#see all the artists and producers for details

[jariten]

Roundup-catch up: September 2024 (〜Take me back to the Reiwa era arc〜)

After a rather all consuming and intense reading experience that took me 60 years back in time (I will get to that one another time) I wanted to get back to the present time, specifically 2020 to today, and explore what's new and buzzing in the manga landscape. Luckily had a couple titles sitting unread ready to give me the most productive reading week I've had so far this year.

Akari by Marco Kohinata is a work I don't want to go too in detail about because I think it's one that I think is better by just diving straight in so I want to describe a bit what it does artistically. Even before it became the norm to produce manga manuscripts fully digitally with programs like Clip Studio there's always been manga artists who challenge the "correct" way of how manga manuscripts should look with clean inked lines and nothing but screentone or crosshatching to add dimension. Like Taiyo Matsumoto, Hiroaki Samura, and Q Hayashida just to mention a few. But with the digital way of doing it becoming the norm and thus there being less time consuming and high risk ways to experiment with the expected form of a manga manuscript the diversity of artistic expression in manga is expanding. All the manga in this post have an expression to them only really possible to do in a digital medium or if analogue, made possible by the innovations of digital artists. Akari has a sort of charcoal texture to it that I haven't seen any other manga artist use giving it a really illustrative look that really elevates the emotional themes of familial estrangement and being at risk of falling to the margins of society that the work depicts. Its made me really look forward to seeing what the "average" manga manuscript might look like by 2030.

Last year I gushed a bit about the cutesy gag manga Yoko to Tora by Fuyuko Kurosaki which really charmed me with its truly adorable art, little world building touches and anything goes absurdist comedy. This mini project finally got me to pick up Heike Monogatari Yoru-kun no Hanashi. This anachronistic time slipped retelling of the tale of the arrogant Taira samurai clan and its conflict with the Minamoto clan backed by imperial interests. Recently orphaned Yoru-kun has spent most of his life with the spoiled but lonely rich girl Sara. But one day, he is suddenly kidnapped from our time to the Heian era by Taira no Kiyomori! (portrayed as a flashy rock star super villain obsessed with his wife) to play the role of his daughter in a grand scheme to marry the Taira clan into the imperial family. Yoru now finds himself living at the whims of his war mongering and arrogant new father, but at the same time finds himself sympathetic and invested in his new family. Because they aren't all that bad. Right? But what about Sara? She's not going to let Yoru be all alone in this strange story, right? The Heike story is retold with a maximalist, deeply anachronistic and absurd fashion by, I will already declare, one of my favorite contemporary manga artists.

There's clearly a "gender bending" aspect to have these characters take the roles of historical figures of the "opposite" gender but the role assignment is as far as that went. The only new item of clothing that gendered Yoru was a kimono overcoat worn over his school uniform while Sara was only gendered by a piece of armour worn on top of hers. And of course Yoru can have a baby, you can just go pick those up anywhere. Like, at the cabbage patch. Intentionally or not it becomes a farcical commentary on how gender is assigned upon you by others.

A lot of current manga are in some way colored by the pandemic and 2020 COVID lockdown era. After Shinzo Keigo was hospitalized from COVID complications he produced Hirayasumi. But his wife Natsuko Taniguchi was obviously affected by this time in world history and her personal life as well and produced her own manga in response to it. Fukiyose Residence introduces us to the flashy gal cashier at a non-franchise conbini. She talks loud, sits on a camping chair behind the register but her high spirits brings as much joy as annoyance to her customers. But her public self and private self couldn't be more different, which her neighbours in her apartment building learn one by one. A short but very sweet story about actually finding connection with those closest to you and the ways we transform ourselves through and for others.

Sometimes I don't do my due dilligence and check if I can get a title I'm eyeing in Japanese in english, but to be fair that overlap is just so rare that I lost the habit. But here I made a mistake, because last week Astro Biologist Pratess by Sarami got a translated omnibus release by Alien Press. That particular edition is not what I will review T^T but it's def one to check out. A classic coming of age during summer vacation with past lives from outer space a la Please Save My Earth and astral connections to an alien astro biologist brings 3 friends closer as they try to figure out exactly what they want from life. This is one I wish was just 1 or 2 volumes longer so all 3 characters got to be fully fleshed out but I enjoyed what we got and it made me feel even more excited about what manga is waiting for us in the near future. The work was also licensed in Spanish so if that's your preferred way to read do check it out!

[swampjawn]

Time to talk an unnecessary amount about floors!

Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.

And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.

The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.

But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!

And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!

By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)

Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.

I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!

I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks

[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.

[maniculum]

Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

[hoshifighting]

Producer!Woozi x Celebrity!Reader

— Synopsis: You and Woozi have admired each other's work for a long time. Now, he has the opportunity to produce an album with you. Working on an album for a worldwide artist like you brings him immense joy... and turn-ons. — WC: 4.8k — WARNINGS: Smut, studio sex (Universe Factory), oral (f.receiving), penetrative sex, unprotected sex, fingering, clit stimulation, g'spot stimulation, aftercare, reader fangirling over Woozi shirtless in Ruby's M/V mentioned.

Your name is splashed across big screens from Times Square to the Grammy Awards. Music didn't just enter your life; it crashed in, loud and powerful, sweeping you off your feet. It became your everything. 

You went from singing in front of millions of people to strumming your guitar alone in a poorly illuminated room, lost in your own world. Music was your passion, your escape, and your purpose all rolled into one.

With that passion came endless opportunities. You were constantly on the move, traveling from one country to another, meeting people you once only dreamed of being in the same room with. You found yourself breathing the same air as your idols, sharing stages with legends. 

Friendships blossomed, some fast and fleeting, others deep and lasting. The world knew your name. Your songs played in every state, on every continent, bridging gaps between different cultures and bringing people together.

Those cultures left a mark on you too. 

You soaked in the richness of each place, each new experience shaping your music and your perspective. You remembered your early days, the hunger for inspiration, the late-night searches for new artists. 

One night, you stumbled upon a webcam live stream with a bunch of boys in a neon green melona room. You laughed and loved watching them, their energy infectious even through a screen. You became a fan, following their journey as you built your own.

But here's the thing about being a superstar: time is never on your side. Your schedule was always packed, and despite being in contact with some of the Seventeen members through DMs and mentioning your admiration for them in interviews, meeting them in person was a challenge. You were in Seoul for a tour once, and they appeared on your show, but there was never enough time to truly connect.

Now, after years of hectic schedules and fleeting encounters, you finally had a moment to breathe. You were working on a new album, and for the first time in a long time, you had the opportunity to switch things up. Your usual producers were fantastic, but this time, something different was calling you. An opportunity was waiting in South Korea, and it had your heart racing with excitement.

You, your manager, and the company representing the group had been in talks for months, working out the details. The goal was clear: to collaborate with Woozi, the musical genius from Seventeen, on your new album. 

When your team informed Woozi that you had just arrived at HYBE, his palms began to sweat. He never imagined he’d get to work with someone of your caliber. The fact that you specifically wanted to work with him made it all the more surreal.

As you walked through the HYBE building, your assistant and one of the staff members gave you a tour. You were almost giddy with excitement. The walls were lined with photos and awards, the air buzzing with creativity. When you finally approached the recreation area and spotted Woozi, his cheeks turned a shade of red. He was nervous, but seeing you smile so brightly at the sight of him sent a sense of relief through his system. 

You were genuinely happy to see him.

As you step into the recreation area and see Woozi standing there, your cheeks flush a deep red. You can’t contain your excitement. "Woozi, I'm so happy to see you," you say, extending a hand, unsure if a hug would be appropriate.

He senses your shyness, and, in a moment of genuine openness, he breaks through his own reserve and gives you an awkward hug. It's brief and a bit clumsy, but it’s sincere. As you pull away, you swear this is the happiest moment of your life.

"I’ve admired your work for so long," you say, your eyes sparkling with genuine admiration. "Your music is incredible."

Woozi shakes his hands in front of him, a shy smile spreading across his face. His long hair swings slightly as he responds, "Oh, no, really, it’s nothing compared to what you’ve done. I'm honestly just honored to be here with you."

You laugh softly, feeling a bit more at ease. "Are you kidding? I still remember hearing your solo for the first time and just being blown away."

Woozi's cheeks tint pink as he looks down, scratching the back of his head. "Thank you, that means a lot coming from you. I remember when we all watched your first big performance. We were in our green room, and we were all just in awe."

You grin, recalling that exact moment you first saw them. "I remember that! I was so inspired by you guys. It’s amazing how things come full circle, isn’t it?"

He nods, his eyes meeting yours with shyness "It really is. I never thought I’d get the chance to work with someone I looked up to so much." Woozi chuckles softly, breaking the silence. "By the way, I saw your post on Twitter about wanting to visit the Universe Factory—my studio."

Your eyes widen in surprise, and you cover your face with your hands. "Oh my God, you guys see my tweets? Oh nooo!"

He laughs, a sound that's both comforting and infectious. "Yeah, they're hard to miss," he admits. "And I may have received a few screenshots of your reaction from 'Ruby'." 

You gasp, mortified as memories of your tweets flood back. You remember typing frantically about needing a defibrillator when Woozi appeared shirtless in the music video. "Oh no, those tweets. I can't believe you saw those."

He’s grinning. "It's okay, really. It was kind of sweet to be honest. We all had a good laugh about it."

Peeking through your fingers, you sigh. "Well, now that my embarrassment is out in the open, I guess it’s only up from here, right?"

Woozi grins, a twinkle in his eye. "Absolutely. Besides, it’s nice to know we have mutual fans of each other’s work. It makes this collaboration even more special."

You nod, recalling how your fanbase and Seventeen’s had always gotten along so well. “Our fans really hit it off, didn’t they? It’s like they’ve been rooting for this collaboration all along.”

Woozi smiles and gestures for you to follow him. “Come on, let me show you the Universe Factory.”

Walking into his studio, you’re immediately struck by how incredible it looks. Purple lights cast a calming glow over the space, and the view from the windows is breathtaking. Everything, from the colors to the high-tech equipment, is perfectly arranged. You can tell he put a lot of effort into making this place special.

“Wow, Woozi, this is amazing,” you say, your eyes wide with admiration. “I always saw photos of your studio, but in person, it’s even better.”

“Thanks, but it’s just a studio.” Woozi’s shy smile returns, but there’s a sparkle in his eyes. “I wanted it to be just right for when you got here. I spent the whole week cleaning and moving things around. Even used some scented sprays.”

You laugh, feeling a snugness in your chest. “You didn’t have to go through all that trouble for me, but I appreciate it.”

He shrugs, his smile widening. “I wanted everything to be perfect.”

Woozi shows you some of the instrumentals he’s been working on, and they’re incredible. The beats blend seamlessly with the lyrics you sent him, and you can already hear the potential for something amazing. He’s practically buzzing with enthusiasm to hear how your voice will mesh with his music.

“Let’s get you in the recording room,” Woozi says, leading you to the booth.

You put on the headphones and glance through the glass at Woozi in the control room. As you start warming up your voice, he watches with a small smile. You can see him scoffing lightly, clearly amused by your funny warm-up techniques.

