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i-hate-accidents · 8 months ago

Text

i hate accidents: the beginning

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary: the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections: I. the beginning / II. the between / III. the ball

y/n: bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings: classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, positive/supportive families, allusions to alcohol abuse in [I.viii]

word count: 13.9k (of 38.8k)

story context: everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons. this story takes place leading up to and into the 1815 season.

additional notes: this story is incomplete. scenes that are not written are described in chevrons <> with third person pov or are delineated by isolated ellipses. additionally, the author has only watched s2! she has not watched any of s1 aside from clips, and they have not read the books aside from quotes used in edits. they have not yet watched queen charlotte. the author kinda knows the gist of an offer from a gentleman; they are familiar with sophie beckett (and are excited to meet her/them in the tv series!).

author’s note: this is the first time the author has written fanfic in 13-15 years. :) it is her hope that they have made some progress since her pre/teens. additionally, this fanfic has been written, on and off, over the course of two years. the author sincerely hopes you find some sort of joy in it, especially the readers who maybe hope to see themself a little more specifically in the world we so love.

reading tip: whilst the author is proud of it, she understands the intro to the first section is long. if you wish to get more straight to y/n and benedict's story, the author suggests jumping to [I.ii]. they won't be offended that you did heh.

𝄆 ⚘ ✸ I.i ✸ ⚘ 𝄇

you do not know how you got here.

well, that is not true; you quite literally walked from the markets and followed the directions that penelope had given you, but you did not think those directions would lead you here.

this is a mistake. i must have taken a wrong turn, gone up instead of down, made a left when i should’ve taken a right.

or perhaps this is a dream? yes! that has to be it! a dream! i must have lulled off and dreamt myself here, for whatever reason. once i close my eyes and open them again, surely i will be at home, or the markets, or the workshop even. surely!

so, you close your eyes shut.

you had been walking about the markets on your non-work day, some weeks ago, browsing the wares you wouldn’t (and couldn’t) buy, eavesdropping on any conversation of intrigue, observing the bustle of the crowd going about their day, mindlessly thinking of the next thing to write, daydreaming—when you had collided with someone. they had let out a squeak, their materials flying out of their hands, as you had fallen on your back, thankfully not hitting your head. in your periphery, you had seen how the person had crawled to your side and looked at you with urgency and concern.

“i am so sorry!” their voice was pretty. sweet and lovely. you lifted yourself up a bit to see the person you had collided with. they were also pretty— beautiful, red-haired, and hooded in blue.

their eyes widened.

“er, i meant,” they spoke again, but this time with an— irish accent? their voice was still sweet and lovely but very distinctly irish and distinctly different from their voice mere moments before. “are you hurt?”

“i am all right, thank you.”

“very well,” they said, still in their irish accent, “then i must be going—” and they shot themself up and turned, you assumed, to run away.

“wait! you’re a writer, yes?”

as you had hoped, the person in blue froze. they slowly turned to you again, apprehension and intrigue in their eyes.

“how do you know?” their voice was mangled between their two accents.

“unless you pluck birds for fun,” you stated as you collected the scattered materials they had dropped in the collision, “these are quills.”

you stood up, approached them, and held out their quills to take, offering a smile. the stranger took the quills and put them in their bag. they returned their eyes to you and returned your smile.

“thank you,” they responded in their english accent.

“i know how precious those are, so i am very glad to see they won’t go to waste. well, they wouldn’t have gone to waste either way; i would’ve taken them if you hadn’t turned around.”

that caused the person in blue to laugh.

“i assume you are a writer?” they inquired.

you don’t know what had overcome you; you don’t know why you had been so trusting of this stranger, especially with something such as your writing, but you had been. you reached for your then most recent, folded up quarto, kept between your bosom and your blouse, and offered it to the stranger to read. they took it, shifted their eyes from line to line, turned it to read the crossed lines, and then looked up at you, beaming.

“this is brilliant!— oh, forgive me; i did not even ask for your name.”

“y/n,” you extended your hand. “and you?”

the stranger seemed to stiffen but quickly relaxed themself, taking your hand in theirs and shaking them. they beamed still, but something of their smile had grown quietly mischievous.

“can you keep a secret?”

when you open your eyes, you huff out a breath in a poor attempt to assuage yourself from the reality of your situation: you are not dreaming. here you are—you—at grosvenor square.

you knew of your friend’s circumstances as she had shared it: she is a noble lady, a third sister of the featherington family, who has been writing scandal sheets of high society’s romps and happenings since her ‘debut,’ as she had put it (you hadn’t understood how she had used that word and became further confused upon her explanation of it), under a pseudonym called lady whistledown. penelope has been kind enough to let you read her sheets, and you find it ridiculous what these high society persons do for their lives and utterly brilliant with what wit, snark, and compassion even penelope commentates on that world.

but you did not ever, ever think that she would bring you to it, let alone into it. when penelope had said that you were to meet her most beloved friend, you had thought it would be in an obscure alley or a room hidden behind a bookcase in an unassuming shop—not the literal neighborhood in which she, and presumably her friend, lives! by your posture, by your clothes, by your very existence, it is blatant how much you do not belong here.

i should run. i am going to run.

and so you turn and start—

“y/n!”

—when you hear the sweet voice of your friend. you scrunch your eyes closed, inhaling and exhaling through your nose, and turn around and see penelope in a picturesque green dress, lifting up her skirt with gloved hands, scurrying down the pavement of her neighborhood towards you, beaming. despite the anxiety that rages within you at this very moment, your heart swells upon seeing your friend in such enthusiastic spirits, and you smile despite yourself.

“good day, pen.”

she takes hold of your bare hands in her gloved ones and gives them a squeeze. perhaps she can discern your nerves because you start to feel yourself calm ever so slightly by her gesture.

“i am so glad you are here,” she says.

“i am—— glad to see you,” you then lower your voice. you do not know why; it is not as if your lowered voice will help conceal your existence in this place. “are you certain i am permitted to be here?”

letting go of your hands, penelope swats at the question.

“the bridgertons and i care not about such things.”

“the— bridgertons?”

“yes!” she turns and gestures to the grand brick house with wisterias. “it is at their home, after all, in which we will be spending our time together.”

your jaw drops.

“we are staying inside the house? not simply meeting outside the house?”

this is not a dream. this is a nightmare.

penelope returns her eyes to yours, and it startles you with what tenderness she gazes at you.

“i understand that you are fearful, y/n. i had presumed you would not have come if you had known we would be here. but i would not have led you to bridgerton house if i did not think you would be safe here. the bridgertons are the most inviting, kindly family of the ton— of high society,” she amends upon seeing your confusion at the word ‘ton.’ their name for their world, it seems. “eloise has assured me that we shall be in her bedchamber for the entirety of our time together. and if you wish to leave, for any reason, at any point, i shall accompany you, and we shall leave together.”

with closed eyes you heave a sigh through your nose. you flutter your eyes open and offer penelope a weak, but sincere, smile.

“very well.”

penelope squeaks in excitement, taking hold of your hand once more, giving it another squeeze of encouragement, and leads you towards this bridgerton house as she so called it. she raps at the stately door thrice with great eagerness, seeming to knock in perfect tandem with your beating-too-quickly heart.

an elderly man opens the door, about to greet penelope and her guest, when a young femme shoves herself through the opening.

“thank you, giles!” she calls out as if the man is across the road and then looks at you, ferocity in her eyes. it ought to unnerve you, the whirlwind force of this stranger, but it doesn’t. you just return her gaze with a large, albeit a bit bemused, smile.

“penelope has shared so much about you,” the stranger states and takes hold of your hand. “let us get inside!” and yanks you into the house. she turns, looking straight ahead, and barrels forward, pulling you with her.

as the fiery femme seems to soliloquize excitedly to herself, you look back at penelope who merely wears an amused smile at her friend’s antics as she follows behind.

“oh!” the femme exclaims suddenly. she halts you both and sharply turns to you, still gripping your hand, grinning. “my name is eloise. eloise bridgerton.”

“y/n y/l/n.”

“excellent. now! with introductions all sorted—”

and she turns and barrels you both right, rather than heading straight ahead to the grand staircase as you had presumed she would.

“eloise—” eloise’s fervency had provided a reprieve to your anxiety, but the confusion in penelope’s voice puts you back ill at ease, “where are you—”

“it’ll take just a moment, worry not, pen!”

eloise leads you down a hall, noises and voices of all sorts coming from an entrance to a room, growing louder and louder as you approach until they reach the peaks of their volume as eloise halts you both once more, to your mortification, at the entrance of that very room.

“family, penelope, y/n, and i shall be in my bedchamber. we have much to discuss. please do not bother us,” eloise proudly announces to the entirety of the room.

silence falls. all eyes—and there are many eyes—are on you.

oh, my god.

you turn to penelope. her overall manner is calm and composed, but you can see the disquiet in her eyes. she peers into you, the apologetic look conveying, i did not know this would happen.

you turn back to the family.

a lady. a lady of older age. two gentlemen with a difference in age. a boy. a girl, the youngest amongst them.

how is it with a house this massive in the middle of the city that the entire family is present in this one room? well, the room is the size of the two floors of your home combined, if not larger, so in that sense it is sound—but your question still stands.

this has to be the entire family. surely. there are so many of them. this has to be the entire family. yes?

“no talking, no music playing, no fighting?” inquires a droll voice walking into the room, “has someone—”

you turn your head to follow the source of the voice and make contact with dumbfounded ocean eyes.

butterflies flutter in your stomach.

oh.

shit.

“y/n, this is my second eldest brother, benedict bridgerton,” eloise states. “benedict, this is my friend, y/n y/l/n. do not bother us once we are in my bedchamber.”

he stares and blinks at you but then assumes a gentlemanly posture and bows his head.

“it is a pleasure to make your acquaintance, miss y/l/n.”

without any forethought you start to extend a hand to benedict until you hear penelope give a slight cough only you, she, eloise, and he can hear. receiving the hint, you retract your hand and pretend to swat at your skirt.

“err— yes. likewise.”

another cough.

“mis, ter?— brid… ger?—ton,” you articulate with complete and utter uncertainty of how this world’s introductions function.

he cocks his head and furrows his eyebrows at you, something like amusement playing at his features. he wears a lopsided smile that he is barely attempting to conceal. his expression should be infuriating. and it is. but, it is... charming, too. and welcomed.

you have never felt more embarrassed or more pleased in your life.

shit.

“before the three of you retreat to eloise’s bedchamber,” declares an authoritative voice, breaking your reverie. you turn away from ocean eyes and see the lady of the room approaching you. much to your surprise, she smiles. to an even greater surprise, her smile seems sincere. “i must insist that i introduce myself and the rest of the family to our guest.

“i am viscountess kathani sharma bridgerton, the lady of this house,” she curtsies with perfect elegance. “it is a delight to welcome you to our home, miss y/l/n.”

“thank you for having me— lady bridgerton. and you may call me ‘y/n.’ you need not use such, uh, formalities with me.”

“very well; then you may call me ‘kate.’”

you furrow your eyebrows. she had introduced herself as ‘kathani’ but now asks you to call her ‘kate.’ it makes you think of mama and papa; they shared with you once how they had chosen to go by different names upon emigrating to england. when you had asked why, they simply replied that it would be easier for others in this country to address them.

“may i call you ‘kathani’ instead?”

surprise flashes over the dignified demeanor of the viscountess. she regards you with softness in her eyes.

“yes. yes, you may.”

resuming her full composure, kathani guides you to the eldest of the gentlemen and introduces him as her husband, viscount anthony bridgerton, the lord of the house. he offers you a small smile with a bow of his head and greets you ‘good day.’ you try not to wince at his decorous use of ‘miss’ with your first name, but you suppose it is merely in these people’s natures.

kathani continues and leads you to the lady of older age, introducing her as dowager viscountess violet bridgerton. she dips into a lovely curtsy and, on her rise, gazes upon you with a gentle smile. you feel compelled to respond in kind, but it would certainly not be as graceful as hers, and worse, she may interpret your slovenly attempt as a lark. so, you refrain.

the viscountess next introduces you to mister colin bridgerton (you summon all your self-restraint to keep your countenance neutral—this is the boy who hurt penelope); then to mister gregory bridgerton (he bows so ceremoniously towards you, you cannot help but be endeared by his resolve); and lastly to miss hyacinth bridgerton.

“why are you dressed like that?” she inquires.

“hyacinth!” the dowager viscountess reprimands. she must be her mother. she sounds like a mother. it reminds you of how your mama reprimanded you and your siblings as little ones; the memory and the exchange make you hold back a laugh.

“what! what did i say wrong?”

you ought to feel self-conscious, your lower standing brought into further display to everyone in the room, but you detect neither malice nor judgment in the young girl’s voice. just genuine curiosity. so, you smile.

“my family and i have different means to clothes, amongst other things. i wear these when i work or go about my day. though,” you regard your attire and then— hyacinth?, feeling the glimmer in your eye, “it makes for running around and playing make-believe quite easy.”

“make-believe! gregory, do you hear that! miss!— miss—“ she turns to you with a cocked head.

“y/n.”

her eyes shine once again.

“miss y/n plays make-believe! we must play!” hyacinth latches onto your hand and, with remarkable strength for a child who cannot be older than two and ten, pulls and drags you towards the entrance of the room. “come along, gregory! wouldn’t want to be the last one there!”

“no fair! you cheated!” the second youngest shouts back, dropping all previous ceremonies, and scrambles towards the entrance.

“hyacinth! y/n is not your playmate! she is here with me and penelope!”

“plans do change, dear sister,” hyacinth retorts. eloise’s jaw drops, and the rest of the family bursts into laughter. the entire exchange warms your heart. in so many ways, they are so proper, so wealthy, and yet they are not all so different from your own family. they seem to really care for one another.

“when did you get so smug!” eloise shoots back.

“small wonder where she could’ve learned that from,” you hear colin, the traitor, murmur. turning your head, you see him give amused, pointed looks to eloise and kathani. the latter grins wickedly, and her husband beams at her with pride.

“there are only so many hours in a day!” hyacinth complains. you face her once more, still holding her hand.

“what about this? i will play with you and your brother for an hour, and then i will be with your sister and penelope for my remaining time here. i want to honor the wishes of each of my new friends.”

hyacinth considers this with much theatricality to her expression. she then grins.

“that is an excellent plan,” she remarks, looking to eloise for her thoughts. you follow her line of sight. eloise rolls her eyes and sighs, but a smile rests on her lips.

“very well, then.”

feeling peace restored, you smile in return and, in doing so, in your periphery, catch the ocean eyes of the second eldest brother. benedict. he is looking at you. why is that? you feel your cheeks flush and the tips of your ears heat. his gaze is somehow gentle and intense and indecipherable all at once, and the flutterings in the pit of your stomach grow, and intensify, and start to overwhelm you—

when you are tugged back to reality with a tug forward.

–

< hyacinth leads y/n through the house to the gardens with gregory by her side. y/n is both uneasy and in awe of the things she sees. eventually, they arrive in the gardens. y/n notices two swings hanging off of a large branch of an old tree and is utterly endeared by the sight; it confirms what she has been thinking: though the bridgertons are wealthy, they are warm and welcoming.

< just as hyacinth declares that she has found a suitable spot for make-believe, two male voices ask if they may join. hyacinth, gregory, and y/n turn and see benedict and colin approaching. colin shares that though y/n seems lovely, it would be unwise of the family to leave the two youngest with a stranger; though y/n agrees with his family’s caution, she refrains from wanting to strangle the person who hurt her friend.

< gregory whines and asks if they can begin before eloise complains. hyacinth agrees and says that they need to assign characters. y/n suggests that hyacinth should be a sorceress and gregory should be a knight; these proposals delight the youngest bridgertons. y/n volunteers herself as the villain and decides to be a banshee; she turns to the elder bridgertons and asks what they wish to be.

< before they have a chance to respond, hyacinth proposes that benedict should be the princess who has been captured. benedict indignantly asks why, and hyacinth simply states because he is the most sensitive of the family. sensing how the sibling argument is about to evolve, y/n intervenes and suggests that, like a sensitive princess, perhaps benedict is merely in tuned with his emotions, even amidst adversity; it is, in its own way, a compliment. benedict’s eyes become indecipherable upon the comment, but he wears a small sincere smile. gregory then proposes that colin is y/n’s changeling henchman.

< make-believe ensues, and it is very sweet and very silly. eventually, gregory is called in for latin tutoring and thanks y/n for the fun with a deep bow; hyacinth is called in for pianoforte lessons. >

hyacinth launches herself at you with a hug. pulling back from the embrace, she beams.

“we must continue when you return next!”

before you can even start to reply, she turns and skips off towards the house. you hear how gregory makes a comment about coming in first, and suddenly the youngest bridgertons are in a race against one another, shouting taunts and insults. you can’t help but smile.

“they seem to quite like you.”

your smile falls. you turn and face towards the two elder bridgertons, the traitor being the one to have spoken.

“colin bridgerton,” you begin, “yes?”

he smiles and nods. you surge forward and shove your finger into his face, his smile now wiped.

“if you ever hurt penelope again, i shall make certain that it is the last time you ever do. do i make myself clear?”

when he does not respond, you repeat yourself, and he slowly then quickly nods. satisfied, you turn towards ocean eyes and point your finger at him.

“and you look after him.”

“what did i do?”

“be a proper elder brother and serve as an example for your misguided sibling. understood?”

“i— yes. of course. understood.”

you smile again.

“wonderful. i am glad we three are in agreement. it was good speaking with you, gentlemen. good day.”

you turn away and start to walk towards the house.

“i quite like her too,” and you hear the restored smile in the third bridgerton’s voice. “what about you, brother?”

you hasten your steps towards the house. though mere moments before you had felt emboldened and brave, you fear hearing benedict’s response. you do not why.

–

< eloise, penelope, and y/n extensively discuss literature and writing; upon talking about women writers, y/n shares how she does not fully see herself as just a woman. >

“so, what are you?”

you wince. you have kept good on your promise and joined eloise and penelope in the former’s bedchamber, but you are swiftly wishing you had been able to stay with hyacinth, gregory, colin even, and benedict. you had attempted to explain an aspect of yourself to eloise but not to very much fruit, it seems. you want to hide and escape and run from this place—

“eloise.”

—when penelope comes to your defense.

“what? what is it?”

“perhaps you could have phrased your question with more tact and thoughtfulness.”

eloise looks between the two of you, concern flooding her eyes.

“did i— did i not?”

penelope turns to you.

“are you comfortable to answer?”

“i would prefer that i didn’t.”

you hope that your eyes are sufficient enough to convey the immensity of gratitude that you feel towards penelope in this very moment.

“y/n,” begins eloise, “i did not realize—”

“and what are you three gossiping about?”

you jump, penelope squeaks, and eloise growls a noise of exasperation. turning towards the voice in the doorway, you are visited, once again, by the third and second bridgerton siblings.

“and what makes you think we are gossiping?” demands eloise, “because we are w— people?”

you feel the corners of your mouth tug upward. at least she is trying. wanting to keep the attention on benedict and colin rather than yourself, however, and with genuine curiosity, you cock your head at the two gentlemen.

“do you two always come in a pair?”

“not always,” replies benedict. and he smiles at you, “today is merely a special occasion.”

stupid butterflies.

“speaking of such,” colin proceeds. “kate has requested that the three of you join the family in the drawing room.”

< the five of them make their way to the drawing room. kate shares that, on behalf of the family, she would like to invite both y/n and penelope to dinner. though at first honored to have been invited, upon hearing “dinner,” y/n realizes how late it has become and looks out the window: the sun is halfway set. she apologizes and says that she cannot stay because she resumes work the next day. her latter statement renders some of the people in the room confused, but kathani states how she understands and that y/n is welcomed to join dinner whenever she visits.

< seeing how confused y/n is, anthony shares that y/n is welcomed to visit their home whenever she is able and whenever she would like, and the rest of the family pipes in with how delighted they would be if she does. not knowing how she deserved such kindness from people who were mere strangers at the start of the day, y/n thanks the bridgertons and says that she would love to. penelope chooses to stay for dinner and says that she will see y/n next week. y/n affirms that she, and the bridgertons, will.

< kathani and benedict offer to escort y/n to the entrance. y/n walks down the steps and passes the gate but, before she goes, takes one last look at number five until next week and sees benedict still in the doorway. y/n notices, but reprimands herself for perhaps imagining it, that his smile grows when his eyes lock with hers. with flutterings in her stomach, y/n offers a wave. he gives a small wave back. she turns and goes, smiling all the way home. >

𝄆 ⚘ ✸ I.ii ✸ ⚘ 𝄇

“benedict has been making more appearances as of late,” penelope remarks.

the three of you all look up—you and pen from your writing, eloise from her reading—to see benedict entering through the doors and heading towards the other side of the drawing room. he looks over at you— at you all and offers a smile before he plops himself down onto a chaise and begins to draw.

“yes, it is strange,” eloise considers to the two of you. “for so long he had been moping about, locked away in his bedchamber aside from mealtime or the occasional visit to the drawing room. he’s even picked up his charcoal again.”

“again?” you inquire, averting your gaze from the artist to your friend. “had he stopped prior?”

“he had entirely put it down after—” eloise sighs. whatever memory she has recounted, it does not seem to be a pleasant one. you look to penelope; you sense that she shares a similar sentiment by the sad look in her eyes. you are curious but you choose not to press.

“it has been quite some time since he’s last drawn. but now, whenever i see him, whether in his bedchamber or the billiards room or some other room in the house, he’s drawing. he frequently arrives to mealtime with charcoal stained fingers—much to the chagrin of mama and anthony.”

you all laugh. benedict looks up at you three, and from here you can tell he wears a curious expression, no doubt wondering what you are laughing about. when he exaggeratedly arches an eyebrow, eloise just makes a face at him. benedict rolls his eyes, smiling, and for the briefest moment, you feel as though he is looking at you. but you’ve always had an active imagination. when you blink, he has returned to his drawing, a smile still on his lips.

“i wonder what has changed?” eloise softly says, still looking at benedict. for all her fire and spirit, you see how deeply she cares for her second eldest brother.

“perhaps he has found a muse,” penelope poses rather than queries. you shift your gaze from eloise to penelope, and you’re curious about her expression. she seems... delighted? benedict finding his passion for art again does sound delightful; you know firsthand how difficult it is to pick yourself up from a slump. but that’s not what she seems delighted by. she just looks at you. with a soft smile. why? what does benedict have anything to do with you?

you feel your cheeks and the tips of your ears flood with warmth. you don’t know why, but penelope’s expression unnerves you, in a pleasant sensational way.

you clear your throat.

“i am happy for him,” you say, returning to your quill and folded quarto, haphazardly writing down whatever words come to your mind.

ocean. charcoal. smile. flutters.

shit.

it is not until what feels like an uncharacteristically long moment later that you hear penelope resume her writing and eloise resume her reading. you try not to imagine what they could have silently exchanged with your gaze averted.

𝄆 ⚘ ✸ I.iii ✸ ⚘ 𝄇

you suck in a sharp breath and shoot out of your seat.

“you do not!” you shriek, hastening towards kathani, eloise, and the stack of books they have just settled onto the table. you had arrived early to the bridgertons’ home, at the invitation of kathani, so early that the rest of the family seems not yet to be awake.

(which is strange, you find, as it is nearing 8 o’clock. most mornings, at this time, you are already well into the bustle of work.)

kathani had prefaced, rather enigmatically, that she and eloise had a surprise they wished to share with you. you had your suspicions as to what it could be related to, and with each passing moment, you are suspecting, very excitingly!, that you are very correct.

“indeed, we do,” kathani grins and gestures to the stacks.

taking no hesitation to the offer, you grab from the top of a stack and open to the title page.

the dramatic works of william shakespeare. vol. 2: a midsummer night’s dream / the merry wives of windsor / much ado about nothing.

you shriek again, this time accompanied with hops of excitement, flipping to the final third of the book.

“much ado! this is the one i’ve read!”

dorothea, a fruit seller, had offered a copy of it to you (at a lowered price, she had emphasized) when she had learned of your liking to stories. she grandly stated that she had started to write down the dialogue during low-attendance performances at the theater and then brought her handiwork to be typed and printed at a not-to-be-named press. but if the pages’ handwritten annotations alluded to anything, you suspected that she had managed to purloin a performer’s copy of the script. you felt a bit of pity for the poor performer who misplaced it, but you respected, and still respect!, dorothea’s moonlighting.

you shoot your head up from the book and are greeted by the grins of your two friends. “which one has romeo and juliet?”

this past autumn you had overheard several candlemakers at the markets animatedly discussing the ‘incandescent’ portrayal of the titular character by an actress from ireland. a performance, described as ‘incandescent’ by candlemakers! embodied by a storyteller who has emigrated here! hearing all those wondrous things made you insatiably curious to one day read the text that made such wondrous things happen.

“i believe,” eloise says, pulling the second from the bottom of a stack, “it is this one.”

you twitch your fingers; you have to refrain yourself from snatching the book from your friend’s hand. when it is in yours, you open to the title page and feel your eyes, along with your smile, widen.

“it is, it is! oh, this is extraordinary!” you flip furiously to your desired page and, once you find it, start to read,

prologue. two households—

—when you hear kathani say, “we had thought of starting with that one.”

that makes you rip your eyes away from the words and look up at the two ladies.

“‘starting with’?”

“when eloise, penelope, and i learned of your eagerness to read shakespeare,” elaborates kathani. her saying that makes you flush; you had not realized with what apparent enthusiasm you had spoken of the poet. “the three of us had discussed that the four of us could read his plays together. if you would like, of course.”

your jaw drops. you cannot help the squeal that emits from your mouth. hopping once again in your excitement, you throw yourself at your friends and wrap your arms around them both.

“if i would like! i would be delighted!”

you pull back from your hug with the two ladies and are greeted by gleaming eyes and wide grins. you feel how your expression matches theirs. it has only been a little over a month of your friendship with eloise and kathani, and the rest of the bridgertons at number five, but they each have somehow found a way to carve themselves out in your heart. and if this most recent kindness by eloise and kathani indicates anything, perhaps you have found a way to carve yourself out in each of theirs.

(and you promptly ignore the thought of what that could possibly mean for ocean eyes and charcoal-stained hands, flutterings within you be damned.)

