities of what can and will happen within the rules of the program. It might not have the deep experimentation of a larger game of its kind, but I found its calm and lighthearted nature makes this a very stress-free experience, especially when you are the one dealing out all the harassment.
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8. SteamWorld Quest (Switch, PC)
I don’t normally go for card-based RPGs, but when Image & Form provide a new adventure in the SteamWorld universe, I had to check it out. This might be the one that changed my mind, because after several turns, I was hooked. The adventure itself keeps things relatively jovial with plenty of jokes and wit to keep the story moving forward. It can be easy to stick to one group of characters, a limit of three per battle, but I find more enjoyment in the battle system when different combinations are put into play. The battle system also provides linked combos that offer bonuses and stringing cards together in a row also adds more to the strategy. Building a potent strategy is where I found the most engagement in this RPG, and all the trappings around the edges made this one stand out in my mind. A good starting point in the genre for those curious.
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7. Baba Is You (Switch, PC)
A tough logic puzzler I think goes the extra mile with its charm and style. You play as Baba. Or, rather, Baba is you, or a wall, or section of water, or a skull, or... well you get the point. The goal in each stage is to reach the “Win.” What is the “Win?” Most of the time it is a flag, but really it can be anything. Using a simple push function mechanic that many top-down puzzlers have used before, the twist comes in that you can have these sentence blocks to push around and affect the game’s logic. For example, if the winning object is out of reach by a wall that forces you stop (“Wall is Stop”) you can push one of the sentence blocks away so you can pass through the wall. Even making a sentence to “You is Win” will also result in a victory. The difficulty can be a bit stiff, but I would often find myself just thinking about a stuck puzzle while out and about and think of the solution as a sort of epiphany. Even when getting stuck on a tricky brain teaser, the game offers multiple paths so you can keep progressing through. Certainly, Baba Is You has been on my mind since first playing it.
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6. What The Golf? (Apple Arcade, PC, Switch TBD)
If Desert Golf is the pinnacle zen of the golf sport genre, What The Golf? embodies its “party mindset.” Yes, it is golf, and yet, it becomes something more than just golf. Sometimes you will find yourself having to hop across a very familiar level. Other times you will have to coordinate trick shots while being an exploding barrel. And sometimes, there’s just good old-fashioned bowling. What The Golf? will keep you on your toes, especially if you are fond of video games released prior to this. I won’t spoil some of the surprises in store, but some of them had me in stitches from laughing so hard. It would be nice to fully outright buy this game on the iOS App Store, but for now, a subscription to Apple Arcade is the only way to play this on the go.
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5. Sayonara Wild Hearts (Switch, Apple Arcade, PS4, PC)
Another Apple Arcade exclusive for mobile (you can also buy it on the Switch at this time), this one showcasing music and style. If there is one thing that counts in making an impression on me, it’s presentation. Sayonara Wild Hearts is described as a pop album video game; one you experience as much as you listen to. The format seems simple at first. Guide your character along the track and collect different items for points to rank a high score while also dodging obstacles. Soon though, things start to mix up as fast as the soundtrack’s BPMs start to pump up. While the touch controls are adequate, I think for certain spots, a physical controller would have been nice. However, there are movements that are far easier to pull off using a touch interface, such as time hits reminiscent of music games like Elite Beat Agents. This gem of a game needs to be experienced at least once, not only for the wonderful soundtrack, composed by Daniel Olsen and Jonathan Eng and featuring Linnea Olsson on vocals, but also to see the twists and turns the game takes. This little game surprised the hell out of me, and I think it will be one that I will revisit again based on its production.
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4. Ape Out (Switch, PC)
Sometimes we all need to get out. Especially when you are an ape stuck in a cage. That’s the conceit of the top-down, twin stick, hyper violent, and super stylized game, Ape Out. There is one goal: Be the ape and get the hell out! The concept is very rudimentary which I feel allows the game to shine. You will have to run, dodge, grab and toss enemies to reach the exit while the only advantage is being able to take three hits before going down. Enemies have guns that the player can’t use in the typical way. Instead, grabbing a foe allows one immediate shot to be fired from the grappled target. Used strategically, it can get you out of a lot of close calls. Other enemies can have bombs or body armor to keep this from being too repetitive and thanks to the game’s art style, they all look distinct so there’s no confusion on who you are fighting. Levels are procedurally generated as well, so even thinking on memorizing enemy patterns doesn’t always work. The fluorescent color palette and very minimalist style, like that of a Saul Bass movie poster, highlights the chaos and violence without making it too gross or unappealing. Even the soundtrack is minimalistic, utilizing only jazz percussion that plays out dynamically as the action plays out in real time. A feast for the eyes and a challenge on the thumbs.