He presses the intercom button. “I’m definitely going to use that later.”

You sulk playfully, giving him a pout. “Come on, don’t make fun of me.”

He laughs, the sound filling the control room. “Sorry, sorry. It’s just cute the way you warm up.”

Rolling your eyes but smiling, you turn your focus to the paper in front of you. Woozi cues up the beat, and you start with a rough draft, feeling your way through the melody. Even in this initial take, Woozi can’t help but feel impressed. Your voice is powerful, yet it fits perfectly with the track.

You glance up occasionally, catching Woozi’s eyes. He gives you a thumbs-up, his appreciation evident even through the glass. As you continue, you find yourself getting lost in the music, and Woozi’s focus never wavers. When you finish, you look up to see him grinning widely.

“That was just the warm-up?” he says, pressing the button again. “I’m really excited to hear the final version.”

You laugh, feeling a rush of confidence. “Yeah, just the warm-up. Wait till you hear the real thing.”

Woozi nods, eyes gleaming with joy. “I can’t wait. Let’s do this.”

You start to sing for real now, fully immersed in the music. The lyrics flow smoothly, and your voice dances effortlessly over the instrumentals. When it comes to a tricky melisma, you frown slightly, pausing to ask Woozi through the intercom;

"Which tone should I use for this part?"

Woozi, equally focused, listens intently as you demonstrate two different versions. Both sound amazing to him, and he takes a moment to think. He taps his chin thoughtfully before pressing the button. "Try the second one, but start a half-step higher and then slide down smoothly."

You nod, absorbing his suggestion. You take a deep breath and try it his way. The moment you hit that melisma, sliding down effortlessly, the note hangs in the air. Woozi’s eyes light up, and he gives you an enthusiastic thumbs-up from the control room.

As you're in the middle of recording, Soonyoung suddenly appears in the studio, his presence bringing an unexpected burst of energy. You catch sight of him through the glass and wave enthusiastically, a big smile spreading across your face. Soonyoung returns the gesture, his excitement palpable even from a distance. He settles on the couch behind Woozi, watching the two of you work with keen interest.

Woozi presses the intercom button and gives you a nod. "Try going a bit higher for the adlibs."

You nod and sing the section, hitting the high notes while looking at Woozi for confirmation. He listens intently, his gaze dark in focus. “You did so good. That was perfect.”

You can hear Soonyoung’s voice from the back. “He never praises us like that.”

Woozi turns in his chair, giving Soonyoung a deadly glare. 

Soonyoung, unphased, grins and stretches as he stands up. “Alright, alright. I know when I’m not wanted,” he says dramatically, walking toward the door. Just as he’s about to leave, he pauses and turns back. “But after you’re done recording, we’re taking you to dinner Y/N. No excuses.”

You give him thumbs up. Feeling the warmth of their camaraderie. Woozi shakes his head but smiles, turning back to you. 

“Ignore him. Let’s finish this up. You’re doing great.”

After skipping through some tracks, you find yourself sitting in Woozi's incredibly comfortable chair, fiddling with his equipment. The buttons, dials, and sliders are all so intriguing, and you can’t help but feel like a kid in a candy store, discovering new settings and features.

Woozi watches you from a few feet away, arms crossed, a smile playing on his lipsㄧHe knows you’re no stranger to studios and equalizers, but he loves seeing the joy in your eyes as you explore his setup like it’s the coolest thing in the worldㄧHe wonders if your producers ever let you have this much hands-on control.

“Hey, Woozi, how do you tweak the master mix settings here?” you ask, looking up from the console.

He steps forward, moving behind you. His arms come to rest on either side of the chair, effectively caging you in as he leans over to type on the keyboard. 

“You just need to go into this menu,” he says, his voice low and calm. He types swiftly, his fingers dancing over the keys. “Then, adjust the settings here. See?”

You nod, trying to focus on his explanation, but the closeness is overwhelming. You can feel the warmth of his body, his head so close to yours. 

It’s hard to concentrate when you’re not even breathing.

His voice is soft and steady, his breath warm on your skin. You watch his hands move expertly, typing commands and making adjustments with practiced ease. Your heart is pounding so loudly, you’re sure he can hear it.

“And here, you can add some reverb” he continues, “See how that changes the sound?”

No, not when he’s this near.

You nod, feeling a bit dazed. He tells you to try it yourself, and you reach for the adjustment, your hand hovering uncertainly over the controls. Woozi lets go of the mouse and places his hand over yours, guiding it to lower and raise the equalizer. His skin is soft and warm against yours, and the contact almost makes you melt on his chair.

“Like this,” he murmurs, gently moving your hand with his. “Just a little adjustment here and there.”

You can hardly concentrate on the settings, your mind fixated on the sensation of his hand over yours. 

You turn your face slightly toward his, and he looks at you, the proximity between you almost intolerable.

Your eyes lock, and for a moment, the world outside the studio fades away. His gaze is intense, filled with something that makes your breath catch in your throat. Woozi’s hand squeezes yours lightly.

You can feel your pulse quicken. His eyes flicker to your lips for a brief second before meeting your gaze again. The moment stretches, neither of you moves, both caught in the electric current that seems to have taken over the room.

Finally, Woozi clears his throat, breaking the spell but not the connection. "There," he says softly, his voice barely more than a whisper. "You’ve got it."

As you try to focus on adjusting the settings, Woozi leaves your hand on the side of yours, allowing you to make the changes yourself. You manage to make the adjustments, and as the sound fills the room, Woozi's voice breaks through the silence. "That's it. You're doing great." he praises.

You swear if he praises you again like that, you’re going to fucking wet his chair. You don’t even notice that you’re biting your bottom lip, too lost in the horniness.

Woozi’s words echo in your mind as you try to focus on the task at hand, but it's hard to concentrate with the way his body looks in the black shirt he's wearing. The fabric clings to him in all the right places, emphasizing his toned physique.

Every movement he makes with his hands, seems deliberate and calculated, and you can’t tear your eyes away.

You force yourself to push the distracting thoughts aside, but it's a losing battle.

Your gaze remains fixated on his hands as he places them on the border of the desk, supporting his body. His shoulders brush against the back of your head, and you can feel his presence looming over you. It’s as if he knows exactly what’s passing through your mind.

He brushes a hand over your shoulder, the sensation lingering even after he presses it between his hands in a gentle massage. You feel his lips tentatively brush against the corner of yours.

Caught off guard, you melt into his touch, your fingers intertwining with his as you lean into the kiss. His lips are soft against yours, a perfect match to the warmth of his touch. But when he catches you melting against his hand, he doesn't pull away. Instead, he turns the chair to face him, his hand sliding behind your neck to pull you closer.

His kiss deepens, and you respond eagerly, your hands sliding to each side of his face before tangling in his hair at the back of his neck. The kiss is desperate, as if you’ve both been holding back.

But when you finally break apart, gasping for breath, you realize that you can’t resist any longer. You get up from the chair, his hands desperately grab your waist, pulling your bodies together 

The way he holds your waist makes your tank top bunch up between his fingers, his palms feeling your belly's bare skin. You whimper against his lips, "Hmm, Woozi..."

He pulls back slightly, "Jihoon," he corrects gently, "Call me Jihoon."

Your stomach flutters at the intimacy of calling him by his real name. "Jihoon," you repeat softly, savoring the sound.

He smiles, a soft, almost shy smile that makes your heart skip a beat. Then he leans in again, kissing your cheek, your jaw, and your neck. Each touch of his lips sends you on cloud nine, making you arch against his chest, your hands gripping his bicep for support.

"Jihoon," you murmur again, the name feeling more natural on your lips each time.

His hands move up your sides, sliding under your tank top, his fingers warm against your skin. He pulls the fabric up, and you lift your arms, allowing him to remove it completely. The cool air of the studio contrasts with the heat of his touch, making your nipples harden.

He takes a moment to admire you, his eyes roaming over your body "You're beautiful," he whispers.

You blush, feeling a little shy under his gaze. "You too," you reply, reaching up to touch his face, your fingers tracing the lines of his jaw.

He smiles and pulls you closer, his lips finding yours once more. This kiss is deeper, more urgent, as if he's trying to pour all his feelings into it. You respond with equal fervor, your hands exploring the planes of his chest, and the muscles of his back.

Jihoon’s hands move to your waist again, his fingers brushing the waistband of your jeans. He pauses, looking at you for permission. You nod, your breath hitching in the process.

He unbuttons your jeans, sliding them down your hips and letting them pool at your feet. You step out of them, standing before him in just your underwear. He takes a moment to admire you again, his eyes dark with desire, a little hidden under his long bangs.

You reach for the hem of his shirt, lifting it up and over his head. He helps you, tossing it aside. Your hands explore his bare chest, feeling the warmth of his milky skin, the steady beat of his heart.

This time, his hands roam more freely, exploring every inch of your body. His touch is gentle, yet possessive, as if he's trying to memorize every curve, every contour. After all, he doesn't know when he'll be able to touch you like that again. That is, if there is a next time.

You respond in kind, your hands moving over his body, savoring the feel of his muscles flexing under your fingertips.

He guides you toward the couch, his lips never leaving yours. You lie down, pulling him with you, your bodies molding together perfectly. He kisses his way down your neck, your chest, his lips leaving a trail of saliva in their wake.

"Jihoon," you moan, your hands tangling in his hair as he takes one of your nipples into his mouth, sucking gently. The sensation numbs your mind, making you arch against him.

Jihoon makes you relax on his couch, but you suddenly become very aware when his fingers slide your panties to the side, moistening his fingers with your lubrication. He opens his eyes to watch you squirm as your pussy sucks his finger inside without effort. His cold finger fits perfectly inside you, and you can feel him teasing to put another one. You clap a hand over your mouth to stifle your moans.

He laughs softly, taking your hand off your mouth. "The studio is soundproof. You can moan as loud as you want."

You mentally thank him because with his fingers now perfectly entering and leaving you, a loud moan escapes your mouth, and the sound of your wet pussy isn't discreet. You're loving the intense gaze he has on you, like you're about to be devoured. He tries to kiss you, but you can only moan as he fingers you.

Jihoon curls his fingers on your g'spot, repeating the motion again and again. You let out a strangled moan, squirming under his touch. "Don't do that, or I'll mess up your sofa," you warn, your voice shaky with pleasure.

He looks at you from under his bangs, a mischievous glint in his eyes. "I don't care about the sofa," he murmurs, pressing a hand on your lower belly to intensify the curl of his fingers.

The added pressure makes you scream, "Please, please!"

Jihoon smirks, his fingers moving faster inside you. "Please what? Tell me what you need," he demands, his voice commanding.

"Please, Jihoon, I need more," you gasp, your body arching against his hand.

He leans in closer, his breath hot against your ear. "More of what? My fingers? My mouth?" he asks, his tone teasing.

"Both," you whimper, feeling desperate for more of his touch.

Jihoon chuckles, his lips brushing against your ear. "Greedy, aren't you? But I'll give you what you want," he promises, his fingers curling and pressing against your g'spot with relentless precision.

You cry out, your body trembling. "Jihoon, I'm going to—"

"Do it," he whispers, his calm raspy voice making you bite your bottom lip. "Come for me."

