#she doesn't even look her age!

[frostise]

concepts to consider: louise's fluffy bed head. the way her spiky pixie cut would be more WILD, not regal, but actually unkempt. hair strands sticking out of place and shooting out in all directions like a destroyed bird's nest. sticking to her cheek, her eyes, her forehead as soon as she wakes up before the sun hits her face and runs her fingers through it to untangle it

[witsserviceablesubstitute]

In my heart Isabela doesn't like Lucanis because Zevran freed her and is also one of her best friends.

[nevertheless-moving]

Hesina Willshaper AU

Step one canon divergence: Amaram's army doesn't do the kind thing. Kaladin's listed next of kin are sent a letter stiffly informing them that their son is a deserter and, thanks to the highmarshall's mercy, has been sold into slavery.

Step two canon divergence: a light spren has started following Hesina around.

The letter reaches hearthstone.

Hesina cries the bones of the first ideal through labor pangs. Their wretched diamond lamp grows slightly dimmer during childbirth.

Hesina and Lirin discuss if there's anyway they could possibly find their son and pay his slave debt. They're not optimistic.

Hesina talks with her lightspren.

Lirin and Hesina talk again about trying to find their son, now that Oroden is starting to be weaned.

Hesina appears to have grown taller. No one but the two of them seem to be aware but they're worried other future changes might be more noticeable.

Hesina and Lirin realize that she can mold rock as if it was clay with stormlight. A spark of hope for freeing their son emerges.

The two leave town.

They find a slave market in the nearest city. They see other parent's sons, but not their own.

Hesina swears to free those in bondage. Stormlight starts coming easier.

They make a tunnel. Rebellion follows. Lirin is horrified by the violence (the violence is not actually that bad all things considered. a couple guards dead. some bystanders frightened. Fair amount of property damage as they rob the military barracks food supply, steal every sphere that's not nailed down. and also steal the spheres that are nailed down. (Lirin won't admit it but the stealing from lamps part is kindof fun.)).

Many of those they freed flee. Some return to slavery willingly, scared of retribution. Many decide to follow the Radiant woman who has vowed to see others like them freed.

The group proceed to the next town. They find another slave market. They make a tunnel. There is more resistance than last time, clearly they were warned something might happened. Hesina kills a man.

Lirin is terrified by what his wife is becoming.

Hesina swears to shelter those without homes. The lightspren forms an unbreakable hammer, perfect for knocking crem free from buildings. And for knocking down men.

A now larger motley group seeks shelter in a mountain town razed in one of Alethkar's many skirmishes over the last decades. Hesina builds homes. Lirin begs her to stay here, to stop fighting before she goes to far down this path, not to go to war. The slaves they've freed are split, many wanting to stay, hide, some wanting to fight and free more, with a radiant at their head, there's a real chance to change things. Hesina lingers, practicing, spends some time falling in and out of shadesmar.

Lirin and Hesina separate.

Lirin stays with Oroden and the noncombatants. Hesina leads those who want to fight to another city, still trying to find their son, still trying to free everyone's children.

The town settles into a routine. Hesina and Lirin miss one another. This is the first time they've gone longer than two days without seeing each other in the last 25 years, and the two days was only when Lirin had to travel to where someone had overturned a cart on the road nearby and Hesina had to stay and watch the children, too young to travel. besides that, it had been every day. they keep turning to talk to each other.

While the army is gone, the free town is attacked by those trying to reclaim her property.

Hesina swims deliberately through shadesmar for the first time. reaches lirin just in time.

Lirin accepts that not fighting won't stop the violence. (It breaks him just a little bit)

Hesina shouts that one person's freedom ends where another's begins. She vows to fight against powers which would rather see their people in cages then homes. A thousand light spren rise up to grant her strength.

(yes I know she's moving fast through the oaths. but she's always been a thoughtful woman and she raised two children who asked difficult questions and now shes mother to another several hundred. honestly she had already worked through some of these concepts before they became actionable on such a grand scale.)

Lirin vows to support his wife through whatever trials the Almighty seems inclined to put her through.

The lightspren, who has started to get some memories back, remembers Oathgate Spren not terribly far from here by physical realm measurements, guarding a hidden human city

the stone remembers the way the radiants once traveled.

The path to a kingdom in the sky is slow — there are many cages to break on the way.

Kaladin doesn't know it right away, because people weren't exactly telling slaves about the freedom riots, but slave wagons start having harder and harder times reaching the shattered planes after him.