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3. Katana Zero (Switch, PC)
Taking a page from one hit kill action games like Hotline Miami, Katana Zero plays out at first like a typical note from the genre, right down to its ‘80s aesthetic. You clear room after room of enemies, slashing with your katana, wall jumping to high points, and focusing time to slow down and either dodge or reflect projectiles. A lot of this game is a throwback thanks to its choice of graphics, 2D platforming and story points from movies like Drive and Leon: The Professional. It is thanks to the presentation that makes this game shine for me. The story, music, graphics and gameplay presentation are what makes Katana Zero so high on my list. Clearing rooms is fast paced and quick, with messing up only taking several seconds to get back into the fray. While the loop of the game can get a bit repetitive, there are plenty of surprises that change up the standard formula of the game as you progress. The story does a nice job of not only driving things forward, but also tying in gameplay concepts into the narrative. The music is a healthy blend of synthwave and some very heavy and experimental electronic tunes (one that I’ve had on repeat most of the year). The overall games is fairly short and ends on a bit of a cliffhanger, but there are speedrunning modes and secrets to uncover from replaying. Katana Zero stands as one of the best independent games this year.
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2. Fire Emblem: Three Houses (Switch)
There was a time when Fire Emblem was on the ropes, becoming a lagging franchise that was not connecting with strategy enthusiasts on the home consoles. Then in 2013, things changed with the release of Fire Emblem: Awakening on the 3DS. Nintendo and Intelligent Systems had intended that game to be the last in the series. Instead, we got another 3 (and 1/2) games released on the 3DS this past decade. Now it’s time to pass the torch onto the Switch and boy did they deliver on a packed adventure! Instead of just following one or two paths like most FE campaigns, Three Houses offer up to four different story playthroughs that each roughly takes about 50 hours or more to complete. There is also a vast amount of customization thanks to the setting being centered around a military school and teaching classes. If you love watching meters and bars fill up, there are tons of those to be had in Three Houses. Even though not every aspect is well thought out (the amiibo gazebo comes to mind, even though it is the best named mechanic), the cast of characters and support conversations (all fully voice acted) provide some rich storytelling from a character development standpoint. Do check out this game as it is one of the best in the series.
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1. Tetris 99 (Switch)
“Where are we dropping, Blocks?” In a personal first for me, a multiplayer game has taken my number one spot. Tetris 99 is just that. Tetris. However, it’s you versus 98 other players in a battle royal style completion. Released as a free download to Nintendo Switch Online subscribers, it now has multiple versions that can be bought as well. Thanks to constant updates and weekend tournaments, the online community is still strong, so finding matches is quick and painless. Playing against such a wide number of challengers turns the typical Tetris strategy on its head. Racking up combos instead of quickly clearing lines, for example, is one way to secure victory, but leaving too many gaps and holes can prove disastrous if you suddenly become the target of a handful of players. Even though I have yet to secure a 1st place finish, the nature of Tetris keeps me coming back for more. Whether it’s facing against bots, friends, marathoning solo or playing the featured battle royal, this is a fun version of Tetris to be had.
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ewh111 · 5 years ago
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Annual List of Favorite Film Experiences of 2019
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Happy New Year! All the best to you for a fabulous 2020 and new decade! 
2019 was a busy year of traveling. Work took me back to China (three times), Japan, Korea, and first time visits to the Czech Republic and Australia. 
I had the opportunity of a lifetime when I helped lead a group of Harvard-Westlake faculty members on a culture and food themed trip to China with James Beard Award-winning food writer/chef Fuchsia Dunlop. As a big fan of hers, I invited her to join us as our culinary tour guide and she accepted, leading us through three regions of China with distinct cuisines (Chengdu, Hangzhou, and Shanghai). Over ten days, she curated 19 meals with over 300 different courses! For more, go to my first annual food post: https://ewh111.tumblr.com/post/189972112494/2019-food-lists
And now, here are my favorite film experiences of the past year. 
Cheers, Ed
The Best and The Favorite of the Year
Parasite
The less you know before viewing this metaphorical, fiercely dark, genre-bending comedy/horror/social satire of haves and have nots where everyone is arguably a parasite, the better. Korean filmmaker Boon Joon-ho creates a memorable, twisty, thought-provoking film experience with exquisite storytelling, stunning visuals, sudden tonal shifts, unexpected turns, and a terrific cast. Just take the journey and enjoy this masterful work that may be the best film of the year. Trailer: https://youtu.be/isOGD_7hNIY
Jojo Rabbit