Your hands clutch at the couch as Jihoon's head moves from above you to between your legs. The moment his tongue touches your clit, you can't hold back, and you come almost immediately. 

He stops for a moment, just to admire the sight of you arching your back on his couch, his fingers deep inside you, all wet as you roll your hips on them, moaning in his studio, naked. He never thought it would happen, but he isn't complaining.

You discover he's stronger than you thought when he holds your hips down to keep you in place before he devours your pussy. You roll your eyes at the sensitivity and the sight of his fangs tickling your skin, making you giggle between moans. 

The scene is completely sinful. You prop yourself up on one elbow and hold his hair up to see his face, flushed but with closed eyes, all concentrated on giving you pleasure. You find it incredibly cute, and you can't help but praise him.

"Jihoon, you're doing so good," you murmur, your voice trembling. "You're so focused, it's amazing."

In response, he sucks your clit inside his mouth, making you pull his hair a little. He hisses softly, and you quickly apologize. "Sorry, I didn't mean to—"

He looks up at you, a playful glint in his eyes. "It's okay," he says, his voice slightly rough. "I like it."

You can't help but moan louder as he resumes his attention to your clit. His fingers continue their relentless rhythm inside you, and you feel the pressure building again.

"Jihoon, please," you gasp, your hips bucking against his hold.

You gasp, and Jihoon stops, making your head fall back as you whine, your orgasm interrupted. He kneels on the couch, lowering his sweatpants and underwear to his thighs. You shake your head, saying, "I want you to take it all off."

He smiles, obliged, then comes completely naked over you. You spread your legs for him, wide, and he slides his cock between your folds, eliciting a whine from you. Still supporting yourself on your elbow, you grab his hair, pulling it slightly, earning a moan from him.

As your tongues wrap around each other, his cock slides inside you, and you open your mouth in a silent moan, your back plopping on the couch. He moans at the sensation of your gummy walls wrapping his cock, sucking him in welcomely. He also smiles, finding your reaction endearing.

Jihoon rolls his hips slowly, letting you adjust to the fullness of his cock. The slow stimulation draws moans from your lips, and you gasp, "Not only do you make amazing music, but you fuck so damn good too."

Jihoon lets out a genuine laugh, his breath warm against your skin. He hides his face in the crook of your neck, so shy, and you pull him back, wanting to see his eyes. He glances at you, amusement shining in his gaze.

"You really know how to flatter a guy," he chuckles, his eyes crinkling at the corners.

You laugh with him, the sound mingling with the intimate atmosphere around you. "It's true," you say, your voice lighter. 

Jihoon shakes his head, still smiling, but the moment of levity shifts as he feels your walls tighten around him. His smile fades into a look of intense pleasure, his face contorts, and he starts to moan, the sound vibrating through you.

"Oh, God," he groans, his hips picking up a rhythm that makes your breath hitch. "You feel so good."

The sounds of skin slapping, your moans, and the low hum from the computer rendering the music become the backdrop to your intense session with Jihoon. Your breasts bounce with every thrust, and your hair spreads wildly across the couch. He can feel your wetness around his cock, spreading to his thighs and the couch. You brace yourself with one hand on the couch's arm, your lips plump and sensitive from the kisses and bites.

Jihoon closes his eyes, focusing solely on the sensation of your pussy. If he keeps looking at how much pleasure you're experiencing, he might come too soon. But you can already sense his cock throbbing inside you.

"Open your eyes," you urge him, catching on.

He opens them, sulking a bit, and you give him a devilish smile. You lick your fingers, sliding them down your body to circle your clit, doubling your pleasure and his. His mouth falls open at the sight.

"Fuck, nooo..." he mumbles, watching your every move.

You revel in the sight of his abs flexing, showing that his orgasm is near. Sensing his impending climax, Jihoon pulls out, giving himself a moment to regain control. When he's ready, he slides back in, making you arch your back and curl your toes, triggering your orgasm instead.

You smile at his audacity, and he grins, seeing that his tactic worked. "F-fuck you… I'm cumming, Jihoon," you warn, closing your eyes as the pleasure builds.

He speeds up his hips, making you stop breathing for a second before a deep moan escapes from your chest. You feel yourself clenching and unclenching around him, your body shuddering as you reach your peak. Panting hard, Jihoon pulls out just in time, spilling his cum on your belly as he strokes his cock. His body trembles, and his eyes lock with yours, his bangs falling over his forehead.

Jihoon takes a long look at your spent body, a satisfied smile spreading across his face. "How about a nap before dinner?" he suggests softly.

You close your eyes and nod, feeling the exhaustion settling in. "Right..." he murmurs, getting up from the couch.

You miss the warmth of his body immediately and let out a small whine. He chuckles, "I'm coming back," he assures you as he grabs a box of Kleenex and brings some tissues to clean you up. Gently, he wipes your belly and between your legs, his touch tender.

"I'm glad we finished some songs," he teases, his eyes twinkling. "You don't look like you could continue... at least not today."

You scoff, too tired to come up with a witty response. Jihoon starts dressing you, carefully slipping your top back on, your panties, and leaving your jeans off so you can nap comfortably. Once you're settled, he dresses himself quickly.

From the corner of the studio, he fetches a thin blanket draped over a poltrone. He covers you with it and then lays down beside you, pulling you close.

"You really wore me out," you murmur, a hint of amusement in your voice.

He grins, pressing a soft kiss to your forehead. "Likewise," he says. "But it was worth it."

You let out a contented sigh, feeling more relaxed than you had in a long time. "I can't wait to hear how the songs turn out," you confessed, your voice growing dreamier with each passing moment.

Jihoon hummed in agreement, his fingers resuming their soothing motions on your back. "Me too," he murmured. "But for now, let's just enjoy this."

And so you did. Wrapped in each other's arms, you drifted off into a peaceful sleep, you snuggle into him, the steady rhythm of his breathing lulling you towards sleep. 

[nasa]

Astronomers used three of NASA's Great Observatories to capture this multiwavelength image showing galaxy cluster IDCS J1426.5+3508. It includes X-rays recorded by the Chandra X-ray Observatory in blue, visible light observed by the Hubble Space Telescope in green, and infrared light from the Spitzer Space Telescope in red. This rare galaxy cluster has important implications for understanding how these megastructures formed and evolved early in the universe.

How Astronomers Time Travel

Let’s add another item to your travel bucket list: the early universe! You don’t need the type of time machine you see in sci-fi movies, and you don’t have to worry about getting trapped in the past. You don’t even need to leave the comfort of your home! All you need is a powerful space-based telescope.

But let’s start small and work our way up to the farthest reaches of space. We’ll explain how it all works along the way.

This animation illustrates how fast light travels between Earth and the Moon. The farther light has to travel, the more noticeable its speed limit becomes.

The speed of light is superfast, but it isn’t infinite. It travels at about 186,000 miles (300 million meters) per second. That means that it takes time for the light from any object to reach our eyes. The farther it is, the more time it takes.

You can see nearby things basically in real time because the light travel time isn’t long enough to make a difference. Even if an object is 100 miles (161 kilometers) away, it takes just 0.0005 seconds for light to travel that far. But on astronomical scales, the effects become noticeable.

This infographic shows how long it takes light to travel to different planets in our solar system.

Within our solar system, light’s speed limit means it can take a while to communicate back and forth between spacecraft and ground stations on Earth. We see the Moon, Sun, and planets as they were slightly in the past, but it's not usually far enough back to be scientifically interesting.

As we peer farther out into our galaxy, we use light-years to talk about distances. Smaller units like miles or kilometers would be too overwhelming and we’d lose a sense of their meaning. One light-year – the distance light travels in a year – is nearly 6 trillion miles (9.5 trillion kilometers). And that’s just a tiny baby step into the cosmos.

The Sun’s closest neighboring star, Proxima Centauri, is 4.2 light-years away. That means we see it as it was about four years ago. Betelgeuse, a more distant (and more volatile) stellar neighbor, is around 700 light-years away. Because of light’s lag time, astronomers don’t know for sure whether this supergiant star is still there! It may have already blasted itself apart in a supernova explosion – but it probably has another 10,000 years or more to go.

What looks much like craggy mountains on a moonlit evening is actually the edge of a nearby, young, star-forming region NGC 3324 in the Carina Nebula. Captured in infrared light by the Near-Infrared Camera (NIRCam) on NASA’s James Webb Space Telescope, this image reveals previously obscured areas of star birth.

The Carina Nebula clocks in at 7,500 light-years away, which means the light we receive from it today began its journey about 3,000 years before the pyramids of Giza in Egypt were built! Many new stars there have undoubtedly been born by now, but their light may not reach Earth for thousands of years.

An artist’s concept of our Milky Way galaxy, with rough locations for the Sun and Carina nebula marked.

If we zoom way out, you can see that 7,500 light-years away is still pretty much within our neighborhood. Let’s look further back in time…

This stunning image by the NASA/ESA Hubble Space Telescope features the spiral galaxy NGC 5643. Looking this good isn’t easy; 30 different exposures, for a total of nine hours of observation time, together with Hubble’s high resolution and clarity, were needed to produce an image of such exquisite detail and beauty.

Peering outside our Milky Way galaxy transports us much further into the past. The Andromeda galaxy, our nearest large galactic neighbor, is about 2.5 million light-years away. And that’s still pretty close, as far as the universe goes. The image above shows the spiral galaxy NGC 5643, which is about 60 million light-years away! That means we see it as it was about 60 million years ago.

As telescopes look deeper into the universe, they capture snapshots in time from different cosmic eras. Astronomers can stitch those snapshots together to unravel things like galaxy evolution. The closest ones are more mature; we see them nearly as they truly are in the present day because their light doesn’t have to travel as far to reach us. We can’t rewind those galaxies (or our own), but we can get clues about how they likely developed. Looking at galaxies that are farther and farther away means seeing these star cities in ever earlier stages of development.

The farthest galaxies we can see are both old and young. They’re billions of years old now, and the light we receive from them is ancient since it took so long to traverse the cosmos. But since their light was emitted when the galaxies were young, it gives us a view of their infancy.

This animation is an artist’s concept of the big bang, with representations of the early universe and its expansion.

Comparing how fast objects at different distances are moving away opened up the biggest mystery in modern astronomy: cosmic acceleration. The universe was already expanding as a result of the big bang, but astronomers expected it to slow down over time. Instead, it’s speeding up!

The universe’s expansion makes it tricky to talk about the distances of the farthest objects. We often use lookback time, which is the amount of time it took for an object’s light to reach us. That’s simpler than using a literal distance, because an object that was 10 billion light-years away when it emitted the light we received from it would actually be more than 16 billion light-years away right now, due to the expansion of space. We can even see objects that are presently over 30 billion light-years from Earth, even though the universe is only about 14 billion years old.

This James Webb Space Telescope image shines with the light from galaxies that are more than 13.4 billion years old, dating back to less than 400 million years after the big bang.

Our James Webb Space Telescope has helped us time travel back more than 13.4 billion years, to when the universe was less than 400 million years old. When our Nancy Grace Roman Space Telescope launches in a few years, astronomers will pair its vast view of space with Webb’s zooming capabilities to study the early universe in better ways than ever before. And don’t worry – these telescopes will make plenty of pit stops along the way at other exciting cosmic destinations across space and time.