Someone mocks Lirin for having a wife so determined to pursue the masculine art of war. Lirin gets pissy and decides to show them by learning to read and write to help support the administrative side of his wife's kingdom wide asskicking.

The highprinces lead a fairly successful misinformation campaign about the slave riots, lots of accusations of rampant violence, the dregs of society lashing out, you can probably imagine

The ongoing rebellion is large enough that word trickles to the bridge crews, encouraging bridge four's hope for escaping, while also making it substantially more daunting, as the crews are even better guarded than canon.

Rumors of a female radiant swirl around. Most people assume it's a woman in shardplate with some sort of tunneling fabrial, which is still pretty crazy, but several major players Take Note

A very large and tired huddled mass of people reach Urithiru. there's just enough squires, and two new willshapers with their own oaths, to make tunnels through the shattered planes and reach the oathgate without being seen by the alethi armies

the parshendi army is another story, but some are willing to take a chance listening to the neshua kadal, and come with them.

The political implications of Dalinar freeing 1000 slaves is slightly more complex, especially considering the rebellions have been impacting Sadeas the hardest

About a week after being freed, Kaladin hires a spanreed intermediary to write home and find out if his hometown is alright (again, a lot of misinformation and rumors about the violence of the riots)

Is informed by Laral that his family left town looking for him shortly before the riots started, were presumed dead

Kaladin is under the impression that 1) his parents are dead because of him 2) the Rebellion is not the righteous fallback plan that he and the men were hoping it was.

Hesina has many reasons to go to the shattered planes. Nearest part of the trade network for food and necessary goods. Many slaves to be freed from there, and a part of her still hopes to find her son, even thought its been so long. Home of Alethkar's political leaders, the source of Alethkar's slavery.

I have spent. A LOT of time imagining many possible reunions between kaladin and his mom in my highly specific high oath hesenia au. She has a couple faces she could wear when visiting the planes. Brightlady. Radiant. Cagebreaker. Queen of Urithiru (not her real title, they're tentatively trying the Listener council model, but they know what the Alethi will understand). Even darkeyed mother, if she and Lirin approach slowly from a different direction. Honestly, pleased as I am with all of the above, a lot is flexible, the key here is kaladin going "MOM??" In some fashion One possible Reunion Here

Thank you @sorchasolas for conversation and the urithiru ideas and for leading me to actually write all this down <3

[firstroseofspring]

b’elanna vs her mother at similar ages, plus some sketches!

[jichanxo]

redraw of an umineko piece from 2019 (original under the cut)

this one was drawn/lined traditionally, then coloured digitally. the redraw is all digital.

[grubus]

had to track down that fun chapter where Yoo Iseol decided to show that she's actually a feral girly and gave Cheong Myong the scare of his (current) life and then i got sidetracked with taking screenshots.

[kandicon]

Actually I can't stop thinking about Tim gaining a bit of weight during her time as Persephone and it's killing me now

[nobodysdaydreams]

Giving a complicated tragic childhood backstory to your favorite character is all fun and games, until you realize you need to account for how old all the other adult characters would have been at the time and realize that scenes that would work perfectly if one character was twenty three and the other was fourteen stop working when you need other characters who are played by adult actors clearly younger than they are to be in college at the same time so your story beats line up thematically.

[laugtherhyena]

Character inspo things, i thought about making these a lil while ago when the trend was going around but i could never think of enough characters to fill it all the way (i still can't, but eh fuck it)

[vaguely-concerned]

I've been trying to figure out a dynamic between neve and rye that I find more compelling, because right now there's not much of anything there for me to sink my little teeth into. but I think I've landed on something delicious with the idea that especially after minrathous gets fucked, rye looks at neve and sees myrna -- someone he feels he keeps letting down horribly no matter how hard he tries not to and can't quite achieve the approval of/connection with that he wishes so it's better to just pull away completely and disengage rather than stay in that unshifting shame. neve is (very understandably) measured and distant with him after what happened, and he's flashing back to his student days of myrna gazing at the perpetually hungover heartbroken heap of a person of him on the other side of her desk every time he missed the deadline of a paper or project like '...can we at least both agree that this is. a bit disappointing. especially considering your potential.' (and him all smudged black eyeshadow and numb ruefulness being like 'sure that's a very kind way to put it myrna thank you'.)