“how shall we allocate the book?” you say aloud out of genuine inquiry and a deep desire to revert your heart, mind elsewhere. “shall we read passages aloud and then pass it on to the next reader?”

< eloise makes a remark that indicates her confusion at y/n’s question. kathani, who is more privy to the situation, shares how she has her own copy as do eloise and penelope. the stack that they’ve brought is an extra set that the bridgerton house has that y/n can use. this perplexes y/n. she cannot understand how a household can have multiple copies of a book, let alone copies of a whole anthology of many books. before y/n can doom-spiral into thinking, penelope arrives at the entrance of the drawing room. reading of romeo and juliet commences.

< just as y/n finishes reading the scene in which romeo and juliet meet for the first time at the capulet ball and then kiss, y/n notices in her periphery benedict approaching the four. kathani remarks how unusually early he is to be awake and ready for the day; y/n notes to herself how there seems to be some sort of mischief in the viscountess’s smile. >

𝄆 ⚘ ✸ I.iv ✸ ⚘ 𝄇

“i shall be y/n’s teacher,” the viscount declares.

“you were adamant on her not fencing, and now you are insistent on being her teacher?”

“it would be hardly appropriate, colin, for two young unmarried men to be in such close proximity to a young unmarried lady, as proximity of teacher and student in fencing would require.”

“are you always this— antiquated?” you inquire.

that earns a snort from kathani. anthony, looking betrayed, turns to his wife; she merely shrugs in reply, mirth shining in her eyes. he turns back to you, eyebrows deeply furrowed and mouth fully frowning.

“and what do you insinuate by that!”

“are you so distrustful of your own brothers, the ones for whom you have served, and still serve, as a model, that you think they would take advantage of me in such a situation—”

you sense how the eldest bridgerton is about to retaliate and arch a severe eyebrow at him in response; you refuse to be interrupted.

“or are you so unbelieving in persons of feminine dispositions that you think i shall be compromised by the mere closeness of a body different from my own sex?”

there is a silence, and though you cannot see them as you stare down the viscount, you can feel how the others exchange delighted glances with one another and hold back their laughter.

“you have two choices, my lord,” you offer.

“neither of them are suitable! and do not call me ‘my lord’!”

“is that not the proper way to address you?”

“it is, but you—!” he huffs out air through his nostrils, like an indignant dragon in a fairytale; it is a very silly, very amusing sight. “we have not even begun the lesson and you are already the most exasperating student i’ve ever had!”

you turn to colin and benedict, grinning.

“you two must have been saints then.”

“would you expect any less?” colin grins back.

your wide smile remains intact until your eyes fall on the expression of benedict. you are entirely uncertain of what emotion he could be possibly feeling until he seems to realize where he is, and how you are looking at him, and breaks out into a brilliant smile with matching brilliant ocean eyes. you quickly snap your head away from him, ignoring the fluttering of butterflies summoned within you upon the shift in benedict’s expression, and turn to anthony.

“shall we begin, then?”

–

it turns out that you are quite the quick learner when it comes to fencing. after putting on a fencing vest that had previously belonged to benedict—

“because you are the shortest of the three of us, brother,” remarked colin after the second son inquired why it had to be his former vest that you were to wear. benedict scrunched his nose and eyebrows in displeasure. (perhaps you should have taken offense to his opposition, but it was truly of no personal consequence to you and the reaction it created in him was truly adorable.)

“i am not!”

“you are, indeed,” anthony deadpanned.

“prove it!”

and the three eldest sons of the esteemed bridgerton family stood next to one another, comparing their heights. you turned to kathani, eloise, and penelope.

“are they always like this?”

“idiotic?” eloise deadpanned, sounding remarkably like her eldest brother.

“indeed, they are,” grinned kathani.

—over your blouse, you are immediately put to lessons. anthony explains the basic concepts of fencing and then demonstrates elementary strikes and parries, occasionally adjusting your stances to the proper forms. noting how quickly you took to the lessons, he calls for a match between the two of you to observe how you would apply your skills in combat.

“you are retaining information exceptionally well, as well as executing the techniques rather impressively,” states your teacher as you deflect his strike. you try to hide your gladness in his praise as you smirk and push his blade away with the terzo of yours.

“ah, so my sex is not a detriment to my abilities; that is good to know.”

you hear snickers and snorts from around you.

“i said nothing of the sort!”

“did you think it?”

your opponent frowns further, slightly turning his head away from you to steal a glance at his wife. he turns back to you.

“i did,” he admits defeatedly.

“it takes a true man of honor to rise up to his folly,” you remark honestly, as you strike anthony’s arm with the tip of your sabre. loud cheers burst from the onlookers and an aghast but proud look emerges on the countenance of your teacher; you grin, “and a fool to leave his defenses so easily open.”

impressed by your display of sport, and seemingly overcoming his antiquation, at least for the moment, anthony decides that you will match against colin and then benedict.

“how are you to improve if you are to face the same opponent?” claims your teacher with his usual air of annoyance, but you detect his pride in your accomplishment.

it is also decided that the matches will end when one scores a point.

and so, you face colin. it is easy to keep pace with him, not due to lack of skill on his part but complete and utter determination on yours. you tried to convince yourself, in the beginning of your match, that the remnants of your anger towards the third bridgerton brother, and how he treated your friend, did not fuel your determination to score the point— but it did and does. and successfully so, as you strike colin in his left shoulder. perhaps you do it with too much force as the strike reels him off balance (and perhaps you are delighted that it has done so), but he quickly resumes composure and flashes you a grin.

“i see more and more everyday why you and pen are friends.”

that softens your heart. you should be dubious of his charming remark, but you aren’t; it is too sincere, as is he, and you begin to see, even if minutely, why penelope cares for him.

“she has good taste in the company she keeps, i’m learning.”

that makes him laugh, as it does the others, and you look over and see how pen’s countenance shines with joy. that is enough to put your anger towards colin at ease, and turning towards your defeated foe once more, you return his smile and bow your head. bowing his head in kind, colin leaves, and in his place arrives your next and final opponent; he is smiling like a boy.

“best for last?” he remarks as he prepares his starting position. you roll your eyes, ignoring the warmth that starts to fill the center of your chest.

“this shall determine that,” and settled in your starting position, you and benedict begin your duel.

you have observed something of the eldest bridgerton brothers in your matches against them. anthony struck like fire, bombastic and ferocious. colin stood his ground like earth, his guards resolute. and benedict—

benedict moves like water. free. fluid.

as if he is dancing while dueling.

both you and he have reached a stalemate. you have managed to parry every one of his strikes, and he has managed to deflect every one of yours. you can feel how those watching are holding their breaths, waiting for someone to land the point.

you try not to startle when you hear benedict’s voice as you guard against his strike.

“it takes quite an astonishing person to earn the praise of anthony bridgerton.”

“are you so surprised that i am such a person?”

“quite the opposite, y/n,” he catches one of your strikes and grins at you. “i think you are entirely perfect in that regard.”

you roll your eyes once again but cannot help the blush that you feel spread across your cheeks as you push back his sabre with yours.

“do you honestly think charm will win you the point?”

“do you find me charming?” you ignore the heat that creeps up your neck and the voice in your head that has already answered his question far too quickly for your liking. “no, i do not think so lowly of such a formidable foe.”

and he winks at you.

and somehow, without you realizing how you got there, benedict strikes the center of your chest.

“but a little distraction does help.”

his point earns a round of groans and bleats from the crowd. instead of looking offended, benedict just laughs and approaches you, gloved hand outstretched, a boyish smile once again on his face. despite your loss, you cannot help but smile too. you place your gloved hand in his.

“it was a pleasure to duel with you.”

“yes. likewise.”

perhaps you imagine it, but you feel his thumb swipe against the side of your hand. it is featherlight, hardly felt with both your and his hands gloved, but felt nevertheless. before you can process the sensation any further, he lets go of your hand. with another smile, he bows his head at you as the crowd of people approach you both, penelope raving about your matches, eloise expressing her wish to fence now, anthony already commenting on what you could do better in your next match.

and without you realizing it, you gently swipe against the side of your gloved hand.

𝄆 ⚘ ✸ I.v ✸ ⚘ 𝄇

"mama? papa?"

it is a rare occasion when you, mama, papa, and your sibling eat together, and an even rarer occasion to do so for a second meal, but this night was such a night. the three of them halt their conversation and look over to you.

"how did you know you were in love with one another?"

there is a small silence, but then, without looking at one another, they smile in tandem.

"it was at first sight, really, for me,” your papa says as he offers his hand to mama. “as trite as that sounds."

mama takes his hand into hers.

"i as well."

"when i looked into your mama’s eyes, i knew that something was different. that my life had changed."

"for the better, dearest?"

papa laughs heartily.

"no, actually. it has been misery ever since."

you and your family laugh as mama playfully slaps at papa’s hand. it warms your soul every time they do this, when they tease one another and are light because of the other. it makes you believe in love each time.

mama and papa lace their fingers together again, smiling, still gazing at one another. as if it is just the two of them in their own world. mama, turning her smile from papa to you, speaks again.

"the flutterings in my stomach wouldn’t quiet, and they only intensified as we approached closer to one another that day and grew closer to one another with time."

she looks nostalgic until something mischievous quickly overcedes her countenance.

"why do you ask, my dear? has someone captured your eye?"

"or, better yet, your heart?" papa tags along.

ocean eyes and charcoal-stained hands flash by in your mind.

"no!" you say too hastily. "no, of course not. it’s— for one of my writings, is all."

you repeatedly poke at your bit of boiled chicken to avoid any further inquisition from your parents’ gazes.

–

sat by your window, you stare up at the night sky when the voice of your sibling infiltrates your dreaming.

“it’s one of the brothers, isn’t it?”

you whip your head over to them. they don’t even look at you; they are preparing for bed.

“pardon me?”

“is it the artist brother?”

“what!”

fluffing their pillow, they smile.

“so i am correct.”

“i didn’t even say anything!”

“that is not true. you said ‘what.’”

“that reveals nothing!”

pleased with the setting of their bed, they ruin their work by plopping their bottom onto it as they finally face you in what you realize now is a confrontation.

“of course it doesn’t, the word on its own. your reaction, however? could not be more transparent of your feelings.”

“i have no feelings!”

“is that why you asked mama and papa about being in love? because you have no feelings and you need to be told what they are?”

“i!—— i am going to bed!” you lift yourself up from your seat at the window sill, turning away from the peace of the night sky, and crash onto your bed. you lay on your side, faced towards the wall, refusing to make eye contact with your sibling. you lift up your sheet with too much force and lay it over your body and head. “good! night!”

after some silence, you hear the creak of your sibling’s bed and, a moment later, feel a featherlight touch on your upper arm. you give it a thought, and perhaps against your better judgment, you lift off your sheet, turn, and are greeted by the gentlest of expressions from your sibling.

“i think it is wonderful, y/n. whoever it is, they are very blessed to have your affections.”

your heart swells. you love your sibling.

“how did you know it was the artist brother?”

“so i am correct!” they smile with a shrug. “i deduced based on how much you’ve been writing about paint and charcoal as of late.”

you almost shoot upright from your bed.

“you’ve been reading my writing?”

“well, if they weren’t to be read, why do you leave them spread out on the table?”

“because there is no other place to store them!”

“and how good that is, or else i wouldn’t be able to read your fantastical stories or have been able to discover who your beloved is.”

“you are impossible!”

they kneel next to your bed and place their head on your shoulder.

“i love you too.”

you exhale the last of your frustrations, adjusting yourself a bit so that your sibling can rest their head more comfortably. without realizing, you stroke their hair, just as you always have.

“i quite like the story about the mushroom family,” they state after some time. “i’m happy that the middle mushroom child befriends the peony and then the hyacinths. i am happy they are happy.”

you feel your eyes start to drift.

“his name is benedict, by the way.”

you hear your sibling’s need for sleep in their reply.

“that’s a lovely name.”

“he is,” you murmur as the peace of the night falls over you.

𝄆 ⚘ ✸ I.vi ✸ ⚘ 𝄇

“good day!— robert?”

“good day, y/n!” and robert holds the door of bridgerton house open for you to pass.

“pardon the confusion in my greetings—”

“no offense taken on my part!” the late adolescence beams. you grin back. with how utterly enthusiastic robert is all the time, one would think it is part of some ruse. but it is not; he is just that genuinely delighted by life, you’ve observed.

“i am grateful. i had expected to be greeted by giles, is all.”

robert frowns. you feel the corners of your mouth tug downward in response, concern starting to swell your heart.

“he is ill at the moment.”

“ill! with what?”

“i know not. i had admitted the doctor perhaps not even a quarter of an hour ago. but worry not too much, y/n! from what the viscountess has shared with the servants earlier this day, giles shall make a quick recovery. and lady bridgerton has yet to be wrong in anything!”

relief floods your body. giles is of elderly age, so it calms you to hear that his ailment seems not to be too severe. and you can’t help but smile not only by robert’s sunny temperament but also by his rightful faith in kathani.

“that is all good to hear.”

“shall i announce you to the drawing room?”

“oh god no. i am quite all right, but thank you.”

“understood! then i must pardon myself; i must retrieve miss bridgerton and miss featherington.”

“‘retrieve’? are they not in the drawing room?”

“i was informed by dowager lady bridgerton, who was accompanied by miss bridgerton and miss featherington themselves at the time, that they would be in the gardens until your arrival and to retrieve the young misses upon your arrival.”

“i see. well, i shall be in the drawing room then. thank you again, robert.”

“it is my pleasure, y/n!” he beams once more and takes off to complete his task.

how odd, you think to yourself. this day seems rather unusual to the ones you’ve had thus far at bridgerton home. and it is hardly even noon! you become lost in your thoughts as you approach the entrance to the drawing room—

when you are greeted by benedict, and benedict alone, lounging with his legs thrown over the arm of a chair, staring sternly at the page he draws on.

“oh,” is all you say.

benedict snaps his focus from his book to you, his countenance transforming from deep concentration to frustration to genuine surprise in a mere moment. he scrambles up from his seat, book in one hand and charcoal in the other, posture now proper, and he bows his head.

“miss y/l/n.”

never before have you been alone in a room with a man. a gentleman. a gentleman with a handsome face, charcoal-stained hands, and beautiful ocean eyes.

you roll your eyes.

“blimey, it is just me. there is no need to bow. and why are you calling me miss y/l/n?”

benedict smiles.

“all right. y/n.”

shit.

perhaps that was a mistake.

“where has your family gone?” you inquire as you go to sit in the chair parallel to his, ignoring the flutterings within your stomach. “it is uncommon to enter the drawing room of bridgerton house and not be greeted by talking, or music playing, or fighting.”

smiling, benedict falls back into his seat and resumes his drawing.

“hyacinth is with her reading tutor; gregory is with his fencing instructor; colin is eating some sort of pastry, i am certain, in town; anthony and kate are likely— preoccupied—”

you snort; benedict’s smile grows broader as he smudges charcoal with his thumb, a small furrow in his eyebrows now forming.

“and mother has managed to rope eloise into learning about the flowers of the gardens, and eloise, being eloise, has roped penelope into doing the same.”

“and what of you?”

“and what of me?”

“why have you chosen the drawing room as your whereabouts?”

benedict cocks his head towards his drawing.

“it’s in the name of the room, is it not?”

“ah, a man of wit, i see.”

“i am a man of many attributes, y/n.”

ignore the butterflies.

“such as?”

“what attributes would win your favor?”

“so that you may lie to me and say you possess them?”

“of course not; the list is merely too long and i shan’t bore you with a soliloquy.”

“so, a man of thoughtfulness.”

“oh yes, a myriad of thoughts.”

“name one.”

“how much i am enjoying our conversation.”

and benedict shifts his ocean eyes from his drawing to you, a smile on his lips. he is being playful, but you detect no deceit in his expression. it infuriates you, really. how charming he is. how endearing. how sincere.

you return his smile.

“as am i, benedict.”

you sit in comfortable silence a moment more until benedict breaks the gaze, returning his oceans eyes and smile back to his drawing. his smile, however, does not last for very long.

“this sketch, on the contrary—”

and he rips out the paper from his book, crumples it in his hand, and throws it onto the carpet of the floor, giving his deed not another moment’s notice. he puts his charcoal to a new page in the moment next.

your smile falls.

“do you know how much paper costs?” you demand.

benedict looks back up at you with scrunched eyebrows and a smile having returned to his lips. he tilts his head.

“why? should i?” he inquires. nonchalantly. delight in his ocean eyes.

as if you are making a jest.

as if this is amusing. as if this is nothing.

it reminds you of a recent memory.

eloise had generously given you sheets of paper. hitting a stride in your writing and wanting to continue, you had asked, after much internal deliberation, if you could have a ripped half of a quarto upon running out of all negative space on your current one.

“have a foolscap. have a whole lot of them, actually,” she said easily, taking a good chunk of her stack and handing it off to you.

“eloise, are you certain?”

“of course. it is just paper, after all.”

“right. yes— of course. thank you.”

eloise hummed affirmatively in response, returning to her passage, as you stared at the small stack of foolscap in your hand. that amount of paper would have been eight months’ wage, perhaps even more.

a gentle touch of a hand on yours brought you out of your clouding thoughts. you looked over and saw penelope looking at you softly. understanding her unspoken thoughts, you held her hand and gave it a squeeze.

thank you, you mouthed.

"i must be going,” you say aloud. “goodbye, mr. bridgerton.”

you stand, turn, and quickly exit the drawing room.

“y/n. y/n!”

you hear him scuffling up from his lounge and start to follow you. you hasten your steps towards the entrance.

moments before you can open the doors of bridgerton house to the respite of the outside world, you feel benedict take hold of your wrist, stopping you in your steps, and it infuriates you how gently he does it. how you can pull away from his touch if you want to, how you can just go if you choose to. but you do not.

it infuriates you how much you want him to hold you.

you turn to face him.

“please— wait,” he breathes. “what did i do wrong? what have i done to upset you?”

you look at him incredulously. then it dawns on you.

“please. tell me,” benedict practically begs. with such softness in his voice.

it infuriates you.

“i know money is of no concern to you, or your family, or fair ladies and pretty gentlemen. but it is for the rest of us. for the rest of us who have to work to keep the ones we love fed, clothed, warmed, sheltered. that is a fact with which i have been concerned since the very moment i could think for myself. and for you—of the male sex, of pale skin, of inherited riches—it is something to discard onto the carpet of one of your family’s many houses. the paper you threw to the ground would have paid for a month’s worth of warmth for the entirety of my family’s home. and you ask me what you have done to upset me?”

he says nothing. he just looks at you, damned ocean eyes and all. gentle. attentive. like he could care; like he does care.

you feel your nostrils flaring, your blood pounding in every vein of your body. you finally rip your wrist away from his loose hold, already missing his touch.

“i shall take my leave. please give my regards as well as my apologies to eloise and penelope. goodbye, benedict.”

you turn away from him, yank the door open by its handle, and step outside, walking composedly at first, then quickly, then sprinting, then running. to be as far away from number five of grosvenor square as you possibly can be. to be far away from crumpled up paper, charcoal-stained hands, gentle touches, and ocean eyes.

you rub your wrists against your eyes.

stupid bloody tears.

stupid fucking heart.

why am i so afflicted by this? why am i crying? why do i hurt?

because i love—

no.

you cannot fall for him. he is someone you cannot have, cannot want, cannot— cannot…

it cannot happen, the two of you.

and most likely of all, you are not someone he wants. not someone who he would love. not the way you—

you are a fool for getting this far. but these feelings, they will pass. somehow. you will forget them. you will forget him. this is not the fairytales you read, not the fairytales you write. daydreams, hopes, love for a gentleman— there is a reason you are a writer.

you write the things you can never have, the things that will never happen.

you and benedict will never happen.

this is the prayer you tell yourself that evening before sleep takes you. you pretend not to be affected by the tears that afflict you as you do so.

𝄆 ⚘ ✸ I.vii ✸ ⚘ 𝄇

< y/n does not go to number five the next week on her non-work day as she had grown accustomed to. she had tried to write at her table in her home to preoccupy herself, but her teardrops were ruining what she had already written. she considers going to work to distract herself, but y/n knows her unexpected presence would be a detriment to her fellow workers’ established flow of day. she decides to go to the markets to try and get fresh air and a change of scenery and to do anything to interrupt her spiral of thoughts and emotions.

< while at the markets, y/n hears her name called and turns to see penelope in her blue cloak. y/n asks what penelope is doing here, and penelope gently replies that she can ask y/n the same thing. she shares with y/n how, the week prior, after she received news that y/n had left bridgerton house, she left to find y/n in the markets and at her workplace but to no avail.

< their conversation continues. penelope shares how y/n was missed last week; by her, by the family, by benedict. y/n tries to dismiss her words and how the past few months have been a mistake and that she shouldn’t be there with pen or the bridgertons, that she’s not meant to be in their world.

< with patience and empathy and grace, penelope gently encourages y/n to return to bridgerton house next week, and y/n, though her heart aching and reluctant, agrees because she misses them. >

𝄆 ⚘ ✸ I.viii ✸ ⚘ 𝄇

you sigh deeply.

have courage, y/n.

and you rap your knuckles twice against the stately door of number five. a moment later, the door opens, and you are greeted by a beloved grin.

“miss y/n! i have not seen you in weeks!”

you cannot help but smile back.

“good day, giles.”

“oh, where are my manners!” and the elderly doorman bows at you. you huff out a laugh, feeling how your face contorts with distaste.

“blimey, please don’t. i am not a lady, giles.”

“you could’ve fooled me, miss y/n.”

you shoot him a severe look; he merely continues to grin.

“you know of my feelings towards being called ‘miss.’”

“i am getting older; my memory frequently fails me, miss y/n.”

“and yet you’ve recalled how we haven’t seen each other in two weeks.”

“three.”

you grin.

“precisely.”

“well, it was quite the surprise when I fell ill the following week!” then giles frowns. “and it was an even greater surprise to have not seen you when i had returned the week following that.”

you look at the ground, unable to face the inquisition in his sad, kindly look, but when you bring your head back up, you manage a smile.

“it is no matter. i am here now. that is most important, yes?”

the elderly man smiles.

“yes, i suppose you are right, y/n,” and he holds the door open for you to pass.

“aside from bouts with ailment, how have you been, giles?”

“still standing upright, still opening and closing doors,” he beams without a bit of sarcasm. “and what of you? how have you been?”

“i’ve been—— well. and the family?” you say quickly, wanting to move the conversation away from you and your feelings.

“the same as is to be expected. though—”

concern starts to swell in your heart. what has happened in the fortnight you have not been present?

“mister benedict has been absolutely despondent.”

“oh,” is all you say. giles’ gentle joviality transforms into solemnity, and it makes your heart ache even further.

“on the rare occasions i do see him now, he is leaving for the gentleman’s club in the bright light of day and coming home at an ungodly hour, drunk as a wheelbarrow, wreaking of what smells like every available spirit in london. he had stopped dipping rather deep sometime ago, much to my relief, so it was an utter shock to return to my station and to see him back on the cut, and deeply at that,” the elderly man sighs. “i wonder what has happened for him to be so…” he unexpectedly turns to you, his countenance sanguine, “do you happen to know?”

you swallow as you ignore the sensation pooling in the pit of your stomach.

“no, i— i do not.”

“i see. well, whatever it might be, it is clear how much it deeply afflicts him,” and giles offers you a small, sad smile. “you know mister benedict; he has always been the most sensitive of the family.”

i do.

i do know benedict.

you clear your throat.

“do you happen to know where eloise and penelope are at this moment?”

giles cocks his head at you but is kind enough (you thank the heavens) not to press your change of topic.

“the last i had seen them, they had spoken of viewing the art gallery. do you know the way?”

“i am unfamiliar.”

he smiles again, and it makes you smile in return.

“then i am most glad to escort you there.”

–

giles opens the doors to the gallery, and ahead, in front of a portrait, you see the turnings of penelope, eloise, and—

“y/n,” he utters.

“benedict,” you breathe.

and he looks just as surprised as you are.

you look to giles, his eyes wide and mouth agape, and then to eloise and penelope. upon seeing their expressions, you feel your eyes narrow.

“ah, penelope!” shouts eloise. everyone else turns to stare at her. “with y/n’s arrival, i must change out of my, my art gallery viewing dress! and— and, into my... drawing room! sitting— dress...”

eloise scrunches her entire face in displeasure, confused by her own poorly concocted excuse. that does nothing to deter her, however, from clamping onto penelope’s wrist and barreling forward towards the doors of the gallery.

“come along, pen!” she calls out to the friend she is pulling right behind her. as they pass you, eloise gives you a strange and strained smile bearing all teeth, and penelope offers apologetic eyes and an encouraging smile.

giles looks to you, to benedict, and to the two escaping ladies. mouth still agape, all he manages is,

“i suppose— i shall see to that— miss bridgerton and miss featherington arrive to miss bridgerton’s bedchamber... safe—ly…?”

he mouths, i’m sorry!, at you before quickly bowing his head at benedict, fleeing the scene with remarkable speed for an elderly man who has recently recovered from illness, and leaving you at the entrance of the art gallery.

closing your eyes, you deeply inhale through your nostrils as you place your hand to the space between your eye and your temple. on your exhale, you wipe your hand hard against the side of your face and open your eyes, whipping your head to look at the second eldest bridgerton brother. it seems that he has been staring at you this entire time, stupid (stunning) ocean eyes and all.

“would you like to paint a picture?” you snark. “you are the artist in the room, and it would certainly last longer. or perhaps you have run out of paper?”

he does not respond, indecipherable expression unchanging, and it unnerves you how guilty you feel at goading him, at taunting him, and he merely takes it. you sigh again and cross the gallery to where he stands. resisting the urge to look at him again, as you feel his gaze still on you, you instead look at the painting ahead of you.

it is a portrait of a gentleman. with dark chestnut hair and mutton chops. he wears a blue jacket, a darker blue vest, a cream cravat, green breeches, and brown boots. a watch on a ribbon hangs from his vest; it looks familiar. he looks familiar. a benevolent smile rests on his lips.

you look at the plaque at the bottom of the gilded frame.

edmund bridgerton, the 8th viscount bridgerton.

you look back up at the painting, captured by a particular feature.

“you have his eyes.”