Learn more about the exciting science Roman will investigate on X and Facebook.

Make sure to follow us on Tumblr for your regular dose of space!

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[imsobadatnicknames2]

Leaving aside the whole debate about the ethics of AI art and copyright, I think one of my biggest gripes with the AI art industry is that generative AI art has this natural tendency towards producing weird and surreal imagery that I actually think DOES have a lot of artistic merit and potential if explored and leaned into as one of the unique strengths of the medium.

Like, when AI image generators were at the stage imbetween the vaguely recognizable imagery produced by neuralblender and the type of generators we're seeing today, they were producing really fascinating imagery that I'd argue had value as a contribution to the art landscape that was entirely unique to AI, since the weird surreal quality of the images was the result of Machine Learning programs interpreting words and images in a fundamentally different way than humans do.

Like i'd argue shit like this indisputably has a place as its own artistic style/medium, it's surreal and weird in ways which are completely distinct from what a human artist could produce because its unique strengths come from details that are inscrutable, ambiguous, and hard to parse to the human mind, which a human artist would have an extremely hard time mentally visializing, let alone translatong into an art piece.

But since the main selling point of AI art for both the people making these generators and the teach aficinados who are a little too into them is that AI art can serve as a cheaper/faster replacement and/or alternative for the work of human artists, progress is measured not in terms of how well they can use and explore the distincly non-human quality of AI art, but instead in terms of how well they can supress it to make it more closely mimic the work of human artists. So all advancement in the tech is geared towards progressively getting rid of the things I find artistically interesting about the medium instead of towards leaning into them as strengths that give it a unique, artistically worthwile style.

Like, I don't think AI art is inherently "soulless" or devoid of artistic merit, but I do think the focus on trying to make it increasingly indistinguishable from art produced by humans strips away the things that gave it artistic merit to me. This thing can produce imagery that is weird and wild and hard for us to even conceive but the profit motive's tendency towards rewarding homogenization has neutered that to turn it into a factory of increasingly bland, generic, serviceable imagery.

[birdofprey1234]

Hi all, I have something important. Whether you're in the Markiplier fandom or not, or if you even watch Markiplier at all, if you like internet creators, and seeing independent artists making what they want to make... I urge you to read. This is happening right now!

In 2019, Markiplier was in a narrative horror podcast called The Edge of Sleep. It's an AWESOME show, if you're into psychological horror, apocalypse stories, or just audio dramas with great acting and amazing sound direction I highly recommend it. People LOVE this series, me included. And after it's success, they revealed a TV adaptation was in the works in 2021.

For a LONG time, multiple years, we have heard nothing about The Edge of Sleep. The show went dark and has been presumably stuck in development hell ever since it was announced. None of the cast have been legally allowed to talk about what's going on with it, how far along it is, or even when it's slotted to come out. Fans were originally very excited about the show, but many of us had all but given up hope of it coming out at all.

And now... It's here. But in a different way than we expected.

About a week ago, Mark released an update vlog where he explained that The Edge Of Sleep was coming out on October 18th. No warning, not a single trailer or promotion, or any sign that it was even releasing besides Mark's video. He explained that in order to "open doors" for his own theatrical release, Iron Lung, the studio has given him and his community the task of getting The Edge Of Sleep to the top 10 on it's streaming service. What streaming service?

...We don't know. Mark explains he isn't legally allowed to tell us. He's only allowed to say that it's coming out on the 18th, and it needs to be in the #10 spot or higher in order for him to do anything that he wants with his own movie.

Then, for even more chaos to be added into the mix, The Edge of Sleep ACTUALLY went up on Amazon Prime Video on October 15th, three entire DAYS before the date that Mark was given. He explains in a NEW update vlog, that this was not malicious, and the studio just did not at all expect people to find the show before it's intended opening day... For some reason.

I hope I don't need to say how insanely weird this all is, and a complete MESS from a studio perspective. Mark has little to no power over what happens with The Edge of Sleep. He was the executive producer and acted in it, but that's it. He isn't an advertising company, or in control of any of the streaming details for this show. When it airs, where, how, etc. Qcode, the studio producing The Edge of Sleep, has done almost nothing to even make people aware of it's existence, now days after it's gone live. They are putting a lot of heavy lifting onto Mark and his fanbase to get this show seen, a fanbase he now is forced to ask for help from for his own professional relationship's sake.

There's not a lot of information about what exactly is going on, and Mark has worded everything very gently. He assures that this change up is not malicious, but many of us are skeptical about the studios intentions in all this, and whether or not they actually want The Edge of Sleep to succeed. I have my own suspicions that Mark would be speaking out about this further (as he is known for doing to youtube), if he wasn't 1. Legally bound, and 2. DEPENDENT on his relationship with this studio and Amazon to be able to pursue his future creative aspirations in any way.

This is where you come in, reader! Because we can help!

The Edge of Sleep is an awesome show, I watched it myself yesterday and I have no doubt anyone who tries it out will love it. The cinematography in particular is absolutely stellar. It is streaming now on Prime Video, and is also going to to release on plex.tv (which is free) on October 18th. It's already gotten high in the US charts, but now the important part is keeping it there, showing longevity and viewer interest to Amazon and the studios. If you have Prime Video, or if anyone you know does, WATCH THE EDGE OF SLEEP! Get a 30 day free trial for it! Listen to it in the background after your done! Show it to your friends, family! Get everyone you know in on it.

Not only that, but showing genuine engagement and interest for the show online is very important for it's success as well. Shout it out across your profiles, especially Twitter! Make memes about it, fanart! Rate and like it on IMDB, as well as Prime Video itself. Leave reviews for it! Even if you don't watch it, support for it online will help massively.

Mark is an amazing creator. He has made many ambitious film projects over the years which he releases for FREE on his channel. Just 2 years ago he released In Space with Markiplier, an OVER 7 HOUR LONG, film-level quality epic which is one of the best things I've had the pleasure of watching in recent years. He is an amazing actor, aggressively passionate, and is dedicated to paying his film staff fairly and honestly. I want him to keep making things he wants to make, to succeed and pave the way further for YouTube creators to be taken seriously.

Mark is one of the most well known YouTubers ever, he's one of the biggest creators on the platform. If he can't succeed at moving into the industry, it's going to be a lot more difficult for others going forward. It sets a precedent.

SO WATCH THE EDGE OF SLEEP! Enjoy the hell out of it! Enjoy it with friends! Let's give the power to creators we actually care about! Everyone who wrote, composed or at all worked on the original podcast AND this adaptation deserve to see their ideas come to life, and the recognition for this awesome product they've created for all of us to see!

[felassan]

David Gaider on Dorian, under a cut for length:

"Now this is a fun one. It's no big secret I have a lot of feelings about Dorian, not least of which because he was my first (and only) gay male companion. There's a lot more to him than that, of course (as there should be), and it was quite a trip. So let's go! Now, DAI is a story all its own, but I'm sticking to the characters. In this case, back at the beginning, the writers were going to try something new: we were going to let the artists take a more active role in the companion creation process. Why? Because not doing so had caused a lot of problems. See, here's the thing: writers and artists speak two different languages. When talking about characters, we talk about their story. Who they are. What they want. We'd write up these briefs, huge and full of information... but it was never the information the artists needed. They wanted visual cues. I don't mean describing their appearance. Sure, we'd usually provide that, especially if there was a story case to be made, but often the artists vetoed us on appearance stuff anyhow so meh. No, I mean they looked for visual language while we tended to only talk about who the characters *were*. What would happen is they'd hone in on something visual in our write-up not intended to be a focus. The first write-up for Anders in DA2, for instance, mentioned he was "haggard" after his journey... and the first concept we got was this pale, shriveled man. "What... is this?" "YOU SAID HAGGARD!" 😅"

"That was the other trick: sometimes when we DID try to be more descriptive, we had to be extra cautious because the words could be interpreted very differently. You encounter this recording VO, too. A VO note says "hysterical" and you *meant* "really upset" but the actor read "scream like a banshee" Thus this caused problems, like I said. The artists would struggle, sometimes conjuring details just to give the character *something* but which would change the character... and, to us, the character was created. Done. We were already invested, probably already writing them. Something had to give. So this time we wrote a bunch of character briefs - but short. One paragraph. We stuck to vibes and the *emotions* we wanted the concepts to evoke. And we didn't name them. They got titles like "Slick Con Man" or "Ice Queen", so we wouldn't get too attached. Then we handed these off to the artists. And it worked nicely. The ones that just weren't inspiring we'd discard, no problem. The others had juice... and the artists felt free to play and offer lots of variations because we weren't set on anything yet. A lot of times, what they produced ended up inspiring US. It was a neat back-and-forth."

"This is what led to Dorian, in fact. He came from a short write-up entitled "Rock Star Mage" and it really boiled down to "I'm cool and I know I'm cool, so take that you cretins". And just like that, the first sketches (by Casper Konefal, I think? I bet I'm wrong) were all amazing. Instant fire. Me: "He looks kind of like... Freddie Mercury?" Him: "Is that bad?" Me: "NO ARE YOU KIDDING THIS IS AMAZING" Plus there was a monkey. Sadly, we had to lose the monkey. There were iterations to come, but this was really where Dorian was born: Tevinter mage, noble, savant, and too cool for school."

"When did he become gay? Not right away. Like I said elsewhere, we didn't talk romance and sexuality until after the concepts were more in place. But as we were brainstorming about why this hot shot mage left Tevinter, the idea DID come up that maybe it was because he was gay. Not directly, however. Homophobia isn't really a thing in Thedas, after all, so at first blush I didn't think that could work. "Rich kid gets kicked out of the house for being gay" wasn't a trope I wanted to explore. But, then again, magister families in Tevinter are *obsessed* with the appearance of perfection, so...? Any deviation from the "norm" is considered scandal-worthy. It said weakness. It said you couldn't control your house. Now... THAT had real promise. The writing pit discussed it a lot. So I think it's fair to say that the gay fairy was already circling Dorian even before we got to the romance talk. I think it's also fair to say that the rest of the team realized I low-key wanted to write him, because when everyone started calling dibs, who was left standing for me? (I pick last, remember.) I gleefully snatched him up and got to work... ...about six months later. I was very busy at the time. 😅 That late start meant I had to design and write VERY quickly. And I did. Somehow, though, this one... it came easily. "Catty gay man" isn't digging very deep, no surprise to anyone who knows me, and it had an extra layer of being so fun because Dorian was confident. He sparred verbally. I loved it."