Appealing to my affinity for the quirky, this one is my favorite film of 2019. Who knew that a story during the waning days of WWII about a 10 year old Hitler Youth, his imaginary friend Adolph Hitler, and his single mom who is hiding a Jewish girl in their attic would be so sweet and funny. While an absurdist witty satire on the surface, it’s really an anti-hate, coming-of-age story as we experience the world through the eyes of 10 year old Jojo as he confronts and reconciles “the other” he’s been taught to hate in the world around him. Delicately balancing whimsy and seriousness, Jojo Rabbit is a beautiful and soulful film thanks to a great cast, including a terrifically endearing Scarlett Johansson (while likely to garner more attention for Marriage Story, this is the more memorable character to me), the audacious Jewish-Polynesian director Taika Waititi as the sophomoric Hitler bestie, Sam Rockwell as an SS officer with a heart, and a wonderful Roman Griffin Davis in the title role. Trailer: https://youtu.be/tL4McUzXfFI
Racing Against Time
1917
Wow. Daring and bold filmmaking in one of the most realistic and visceral war film experiences since the opening scene of Saving Private Ryan. In a role that may be overlooked during awards season, George MacKay is a standout as one of the two soldiers sent on an impossible mission through No Man’s Land to deliver a message to prevent British forces from entering a massive German ambush. Oh, and via pure movie magic, director Sam Mendes and master cinematographer Roger Deakins tell this story in what seems like one continuous shot. I was totally drawn in by the Gallipoli-esque race against time, the real-time pacing of 24, and the immersive POV of a video game. The result is breath-taking as the camera dances around the soldiers, trenches, bunkers, and towns in a beautifully choreographed dance without distracting from the gripping storytelling. Trailer: https://youtu.be/gZjQROMAh_s
Ford v Ferrari 
An exhilarating, high octane, crackling thrill ride. The story of two obsessively passionate crazies, ex-racer and car designer Carroll Shelby (Matt Damon) and British race car driver Ken Miles (Christian Bale), who join forces with American corporate titan Ford to defeat Ferrari at the 24 hours of Le Mans in 1966. It’s pure adrenaline that non-racing enthusiasts can enjoy because of the well-crafted story and performances. Trailer: https://youtu.be/I3h9Z89U9ZA
Unforgettably Creepy and Disturbing
Joker
Joaquin Phoenix disturbingly and completely transforms himself into the pathologically deranged, downtrodden, and delusional part-time clown/aspiring comic Arthur Fleck in this origin story of Batman’s arch nemesis. Joker is a deeply disturbing character study of how an emotionally fragile individual on the fringes of society gets pushed deeper and deeper into the downward spiral of insanity to the breaking point.  Dark, edgy, and unsettling, Joker is not for everyone. But there’s no denying Phoenix’s brilliant, tour de force performance. (Unfortunately, my edginess was heightened in my screening by an audience member who was similarly laughing inappropriately like Phoenix’s character, which had me looking for the closest exit in the event of a disturbance). Trailer: https://youtu.be/zAGVQLHvwOY
Us
In his sophomore directorial effort, Jordan Peele has gone beyond the horror and social commentary of Get Out, and into even deeper, more chilling existential territory. In Us, Peele has created an All-American family terrorized by a creepy scissor-wielding doppelgänger family and spirals into more terrifying and mysterious terrain with a fabulous dual performance by Lupita Nyong'o. Who is Us? Is Us them? I’ll leave the metaphorical debate for later. Trailer: https://youtu.be/hNCmb-4oXJA
**Midsommar deserves notable mention in the creepy category–a slow-burn, dark tale of a young American couple’s vacation in the remote Swedish hinterland at a once-in-lifetime summer festival that goes creepily and morbidly wrong. Trailer: https://youtu.be/1Vnghdsjmd0
Masterworks by Tarantino and Scorsese
Once Upon a Time…in Hollywood
Perhaps Quentin Tarantino’s most mature film, Once Upon a Time…in Hollywood beautifully captures in painstaking detail a specific moment in time: Hollywood, 1969. A passionate homage and love letter to Los Angeles and the Hollywood scene, Tarantino blends a concoction of history and fantasy (a la Inglourious Basterds) in a buddy movie with Leonardo DiCaprio as declining TV hero/star and an endearing scene-stealing Brad Pitt as his stalwart stunt double/best friend whose lives fatefully intersect with Sharon Tate and the Manson family. While at times meandering (it’s less plot and more a series of vignettes), it is also at times spellbinding (an on set encounter between DiCaprio’s character and a fellow 8 year old child actor; Margot Robbie’s Sharon Tate watching herself on screen inside Westwood’s Bruin Theater). As the title implies, this is a quintessential Tarantino fairy tale: funny, yet warm, and, of course, violent. Trailer: https://youtu.be/ELeMaP8EPAA
The Irishman
An epic, career-capping entry into Martin Scorsese’s mob-themed oeuve, The Irishman appropriately brings De Niro, Pacino and Pesci together in this elegaic saga, complete with de-aging technology to tell the story of mob hitman Frank Sheeran (De Niro) through multiple flashbacks. And for those of us old enough to remember, the story helps to answer the unsolved question, what happened to Teamster head Jimmy Hoffa. Trailer: https://youtu.be/RS3aHkkfuEI
Family Dramas
Marriage Story
Scarlett Johansson and Adam Driver are top-notch in this raw, yet poignant, and ultimately life-affirming journey through the disintegration of a marriage and the logistical mechanics of the divorce process and custody fight seen from both sides as each struggles to reestablish priorities in their lives and redefine family. Trailer: https://youtu.be/BHi-a1n8t7M
The Farewell
We are told the film is “based on an actual lie” in the film’s opening titles; director Lulu Wang’s heartfelt, deeply personal, and charming film stars Awkwafina as a young woman whose grandmother (in China) has been diagnosed with terminal cancer but the entire family has decided to keep it a secret. Under the guise of a hastily planned family wedding, the family gathers to say goodbye to grandma. Capturing the uneasy tension between Chinese and American culture, questioning where one belongs and the role of family in our lives, Awkwafina shines in her first dramatic role, as does the rest of the supporting cast.  Trailer: https://youtu.be/RofpAjqwMa8