“his are gray; mine are blue.”

you roll your eyes but smile despite yourself. (you try to ignore the flutterings that bloom upon hearing his voice again.)

“yes, but that’s not what i was referring to. they peer into you— not with scrutiny, nor judgment, but with kindness, curiosity, compassion. an eagerness to learn about you. pools of welcoming. cool tones that radiate warmth.”

you cough, ripping your eyes away from the portrait to inspect the scuffs of your boots. you feel embarrassment spread throughout your entire body as heat creeps up your neck.

“the painter is excellent at their craft. it is as if i know him, your father.”

silence falls in the expansive gallery, the calm and kind eyes of viscount bridgerton looking down upon you and his second eldest.

“i’ve missed you.”

you snap your head up to look at benedict, your eyes making contact with his ocean ones. welcoming and warm. honest and... hopeful?

i’ve missed you, too.

“benedict, it has only been a fortnight since we saw each other last,” you respond aloud, your voice coming out so much softer than you had intended. you offer him a small smile, an olive branch of sorts. something of relief starts to fill his ocean eyes, but his demeanor does not change.

“i behaved arrogantly, and you did not deserve to be the recipient of such behavior. no one does, and i am so— i am so sorry, y/n.”

and you know he is. you resist the urge to touch his cheek, to comfort him with your caress, to selfishly have your skin touch his. instead, you look on at him.

“i do not ask you to grant me your forgiveness; i know i am unworthy of it. i just— i just wanted you to know how i felt, and feel still. and how i shall work on myself to be better, to do better.”

the butterflies in your stomach flutter maddeningly. you emit an exhale from your nostrils. the urge to touch him intensifies, and you feel yourself flex your hand to let go of the sensation. you huff out another breath, and smile brightly, sincerely, at benedict.

“well,” you begin, “with our friendship renewed, care to show me what other paintings you love in this gallery?”

benedict’s ocean eyes beam with relief and joy, a brilliant smile lighting up his face, and it takes all your self-control not to drop all discretion and wrap your arms around him in a crushing embrace.

“i would love nothing more, y/n,” he declares.

you try not to flutter your eyes closed at the words ‘i,’ ‘love,’ and your name in the same breath from benedict’s lips. at the pleasantness and home you feel in them. you smile on.

“where shall we begin, then?”

you and benedict walk together as he approaches a miniature in a wooden frame ornately carved with floral motifs. he admits that he has not the slightest clue which bridgerton ancestor this is, and that makes you snort. grinning, he points out how adeptly the artist portrayed the translucency and fluidity of the lady’s veil and how particularly impressive it must have been to accomplish such effects in paints during the early 1600s, if the remnant dating of the artist’s signature is correct. you remark how particularly impressive it is that a painting has endured two hundred years of existence, details still intact, and benedict responds simply that rich people have a way. that makes you snort again, and that makes benedict grin again.

he then leads you to a portrait of kathani and anthony, the viscountess sat in a chair with the viscount stood behind. you marvel at the painting—how much it looks like them, how much it captures kathani’s confidence, how much it captures anthony’s conviction, how much it captures their love. excitement coloring his voice, benedict imparts to you how he was given the opportunity to observe and assist the painter on the days the latter was commissioned to portray the viscountess and the viscount. he also shares with you how impossibly difficult they were as models, always giggling and kissing and looking away from the painter and talking to one another, being overall sickeningly saccharine. you chortle and share with him how that does not surprise you in the least bit. despite his annoyance upon recalling the memory, an incredibly fond smile rests on benedict’s lips. turning from his lips back to the painting, you remark how in love they are, and he remarks that, indeed, they very much are—and turns his fond smile from the painting to you.

coughing, you walk over and ask about the landscape of an enormous building. benedict names it as aubrey hall, the ancestral home of the bridgertons. you recall how you had heard of it early on in your friendship with the bridgertons; you had been unable to see them one week as they were preparing for kathani’s first ball as viscountess at the home. you also recall how the usually collected and confident kathani was anxious and uncertain during that time. benedict, beaming with pride, says how, of course, she absolutely excelled and how all of the ton—he rolls his eyes then and you guffaw—enjoyed themselves at the event. while kathani had done an unsurprisingly resplendent job, the ball was not very entertaining to benedict. he much more enjoyed the annual bridgerton game of pall mall leading up to the event. after announcing how kathani had won—much to the contradictory disappointment and delight of her husband—and answering your questions about what sounds, to you, like a very silly, very fun game, benedict suggests that you join them next year. you laugh, finding it impossible to imagine yourself at a home such as aubrey hall, particularly for the entirety of three days, but your heart swells at the invitation and the sincerity in his voice, and you say aloud how you would love nothing more.

your spontaneous tour eventually comes to an end, and the two of you make your way towards the entrance, still discussing the various art you had seen. as you and benedict walk out of the gallery, a thought crosses your mind.

“none of your work is on display.”

you notice how benedict stiffens. you feel your smile tug into a frown.

“ah, yes. i do not think my work is— up to snuff— with the work on display here.”

“horse shit.”

benedict’s jaw drops, his face aghast and regaled in reaction to what you assume is your choice of language. you merely shrug.

“you have not even seen my work!”

“i do not need to see your work when i can already see how harsh you are being.”

he scoffs, and it aggravates you.

“fine— i will show you, then, and prove to you my point.”

“fine, then! show me, and i will prove to you my point!”

–

“you are full of horse shit!”

you and benedict are in his bedchamber, where all his works are hidden away. he has shown you canvas after canvas, sketch after sketch, charcoal drawing after charcoal drawing, his palette of color ideas— and he still has the audacity to say that his work is not “up to snuff” for the bridgerton gallery.

benedict looks aghast again, perhaps by your language, perhaps by what you are (very rightly, very correctly) insisting. he shakes the canvas that he holds in his hand in your face.

“look at the proportions, y/n! they are entirely off!”

you roll your eyes, swatting his arm away, and begin to rummage through his other work. you pull a sheet and hold it up to benedict’s face.

“look at this sketch, then look at the canvas. there is a very clear, marked improvement, and with only a—” you look at the dates at the bottom right corners for confirmation, “—a difference of two days!”

“what does ‘improvement’ mean if the improvement is not even good!”

“it is good! and! improvement is everything, benedict! it is progress!”

“what—”

you and benedict jump back from one another by the sudden new voice. you had not realized how close the two of you were as you were shouting at one another, how close your faces were to one another, how close your lips were to—

a blazing heat creeps up your neck, at the tip of your ears, and across your cheeks as you turn from benedict’s flustered face to the scowl of the eldest bridgerton sibling in the doorway.

“—are the two of you doing?”

“brother! i— i was merely showing y/n my work.”

you vigorously nod your head. anthony’s glare remains unaffected.

“alone? together? in your bedchamber?”

your heart almost leaps out of your chest, your eyes about to bulge out of their sockets as you look around the room, suddenly aware of where you are. you are in benedict’s bedchamber. alone. together.

“i—” you start, very pathetically. “i—— we��”

anthony curtly bows his head at you.

“y/n, i would like to have a word with my brother. in private. please.”

“of— of course, right— of course!”

you hastily put the sketch on a nearby table and walk towards the door, pass anthony as he steps in, and are about to run down the hall and away from the scene when—

you turn and steal a glance at benedict, mustering up all the apologies you can convey through your eyes. despite the peril of his current predicament, his ocean eyes soften immediately, and a thousand butterflies erupt in your stomach and flutter around viciously. he offers you a slight smile, one that is sincere and unregretful. you offer one back, just as sincere, just as unregretful, before anthony gives you another bow of his head and closes the door.

–

“are you pleased by the results of your consorted trickery?” you state blandly upon seeing the young ladies that you thought were your friends sitting in the drawing room.

eloise looks up from her pamphlet, beaming at you, as penelope wears a wide and proud smile. well, at least they have answered your question.

“trickery?” eloise feigns. you roll your eyes; their expressions answer honestly, but their words continue their game. “i have no idea what you are referring to. pen and i were merely keen on viewing the art gallery today, and i thought, my blue-deviled of an elder brother ought to stop moping about; what better to get him to leave his bedchamber than by way of his favorite topic?”

“and his other favorite topic,” penelope adds. eloise chortles, and you feel the tips of your ears heat.

“what is that supposed to mean!”

eloise waves a dismissive hand at you.

“benedict knew nothing of your arrival, as i am sure you deduced by his surprise,” but the second eldest daughter grins wickedly. “though, from the sheer amount of time you have spent together thus far today, i am also sure the surprise was very welcomed, indeed.”

“by both parties, it seems.”

you promptly ignore the flush you feel on the apples of your cheeks. your friends are lucifer incarnate split into two.

“well, then you must be delighted to know that your shared plot has led to punitive action against him.”

that surprises them. (good. you are relieved to finally have some sort of an upperhand in this conversation.)

“‘punitive action’? by whom? for what?”

“by—”

the three of you hear a set of footsteps. you look to where the sounds are heard and see the two eldest bridgerton siblings enter the drawing room, the elder approaching you with conviction and the younger trailing behind him like a pet that has just been reprimanded. the sight would make you laugh, if you weren’t the one to have instigated the current conflict between the two brothers.

anthony stands before you, posture perfect and chin held up high.

“y/n, thank you for your patience. please allow me to apologize most ardently on behalf of my brother for his complete and utter lack of propriety. it will not happen again as i shall be more vigilant in tracking his every deed. i do hope this incident of my brother’s disrespect does not taint the beloved friendship between you and our family.”

and he deeply bows his head at you.

your jaw drops. benedict shuts his eyes tight and scrunches his face. penelope bops her gaze amongst the three of you. and eloise just howls, causing anthony to break the gravitas of his decorum and shoot a glare at her.

“it is no laughing matter, eloise!”

“it is harmless fun, brother! a pursuit of intellect exchanged between two creatives, who also happened to be by themselves. i have never heard of a baby being conceived from sharing some art.”

“ELOISE BRIDGERTON!”

you have now entirely hidden your face behind your hands; no one needs to witness the deep crimson that you are certain is spreading very rapidly across your countenance. an absurd hope also blooms in you that if you cannot see the others, then the others cannot see you.

“what ever is the matter in here?”

your eyes shoot open upon hearing the much needed voice of reason. removing your hands from your face, you see kathani enter the drawing room, a confused expression worn on her face.

“my dearest,” anthony begins, “i have offered my deepest apologies to y/n for benedict’s disgrace.”

“disgrace,” scoffs eloise, crossing her arms.

“disgrace!” reiterates anthony with increased fervor. kathani’s confusion does not lighten. she looks to benedict, whose eyes are scrunched closed again (his nose looks adorable this way), and then to you.

“are you all right, y/n?” she inquires gently.

“i—” you had intended to say, am well, but that would be a lie. you are utterly mortified. so, instead, you state the truth.

“benedict has been a gentleman. he has treated me with the utmost respect, and when he has done wrong by me— which! which has nothing to do with our being in his bedchamber!— he—” you steady your voice, determined to say this right, as you know and feel it with and in your heart, “he has corrected himself and bettered his words and thoughts and deeds.”

“you hear that, brother? no harm has been done.”

“eloise, you were not even there!”

“i believe what eloise means, anbe, is that you are being dramatic.”

“dramat— they were in his bedchamber, kathani! together! alone!”

kathani rolls her eyes, her attempt at diplomacy entirely gone.

“speak louder, anthony; just a bit more and the entire country shall hear you.”

the viscount pouts grumpily at his beloved, emitting a huff of air through his nostrils.

“you must trust y/n by her word,” the viscountess states.

“or do you not trust someone of feminine disposition to speak for herself?” eloise inquires.

“pen!”

you all snap your gazes to the entrance of the drawing room and see colin making his way to your friend in blue, followed by—

“y/n!” shouts gregory and hyacinth as they run towards you.

“y/n, penelope!” remarks violet and approaches you both. “how delightful it is to see you! you—” she says, reaching out for your hand, gently taking it in hers, and smiling kindly at you, “—in particular. it has been a moment, y/n.”

it melts your heart, really. the sincerity of affection that flows so easily from violet bridgerton. you recall the kind eyes and benevolent smile of her late husband. it is no wonder you so easily fell in love with this family; true, real love is woven into the very fabrics of each of their beings.

you look at them. hyacinth and gregory cling onto your slides, holding you tight. kathani and anthony are engrossed in debate, affection in their eyes despite the heat in their words. colin and penelope speak with and blush around one another as eloise, unknowingly (and, in your opinion, frustratingly, endearingly), butts into their conversation. and benedict. who, with the gaze of the entire room no longer on his so-called indiscretion, is looking at you. softly. with those damned, wondrous, bewitching ocean eyes. a smile on his lips that makes the flutterings in your stomach unbearingly, wonderfully unyielding.

you truly, really love this family.

you love the bridgertons.

“though,” the dowager viscountess starts.

shaking yourself out of your thoughts, you see how violet looks at the others in the room as half of them now pointedly avoid eye contact with the matriarch and the other half share a similar sentiment to her.

“is everything all right?” she turns to you, peering curiously into your eyes. “has something happened?”

you cannot help the laugh that bubbles out of you. violet seems taken aback by your reaction, as are the others in your periphery, but her eyes, as well as theirs, shine on.

“i think,” you say, smiling, “it is just another day with the bridgertons.”

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vidavalor · 1 year ago

Text

The *Original* Original Sin Theory or... why Aziraphale's "I forgive you"s really mean "forgive me" and just why he wants Crowley's absolution...

Will this break your heart in a good way and make the end of S2 hurt less? more? both? idk let's find out...

I want to talk about what the Before the Beginning scene does to the Eden scene and what all that suggests about Aziraphale and Crowley's relationship... because it might be enough to upend what we think this relationship is quite a bit, at least from Aziraphale's POV, if it goes in the direction that I think they are hinting at in S3, which I'm basing off of where they took it in S2 in these scenes.

This also contains an analysis of That Scene from 2.06 that ties into lots of other scenes and some other meta related to the show and it's a bit long-- like, the mother of all metas-- but there are pretty gifs and I brought snacks? Just letting you know it's a long post but tuck in with some tea if you're in the mood and thanks for reading. :)

Under the big cutty thing...

Before we get started, a couple of quick warnings: I curse a bit in here. It's in the show itself but just letting you know it's here a bit, too. I also mention *very* briefly suicide ideation in the characters and also very briefly (one sentence) Satan's mind-control of Crowley in S1 in a way that might be sensitive for a sexual assault survivor. There is general mention of religious trauma and abusive relationships (not Crowley & Aziraphale's relationship) all over this. If you are okay with the show, you should be more than fine reading this but just wanted to let you know up front. If you're okay with that, read on...

So, the Before the Beginning scene contains a twist, in that we learn that pre-Fall Crowley is naive to Heaven while Aziraphale is the one who is wary of it. This is especially interesting because, best we can tell, no angel has Fallen yet. There aren't *explicit* consequences for asking questions yet, as Crowley doesn't think it could get him into trouble to do so... but *Aziraphale* does. Heaven in S1 and S2 is shown to be basically a fascist state full of bullies jockeying for power where the ones on top dole out all sorts of abuses to maintain a sense of order among the rank and file. We see the emotional and even physical abuse they dole out to Aziraphale and how little they tolerate any sort of dissent, even from an archangel, based on what they ultimately do when Gabriel doesn't want to do arma-bloody-geddon anymore. Heaven is basically The Kremlin. Toe out of line and they'll toss you off a high-rise while telling everyone how sad it is that you recently had a spell of depression and heart troubles as a way of scaring everyone else into submission, right? What's surprising to us is that Aziraphale knows this *absolutely* Before the Beginning and he's terrified on Crowley's behalf, since this place functions as a kind of mafia state.

This implies something really kind of dark which is that Aziraphale knows enough to know how to toe a party line and keep quiet about any doubts he has. He knows how to survive in a way that then-innocent Crowley did not. He tries to tell Crowley that questioning things is going to get him angel-killed but Crowley has a faith in God that's different than Aziraphale's was even before the Earth was fully created. Crowley believed in Her more than Aziraphale does. He doesn't think anything will happen to him. Aziraphale knows what will and this implies knowledge of the abuse of the system and it completely changes our perspective of Aziraphale throughout the rest of the series. We often think of him as either willfully naive or just desperately optimistic regarding Heaven's goodness but, in reality, he's neither of those things. He's something else, entirely. His actions are not expressing naivete or desperate optimism or anything else.

They are expressions of guilt.

And the Eden scene tells us why he has that guilt.

The Eden scene introduces us to Crowley and Aziraphale and the series itself and it has Crowley posit the central question of the show regarding the nature of angels and demons:

Objectively, when you watch this scene, you think this is about the tempting of Eve and the flaming sword. It is... but it's also not *just* about that. Because Crowley and Aziraphale are watching Adam & Eve venture off beyond the Garden of Eden in this scene. They're still within view so the flaming sword situation happened a matter of minutes earlier. Yet, when Crowley posits that central question of which one of them actually did the good thing and which did the bad thing, Aziraphale reveals that it wouldn't be funny at all if what Crowley is saying (that Aziraphale actually did the bad thing) is true. He's distressed about it and so Crowley, somewhat dryly, reassures him that he's an angel so he couldn't have done the wrong thing. (Crowley, of course, being a literal former angel punished for doing the wrong thing lol and that being the joke but also in there is also the layer of Crowley genuinely liking Aziraphale and trying to tell him that it's all okay and meaning it.) Aziraphale is relieved and this is the key bit here-- he says oh good "because it's been bothering me."

The tone of this is that this central question of whether or not he did wrong or right by Crowley and whether or not Crowley was wrong or right in his actions *has been bothering* Aziraphale and he phrases it in a way that implies he's been losing angelic sleep (so to speak) about it for a little while now. If this was *just about Adam and Eve* then Aziraphale's reaction here makes absolutely no sense because the camera also then cuts in their conversation to in front of Crowley and Aziraphale *to show us Adam and Eve still visible in the near-distance* fighting off the lion with the flaming sword. They literally *just left* so how could Aziraphale be all in knots for awhile now over whether or not he made the wrong call? He's not. You can argue that his decision here in Eden to help Adam and Eve by giving them his flaming sword-- by standing up and doing something in the face of God to help out other beings he secretly thinks might have been treated unfairly-- *is a direct response to what he failed to do back in Before the Beginning*...

... which was to stand up for Crowley.

Meaning: Aziraphale doesn't need to see Heaven's files to find out what happened to Crowley when Crowley fell because he was there. S3 is going to be about preventing the Second Coming and so plot allusions to the crucification (which had its own Crowley & Aziraphale scene in S1) will likely abound. Aziraphale was there when Lucifer and The Gang were tossed out of Heaven. To be fair to Aziraphale, there is basically nothing he could have done to prevent this and the best possible situation is that he didn't even have the chance to. The worst possible situation is that he's literally Judas and sold Crowley out, out of fear of being tossed out of Heaven himself. I tend to think it's more that he just didn't stand up and say anything in support of Crowley to prevent himself from being seen as on the side of the eventual demons. Still, just as Crowley thinks the punishment for Adam and Eve was harsh, Aziraphale thought that asking questions and being curious wasn't enough to send Lucifer and everyone around him to Hell to be damned for all of eternity but it caused an obvious existential crisis in him that he still struggles to totally resolve.

If he disagreed with the decision to cast out the suggestion box-happy angels, he was as "bad" as they were. If he agreed with the decision, he was condemning them and that didn't seem angelic, either. How to be a good angel, which is the only thing he had ever tried to be or knew how to be? He did what he thought must be right-- to follow what the other, more powerful angels said the word of God was-- and if it was Her will, then it must be what was right, even if it was *extremely difficult* to see how this lovebug here was really an evil, demonic creature of Hell...

Not to mention that Aziraphale was in love with WhateverHeWasCalledPre-Crawly!Crowley. (We will just call him "Crowley" for this whole meta, because that is the name he chose for himself.) And maybe Angel!Crowley went after the more glamorous, daring guys. Heaven honestly seems like both a fascist state and high school at once (is there really a difference? lol). Crowley describes how he wound up falling in S1 as that he "hung out with the wrong crowd" and Aziraphale in Before the Beginning honestly seems like he's been flying around watching Crowley make stars for ages, trying to work up the nerve to or find an opportunity to introduce himself to the beautiful hot cool arty science-y guy who barely looks at him when his other option for a view are nebulas... or Benedict Cumberbatch's Lucifer/Satan, whose "stroke of demonic genius, dahling" bit in S1 and dark assault on his fave Crowley while Crowley was driving had a real "Angel!Crowley went for the bad boy who were so bad pre-Fall that they wound up fucking Satan afterwards and friend-zoned angels like Aziraphale" vibes. Alternatively, maybe he didn't totally? Before the Beginning seems to be the first time they met and maybe after that, Crowley and Aziraphale became close. It's just that Crowley canonically also wound up sitting at the cool kids' table because they were the only ones questioning things and he wound up damned for eternity for it and Aziraphale?

Aziraphale blames himself for it.

He has blamed himself for Crowley's Fall for six thousand years.

When they speak in Eden, Aziraphale is being confronted for the first time with what has come of his nebula-joyous, freshly baked blueberry muffin of an angel. He calls himself "Crawly" now-- or that's the name he's been given-- because who he was is dead. His eyes are yellow. He's now a snake. He's maybe a bit sarcastic, a bit dry, and a lot more guarded and aloof but Aziraphale sees flickers of Angel!Crowley in there. He's *kind* to Aziraphale. He's still inquisitive, in spite of it being what damned him to Hell. Aziraphale, God help him, is still wildly into him and, ugh, maybe even *more* so, in spite of everything.

And 'everything', for Aziraphale, includes Crowley being a demon being Aziraphale's fault.

They don't talk about it. Ever.

They don't talk about it because Aziraphale thinks that Crowley doesn't remember. Crowley's memory loss of a lot of his time pre-Fall is canon in S2-- something we, the audience, will need to understand the whole picture when/if we end up getting this revelation in S3 of Crowley's Fall and that Aziraphale feels he's at least partially responsible. What's even harder for Aziraphale is that because Crowley doesn't remember his time as an angel, he doesn't remember their full history together. He doesn't remember how they met and protecting Aziraphale from the first celestial shower and all the times they chatted after that and if they were in love back then, Crowley doesn't remember it. Eden then becomes, to Crowley, the first time they meet... but then look at how while Aziraphale seems to think that Crowley doesn't know him while Aziraphale knows Crowley-- the moment that he pauses so Crowley can introduce himself-- *Crowley* seems a little bemused. Why?

Because what Aziraphale has failed to consider is that the one memory that the demons are allowed to keep, most likely, is their Fall, which means that if Aziraphale was there when Crowley fell, Crowley actually *does* remember him. At minimum, he remembers Aziraphale being there and looking stricken by what was happening so even if he can't remember more than that, he knows he's safe with Aziraphale and that Aziraphale cared about him, which would explain why he risked going to talk to with him on the wall in Eden. He knows they were friends and that Aziraphale is good and he can trust him. It's also theoretically possible that if Crowley remembers his Fall and if Aziraphale was there, it's a trigger to him being able to remember all of his and Aziraphale's time before Crowley fell. Aziraphale might not know this and because these two idiots do not know how to talk-- and especially don't talk about this-- Crowley hasn't told him. In part because Crowley can't go back and he doesn't want them to dwell on Angel!Crowley when Crowley is who he is and if that's a demon, it's a demon, and the whole system can go fuck itself anyway, as far as Crowley's concerned.

Aziraphale, though, is still back on "it's my fault". He thinks he literally took goodness from the world; that he participated in the murder of his friend and the love of his life. He has never. In six. thousand. years. lol. told Crowley that he feels like this because he still thinks that Crowley doesn't remember Aziraphale betraying him and he is terrified that if he told Crowley he did-- if he told him that he was responsible, in part, for his Fall-- that Crowley would hate him and Crowley is Aziraphale's only friend in the universe and Aziraphale is madly in love with him. He couldn't bear the loss of him. He can handle their occasional spats and disagreements, knowing that Crowley always comes back, but this? If Crowley knew that his Fall was Aziraphale's fault? Aziraphale thinks Crowley wouldn't come back from that and he'd never see him again.

In reality? Crowley either already knows this and has the whole time or suspects it or if he found it out, would forgive Aziraphale for it. If he knows, he already has. His counter-argument is, like, what were you supposed to do to save me, exactly, angel? You alone versus all the hierarchy of Heaven and God Herself? I'm *glad* you didn't do something stupid and get yourself tossed into a pit of boiling sulphur. You don't deserve that.

Thing is, though, because they've never had this conversation because they DO NOT TALK lol, Aziraphale thinks he *does* deserve that. But look at what's happened since he made the decision not to save Crowley from falling...

...nothing.

Nothing has happened to Aziraphale. He didn't fall for it himself. He didn't fall for betraying the angel he loved and he wonders every. single. day. why he didn't and the only thing he can come up with is that he must have done the right thing. *It must be* that Crowley did the bad thing and Aziraphale did the good one because Crowley was damned to Hell for all of eternity and Aziraphale is still an angel of Heaven, six thousand years later. It's not for Aziraphale to question God. Her will is ineffable. It's ineffable because he cannot begin to understand how any of this can possibly be just and that just keeps happening over and over and over and over throughout the years to come in every situation he and Crowley find themselves in, from Job to The Flood to Wee Morag and Elspeth to Arma-bloody-geddon, right?

Aziraphale begins to lose count of how many times he's gone up against God at this point. Gives away his flaming sword to Adam and Eve. Saves as many as he could during The Flood-- *with* Crowley. (You know they did.) Lies to Gabriel's face in the eyes of God to save Job and Sitis' children... and learning that Falling was political, really, in the process. Nothing happened to Aziraphale for Job's kids. He suffered no consequence for lying to Heaven and God because Crowley was willing to lie for him-- to protect him from Falling, where Aziraphale couldn't protect Crowley himself ages before-- and nothing happened. Falling, suddenly, didn't seem totally God-ordained it it could be tossed aside by something as simple as having a demon just choose not to toss you to Satan. Crowley didn't take him to Hell because he didn't feel like Aziraphale belonged there. It wound up all entirely within Crowley's control, which then made Aziraphale begin to question if God was even really behind the Fall of Lucifer and the Gang or if it wasn't just the thugs in charge of Heaven who decided to toss them out... thoughts he was terrified to think and didn't dare voice aloud, at least not then.

