#she was left behind

[tomoelovepill]

Behold the horrors

[notbrucewayne48]

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

[crumb-crumblet-s-crumbington]

i drew this in the most unromantic way possible please understand that ethan is just their miserable wet cat they found outside in the snow

[sems-diarie]

death is insane. wdym i’ll never see my grandmother again

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[spooksier]

losermother and failson <3

[tezzbot]

I really like the headcanon that a very select amount of people are allowed to actually call Tails 'Miles' and Shadow is on that list, it's very cute to me ^_^

[rheya28]

Knitted Sweaters, car rides, and autumn leaves

[bluerosefox]

Masks and Moonlit Night

-Crashes through DPxDC window and sticks a new AU sticky note down on everyones foreheads-

ANGER MANAGEMENT MASQUERADE BALL AU!

Jazz is forced by her parents to go to all Masquerade ball at Vlad's, whose using Jazz as both a way to keep Danny in line (as well as Jazz, basically Danny can't fight back or he'll hurt Jazz and Jazz can't fight back because he'll also hurt Danny who he has locked up at the moment) and to 'impress' the elites (As much as Vlad wants to use Danny for the party he knows the boy would do something to embarrass him in front of them, he at least knows Jazz will keep her manners in check) with how intelligent his goddaughter is.

During the ball, Jazz (in a stunning dress and mask, think like manhwa worthy outfit tbh if you want) meets Jason (who lost the Bats/Birds most recent 'Not it' game and was made to go with Tim to Vlad's party) and both hit it off when they meet in the garden, under moonlight, both wanting some fresh air.

Jazz wants to enjoy her time with Jason but worries about Danny and thus tries to leave and figure a way to help him without tipping Vlad off she was trying to save her brother. However she notices she's being watched by some ghosts Vlad employed and no doubt would report her should she even try. So she kinda uses Jason as way to keep them being unaware of her planning... or at least that was the case until she noticed another Team Phantom member sneaking into Vlad's place and knows its only a matter of time before her brother is freed.

Within the hour she gets a text from Danny who tells her, he's out and gonna fight Vlad for locking him up, that Dani is with him too so it'll be double beat down and that he'll come get her soon.

She is pulled away from the text when Jason asks what books she likes to read and now with the weight of her brother needing to be safe, or as safe as he could be, is lifted off her shoulder she answers.

Its magical, its wonderful, and for a moment Jazz is able to actually enjoy this party, ignoring the pained hits Vlad was no doubt receiving from what she can hear with her liminal enchanced hearing, because talking to Jason, or J as he introduced himself as, was very fun and wonderful and wow he was very handsome even with his mask and-

Jazz is startled out of her wondering thoughts when she could hear someone in the party scream, no doubt Danny, Dani, and Vlad's fight probably bleed into the main hall and she could see people starting to run out.

Jazz sits on the bench as Jason goes running in, no doubt curious as to what is happening and going to get his 'brother' Tim who he came to the party with out. Jazz takes off her mask and sits it down the bench and waits before Dani appears and says they should get going, Danny is keeping an angry Vlad busy and that she can take Jazz home.

By the time Jason comes back, with a researching on his phone Tim, all he finds of the charming woman he met at the dumb ball he got dragged to was her mask on the bench.

[sky-scribbles]

I think a lot about Lae'zel suddenly being around people who'll heal her when she needs it.

She grew up in a culture where the weak are culled, where those who cannot fight are discarded. Failure cannot be tolerated. Those who fall in battle deserve their fates for not fighting harder, being stronger, better.

So how does it feel to her, when she's on the ground and bleeding out, and she knows this is the moment when she should die - and then she doesn't, because someone heals her? How staggering a shift is it for her, knowing that someone will pick her up if she goes down?

[pinksilvace]

ROTATING HIM IN MY HEAD AT AN ACCELERATING VELOCITY

[shalaaex]

Is there a she-ra fandom on tumblr somewhere?

[songofsoma]

ellie after left behind

[cherrywhite]

Silt Verses protagonists // Returning Home

[nellasbookplanet]

In the wake of FCG' fate I've been thinking about death in ttrpgs, and how it kind of exists on three levels:

There’s the gameplay level, where it only makes sense for a combat-heavy, pc-based game to have a tool for resurrection because the characters are going to die a lot and players get attached to them and their plotlines.

Then there’s the narrative level, where you sort of need permanent death on occasion so as not to lose all tension and realism. On this level, sometimes the player will let their character remain dead because they find it more interesting despite there being options of resurrection, or maybe the dice simply won’t allow the resurrection to succeed.

Then, of course, there’s the in-universe level, which is the one that really twists my mind. This is a world where actual resurrection of the actual dead is entirely obtainable, often without any ill effects (I mean, they'll be traumatized, but unless you ask a necromancer to do the resurrection they won’t come back as a zombie or vampire or otherwise wrong). It’s so normal that many adventurers will have gone through it multiple times. Like, imagine actually living in a world where all that keeps you from getting a missing loved one back is the funds to buy a diamond and hire a cleric. As viewers we felt that of course Pike should bring Laudna, a complete stranger, back when asked, but how often does she get this question? How many parents have come and begged her to return their child to them? How many lovers lost but still within reach? When and how does she decide who she saves and who she doesn’t?

From this perspective, I feel like every other adventurer should have the motive/backstory of 'I lost a loved one and am working to obtain the level of power/wealth to get them back'. But of course this is a game, and resurrection is just a game mechanic meant to be practically useful.

Anyway. A story-based actual play kind of has to find a way to balance these three levels. From a narrative perspective letting FCG remain dead makes sense, respects their sacrifice, and ends their arc on a highlight. From a gameplay level it is possible to bring them back but a lot more complicated than a simple revivify. But on an in-universe level, when do you decide if you should let someone remain dead or not? Is the party selfish if they don’t choose to pursue his resurrection the way they did for Laudna? Do they even know, as characters, that it’s technically possible to save someone who's been blown to smithereens? Back in campaign 2, the moment the m9 gained access to higher level resurrection they went to get Molly back (and only failed because his body had been taken back by Lucien). At the end of c1, half the party were in denial about Vax and still looking for ways to save him, because they had always been able to before (and had the game continued longer it wouldn’t have surprised me had they found a way). Deanna was brought back decades after her death (and was kind of fucked up because of it). Bringing someone back could be saving them, showing them just how loved and appreciated they are. Or it could be saving you, forcing someone back from rest and peace into a world that's kept moving without them because you can’t handle the guilt of knowing you let them stay gone when you didn’t have to. How do you know? How would you ever know?

[ryssbelle]

N2 Floyd in the first movie

Sad little man got himself captured :(

He also gets punched in the face, but that's neither here nor there lmao

Also sorry for not posting for a fat minute I've been busy XD

Bonus: What John and Branch be doing

RIP in pieces John Dory, you were a brave troll and will be missed

I've got some more doodles of them going through it in the first movie, maybe we will see them soon teehee .