Little Women
Director Greta Gerwig follows up Lady Bird with another achievement, giving the classic 19th century Louisa May Alcott period piece a thoroughly modern feel with an effervescent cast and 21st century non-chronological storytelling. Saoirse Ronan leads a fantastic cast. Trailer: https://youtu.be/AST2-4db4ic
Two Funny Smart Girls, Two Religious Guys, and Only One Baby Per Family, Please
Booksmart
More than just a female version of Superbad, Booksmart is an impressive directorial debut for Olivia Wilde with the fantastic duo of Kaitlyn Dever and Beanie Feldstein (HW ‘11) as the “study hard” academic besties on a mission to “play hard” on the last night before graduation. Also memorable is the scene-stealing Billie Lourd (HW ‘10). This very funny and delightful coming-of-age pic stands out in the pantheon of teenage comedies not only for its quirky and smart tone, but for its inclusive and diverse three-dimensional characters, including LGBTQ+ and gender non-conforming teens whose sexuality don’t define who they are. Trailer: https://youtu.be/Uhd3lo_IWJc
The Two Popes
I didn’t expect a film that is essentially an extended conversation between two people would be so intriguing and gripping. The imagined conversation in 2012 involves two very different men, one the sitting pope who finds himself standing increasingly in the way of progress, and the other, his eventual successor looking to retire from an institution he is increasingly frustrated with. But with spot-on casting and terrific performances from Jonathan Pryce as the ABBA-humming future Pope Francis and Anthony Hopkins as the stoic, humorless intellect Pope Benedict XVI, The Two Popes is a joy to watch. Trailer: https://youtu.be/T5OhkFY1PQE
One Child Nation
This one’s a doc. From 1979 to 2015, China instituted the “One Child Policy” as a means of population control to stave off mass starvation. Documentarian Nanfu Wang, herself an exception to the policy and now a first-time mother, explores the enduring ripple effects of the policy that included forced abortions, sterilizations, abandonment of baby girls, and child trafficking. This powerful and devastating documentary looks at the multi-layered trauma–how it was carried out and the heartbreaking human and societal toll it has taken. Trailer: https://youtu.be/gMcJVoLwyD0
**Other documentaries to check out: Cold Case Hammarskjold, Where’s My Roy Cohn, The Biggest Little Farm, Leaving Neverland.
All Out Pure Fun Movie Experiences
Knives Out
An enthusiastic bundle of joy, Knives Out is Rian Johnson’s stellar, intricately crafted, Agatha Christie-like whodunit with a stellar cast who seem to be having as much fun as the audience. Trailer: https://youtu.be/qOg3AoRc4nI
Rocketman
Can’t help but compare this to Bohemian Rhapsody, but Rocketman is the superior and more entertaining musical biopic (using the term loosely). It’s bold, magical, and fantastical, as befits Elton John. Trailer: https://youtu.be/S3vO8E2e6G0
Other notables: The King, Avengers: Endgame, A Beautiful Day in the Neighborhood, Honey Boy, Yesterday, Velvet Buzzsaw.
In the queue: Pain & Glory; Uncut Gems; Bombshell; Richard Jewell, The Last Black Man In San Francisco.
Favorite Binge-worthy TV Shows
Dark, Succession, When They See Us, Chernobyl, Mindhunter, Barry, Veep, Sex Education, Silicon Valley, Stranger Things 3, Don’t F**k with Cats
Special Shout Out to Dark
With elements of the mysterious strangeness of Twin Peaks and Stranger Things (minus the humor and camp) and the intricate intertwined storytelling and compelling characters of The Wire, Dark is the story of four families who live in a tiny German town situated next to a nuclear power plant (add a little of Chernobyl) who are inextricably connected through some strange cosmic phenomenon. Oh, and throw in a big dose of time travel. Dark is incredibly compelling and addictive. It is hands down the most complex and thoughtful (i.e., sophisticated and makes sense) time travel-themed story I’ve seen. Do yourself a favor and resist Googling anything about the show to avoid spoiling the experience. Just watch. There are two seasons worth at Netflix. And one more on the way. Trailer: https://youtu.be/S3vO8E2e6G0
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cruddyborderlandstheories · 5 years ago
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okay this isn’t a theory at all but I wanted to talk about my 3 Zane builds... because I can and nobody can stop me ahahahahaha
I used this site: https://bl3skills.com/
so far they have Zane, Amara, and Moze available so you should 100% go check it out cuz the creator is doing god’s work and also making builds is fun
the kill skill build im probably going to use mainly on single player:
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the reason it's a kill skill build is because the capstone for Hitman (Death Follows Close) is insanely powerful when you consider the Seein’ Red skill. That is, the Seein’ Red skill allows you to activate all your kill skills whenever you activate ur action skill. And Death Follows Close gives every killskill a 40% buff and +4 seconds. which is insane (I spent like an hour just doing the math for all my builds lol). This will be using Zoomer and the Clone, where Zoomer’s got both Bad Dose (radiation damage and movement speed/fire rate buffs for Zane) and Static Shield (if possible bc idk if u can take parallel augments- drains enemy shields and replenishes Zane’s (if not, we’ll take Winter’s Drone which does cryo damage)) and the Clone has Schadenfreude (when the clone takes damage, Zane’s shield is regened) and Which One’s Real (enemies will aggro the clone more often after teleporting - because we want our clone alive and taking aggro for as long as possible- if not possible then we’ll take Binary System in replacement of Schadenfreude). 