In another era, Aziraphale and Crowley stood there together to witness the torture and murder of Jesus Christ in the name of God, in a parallel to the Fall. What happened to Jesus? He was betrayed by his closest friend, then tortured and murdered by those in the government who thought he posed a threat to social order. Heaven as Pontius Pilate. Aziraphale as a kind of Judas, in Aziraphale's mind, anyway.

Jesus as Crowley.

Time goes on and he and The Demon Crowley form friendship in their own right, regardless of what Crowley might remember from before his Fall. They form their Arrangement off of that and Aziraphale learns even more that, often, no one is really paying attention to what they do. That no one seems to notice if Crowley performs an angelic miracle or if Aziraphale performs what has become termed a 'demonic miracle'... because, really, *they're the same*, though that's not something Aziraphale can fully admit. He cannot allow himself to believe that demons *are angels* because if there's nothing different between demons and angels than Aziraphale doesn't know anything at all.

Anything at all... He doesn't know what being an angel *is* and it's what he supposedly is so it means he doesn't know who or what he is, really.

He doesn't know what God wants or if he truly believes in Her.

He doesn't know what the purpose of all of this is-- why Crowley had to suffer, why demons in general have to, why the *humans* do. Why it all has to be destroyed eventually. To what end?

Aziraphale has the same questions Crowley does and sometimes, late at night, often a little drunk, he'll dare to ask them with Crowley, and every morning that he still wakes up and sobers up and finds himself still an angel when Crowley Fell for so much less than Aziraphale has ever thought or done, he wonders just *why?*

Why is he still an angel when he, really, is no different from Crowley? Why Crowley is damned? Punished for all of eternity for curiosity and innovation and imagination, while Aziraphale is still an angel, doomed to only have until the clock runs out on Armageddon before losing him for the rest of fucking *eternity* but, until then, stuck suffering watching him suffer while remaining an angel? Is being an angel at this point, really, his punishment for failing the apparently foul fiend he adores?

Does Aziraphale ever have any answers to these questions? Good God, no lol. He's six thousand years into this and he's in the same spot as Amnesiac!ArchangelFuckingGabriel in 2.01:

...would be okay if you could just be one near particular person?

Of course Aziraphale knows what this feels like. Of course. We know he does. And that's why he hasn't been able to make a real move in six thousand years-- because it's his fault, as far as he's concerned.

Crowley's damnation is his fault. Crowley cannot really love him, or couldn't if he knew. Not because he's a demon, though Aziraphale might have thought that at one point but he definitely was cured of it by events in 1941. The more time that goes by, the more Aziraphale knows that Crowley loves him-- that he's *in* love with him-- and the worse it all gets for Aziraphale because every day that he hasn't told Crowley that he didn't prevent him from Falling is another day within the last *six thousand years* of them falling in love and the betrayal seems to get worse and worse to Aziraphale. The time to have this conversation was on the wall in Eden and it still hasn't happened. Still, over time, he starts to realize that Crowley, if ever knew, would forgive him.

Because his Crowley has the kindest of hearts. He really does, and that wasn't taken from him when he Fell and Aziraphale finds every opportunity he can to delight in seeing that and making Crowley reveal it.

It goes against everything Aziraphale is supposed to believe.

Demons are not supposed to be good-- if they were, they wouldn't have Fallen. Yet, Aziraphale knows Crowley is. He never has truly believed that Crowley isn't-- even when he could have, at least at the start. He worried, maybe, that he had helped create a monster out of the most lovely being he'd ever known but Crowley just kept proving him wrong about that, time and time again. *Crowley* doesn't believe it about himself, really, because that's his own trauma from his Fall but Aziraphale believes it about him and that's often good enough for Crowley.

But, really, this is why they still haven't gotten together in six thousand years. This is why Aziraphale seems like he can never get beyond "I'm an angel and you're a demon", no matter what Crowley does or how he proves that there are shades of gray and also, that the entire system is bullshit. It is not that Aziraphale doesn't *know* that it's bullshit-- it's that if he admits that it is, if he stops believing in Heaven (even if he doesn't stop believing in God), then he's left with nothing but the crushing weight of guilt that he has for all the pain that Crowley has been through.

If he tells himself that Crowley Fell *for a reason* and that he (Aziraphale) was *right* to not interfere, to not try to thwart God, even if it would have likely failed, just on principle, to stand up for his friend... then Aziraphale doesn't have to deal with the fact that he made what he really considers to be a colossal mistake and that it has caused the continued pain and torture and eternal damnation of the being he considers his soulmate...

...which is why everytime that pain comes to the surface in something Crowley says or does, Aziraphale *cannot handle it at all whatsoever* and reverts to You'reADemonI'mAnAngel!Mode.

Example: Crowley's religious trauma on display in their bandstand argument:

Crowley owns this, even if he's still traumatized by it. He's saying it sarcastically, making a joke on a song Aziraphale probably barely knows, if he knows at all ("Unforgettable"-- Nat King Cole). Aziraphale *aches* at Crowley saying this-- because it reminds him that it's partially his own fault. And he can't. Do. Anything. About. It.

He's an all-powerful *angel* here but he can't change this for Crowley. He can't stop his suffering some six thousand years after his Fall. He's looking at sexy goth Crowley here and he's thinking about curly-haired, beaming, ball of light! Crowley and that they are *the same person* and Aziraphale *does* know that. He knows it and he loves him passionately and desperately and he is one of the most powerful beings ever in existence and he's standing there looking at the man-shaped-being he adores talking about how he still aches from the betrayal of his fellow angels and his mother God and *there is no way for Aziraphale to fix it* when he can mend broken bones and heal the sick and let their be light! all over the place. He can do proper magic and still, he cannot take away Crowley's pain.

This is Aziraphale's Hell. He didn't Fall but he's been in Hell anyway.

So when Crowley's religious trauma and pain comes out, usually in an argument like in the bandstand scene, Aziraphale does the only thing he thinks he *can* do, right? He's an angel. Still. Somehow. He's an angel and there must be some reason for that and an angel is not a demon-- an angel is a purer being, a healer-- and so he says "I forgive you". He doesn't mean it to be patronizing, even if it is. ("I am a *great deal* holier than thou," as he told Crowley at one point and that was the point, right?) He is trying to say "I am still of Heaven and if it's absolution you need, I can give it to you."

He is trying to say: You are not unforgivable to me.

The real lyric of the song Crowley parodies in the bandstand is what Aziraphale means, whether he knows that song or not...

Unforgettable/That's what you are...

*Crowley*, though, doesn't know about Aziraphale's inner turmoil because *heavy sigh* FFS TALK, YOU IDIOTS *breathes* lol, so *he* hears:

I still think I am better than you and you are Fallen, so you're not worthy of me. I can't love you, not the way you want. I love all beings because I'm an angel and I you know I'm in love with you but I can't *allow* myself to be because it goes against the nature of an angel and I've only done eleven thousand things that should have made me Fall over the years but letting myself be in love with you is the rubicon I won't cross, apparently...

Crowley knows by the time they're having the bandstand argument enough about Aziraphale's general religious trauma (not necessarily about how it pertains to Crowley's Fall but about it in general) to know that he spits out hateful garbage when he feels cornered and how to just call it bullshit and move on. ("I don't even like you."/"You doooo.") But he understandably walks away when Aziraphale pushes him away past a point he can handle-- and Aziraphale knows how to do that. He does it *intentionally.* The "I forgive you" is sadness because it's all he has to offer Crowley but he also knows it'll piss Crowley off enough to end the argument, so he says it intentionally to get Crowley to go away. In this scene (which parallels the end of S2 quite a bit, as many have noticed), Aziraphale is trying to deal with it all on his own, right?

He knows where the antichrist is. He's just not telling Crowley yet. He's trying to deal with it to keep him safe. He's doing it because he thinks he should-- that maybe, when it's something of this level of importance, that his job should be as an angel first, above his side with Crowley. (It's also worth mentioning here that Aziraphale is straight up terrified of Falling, not even just for being damned to Hell but because then, if he's no longer in Heaven, he has exactly zero power to even *try* to protect Crowley.) At the end of S2? With The Metatron?

Aziraphale does the same thing as with the antichrist for a time in S1, really.

The beginning of S2 shows us that Aziraphale has known that Heaven is North Korea since Before the Beginning so now marry that with its last scenes and see the arc that connects them-- Aziraphale does what he does out of guilt over what happened to Crowley to *protect* Crowley. He didn't want to do any of it without Crowley and when The Metatron finally offers that carrot, Aziraphale is suspicious as all hell (pardon the pun) and here we have this moment where part of him *wants* this to all be real, right?

Times change and sometimes, your parents who traumatized the living fuck out of you and didn't approve of your boyfriend, grow the hell up a bit and try to repent and mend fences. Maybe the trust is broken but maybe it can be healed and *as an angel*, Aziraphale is a being of goodness and hope and optimism. He's pure of heart, as Crowley put it to Nina. He *wants* that to be the case... but he also knows it likely is not.

Still... they can't run. There's nowhere that Heaven won't find them. It's no life for them-- no life for Crowley, in Aziraphale's mind, no matter how many times Crowley tries to get him to run away with him. "We can go off together!" begs Crowley, over and over, and Aziraphale's only really ever found that Crowley will only slither off if he's ticked off enough and only "I forgive you" ever really does that enough to work lol. He *means* I love you endlessly but you know this is impossible, you bloody maddening, gorgeous serpent! Will you stop reminding me of what we could have when it can never happen?! but that's not exactly how Crowley's taking it.

In the end, to Aziraphale, Aziraphale is an angel and Crowley is a demon and they are doomed to spend eternity apart and Aziraphale thinks he has no one to blame, really, but himself. If he had somehow saved Crowley six thousand years ago-- or had somehow been brave enough to stand up for him and Fallen alongside him-- they could have been together forever.

But he wasn't then and now The Metatron is here and it's time for Aziraphale to go back to Heaven and he knows, as he sits there drinking coffee with the being whose posse sent Crowley in a free fall into a pit of boiling sulphur, that Crowley will never, ever, ever, EVER go back to Heaven.

But he also knows that Heaven is here to collect Aziraphale and they are making it clear that there is no escape. There's nowhere to run. Everyday, it's been getting closer for six thousand years and going faster than a roller coaster for the last handful but a love like Beez and Gabe's will surely never come his and Crowley's way now.

It was always going to end like this. Nothing lasts forever. He told Crowley that, Before the Beginning. Six thousand years. That was all the time they had before the end of Earth, the place they'd come to call home. They found a way to borrow a few more years at the end of it since S1 and he got to dance with Crowley, their fingers brushing, and that is going to have to be enough because they're out of time.

The Metatron never needed say it directly but it was evident: they wanted Aziraphale to go to Heaven and they would say or do anything to get him up there and Aziraphale may have bought it for a moment but he's definitely figured out by the end of S2 that they need him up there not to become the Supreme Archangel but because his time as an angel is now over. The threat to Crowley is unspoken but omnipresent.

The Metatron makes it sound like he doesn't care if Crowley comes back up to Heaven with Aziraphale or not and he really doesn't and why would that be? Why would he be eager to have the two most troublesome beings in all of Heaven and Hell teaming up and getting in the way of his Second Coming plans, which he absolutely *knows* they won't support? Because they won't have jobs waiting for them up there. Crowley will not be restored to full angelic status.

They're going to kill them. Aziraphale knows it. He's known what Heaven is since Before the Beginning, even if he's been in denial about it for almost as long to try to assuage his own guilt over participating in it.

And it's a lot easier a goal for Heaven to accomplish if they separate them and just Aziraphale goes up to Heaven. If Aziraphale goes alone-- if he keeps Crowley from following-- then Crowley is not a threat to them if Aziraphale is gone.

They aren't as powerful apart.

Aziraphale knows that if Crowley comes to Heaven with him that they will kill him and Aziraphale thinks okay, this is it... this is my moment of redemption.

Six thousand years since Crowley Fell and I can finally make up for not saving him by saving him now.

I can go with The Metatron and let Heaven kill me and know that they will not threaten Crowley if they do because what they are threatened by is both of us together. One of us, alone, is less of a threat and the only problem here is that if I go... Crowley will follow me.

If I just go without telling him what The Metatron said and I don't come back right away, he'll go to Heaven, worried that something happened to me, and they'll kill him when he comes looking for me. He'll find out they've Book of Life'd me and do something stupid and my sacrifice to keep him safe will all be for nothing.

So what's our tortured angel to do?

Bandstand 2.0, right?

He's got to piss Crowley off enough that Crowley won't follow him.

He's got to piss Crowley off so much that Crowley *will never come back* and the worst part is that Aziraphale knows *exactly* how to do it.

He makes his own plans and if things get drastic enough, he'll blow up that damn halo, metaphorically-speaking this time. To save Crowley, he will break Crowley.

It's darkly romantic, really. He'll sacrifice himself for Crowley but to be sure that Crowley will be safe and not follow, he'll have to break his heart a bit first-- to further their misunderstandings in a season based on "I don't think your exactly is my exactly exactly"-level miscommunications.

So Aziraphale accepts The Metatron's offer and lets The Metatron think he completely believes that the offer is legit and maybe a part of him is still hoping that it is but he knows it's really not and that this is a suicide run. This is Aziraphale's Holy Water arc...

...and speaking of Holy Water... that arc from the perspective of this being Aziraphale's mentality... Crowley, tortured by Hell for what he did while with Aziraphale in 1827, then refusing to talk about it, showing up with a cane, sullen and depressed, asking Aziraphale for the one thing that would kill him and Aziraphale's unwillingness to understand that it wasn't completely suicide ideation on Crowley's part but as a way to *protect Aziraphale* and keep him safe. Crowley wanted what could kill a demon not to kill himself but to kill one that might come after Aziraphale. All Aziraphale could see, though, was Crowley's physical and emotional pain, that he could barely keep hidden in that era, and how Aziraphale couldn't make it better. All he could see was how he failed him and led him to this suffering. All he could see in a note begging for "holy water" was Crowley wanting a suicide pill, wanting to destroy himself, unable to take any more, in so much pain that he'd leave Aziraphale forever to make it stop. Aziraphale is blinded entirely by guilt and fails to see what Crowley is really saying, which was, ironically, the last time Crowley began to try to tell Aziraphale how he felt, which was:

I've been thinking-- what if it all goes wrong? (What if I lose you? I'm terrified of losing you. I love you. I wake up from nightmares of you being destroyed by the demons who just spent a couple of decades after 1827 not that long ago torturing me. I didn't know for sure if you were still alive during any of it.) We have a lot in common, you and me. (We're a team. A... group of the two of us.) What if it all goes pear-shaped? I need you to get me the magical demon-killing stuff so I have a weapon against *my own fellow fallen angels* that I can use in case they come after us. I would kill another demon and send every legion of Hell after me to protect you.

Aziraphale: I like pears.

(My God, they are so stupid. Please. I can't take any more lol.)

So, yeah... it's Aziraphale's turn for the holy water suicide run here only with an actual suicide run...

It takes the books in The Blitz for Aziraphale to really understand what Crowley was asking for and what he meant by asking for holy water and by 1967, he gives Crowley the holy water, in the one moment when *they actually talk*, as much as they can, about how much they love one another, that exists prior to the end of its parallel-- the end of S2.

So, yeah, Aziraphale "goes to tell his friend the good news" with a look on his face like he's marching to his death *because he is* and he knows it. His last moments with Crowley, in some of his last moments in existence, he already knows will be spent upsetting the man-shaped being he loves. He's got it all planned out. Not exactly the picnic of his dreams but it'll redeem him and save Crowley and that's all that matters to Aziraphale in this moment.

He will sound naive to the threat of Heaven and because Crowley doesn't remember pre-Fall, he won't remember how Aziraphale warned him against taking on the brass in Heaven so Crowley won't be suspicious, he'll be *frustrated*, like he was in the bandstand. He'll get angry. Aziraphale's goal is to get him to storm out-- but it has to be a really, really, bad relationship-ending storming out.

He can't come back after he drives The Bentley around the block like he did back in 2.01 and say "okay, fine, I'll help you" and Aziraphale knows that if he plays this right, he can make it so Crowley won't because helping Gabriel was one thing but asking Crowley to become an angel with him and pretending like they can go fix the broken system of Heaven is going to be Crowley's bridge too far. It's *the only thing* that Aziraphale believes is Crowley's bridge too far where Aziraphale is concerned and isn't that heartbreaking as hell? That Crowley loves him this much? And they never got to be together the way they wanted? That they were just beginning to get close to trying to figure that out?

That, hours ago, Aziraphale was asking him to dance and trying to ignore the signs of trouble around the corner, desperately wanting more time with him? That they are semi-immortal beings that always somehow seem to be out of time?

Truer words have never been spoken, Crowley. Little did you know, poor demon...

So Aziraphale goes into the bookshop and Crowley looks all worked up and wants to say something and some part of Aziraphale begins to hear warning alarms going off in his head because Crowley *never* looks like this-- is never this flustered, never this uncomfortable, never this nervous, never in a rush to say something-- and Aziraphale thinks no, can't be, we don't talk about this... even if, ironically, all of S2 shows that Aziraphale has been trying *for just that*. It was just a few hours ago that he was trying to Jane Austen a ball for them to use as a pretense to discuss their feelings because, in the height of ironies here, right?

Aziraphale was ready.

They'd had some time without Heaven and Hell breathing so much down their necks, even if the threat still loomed, and spent every day together and it was perfect and it was lovely and he knew Crowley would forgive him and Aziraphale was almost there, right, he was *almost* ready to tell him. He was almost ready to tell him he loved him and that it was him, all those millennia ago, who could have done something and didn't and he's so, so, so sorry and can Crowley ever forgive him? Is there any way that Crowley could ever forgive him after what he didn't say and didn't do when he should have? For all the times since that he's said things in anger when, really, he was madly in love and just full of his own issues to sort out? (Damn, Aziraphale, we're beginning to see your affinity for Austen heroes here...)

But he's out of time so there will be none of that now. Now is his karmic payback. Six thousand beautiful years with the being he loves and feels he doesn't deserve have led to Aziraphale's redemption being that he can sacrifice himself to save him. He can leave the world they love with Crowley and Crowley's *goodness* in it, as it should be. So when Crowley says he needs to say something, Aziraphale cannot-- CANNOT-- let him speak because he cannot bear it.

He suddenly fears that of course-- OF COURSE-- the one moment in all of these trillions of moments they've lived through where Crowley is about to directly say he loves him for the first time is the also the same fucking moment when Aziraphale has to destroy their relationship to save Crowley's life and Aziraphale will be dead after this and he cannot bear hearing what his life could have been. He can't hear Crowley say this right now or else he worries he might lose his nerve. He *wants* to hear it but if Crowley speaks first, Aziraphale might cave, he might be weak again like he was when Crowley Fell, he might fail him again, and he can't. Not after all this time. Not when he loves Crowley so much.

"What's that lovely human expression?! 'Hold that thought!'" he blurts out, in a callback to, of course, the moment Crowley saved him in 1941-- to that night where Aziraphale really realized for the first time that Crowley wasn't just capable of good or capable of being friendly towards him but that Crowley *loved* him and that he loved the Demon Crowley, whether or not he should. ("But somewhere in my wicked, miserable past," sings Frances McDormand as the Voice of God, from her apparent favorite film lol, "I must have done something good.")

Ah, yes. Played for suckers. Here is where it's important to note that in 1941, Aziraphale had no idea that Rose was really Greta and that he, in fact, was the one being played for a sucker. By the end of S2, though, it could be argued that he very much knows that The Metatron is Fraulein Greta Klauschmidt-- someone who presented herself as Captain Rose Montgomery, an agent of anti-fascist good, who approached Aziraphale in his bookshop and told him that he could be an agent of change, too. He could help save the world and stop the global rising tide of fascism represented by the Third Reich. He could even do so using his books. They plotted a sting together, in which he'd bring his books to a church and seem to give them to Nazis to give to the Fuhrer, only for agents to surround them and arrest the Nazis. Aziraphale, desperate to *do* good and to *be* good, falls for this-- he fails to see that Rose is really Greta, a Nazi agent who fools him into working for the enemy and getting him to help destroy the world in the process. Pretty obvious to see here that Greta is The Metatron in S2... but it's likely that Aziraphale knows it and is playing along because it's his turn to save Crowley, unlike what happened in 1941, when Crowley saves him and his books.

Crowley, in the bookshop back at the end of S2 in our present time, stops speaking at the "hold that thought", looking like he's about to be ill, and has to also be thinking of 1941 and the church now that Aziraphale has referenced it. Maybe, in some way, it's an unconscious effort on Aziraphale's part to convey to Crowley that this is a charade-- that he doesn't mean this, that it's an act-- but he really doesn't want Crowley to figure that out. It would defeat his goal. But he also doesn't want to hurt him because he loves him but this is the only way that Aziraphale can see to save him. So he starts gushing about his coffee with The Metatron, right? We all remember this pain lol.

Maybe I've misjudged him. (Aziraphale, we suspect you know that he tossed Crowley into hellfire and stole Gabriel's memories so honestly, the worst part of all of this is that you're so traumatized that Crowley is *buying* what you're saying here...) And guess what?! He wants me to be the new Supreme Archangel! And he said you can come! And you can be an angel again! It will be so fun! We can have a slumber party, Crowley, after days of doing good, and braid each other's hair!

Crowley is like jfc fml are you even serious right now? Which, of course, is what Aziraphale *was going for.* It's the "I don't even like you" and the "we're hereditary enemies" and the "I'm an angel, you're a demon" way of trying to intentionally push Crowley away but the new version of it because none of that flies with S2 Crowley-- most of it barely flew with him in S1-- because Crowley *knows.*

He knows that Aziraphale loves him. And he knows that Aziraphale knows him, which is to say he knows how to hurt him, and that's what this is but also Crowley just sees it as how much Heaven has hurt them both. How much they've hurt Aziraphale. Because just as Aziraphale looks at Crowley in the throes of his religious trauma-- "Unforgivable. It's what I am", etc.-- and wants to help and save and protect him, Crowley feels the same way in return when Aziraphale is like this. Frustrated, sure, but in just as much pain at how much pain Aziraphale is in and feels powerless to stop it but will do whatever he can to try to, yeah?

For Aziraphale, this is all going fairly well (it's miserable but in terms of goal, it's working) through "tell me you said no" but the problem is that Crowley is still pleading. He's still trying to work through it because they're an *us* now and also ironically of course this is when Crowley's been trying to do better with storming out lol so he's trying to couple-solve this. He's not just *leaving* like how Aziraphale had hoped. He had been trying to sell to Crowley that he could pick Heaven over Crowley and Crowley is just kinda... not believing it so much at first and, instead, is trying to approach it like a problem for the two of them to solve together, instead of as a decision that Aziraphale has made for his life that he's stating that Crowley can take or leave.

Which calls back to this scene in 2.01 at the start of this arc, when Crowley calls their life *his* life and Aziraphale counters with that he thought *they* had carved out a life for themselves *together* and Crowley answers: "so did I!" Because they haven't had a discussion about what they are, exactly, at that point, Crowley still cautiously calls *their* life *his* life, retaining a sense of autonomy, as if he's only making decisions for himself when, in reality, they are a couple who are trying to make a life together and have been doing so consciously since S1. Crowley calls that life "precious" and "peaceful" to Aziraphale-- beautiful, lovely things that they both treasure and want and find with one another-- but also "fragile". The threats to them still loom large in the background and they are still so afraid to go much further in their relationship because, in part, of those threats and how terrified they are of losing one another... which just makes the end of S2 even more brutal, really.

(*mantras* cottage in the south downs cottage in the south downs...)

So back in That Scene later in S2, Aziraphale is then just kind of stuck trying to figure out how to get Crowley to be so angry with him that he storms out and never comes back in the face of Crowley trying to very much not do that and then Crowley starts saying that he needs to say what he was going to say or he never will and Aziraphale *knows*, ok? He knows what Crowley needs to say. He just literally cannot believe this is going to happen right now. He honestly can't believe it's happening at all but right now?!

He knows before Crowley begins speaking. He probably knew when he told him to "hold that thought" a few moments before but he *really* knows now. Crowley has no idea that Aziraphale has planned for this to be the last time they ever see one another and to go sacrifice himself to Heaven for whatever they want to do with him to keep them away from Crowley. Crowley looks like he's about to pass out from nerves and can barely speak and just...

...six. thousand. years...

...I know we have all looked at the heartbreak of this scene from Crowley's POV here every which way to Sunday, okay, but just imagine you are Aziraphale, who has loved this being since before the literal beginning of time, and you blame yourself for his pain and suffering, and he's standing here, braver than you've ever been with him, looking into your eyes and telling you that he knows that you love him and that he loves you and he knows you both have known this for basically the entirety of your existence together and he can't pretend anymore. He doesn't want to pretend anymore. He knows things have changed over the last few years between you and he wants more of that. He wants to be with you.

The two of you are not even human, just human-adjacent beings who have gone native from the stars and clouds here, who live and love like humans, who know that maybe the angels and demons have it backwards and God's great creatures are the humans-- that it should be the good in them that you should be trying to emulate-- and Crowley had never been more beautifully, impossibly human than while he's standing there looking ready to pass out while asking you if, after six millennia, it might be alright for him to not hide how much he loves you.

How many times has Aziraphale imagined this by this point? A million? How many different ways? There's at least half of them when he imagines that he's the one who gets up the courage first but there are so. many. Crowley. fantasies. Ones in every time period. But always *a fantasy*, at least up until maybe very recently. Why?

Not even just Heaven and Hell and the threat of being caught but the fact that Aziraphale believes that Crowley doesn't know Aziraphale didn't save him during The Fall and how could he ever really love him if he knew? How could Aziraphale ever go to him like this and give Crowley everything he knows Crowley has desired for so long without telling him the truth about Aziraphale's role in Crowley's Fall-- but then, Aziraphale assumes, he'd lose Crowley forever? So this has always been a pipe dream for Aziraphale-- fantasies from a world where they ever stood a chance of being together-- never really something that could be reality and here it is, starting, happening *now*...

...after six. thousand. years. of living with this guilt and in the last moments in which he will ever see Crowley before he heads to his likely death, with no time to tell him the truth and beg for his forgiveness, no time to ever know what their lives might be like if they could be together.