"There was more to it, however. The conflict between Dorian and his father... ugh, how do I say this? Let's be clear: Dorian's story is not MY story, but it's also not far off. I wrote the entire confrontation scene in one go. After I was done, I probably cried harder than I ever have in my life. 🫠 I was unsure whether it was any good, however. I just didn't feel objective. I passed it over to Cori May - my friend but also Dorian's editor - and asked her to please tell me and be honest. She read it. She walked into my office after, tears streaming down her face, and just nodded. "It's good." Here's the thing. Not everyone is going to agree with this, but: I don't think a writer NEEDS to be a minority in order to write a minority. Sometimes those characters should simply exist, and we want them to. But if that character's story is ABOUT their experience as a minority? That's different. Dorian's story didn't need to revolve around his sexuality - and, honestly, it only did so as a tangent to his family issue, but they're so bound together it's probably irrelevant to split them - but my writing him meant it could be. It allowed me to SAY something. That felt good. It felt right. Ramon Tikaram came on board after a lengthy casting process (so many British Indian accents, oh god). I sat in on a few recording sessions... the confrontation scene, though? Ramon: *says line* Me: (curled up on a nearby sofa in fetal position) *shaky thumbs up* Caroline: "Yep. Great work, Ramon!""

"Dorian's sexuality isn't all he's about, but that's certainly how some viewed it. When the character was announced in 2014, his being gay was mentioned as the last of a number of points, and the instant response from some gamers was to act as if we'd called a press conference just to say THAT. 🙄 It was annoying. Still is. Overall, however, the reaction to Dorian was very positive. The number of straight men who said they romanced him still pleases me. The number of fans who privately contacted me who'd been through conversion therapy, some who said Dorian helped them survive? Well. Gosh. 😭 I did write him for Trespasser - though I hear that a late scope cut meant every conversation had been chopped by 1/3rd or more, and that meant a lot of nuance lost. Which is sad, if true, because it sounds like the result of that left some Dorian romancers a bit cold. Such is how game dev rolls. 😔 If you need more proof of how it was hard for me to let go of him, a short story I wrote after Trespasser came out where Dorian has a bit of closure with his dead father: medium.com/@davidgaider... So yeah. He'll always be my boi. And I'll always be thankful Bio gave me this opportunity. ❤️"

[source thread]

User: "I'm not going to lie, it's hard to take my mind off Dorian almost having a monkey." David Gaider: "If by “almost” you mean there was a picture of a monkey that the concept artist put there as a whim, and which would almost certainly have taken more cinematics and modeling time to put in than we could ever afford… then yes. 😉" [source]

[yzzart]

hello, my love! how're you? I hope you're well

could you write one more compilation between tom and y/n? further detailing their relationship with the rest of the cast. I love seeing you include Rachel in your writing, and I'd love to see her recording, commenting and showing more tweets about y/n and tom!!

thank you very much for your generous and sweet attention ❤️☺️

"Definitely an old couple."

pairing: tom blyth x actress!reader.

summary: your fans are obsessed with compilations of you and tom being an old married couple.

word count: 604!

notes: your request is an order, my sweet anon! and in the future i will post a request showing the tweets that Rachel shared with reader 😼!!

"Our beautiful lovebirds." — The camera, which was recording a video, is pointed at you and Tom, who were sitting in your chairs and observing yourself in the mirror that had been placed by the makeup artists. — "I love calling them that." — She commented alone, then, laughing; until Tom put the peacekeeper helmet on your head, all the while laughing about how adorable he looked.

Quickly, he grabbed his cell phone that was on the table in front of him and took a photo; in fact, more than two photos. — Suddenly, the camera goes into frontal mode, showing Rachel's image.

"A cliché couple, i love them."

"About the movie, i'm curious to know, in your opinion, what was the best thing about it?" — The interviewer asked, uncrossing her legs and waiting, attentively, for the answers.

"The best thing?" — A fake thoughtful frown formed on your face. — "I really think it was seeing blond Tom…?" — Tom hit your leg, laughing along with the interviewer; you tried to maintain a serious expression, conveying an air of confidence with your answer, a very complicated mission. — "Oh, and the worst thing was him returning to his natural color." — Your eyes swept over Tom, who continued to laugh, smiling listening to the sound of his laugh.

"That's not possible." — He recovered, running his hand through his coat, fixing it a little, and turning his head to the side, looking at you; his lips were still forming a mischievous smile. — "I remember you saying you're the number one fan of my natural hair." — Tom crossed his arms with a defiant look, and tilted his head.

"And i am, my dear." — Imitating his action, you also crossed your arms, teasing your boyfriend; Tom lightly pushed your arm and placed a hand on your thigh.

"Oh, and Tom and Y/n're, like, Lenny's godparents." — Rachel fixed her headphones, removing some strands that were in her ears, turning her head to the interviewer and Tom. — "Sometimes i feel like he prefers them over me." — She joked, feigning a melancholic frown and forming a small pout.

"It's just that she and i are his favorites now." — Tom replied, earning laughs from the interviewer and Rachel.

"And Y/n is the clear winner!" — Tom announced, clasping his hands together and looking at the camera, watching one of the producers, who worked behind the cameras, prepare to present the small prize. — "Can i dedicate a speech demonstrating my pride or is it too early?" — Rachel laughed, not believing his words and finding it funny, accompanied by Josh, with you making a gesture of reference. — "Please, honey."

"I don't know but i'll listen." — You replied, arranging a high-five with your boyfriend and noticing the presence of the little prize approaching. — "This is for me?" — Tilting your hand, you took the enchanting object and admired it; something that looked like a miniature Oscar, and was really adorable.

"When you're the best, you're the best." — Rachel and Josh spoke together.

"And i think Y/n just arrived!" — The interviewer commented, tilting her head towards a small crowd that was forming at the beginning of the red carpet; and several flashes and some screams were witnessed by everyone at the scene.

"Oh, she's here." — Leaning his hands on the railing and moving away, Tom ran his eyes over the crowd; until, finally, he had the opportunity to see you and, automatically, an exuberant glow remained in his deep blue eyes. — You were so beautiful, always have been, he thought. — "Look at her." — His tone was low, but so admirable and enchanted. — "I need to ask her for an autograph."

[rheya28]

Sol School of Fashion ♥ The Sims 4: Build // CC

Sol School of Fashion "SOF" is a well known fashion studio/school located in Del Sol Valley. SOF is a space that encourages boldness, creativity, and innovation. Sims can have access to a café, photo studios, a classroom, a meeting room, a lounge, as well as a customizable runway with a backstage dressing room that consist of all the fashion necessities needed to produce a professional fashion show event.

➽ Speed Build Video

➽ Rheya's Notes:

♥ Hi guys, today I present to you SOL School of Fashion "SOF". This build/project is extremely special as I collaborated with the lovely and talented @farfallasims who kindly curated all the looks for the 2023 SOF Fashion Show Event Looks Curated by: @farfallasims [ Look Book Link ] 25:23

➽ Important Notes:

● Please make sure to turn bb.moveobjects on! ● Please DO NOT reupload or claim as your own. ● Feel free to tag me if you are using it, I love seeing my build in other peoples save file ● Feel free to edit/tweak my builds, but please make sure to credit me as the original creator! ● Thank you to all CC Creators ● Please let me know if there's any problem with the build

➽ Lot Details

Lot Name: Sol School of Fashion Lot type: Generic lot type or Cafe Lot size: 40x30 Location: Starlight Boulevard, Del Sol Valley

➽ Mods:

TOOL MOD by TwistedMexi

♥ CC LIST:

Awingedllama : Boho Living, nostalgia living

Greenllama: The woodwind collection

Novvas: Holz Kitchen

Qicc: Sleep Hallway, Urban Bedroom

S-imagination: Nota

Sooky: Abstract framed posters -wooden frame

Sooky: Bon ton n1 ceiling lamp - Tall

Syboubou: Daguerre Reica Camera, Ballet mirror , fency

The Clutter Cat: Dandy Diary, Mellow moods

Aira : Artist in me

Anye: Zara Bathroom

ATS4: pot 4, pot 13, plant 16 Crafting room: dressform blouse, dressform male, dressform suit, folded fabrics, jar, paperstack, patterns, sewing machine

Harrie: Bafroom, brownstone, kichen

House of Harlix: Baysic, harluxe, brutalist, coastal, kwatei, octave, shop the look 2, spoons, Jardane, Livin Rum, Orjanic, tiny twavellers

Felix Andre: Berlin, Chateau, fayun, colonial, grove, kyoto, paris, shop the look

Brainstrip: my corner cc pack desk only

Charlypancakes: Munch, the lighthouse collection, miscellanea, modish, smol

Leori: Hipster loft

Illogical Sims: Home office

Kaiso: rustico living

Kate Emerald: Blissful baby Ottoman

Kiwisims4: Blockhouse hallway, Blockhouse Dining

Leaf Motif: Devon kitchen

Little Dica: Country side Cabin, Rise & Grind, sleek slumber

Madame Ria: Back to basics paint wall, Limber lumber

Madlen: Hiru misc set

Rusticsims: Mayaken, Modular life

Myls: Simple Clothes rack nordic

Mxims: LG

Myshunosun: Sol kitchen, Arrie Office, Gale dining, Lottie, Macaron kitchen, herbalist kitchen, tranquil bedroom

Peacemaker: Alesund, Hudson, Kitayama, Terra tiles horizontal/vertical, Vera Office

Pierisim: Coldbrew, David Apartment, Domain Du clos, MCM, Oak house, Tilable, unfold, Winter Garden

max20/maxsus: Poolside lounge pack

Sforzinda: Func EP02 Espressogrindomatic, espressoimpresso, cabin slats

sims4luxury: Mcgee&co Callhan rug

Sixam: Artz Living room, small spaces work from home, hotel bedroom, kessler kitchen, stylist wood livingroom, teen room

TaurusDesign: Eliza Bedroom, Elsa kids room

mycupofcc: Modernist

Tuds: 2ndWave, beam, cave, cross, wave

● DOWNLOAD Tray File and CC list: Patreon Page ● Origin ID: anrheya [previous name: applez] ● Twitter: Rheya28__ ● Tiktok: Rheya28__ ● Youtube: Rheya28__

[gotta-winwin]

(🎞️) ... hit the road docu.<> for you to walk comfortably

masterlist | cyana's masterlist

word count: 1k TW: fluff? nothing too crazy - woozi's segments pretty mild compared to what's about to go down („• ֊ •„) italics are interview moments cut between other scenes a/n: welcome to the first instalment of htr!

Cyana couldn't help but glance at Woozi when they won the Album of the Year at Asia Artist Awards. She wanted to see that glow of a smile flood across their producer member's face, a smile she so rarely got to see. He was usually so stoic around her.

"We won." Jeonghan breathed into her ear, pulling her and Dino in for a hug. "We won."

She looked at Woozi, who had been tugged into a group hug with Seungcheol and the others. "We won." She mumbled, mostly to herself. She couldn't quite believe it.

"It was hard to imagine we had won." Woozi said to the camera. "I was looking for Cyana the whole time, trying to see her reaction. I never thought we'd succeed with her next to us." He shrugged, a little sheepish. "Guess I was wrong."

"Hi!" Cyana waved to the camera. "We're practicing for our Osaka concert right now." She moved to show the members with the staff in the background. "Apparently they did this all last tour as well, to keep in line with the local staff."

Woozi could be seen directing the bulk of it, naturally taking over as he knew most about their sound design.

"It sounds a bit lower," Woozi said into his mic. "can we adjust that?"

"It was amazing, to see Woozi oppa controlling the stage, even when we weren't performing." Cyana smiled as she recalled. "It made it even harder to hold a grudge."