this is probably going to be my crowd control build. It likely won’t be outputting a huge amount of damage but if there’s a lot of people and i’m being overwhelmed i imagine the quick action skill charges and the increased movement speed will help a lot
which leads me to the omgwth build that i am v proud of:
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This one is my kamikaze build because when I’m playing with friends I like to do dumb shit, and dumb shit includes running into a fight im most definitely not going to win without dying. I take inspiration from suicide psychos.
so basically I’m gonna use the barrier and clone. The idea is to deploy both action skills at once (and pick up the barrier), then run into battle screaming shooting at enemies through the shield. Hopefully at this point I’ll have picked up a nova shield and, i think you can see where this is going, then I can run into the middle of a bunch of enemies and as the barrier’s timer runs out and my shield depletes, teleport out using the clone once the nova hits (we don’t want to be there too long or else our clone’s timer might run out, which is why I didn’t go for Hearty Stock) and let my shields recharge in preparation to do it all over again.
an explanation for a few skills that may make you go “why??”: i chose Really Expensive Jacket over Futility Belt bc the latter is a kill skill, while REJ is always active- a -50% duration of DoT’s is REALLY good, especially if i get DoTed before i teleport, then the shields immediately recharging after i teleport (Quick Breather) won’t take effect because they’ll instantly be knocked out again. Also Zane screams a LOT when he’s on fire and I’m good. I’m good. As for why I chose Duct Tape Mod, I wanna see if it works with the Infinity. if it does, then my god. that’s glorious. Am also hoping it fires a grenade with your grenade mod attached. If it does, then it will likely take from ur stock, which is another reason to have Pocket Full of Grenades. if it doesn’t, then it’s a vanilla grenade and I don’t think that will take from the stock (that’d be kinda shitty), and, hey, free booms.
The barrier stays active for 9 seconds (12.6 with both action skills active) and the clone stays active for 18 (25.2 with both skills active- not sure how this will work when one action skill runs out). The reason I got Violent Momentum is because bullet damage is boosted by the barrier (+20%) and that’s an additional straight +30% gun damage on top of that without any speed boosts as we “run” into battle, but, even better, I’ll be using the Charged Relay (bonus speed!) and Deterrence Field (touch the shield as i zoom towards you and get zapped asshole) augments for the barrier. We’ll also have the skill Supersonic Man, which will maximize our movement speed when the barrier is up. Which is exactly what we want. And, of course, the clone will have Binary System (cryo nova on teleport) and Dopplebanger (booms whenever the action skill ends). because we want to maximize the amount of boom happening at the very end of this maneuver. 
The reason we’re going for grenade regen here (Pocket Full of Grenades) is because we want our clone to be a big strong boy so he can tank and output damage for us before going boom, since after we teleport to relative safety we’re going to need to let our shields regen. Binary System will cause a cryo explosion and Dopplebanger will cause a fire explosion, not the mention the skill that drops a ‘free’ grenade when the clone is killed (wondering if that stacks with Dopplebanger or not). without the Death Follows Close skill, we need to rely on the base 15%/s grenade recharge rate, so that leaves us with about 120% of a grenade 8 seconds after we kill an enemy. and, hopefully, with the way this build is gonna work, minimum 3 grenades before the next time our clone is summonable (with Adrenaline we get a 20.8 long second recharge rate w/ our clone and a 14.8 recharge rate w/ our barrier- 3 grenades would take ~24 seconds with max efficiency) and our shield is fully charged (not factoring grenade drops from enemies here)
Oh, also, my clone is getting a rocket launcher. because that’d be really funny with a +51% fire rate and +33% damage (not to mention the +10% damage from swapping places). If my nova shield burst won’t kill ‘em, then the cryo nova could, if the cryo nova doesn’t, then the rocket launcher could, and if the rocket launcher doesn’t, then the fiery explosion of death might! 
... or the grenade, depending on if i detonate the clone or it gets killed before i’m able to. We’ll see.
my turtle kwami build (that’s a protection build for those of you who don’t miraculous ladybug) for when i think i'm gonna get absolutely fucked without shields and/or I wanna snipe:
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focus on cryo sniping and surviving mostly. i love cryo but uh im not the safety/surviving type so i am slightly disappointed it’s merged so far into his barrier tree. Thankfully, i don’t mind sniping/supporting my teammates every once in a while so it’s not a problem, i can get my cryo fix lol. i still prefer pretending this is Jackass the Video Game tho
anyway we don’t care much about increasing shield capacity because if things go according to plan we’ll have the barrier up most of the time (base barrier recharge is 18 seconds, it will become 14.4 seconds) and tbh capacity doesn’t matter much if our shields don’t regen fast enough. also if we’re using amp shields for sniping, then we want the charge rate to be as fast as possible for that as well. We’re also focused on health regen for surviving bc snipers are squishy and we might not be able to get out of danger fast enough so we wanna healthgate, so we got both Rise to the Occasion and Salvation
We’re also using Confident Competence and Nerves of Steel to maximize our sniping potential. To maximize Cryo stuff, we’ve chosen the skills Best Served Cold and Cold Bore. The reason I want to maximize cryo stuff is because of Calm, Cool, n Collected which is fucking amazing, and on a sniper where the duration or recharge of ur action skill can be fully reset? BEAUTIFUL. (even though I’m not big on the Under Cover tree, CCaC is one of my favorite skills. Holy shit is this awesome). Cryo is also great on a sniper in general, as frozen enemies can’t dodge you spamming their crit spot.