aside from the 'if I let him get too deeply into this he'll go the way of brom and it'll be all my fault (again)' element, neve thinks rye is dismissing her and her city/being a bit callous in the same way he was after varric's death (listen. how fucking wild must rook's reaction to losing a beloved mentor seem to the rest of the crew who aren't seeing the blood magic paper doll ghost varric the whole time, especially those who got to see them interact. you WOULD think 'there's something wrong with this guy. putting the job first is one thing just not seeming to react at all is another this is fucking freaky', wouldn't you, especially after seeing the warmth in that dynamic in action beforehand.) perfect storm of two people who grit their teeth and turn inwards in pain deciding that not talking about it is their best bet (NEWSFLASH: IT ISN'T) lmao

(rye spent his last year of watcher training on a mostly joyless bender and then got it together enough to finish the eternal orb project last moment in a fevered near-sleepless week instead of the half a year that was intended. emmrich is both astounded and distressed to hear this. "a week? but -- but that is an astounding accomplishment rook!! and also why in the maker's good light would you ever do that to yourself?" ("well you see there was no one to stop me from doing it like that but me. and under those conditions these things tend to happen".) rye was working through/looking up stuff around transitioning and doing every kind of OTHER high level watcher research through that whole time, but ultimately he's an excellent watcher and a terrible student, at least under traditional methods. adhd from here to the fucking moon. touched by something akin to divine inspiration in moments of high tension that pulls all the threads into one coherent unbreakable cord, a bit of a frayed mess in most other settings. in our world he'd be dropping out of a masters program at the very last hurdle in this moment maker bless and protect him)

[swinging-stars-from-satellites]

frickin shite that was the worst small group I've ever been to in my life

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[stop-breaking-my-heart-dragonage]

This week on "CJ needs to gush about DAO": Morrigan's dark ritual.

I adore Origins because depending on how serious you take roleplay, every decision you make is a thread that leads back to your origin, and in this case of the ritual, who you choose to romance can have a major impact on how you handle this choice.

For context, my canon run is with a female Tabris who romances Alistair and keeps him as a Grey Warden, and is close friends with Morrigan. It's more in character for my Tabris to reject Morrigan's ritual and not even bring it up to Alistair, which would result in her leaving him behind while she makes the ultimate sacrifice in killing the archdemon... however, agreeing to convince Alistair to do the ritual with Morrigan is the only choice in the entire game where I break roleplay because I'm selfish and weak and I want Tabris to live.

I have a lot of strong feelings about the ritual, like it hurts me. It makes me want to chew on furniture. I can talk about it until I can talk no more. I so badly want to be strong enough to remain in character and reject the ritual.

Let me explain: Tabris survives an origin that deals with sexual assault. She gets kidnapped on her wedding day, she watches the other kidnapped women and her husband get murdered, and then is too late to save Shianni from being assaulted... and Tabris carries that trauma with her throughout the entire game.

If the way to save her life is to ask the two most important people she cares about; one being her lover and the other being her best friend; who she knows hate each other, to have dubiously consensual sex in order to make a baby to absorb the old god soul... she's saying no. The last thing Tabris would ever do is put someone into a sexual situation where consent is at all dubious after what she saw happen to Shianni and nearly happened to herself. She'd rather die than force that upon Alistair and Morrigan.

That's what I mean when I say origin affects everything; I know some will side eye that with "Really? Your warden would rather die than let Alistair sleep with another woman? It's one time, and Alistair agrees to it, so no one needs to die?"

Let me be clear in saying this isn't a "Morrigan slept with my man" issue. Sure, that part's awkward and it sucks, but that's not even breaking water tension, let alone diving into the deep waters to the core of the issue.

For my Tabris, this is about betrayal, consent, and accepting fate.

The person offering Tabris this deal is someone she thought of as a trusted friend who has actually been lying to her the entire time. It doesn't matter what Morrigan's intentions are now or if she genuinely wants to save the wardens. She knew from the beginning why Flemeth sent her with them, she admits as much. She knew a warden would need to make the ultimate sacrifice and then leveraged that to get what she wants. Morrigan waited until the night before, when Alistair and the warden learn one of them has to die to defeat the archdemon, and took advantage of the high running emotions and possibly the fear of dying to make the warden agree to her ritual.

At least, that's how my Tabris interprets this confrontation. She feels betrayed by someone she came to love like a sister and went out of her way to help Morrigan with her mother upon learning what's in Flemeth's grimoire. And then that someone tells her no one needs to die, she just needs to convince Alistair to sleep with her... which is a huge fucking problem.

