#since ive not had to think too hard

[quartergremlin]

Do you by any chance have any more ideas or plans for the leosagi babies comic

Do we get to see leo explain to Sagi? Or announce to the fam? Or stuffs like that

Its genuinely my favorite comic if yours to go back and reread it is so well written

vbdjhvbsfdj thank you 🥺

not really, at least not for now! I have one more ask that i'll probably answer, but other than that there's not much there for me - at least until i flesh out what the future actually looks like.

"I'm so happy!" "me too!"

I wanted to focus on a different turtle for each stage of development to avoid reiterating the same things over again - mikey (pre-baby) > leo (baby) > raph (post-baby) > donnie (post-post baby, otherwise known as a child).

"Baby Angst Hammer"

[cerealmonster15]

i want jamiazu + idikei to go on a double date so badly i think the vibes would be So Very Turbulent

[puppyeared]

doodles of my fav sillies

anton belongs to @poicyss

[al-luviec]

juvie buddies

[werewolf-w1tch]

finally finished the dtiys that @ask-the-cat-cafe is hosting! honestly wasn't sure i'd make the deadline with finals crunch lmao

[transthatfag]

first time trying out digital collage

[thataroaceteaobsessedfanatic]

When you stumble into the Helluva Boss and Hazbin Hotel fandom so hard it became your new personality over night, your next obsession and the only thing that can sustain you for the next however long time

[nemesis-is-my-middle-name]

and happy pride to these assholes. it's still june so i can technially still make that joke right

[mae-i-scribble]

I'm doing a very slow reread of orv with some friends, but since I can't talk about my spoilerous rambles with them too much I have decided to make a post here to get my thoughts out. Up to chapter 25, I've been surprised by the amount of little hints we're already getting for larger plot points and the things that are recontextualized now that I'm looking with hindsight rather than experiencing it for the first time, which really speaks to how phenomenally written orv is on a fundamental level. By the time we get to the 3rd scenario, we've had Dokja mention his mother once, when he briefly worries over her safety. Then we get this line:

"I looked around at the people. The first scenario was original sin. Thus, none of the people here were innocent. That made it more disgusting. Those who trampled on someone else to survive, who couldn’t even bear responsibility for their own life."

Of course it's firstly talking about the lack of morality in this world, when faced with the truth that between the major and minor groups of Gumho station, one fact makes them equal: they are all murderers. The use of the phrase "the original sin" caught my eye because when looking at Dokja's life, murder is his original sin- the murder of his father. That is what sparks the events leading up to this point. It is the true original sin of this world. However, that being followed by "That made it more disgusting...who couldn't even bear responsibility for their own life," is rather hypocritical in that regard. We have no way of knowing exactly how much of that night Dokja remembers at this point of the story, so there are 2 ways to interpret this in regards to his father's murder. 1) Dokja does not remember that he murdered his father, but remembers that his mother had taken responsibility for her crime and served her sentence. In regards to here the people of the minor are far inferior because they cannot adapt the way Sookyung did to their crime. 2) Dokja does remember that he murdered his father, and this disgust is equally leveled at himself, because he knows his mother is innocent but that she took responsibility from Dokja. Thus Dokja of back then is just like these people, unable to take responsibility for his crime.

Then, later on, we see the text, and Dokja specifically, focus on this particular pairing in the minor group.

"The people started to move. All in all, they were people who had already killed. “M-Mother!” “Dayoung, come here! Do this! Just like what you did on the subway with Mother!” Children and mothers."

Then in Chapter 25 we have:

"I honestly admired that the mother and child survived the bloody fight. If she had that much strength, they might be able to survive without going with us."