Woozi approached Cyana as they sat in the green room, two hours before the concert. She was busy eating, her phone propped up as she watched Criminal Minds on low volume.

"Your mic pack's acting up." He informed her, sitting down opposite her. "They're fixing it but we don't know how long it'll take."

Cyana paused her show, looking up worried. "Is there a spare?"

"The staff are finding one now." Woozi let out a loud sigh. "It's a bit hectic today."

"I was kind of checking everything that day. It wasn't that I was a perfectionist. There was just a lot of changes. It was a different size stage, we had changed formations and cue sheets." Woozi recalled the day.

Cyana nodded after hearing the interviewer's comment. "I don't think our performance in Osaka would've gone as well if it hadn't been for his attention to detail."

LOCATION: UNIVERSE FACTORY

"I spend most of my time at the studio. It's like my second home." Woozi explained. "It's also where I see Cyana the most."

Cyana's sprawled on the studio couch, face facing the ceiling as she listened to the track Woozi was playing. "Pause it." Cyana sat upright, her face in thought. "Wait, go back a few bars."

"I liked working with Woozi oppa. We didn't really have much to say to each other outside of work, but working on music was something that could bring us together." Cyana let out a tiny laugh. "I guess being sleep deprived does bring people together."

Woozi rewinds the track, bringing it back to the chorus. "Here?" He asked, looking at Cyana for confirmation.

The girl nodded. "Yeah, play it again?"

The two grew silent as they concentrated on the beats. Cyana stood up suddenly frowning. "What is that sound in the very back? The dat-dat-dat-dun." She mimed drumbeats as she tried explaining what she was hearing.

"Cyana didn't know how to work the sound mixing board yet, she was learning as we worked but I could tell it frustrated her, having to explain her thoughts to me." Woozi couldn't help but smile. "It was endearing, I have to say."

"I know what you mean." Woozi nodded, following her train of thought. "I hear it too. Must've altered when we mixed those two beats together yesterday." He clicked a few keys on the board. "I'll find it."

"Bumzu sunbaenim told me Woozi oppa's always been like this, even as a trainee. A pure musical genius." Cyana shook her head in mild disbelief. "I came to learn that producing is literally his entire life. He doesn't even think of it as anything special."

Cyana let out a yawn, sitting back down on her spot at the corner of the couch, curling her legs up. "You should take a break, oppa. You've been staring at that screen for hours."

"I felt bad, that I couldn't hold my fair share of the work. Sometimes it felt like I was just directing him." Cyana admitted. "I thought: he must feel annoyed, having the maknae throw ideas into his area of expertise."

Woozi stretched his arms, rolling his shoulders back. "I'm fine, Cyana. We can keep going." Rolling his chair across the room, he opened the mini fridge and threw her a bottle of water before taking one for himself. "We'll forget tomorrow."

Cyana could only smile ruefully at his persistence, taking a small sip of water. "Only if you're sure."

"What else can I say?" Woozi shrugged. "The members all say I work too hard. That I should be sleeping more, going out more, living more. But I am living- when I'm making music."

Woozi cued up the track once again, sifting through it to find the error both he and Cyana could hear. Cyana watched from behind, feet tapping absentmindedly to the rhythm.

The concert venue held an insane amount of people. Cyana could only stare out into the vast sea, smiling from the sidelines as Woozi started his Opening Ment.

"I'm a stickler for routine." Woozi said, elbows on his knees as he explained to the interviewer. "Cyana proved to me new things can be better than the old- and I'm grateful to her for that." He side eyes the staff. "She won't see this, right?" Looking back at the camera, he continued. "Anyways, I'm thankful for my members because they are the ones who love my music the most. Because of that, I feel no pressure in creating, only joy."

The cheers from the crowd washed over Woozi as he performed with his members.

'There is something so special about seeing people enjoy your group's music. And it is even more special knowing you created it."

a/n: wahhh first hit the road ep done! it was def a journey, trying to combine cyana into the episode and also keeping it woozi-centered. I tried following the format of the og youtube docu- lmk how it was! these instalments might be on the shorter side just cause the docus are pretty short themselves (｡•́︿•̀｡)

[salemlinnet]

hey everyone!

a few news items right before we start up chapter 5. firstly i just wanna say thanks to everyone who follows my comics, it's been a pleasure as always. i've been keeping a longer buffer on patreon than usual, mostly for my mental health. publishing takes a lot of energy and i've really felt it necessary to just focus on production for a few weeks. at this point, patrons have seen most of chapter 5, there's only one more scene and about a page to be drawn. the quiet has been nice, i've caught up on a lot of house keeping, though i'm obviously very excited to present it! and on house keeping,

DOMESTICATED IS NOW LIVE AT IT'S NEW HOME!

to not go into the boring details (the old domain got trapped between to hosting sites in the middle of a buyout), it's not hosted at cod-domesticated.com (rip custom url you will be missed) it will instead be hosted at salemlinnet.com/domesticated (now you live at my house like you're my son why didn't i think of this sooner). if you find any errors in the pages i am so sorry i just formatted so many buttons TTuTT it would be super helpful to me if folks could report any specific buttons that don't work if it's convenient, it's been beta tested by the discord (thank you guys so much) but i'm just a dunce and i can't be trusted so there might be errors.

the simons are all wearing a little beret this chapter is my third point of business, i am losing it over the ghost beret. oh and the devil may care is up to chapter 18, will be chapter 19 within a few days. page 21 is out for patrons.

finally, to the people lurking for thistle and spade. i've wanted to say for some time, i'm really grateful that you've stuck around while i've been too sick to work on a bigger project. if you were here to see me start production for and then pull ghost #1, the story behind it is that i sort of suddenly learned i wouldn't always be as sick as i was, that i didn't have to rush anything, and that i could produce thistle and spade in chronological order with a bit of patience. that left me with no smaller project to draw and release in the mean time, except, see, i really like this game, call of duty. i was still on bed rest when i started domesticated, and with a ton of physical therapy i've been able to draw longer and longer hours. it's trained me up to be a better comic artist than i ever was before. it's grown into a sturdier project at the same pace. it's so unlike thistle and spade, whose chapters were written and edited over years and planned to every gesture and expression. i'm just winging it with domesticated, i'm usually rewriting massive swaths of dialogue as i sketch the scenes out, i just keep throwing out ideas until it's something i'm excited to draw and present as my imaginary "what happened outside of the games" day dream land. it's reminded me what i love so much about story telling and comics. it's made me excited to see thistle and spade go live again down the road. but first i have to rebuild its website too TTuTT

all right i'll see everyone pretty soon! thanks for hanging around as usual!

[shochansstuff]

"𝄞⨾𓍢ִ໋..When you know, you know..⨾𓍢ִ໋𝄞"

Summary: Basically, how you and each of the tmnt interact when you try to hide your feelings for one another.

Characters: Leo, Raph, Donnie and Mikey

Warnings: some explicit words, but mostly fluff, and very short :))

A's/n: Well well well... Hi everyone! It's been such a long time since I wrote on this platform─ actually, it's been some time since i wrote anything at all. Today I felt kind of inspired, i stumbled across the tmnt movies and oh...my obession with them came. I've just got out a very long (two years ezz) writer's block. (scholl kills artists they say). Anyway, i don't know how this will turn out but please don't be mean to me it's the first thing i'm writing in such a long time, so it's kind of short...with that being said...Enjoy my, well, whatever my brain so strangely produced! Luv ya── .✦

✩°｡⋆⸜ Hidden glances (leo)✮₊˚⊹♡

Leonardo, was a leader, a role model, the figure to look up to whenever you feel down, or in need of a word. He's always there for the people he cares about. Always able to say a word of comfot, or reassurement, Always able to understand and accept others.

Then why, whenever you enter the room, his heart drops. Then why, whenever your eyes lock, all he can do is stare. Stare and drink in, soak in every little detail of your soft face, of your caring smile, of your adorable look.

He never thouth he'd ever find himself in such a situation. How his eyes would automatically be on you, whenever you entered his eyesight.

Who was he kidding? he's the leader, he should't get distracted by you, and yet, whever you give him that sweet smile of your framed by those sultry lips, like the teenager he is, he feels a flutter in his chest, and heat pooling in his stomach.

But he was content, because he was no fool. He sees the flicker in your eyes whenever you make eye contact across the room. And you on the other side, can't keep the eye contact. You'd hold it for a bit, and then look away before that smile he loves so much would curl your lips upwards. He'd grin lazily every time, looking away too.

"Friends don't look at each other that way" He knows that much. but hell. They say they were friends, but eyes don't lie. They never do, and never will. Because those stolen glances were everything that was needed between you two. A greater connection. He didn't need to speak to you about it, because your gazes spoke volumes

They say the eyes are the windows of the soul, that's why, whenever you turn to look at him, he was already looking. And he looked at you, like all the girls would love to be looked at.

------------------------------------------------------------------------------

✩°｡⋆⸜ Sweet lies (Raph)✮₊˚⊹♡

Raph has never been a guy for romantic words. Call him heartless, a jerk even. But that's the way he is. He's an asshole to you, there is no hiding that. You two bicker and provoke each other all the time. It's almost hilarious to look at.

You two would sass each others down at every chance. He was a complete ass to you, but you never allowed him to have his way. You and your bratty behavior alwaya had a witty remark or a sassy answer to fire back to him. And honestly it drove him insane.

Why was he always on full jerk-mode on? Because he could't accept that a frail human like you could make him so weak.

Whenever you give him that satisfied smirk, right after one of your comebacks, he'd feel his strong knees grow into mush.

He hated you. Or at least that's what he told to each one of his brothers whenver they tried to pry into the reasoning behind his behavior.

"[name]'s insufferable." He'd say. But truth be told, he was actually trying to convince himself. He was lying to himself, to you, to everyone. But deep inside he knew, that if he let's out even a tad bit of how much he'd love to pin you down and smash his lips against yours, and fucking the attitude out of you until the only things allowed to escape your mouth were whimpers and moans.

That's all those lies are for, those necessary sweet lies that he forced out of his mouth. He was just keeping his distance, because he was sure he could't have you.

------------------------------------------------------------------------------

✩°｡⋆⸜ Loud silence (Donnie)✮₊˚⊹♡

How do you rationalize feelings? That's what donnie found himself asking. C'mon. He felt ridicolous. When he found himself looking around, making sure nobody was around, and typed on his screen the words "How to get rid of feelings - easy steps" or navigate through sites to understand what the Krang was going on in his brain.

He even reduced himself to consult that damn wikihow, to try and understand why in the world his brain turned to mush everytime you were around. He hated it really. How everytime you'd ask to helo him with his emperiments, or for him to talk about what he was doing, his brain would just turn into an useless pudding.

"y-you really want to know how my latest invention works?" He knows you're genuinely interest, but he is mentally unable to function properly with you around him. And when you'd get a bit too close? Oh dear. Donnie.exe stopped working.

He appriciates you, he really does, but the tension he feels in the air every time you just hang out in his lab...dear lord the silence was so loud. How you'd just...be there, looking at him, listening to him, being there for him and only him.

But he doesn't know, that sometimes silence, is louder than hundred words.