We’re also going to get Seein’ Red so activating an action skill will set off all kill skills. These kill skills include Futility Belt (all elemental damage is set to non-elemental damage- basically a 22% damage reduction to all damage for 8 seconds), Salvation (weapons grant life steal for 20% damage (which is AMAZING) for 8 seconds), and Cool Hand (increases reload speed). The reason we’re aiming for reload speed is because we wanted Almighty Ordnance and getting Praemunitus wouldn’t let us do that, so we take the second best thing to magazine size.
Our augmentations will be Nanites or Some Shite (health regen, reload speed (synergizes with Cool Hand) and shield recharge delay (amp shield)) and Redistribution (increased gun damage by +9% for 3s whenever the shield takes damage). For Zoomer, we’re gonna take Winter’s Drone (in hopes that will still proc Calm, Cool, and Collected- if not, well, cryo is brilliant for snipers anyway) and Almighty Ordnance (for long distance missile damage. I was thinking this plus whenever Zoomer drops a grenade (which will be a singularity grenade) will be absolutely amazing).
anyway, if it wasn’t obvious enough, im maining Zane and i'm going to have a great fuckin time yeet
im hoping i’ll be able to min/max further with class mods and artifacts. I get the feeling Zane’s class mods will allow him faster recharge rate for one action skill (either depending on slot or whichever tree the mod buffs most). Artifacts are apparently going to buff movement types, which I’m REALLY excited for. I hope I can get some cryo damage going with my slams/sliding.
I am also very much considering a Hyperion and Tediore build for my kamikaze build until I get max level, then we’ll see which legendaries i need to grind in order to maximize chaos with my gear as well. Idk what kinda rocket launcher i’d get though. maybe something Maliwan... ooo you know what, do the CoV make rocket launchers? I’d love to see how the heat mechanic plays with the clone getting a copy of your current gun...
EDIT: edited to add links to each build.
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dianaburnwood · 4 years ago
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Sorry for the inbox spam but it's so nice to talk about the game finally <3 were there any story or gameplay parts that you didn't like? Or is it too early to say?
Definitely never apologize for inbox spam about Hitman :) 
My first impressions post is here, for those interested. 
You’re asking me for story analysis here and this will get a bit rambley I’m sure, but sorry in advance because I have THOUGHTS
The status quo 
Firstly, I will say that I applaud IO by telling the story they wanted to tell. Yes, absolutely, in many ways this was Blood Money 2.0, but it also delved into Absolution, Contracts, Silent Assassin, and Codename 47 (I can go into more detail on how it draws from all of them, but you can probably guess). 
This trilogy, but especially this game, is a love letter to the entire Hitman series. It goes straight to the heart of what Hitman has been about since the very beginning. Choices. Freedom. Control. Fate. What does it mean to be human. 
Not to sound up my own ass, but as a professional writer I knew they’d have to end with a return to the status quo. It’s the only way to leave the series open to continuation. Grey and Olivia had to be out of the picture by the end. I was shocked that Grey was killed so early though, but I have to say it was nice that he was actually true to 47 all along. I think 47 really needed that. We can delve deep into issues of survivor’s guilt here too, as Grey only died to protect 47. I guess he finally repaid his debt from Romania. 
I do think the only fair way for Grey to die was to take himself out, and I appreciate that. He is honourable, he is righteous, he has his own code. He would never let himself be taken alive. And yet, I do wonder if he still would have shot himself if 47 wasn’t there. He might have let himself be taken and then work out a way to escape later. But in the end, he had no choice if he was to save 47. He wished they had more time - he didn’t even get to enjoy his freedom - but he got what he wanted and the story no longer needed him.
Gameplay
In terms of gameplay, there really isn’t anything I didn’t like. IOI went above and beyond in taking risks here. We got a linear level, we got a level with hidden targets, we got levels with non-target objectives, we got investigate gameplay, we got multiple partners to assist, we got narrative mission exits, etc. Tbh the most “traditional” level in terms of trilogy gameplay was Chongqing. 
The camera and shortcut unlocks were a wonderful addition to the series, and it opens up the levels in great ways, with vents, walkways, passages, etc. Hitman maps are always extremely re-playable, but now? OMG, the possibilities seem endless. 
It would have been all too easy for IOI to stick with what they knew worked. And I think that’s why they decided to go all out for the end of the trilogy. Now was the time to take risks if they were going to take them - and I’m so glad they did. 
Character arc
I’ve written about this a bit already, but I’m gonna keep going :D 
47. What are his choices? What could he choose? 
In Mendoza, Diana offers him a chance for the future. She asks him about retiring somewhere like Mendoza, as he’s not going to work forever. And he responds saying he has started thinking about the future.
