#she’s based of my insanity

[shurikenofthestars]

The only self shipping art you’ll get from me

[sofiaruelle]

❄️☃️The SDV Girlies in their winter garb!☃️❄️

One side how i interpreted their lil avatars and then the other side is just me playing dress up lmao.

“Bois when?” Dunno. 🤷🏽‍♀️ I will if anyone donates screenshots.

[mer-se]

Isabella stewart gardner museum

(yesterday was a perfect day. 🖤)

[tailsnumber1fan]

IN THE CORNER OF YOUR EYE

[hellishfig]

for the amount of time i spend thinking about erika ishii, i do not post about them NEARLY enough

everything i've ever seen them in, they have been fully dialed in. they understand the genre, they understand the character they're playing, and they NEVER. FUCKING. MISS

my current dnd character is actually based on multiple characters of erika's that i enjoy. my character is a witch (like ame of worlds beyond number fame [thank you to the witch class playtest]) but she is also a brewer who grows weed and shrooms, and deals them, and does them (and her personality is very much modeled off of danielle barkstock in dimension 20's the seven)

i feel that many of my favorite moments from erika are often focused on other characters. but many of those character moments would not have been possible without erika's incredible roleplay and sense for storytelling

and when the moment IS focused on erika's character? spellbinding. groundbreaking. from ame talking to orima in the overgrown shrine to danielle getting a nat 20 at the masquerade ball, i always fall into the scene and feel it so deeply due to erika's skill and poise and commitment to the story being told

tldr i think erika ishii is incredibly talented and wonderful

[bobosbillionsknives]

Autism mom doesn't know she's also autistic .

I can't imagine Knives being the easiest kid to raise 😭. Thers no WAY anyone on that ship was qualified enough to properly care for two autistic alien children !!!

[jeeliebeeliegoomiebear]

On Isolde and Many Doors (and One Key)

Thinking about Isolde and how she feels like she is constantly trapped in a small cramped room full of 1 million doors. Each door represents a presence that haunts her, an identity that lives inside her that calls to her from beyond the grave, a new mask to dawn.

If every person in the world were to have a room, most would have just one door, their own. But not Isolde.

Isolde feels like an empty vessel who is only there to serve as a point of entry for other people and their spirits. She has been forced to become so repressed by her environment, upbringing, and her nature as a medium that she finds it easy to forget herself. Her “self” is not someone she has ever been allowed to know.

The room grows increasingly smaller, claustrophobic and strangling her with pressure as the amount of doorways in it only increase, every new person she meets a new doorway she is plagued with, a new voyeur who has granted themselves full access to her life and her body. Something she is now willing to let them do. It is easier that way. Easier to let someone else command her vessel, something that never solely belonged to her to begin with. An escape from all the pressure, the expectations, the perfection demanded from her. It is something she should do. The duty of someone like her. Something to hide her wretched face from view, to give the people what they want, to uphold her family’s legacy. A performance that was never allowed to end. Each new door lead right back to that.

The only exception is Kakania. The only person Isolde believes has ever really seen her as more than a host for other identities or something to mold into shape, prop up as a set piece. A perfect lady. The star of Vienna. A tragic heroine. A dangerous hysteric witch. A curse manifested. The only one who was ever interested in finding Isolde’s door and that door alone. When she is with Kakania, a new door does not appear in that ever shrinking empty room, although at first she expects it to. For the first time she meets someone and is not greeted with a new ghost to haunt her. Not a door. But a key. A key that Isolde knows can unlock her own door, even when she herself cannot find it.

[frozentothetouch]

sketchies (mainly gwen)

[murdleandmarot]

Hey guys, Memory is, like, a really good song

[gemsbian]

Frankie finally gets another steel type pokemon? It'll be nice to have a pokemon that actually battles, especially one that can mega-evolve

[stuckinapril]

At a point in my life where coming off as racially ambiguous is bothering me bc I want to be proudly Arab more than ever before

[ebonytails]

What do you guys think about her

[no-light-left-on]

Jessamine's design has always intrigued me. the stark, full black suit and tall collar are pretty obvious status symbols. black was for the longest time an incredibly expensive colour of fabric due to how difficult it was to achieve proper rich blackness during the dyeing process and the collar, while most likely just a trend in Dunwall fashion inspired by the 1890s high collars can be read as lace, especially in some concept art, which is hard to care for and needs to be starched to hell and back to keep nice and stiff for a collar like that

but what I find a lot more curious about this is that the clothes appear very much inspired by Spanish renaissance fashion

which, honestly, would make sense with the real world inspiration. 19th century was obsessed with the past, with the romanticized medieval and renaissance times, and it was quite common to see fashion inspired by times long past (I mean, just look at Worth. the man invented haute couture and there is so much influence of medieval and Elisabethan fashion in his designs). it was also a thing for rich families to just kinda... invest in recreations of historical pieces of clothing and LARP in them.

Jessamine's clothes, in particular, reminded me of Spanish court dresses. especially of the portraits of Anne of Austria and Elisabeth of Valois

obsessed with those slit sleeves. too bad Jessamine didn't go the extra mile to have the sleeves hang long and heavy around her arms but they were more form fitting

there is also something to be said about the tall white (possibly starched lace) collar and the style of clasps used on her clothes

the mini cape thing she has on top is more similar to the style of capes worn by men in renaissance, but yeah, of course she reminded me of a Spanish princess when this is one of the most given example portraits for this style

I wonder if this was an intentional choice on the designer's side or if they were just inspired by the revivalism present in 19th century fashion. what really makes me consider that though is that one of her earlier designs has those sleeves much, Much more pronounced and obvious

oh the things that could have been...

still, it makes me wonder: if this was intentional, what does this tell us about Jessamine, and the history of the Isles themselves?

[royaltea000]

I call this Theseus’ character - how many visuals do I have to change on a character until it’s just an oc

[smokbeast]

poe thoughts and scribbles for my aching soul

[four-cats-in-a-trenchcoat]

The way I screamed. Me when Pyrrha is on screen for 0.2 seconds: *incoherent high pitched noises*

This episode made me so happy for a number of reasons.

1. JNPR content because I adore them (Nora telling everyone Jaune was the Rusted Knight and people believing it's some kind of inside joke because there's no way this guy is an actual fairy tale character right? >>>>>>)

2. Jaune talking to his fellow man out of time, Oscar. (Or, well, Ozcar would perhaps be more appropriate at this point)

And, most importantly

3. Jaune's time (and trauma) in the Ever After being addressed properly, even with the little time they had on their hands. I was SO scared they would just...go back to how he was before, as if nothing had happened, but I'm glad to see they acknowledge the devastating impact all that happened must've had on him. And let's not forget he's like forty now. I had seen people speculating about whether or not he would've lost some of his memories after being reverted to his nineteen/twenty-year-old self, and while I didn't think that would happen, it's nice to see a confirmation that he did, in fact, retain all of his memories.

Bonus: the journaling bit was a welcome surprise. It's therapy time.

While I would've liked some mention of Penny, I'm more than happy with what we got.