The English translation doesn't exactly lend itself to identifying the gender of the child, and I am miserably monolingual so I'm not sure if the original text specifies Dayoung's gender, but for thematic reasons I'm choosing to imagine them as a mother/son paring. In that regard, Dokja choosing to notice them out of everyone else, when he's an extremely apathetic person in these early chapters who doesn't care much for those not directly related to him or the story/his survival is very notable. I can't help but think he sees himself in that, as both the son of a murderer and a murderer himself. It's also notable that when complimenting the pair, he only focuses on the mother's strength. Which like. The subconscious projection is so real. To Dokja the child didn't do anything it seems, it's only because of the mother's strength that they will be able to live on. I'm sure I will be back to add more info on this as I trudge through the novel because Dokja and Sookyung's relationship makes me mentally ill all the time but for now I shall simply lay down and ponder(tm)

[carnivalcarriondiscarded]

now...there are 2 ways Barnaby can react to his missing arm option 1: "WHERE [no no word] IS MY ARM??!!"

or option 2: "oh...erm...my arm's missing...ain't that....something..."

secret third option, actually!

"huh... guess i'm all right now"

[lokh]

Im gonna need your like, whole musical rec list, bc literally every song you have posted has not flopped once, give me your faves i need to eat them

OUGHHH YOUVE UNLOCKED THE BEAST ARGSHHFHJDF....

in the interest of making this both easily accessible but not stretching the dashboard, im embedding bandcamp links when i can, otherwise linking to youtube when unavailable

in no particular order, inclusion based mostly on what im still actively into LMAO but also just things you should give a go at least once:

list of artist recommendations

zeal and ardor: described as a mix of african-american spirituals and black metal. try devil is fine, you aint coming back, wake of a nation or church burns

bloodywood: indian folk metal, literally nobody is doing it like them. recently featured in monkey man (2024), try chakh le, yaad or dana dan

stromae: if youve never heard any of his songs WHAT ARE YOU DOING..... incredible lyricist, described as a blend of hip hop/electronic. papaoutai made the rounds on tumblr a while back, but you should also try santé and l'enfer

alamat: pinoy pop. a youtube commenter described them as sounding like 2nd gen kpop which probably also explains why i took a shine to them LMAO, notable for the amount of filipino culture on display and the diversity thereof (singing in different languages, themes). first heard them thru kasmala either here or on twitter lmao, try aswang or maharani

andy bull: alt-pop. a lot of poppy and upbeat songs with a melancholic undertone imo. an australian artist, try it's all connected or keep on running

cosmo sheldrake: electronic, wikipedia also lists him as folktronica and baroque pop. you may have heard the song come along on an apple ad - hes known for sampling sounds from nature. pliocene for example features sounds from endangered ecosystems.

if you like cosmo sheldrake, you might like hidden orchestra (electronica, ambient). also making use of field recordings, i really love the archipelago mixtape but its a hard sell at about an hour lmao. if you like the following song then i implore you to give it a go

son lux: experimental, you may have heard from them in the entire soundtrack for everything everywhere all at once (!!!!!). try dangerous, dream state (brighter night) or live another life.

ammar 808: electronic/world fusion, also behind bargou 08 (folk rock you should also listen to). i just cant get ain essouda out of my head, but i also love geeta duniki

miyavi: j-rock, used to be a visual kei artist. these days he might be known more for anime openings like flashback (kokkoku) or other side (id:invaded), or for work like snakes in arcane (or actually inspiring and voicing a character in it), but ive always been partial to his early work like sukkyanen myv or ashita, genki ni naare

songs/albums

'threads' album by now, now (indie rock).

'dream to make believe' or 'what to do when you are dead' by armor for sleep (rock, emo). here's the truth about heaven from the latter album

i already posted about it but denzel curry's 13lood 1n + 13lood out mixx (rap, trap) is extremely good

the guilty gear soundtracks and im so serious im not fucking joking. different kinds of rock and metal and all sorts of influences put in, a genuine labor of love. xrd and earlier games are mainly instrumental with some vocal tracks (try give me a break or big blast sonic), while strive pretty much always includes vocals (of course i need to rec rock parade, but also try requiem. its genuinely hard for me to pick and choose lmao)