As Crowley, unbeknownst to Aziraphale, mused dramatically, if not inaccurately, earlier in the season... it's always too late.

It's punishment, in Aziraphale's mind. That's what Crowley's proposal, his confession, is now. It's his Fall, whether he falls or not when he leaves the bookshop for Heaven. It's karmic retribution-- it's God, finally saying something, and what she's saying is:

Look at what you've done, Aziraphale...

Look at how he loves you.

He was never unforgivable.

You are.

Aziraphale might be erased from existence once he gets to Heaven and he knows that's a possibility but he basically is dying here. Crowley is killing him. Crowley has pointed that silver bullet gun straight at his head and fired but he's missed and the bullet isn't in Aziraphale's teeth, it's gone through him.

Crowley, here, tears in his eyes, asking for whatever time they have. An eternity? Impossible, unlikely. Angel and demon. One day, the war will begin again-- another war to end all wars, like all the ones they've fell more and more in love during throughout history-- but it might be the one where Heaven or Hell wins and they're doomed to spend eternity apart. Crowley has said before he thinks the real war is humanity versus Heaven and Hell and that sounds like he thinks there's a chance they could survive it but who knows? They don't know. They're immortal beings who live like humans and that's, of late, included a sense of mortality. They don't know how much time they have left and Crowley is asking for all of it. He is asking for whatever time they have left to be spent together, openly loving one another, and what he doesn't know is what Aziraphale knows:

That they're already out of time.

Crowley is proposing marriage unaware that Aziraphale is dying. It's always too late, Crowley had stated earlier but had hope that maybe it wasn't but it is. And Aziraphale?

Gah. Aziraphale...

He's never loved him more. He's never wanted him more. He wants to tell him that he wants that, too, that they can have it, that Crowley can have anything he wants, but it's not true. It's not true because they could run out the back door of the bookshop now and hop in the Bentley and end-of-Grease it up to Alpha Centauri and Heaven will still find them. Heaven and Hell will still be after them. Running away solves nothing and Crowley always, ultimately, anyway, comes back and this time-- this time-- for Crowley's own good, to save his life, Aziraphale needs him to leave the bookshop and never come back.

And the moment that Crowley confesses that he loves him and that he knows Aziraphale loves him in return and that they've both known this, forever, and asks him if he can be allowed to just love him, Aziraphale loves him so much in return that he'll break his heart to save him from dying.

Dying is... not on, as High!Crowley put it in 1827 lol, but suicide-ish attempts are, if it's Aziraphale's turn this time.

So he twists the knife. He hides the goats as pigeons and he looks at Crowley and does a bit of this:

...only with the exact opposite intent. In the Job minisode, Crowley cannot speak aloud his true intentions. (Something he can finally do in the S2 finale, when he declares his love for Aziraphale.) He cannot tell Aziraphale outrightly that he had zero desire whatosever to kill Job's kids and animals and doesn't plan on actually doing it and, in fact, is actively engaged in a bit of bait-and-switch to make it look like he's doing what he's supposed to be doing as mandated by Heaven! this time as well as Hell (a nice little extra bit of paralleling to the end of S2 and Aziraphale, there.) He wants Aziraphale to believe him enough to allow him to pull it off because saving the kids and the pets (and protecting Aziraphale from any harm that might come to him if he gets in the way of what Crowley's been asked to do) matters more to Crowley than Aziraphale believing him...

...and believing him here means believing *in* him. Believing that they are on the same side and it's their own side and they're in it together. Crowley has to lie to him here *and it works for a moment*. It's really important to note that *it works*. Aziraphale believes that Crowley can do this and that he wants to-- that he not only can but he *longs* (lol) to "kill the blameless kids of Job"-- but it's all in Crowley's wording. He isn't *actually* lying. He *does* long to kill the blameless kids of Job like how he killed the blameless goats of Job-- because he "killed the blameless goats of Job" by turning them into pigeons. So he's really saying to Aziraphale that he longs to *fake the deaths* of the blameless kids of Job and plans to in the same way that he did the goats. In that moment, though? It didn't matter if Crowley was lying or telling the truth. There was only one goal--

--to get Aziraphale to walk away.

To get Aziraphale to leave, for his own safety, and let Crowley handle this. Better that he misunderstand Crowley and be disappointed in him and think him a lost cause than to get himself into trouble. Crowley out here loving Aziraphale that much in the days of Bildad the Shuite. (This poor mfer. Six. Thousand. Years lol.)

So what caused Crowley's plan to save Aziraphale in the Job era to not work?

One of the pigeons bleated, right?

Aziraphale heard it and realized that Crowley hadn't been lying so much as he had been trying to protect Aziraphale from his plan of subterfuge against the Almighty and Satan. The difference is that there are no bleating pigeons in the S2 finale... there's just *a whole certain famous other kind of damn bird instead* and its *absence* from the scene is the big emotional gut punch moment. And we all know it but I'll gif it anyway since this is already a depressing meta (cottage in the south downs cottage in the south downs...)...

...and that *is* the point. Because unlike back in the Bildad the Shuite days, there is no bleating pigeon (at least, not yet) to make Crowley realize that all is not what it seems and that Aziraphale is trying to lie to him and get him to leave to protect him from Heaven.

As Aziraphale is like mortally wounded here by Crowley's confession of love and is so not going to recover from this, he's now got to not only get Crowley to leave feeling like Aziraphale rejected being their own team for Heaven, he has to now do it with all of it out in the open-- with Crowley having openly confessed love for him, with him having asked for them to be together. He's not just going to have to frustrate Crowley more than he ever has before and get him to leave more angry than he was before, he has to, instead, smash into little tiny bits the very beautiful, very passionate, beating heart of the being he has loved since he met him *making the stars* in the bloody sky here...

The only way to get Crowley to go now is to make Crowley think he's rejecting the idea of loving him. Aziraphale honestly can't even sell the idea that he *doesn't* love Crowley because Crowley won't believe it-- he knows Aziraphale does and he's said as much in his whole marriage proposal here. So it has to be that Crowley thinks Aziraphale chose Heaven over loving him. Chose being an angel. That he really meant all of those 'hereditary enemies' and 'you're a demon' moments and to sell that, he sells it.

(You're a dark horse, Mr. Fell, Nina said of him in 2.01... the same turn of phrase Crowley uses when surprised by the secret skills and narrative power of Jane Austen later on in the pub.)

Aziraphale does love himself a bit of theatre. A bit of a disappearing act. The West End, The West End...

...our Nefertiti-fooling fellow...

He sells it with:

Well, of course you said no, *you're* the bad guys...

Come with me... I'll run, it you can be *my second-in-command*...

We can be together. *Angels*. Doing *good*...

...oh, Crowley... nothing lasts forever...

For his final act, The Marvelous Mr. Fell will saw his ineffable husband's heart in half by spewing a litany of everything he can think of to say that will piss him off enough to make him leave the bookshop broken-hearted enough to never come back.

Only someone put a miracle blocker on here because, try as he might and good heavens (pardon the pun), Aziraphale is *trying* here...

...this turnip is not turning into a damn inkwell.

Crowley finally starts to go-- it's looking promising. Finally, Aziraphale thinks, this misery might end. Six thousand years of wanting to speak of all of this between them and hoping for some happiness when-- if-- it could maybe someday arrive, if it even could-- and it's the worst moment of Aziraphale's existence and he knows it is the same for Crowley.

Crowley stops and the "do you hear that?" And no, Aziraphale doesn't hear anything, he just has never been more upset and Crowley needs to just go because Aziraphale can't handle another moment of this, how could it possibly get worse?

Nightingales. Of course.

A call back to S1's "no more world-class composers/little restaurants where they know you/gravalax and dill sauce/old bookshops" but this time, it's "no nightingales". There's Armageddon coming that neither of them know about in this moment. It's still a 'someday, they'll try again' concept to them in this scene, not an extremely immediate threat, as Aziraphale doesn't learn about The Second Coming until after this. So the end of the world that Crowley references here is the end of *their* world and that means no nightingales. No romance. No *them*, together. Worth remembering that Crowley thought, up until maybe what? Five minutes ago? That they were headed to breakfast at the Ritz together. They should have been sitting there together *in this moment*, is what he's saying. Miracling the pianist to play "A Nightingale Sang in Berkeley Square" and gazing at one another over teapots and mimosas and croissants.

That's gone, since you chose Heaven instead, is what Crowley states and Aziraphale knows it because, God help him (no, literally, GOD HELP HIM! WHERE THE HELL DID YOU GO OFF TO THIS SEASON, FRANCES?!), it's what he's *trying* to make happen.

You idiot, says the once-Bildad the Shuite, who thought he was taking his beloved to the ox rib special this morning and not getting dumped for an old floating head and the cinematic world's most contentious to-go cup of coffee, we could have been... us.

Not really a part of the theory here, just the observation that Crowley's confession/proposal begins with him unable to say "a couple", in case this all goes pear-shaped and he needs to have never said something that romantic, so he says instead "a team", "a group-- of the two of us". He says it without saying it. But, by the end? He just says "us." He *present*-tenses it. He's like forget everything else, angel, we could have just kept on being us because we both know what we are. We don't need to find the right turn of phrase or even the most specific human word for it. We are just *us* and we could have kept on with that but you chose the mentality of your abusive family and asked me to be what I'm not and I still love you because I *know* you but I can't be with you like that and *you* know that.

And he kisses him. Because Franny McD says you ain't suffered enough yet, Aziraphale lol. Should I just gif it while we're miserable? If you've read this far, a month has passed and hopefully, you've taken breaks and I do apologize but I'm gonna gif it because yeah. Here we go, folks...

God, make it stop, pleads Aziraphale to literal God and here comes Crowley with the S1 wall slam parallel, all dammit, angel, I know you've wanted us to snog for centuries and this is our last chance.

I know people have opinions about this kiss and I know we're all posting them here, obviously myself included, but while I've seen a lot of like... 'Crowley knows it's the only time they ever will be able to because Aziraphale is leaving him for Heaven' and 'Crowley wants to remind Aziraphale what he's giving up and could have had' and 'Crowley tries the kiss to see if it'll change Aziraphale's mind' takes-- and I agree with all of those things and think they're all right-- I've not seen a lot of 'Crowley kisses Aziraphale *for Aziraphale*' and I think that's a big part of it, too.

Crowley really isn't stupid. Not when it comes to Aziraphale wanting him. It would be honestly hard to spend a zillion lifetimes on Earth and not get it after like...

And Crowley understands Aziraphale's particular brand of religious trauma more than most, since he has a variant version of it himself. He understands that where his whole thing is that he's very much *not* an angel anymore, that Aziraphale's identity is wrapped up in being one and the conflicts he has with Heaven and while Crowley is not yet quite hearing what Nina said-- that she just got out of an abusive relationship and that she's not yet ready to be with Maggie and needs time-- and marrying that to Aziraphale and Heaven (especially because Aziraphale is showing exactly zero signs of trying to get out of his relationship with Heaven lol), Crowley wants Aziraphale to have had what he (Aziraphale) wanted, even if it was for only a moment. He can't go with him. This is the *one* scenario where Crowley cannot follow where Aziraphale goes, where he can't come to him and rescue him, because Aziraphale has said he doesn't want him to. Aziraphale wants to go and do this and the only way he'll take Crowley is if Crowley wants to become an angel again, which Crowley will not do.

And damned if there isn't a part of Aziraphale that thinks that if The Metatron can really be trusted, wouldn't that be something? That if he gets up there to Heaven and he really is made Supreme Archangel and if Crowley changes his mind, if he comes back, like he always does... if he storms out and leaves but then misses him too much and takes the elevator up... then maybe Aziraphale could make him an angel again and while Crowley hears in Aziraphale offering that you aren't good enough as a demon-- you're not good, period and even if he doesn't totally believe that Aziraphale really thinks that but knows Aziraphale has enough religious conflict that it's a problem for their relationship, what Aziraphale *really* means is... I could fix it.

I could go back and un-Fall you. I could take away your pain. I could stop your suffering. I'd have the *power* to do it when I don't right now and it kills me, every day. I could right the wrong I did, the sin I committed-- the real Original Sin-- six thousand years ago when I betrayed you, when Heaven betrayed you.

I could do right by you, the way She never did.

I am going to Heaven to either have the power to do that or to be obliterated into non-existence and I don't totally know which, though surviving is not looking promising, but all I know is that it's too dangerous for you to follow me right now until I do know so I'd rather hurt you than see you dead.

You want to be with me and I am afraid it will lead to your destruction so I need to say anything to put the breaks on your attempt and make you back off. To a lesser extent, I've done it before. Can do again.

Only this time, no hope of the possible, future picnic, I'm afraid...

It really is the worst possible Aziraphale nightmare here like... everything he's ever wanted. Six millennia of wanting to pull Crowley close and he has to reject him or Crowley could die. Fanfic season here said Coffee Shop AU and also a reverse-Fuck or Die for the ages. People complaining that it's awkward? YES. It's supposed to be. Crowley has no idea that Aziraphale is facing a round of sudden death here and was just hoping for his one fabulous kiss and vavoom. Even if it didn't change anything-- he wanted *Aziraphale* to feel that. To know how much he's wanted this for so long and to have it, even if they can't again. The intent is terribly romantic, as is Aziraphale flailing in the middle of it and giving in because he is made of strong, halo-exploding stuff here but he's wanted this forever. He goes up on his toes, he leans in, his hands flail around and he touches Crowley's back. He *shouldn't* do any of this if he's trying to meet his goal of getting Crowley to leave because it gave Crowley hope. It might have even been what motivated Crowley to stay outside and not go right away, or at least a part of it. But Aziraphale had to because he loves him and he couldn't help it.

Then, *sob*, The Michael Sheen eviscerating all of us here...

For anyone who might still be saying that is an "I didn't want his kiss" face... hard, HARD, VERY HARD disagree. That is "I didn't want *this* kiss, like this, right now." That is a man-shaped being who was just kissed by the love of his life for what may have been the first time but, at minimum, is for what he believes will be the *last* time. (I'm still out here holding out some hope for Blitz, Part 3-- a nice first kiss after they kill some Zombie Nazis with Chekhov's derringer in the bookshop but I digress...somehow, even if this entire long meta is one long digression, I digress lol...)

It's the face of a man gutted by the fact that this, in his wildest dreams, was not supposed to happen like this and he's been alive for damn ever at this point so he's had *all* the wildest dreams. And a lot of them, let's be real, have centered around Crowley doing just this. Exactly this. Crowley ain't wrong with the 'grabbing him by the collar and kissing him senseless in the middle of the bookshop' thing. He's wanted to do it for centuries. And the middle of the bookshop bit? That's important, too. This is their home. It's *their* home, even if Crowley is technically homeless. It's safe for him in here and Aziraphale has made it so. It's where they've spent thousands of hours together, happy and safe in each other's company, and here they are, bouille-bouile-bouile-baby-ing finally and it's a complete and utter, unmitigated trash truck dumpster fire.

Honestly, this was a better kiss than in S2 lol. S1 laying down though how long they've been dreaming about it (and having Crowley start listing animals that are in Aziraphale's nonsense magic spell, like he flashes back to 1941 when thinking about the end of the world and kissing Aziraphale in the bookshop... so you can see why I'm moderately hopeful that maybe they did kiss then, once, before then trying to never again until Crowley kisses Aziraphale in 2.06.)

I'm going to bring this back around now to the comparison I made above with Crowley and Jesus and talk about how 2.06's end scenes are also like the last temptation of Christ. Good Omens makes it pretty clear that Aziraphale is the tempter, really, of the two of them, in their relationship. Crowley can't say no to him and Aziraphale has learned it and loves to puppy eyes Crowley into anything he wants.

Crowley knows it and is fine with it. He's smitten and happy to be wrapped around Aziraphale's finger. Crowley has tempted Aziraphale and we see that in S2 with the ox rib. He is, himself, just by existing, tempting to Aziraphale. But in terms of temptation carrying with it a bit of manipulation and *that* kind of tempting being what's demonic in nature? Then Aziraphale is, and always has been, the demon of the two of them. This is true into the end of S2, as while there is almost nothing that Crowley would deny Aziraphale, there is really only one thing and that's to change who he is for him. To become an angel again, to work for Heaven again, after what they've done to him and Aziraphale. So the end of S2 is then Aziraphale's temptation-- it's a test, of sorts, for Crowley, even if Aziraphale doesn't intend for it to be. Crowley resists the temptation. Even for Aziraphale, he won't follow the path of darkness for himself and become something he's not. Crowley-Jesus. (Aziraphale-Satan S3 incoming lol.)

And if you've been reading all of this right then you know what happens next and what it means from the POV of this guilt-ridden Aziraphale...

I honestly don't think Aziraphale is really that angry *with Crowley* at this point-- I think he's just angry. He's reached his limit and then some. He has a lot of simmering, under the surface rage on a good day that only bubbles over when he's stressed by a situation he can't control and here is the ultimate one, really. He's a little mad at Crowley because they've waited countless years for that and in an argument, while ironically probably kind of perfect for them, is not really how *either* of them wanted it to be... but, mostly, Aziraphale is just angry that he can't have any of those moments at all. That they're out of time. That they had all this time and they never really could be safely together and that he's been haunted for six thousand years of the image of his fluffy cloud of redheaded sunshine, bloodied and stricken, and then tossed to Hell while Aziraphale was powerless to stop it. He's never seen those eyes since and he loves the snake ones. He loves all of Crowley with all he has but he's never been allowed to *have* him and never felt safe enough to try and now it's all over. And he still has to make Crowley fucking leave this bookshop for his plan of self-sacrifice to fucking work here so...

...I forgive you. It's the worst thing he can think of. The thing Crowley always hates. The thing that he knows makes Crowley feel lesser and demonic, even if Aziraphale has always, always meant it as an I love you. He even spits it out to Crowley with an almost self-deprecating, referential tone to it-- like "here we go again-- you say you love me and I say 'I forgive you' because I can't say anything else, can I?" The anger is laced underneath it and all the pain but he's intentionally referencing how this this the thing he says whenever Crowley says they can be their own side. He's trying to claim that nothing has changed in all of these years, when they both know that everything has changed since S1 and the bandstand. That's what makes it hurt both of them even more. Aziraphale chooses to say "I forgive you" because he knows that Crowley has never heard it for how Aziraphale means it and Aziraphale is a little bitter about it and lets it show in the moment, since Aziraphale's I forgive you always really means...

I can't stand to see you in pain and if there's any power in me as an angel to stop it, then I will do that so I forgive you and may that make it easier, may that make it all okay, even though I know it won't.

And just before saying I forgive you, Aziraphale's mouth works and he almost-- almost-- says I love you instead... what Crowley would really give anything to hear.

You can see the 'l' forming there, the beginning of "love", what he *really* wanted to say... what Crowley himself didn't even actually explicitly say. Crowley said it without saying it. He called them a couple without saying that word, asked for eternity without fully asking for it, said he loved him by acknowledging that they had both been pretending, but Crowley was terrified and so he said the things in a way that made it obvious what he was saying and asking for but, so unused to not speaking in code are they, that Crowley didn't say he loved Aziraphale, not directly. He did say it. He just didn't say it in those words.

And for a second, Aziraphale almost does.

He can't stand that he's breaking Crowley's heart. He can't stand that Crowley has kissed him and Aziraphale only briefly kissed him back, only barely touched him, when he really wanted to go at him like an ox rib and never let him go, and he starts to say the truth because no part of him really *wants* to be lying like this to Crowley. But he stops. And not even just because he needs Crowley to leave the shop to save his life but because, in the last four minutes, Crowley has confessed love and proposed and they've kissed and Aziraphale, pretty sure he actually died somewhere in the middle there and he's now stuck somewhere in one of Dante's worst circles of Hell lol, just cannot *also* have this be the moment where he says "I love you" to Crowley.

It's not even false hope that maybe they'll somehow have more time. With Heaven breathing down his neck in the form of The Metatron, Aziraphale has no real hope of that. He just always dreamed of telling him and not like this. He doesn't want Crowley to hear it like this, either, not as a part of a rejection. The anger, instead, surfaces, because why can't he and Crowley just *have* this?! How the hell did Gabriel and Beezlebub get to fuck off to Alpha Centauri after dating for ten minutes when he and Crowley have spent bloody eons in queer pining hell over here? What did they ever do that was so wrong to deserve this? Why was Crowley asking questions so terrible? Why have they had to spend thousands of years pretending not to love each other as if love-- the epitome of the angelic-- was unholy? Why, Aziraphale is wondering, now that they are out of time, did he ever spend so many years terrified when, in the end, it all ended tragically anyway?

How many of those years could Aziraphale have spent loving Crowley the way they ought to have been able to have and denied themselves of for so long?

And then Crowley finally does it. Tells him "don't bother" about the forgiveness-- about the love, as Aziraphale has always meant it-- and he leaves. It worked. The anger and pain and saying "I forgive you" after that kiss... it worked. And Crowley leaves and Aziraphale, alone, is a complete mess of broken and furious and broken some more.

Crowley, as we know, doesn't get to see this moment. Muriel does! Great for fic! Hilarious by show standards that the new angel who is literally being ordered to take over Aziraphale's home against his will is who witnesses the aftermath of the intimate moment our angel has been craving, oh, just since before the dawn of humanity over here.

He touches his lips, his hand trembles... have you all noticed that Aziraphale is literally fucking *tasting and eating* what of himself Crowley left in his mouth here? He's pulling every bit of Crowley to his tongue from his teeth and *swallowing*, like he knows it's all of him he'll ever again be able to consume, like he's committing how he tastes to memory for the last like, who knows, ten? fifteen? twenty minutes? of his own existence that he knows he probably has left...

Jesus fucking Christ, Michael Sheen...

This is all without yet mentioning the single most under-analyzed line in S2 that calls into question a ton of stuff, which is this beauty from Shax, right off the top of 2.01:

"Beezlebub's put some of the lesser demons on half-rations."

What does this have to do with Aziraphale consuming Crowley's kiss like it's the most scrumptious thing he's ever tasted (because it is) and being furious that it'll be their last?

Because that Shax line casually confirms that demons eat. Do they eat human food or some sort of demon food or both? Who knows, really, but they're *supposed* to eat. Ok, but is it just a demon thing? No, because it ties to Crowley's comments in S1 about how he complained that the food wasn't really that good lately when hanging out with Lucifer and The Gang, which then implies that, at least back then, *angels* ate, too. Eating was a normal thing. Over time, though, we know that the higher angels have come to see eating as human and pedestrian and not something befitting of an angel. Some demons eat-- even Crowley eats, if less than and differently than Aziraphale-- but the angels think it's beneath them and if we have confirmation via Shax in S2 that they are supposed to be eating and basically only don't die because they're immortal beings and not human, even if they have human corporations, then the show is saying that all of these angels are fucking starving themselves.

They're doing what they're told and denying their own nature and their own needs in the process.

S2 also shows that with the ox rib, right?

Aziraphale went *at* that thing. He'd never eaten at all in a couple thousand years after being told it was un-angelic and so when he tasted food for the first time, he went so overboard that he's been Mr. Prim and Proper with his napkins and table etiquette ever since out of embarrassment over Crowley watching him food orgasm once-- and that's the metaphor there, as we've all figured out. Our show that has a sex worker named Mrs. Sandwich is all about its ongoing food-as-sex metaphor. S2 even opens with the hilarious turnabout from S1 as a "thank you for my pornography", "why do you consume *that*?" Gabriel shows up at the bookshop-- naked-- and has a food orgasm trying hot chocolate for the first time.

Gabe, babe, Aziraphale does not need the play-by-play here....

Mah point is... mah point is that Tumblr is maxing me at 30 images per post and so you'll just have to picture Crowley slurring "dolphins" while I get to my actual point here...

Mah point is while this is a whole separate analysis almost and one that many of you have already done in different ways re: food & sex on the show, my point here is that starving yourself of food in Good Omens is analogous to being touch-starved or love-deprived and before someone yells at me about how angelic beings don't necessarily need sex or are by nature not into sex unless they make an Effort, I agree with you and Neil Gaiman. I'm just also saying the show is suggesting that they all have human corporations and that many of those human corporations are not sex-averse so for those of them that are not, they're literally out here touch-starved and/or sex-starved here in different ways. But, you say, maybe Crowley is hungry (goodness knows, Crowley *is hungry* lol) but Aziraphale eats all the time!

Yeah. Aziraphale eats *food*, all the time. But he isn't touched all the time. He doesn't have sex all the time. He isn't kissed all the time. The 2.06 scene shows him *physically* making that metaphor of food and sex real for us-- we watch him *consume* what remains of Crowley's kiss--showing that he's desperate for it and deprived of it. He's starved for it, to a point of trembling hands and rolling every bit of Crowley's lingering taste around his mouth like he's taking on every last bite of the best crepe he could ever imagine in all his days...

...and then being, understandably, full of rage that this is the only time he's going to ever have Crowley-- and all he's ever going to have of him, when Crowley just offered all of himself-- forever.

And then The Metatron comes back and is Aziraphale ready to go to his death now? And, Friends, Aziraphale...

...is absolutely not.

He's turned away from the door, barely containing tears. When the door opened and he turned, he half-hoped it'd be Crowley but it was grr That Bastard instead. He looks out the window and Crowley is still out there...

...he left but he didn't really *leave*... and it somehow then still isn't over and will someone please just take Aziraphale out back and angel-shoot him? He can't take any more of this.

What about the shop? he asks, in a moment of desperation and terror over what's to come and some blind, stupid hope that he can somehow get out of all of this with him and Crowley still alive and The Metatron, who anticipated this, tells him Muriel lives here now. Aziraphale looks around the home he's made for him and Crowley for the last 223 years and his favorite books and possessions. Crowley's hat from 1941 is on the hat stand, the horse statue is where Crowley put his glasses back when he trusted him, back when he let Aziraphale see his pretty yellow eyes whenever Aziraphale wanted in recent years... before he just put his glasses back on now and closed himself off again.

Aziraphale is never going to see those eyes he loves again. He didn't even get to kiss Crowley without the sunglasses on before it was all over.