I really wonder how that future worked out - cos he took a year off at the end of the game. Where did he go? Did he keep to himself? Did he try to have a life? Did the loneliness, the isolation, the lack of purpose eat him alive until he came back to her?
What is the life that 47 wants for himself? We see his worst fears given a voice - Diana’s voice - when we get that wonderful look into his psyche. And Diana really dug deep here, and wow, it hurt to watch. We all knew she was pulling a Blood Money, but with ICA/Providence guards all around them, she really had to let 47 have it. And yet, while she spat vicious words for show, she used the opportunity to forgive him. To let him know that he didn’t have a choice in killing her parents, and she knew it. 
But damn. 47 trusted Diana without question. Unwavering loyalty, all the way through this trilogy. And yet, doubt crept in. Her words gnaw at his own worst fears about himself - and in case we missed it, Grey spells it out for us :D Grey, representing 47′s emotions, shaking off his fears, and knowing that Diana was giving him the only opportunity to get close to Edwards. 
Rationally he would have known that Diana would never do this to him. But the psychological analysis of 47 in this game is really superb. He worries that he is just the tool that Providence made him to be. That his life with Diana, the ICA, the contracts, it was all “a wall to shield him” from that terrible truth. 
So, what’s the alternative? Give it up. Run away. He tried it before at the end of C47, but he was running from the past. This time, he realises through the voice of Diana that he must embrace the past. That’s the only way forward. 
And so he does. And I love that. Because 47 can never get away from the fact that he is an engineered killer. Before, in Silent Assassin and Blood Money, that fact angered him. It made him feel trapped, alone. Now, he has a new perspective. He chooses the truth he likes. He needs to embrace his past to be released from it. He needs to finally, FINALLY, come to terms with who he is, what he has done, and what he needs to do to move on. 
Is this a conscience developing? I’ve talked a lot about his emotions before, and how we have seen him experience guilt. Is that growing? I’m not so sure. I think it’s more that he knows he has done wrong, he knows that feels wrong, but he does want to do what’s right. And so, he chooses his life this time, as an antidote, a foil, to corruption. 
Because he truly believes that Diana is untouchable. She is incorruptible. 
But in choosing this life for himself, he is still a weapon, a tool to be wielded, and he trusts Diana to quite literally point him in the right direction. But is that enough to be happy?
The thing with 47 is that I think happiness will always be out of his reach. But freedom? He has to choose that for himself. He’s not ready to let Diana go - perhaps even less ready than Diana herself at this stage. HITMAN 3 really shoved his loyalty for her in our faces from the beginning. And after 20 years, they have trust, they have affection, they have devotion to each other. So the real question is, in choosing Diana, has 47 chosen his own path? Or is he still choosing to have her pick it for him?
And is choosing someone better than choosing something?
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Info on the mechs
(ooc)
I did a thing with info on sg!Wheeljack over on main (ask-drunk-wheeljack), but I figured I’d move some info over here, and I’ll do a thing for Ratchet as well.  The really messed up stuff is under the cut since some of this content is very dark; I’ll have the darker stuff at the end so that you can read the basics without having to read the dark/nasty stuff if you’d not like to.
CW: drugs/alcohol mention, abuse mentions, violence/gore, dubcon/noncon mention, nsfw at the end (will be separated)
Wheeljack:
Wheeljack grew up quite well off.  His creators took decent care of him, albeit distantly.  He was never given very much emotional closeness, which caused him to be a very emotionally distant individual himself.  He still has a decent relationship with them, but they know very little about what he does.
He wasn’t always awful.  He was betrayed by someone who he considered a brother, being told he was “too soft for the cause”.  He vowed with all of his spark to never be too soft for the cause again.
He is a hitman and deals some drugs on the side, as well as selling parts from his victims.  He does a bit of science on the side.
He has been to medical school and has a medical degree
He will play your mind, either for fun or to get information about his next victim.  If he’s playing for fun, you’re screwed.  Because if you become wise to his twisted game, you join his victims in the scrap heap.
His methods of killing are varied, but normally he befriends the victim and asks them to come over.  Usually he’ll play a bit before he finishes them (he has a torture room in his base of operation, Ratchet runs a torture room in the basement), but if he’s pressed for time he usually tears out their vocalizer and tears out their spark.  Everything else is Ratchet’s doing.
He met Ratchet during his time selling spare parts from his victims.  They hit it off pretty well and started “dating”.  Basically, they were business partners who interfaced and recharged together.
He is conjunx with Ratchet, but has no real ties to him.  he likes him well enough but often pursues (one sided) relationships with others.  Not out of love, but because he can.
He and Ratchet can hardly be considered “lovers”.  They merely have an unwritten contract that they don’t turn each other in, ever, nor do they kill each other.  They bail each other out, but at a great cost.  They are fairly regularly experimenting on each other while the other is in recharge.  They don’t have to trust each other; they know full well what’s happening but revel in each other’s sickness.
He gives off a warm aura, which causes people to trust him.  Since he makes so much money in his business, he has the money to buy them drinks or spot them when needed.