------------------------------------------------------------------------------

✩°｡⋆⸜ Stolen Touches (Mikey)✮₊˚⊹♡

MIkey was...well Mikey. He had an unique personality, one thta, to be honest, made him quite easily likable. He was bold, funny, a bit of a chat box, but you found him endearing for that.

He liked you, and it was generally acknowledged that he did. After all, he didn't exaclty hide it. He's quite shameless about it too.

How he'd sheak his arm around your shoulder whenver he had the occasion, how he'd place his hand on your thigh under the table, how he'd playfully poke your sides knowing you were terribly ticklish there, just so you'd squirm away and let out those little gasps and giggles he loves so much.

He loves PDA, a huge fan actually, but you'd be an idiot not to notice how touch starved this guy is.

"where's my hug at?" He'd say, with the hugest grin on his face, and who are you to say no to that adorable face of his.

But there is so much more than that. He physically ached when he was away from you, so whenevr he could, he'd randomly touch you.

Handing you a slice of pizza? your fingers would touch.

You were in the way for him to get something? He'd move you aside by placing his hands on your waist.

You were tired of walking? He'd throw you over his shoulder and carry your around.

The good thing? You enjoyed it.

[jokeroutsubs]

Joker Out Masterpost for new fans

New fan of Joker Out? Say no more! 

Getting to know a new artist you’ve found can be intimidating if it’s all in another language, so we’ve compiled some of our favourite interviews, articles and lore here! You’ve arrived in a wonderful fanbase, welcome from all of us here at JokerOutSubs! 

If you’d just like a short overview of the band and their history, you can watch this excellent Finnish summary of them that we’ve translated (14m 53s).

But if you want to dive into the details, then check out our timeline, full of videos and articles translated by JokerOutSubs! 

Timeline graphic:

Timeline in details below the cut 👇

Timeline in details: 

How did the band form? 

Joker Out was formed from two bands, Apokalipsa and Buržuazija. 

Apokalipsa included Bojan Cvjetićanin (vocals), Martin Jurkovič (bass) and Matic Kovačič (drums) 

They gained some traction with young people around Slovenia, particularly with their song 'Mogoče' ('Maybe'), which you can watch on YouTube here.

They came to the attention of Kris Guštin, who was inspired to start learning guitar! He discusses the details in this video (at 9:40). 

Kris then met Jan Peteh, another student of his guitar teacher, and at their teachers advice, they formed the band Buržuazija. 

Bojan attended their second ever gig in 2016, and decided these two excellent guitarists were exactly what had been missing from Apokalipsa, as he wasn’t happy with their current guitarists. He asked them to join, and they accepted

The new lineup (Bojan, Jan, Kris, Martin and Matic) decided to rename themselves Joker Out. The name means nothing, but they thought it sounded good and was the ‘least horrible’ of all the ideas they could think of. 

So, in 2016, Joker Out was officially formed! 

November 2016, Kot srce ki kri poganja: 

Joker Out’s first music video was for their song ‘Kot srce ki kri poganja’ ('Like a heart that pumps blood'), filmed in Jan’s hometown of Vrhnika! We eventually got this song on Spotify on their 2023 album Live from Arena Stožice!

Music video: Kot srce ki kri poganja

English Interview (from 3:37 to 6:05): Joker Out discusses filming the music video

June 2017, Špil Liga:

One of the earliest performances for Joker Out was at Špil Liga, a competition for young bands in Slovenia. They won, and recorded their winning song, Omamljeno telo (intoxicated body) in November as part of the prize. 

Live (33m): Joker Out at Špil liga

Interview (5m): Reflections on Špil Liga in 2023 

c.2017/18, Bojan’s attempt at going solo:

The band took a hiatus c.2017/18, and Bojan considered going solo at that time, even working with a few producers. He eventually realised that he belonged with the band! Hear him tell the story:

Reel (1m 23s): A1 Vajb - Bojan’s fail

2019, A change up for the band:

The band began working with their current producer, Žare Pak, and their videographer Mark Pirc, in 2019 - both of whom have been referred to as the sixth member of the band. This led to a change in their sound and production quality, which culminated in ‘Gola’ ('Naked'), the first of their songs to be a big hit!

Music video: Gola

Zlata piščal ('Golden Flute') - Best New Artist 2019:

Joker Out won their first Zlata piščal award in 2019, for best new artist (one of many they’d go on to win!) This is a kind of Slovenian Grammy! Covid interrupted the proceedings, but you can see their interview for it here (3m 59s)- 

Interview: Joker Out wins a Zlata piščal ('Golden Flute') for Best New Artist 2019

Umazane misli, and a new member: 

During the Covid times, the band began recording their first studio album, 'Umazane misli' ('Dirty thoughts'), which was originally going to be released in March 2020 but was repeatedly delayed until October 2021. The first half was recorded with drummer Matic Kovačič, but the band felt they needed something extra and brought in Jure Maček to help write the arrangements. They loved him so much, he never left! 

Interview (from 10:40 to 11:36): Bojan talks briefly about Jure joining the band

COVID times, and Cvetličarna: 

The band had arranged to do two concerts at Cvetličarna, a very important venue in Slovenia and a big break for them. This was delayed several times due to Covid, but eventually managed to go ahead in October 2021 for the release of their first album. 

Video (1m 14s): Cvetličarna promotional video

Live (1h 28m): Joker Out at Cvetličarna

Interview (34m 55s): Bojan discusses Cvetličarna, its importance, and Covid

Umazane misli album launch: 

'Umazane misli' was extremely well received! The band would go on to win two more Zlata piščal awards, Newcomers of the Year in 2020 and Artist of the Year in 2021.

Interview (37m 08s): Umazane misli album presentation

An acting career for Bojan? 

Around the same time as 'Umazane misli' was released, Bojan began considering an acting career. He acted in two episodes of the series ‘Gospod Professor’ and in another series, which was eventually reworked as a film called ‘Kaj pa Ester’ and released in December 2023. He decided music was his passion though, and he wanted to fully focus on that. 

Interview (from 10:04 to 11:30): Bojan discusses his acting career

Interview (2m 11s): Kaj pa Ester interview

Interview (2m 30s): Kaj pa Ester première

Article: Bojan on Kaj pa Ester

September 2022, Križanke:

The band got straight to work writing their second album, 'Demoni' ('Demons'), and decided to present it in September 2022 at Križanke, another hugely important venue in Slovenia. This whole concert wasn’t recorded, but we have an interesting advertisement they did for it, an interview and a clip of one song live from Križanke! 

Video (5m 4s): Full Joker Out Hotline trailers

Interview (2m 16s): Joker Out with parachutes to Križanke?

Live (4m 7s): 'Novi val' ('New wave') live at Križanke

Interview (44m 35s): Demoni album presentation

Another new member! 

After Križanke at the end of 2022, Martin Jurkovič, one of the founding members of the band, made the decision to leave to focus on his studies.

Video (2m 20s): Martin's departure

Thankfully, he was replaced by the wonderful Nace Jordan, who remains the bassist in the current lineup.

Article: Nace Jordan discusses joining the band

2023, Eurovision:

Joker Out were then internally selected to go to Eurovision 2023, and began recording their Eurovision song, 'Carpe Diem', in Hamburg in December 2022. To learn more, you can watch the Carpe Diem series, a documentary series which followed their entire journey. 

The first episode, recording Carpe Diem, can be found with subtitles in multiple languages by JokerOutSubs!

Video (16m 41s): Carpe Diem Ep. 1 - Hamburg

The band performed their song for the first time live on Misija Liverpool, a televised debut, on the 4th February 2023.

Video (27m): Joker Out performing at Misija Liverpool

There are quite literally hundreds of interviews with Joker Out during the Eurovision era. Here's one from just before the final, that we have translated.

Interview: Joker Out before the final on the 13th May

And a few English interviews that became famous in the fanbase! 

Interview (24m 29s): Eurovanja

Interview (8m 10s): Seize the Day situations

Interview (17m 18s): Tiktok Live

Interview (6m 30s): ‘Never have I ever’

Interview (14m 12s): Madrid Eurovision

Result

Joker Out came 21st at Eurovision, which they were satisfied with.

Interview (1m 36s): Bojan talks about their results

European tour and Sunny Side of London (22nd September)

Luckily, the best was still to come for Joker Out! The rest of 2023 was spent on an extremely successful European tour, and they also released their first English single, 'Sunny Side of London', in September. 

We at JokerOutSubs were also thrilled to interview the band twice on their tour!

Original Interview (15m 25s): JokerOutSubs interview in Tampere

Original Interview (14m 37s): JokerOutSubs interview in Poznań

6th of October 2023, Stožice:

All of this, however, was building up to Stožice. This is the biggest closed venue in Slovenia and Joker Out managed to sell out their October show there - an extremely important milestone for Slovenian artists. 

Interview (15m 4s): Stožice and their whirlwind post Eurovision career

Live: Full concert live-streamed part 1 and part 2

A lovely moment at Stožice was when former members Martin Jurkovič and Matic Kovačič joined the band onstage to perform 'Kot srce ki kri poganja'!

Interview (2m 4s): Martin and Matic discuss the experience

Interview (5m 9s): Joker Out post Stožice impressions

London era and Everybody’s Waiting: 

Joker Out spent the beginning of 2024 in London, where they wrote new music, did live cooking shows on Instagram and met the incredibly talented photographer, Damon Baker, who did a beautiful series of photoshoots with them. They also released their next English single, 'Everybody’s Waiting', in February. 

They sat down with us at JokerOutSubs to discuss all this on the 20th February!

Original Interview (59m 13s): JokerOutSubs interview in London

March and April 2024, ‘See you soon’ tour:

The boys then embarked on the ‘See you Soon’ tour, another very successful European tour. They played three new songs live during the tour, two of which we translated from the concert videos of our members!

Live:  First performance of 'Bluza' ('Blouse')

Live: First performance of the hugely popular 'Šta bih ja' ('What would I')

We at JokerOutSubs also interviewed the band a fourth time in Padova!

Original Interview (22m 7s): JokerOutSubs interview in Padova

Now you know a little bit about Joker Out’s history, let’s look a little bit at the members of the band as individuals! 

Who are the members?

Bojan Cvjetićanin - singer

Charming, charismatic and an all round green flag, deep down we’re all Bojan girlies! See him here on Cosmopolitan's Blind date, Portrait with Coffee and a lovely interview he did for Delo! 

Interview (8m 49s): Cosmopolitan's Blind date

Interview (18m 3s): Portrait with Coffee

Article: “If we believed that we were “kings”, that wouldn’t be us”

Jan Peteh - guitarist

The mysterious mathematician of the band, Jan and his cat Igor have stolen the hearts of the fanbase. Here he is on Undercover Mathematician and on Metropolitan podcast with ex bassist Martin! 

Interview (3m 26s): Undercover mathematician

Interview (43m 57s): Jan and Martin on Metropolitan podcast

Kris Guštin - guitarist

Known for his organisational expertise, 'slay pose' and 'cake baking skills,' Kris stays fabulous on and off stage!