Even Gabriel had something to take up to Heaven with him to remind him of the demon he loved but Aziraphale goes to Heaven and to his death empty-handed because he pushed Crowley away to save him from all of this and, in the final push, he looks at Crowley standing there by The Bentley, all that secretly optimistic, beautiful, romantic hope about him still in him from the angel Aziraphale first met, all the awareness there of Aziraphale-- the only being who really knows him-- and so he's still waiting, still hoping. It goes back a few hours to the ball.

I'll be back. I won't leave you on your own.

But it's Aziraphale's call now and he gets into the elevator. The Metatron wins because Aziraphale's love for Crowley wins. He'll die before he lets anything happen to him, even if he wants to run to that car and to him but where would they run *to*? There's no place to go. Crowley has always been wrong about that. They can't go off together. There's no place safe from Heaven for them.

So Aziraphale gets into the elevator at The Dirty Donkey, leaving Crowley alone in the street once again, just with less hope this time than in 1967.

So Aziraphale leaves the bookshop this time, instead of going into it like he did in S1, when he left Crowley in the street, standing beside The Bentley, while clutching a different book this time-- Agnes Nutter's prophecies in his hand versus The Book of Life and its threatened erasure hanging over Aziraphale like the specter that it is. What was predicted about the future versus erasure from the past and all time. Nothing to see here, Crowley! Everything is as it's seems.

Everything is tickety-boo!

Tickety-boo?

Yes, which is also what Aziraphale-as-Crowley said... when he was kidnapped by Heaven and Hell in S1, remember? When he was taken from Earth to be sentenced to death... along *with* Crowley.

This time, Aziraphale is shutting Crowley out again. Telling him 'mind how you go' again, this time a bit more, uh, emphatically lol. And on their heels, again, the end of the world. Arma-bloody-geddon 2.0: The Second Coming.

Aziraphale heard The Metatron saying that was the plan-- as, of course, our villain walked away and meant for it not to be totally heard, further implying that they have no plans to really make Aziraphale the Supreme Archangel and that this is all a remix of Fraulein Greta Klauschmidt. That then makes this all somehow *even worse*... because now Aziraphale gets in the elevator to ride up to his death to save Crowley but now he knows that it was all for nothing.

War is coming. The planet they love will be destroyed. Crowley, if he knows him well enough, will likely die trying to save it. When he does, he'll still be damned to Hell for all of eternity while Aziraphale thinks he likely won't exist at all once he makes it upstairs and Michael finally gets to Book of Life him. Let the other angels think he's been played for a sucker. Better they think him a fool than that they come for Crowley.

He doesn't want to Fall and doesn't wish for it. If they take his memories as punishment, and they almost certainly will, he won't remember any of the moments he spent with Crowley and even if they could have eternity together in Hell if the world is destroyed, he wouldn't wish Crowley the pain of being around him when he didn't remember anything.

Aziraphale only finding out about The Second Coming in the moment before he gets on the elevator-- *after* everything happens with Crowley-- is a million times worse because now Aziraphale is riding to his death knowing that everything they've done in six thousand years doesn't matter and that the events of S1 didn't matter because all it did was delay the inevitable end of the world and everything Aziraphale loves is about to be destroyed.

That, apparently, was God's ineffable, Great Plan.

All of that is what is on Aziraphale's face on the ride up to Heaven in the final splitscreen.

In that splitscreen, Crowley, for what it's worth, is visually echoing the driving back from Tadfield bit that leads to the "tickety-boo" moment of Aziraphale lying to him by omission. He looks close to a parallel to the S1 moment where he suddenly yelled:

"DUCKS!"

They're what water slides off of. In this context? They were also the thing itching at the back of Crowley's mind-- the not quite right thing, the puzzle he couldn't quite figure out, the question he coudln't yet quite answer... until he could. That's positive, actually. It means there might be something for him to realize, even if that realization might come too late in the short term. (They will solve everything and be fine, memory-intact, immortal beings in love who go off together by the end of it. This is all just until then.)

Ducks are also, sort of, the be all and end all of Good Omens. Crowley knows how to take care of them, after all, when others do not. You feed them frozen peas-- they are good for them and they love them, too. (Don't feed him coffee, you Metatron idiot! He only ever drank one mug of it in S1 and it led to the *points above* see: tickety-boo Aziraphale lying to Crowley paralleling sequence of scenes.) [The "do you have one, single, better idea?" scene is Aziraphale drinking coffee, for reference.]

So, yeah, by comparison here... Aziraphale, you are a duck lol. You have been fed bread by idiots for far too long when, really, you need to be eating frozen peas. Crowley knows this and he knows how to take care of you. With any luck, he's about to have his duck-moment-paralleling epiphany any moment now, though I fear you're already going to be memory-wiped and fallen to Hell when he does. That's okay, though, because this is the main scene that still needs a go-around in paralleling and we know Crowley knows where the dungeons are down there from unfortunate, personal experience.

Cottage in the south downs, cottage in the south downs, cottage in the south downs, cottage....

Notes: Hi! If you have made it all the way here, thank you for reading. I hope it was worth the read for you. You all write such great stuff that I felt inspired to put my lit and film studies and psych background to use and jump in a bit. Thanks for indulging me. I also wish to note that there is a gif above that is by @fuckyeahgoodomens but for some reason, the credit was not working properly so I just wanted to make sure you knew who was providing us the visual joy.

#ineffable husbands #good omens #crowley x aziraphale #good omens meta #long post #good omens theory #i am not kidding you this is kinda long but there are gifs and jokes and i brought snacks?#aziraphale #crowley #good omens 2 #good omens 2 spoilers #gabriel

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sheisjoeschateau · 10 months ago

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misha's masterlists

Hi, I'm Misha. Thank you for diving into my stories and supporting my writing :)

My fanfics [+this blog] are dedicated to Steve Harrington. All fanfic series, one-shots, blurbs, etc. listed below are written by me. Do not repost or share anywhere without proper credit. Thank you.

SERIES MASTERLISTS:

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"Oh, so we DO love Steve..."

Steve Harrington x Bauman!fem!reader enemies to lovers, heavy angst, hurt/comfort, upside down mayhem, S2-S4, post S4 universe hot-take, end-of-the-world / dystopian setting, ugly fights turned smut (...but with hella plot). 18+

[Part IX - blurb] | [Part IX - full]

[Part X] | MORE COMING SOON

SUMMARY: WHEN THE UNEXPECTED NIECE OF MURRAY BAUMAN GETS THROWN IN THE MIX, THE GANG HAS NO IDEA JUST WHAT THEY'RE IN FOR. SCRATCH THAT - STEVE DOESN'T KNOW. YOU GET ALONG WITH EVERYONE WELL. YOU BANTER WITH THE ADULTS, WHO APPRECIATE YOUR HELP. THE KIDS LOVE AND WORSHIP YOU. YOU'RE HELPFUL ALL AROUND. BUT AS FAR AS STEVE IS CONCERNED, YOU'RE JUST NUISANCE. AFTER ALL, YOU'RE THE REASON HE LOST THE LOVE OF HIS LIFE AND MISSED OUT ON A LIFE THAT "COULD'VE BEEN." IF YOU HAD JUST KEPT YOUR SORRY ASS OUT OF THE PICTURE... IF YOU HAD NEVER GONE WITH NANCY AND JONATHAN AFTER THEY LEFT YOUR WHACK-JOB UNCLE, MURRAY BAUMAN'S, BUNKER? HE WOULD BE HAPPY. SO F*CKING HAPPY. BUT HERE YOU WERE. YOU WERE BASICALLY THE COOLER (...AND SURE, MUCH MORE ATTRACTIVE) FEMALE VERSION OF MURRAY BAUMAN. YOU WERE SARCASTIC, QUICK-WITTED, TOO SMART FOR YOUR OWN GOOD, AND APPARENTLY BUILT FOR THE WAR. SURE, YOU WEREN'T AS BRASH AS YOUR UNCLE. BUT IN STEVE'S EYES, YOU WERE SOMEHOW FAR MORE OBNOXIOUS. HE DOWNRIGHT HATED YOU.

HE WILL FOREVER HATE YOU...

BUT WILL HE?

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"You're there. You've always been there."

Steve Harrington x OC!fem!reader Childhood friends to lovers. Sloooowburn. Angst. Romance. Smut with plot. Action. Told from second-person view, reader is Nicole (character from S1), different POV, hurt/comfort, upside down mayhem, pre-S1-S4, eventual post-S4 universe.

[PART I] | [PART II]

Summary: Steve Harrington was six years old when he met you: Nicole St. James, the girl who carries the other half of him. Since 1972, the two of you have been inseparably tethered by the soul. You give Steve a home in his big house with no parents, and he gives your introverted heart a longing for someone. The King of Hawkins High and princess of this small town, you tell each other absolutely everything...except that you are in love with each other.

Everything changes that one afternoon at school, when you catch the school's social outcast -- Jonathan Buyers -- has been stalking Steve, his posse and his girl, Nancy. Little do you both know, the monsters in your favorite fairytales are real. And you're both going to have to fight them together.

You both share the best days and worst days, through childhood and teen years, until you both find yourselves roped into the perils that exist beneath your feet in Hawkins.

But through it all, despite all the doubt, Steve knows one thing: you're there. You've always been there.

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"At the Chateau, We'll Be Alright."

Steve Harrington x Jonathan Byers x fem!reader A crossover au inspired by Saltburn and Call Me by Your Name. Additional Inso from Joe's theater performance as in Spring Awakening. Song Inso: "Chateau" by Djo

Strangers to best friends to lovers. Slowburn. Angst. Romance, with polyamory themes and schemes. Smut with hella plot.

[MULTI-PART SERIES] COMING SOON. Click here for a preview.

Summary: The reader lives with her parents at a fancy chateau, in France. This year, her father offers their home as a housing sanctuary to a select student or graduate. He decides to invite two graduate students to live with their family over the summer, coming from different working class backgrounds, and help with their academic paperwork as a professor of archaeology.

Steve Harrington: a rich kid from a swanky boarding school with a bad boy reputation and too much charm for his own good. Surprisingly, his grades say otherwise. A’s and B’s, his parents claim that is seeking one-on-one tutoring so that he can progress in his studies — but it sounds more like an excuse to ship him off for longer periods of time, giving them an out for having their son around during the summer. The pretty boy’s all about ladies…but that’s only because he hasn’t met a boy who awakens his bisexuality. Yet.

Jonathan Byers: a kid from the lower working class, excelling in his studies and AP programs at the same boarding school as Steve which he only got into because of community sponsorship and grants. Quiet wallflower, little to no friends, a bit cynical. A closeted gay, he’s more determined to stick with being perceived as “ace” than come out of the closet. Until he goes to stay at a chateau with a handsome boy, and a beautiful girl who understands him.

Twists, turns and terrifying risks, you all put your hearts on the line that summer at the Chateau. Add the reader's cousin Eddie into the mix, along with her best friend Robin, Steve's ex-girlfriend Nancy, Jonathan's estranged mother and your progressive parents alongside Steve's absent parents -- it's a cruel summer.

#steve harrington #steve harrington fanfic #steve harrington smut #steve harrington x reader #steve harrington angst #steve harrington imagine #steve harrington x you #steve harrington stranger things #stranger things fanfiction #mishas masterlists #oh so we do love steve #steve and bauman

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somedayillbepeterpan · 5 months ago

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I made a post about a side by side of Pen and Colin's first and last dance (so far) from S1 and S3 and now I'm drowning in the feels of it.

LOOK AT THE DIFFERENCE BETWEEN THESE TWO LAST SHOTS

S1E1 - Vauxhall ball dance

Them being such babies. Them jumping around, utterly caught by the energy of the dance. This is the first dance that Pen ever has after she's come out in society and I want to say that this is the first time that she's actually seen Colin as a man after he "rescued her". This is when the rose-coloured tinted glasses are shining brightly on her face as she looks at this boy she grew up with dancing with her in public, laughing and holding her in his arms. This is the first time she was held by another man in her life (I don't think her dad was ever affectionate towards her). Her first physical encounter with a man and it's with Colin no less (Colin really is first in everything where Penelope is concerned).

Even though there is a closeness between her and Colin already at this time, there is always Eloise in the middle. We think that Eloise being away in S3 gave them a chance to be alone together but Pen's 1st season out in society actually also gave the first chance of being alone with Colin (and then Marina came and ruined it all).

I also want to note that Pen is utterly cute in this scene. Ladies aren't supposed to wear their hair out the way Pen has it here. This alone should have told us that she is a rebel but also of how invisible she is.

Last thing to note (and this maybe just because of editing or this very beautiful but challenging height difference these two have blocking wise) is that we don't really see their faces clearly (I checked the actual video and it really is shot like that). We're only meant to feel the amusement these two have over this brief dance and I'm sure Pen went home on Cloud 9, thinking about this dance over and over.

It was her first romantic core memory.

Now we go to this scene:

S3E8 - Dankworth - Finch ball dance (Butterfly dance)

I have so many feelings about this dance. Firstly, their hand size difference!

Their smiles! Them overcoming such a huge obstacle! Colin just blasting every other love confession I've seen on this show! Them accepting each other fully, finally seeing each other for who they are. Them now ready to fully embrace their married life. I could go on and on and I will.

Both looking so ridiculously happy in this slow, intimate dance. Both looking so sexy and powerful, showing their acceptance of their maturity. It took them a while and a whole angsty journey but watching them take each step towards each other spoke to my heart and soul deeply. Their smiles in this dance was such a treat after being subjected to heartbreak.

In comparison with the shot in S1E1, we see both from their heads to their body (heart) but behind other dancers. I'm just thinking that this is the director saying this now will be your POV of Pen and Colin-- at the start of living their lives openly.

(I'm feeling sleepy now but I want to finish this)

It is so rewarding to see the journey that Pen and Colin goes through. I've been rewatching all 3 seasons and catching the growth between these two is so fascinating. The parallels, the clues, the subtle performances that Nic and Luke have been presenting on the table since S1. All so overwhelming at times at how privileged I feel to see their story laid out so beautifully.

What a gift Pen and Colin's love story is. I love their love and I'll stay here just for a little bit.

#vauxhall ball #butterfly ball #dankworth-finch ball #S1e1 #S3e8 #polin dances #polin #bridgerton #nicola coughlan #luke newton #netflix #bridgerton seaosn 3 #bridgerton season three #bridgerton s3 #bridgerton season 3 #netflix bridgerton #i love their love #i'll just stay here for a while

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givekennyabreak · 2 months ago

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You got a friend in me. (Platonic!Victor Kavanaugh x gn!reader)

Summary: Victor had no one to count on, but then - you arrived in town.

Word count: 1.39k (oops again)

Request: "Fantastic! Okay, in that case: maybe something with a twentysomething female reader (maybe someone who’s been there for a while with him to look out for her/vice-versa). I don’t really have any specific prompt in mind, but I do remember that when I saw the scene where Julie calls out Jade for the way he speaks to Jim for the first time, I immediately thought “I’d love to see something like that, but with someone standing up for Victor.” I dunno—it’d just be nice to see someone really caring about him. Most of the others all have their little pockets of found family, and he’s pretty much by himself."

Rating: T

Warnings: canon compliant cursing, mentions of death, spoilers from s1 and s2 (up to episode 3), jade calls reader "mama bear" but there's no use of pronouns or anything defining gender, 2nd person pov ig

Note: I ended up making this gender neutral without noticing lmaooo, this gif of victor is everything. give my dude a break pls

Victor was your friend.

Ever since you got in this nightmare-like town, in your mid-twenties, fresh outta university, after a trip to a new city with better job offers in your area of study, Victor has been a breath of fresh air.

Everyone had a role in town – be it to feed everyone, like Tian-Chen, or be a leader like Boyd and Donna (in Colony House, at least); everyone had a little part to play, usually worrying about whether you’d get home safely before nightfall, or if the crops were healthy, if the animals were fed.

But Victor didn’t.

He did worry, but his brain wasn’t the same as everyone else’s; he stayed alone for far too long, way too young – call it a self-defense mechanism, but his mind stayed in a perpetual child-like state, as innocent as possible in a place like this personal hell. He had a good heart, was a little awkward (again, stayed alone for too long. That’s understandable) and cared about his friends, even though they were few – you, Fatima and Ethan included.

So new people tended to look at him a little weird.

Jim Matthews was one of them, but he quickly noticed Victor wasn’t a bad person.

(You had just eaten a couple of fluffy pancakes, sitting at the counter of the diner; Victor came in and started talking to the kid who arrived with the new family. It was nice seeing him make more friends, even if it was a kid – they had similar ways of thinking, anyway.

Then, his dad stormed out of the bathroom, nearly shouting at Victor; rightfully so, it was understandable he’d find it weird an unknown middle-aged man sitting and talking to his son, but this – it was too much. You stood up, walking up to the commotion; Jim was red in the face, threatening Victor.

“You don't come near him. You don't talk to him. Do you understand me? Stay the fuck away from him.”

“Hey.” You interrupted, staying beside Victor. “Hi. I know you’re new here and all, but you don’t know us, any of us. So maybe don’t be too quick to judge others based on what you know – which is nothing.”

You smiled down at the kid, who looked so fucking lost.

“Victor is a good person, and I’m pretty sure your dad is too, right?” You looked back up at the man, who had become silent. “Set a good example for your kid – don’t threaten people.”

Jim scowled. “Come on, time to go.”)

It was good to see his development (even though it was minimal).

And then, Victor didn’t come home. And that other new guy invaded his room while you were in town – this batch of newbies wasn’t so great -, ignoring Ethan’s pleading (which he told you about later that day, cheeks red with anger. He is a good kid.), so the next morning you went down the road towards the place he was staying at.

And saw Victor right outside his door.

Relief flooded your mind and body at that; he was alive, of course he was – he was smart, he figured out a way. As you got near the house, you could hear their conversation; Jade sighed out a breath, somehow also relieved.

“Oh, you're back. Holy shit. This is great. This is great.”

“That's mine.” Victor pointed at the violin, reaching out to the wooden instrument. “Give it back to me.”

“Yeah. Uh...”

“Give it back to me.”

“I'm sorry, alright.”

“Give it back to me.”

Jade looked down at it, blinking. “I was just thinking I could just play it for a little bit...”

“Give it back to me!” He shouted, startling the younger man.

“Okay! Alright. Calm down, man. Here.”

The violin was handed back to Victor, who turned around on the porch. “That's my room! You don't go in my room!” He shouted and walked away, leaving a baffled Jade on the doorway. You stood still, waiting for him to come up the dirt road.

“Okay. Wait! Oh, hold on. Hey!” Jade ran out of the house, flipping through the pages on the notebook. “Slow down! I'm sorry, Okay? I shouldn't have gone in your room. I thought you were fucking dead. I've been looking everywhere for you.” He ranted.

“There's this symbol that I keep seeing. I mean, I keep seeing things that aren't actually there, but every time I do, there's this symbol, and there's this book that Kenny's mom gave me. Some guy kept drawing the same symbol and there's a picture- would you please just fucking stop!” Jade shouted, and Victor stopped in his tracks, hesitant.

“Look at this. Look at this.” Jade displayed the drawing in the little notebook. “There's gotta be a reason I'm seeing this everywhere.”

He held up a polaroid. “This guy. He must've been seeing it too. Right? And look, right there. Right in the back.” His index finger pointed at a small boy in the back of the picture, right in front of the diner. “That's you, right? Maybe in some fucked-up way, this could be the key to getting the hell out of here. I mean, Jesus, all this time. Don't you wanna go home?”

Your heart squeezed at his words - that wasn’t fair.

Victor frowned. “You shouldn't have touched this. It's not yours. Stay away from me!”

“Well, fuck you too! Wait, uh... Fuck.”

Your friend walked right past you, still frowning, and you let him go back to colony house – you’d have the whole afternoon and night to talk with him. Right now, your attention was settled on the curly-haired man a few meters away from you, wide-eyed as he noticed your form approaching.

“Oh fuck, it's mama bear- wait-”

“Do you have any fucking idea,” You walked up to him, poking him on the chest – he walked back a few steps, wincing. “how long he stayed here? Alone, scared, as a fucking kid?”

“I’m-”

You interrupted him again. “No, you don’t. You DON’T. Because we all got to grow up in a world that isn’t so much as a sliver of the shit we see here. We want to go home, I want to go home, but this place is ALL he got to know. As heartbreaking as it is,” You closed your hands into fists, jaw set so tight your teeth might snap. “this is the home he knows. This is what he knows as normal.”

Jade went silent. He didn’t think about it this way – it didn’t even cross his mind.

“So think hard before you talk to him again.” You turned around, brows furrowed. “And fucking apologize, you asshole.”

When you got home, the first thing you did was go up to Victor’s room; you knocked on the door, four slow raps so he’d know it was you. And so, slowly, the door opened, and you invited yourself in.

Victor sat on his bed, head hanging low and violin on his desk.

“Hey, bud.” You sat down beside him, and he threw his arms around your shoulders almost instantly. Your own arms circled his chest, and your head placed itself on his shoulder. “I’m glad you’re okay. I got really worried.”

“’m sorry. It took me a while.” He mumbled, cheek resting on your head.

“I know. It’s not your fault, I’m really happy you’re back in one piece.” You said, patting his back the way you knew would calm him down. “And don’t mind what Jade said, okay? He’s stupid.”

Victor nodded. “Yes, he makes me angry.”

“He makes most of us angry, don’t worry.” You finally let go of him, and he drew back from the hug as well; he looked tired. “I know what’s going to make us feel better.”

You stood up, pointing at your own room. “I’m gonna get some blankets.”

He brightened up. “Blanket fort?”

You nodded your head in affirmation. “Blanket fort.”

He smiled. “I’ll help.”

Victor was a good friend.

Sometimes he made you worry; most newbies looked at him weird, some people didn’t like him – but he was your friend, he was your little found family in this nightmare town.

And, even if you never got out of here, it was okay – because you had a good friend by your side, and Victor would never let you down.

#from epix #from mgm #victor kavanaugh #victor (from)#victor kavanaugh (from)#epix from imagine #epix from imagines #from x reader #from mgm imagine

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djarinterstellar · 2 years ago

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Safe Place

Pairing: Din Djarin x fem!Reader

Summary: What starts as a night off alone escalates into some trouble in town. Luckily, when you’re employed by one of the fiercest warriors in the galaxy, backup is never too far away.

Tags/Warnings: category is- MUTUAL PINING[!!] they just don’t know it. mostly comfort/fluff. some violence in the beginning + 1 minor injury. mentions of alcohol and spice (cannabis) use. Reader is fadeddd most of the plot lmao. Protective/Soft Din 🥰 mentions of Force-sensitive Reader. also no Grogu today, it’s past his bedtime :(

Word Count: 8.6k

a/n: not me posting this on the cusp of season 3 finally premiering 💀 also this was supposed to be shorter but honestly, this thing got so out of hand so fast, idek why it drags on for as long as it does. but i was inspired by this very stoned prompt i thought of months ago with my favorite tin can babygirl and decided to finally finish it so. here we go. ✨

ps: i’m still trying out the 3rd person pov thing so lemme know if you hate it or not. also to settle any confusion amid the new szn, this takes place between s1 and 2 :)

Translation: Sen’ika = little bird

It’s supposed to be an easy night.

Mando is on a hunt and she’s been left in charge in his absence. Normally she would’ve argued coming along and you know, making herself useful as she’d originally agreed upon. But the Crest could only land so close and the additional foot travel was too long and treacherous for the Child to follow along. Plus Red trusted her enough to leave her alone with his foundling without making off with his ship and she had no other choice but to agree.

A few days had passed now since he’d departed. He estimated he’d return in about a week, so she was in no rush in waiting for him. Mando had settled them on the outskirts of town, far enough where they could lay low in peace but still close enough for her to make any emergency supply runs in town. She was left with everything she needed to care for the kid. And with specific instructions not to leave the Crest unless it was absolutely necessary.

Which is exactly what she decided to categorize this as.

The pair of double doors leading into the local cantina burst open and she stumbles back out into the streets, giggling to herself as she cradles a pair of warm cider bottles to-go in her pouch. She hadn’t planned on lingering at the bar but three drinks and a pair of shots with a group of local girls later, plans were changed. She was even invited out back to share a round of their spice joint, a generous offer she simply couldn’t refuse. She was now blissfully intoxicated and felt lighter and happier than she’d been in weeks.

The kid had finally settled in earlier and if his recent patterns served her correctly, he’d be down for the rest of the night. She was finally alone, a privilege she found extremely rare these days since joining Mando’s crew, which gave her ample time to wander into town. Was it responsible of her to leave the Crest and the kid alone? Most would argue it wasn’t, Red most of all. But he wasn’t here to say no! Plus, she had locked the ship down to keep the kid inside and protected from any potential stragglers. All goes well, she would be in and out before he woke up.

And she was confident about this because she’d already gone out just last night. Sure, she hadn’t been out this long, but again, Mando wasn’t expected anytime soon.

She liked exploring towns. It gave her a reason to not only scope out her environment, but to familiarize herself with the locals and figure out which spots in town were traveler-friendly. It was easy to wander when she was on her own, but now that she was a full-time employee, it had become somewhat of a rare treat.

It was week’s end for these particular folks, which meant most of them were out in droves tonight. She could still hear the fits of laughter and drunken serenades belting out of the cantina behind her as she walked away. The air was far cooler at night and the refreshing taste of it in her lungs gave her cloudy head the clearance it needed.

She was delightfully drunk and probably just as high, but she was conscious enough to know she needed to get back. Leaving the kid alone for a couple of hours was fine, but stretching it out any longer than that was far too much of a risk. Live music was playing somewhere from around the corner, locals dashing around her as they hopped from one cantina to another.

The energy buzzed around her like an electric current, yet she walked with a familiar ease. She felt oddly safe within the center of town. But as she drifted further into the outskirts, the street lamps dulled and the crowds thinned out. A pair of fraternal moons became her guiding light as she willed herself to remember the path back to the Crest.

And for a while, it was fine. Despite the silence, she couldn’t help but feel a bit more on edge out here alone than when she was surrounded by a bunch of drunk miners. She ignored it though, trying to tell herself it was probably the spice making her antsy. But the farther she walked, the longer her paranoia festered and itched and scratched until she realized it wasn’t the libations talking to her.

It was the Force.

She realized too late she was being followed until just before she was confronted. A Balosar male slinks out from an alleyway behind her, long and slim with his hands stuffed in the pockets of his oversized coat. She wills herself to keep her eyes straight ahead but she could hear him glide over to her side to match her stride.