not an album and not an artist

coke studio pakistan and coke studio bangla knocking it out of the fucking park, im particularly a fan of harkalay and kotha koiyo na. you could try the other coke studios too (tamil, india, etc)

triple j like a version is when the radio station triple j brings in artists and has them do a cover of a song (artists choice). i liked denzel curry's cover of bulls on parade and flume's shooting stars (video for this one is incredible, man had a vision you just have to stick it out), but you get a lot of interesting interpretations like the wombats' running up that hill, gordi's in the end or, infamously. the wiggles' elephant

ive DEFINITELY missed out some, but thats what my music tag is for LMAO i hope someone discovers something they like here!!!!

[redrobin-detective]

Iruma is an invasive species within the Netherworld, and like many invasive species he will conquer if left unchecked.

We know at some point, humans and demons interacted though, at some point, they each became each other’s myths. I propose that the separation was intentional on the demon side, relegating humans to bedtime stories. They did this because they knew a single human could elevate or devastate the Netherworld. Humans are weaker in demons in most ways physically but their real strength lies in their cooperativeness and desire for community, adaptability  and perseverance despite adversity.

Right from the start, Iruma has unnaturally succeeded in a world that incredibly hostile to him. And yet from the start be began building relationships. We’ve seen demons don’t have much of a concept of ‘friends’ the closest being ‘allies’. The Misfits individually were lazy and self-centered which is what got them sent to troublemakers class. Only when Iruma reached out and formed positive relationships, created a foreign system of giving and receiving help did they really flourish. With each arc, we see the class cooperating and relying with each other more and more, even in individual events. Its helped them grow exponentially in power and personality and only occurred because Iruma planted the notion that they are stronger together.

Iruma is also extremely adaptable not only from his hectic upbringing but his innate humanity. Despite not knowing the context of what is happening during most of his day, he adapts extremely well. He uses what skills he gained in the human world by tweaking them to suit his needs and picked up new demonic skills (such as using Ali-san’s stored magic) very quickly. Part of the ‘special training’ leading up to the Harvest Festival was forcing the kids to break out of just using their bloodline abilities. Iruma has no power himself and thus isn’t limited in what he uses to complete a task. We’ve seen on a few occasions he wins simply because his opponent is too stuck in a particular way of fighting and thinking. Being able to think on his feet and not just stick to the familiar is what makes him such a fierce opponent.

Finally, we’ve observed that demons on the whole are self-centered and lazy. This is not always the case but overall many lack the ability to pursue or accept change. Even the Six Fingers is all about returning to origins and reviving Delkira, in other words, moving backwards. But since he arrived in the Netherworld Iruma has boldly moved forward. He integrated well into a completely alien environment and not only became popular but powerful very quickly. He worked hard to unlearn an ingrained skill (dodging) to win a contest going head to head with the most powerful student. Even when his fellows wanted to give up, his dedication and well known compassion helped win them the Royal One. He became an expert archer even when his master said most demons gave up, refusing to put in the effort. Challenges that most demons backed down from, Iruma charged on ahead.

Iruma used his ability to bring people together, to adapt to any situation no matter how strange and to see his ambitions through to go from someone who should’ve been eaten on day one to a stand out demon. Iruma himself is a kind, extraordinary young man but he also has a natural advantage in an environment he is unknowingly adapted to. It’s one of the reasons why he will eventually be demon king because who else deserves to stand at the very top than the creature who can outnumber, out-think and outlast any demonic opponent?

[sundial-bee-scribbles]

"my education is my highest priority" everything returns to vocaloid

[puppyeared]

i feel like. theres designing a character with certain themes and motifs in mind, and then theres making a gijinka for the water bottle on my nightstand

[minhmynchi]

a delete later wip so im turning off reblogs but yay my turn for a scene redraw

[jils-things]

eeeekk hi again everyoneee!!! i'm gonna allow myself today to post one art because i miss sharing my stuff on my blog :]]

red sprites: (x)