The Alistair and Tabris romance is slow; it took a long time for either of them to be comfortable with being emotionally vulnerable and trusting each other with basic intimacy, let alone sex. Tabris is mortified at the idea of putting Alistair in this situation. Not only would it feel like a betrayal on her part to ask that of him, but she knows the last thing Alistair ever wants to do is father a bastard who then goes on to grow up without him. How could she possibly ask him to do that?

Then you consider that ritual or no, there isn't a guarantee that they'll survive anyway. Say they do the ritual and Tabris dies anyway; she made Alistair sleep with Morrigan in order to save her and then she died anyway. Or if Alistair dies then Tabris gets to live with the fact that the last person Alistair was with was a woman he hates because she asked that of him… and either way, Morrigan gets to walk away with what she wanted.

Tabris led the group, and she's accepted that if Riordan dies [which he does] then she'll be the one to make the sacrifice, even if it means breaking both hers and Alistair's heart.... except she doesn't because I'm a coward who doesn't want to lose her because my worldstate isn't good without her in it but I also refuse to lose Alistair so I just pretend it plays out differently in my head it's fine-

But... that's how I play Tabris and view the situation. My friend @pi-creates and I have discussed the dark ritual at length. While I play a Tabris who romances Alistair, Pi plays a Mahariel who romances Morrigan, so we have vastly different interpretations of the ritual itself and Morrigan's intentions.

Which yeah, it makes total sense that someone who romanced Morrigan with a different origin, and has the option to do the ritual with her rather than asking someone else to do it, wouldn't see this the way I do.

To quote Pi: "Playing as a male warden in the Morrigan romance makes the whole situation feel different, and maybe it’s because she’s presenting it differently due to the emotional connection, but it feels more like she’s opening up about her initial instructions (that she had been given by Flemeth) and offering a solution to avoid the possibility of death. And for my Mahariel, the constant threat of sudden death has haunted him from the start – he caught the blight and was ripped away from his clan (something he did not want to do in the slightest), got forced into a Grey Warden ritual that could kill him, was forced into a battle that could kill him, going on this whole quest that he never wanted but has now become responsible for regardless of his thoughts on the matter… the dark ritual may be one of the few moments where he is presented with an option to decide if he wants to walk into certain death, or take actions of his own volition to stop it.

"The idea of the ritual still feels like a dodgy thing to do since the ultimate outcome is unknown at that point, he’s taking Morrigan at her word that it will save the warden and that this child would be unharmed, just with an old god soul that she isn’t exactly clear on why she wants that and is determined to runaway immediately after the battle to secure it properly. It could be interpreted that it’s purely a preservation thing, but I’m biased to wanting Morrigan's intentions to not be power based.

"But also, taking part in the ritual isn’t as outlandish for my warden since he and Morrigan have already been involved in an intimate relationship. It’s the future of the ritual that is scarier – the idea of this old-god baby, and the idea of Morrigan insisting that she’s leaving afterwards when Mahariel and her have a loving relationship. He’s hurting, but he doesn’t want to die, he doesn’t want Alistair to die, he doesn’t want Morrigan to leave, he definitely doesn’t want pregnant Morrigan to leave on her own… it’s complicated, but for completely different reasons."

And I find that fascinating. I want to know how other players approach this part of DAO, what origins they play, and who they romanced. Seriously, this is an invitation to anyone reading to share their thoughts.

What about a warden who doesn't even have Alistair in their party because they made Loghain a warden? Is there anyone out there who has Loghain do the ritual with Morrigan and why? What about male wardens who don't romance her? Do you choose to do it with her anyway, or do you ask Alistair or Loghain to do it? Do you tell Morrigan to fuck off with the ritual? Why? Who makes the ultimate sacrifice in that case? And what about Morrigan herself? How do you interpret her intentions/motivations? I want to know.

I'm telling you, this is a discussion that gets me excited, as most discussions about DAO do.

[longmaxsilvarg]

will forever have a soft spot for chloe cause yeah dawg i get it we can try to avoid becoming attached out of the overwhelming fear of being abandoned again but miserably fail together

[fleshdyk3]

god i fucking hate my dad

[magentagalaxies]

ok so it's already wild enough that scott thompson from the kids in the hall was present for my first drink of alcohol, first time smoking a joint, took me to my first gay bar, etc. but the fact that he lowkey also contributed to the chain of events that led to me having my first kiss tonight is truly insane like how does this keep happening