“Where ya goin’ sugar? The party’s that way!” he drawled, sending an immediate chill up her spine. Shit.

“I know where I’m going,” She doesn’t look at him as she attempts to brush past him. “Have a good night.”

He reacts by slipping around her once more, this time blocking her path directly ahead. “Whoa whoa, take it easy!” His accent is thick and laced in what she can only describe as mock-innocence. “Relaax, nobody’s gettin’ hurt here!”

Her facial expressions remain unmoved, glancing up at him boredly. In reality though, her heart was hammering against her ribcage. The last thing she needed, especially right now, was unwanted attention from anybody, let alone from this total stranger. She moves to step forward but he cuts in her way, a sly grin stretching across his face.

“It’s okay baby,” Her stomach internally caved in at the pet name. “just tryna find where the cool people hang out.”

“Wouldn’t know where to point you to.” she replies flatly, straightening her back. “Excuse me.”

She attempts to move around him again, but his arm comes up to lay on the wall next to her and he leans forward to cave her in. “Where’re you from then? I’ve never seen anyone this pretty so far out here.” His free hand inches towards her face but she’s quick to turn her cheek, her jaw clenching behind her lips.

“And you never will.” she snaps back, already inching backwards.

This only prompts him to step closer, a frown crossing his slimy face. “Ey, you don’t have to be a bitch.” His tone switches almost predictably and her hand slips behind her cloak to reach for her holster.

“Back off.” she snarls him a warning with the coldest glare she can make.

He tries reclosing the gap between them again. “C’monn honey- ”

“NO.” Her fight-or-flight instinct kicks in and she fully pushes her weight on him to shove him down. Her stand off is cut short though when he finds his balance and pushes back. She’s thrown back against the wall and before she can even process it, a pocket knife is jabbed against the skin of her neck.

Shadows move over his shoulder in her peripheral vision and when she follows them, 3 more Balosars creep out of the dark, hovering behind the first one in a sort of half circle around her.

It’s at this moment that she realizes 2 distinct things. Firstly, she doesn’t recognize them. In her 4 or so days since they touched down, she’d observed the villagers in her down time and gathered a very broad consensus of who was who— and in that time, she hadn't seen any Balosars in this town, which told her they were also just passing by. Secondly, she thinks as she watches the other 3 close in, she’s tangled herself in a very complicated web here. It was 4 against 1, with a notable size difference amongst all of them. She couldn’t see straight, was hilariously underprepared for a fight given the company she was currently keeping, she was fucked up and only growing more inebriated as her vices soaked into her bloodstream, and she was alone. No baby, no bar friends, no civilian witnesses.

No Mando.

Fuck.

A strangled little noise escapes her throat when the knife is pinched further into her skin and she curses herself at how whimpered it comes out.

“Fine, since you wanna do this the hard way..” the first Bathosar sneers almost mockingly, his frame towering over her own.

She’s curling into the overcast of her cloak when her fingers finally find the handle of her blaster, skin digging tightly into the cool of the metal. She looks into his eyes and sucks in a deep breath before the tension snaps.

Fuck it.

In an instant, a shot zaps out, aimed directly at his foot. He cries out when it makes contact, and she smashes her blaster across his temple when he folds over in distracted pain, his knife clattering to the ground. Despite her inebriation, she can sense the others jumping into action and she points her gun at the closest one, shooting him right in his chest before he can get any closer. She doesn’t have time to watch his body crumple to the floor as she turns to shoot at the other two, a rapid succession of plasma bolts whizzing out almost desperately. Her second target barely misses her line of fire and as she follows his trail, she fails to block the third Balosar from tackling her into the wall. She cries out as he harshly elbows her wrist to disarm her, the blaster forced out of her hand.

“Grab her!” She hears her attacker hiss from above her before she’s suddenly snatched from behind. Her arms are pinned to her sides as she’s grabbed and lifted several inches off the ground.

Her heart is pounding, blood pumping into her ears as she yells out. Her feet start kicking furiously in an instant, every functional instinct left in her telling her to fight back. “Get off me!” she shrieks, flailing until her boot finally connects with a knee. She hears him yelp behind her, his grip slipping. She jabs her elbow fully into his nose, sending them both tumbling.

Two separate voices are shouting incoherently above her in a blend of confusion and exasperation. She can see her blaster just feet away and she starts crawling, scrambling in a desperate effort to reach it, until she’s yanked backwards by her ankle.

“Pin her down.” she hears one of them growl maliciously from above.

Her stomach turns as she’s dragged back into her assailant’s grip, trails of her fingernails digging into the dirt floor. She feels her brain short-circulating in its panic so she resorts to one last defense tactic.

She starts screaming.

And it’s a shriek that’s piercing and raw and louder than she was planning it to be. But she screams anyway in hopes that anyone within the block can at least hear her, even if it’s another drunken villager on their way home.

“Shut her up!” A second voice hisses hastily, hands scrambling to smother her.

“NO- ” She bites down on the first hand that touches her face and only squeals louder, her pitch jumping another octave in her hysteria. She starts kicking again, nails scrambling in the dirt for a spare rock, a glass shard, anything physical to grab in her defense. When her palms only fill with clumps of dirt and sand, she clenches her fists around them anyway.

What started as a dreamy, whimsical high has quickly soured into a debilitating panic trip. Rather than floating in euphoric bliss, she feels tranquilized, her focus and motor skills severely hindered and overpowered by these 3 much larger adversaries. Her stomach is turning over under her ribs, waves of nausea churning with her rising panic. Her heart is pounding too fast she feels, and her lungs are tightly clenched despite how fast she’s gasping for air.

She doesn’t realize she’s crying until she’s flipped on her back, the welling tears spilling down her temples. Before she can scream again, a balled up handkerchief is forced into her mouth. Two of them meanwhile, are putting their full weight down on her to pin her limbs to the ground. The first one is limping over to them, his knife recovered in his hand while patches of fresh blood trail behind his injured foot. She audibly whimpers now, wriggling in their grasp like a drowning fish.

“You know.. I was gonna let you go after all this,” he starts, turning his blade over in his hand as if to inspect it. “But that was before I believed the rumors.” He pauses here, and the dread is only momentarily overwhelmed by her instinctive curiosity. “I mean- we all knew the bounty’s primary target was a Mandalorian with a green pet- ” Her stomach drops. “ -but there was no mention anywhere about his pretty little accomplice.”

She rustles again as he looms over her. “And I gotta tell ya, I didn’t think it was true at all. I mean, a Mandalorian with a business partner? And a girl at that!?” He almost laughs before he pivots. “But then we sees’ you in town, carryin’ this little guy around, and we think, maybe there’s some truth in all this, ya know?” Her stomach sinks even lower at the realization that they not only spotted her with the kid, but that they’d been watching her this whole time too.

Double fuck.

Suddenly, he’s kneeling in front of her, his injured foot tucked behind his knee, and she’s roughly sat up to face him by the snatch of her hair. “So here’s what’s gonna happen,” She grunts helplessly when his blade is pressed deeper against her neck as the three men crowd around her. “you’re gonna point me in the direction of the gremlin, you’re gonna watch us shoot his kidnapper, and then, and only then, will I finally kill you myself.”

Her brows crease in pain as she tries to pull away from his blade, but the hand twisted in the back of her hair only pushes her into it. The handkerchief is yanked out for her to answer and his head tilts to catch her eyes. “So?” he snaps. “What’s it gonna be? Now or later?”

Her eyes harden, nostrils flaring. Honestly, right now, she just wants to tell him to fuck off. It’s not like this was her first time being mugged and/or threatened, and unfortunately not while inebriated either. But this one felt pretty damn close to getting got. Her brain is already scrambling between scattered half-assed theories on how to get her out of this.

Fw-ip !

A whizzing sound passes under her and it’s so subtle, she almost doesn’t notice it. Then there’s a pause of silence that’s almost too heavy to be coming from nothing before she notices that the first guy’s eyes have blown wide open. They make eye contact and she squints, almost confused.

Suddenly, he’s thrown back and he starts screaming before she realizes he’s being yanked into the shadows by his wounded foot. She can hear the mechanical whizzing again as he’s dragged, even over his friends’ shouting, and it takes another split second for her to realize it’s a whipcord. And just like that, the Force alerts her that she’s not alone again. But instead of dread, something else flutters in her gut.

The Balosar’s screams are cut short by a single blaster shot, and she inhales a gasp of air before a chill crawls up her spine.

Two heavy, familiar boot steps clunk in front of them as its owner steps into the dim lighting.

She exhales and pure euphoria blooms in her chest.

He’s towering over them, broad shoulders stiff and gloved hands clenched into iron fists, his armor gleaming like a beacon even in the cover of night.

She can’t stop the smile that’s spreading across her face. “Mando..-”

“Kill him!” One of the Balosars yanks her back into his chest as his friend scrambles to his feet, blaster already in hand. She squeaks and the sound seems to snap Mando into full action. She’s yanked to her feet as his arm wrangles itself around her neck.

From here though, she can see her Mandalorian in his full glory. She watches him stalking towards his prey, blaster bolts bouncing off his beskar like raindrops as the other guy empties his clip into him. And of course, when that doesn’t work, he headbutts him to stun him before striking. Despite the weight of his armor, Mando moves like a viper and is just as deadly.

She feels herself being dragged away and she grunts in protest, trying to wriggle out of his grasp. It’s then she remembers one hand is still clenched. Without a second thought, she swings backwards, smacking the guy right in the face as she temporarily blinds him with a fistful of dirt.

“Agh- !” He shouts and she slips out his grip. She starts towards Mando, but then she’s grabbed by her hair and is yanked backwards with a cry. “Fuckin’ bitch- !” She hears him snarl before the back of his hand strikes her directly across her cheek.

She drops against the brick wall behind her, his body towering her, but from the corner of her eye, she spots Mando. The second guy is now motionless on the floor and his helmet is fully trained on the last one. And based on the swell of his chest and how hard he’s breathing now, she doesn’t need to gauge anything else; he just saw what he did and he’s furious.

He crosses the space between them and drags him backwards and away from her. The Balosar starts fighting back but he's quickly overpowered as he’s disarmed with an unnatural twist of his wrist. Mando spins him around and lands a punch directly into his face once, twice, thrice and then a final fourth blow before the guy falls to his knees. And it’s there that he goes for the kill, grabbing his head with both gloved hands and snapping his neck with an enraged grunt and a sickening crunch.

She watches the final body crumple to the floor with blown out eyes and her jaw fully dropped. She’s physically shaking, she realizes, and can barely breathe, let alone stand on her own. But when Mando finally turns to her, his chest rising and falling, she clings to the wall behind her to gather herself back up.

“What the hell happened??” Mando’s tone is harsh and agitated, even under his modulated panting. “You weren’t on the ship when I-”

He’s cut off when she runs straight into his arms. She all but collapses into his chest, arms coiled around his neck and her face smothered into his cowl. Before he can even process what’s happening, she pulls back to look up at him. “You’re earlyy!” She’s practically beaming up at him, one of her hands tracing the cheekbone of his helmet.

He’s speechless. First, a hug. And now she’s.. glad to see him? Not to mention how she’s smiling up at him with those big, adoring puppy-dog eyes. She’s never been this nice to him before, not even around the Child. “I- ” he hesitates before clearing his throat. “ -Yes. The target uh, took less time than I thought.”

This only makes her smile wider before she buries herself in him again. This time, her arms slip around his back, her cheek leaning into his chest plate. She could care less about how the edges of his armor were pinching into her skin, or how his fully loaded bandolier was pressed very uncomfortably into her collarbone. All that mattered to her right now, was this. “I’m so happy you’re here.” she all but whimpers, closing her eyes to savor the coolness of his beskar and the familiar scent of metal and gun smoke.

Now Mando was really stunned. But he can also feel the physical tremble in her muscles and the speed of her pulse, so he relents with a long sigh before a single arm drapes around her back. “Are you okay?” he asks, his tone much softer this time.

She nods into his chest before pulling away again. “Y-Yeah I just- ” she takes a deep breath and lets out a shaky exhale. “ -that was.. too close..”

“What happened?” He decides to ask again. “Are you hurt?” His hands quickly pat her down as if checking her for any other injuries before one of them comes up to gently cup her chin. He carefully tilts her face to get a better view of her red cheek and it doesn’t go unnoticed when she refuses to make eye contact. His helmet tilts ever so slightly. “Sen’ika..”

Her lips press together and her brows furrow as she flinches. “Well..”

“Did they kidnap you?” He asks, his other hand gesturing towards the 3 bodies behind him.

This makes her head snap back up. “No! No, they had no idea where I was staying. They were just trying to follow me back t..” she trails off the moment her brain catches up to her lips, and now that she’s face-to-face with him, she can practically feel Mando’s visor burning a hole into her forehead.

The pause between them stretches out uncomfortably before he finally speaks. “Where did you go?” His voice makes her insides squirm, like a teenager getting caught out after curfew.

“Uh..” She starts and suddenly she’s become hyper-aware of how hot her face is. She can’t remember the last time he was this close to her, and the realization of this somehow makes her self-conscious. She’s also still remarkably faded, too faded in fact to fake any semblance of sobriety. And if he’s already here, there’s really no point in lying to him, he’s way too smart for that. “..the bar.” she finally finishes meekly.

His shoulders slump as he exhales. “You got drunk?” he asks incredulously.

Her face brightens in embarrassment. “Okay, look- ” she starts and she can practically hear him groan under his helmet as he looks up to the sky. “-to be fair, I only went after the kid passed out, cause I knew he wouldn’t wake up.”

When she looks up, his helmet only tilts to the side, a silent move that only prompts her to keep going. “Ok, so there’s this pattern I’ve noticed, so when you give him a full meal and a glass of warm milk, and then you just let him play with his toys and get him to make them float around the room, after a certain time, he’ll get super tired and, like, fully sleep through the night. And I know that sounds like the most basic excuse in the book but I swear I tested this three nights in a row and it worked every time, okay so I wasn’t being totally stupid..”

She doesn’t realize how long she’s been rambling until she glances up again. He’s now leaned in closer to her, and for a moment she thinks he’s examining her cheek again. What she doesn’t realize is how carefully he’s looking into her eyes. He can tell she’s been drinking by now, and despite the trauma of the attempted assault on her just now, her eyes are still way too bloodshot to just be the liquor. Not to mention the hint of another smell on her..

She inhales sharply through her nose when she feels his gloved hands slip over her own. She gazes into his visor, as if straining to look for a pair of eyes behind it and leans in ever so slightly. She’s never been as curious to see what his expression looks like as she is right now. Her face softens as she stares up at him. “Mando..?” Her voice is just above a whisper and oh-so delicate.

She can feel his thumbs gently press into the pulse points of her wrists as he stares at her, and the surprising warmth of his touch makes butterflies flutter in her ribs. And just before she can open her mouth to call out to him again, he leans directly into her eye level.

“Are you high?” He’s audibly confused.

Her eyes turn into saucers in silent panic and it’s here that he can see her pupils are blown wide open.

“…Uhhhh…”

He sighs heavily as his head drops in defeat. It’s the only answer he needs.

“Okay,” he relents as he lets go of her. “Get your stuff. Let’s go home.”

He immediately stiffens once the words slip out. Oh, fuck fuck fuck.

No Din, no! This was temporary, remember?? She’d only made that abundantly clear the day she stepped foot on the Crest with a single bag and 2 datapads. It was always a mutual agreement though: she was to join him on the Crest to work full-time on tracking down a Jedi, with a deadline of at least a couple of months before he was to drop her off at a new planet of residency of her choosing. After all, she’d only just begun resettling her life and it was a path she intended to follow through on her own. Din understood this partnership was fleeting and it was unfair of him to call this ‘home’, yet for some reason, he insisted on slipping up in little moments like this again and again.

Though based on the glazed, clueless look in her eyes, she didn’t notice at all. “Okay.” she simply says, turning around to scan the alley for her belongings. As she skirts off in one direction, Din sees her blaster laying just a couple of feet away. He picks it up for her when a loud clanging catches his attention.

“Hey!” She calls out, straining to pull her bag out from under one of the bodies. Once she rolls him off with a kick of her foot, she holds up her bag and pulls out one of the sources of the noise. “Look, the cider survived!”

His helmet tilts almost disapprovingly, but he does nothing else as he holds her blaster out to her. “C’mon.” he all but huffs impatiently.

“Okay okay, sorryy- ” she slurs, stumbling over the same body as she returns and accepts her blaster. “One of these are yours ya know!” Mando is already walking away as she’s throwing her up bag over her shoulder, and she has to scramble to keep up with him, a move that makes her trip on her own two feet.

His helmet tilts over his shoulder at her. “Can you walk?” She’s not sure if it’s meant to sound demeaning or not, but it makes her puff her chest as she pouts at him.

“Of course I can walk!” she shoots back. “You’re just going too fast.” He grunts in response, helmet facing forward again and continues his pace. She’s not sure if it’s the spice but his strides feel more rushed than usual. His shoulders are also still fully straight, she notices and something tugs in her chest as she tries getting a sense of what his body language is telling her. She’s only a step or two behind him, and her eyes wander to the floor in front of her, the words spilling out before she can stop herself. “..are you mad at me?”

She almost sounds like a child, remorseful and heavy with guilt and she already hates how it comes out. But what punches harder is his response. Or his lack of it. Because he simply keeps walking at the same pace, fully ignoring her. No grunt, no hum, not even a sigh. And for some reason, this makes her ache. She stumbles over her own feet again and almost instantly she can feel tears threatening to well under the skin of her cheeks. She wants to curse herself for getting emotional, but it has to be liquor making her moods swing so drastically, she tells herself. Not that this thought doesn’t stop her from speaking again.

“I’m fired aren’t I- ”

Before she can blink, she runs face-first into a wall of beskar as he stops abruptly. She can’t help but yelp as she clutches her now-throbbing nose and when she looks back up, he’s turning to face her again. He stares at her until the silence frays at her nerves, and just when she can feel her face burning up to her ears, she hears a soft exhale from his modulator.

“C’mon,” his voice is soft as his right arm slightly pokes out towards her. “I can hear you tripping around from up here.”

Her brows furrow ever so slightly. “Are you makin’ fun of me?” she asks.

“Does it sound like I am?”

Her eyes narrow this time. “Mayybe.” she coos. But she loops her arm into the crook of his elbow and is silently delighted when he tucks her against his side. She finds it much easier to match his walk now and she can’t help the jump in her pulse as she’s pressed closer to him. In fact, she has to bite her lip to stop the silly grin threatening to spread across her cheeks. They walk in comfortable silence for a while before her spinning brain comes up with another enquiry.

“Mando?”

“Hm?” His response is barely registered under his modulator.

“How’d you find me?”

For a moment, Din doesn’t answer. And it’s not for the lack of one either. He’s just not sure where to begin. Does he start when he first re-entered the Crest to find the kid safe and sound but with her nowhere in sight? Or when he went back outside in hopes that she was on the roof stargazing or fiddling with the ship. Or when he started speed-walking through the nearby alleys because now he really couldn’t find her and just before his panic could bubble over, a single sound just yards away made his heart stop before he jump-started into a full sprint for her.

“I heard you scream.” he eventually replies and it almost sounds like his teeth are pressed together under that helmet.

She smiles at that. My hero. She almost wants to swoon until he speaks up again.

“I’ve warned you about being alone Sen’ika,” His tone is still soft, but firmer this time. She flinches and tucks her face down from him, nodding once.

“I know, I- ” her head swirls at the pang of shame but she swallows the urge to say anything other than what was necessary here. “I’m sorry.”

Another pause of silence. She decides to focus on their footsteps instead. There was something about the synchronized crunch of gravel under their boots that just satisfied every single sense in her. And it isn’t until she looks up and gets a full glimpse of the night sky that she realizes the spice is still very much in her system, unnatural neon lights and shapes bouncing across the stars. She stares in drunken awe up at them for a little too long and when she sees the Crest finally back in eyesight, she practically deflates in relief.

“Hey,” Then, Mando gently slides his arm out of their loop, leather ghosting down the length of her arm until he cups his palm over her fisted hand. “What matters to me most is that you’re safe,” he says softly. His visor turns to her, and he slowly opens her hand to slide his own into her palm. His gloved thumb gently squeezes her knuckles in what she can only gather as reassurance. “Okay?” His tone is so warm, it’s almost tender.

It catches her so far off guard, she’s pretty sure she short-circuited and is only still breathing on emergency autopilot. Her cheeks flush up and her eyes are blown wide open in the same sweet doe-like expression he adores so much, that he can’t help but smile behind the safety of his helmet. She blinks and she almost resets, clearing her throat as she looks straight ahead. She’s still blushing as she smiles and nods once. “Okay.” she replies sweetly.

Even his gloves are impenetrable, thick and almost twice as large in size. But she can still feel a warmth radiating from the other side against her skin. Suddenly feeling brave, she shifts, slipping through his gloves and slowly linking their fingers together. Mando stiffens at first, until her nails sink into the shape of his knuckles, and he internally melts. Before he can process his own reaction, he squeezes back, his thumb gently stroking over her own.

She looks up again, grinning from ear to ear. Clouds are dancing in her vision, stars swelling and shrinking in size across the painted skies. She dares herself to glance at him from the corner of her eye. He’s looking straight ahead thankfully, only semi-lit under the glow of the moons, but his beskar has never been more radiant. The same colors in her eyes bounce off the high points of his armor, illuminating him in an almost ethereal glow. She can’t stop her eyes from wandering. He’s perfectly shaped from every angle. He stands tall and proud, and walks with an effortless swagger so few could replicate. His mere presence can shift the focus of an entire room. He’s daunting and striking and is the picture of discipline and strength. Yet he cradles her hand in his like she’s made of glass. She’s never seen anything past the chiseled cut of his helmet, yet he’s never looked more beautiful in her eyes right now. She knows she shouldn’t be looking at him the way she is right now; with stars in her eyes and the softest, most affectionate little smile spreading from cheek to flushed cheek.

“You’re so pretty~” she slurs out in the sweetest tone. From behind his beskar, Din’s heart jumps into his throat.

“You’re drunker than I thought.” He doesn’t skip a beat though, somehow keeping his tone flat and neutral.

“It’s still truee,” she shoots back, leaning against his side with a wide grin. “It’s always been true!”

He glances at her wordlessly and she smiles back at herself through his visor. He’s not sure what to say to that, if anything, he’s too flustered to think of a rebuttal. He’s never been called pretty by anyone, even as a joke. Eventually he clears his throat and looks away and she only grins wider. Did she just leave him speechless? She can’t help but try to read his body language for any hints.

BONK.

Unfortunately she’s so distracted by the dancing Mudhorn on his pauldron that she fully trips on the descending base of the Crest’s ramp. The only thing that stops her from falling on her face is Mando’s sudden grip on her elbow. His visor slowly turns to her again. And she knows he’s frowning this time. He yanks her back to her feet and they finally ascend to the deck. She sighs happily once she stumbles into the safety of the Crest.

As Mando closes and locks up the gangway behind them, a late thought suddenly strikes her. She turns to him with panicked eyes. “The kid!?”

“Shh-!” He quickly hushes her with a gloved pointer over her lips. She stares into her own flushed reflection as her voice echoes into the cockpit above. She’s hyper-aware of just how loud she’s being now that she’s no longer outside. Along with the scent of sunkissed leather directly under her nose. She doesn’t move until his finger slowly pivots to her right and when she follows his direction, she spots his hover pod, sealed up and safe and sound, just as she’d left him.

She sighs softly and her shoulders slump in relief. Mando leans in pointedly. “You’re lucky you were right.” he whispers into her hair. “He didn’t flinch when I got home.”

As goosebumps sprout up the back of her neck, he pulls away and crosses the room to the ladder. “I’m gonna lock us down. We’ll leave first thing tomorrow.” Just before he climbs, he turns back to her. “Bedtime, Sen’ika. Now.” It's a gentle, but final warning.

She nods wordlessly and he leaves her in the middle of the room, dizzy and flustered. Her ears are also ringing now that she’s swallowed in silence. Eventually, she slowly pads into her designated corner. Her hammock is tucked away in the pocket of an empty storage closet, a thin makeshift curtain the only barrier between her ‘room’ and the deck. The walls hum around her and she realizes the heat has been turned back on, thankfully. She’s too drunk to fully wash up but she’s got enough energy to rip off her tight, itchy outdoor clothes and boots. She grabs the closest pajama-adjacent shirt and lounge pants she can find and wriggles them on.

She opens her hammock and finally allows herself to lay down, eyes turned to the dim ceiling.

How would it have felt if she’d laid her head on his shoulder?

No.

Would he have pushed her away? Or allowed her to stay?

Her brain’s focus shifts to the vision of his arms. His hands. His sweet, soothing voice.

I mean, he let her hold his hand, didn’t he? And hug him. Surely she could’ve gotten away with a little shoulder lean.

Gods, no.

Is he soft under all that armor? Does he run hot or does the beskar keep him cool? Is there a human face behind that m-

No! Stop it!

She physically shakes her head to break her train of thought. This was dangerous terrain. Just because you’re drunk doesn't mean you should be humoring these silly curiosities of yours! Her eyes squeeze shut and as she tries to take a deep breath, she realizes her heart is racing.

This is ridiculous.

Okay, so what if she has a crush on her employer?? It's not exactly a new phenomenon, and it certainly wasn’t the first boss she’d ever fallen for either. What was insane was what she liked about him. Because for the very first time, she couldn’t put a face to it. Instead, it was in his voice. His strength. His unwavering faith in his Creed, in the Way. He was loyal, honorable and resourceful. Stubborn as a Bantha, but quick to strike like lightning. He was also kind and selfless. He had the patience of a saint for the Child and innocent locals and despite his daunting appearance, he never hesitated to help out others, even if it meant pushing back on their schedule. There were actually various reasons why she liked him, and she couldn’t even put a name to a single one of them.

Not that any of it mattered. Because not a word of this would be uttered to anyone, let alone to him. Not to mention that this was a temporary gig, it’s not like she’d be around much longer anyway. The last thing she needed was to complicate this job for herself with her unprofessional schoolgirl behavior.