His voice is deep from his chest, warm, and has a very hypnotic quality to it.  If he’s particularly determined to gain someone’s trust, he’ll speak more slowly and smoothly, which can often send his victims into a bit of a trance.
He thrives off of having power over others.  Some of why he loves his job so much.
Ratchet:
Ratchet had a far worse background than Wheeljack.  His parents sold him to an institution when he was the human equivalent of 10 years old or so, when the Autobot regime banned having more than two sparklings per couple unless they were given up to the cause.  They were short on money and he was the child that gave them the most trouble.  Little did they know that this “trouble” was what would lead him to be the greatest and worst doctor of the cause.
Ratchet was experimented on by medics and scientists: he was starved, then overfed, a few organs were replaced with stronger ones to see if it would make him grow faster, he was given high grade, and then nearly raw, dirty energon.  He was in constant, excruciating pain.
He managed to escape by sheer chance.  he sneaked out and ran for his life.  By this point he was the equivalent of an older teenager.
He met Wheeljack and after teaming up with him, was able to take the time to become a medic.  During his time in medical school, he took notes of the darker side of medicine
He proposed to Wheeljack that he take Wheeljack’s victims and... run some tests.  just a few tests.  
He now runs a whole operation in their location’s basement, experimenting on captives and making great medical advancements.  He has been essential to the cause with his discoveries.
General stuff:
Their location is unknown to even superior Autobot officers.  Wheeljack frequently trades intel for cloaking devices that he supercharges.  They are in one of the most secret of locations known on Cybertron.
Their home looks completely normal when you walk in.  You’d never guess a thing.
They have an untraceable ground bridge that opens right inside their home.  They’ve programmed their ground bridge to use codes for coordinates rather than numbers, which means even if someone were to see the ground bridge log, they would never understand what they were looking at.
They are both equipped with devices that scramble their signals, which makes their unique energy signatures unidentifiable when they are out and about in risky situations.  It takes significant energon to shield them like that though, and it’s only really used in con territory.  Ratchet doesn’t show up as any unique signature due to his use of synthen, but the sythen shows up on some sensors, which means he’s instantly identifiable.
Both have normal day jobs: Wheeljack is a scientist, Ratchet is a medic
it shields their operations by looking like completely normal citizens.
The really fragged up stuff **there is some dark and potentially triggering stuff here, proceed at your own risk**
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Wheeljack and Ratchet, as mentioned before, can hardly be considered lovers.  They have made a habit of opening each other up and taking innermost energon from each other’s sparks.  It’s an experiment they are both running, to see who can obtain complete control of the other first.
Wheeljack’s favorite method of torture is tearing plating from mesh.  He starts with basic plating, then moves to more vital plating, such as that which covers the spark chamber.  He may even take out and play with the individual’s spark.
He likes teasing in wires to see if there’s any sensors that might do something.  for science, amirite...? 
Ratchet enjoys taking out his victim’s spark and rewriting information on their drives, and asking them about their past life.  He loves to watch them strain to remember loved ones and memories that he’s blurred through rewriting their drives.
This has lead to the wiping of drives from criminal bots and rewiring them to only serve the cause.  And that folks is how Wheeljack and Ratchet double handedly abolished Cybertron’s Autobot prisons.
While both dabble in synthen, Ratchet fuels himself entirely on synthen.  It takes away any fear or sympathy he has left in his spark, and he keeps himself that way.  Not that he had much to begin with.
Wheeljack and Ratchet, when appearing before the Autobot high council, act as if they are a perfect couple.  They will frequently hold each other’s servos at events, hug, kiss, and even lean on each other once in a while.  They are portrayed as the model couple.
At home however... they frequently degrade each other, yell at each other, and even hit each other.  
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NSFW (CW: noncon/dubcon mentions, just some really fucked up stuff):
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Interfacing is very one sided for them.  They are constantly struggling to control each other in the act.
Wheeljack’s torture room is full of tools that go from torture weapons to kink toys in seconds.
the kinkiest boys.  that’s just how it is
Noncon is very common for both of them.  Wheeljack has had all of his motor systems disabled before, while fully aware, while Ratchet uses him for pleasure.  Wheeljack’s favorite way to force Ratchet is to keep him in forced recharge while he has his ways.
They both enjoy wound fucking.  End of story
Ratchet collects spikes and valves from his victims and preserves them to use as toys (my friend came up with this)
E-stim is very common between them, as is heavy bondage.  There is also a lot of master/slave play between them.
Ratchet enjoys tying Wheeljack up and shoving obscenely large or foreign objects into Wheeljack’s valve.The largest thing he’s ever managed is two servos at once.  His valve tore very badly after that one.
Both get off on their victims begging them to stop hurting them.  They often interface with their victims, sometimes as they dismember them.  Wheeljack usually forces the victim to give him oral pleasure (since he absolutely loves oral pleasure) and Ratchet usually fucks their valve.
Wheeljack is the more likely of the two to bring home someone else to interface with, since Ratchet can usually get what he wants from his experiments.  However, if one of them brings home someone to frag with, a threesome or being watched by the other is guaranteed.  Especially if Wheeljack brings home the individual in question.  He gets off on being eaten out or sucked off while Ratchet pounds their valve.
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