Video (1m 5s): NGVOT backstory (Kris’ breakup) at Cvetličarna

Article: Interview with the entire Guštin family

Jure Maček - drummer

Described consistently by his band mates as ‘čaga’ (party), Jure brings a chaotic energy to Joker Out that we love to see!

Video (41s): Jure’s cheating (in school!) story

Interview (18m 3s): Sunday Chat on Radio 94

Nace Jordan - bassist

The oldest member of Joker Out, Nace is a genuine sweetheart who fit like a glove into Joker Out despite joining much later! 

Article: "Enriched by a special [Eurovision] experience"

Interview (18m 24s): Interview with JokerOutSubs in Umag

Get to know the whole band! 

They mostly do interviews together, so here are some of our favourites!

Interview (16m 52s): Vičstock Unplugged

Video (7m 3s): Joker Out pre-Križanke Instagram Q&A compilation

Interview (54m 42s): Multisciplinary panel at Bežigrad High School

Article: Joker Out for DELO

Article: Joker Out for Mladina magazine

Interview (6m 42s): Joker Out for RTV SLO

Interview (1h 1m): Joker Out for N1 podkast

We hope you’ve enjoyed learning a bit more about our favourite band! 

If you’d like even MORE translated interviews, articles and Instagram stories, you can find us on Tumblr, X, Facebook, Instagram, TikTok, YouTube and Spotify under the name JokerOutSubs!

P.S: If you wish to share this post with new fans, we also provided QR codes!

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the Nerima Wrecker Crews' Guide to Ranma Fandom for Newcomers

With the release this month of a brand new anime adaptation of the eighties manga Ranma ½, a lot of new fans are joining an older fandom that may leave them...confused about some details.

See, when the Ranma manga began in 1987, series creator Rumiko Takahashi was already solidly-established from her success with the runaway hit Urusei Yatsura. It only took two years for an anime adaptation to begin airing....for a mere eighteen episodes, before being canceled. If you go back to the '89 anime, you will almost certainly notice some drastic shifts in art style and tone from the first eighteen episodes to the remainder, and that's because only a single season was produced by Studio DEEN before production shifted to a new directorial crew, who dubbed the following season Ranma ½ Nettōhen (Fierce/Hot Battle Chapter).

The thing is, between the original eighteen episodes being made while the manga was still relatively early in its nine-year run, attempts to draw in better ratings by heavily promoting fan-favorite characters, a need for filler episodes to let the manga catch up to the pace of the anime's releases, and even the biases and friendships of the respective directors and writers...some things wound up being different.

And as a result, the Ranma ½ of the Eighties and Nineties is very different from what we're going to get with the 2024 anime. The 2024 series is based on a manga that had been finished for decades, and between the official releases so far and some unfortunate early leaks, it shows plenty of signs of being far more faithful to the original manga.

So, we of the Nerima Wreckers' Crew are here to introduce you to a few of the things you might run into as a new Ranma ½ fan exploring the existing fan content that has accrued over the past few decades!

Be aware: you're about to read spoilers for a four decades old manga. Questions about something that we don't cover in this post? Leave a comment asking for more, after the jump!

Something to get out of the way first: we're the NWC as an in-joke: as both Transformers and Ranma fans (and in some cases, fictive introjects), we wanted to combine the 'Wreckers' group name from Transformers with the English-language Ranma ½ fandom's nickname for the group of martial artists, students, teachers, monsters, and other characters who populate the series:

The Nerima Wrecking Crew.

The principal setting of Ranma ½ is Nerima, a ward of the metropolis of Tokyo. There are 23 special wards, and Nerima is a real-life one that is found in the northwest of Tokyo—in fact, it was the 23rd and final ward! In English-language communications, the local government identifies the ward as Nerima City, so that's how we'll speak of it here.

Nerima is a large city that still retains a very suburban, even exurban character stretching back to its history of farming. There are even still farms within the city limits, including at least one dairy farm last we checked! It's part of Tokyo, but it has a kid of old-fashioned peaceful character...that makes it the perfect place for anime characters to disrupt. That kind of disruption led the English-speaking fandom to dub our favorite crew of violent martial artists the "Wrecking Crew", presumably after their propensity to bust down walls and buildings.

A lot of anime and manga take place in Nerima. Takahashi's previous hit series Urusei Yatsura, the cat-robot classic All-Purpose Cultural Cat-Girl Nuku-Nuku, the anime adaptation of Stop!! Hibari-Kun, even Tokyo Ghoul...okay, some of these are not quite the same genre as the others.

This is often attributed to the large number of anime studios based in the city, but Ranma's adventures in Nerima have a special bond with the environment that seems to go beyond, stretching back to the original manga. Ranma is often seen walking along (or falling from) fencetops above canals just like the above image from Wikimedia, and scenes set in nearby parks map fairly well to specific ones in Nerima City, so we can generally assume that the neighborhood where the Tendō Dojo is found is roughly in the Ōizumi area along the Shirako River seen above.

More specifically, it's in an imaginary neighborhood somewhere nebulously within those boundaries, a neighborhood that parts of the older fandom know as Furinkan-chō, AKA "Furinkan Town", after the Furinkan High School that Ranma and Akane attend—drawing a connection to the more official identification of the cast of Urusei Yatsura as living in Tomobiki-chō and attending Tomobiki High School.

A sober, dignified edifice to education...populated by a bunch of martial arts lunatics.

Some of whom are probably going to be pretty different in the new anime!

Meet the principal of Furinkan High School. Yes, this is a native Japanese man. Yes, he has problems.

Principal, Headmaster, or in Japanese Kunō-kōchō (no given name provided) is, unfortunately, the unfortunate father of the equally unfortunate series mainstay Tatewaki Kunō. The Principal here visited the USA for a while in order to learn from our education methods and came back an even worse problem than he'd left, becoming obsessed with the trappings of Hawai'ian tourism and the English language. In the original Japanese, his dialogue is heavily peppered with random English words and phrases (and an obnoxious Woody Woodpecker-style laugh).

The thing is, it's hard to translate a character randomly speaking English...into English. So, the official English translations of the original manga and anime had the Principal badly pepper his speech with Hawai'ian Pidgin phrases. It's going to be a little while before he shows up in the new anime, so it's hard to say for sure how he'll be translated...but it probably won't be that. So, new fans: you're probably going to encounter a few fanworks where there's a random fake-Hawai'ian man threatening teenagers with bad haircuts.

Teenagers like Hikaru Gosunkugi.

This is Gosunkugi. You'll probably see him next season, because we're going to perform acts of supervillainy if they don't make a second season. He shows up pretty early on in the manga, and has an important role to play in a major storyline...but he didn't show up in the original anime for 94 episodes after he was supposed to appear.

What we got instead was Sasuke Sarugakure. There's some debate about exactly why the anime-only character Sasuke was added: a diminutive ninja with thick eyebrows, prominent whiskers, buck teeth, and a miserable lot in life as the Kunō family servant. Seemingly...the only servant. Sasuke's role in the original anime seemed to have been not only to fill in for Gosunkugi in an early storyline, but to act as a comedic foil to the overblown antics of the Kunō family—especially absurd since the anime took the already comical wealth of the Kunōs from the manga, and exaggerated it to an absurd degree that seems all the more ridiculous when you learn that Sasuke sleeps in the crawlspace and gets by on fewer than three meals a day.

Oddly, this characterization as a comically impoverished ninja is a recurring bit in Takahashi's stories: Urusei Yatsura featured the job-hunting missing-nin Kaede, and the last few volumes of the Ranma ½ manga introduced the threadbare kunoichi Konatsu.

Get used to this image. It's probably all you're going to see of Konatsu for a good few seasons...because the original anime never got to that part of the manga.

Konatsu is a thorny topic in the fandom due to matters of gender that aren't helped by the original anime never getting to those stories, and the original manga chapters taking forever to be available in English. What can definitely be said is that Konatsu A: identifies as a kunoichi, specifically a title for female ninja, and B: is AMAB.

But this is a series that's all about playing with gender.

For example...

The Girl. An anime-only episode of Nettōhen presented a story of Ranma taking a blow to the head, waking up not long after and insisting on actually being a girl—identifying her life as a boy as being something akin to a bad dream. This version of Ranma knows she was assigned male and turns back into a male body when splashed with hot water, but she demonstrates a visceral dysphoria about it that is painfully relatable. The episode's plot is concluded and the status quo is restored when the pacifistic girl is struck once more in the head at the end, restoring the Ranma who is a confident martial artist and self-identified man among men...but an increasing number of highly-rated fanworks reference this single-episode anime-only story.

This isn't the only time an anime-only episode touches on the idea of Ranma who is solely identified as a girl:

Ranma and the Evil Within starts off with Ranma joking about staying a girl forever, only for it to be taken seriously by the recurring problematic antagonist Happōsai (seriously, he's just the worst, and for some reason the original anime production team decided to make lots of anime-only episodes featuring him). A magic incense is brought into play, splitting off all the femnine 'yin' from Ranma's masculine 'yang'.

This split-off half is characterized as unbalanced, magically powerful, and a threat to Ranma's life. So of course, she looks sick as fuck. But just like The Girl, she's a one-off character. Don't worry: if the anime runs long enough to cover all the manga storylines, we'll still get a story about a female-only duplicate of Ranma. But it's going to be a little while.

Speaking of girls in Ranma ½, let's touch on Akane's female friends!

Mostly going unnamed in the manga, Akane has several female classmates and friends who received more prominent roles in the old anime.

(gif by @roseillith)

The two most notable of these are Yuka (lighter brown hair), and Sayuri (darker brown, often in a ponytail). These names do get called out in the old version of the anime, though they don't seem to have much personality beyond "girls who are friends with each other and Akane".

This role is sometimes filled by others in the old anime. It's much harder to find episodes where any other girls in the class are named, but due to two of them recurring, fanworks often bring them up as Akane's other friends:

Meet Asami (wavy shoulder-length hair) and Hiroko (short hair and freckles)...or is that Makoto and Shikako? Sources vary on these names, and English language websites disagree on which are the 'official' names. If anyone can track down an episode where either one is named on-screen, we'd appreciate it!

Akane isn't the only one with school friends: Ranma's got a few recurring acquaintances among the male students, as well.

In the old anime, these two are specifically named as Hiroshi (lighter colored hair and wider eyes) and Daisuke (dark hair and narrow eyes). They're often treated by both the source material and fanworks as Ranma's sole "normal" guy friends, and in general behave like stereotypical high school boys...including openly lusting after Ranma's girl form, even after they learn that she and the male Ranma are one and the same.

Hiroshi and Daisuke show up more consistently as a pair than Akane's friends in both the manga and the original anime, and fanworks often pair them romantically with Yuka and Sayuri. But even with how common Hiroshi, Daisuke, Yuka, and Sayuri are (down to their incredibly average names), they deserve mentioning for new fans...

...Because the new anime renamed them all! "Hiroshi" is now "Shingo" (しんご), "Daisuke" is now "Kiichi" (きいち), "Yuka" is now "Noriko" (のりこ), and "Sayuri" is now "Tomoyo" (ともよ).

That's it for now, because there's a brand new episode out that we haven't had a chance to watch while we wrap up this post on our lunch break. Until next time, this is the Nerima Wrecker Crew, signing off!