Squeezing her eyes shut, she shifts her focus to the only other thing clouding her judgment. Her head is still spinning but the heaviness behind her eyes makes it easy to keep them closed. She also focuses on slowing her breath, allowing her limbs to fully sink into the cradle of her hammock. A few minutes melt away and just as she finally feels herself beginning to drift..

“Pin her down.”

She physically jolts awake as the image of her ex-attackers kneeling over her flashes behind her eyelids. Her heart jumps to her throat as that same awful wave of nausea courses through her. Okay so clearly she wasn’t over what happened just yet. Her stomach turns again though this time for far more terrifying reasons.

She leaps to her feet before she can stop herself. She’s not sure what she wants just yet, but she knows whose presence she needs. She whips her curtain aside and almost jumps out of her skin when she sees Mando already standing at her doorway. “G-Geez- !”

He doesn’t flinch. He’s also holding a metal cup that he offers to her when she looks at it. “Drink this before you fall asleep,” he simply says.

“What is it?” she accepts it anyway, peering inside before taking a test sip.

“Just water,” Mando pauses and inwardly smiles when she gags at the aftertaste. “and powdered electrolytes to cut your hangover time in half. You'll thank yourself in the morning for it.”

“Mm, awesome!” she flashes him a pained grin and he almost chuckles. She’s so adorable like this, it’s almost painful.

He lingers for just a moment longer before he nods once. “Sweet dreams.” He starts walking away until a single hand on his arm makes him stop in his tracks. His helmet shoots towards her expectantly and when her eyes meet his visor, her voice suddenly clamps in her throat. She catches the almost-panicked expression in her reflection’s eyes and looks away. She almost starts apologizing, but he turns towards her instead, closing the distance between them. “What’s wrong?”

“I- ” Her face feels warm again despite her growing anxiety and she feels betrayed by the flush burning across her cheeks. She huffs and looks down at her feet. “Never mind, it’s n- ”

“Sen’ika,” He doesn’t even have to say anything else. His helmet ducks to try and catch her eye. “Tell me.” His voice is so gentle and reassuring that she has no choice but to succumb.

Fuck it, right?

“C… can I stay with you tonight?” Her voice is so soft, it’s almost a whisper. Her hand gently squeezes his sleeve, teeth catching on her bottom lip. “I don’t.. wanna be alone tonight..” To be fair, it wasn’t a lie.

It’s so quiet, you could hear a pin drop from the cockpit. In fact, she can’t even hear him breathing. Fuck. Did she fuck it up? Is he weirded out? Is she fired? Again?? Fuck! Take it back!

She has no idea just how startled Din really is though. She can’t hear his heart doing somersaults in his chest or how almost-terrified he looks behind the visor. But then she looks up at him with those frantic angel eyes for just a moment, he knows that despite whatever’s asked of him, how could he ever deny his little bird?

She opens her mouth and he perks up. ”Okay,” he says. It’s just as soft as she asked and almost nervous. He nods to follow up and clears his throat. “Of course.”

Her eyes round and she blinks back at him, almost dumbfounded. Holy shit, it worked? “Yeah?”

He nods again. “Yeah,” he replies lightly before his helmet jerks in the direction of his bunk. “C’mon.”

He crosses the room to his bunk to open the hatch. The kid’s pod is hovering peacefully right by the door where either of them can reach him if they have to. She follows him wordlessly where he steps aside for her. “Pick your spot, I’ll be right back.” he tells her.

Ironically, she was no stranger to his bed. He’d offered his room to her plenty of times before she carved out a spare corner for herself to give him his privacy back. She never imagined she’d actually be sharing it with him for once. She downed the last of her water and put the cup aside before she stepped into the bunk. She decided to slide into the corner facing the wall to give him as much space as possible.

Mando’s only gone for a few minutes, but in her panicked, overthinking state, it feels like ages. She finds comfort in his sheets. After getting so used to this space then moving out for a stretch of time, they felt familiar and almost welcoming to come back to. She acknowledged this was mostly due to their scent, the warm, woodsy musk that she recognized as what was likely the scent of his skin. She nuzzles into his blankets, inhales and sighs into them.

Then his boot steps echo back into earshot. She rolls onto her back and props up on her elbows, watching his shadowed figure fiddling outside. After a particularly heavy sigh, he clicks a light off and steps inside. For a second, he almost looks like a shadow sliding along the walls. It’s then she realizes he’s not wearing his beskar. He's stripped down to his full flight suit, boots, gloves and of course, his trademark helmet. There’s still not a shred of skin in sight but this still gives her a full view of his own figure. She’s dumbstruck at just how broad he truly is even without his armor. Then, it dawns on her that he took off his beskar to make room for her and something flutters under her ribs.

He looks at her and she scoots into the wall. His gloves clench and unclench in a subtle twitch as he slides into the space next to her. It’s a tight squeeze, laying shoulder to shoulder, but it’s a fit that would’ve probably been unbearable with the few inches of additional armor on. She crosses her arms, making herself smaller and fitting around the bigger gaps between them.

They both sigh and for a moment, it’s quiet. Her heart’s weirdly racing and she’s not sure what to say. Or if anything should be said at all. He shifts next to her, and her first thought is that he’s warm, even under his dense flight suit. He sighs again, and it sounds spent. She wonders if his eyes are closed behind that helmet.

Her head cranes towards him. “Long day?”

A short huff cracks through his modulator. “Something like that.” He’s smiling behind that response.

She grins back and looks up at the dark ceiling again. Colors are still swirling in her eyes if she squints long enough, but they're fading, she notes. There’s another short pause before this time, he breaks. “If.. this is too uncomf- ”

“It’s not.” she cuts in sweetly, still smiling to herself. Despite the angle, he’s warm and sturdy and she’d never felt more secure sandwiched between a man and his metal walls. She gently nudges his side. “Thanks again for saving my ass.”

He huffs again and nudges back. “Any time.” he replies.

She giggles and pauses, words pricking at the tip of her tongue. She’s feeling brave again and in her growing drowsiness, she decides to throw caution to the wind one last time. “Mando?”

“Mm?”

She inhales and shifts, her chin gently pressing into his shoulder. “Can I be honest about somethin’?”

His helmet shifts to her expectantly before pointing his chin at her. A silent approval to keep going. “I’ve been surrounded by armies my whole life. For as long as I can remember. Rebels, mercenaries, outcasts. You name it, I’ve met ‘em,” She peers up at his visor, ensuring she’s making eye contact. “And I’ve never felt safer with any of ‘em than I have with you.”

He doesn’t so much as twitch, but she swears she hears his breath seize under the helmet. Once again, his chest blooms and swells and something warm settles in his stomach. He smiles inwardly and before he can stop himself, a gloved hand comes up between them, leather knuckles stroking along the shape of her cheek.

She leans into it for just a moment and then she breaks through, ducking under his arm to curl herself up into his side. She rolls onto her own side, an arm draped across his chest and her head resting below his collarbone. Surprisingly, he not only allows her position shift, but he wraps his arm around her and even pulls her into him. “I made a promise to you,” he says. His hand settles between her shoulder blades, his thumb tracing a single circle into her back. “As long as you’re with me, you’ll be safe from harm. I intend to keep that promise as long as it takes.”

With her ear pressed into his shirt, she realizes that his pulse is racing against her. He also smells nice, like a combination of gunsmoke, the outdoors and the linen of his sheets. It’s woodsy and crisp, but it’s warm and homey and so intoxicatingly comforting.

She wants to say it.

She could get away with saying it if she played it right. But she's too drowsy and delirious and exhausted to keep thinking. He’s draping his blankets over them, tucking her into the ultimate heat source and she wants to soak in it. There’s a cool press against her hair and she realizes that his helmet is leaning into her. “Is this okay?” he whispers to her.

She nuzzles into his shirt and sighs contentedly. Sleep is pulling her into its depths faster than she anticipated but she has enough energy to sweetly mumble, “No. It’s better than okay.”

He exhales through his nose from above her and his hand gently rubs her back. “Get some sleep, mesh’la,” he purrs. “I’m here.”

She doesn’t know what that one means. She makes a mental note to ask tomorrow. Right now, she picks her head up to press a single kiss into his collarbone before plopping back down. “G’night Mando..”

His heart rate picks up again. He pulls her up closer so her head is nestled into the crook of his neck. This allows her to wrap both arms around him. His helmet tilts down and she swears she feels his eyes on her. “Good night.”

She closes her eyes and smiles, allowing herself to sink into his warmth and scent for the first and probably only time. Her words were never truer than in this moment; never had she felt safer than in this tiny bunk, wrapped in her Mandalorian’s blankets. She falls asleep shortly afterwards, her breaths evening out and her heartbeat slowing into a tranquil pace. This time, her mind takes her to more pleasant dreamscapes.

She can’t detect Mando at all, listening to her pulse as she sleeps. She doesn’t feel how long it takes before his gloves slip off in the dim lights and two arms fully wrap around her. She can’t sense his warm palms holding her against him, one across her back, the other coming up to smooth and brush her hair. And she’s long gone by the time he makes the conscious choice to give his helmet a break, telling himself he needs the air and it’ll be back on long before she wakes up tomorrow.

Somewhere in her subconscious, thoughts flash across her eyes; images of the Child, his laugh, his bright brown eyes, and his infectious joy. Repeated images of Mando, his visor, his cape, his arms. His sheets. His voice. His leathered touch. Their hands linked under a coat of stars.

She swears she feels a pair of ghostly lips brush against her forehead, if only for a moment, but she never quite figures out where they came from. Not that it matters. Because for now, this is enough. Even if it is only temporary.

* * *

a/n: stream season 3 only on disney + <3

#din djarin #the mandalorian #din djarin x you #din djarin x reader #din djarin fanfiction #din djarin x y/n #the mandalorian x reader #din djarin x female reader #mando x reader #the mandalorian fanfiction #mando x female reader

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hyperion-moonbabe-art3mis · 1 year ago

Text

Can't Loose You Too

Request: okay hear me out please 🤞 what if the reader got captured by the grounders and bellamy freaks out but their not like a thing yet so like friends to loverss(ish) and he gets them back and spills his feelings cause he’s scared he could lose them 🤷🏻‍♀️ if you don’t have time or just don’t wanna write this do not feel pressured to at all 💕💕 - @ravenmedows

Word Count: 3.4k

A/N: So I wrote this to be set in between S1 and S2. I feel like it just fit the best because relationships were established. I also wrote in Bellamy's POV, to help show Bellamy's emotions and his side. Although it's more like a 3rd person view. I hope you enjoy reading!

You’re assigned to go patrol and hunt around Arkadia, even though it was your least favorite assignment. It was more bearable by the fact that you’d be doing it with your friends. While most of the adults didn’t want you guys to exactly pursue Clarke, you guys had used patroling as an excuse to get any information you could.

You head to the garage to find and meet up with everyone,”Hey, where are we headed this time?” You ask walking up to Bellamy.

“Sector 7,” He responds.

“Again? We should try looking somewhere else,” You say, knowing that you’ve had no luck in that sector.

“Sector 7 is our best chance. Besides that’s where we were assigned,” Bellamy says sternly.

“Fine,” You respond and head outside.

“Where’s she going?” Monty asks as you walk off. You head towards the horse stables and find Octavia getting her horse ready to head out.

“Don’t wanna ride in the Rover?” Octavia asks as you head to tend to your horse, Archer.

“You know I prefer to ride on the back of a horse,” You chuckle.

You gather everything else that you need, water, your knives, and a bow and arrows. You and Octavia head out and meet everyone else at the front of the garage. Once it looked like they were ready you all ride out to Sector 7. You all make it to the edge of the forest, you stop and tie Archer up to the Rover.

“Alright everyone, you know the drill. Stay in pairs, don’t stray too far from the group, and radio if you find anything suspicious,” Bellamy says. You stick with Octavia and all head into the forest.

It seemed pretty quiet for the first few moments, until you heard a hog in the distance. You signal Octavia to let her know where you were going. After a few feet you see the hog in your view. You prepare your arrow and aim. As soon as you release your arrow, you felt a stinging pain in the back of your thigh. You felt the area and it wasa knife lodge into your leg. Before you could process anything else, you feel yourself picked up by someone on a horse. At first you thought it was Octavia but as soon as you looked up, it was a grounder. You scream out trying to warn your friends, knowing there was more grounders around.

~ Bellamy’s POV ~

As Bellamy was looking around for anything to hunt, he hears a scream in the distance. Somehow he immediately knew that it was Y/N. He and everyone else, ran towards the scream, not caring that there may be more danger in the area. Soon enough Y/N with a grounder on the back of a horse, came into view. He started to run faster towards them as a horn warning was blown. But he didn’t stop until Octavia started to pull him away.

“Stop struggling,” Octavia strains trying to keep a hold onto her brother.

“We have to help them,” Bellamy yells.

“We can’t help them if we’re dead,” Monty says, jumping in to help Octavia and pull Bellamy to safety. They weren’t sure what the horn was blown for, since the acid fog was disabled, but it couldn’t have been good. Soon enough it sounded like there were even more grounders out in the forest.

~ Y/N’s POV ~

You started to fade from the loss of blood, but the sound of a horn woke you up again. The grounder starts to ride faster until you got to an enclosed cave. They dismounted their horse and set you on the ground. You stayed silent and still not knowing what would happen next. They took you off of the horse and set you on the ground. Next, they took the knife out of your leg, wrapped the wound up and bounded your hands. You could hear what sounded like a thousand footsteps and hooves outside the cave.

A few hours went by and your were suddenly woken up by a group of grounders making their way into the cave. At first they were communicating in Trig only, where you could only pick out a few phrases. “Did Azgeda hear or see you?” You pick out from the conversation between the grounders.

“What’s your name, sky person?” One of the grounders then asked, you stayed silent. They asked once more, but you stayed silent again. Frustrated they gag you and put a bag over your head. Your body is then lifted and put onto a horse.

What feels like a couple hours go by and you finally slow down to a stop. You were picked up once more and plopped onto the ground. The bag was taken off your head and you were greeted by the bright sunlight and a metal door slamming. A few more grueling hours went by until someone finally came and brought you food.

They shoved it under the door and pulled up a chair. You didn’t touch the food and the grounder took notice, “Eat,” He says. You refused to take food from them, didn’t want to risk being poisened. “What’s your name?” He asks next.

You kept your mouth shut, not wanting to give them anything. You weren’t exactly sure why grounders would be aggressive towards you and your people again, it seemed like Clarke had made sure that they wouldn’t be a nuisance again.

~ Bellamy’s POV ~

The whole ride back to Arkadia was completely silent. Bellamy couldn’t help but think of how he lost Clarke but also you now. Once the rover had pulled into the garage, Bellmay immediately got out.

“Where are you going?” Monty asks. Bellamy doesn’t respond and keeps walking away. Octavia follows after her brother into the map room.

“Bell…Hey Bell?” Octavia asks trying to get her brothers attention. He ignores Octavia and looks at the map to see where Y/N could’ve possibly been taken. “Bellamy?!” Ocatavia says once more pulling the rolling board away from him.

“What?!” Bellamy responds angrily.

“Slow down,” Octavia tells her brother.

“I can’t. Not while Y/N is out there,” Bellamy says.

“You can for a moment. Y/N is strong they’ll be ok until we can find them. Let’s just rest and figure a game plan. Not rush into things,” Octavia logically explains to Bellamy.

“What other grounder clans were we close by?” Bellamy says completely ignoring his sister.

“Did you hear anything I just said?” Octavia questions.

“Look Octavia. Clarke is out god knows where and now Y/N has been kidnapped by grounders. I can’t just sit here and do nothing. We need to find them before anything bad happens,” Bellamy says walking back over to the map board.

“I’m not saying we do nothing. I’m just saying that we slow down and figure out the best plan of action instead of rushing into things,” Octavia says.

“You’re right. I’m just– just worried about them,” Bellamy sighs.

“I am too. Let’s go get some food and chat with the others,” Octavia leads Bellamy to the mess hall.

~ Y/N’S POV ~

It’s day two since you’d been captured. You hadn’t eaten a thing or given up any information. In fact you hadn’t talked at all. They just kept asking for your name and what you knew about Wanheda. You had no clue who in the hell Wanheda was.

“Eat,” The man says bringing you more food and taking the old food out. After a few minutes another man comes barreling in, he says something in Trig that you couldn’t understand before coming up to the bars.

“You’re not gonna talk, huh?” the man says before opening the door and yanks you out of the cell. You’re pulled over to a pole and have your hands bound around it.

“Where is Wanheda?” The man asks. You stay silent. Next thing you know you feel a punch to your stomach. The man asks the same question over and over again, with the same result, no words and some form punishment.

The man still received no answers from you by the time to sun set. They left you bound to the pole, you guess so that they can try to get answers out of you tomorrow. You still couldn’t imagine why they’d think you know something about someone named Wanheda.

~Bellamy’s POV~

It had been a long past two days inspecting the maps and going out to scout for Y/N. Bellamy has gotten barely any sleep. He’s at a loss of where Y/N could possibly be.

“Bellamy you need to sleep,” Octavia says.

“No, I’m close. There’s only so many places left that Y/N could be,” Bellamy says, blinking his eyes to stay awake.

“I’ll sort the areas. Go get some sleep. If we want to find them, I need you at 100%,” Octavia scoots her brother out of his chair.

“Fine, but were going out first thing in the morning,” Bellamy says exiting the room.

The next morning Bellamy finds Octavia passed out at the desk, “Hey, how long were you up?” Bellamy asked his sister.

“Oh hey, uhhh I’m not sure. But I think I’ve figured out where Y/N might be,” Octavia says.

“Where?” Bellamy asks excitedly.

“Well, I remembered that Lincoln told me about this small village that was just outside of Trikru’s territory. They kind of outcasted themselves, not super friendly to outsiders,” Octavia explains.

“Let’s head out,” Bellamy says and goes to gather everyone. As everyone begins to head out they notice a group of people standing at the gate. Of course it was none other than Kane, Abby and a few other adults.

“Where are you going?” Kane asks the group.

“To find Y/N,” Bellamy answers.

“We think you’ve all spent enough time. I think it’s time we handle this before one of you is also taken or hurt,” Kane responds back.

“We know where they are, we can get them,” Bellamy fought back.

“Go back to your jobs,” Kane says in response.

At first no one budged until Abby spoke up, “Now, unless you all want citations.”

“Bellamy,” Kane stops him before he could get too far. “Show me where you think Y/N is,” Kane says walking with Bellamy to the map room.

About an hour went by and it had looked like the adults had taken a group out to find Y/N. After another hour or so, the group gathered and snuck out to really find Y/N. As Bellamy had directed Kane’s people in the opposite direction.

~ Y/N’s POV ~

The next day you were so weak front being forced to stand up. To your surprise you were woken up by someone tipping a cup of water to your mouth. Next they fed you some fruit, you tried to resist but they kept pressing the fruit to your mouth.

“You ready to give us some answers?” The man from yesterday asked. Again you kept your mouth shut. A few more hours of interrogation go by, but this time the man keeps his hands to himself. As if he was trying to give you a break.

“Someones here for you,” A woman says to the man after a few hours go by. The man reluctantly leaves the area to investigate.

You stand there with weak legs trying to keep your body up. As you were about to pass out you feel gentle hands touch your cheeks. You flutter your eyes open and see a worried Octavia inspecting you. She quickly moves to unbound your hands, as soon as you’re unbound, your body just buckles underneath you. Before you hit the ground your body is lifted, you look up and see a just as worried Bellamy.

“We need to get them back to camp quickly. They’ve lost a lot of blood and are weak,” Octavia says hastily.

Ater a long trek back to Arkadia, you can see that you’re being greeted with a group of adults from inside the gates, “Told you we could find her,” Bellamy says walking past Abby and Kane.

“Take her to medical,” Abby says quickly noticing your condition. Bellamy gently walks you to medical and lays on top of a gurney. Abby comes to inspect your injuries, “Everyone out,” Abby orders your friends to leave. At first you could see they were reluctant before Abby begins to shuffle them out.

~ Bellamy’s POV ~

Bellamy waits anxiously from outside medical. After a few hours go by, he couldn’t wait any longer and decides to make his way into the ward. Abby greets him before he could make his way through the door.

“I figured you’d be anxious to see how she is,” Abby says stopping him.

“H–How is she?” He struggles to get out.

“They’ve sustained a lot of injuries, are dehydrated and lost quite a bit of blood. But they should be ok. But they can’t leave the ward for at least a day or two, I’d like to keep an eye on them. After that they should stay inside Arkadia,” Abby tells Bellamy.

“Can I see them?” Bellamy asks.

“They’re asleep and needs to rest. Maybe tomorrow,” Abby tells Bellamy and points him to the exit.

~ Y/N’s POV ~

You blink your eyes open and blinded by the brighter lights of the room. You lift your head and look around. Landing your eyes on a Bellamy sitting in a chair with his eyes closed. As you make a bit more noise by sitting up, Bellamy opens his eyes and moves to the cot.

“Hey,” Bellamy speaks softly.

“Hey,” You say even quieter as if you had lost your voice. “How long was I asleep for?” You ask.

“About 10 hours,” Bellay answers, surprising you at the long length of time. “How are you doing?” Bellamy asks.

Before you could respond, you see a mob of your friends approaching you. Each of them asking how you are and if you need anything. Soon enough Abby shuffles her way in, “Everyone out, she still needs to rest,” Abby says gently leading each of your friends out.

“How are you feeling?” Abby says approaching you as the last one leaves.

“Still tired and weak, but otherwise fine,” You say.

“Good, I’ll run some final tests and then you should be good to go,” Abby says. You spend the next hour with Abby inspecting your physical condition and asking you to do various tasks. “You’ve cleared all the tests. Although I still want you to take it easy, until you feel 100%. So that means no physically taxing work and staying inside Arkadia,” Abby tells you.

You were about to walk off until you realized that Abby wanted you to acknowledge her orders, “Ok,” you respond still trying to find your voice.

You head out of the ward and go to the mess hall, finding yourself very hungry after refusing food for several days. You try to find a quiet corner to eat but Monty had approached you. And you felt bad refusing to sit with him since you knew that your friends wanted to know you were ok. More of your friends slowly joined your table and soon enough it was a bit overwhelming. You get up and it seemed that everyone had noticed.

“Where are you going?” Jasper asks.

“I just wanted to go lay down for a bit,” You respond.

“Why don’t I walk you,” Jasper offers getting up from his seat.

“It’s ok. Thank though,” You say and walk off before anyone else could say anything.

The next day you went to go help out around Arkadia, sticking to the lowest impact type of work. Every few hours it seemed like one of your friends had something to say about resting or asking to help. It became to much and you didn’t like how they were trying to baby you. They knew that you know your limits, so you weren’t sure why they were being such helicopter friends. Once you were able to get away from your friends prying eyes, you head to the stables. You walk into Archer’s stable to see your horse for the first time since you were back.

“Hey, I’m home, safe,” You say to comfort Archer.

You sat quietly with Archer until you hear soft footsteps approach, “I’m fine,” You say sternly as you hear the footsteps stop at the front of Archer’s stable, standing up as if you were about to leave. “Sorry,” You apologize looking up to see Bellamy. The one person who hasn’t been bothering you all day.

“It’s ok. I was just coming to check on Archer. But since you’re here, how are you feeling?” He asks walking into the stable.

“Fine,” you quickly answer.

“You sure?” He asks, clearly picking up on your attitude and moving closer to you.

You sigh heavily, “No. Everyone just keeps checking on me. I appreciate it but I’m feeling babied. I just want to rest and get back to 100% as soon as possible. They’re just stressing me out,” You admit.

“They just don’t want you to get hurt…anymore. Make sure that you’re recovering quickly, “ Bellamy advocates for your friends.

“I know but it just kinda feels suffocating,” You confess.

“I’ll let them know to back off a little,” Bellamy says, knowing that you’d appreciate that.

“Thanks, and for checking on Archer,” You say letting out a small smile.

A few hours later you were getting ready to sleep for the night. As you were just about to get in bed to relax, there’s a knock at your door. You open it and are greeted by Bellamy.

“Hey, what’s up?” You ask letting him in.

“I just wanted to check on you. I know what you said earlier, but I figured that I’d still make sure you were ok after your first full day back,” Bellamy says. You picked up the slightest quiver in his voice, leading you to believe that there was more.

“I'm feeling better. Thanks for talking to everyone,” You smile.

“Good,” Bellamy says awkwardly. He was about to walk out but stops himself, “Actually I wanted to talk to you. I wanted to earlier but I figured you needed your space,” Bellamy says referring to your hiding spot.

“What is it?” You ask curiously.

“I’m sorry it took three days to find you. And that you went through all of that pain. I’m sorry that you were taken in the first place, it was my fault, I should’ve been more vigilant. And I’m sorry that I didn’t come see you sooner,” Bellamy lets out. You could see the pain in his eyes, the fact that he was blaming himself for what happened, blaming himself for the pain that was inflicted on you.

“Hey, hey, hey. None of this was your fault. You couldn’t have know that there were grounders there. You weren’t expected to know exactly where I was. What really matters is that you didn’t give up, you worked your ass off to find me, now I’m safe and home,” You say and find yourself swinging your arms over his shoulders and pull him into a tight hug. He seemed to have settled himself into your body, as if he could finally relax.

“I don’t know what I would’ve done if I lost you too,” Bellamy confesses.

You don’t respond to what Bellamy says, but pull out of your hug after a few minutes, finally taking a look at his face, “You look tired. Is it really true what Octavia told me? That you didn’t really sleep for the whole three days?” You ask as you can read how tired he is. He lightly nods his head, not wanting to admit it.

You settle yourself into your bed, tired from standing so long, “ I just wanted to find you before anything bad happened,” Bellamy says, laying his body next to yours.

“That deosn’t mean that you had to put your own health at risk,” You say turning your body to face him.

“I know, but I just needed you back. I missed you,” He softly speaks turning his head to face you.

“I missed you too,” You move to rest your head on his chest.

The next morning you wake up and turn over to find a peacefully sleeping Bellamy. You had almost forgotten that he never left. But you didn’t mind, it comforted you knowing that he stayed, “Morning,” You say softly after kissing his forehead to wake him up.

“Morning,” He says raspily with a smile forming.

#the 100 #the 100 imagine #the 100 requests #bellamy blake imagine #bellamy blake #bellamy blake x reader #the 100 fanfiction

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